[Hornlist] Work(s) in progress
Hello listers I guess I am just curious - but maybe I'm not the only one. Wouldn't it be interesting to know what music we're working on just now - a sort of snapshot of repertoire covered by hornlisters at one moment of time. (It could be for a solo recital, a community band concert, a church service, a freelance gig, a pro orchestra concert, or whatever). Maybe we shouldn't count studies - we can take all that Kopprasch for granted. ...and not works that we're looking at just for interest (I'm getting to know the Gliére concerto at the moment - but I'll never play it in public!!). I can kick of with our community/amateur orchestra working on Beethoven's First Symphony and a selection of songs by Carl Michael Bellman. (In the wind section we're going to be working up Mozart's Serenade No. 11 in Eb.) All the best, Graham ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Work(s) in progress
Rigolette new production, Mahler no.3, Falstaff, Il Serail, Oberon Ouv. + Bruch double conc. for clarinet violin + Weber Clarinet conc. + Berlioz: Herold in Italy , Tosca, Der Freischuetz, Madame Buterfly, Bruckner no.7, Mahler no.6, Strauss: Don Juan, Till Ein Hundeleben, Mastersingers from Nuremberg, Billy Budd (Britten), Sacre de Printemps (Strawinsky), etc. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Graham Jarvis Sent: Tuesday, February 15, 2005 3:01 PM To: horn@music.memphis.edu Subject: [Hornlist] Work(s) in progress Hello listers I guess I am just curious - but maybe I'm not the only one. Wouldn't it be interesting to know what music we're working on just now - a sort of snapshot of repertoire covered by hornlisters at one moment of time. (It could be for a solo recital, a community band concert, a church service, a freelance gig, a pro orchestra concert, or whatever). Maybe we shouldn't count studies - we can take all that Kopprasch for granted. ...and not works that we're looking at just for interest (I'm getting to know the Gliére concerto at the moment - but I'll never play it in public!!). I can kick of with our community/amateur orchestra working on Beethoven's First Symphony and a selection of songs by Carl Michael Bellman. (In the wind section we're going to be working up Mozart's Serenade No. 11 in Eb.) All the best, Graham ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/hans%40pizka.d e ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Work(s) in progress
Doing some work on the Wendel Hoss arrangement of Bach Cello works for horn. More importantly trying to help the Dallas-Fort Worth Horn Club get itself established. (Side commercial, any horn players in the DFW area that aren't aware of the club drop me a note off line and I'll let you know how its going.) -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Graham Jarvis Sent: Tuesday, February 15, 2005 8:01 AM To: horn@music.memphis.edu Subject: [Hornlist] Work(s) in progress Hello listers I guess I am just curious - but maybe I'm not the only one. Wouldn't it be interesting to know what music we're working on just now - a sort of snapshot of repertoire covered by hornlisters at one moment of time. (It could be for a solo recital, a community band concert, a church service, a freelance gig, a pro orchestra concert, or whatever). Maybe we shouldn't count studies - we can take all that Kopprasch for granted. ...and not works that we're looking at just for interest (I'm getting to know the Gliére concerto at the moment - but I'll never play it in public!!). I can kick of with our community/amateur orchestra working on Beethoven's First Symphony and a selection of songs by Carl Michael Bellman. (In the wind section we're going to be working up Mozart's Serenade No. 11 in Eb.) All the best, Graham ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/bgross%40airmail.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Work(s) in progress
Semi-staged highlights from Barber of Seville, Don Carlos and Die Fledermaus this week. Saint-Saens 3rd symph, Bolero, Faure Pavane and Rhapsody in Blue next week. Mozart serenade for 13 (12 wind and bass;) ) and probably the Gounod petit symphony with a young chamber group that I help tutor and a new set with FuzzyLogic, a jazz 10-piece I play with (flogic.org). That's about it for the next couple of weeks. Robert -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Graham Jarvis Sent: 15 February 2005 14:01 To: horn@music.memphis.edu Subject: [Hornlist] Work(s) in progress Hello listers I guess I am just curious - but maybe I'm not the only one. Wouldn't it be interesting to know what music we're working on just now - a sort of snapshot of repertoire covered by hornlisters at one moment of time. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Work(s) in progress
Shosty 5, Kallinikov 1, Ives 2 (orchestra). Bach/Hoss Cello Suites, Poulenc Elegie, Dukas Villanelle. Stan C in NY -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Graham Jarvis Sent: Tuesday, February 15, 2005 9:01 AM To: horn@music.memphis.edu Subject: [Hornlist] Work(s) in progress Hello listers I guess I am just curious - but maybe I'm not the only one. Wouldn't it be interesting to know what music we're working on just now - a sort of snapshot of repertoire covered by hornlisters at one moment of time. (It could be for a solo recital, a community band concert, a church service, a freelance gig, a pro orchestra concert, or whatever). Maybe we shouldn't count studies - we can take all that Kopprasch for granted. ...and not works that we're looking at just for interest (I'm getting to know the Gliére concerto at the moment - but I'll never play it in public!!). I can kick of with our community/amateur orchestra working on Beethoven's First Symphony and a selection of songs by Carl Michael Bellman. (In the wind section we're going to be working up Mozart's Serenade No. 11 in Eb.) All the best, Graham ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/scorfman%40speakeasy.org ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Work(s) in progress
R. Strauss Horn Concerto No. 1 Lots if band music, including an arrangement of Shenandoah which prominently features the Horns. Timothy A. Johnson Information Technologies Northwestern College St. Paul, Minnesota http://tajohnson.org -Original Message- From: Graham Jarvis Sent: Tuesday, February 15, 2005 8:01 AM To: horn@music.memphis.edu Subject: [Hornlist] Work(s) in progress Wouldn't it be interesting to know what music we're working on just now - a sort of snapshot of repertoire covered by hornlisters at one moment of time. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Oil thread of screw rim mouthpiece?
Should I be putting valve oil or something else on the threads where the mouthpiece rim and cup screw together? Thanks in advance. Steve slowly progressing Freides ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Work(s) in progress
A sample: Brass Quintet (recital next week): Cheetham: Brass Menagerie Walker: Shaker Tunes Schmidt: Variations on an African-American Folk Song Woodwind Quintet (recital and tour in two weeks): Reicha: Op. 88#2 in Eb Fine: Partita Etler: Quintet #1 Farkas (Ferenc, not Philip): Old Hungarian Dances Orchestra (MLK concert Saturday): Hailstork: Celebration Copland: Fanfare for the Common Man Proto: Fantasy on The Saints Other: Spohr: Nonet (chamber music recital next week) Dan Phillips Professor of Horn, University of Memphis webmaster: http://music.memphis.edu ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Oil thread of screw rim mouthpiece?
From: Steve Freides [EMAIL PROTECTED] Subject: [Hornlist] Oil thread of screw rim mouthpiece? Should I be putting valve oil or something else on the threads where the mouthpiece rim and cup screw together? Valve oil isn't much of a lubricant, but it would probably be better than leaving the threads bare. I use the same thing there that I use on bell threads and valve caps - copper-based anti-seize compound. It lasts a long time, and is great for threaded stuff that doesn't need to be removed often, but when it *does* need to be removed, you wnat to be able to unscrew it. (I use it on bell threads for entirely different reasons.) Available at any auto parts store. A small container of it will last forever. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Trio by Balfe
Does anyone know of a horn trio by Balfe. Is is easily available - who is the publisher? Thanks, Lawrence þaes ofereode - þisses swa maeg http://lawrenceyates.co.uk ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: eBay Rauch horn
In a message dated 2/15/05 11:50:38 AM Eastern Standard Time, [EMAIL PROTECTED] writes: EBay has removed the item from the list. It's gone, but he's offered it to me for only 1000 GBP. Such a deal. I'm sending my agent to pick up the unit. If you'd like to screw with this guy his email address is: [EMAIL PROTECTED] (Mario Grasan) Hi, If you want to buy my unit i can sell it to you right now with 1000GBP including postage and packing to USA. If you agree my price please reply me. Thanks ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Work(s) in progress
Now: Mozart 3 Nocturno- F Strauss Portrait for Solo Horn - Matchett En Foret Hindemith 5tet Starting Next Week: Carmen Suite Cappriccio Espaniol- Rimsky-Korsakov Hungarian Dance No.5 - Brahms Concerto Aranjuez- Rodrigo Starting in March: (tentative) Haydn No. 4 Yay for no social life! Dave On 15 févr. 05, at 09:01, Graham Jarvis wrote: Hello listers I guess I am just curious - but maybe I'm not the only one. Wouldn't it be interesting to know what music we're working on just now - a sort of snapshot of repertoire covered by hornlisters at one moment of time. (It could be for a solo recital, a community band concert, a church service, a freelance gig, a pro orchestra concert, or whatever). Maybe we shouldn't count studies - we can take all that Kopprasch for granted. ...and not works that we're looking at just for interest (I'm getting to know the Gliére concerto at the moment - but I'll never play it in public!!). I can kick of with our community/amateur orchestra working on Beethoven's First Symphony and a selection of songs by Carl Michael Bellman. (In the wind section we're going to be working up Mozart's Serenade No. 11 in Eb.) All the best, Graham ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/morganp2%40msu.edu ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Work(s) in progress
My list is a bit short at the moment, which is a really nice thing for a break! * For Tonight: performing the Rhapsody for Horn, Percussion and Winds with the UCA Wind Ensemble * For next week's Arkansas Symphony masterworks concert: Coronation March, Violin concerto, and second symphony by Tchaikovsky * For next week's ASO Childrens' concerts: excerpts from Mussorgsky (Bald Mtn.), Dvorak (Serenade), 4th symphony (Tchaik) * For next month's Pinnacle Brass programs and/or recording: Ricochet (K. Turner), Suite Francaise (Bozza), Excursions (Troy Helm), Symphonia Sacra (Paul Dickinson), For Five (J-M Damase), Four Frescos for Five Brass (W. Francis McBeth) * For the Mid-South Horn Workshop, the second part on Haydn's Duo Concerto Happy Ides of February (a day of terror for those who forgot their Valentine!) Brent Brent A. Shires Horn Instructor, University of Central Arkansas Studio Phone: 501-450-5768 Cell Phone: 501-472-3350 email: [EMAIL PROTECTED] web: http://www.arkansashorn.org ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Work(s) in progress
Feb 26: Beethoven Symphony #3; John Williams Star Wars Suite for Orchestra; Holst The Planets, Beethoven Overture No..3 (Fidelio); Johann Strauss Blue Danube Waltz, Richard Strauss Also Sprach Zarathustra March 13: Haydn Symphony #103 in Eb Drum Roll; Korngold Concerto in C for Cello Opus 37; Tchaikovsky Variations on a Rococo Theme; Tchaikovsky Capriccio Italien, Opus 45 May 1: Mahler Symphony No 2, C Minor Resurrection [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Work(s) in progress
From the church (and totally amateur, but just happy to be playing) side of things: Psalm 23 and Alleluia from Paul Basler's Songs of Faith for choir, horn and piano with the Northville (Michigan) Concert Chorale. Ellen Woodard Ann Arbor, MI ** Electronic Mail is not secure, may not be read every day, and should not be used for urgent or sensitive issues. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Work(s) in progress
With a local community orchestra Pops Concert: Hymn and Triumphal March from Aida - Verdi An American in Paris Suite - Gershwin Washington Slept Here Overture - a commission piece by Allen Feinstein (local composer and Boston Conservatory faculty member) Shenandoah arr. Davis The Walzing Cat - Anderson El Capitan March - Sousa With our featured vocal soloist: Non so piu coas, cosa faccio from the Marraige of Figaro - Mozart Nobles seigneurs, salut from Les Huguenots - Meyerbeer Faites-lui mes aveux from Faust - Gounod Can't help lovin' that man from Showboat - Kern You'll never walk alone from Carousel -Rogers Mark L. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Work(s) in progress
Hello Bob, nobody noticed that I wrote Ein Hundeleben, ha, ha ! H.P. Maybe nobody cares ha, ha ! Mark L. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Work in Progress
Now, KOPPRASCH NO. 1 (slurred), KOPPRASCH NO. 1 (tongued), KOPPRASCH NO. 1 (slurred in E), KOPPRASCH NO. 1 (tongued in E), KOPPRASCH NO. 1 (slurred in Eb), KOPPRASCH NO. 1 (tongued in Eb), KOPPRASCH NO. 1 (slurred in D), KOPPRASCH NO. 1 (tongued in D), KOPPRASCH NO. 1 (slurred in Db), KOPPRASCH NO. 1 (tongued in Db), KOPPRASCH NO. 1 (slurred in C basso), KOPPRASCH NO. 1 (tongued in C basso), KOPPRASCH NO. 1 (slurred in H), KOPPRASCH NO. 1 (tongued in H), KOPPRASCH NO. 1 (slurred in Bb basso), KOPPRASCH NO. 1 (tongued in Bb basso), KOPPRASCH NO. 1 (slurred in C alto), KOPPRASCH NO. 1 (tongued in C alto), KOPPRASCH NO. 1 (slurred in Bb alto), KOPPRASCH NO. 1 (tongued in Bb alto), KOPPRASCH NO. 1 (slurred in A), KOPPRASCH NO. 1 (tongued in A), KOPPRASCH NO. 1 (slurred in Ab), KOPPRASCH NO. 1 (tongued in Ab), KOPPRASCH NO. 1 (tongued in G), KOPPRASCH NO. 1 (tongued in G), KOPPRASCH NO. 1 (slurred in F#), KOPPRASCH NO. 1 (tongued in F#) etc. Kindestest of Greetonings and Mostestest of Salivations, Prof. I. M. Gestopftmitscheist Principal 8th horn and Principal 4th Wagner Tuber, Schplittenotendorf am Oedland Staatsoper und Philharmoniker, (ret.) Solo Horn, Exit 2 Brass Quintet Hornist, Broken Winds WW Quintet Solo 4th Horn (Leader, call me for bookings), Smirnoff Horn Quartet Assistant Associate Principal Mellophone, NJ Turnpike Authority Drum and Bugle Corps, The Phantom Lane Changers Hornist as Needed, L'Ensemble du Chambre des Palourdes Principal Natural Horn, I Soloisti di Feces Principal Baroque and Hunting Horn, Camarata Vongoleforte Adjunct, Part-time, Arms-length Professor of Horn and Pest Control, Exit 2 Community College, Exit 2, NJ Author, The Kopprasch Connection, Kopprasch for Fun and Profit, Kopprasch for the New Millenium: Where Do you Fit In? Hooked on Hornonics, and What If Saddam Had Given Ouday and Qusay Olds Ambassador or Conn Pan American Single F Horns and a Kopprasch Book Instead of AK 47's, Booze and Porn? Founder, Director and CEO, Universal Institute for the Study, Preservation and Dissemination of Kopprasch Throughout the Solar System Founder and Guru Extraordinaire, Hornaholics Anonymous Grand Poobah of the Koppraschian Kult Director and Program Manager, The All Kopprasch Channel (AKC), Kopprasch Public Radio (KPR) Host of The Kopprasch Factor on AKC and All Kopprasch Considered on KPR Founder of Kopprasch Depot, your one stop shop for all you need! Interplanetarily Known Soloist and Artist of Record Exclusive Bundy, Carl Fischer, Olds Ambassador, Sansone and Conn Artist Who Does Not Get His Horns For Free Phone: yes Fax: yes E-mail: yes Website: no A Kopprasch a day keeps the conductor away. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Work in Progress
Hans wrote: ! Had my highest Long Call Oct.1st, 1969 at the 4.100 meters pass between Chile Argentina. Now, I am thinking this is not such the biggestestest of dealerations because we all made the highestest of calls (and everything else for that matter) back in the '60s, don't you think? Coolestest of Greetonings and Mostestest of Groovings, Prof. I. M. Gestopftmitscheist Principal 8th horn and Principal 4th Wagner Tuber, Schplittenotendorf am Oedland Staatsoper und Philharmoniker, (ret.) Solo Horn, Exit 2 Brass Quintet Hornist, Broken Winds WW Quintet Solo 4th Horn (Leader, call me for bookings), Smirnoff Horn Quartet Assistant Associate Principal Mellophone, NJ Turnpike Authority Drum and Bugle Corps, The Phantom Lane Changers Hornist as Needed, L'Ensemble du Chambre des Palourdes Principal Natural Horn, I Soloisti di Feces Principal Baroque and Hunting Horn, Camarata Vongoleforte Adjunct, Part-time, Arms-length Professor of Horn and Pest Control, Exit 2 Community College, Exit 2, NJ Author, The Kopprasch Connection, Kopprasch for Fun and Profit, Kopprasch for the New Millenium: Where Do you Fit In? Hooked on Hornonics, and What If Saddam Had Given Ouday and Qusay Olds Ambassador or Conn Pan American Single F Horns and a Kopprasch Book Instead of AK 47's, Booze and Porn? Founder, Director and CEO, Universal Institute for the Study, Preservation and Dissemination of Kopprasch Throughout the Solar System Founder and Guru Extraordinaire, Hornaholics Anonymous Grand Poobah of the Koppraschian Kult Director and Program Manager, The All Kopprasch Channel (AKC), Kopprasch Public Radio (KPR) Host of The Kopprasch Factor on AKC and All Kopprasch Considered on KPR Founder of Kopprasch Depot, your one stop shop for all you need! Interplanetarily Known Soloist and Artist of Record Exclusive Bundy, Carl Fischer, Olds Ambassador, Sansone and Conn Artist Who Does Not Get His Horns For Free Phone: yes Fax: yes E-mail: yes Website: no Kopprasch is the best high! ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Ebay Rauch for scam
Yes, please do 'screw' with this guy. I have done the same and hope to have this 'agent'(which is this individual himherself of course) come and pick up the $$$. The more we do this, the more these guys will realize the futility of this action and stop this nonsense. I realize there are MOST who don't want to get 'involved'. To me, that's the 'weenie' way out. Stand up and help fight this crap. Jim ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Re: Work in Progress
Poulenc: Elegie (In memory of Denis Brain) Bach (Johann Sebastian): 6 Suites Feb 27th Civic Orchestra of Tucson concert (principal horn, recreation of 30 year concert): Gould: Pavanne Schubert: Unfinished Symphony No. 8 Anderson: Serenata (nice horn solo there) Dorati: La Vie Parisienne (Our conductor is determined to get a speeding ticket) Strauss: Emperor Waltz Copland: An Outdoor Overture. Handel: Prelude and Fugue in D Minor March 31 and April 8 Brass Quintet concert (music TBD). Loren \@() [EMAIL PROTECTED] (520) 403-6897 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Re: Work in Progress
But why didn´t you ask me how high the call was ? Frankly, it sounded like a toy trumpet in this thin air. Or do you suggest that Chile Argentina were altered names for left right .. the call between . Yeah, yeah, the SIXTIES, and SEVENTIES, and EIGHTIES, and ... Height is not the most important, while the style of the performance if there is still a performance . Kids, use the delete key now ! = -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: Tuesday, February 15, 2005 8:07 PM To: horn@music.memphis.edu Subject: [Hornlist] Re: Work in Progress Hans wrote: ! Had my highest Long Call Oct.1st, 1969 at the 4.100 meters pass between Chile Argentina. Now, I am thinking this is not such the biggestestest of dealerations because we all made the highestest of calls (and everything else for that matter) back in the '60s, don't you think? Coolestest of Greetonings and Mostestest of Groovings, Prof. I. M. Gestopftmitscheist Principal 8th horn and Principal 4th Wagner Tuber, Schplittenotendorf am Oedland Staatsoper und Philharmoniker, (ret.) Solo Horn, Exit 2 Brass Quintet Hornist, Broken Winds WW Quintet Solo 4th Horn (Leader, call me for bookings), Smirnoff Horn Quartet Assistant Associate Principal Mellophone, NJ Turnpike Authority Drum and Bugle Corps, The Phantom Lane Changers Hornist as Needed, L'Ensemble du Chambre des Palourdes Principal Natural Horn, I Soloisti di Feces Principal Baroque and Hunting Horn, Camarata Vongoleforte Adjunct, Part-time, Arms-length Professor of Horn and Pest Control, Exit 2 Community College, Exit 2, NJ Author, The Kopprasch Connection, Kopprasch for Fun and Profit, Kopprasch for the New Millenium: Where Do you Fit In? Hooked on Hornonics, and What If Saddam Had Given Ouday and Qusay Olds Ambassador or Conn Pan American Single F Horns and a Kopprasch Book Instead of AK 47's, Booze and Porn? Founder, Director and CEO, Universal Institute for the Study, Preservation and Dissemination of Kopprasch Throughout the Solar System Founder and Guru Extraordinaire, Hornaholics Anonymous Grand Poobah of the Koppraschian Kult Director and Program Manager, The All Kopprasch Channel (AKC), Kopprasch Public Radio (KPR) Host of The Kopprasch Factor on AKC and All Kopprasch Considered on KPR Founder of Kopprasch Depot, your one stop shop for all you need! Interplanetarily Known Soloist and Artist of Record Exclusive Bundy, Carl Fischer, Olds Ambassador, Sansone and Conn Artist Who Does Not Get His Horns For Free Phone: yes Fax: yes E-mail: yes Website: no Kopprasch is the best high! ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/hans%40pizka.d e ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Work(s) in progress
Within the next month This week: Berlioz: Beatrice and Benedict Rachmaninoff 2nd piano concerto Prokofiev Romeo and Juliet suites sunday morning I'm doing my quarterly offertory hymn arrangement, which I need to finish tomorrow. next week (chamber orch) Mozart Violin concerto 3 Brahms 2nd serenade then some pops stuff we don't have yet YPC week (firebird, harry potter music, a few easier things) plus our usual run-out concert music (Dvorak czech suite, Mozart 34, Glinka Kamarinska, etc) Brahms requiem Shane McLaughlin 2nd, Knoxville ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re: Wilder, man
Ha! That reminds me... At a masterclass here last week with Greg FLint of UW-Milwaukee, there was discussion about the music of Alec Wilder and how one of it's difficulties is the changing of styles within the music. Mr. Flint told an anecdote how he met a relative of, IIRC, John Barrows, whom the music was often written for, at an art gallery on his and his wife's honeymoon. He said how he heard many many stories of Alec Wilder and John Barrows and his wife chimed in and said Maybe you have to be really high to understand the music!! Chris --- [EMAIL PROTECTED] wrote: Hans wrote: ! Had my highest Long Call Oct.1st, 1969 at the 4.100 meters pass between Chile Argentina. Now, I am thinking this is not such the biggestestest of dealerations because we all made the highestest of calls (and everything else for that matter) back in the '60s, don't you think? Coolestest of Greetonings and Mostestest of Groovings, Prof. I. M. Gestopftmitscheist Principal 8th horn and Principal 4th Wagner Tuber, Schplittenotendorf am Oedland Staatsoper und Philharmoniker, (ret.) Solo Horn, Exit 2 Brass Quintet Hornist, Broken Winds WW Quintet Solo 4th Horn (Leader, call me for bookings), Smirnoff Horn Quartet Assistant Associate Principal Mellophone, NJ Turnpike Authority Drum and Bugle Corps, The Phantom Lane Changers Hornist as Needed, L'Ensemble du Chambre des Palourdes Principal Natural Horn, I Soloisti di Feces Principal Baroque and Hunting Horn, Camarata Vongoleforte Adjunct, Part-time, Arms-length Professor of Horn and Pest Control, Exit 2 Community College, Exit 2, NJ Author, The Kopprasch Connection, Kopprasch for Fun and Profit, Kopprasch for the New Millenium: Where Do you Fit In? Hooked on Hornonics, and What If Saddam Had Given Ouday and Qusay Olds Ambassador or Conn Pan American Single F Horns and a Kopprasch Book Instead of AK 47's, Booze and Porn? Founder, Director and CEO, Universal Institute for the Study, Preservation and Dissemination of Kopprasch Throughout the Solar System Founder and Guru Extraordinaire, Hornaholics Anonymous Grand Poobah of the Koppraschian Kult Director and Program Manager, The All Kopprasch Channel (AKC), Kopprasch Public Radio (KPR) Host of The Kopprasch Factor on AKC and All Kopprasch Considered on KPR Founder of Kopprasch Depot, your one stop shop for all you need! Interplanetarily Known Soloist and Artist of Record Exclusive Bundy, Carl Fischer, Olds Ambassador, Sansone and Conn Artist Who Does Not Get His Horns For Free Phone: yes Fax: yes E-mail: yes Website: no Kopprasch is the best high! ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/tedesccj%40yahoo.com __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Ein Hundeleben
That was written by Richard's best friend, Rex? Timothy A. Johnson Information Technologies Northwestern College St. Paul, Minnesota http://tajohnson.org -Original Message- From: [EMAIL PROTECTED] Ein Hundeleben ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Ein Hundeleben
On Tue, 15 Feb 2005 [EMAIL PROTECTED] wrote:
That was written by Richard's best friend, Rex?
Might have been Hugo Woof.
{ David Goldberg: [EMAIL PROTECTED] }
{ Math Dept, Washtenaw Community College }
{ Ann Arbor Michigan }
___
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Re: [Hornlist] Ein Hundeleben
I think you're mistaking it for the Barkarolle from Tales of Arfman. On Feb 15, 2005, at 2:39 PM, David Goldberg wrote: On Tue, 15 Feb 2005 [EMAIL PROTECTED] wrote: That was written by Richard's best friend, Rex? Might have been Hugo Woof. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Ein Hundeleben
From: David Goldberg [EMAIL PROTECTED] On Tue, 15 Feb 2005 [EMAIL PROTECTED] wrote: That was written by Richard's best friend, Rex? Might have been Hugo Woof. Or by Carl Barks. Klaus ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Works in Progress
Nice to hear that so much music is being performed. I just finished a performance of Carmen at the opera house about 40 minutes ago (with list member Mike Roberts on solo horn). Over the weekend we did a live recording of the Verdi Requiem from the Aachen Cathedral (a wonderful 1,200 year old acoustic). The next two days are devoted to Mozart's Die Entführung aus dem Serail, Friday is our last Rosenkavalier (the 16th this season, but I'll still miss it), Carmen again on Sunday, and Monday brings a Czech program in the concert hall (Taras Bulba by Janacek, etc.). Bill Melton Hauset (B) / Sinfonie Orchester Aachen (D) ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Ein Hundeleben
Or maybe by Johann Sebastian Bark Paul Mansur From: David Goldberg [EMAIL PROTECTED] On Tue, 15 Feb 2005 [EMAIL PROTECTED] wrote: That was written by Richard's best friend, Rex? Might have been Hugo Woof. Or by Carl Barks. Klaus ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/p_mansur1%40comcast.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Work(s) in progress
Orchestra #1 Aida - Finale, Act II, Barber of Seville Overture, Polyvetsian Dances (selections), Danse Bacchanale, and various scenes and aria's including Ella giammai m'amo! from Don Carlo. Orchestra #2 Still, African American Symphony and a selection of aria's and some rather poorly arranged medley's. (Other than the Still our parts are rather dull I'm afraid, but I'm told the soloist is excellent so I'm looking forward to hearing him.) This group has a more interesting program coming up that we just got the music for. They've actually rented film music for our pops concert instead of playing the same old tired arrangements. Recital Frackenpohl - March from 3 pieces for solo horn, Mozart - Concerto #2, Saint-Saens - Morceau de Concert, Schultz - Dragons in the Sky (Horn, Percussion and Tape), Kerry Turner - Americana (with students). Bill Schaffer Dr. William R. Schaffer B.M.E., M.M., D.M.A. Associate Professor Horn/Theory Department of Music Auburn University Auburn, AL 36849-5420 [EMAIL PROTECTED] http://www.auburn.edu/~schafwr Studio - (334) 844-3187 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re: eBay Rauch horn
I E-mailed this guy yesterday and told him since the horn was in London I would like my uncle to drop by and check it out, Today I got the same reply that he would sell it to me for £1000 including shipping to USA. John Wilber ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Ein Hundeleben
In a message dated 2/15/2005 4:59:25 PM Central Standard Time, [EMAIL PROTECTED] writes: Or maybe by Johann Sebastian Bark Paul Mansur Paul ... you may be thinking about the guy that wrote the Star Spaniel Banner. Regards, Jerry in Kansas City ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Ein Hundeleben
This old post by cabbage ought to end this right here... # Shane McLaughlin, keeper of Cabbage utterances, seems surprised that his dog sings when he practices horn. That is, when Shane practices horn. He does not indicate whether the dog responds appropriately to suitable manipulations of a horn club. (Be careful if your dog belongs to a Kennel Club.) To find out what should be done, take a closer look at the dog. Is this a valvedog, or, as the French would say, a Cur a Pistons? Or is it the valveless Cur d'Orchestre? Or is it an old- fashioned brand such as the Wiener Dog, favored by the Vienna Philharmonic? Now listen to the dog. Is it producing high-pitched whining, referred to as collieratura? Does your dog sing in the low register, in poodle tones? Or is your hound an ordinary muttso-soprano? Does your dog bark behind a screen? If so, you may be confident that what your dog is trying to communicate is THANK YOU VERY MUCH. NEXT! Of course, dogs have an ancient and honorable connection with music. One of Orlando di Lasso's most touching songs is Bon jour, mon cur. Who, despite much effort, could ever forget Pachelbel's Canine? Dogs made early appearances on the opera stage in L'Incoronazione di Puppeo by Mutteverdi, as well as Purcel's Fido and Aeneus. J. S. Bark never wrote an opera, but he did write Wachet Arf. How about Donizetti's comic masterpiece, Les fleas du regiment? And Offenbach's Tails of Hoffman, with its superb barkarolle? Perhaps the most famous musical dog of the ninteenth century was Marke, a large Newfoundland owned by Richard Wagner. This dog both sang and played horn! In the first Ring Cycles at Bayreuth, he sang Hunding in Walkuere, and played the long Ruf in Siegfried! He also created one of the title roles in the opera Tristan Hund Isolde. The audience at the premier so admired his bellen canto style that they insisted he give a dozen solo bows! You can be sure that his tone, whether playing horn or singing, was both well-centered and woofy. Of course, Wagner was not alone in using dogs in music. For example, consider Schummann's Puppillon, Brahms' Hydrant Variations, Richard Strauss's Ein Houndenleben, Mahler's Das Leash von der Erde, Debussy's Une bark sur l'ocean, Ravel's Rhapsody espaniel, Hindemith's Mathias the Pointer, Canina Burana by Carl Arf, Schoenberg's Purina lunaire, and A Ceremony of Growls by Benjamin Bitten, not to mention the songs of Hugo Woof. Igrr Stravinsky, encouraged by the Russian impressario, Sergei Doggylev, composed a remarkable series of dog-related works, including L'Oiseau de Fur, Poochinella, Bowser de la Fee, and, of course, Oedipus Rex, an opera about the most famous dog in Greek mythology. Unfortunately, if your dog is aware of all this history, it is likely to continue howling. If you get tired of this, just repeat Ciao, Dog! many times, so that your dog can figure out you really mean business. Gotta go, Chou ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Work(s) in porgree
Just finished : Hanson 2nd Symphony, Noah Taylor Marimba Concerto (a new piece by an alumni, very well written and fun for the horns, the Marimba player keeps busy!), and Billy the Kid Now working on : Sibelius 2nd Symphony, Night on Bald Mountain in orchestra. Meijj Lord of the Rings Symphony, When Jesus Wept, Festivo de Pacifico (spelling? Music is not in front of me), Dance Movements by Phillip Sparke, and Ives Country Band March in band. Cheetam Scherzo, Renaissance Dances, That's a Plenty, and Two Ayres for Cornettes and Sagbutts in Quintet. My quartet is looking at Konzertstucke at the moment. And we are looking at Gabrielli's Canzona Dudecemi Toni in Brass Choir. Michael Moore Student, Capital University ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Ein Hundeleben
Have you heard the recording of it with Sir Thomas Bitchem and the Concertgebouwow Orchestra? Steven Ovitsky Sotone Historic Recordings www.sotone.com [EMAIL PROTECTED] writes: Or maybe by Johann Sebastian Bark Paul Mansur Paul ... you may be thinking about the guy that wrote the Star Spaniel Banner. Regards, Jerry in Kansas City ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re: Work in Progress
[EMAIL PROTECTED] wrote: Now, KOPPRASCH NO. 1 (slurred), KOPPRASCH NO. 1 (tongued), KOPPRASCH NO. 1 (slurred in E), KOPPRASCH NO. 1 (tongued in E), KOPPRASCH NO. 1 (slurred in Eb), KOPPRASCH NO. 1 (tongued in Eb), KOPPRASCH NO. 1 (slurred in D), KOPPRASCH NO. 1 (tongued in D), KOPPRASCH NO. 1 (slurred in Db), KOPPRASCH NO. 1 (tongued in Db), KOPPRASCH NO. 1 (slurred in C basso), KOPPRASCH NO. 1 (tongued in C basso), KOPPRASCH NO. 1 (slurred in H), KOPPRASCH NO. 1 (tongued in H), KOPPRASCH NO. 1 (slurred in Bb basso), KOPPRASCH NO. 1 (tongued in Bb basso), KOPPRASCH NO. 1 (slurred in C alto), KOPPRASCH NO. 1 (tongued in C alto), KOPPRASCH NO. 1 (slurred in Bb alto), KOPPRASCH NO. 1 (tongued in Bb alto), KOPPRASCH NO. 1 (slurred in A), KOPPRASCH NO. 1 (tongued in A), KOPPRASCH NO. 1 (slurred in Ab), KOPPRASCH NO. 1 (tongued in Ab), KOPPRASCH NO. 1 (tongued in G), KOPPRASCH NO. 1 (tongued in G), KOPPRASCH NO. 1 (slurred in F#), KOPPRASCH NO. 1 (tongued in F#) etc. What? No H alto? You never know when it will come in handy ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Vienna Philharmonic horns...
I recently checked out the horn section listing for the Vienna Phil and this is what I came up with: Wolfgang Tomböck, - 1st horn (Jungwirth) Ronald Janezic, - 1st horn (Yamaha) Lars Michael Stransky, - 1st horn (Wiener Produktiv-Genossenschaft) Willibald Janezic, - 2nd horn (Yamaha) Volker Altmann, - 2nd horn (Yamaha) Thomas Jöbstl, - 2nd horn (Yamaha) Günter Högner, - 3rd horn (Yamaha) Wolfgang Vladar, - 3rd horn (Jungwirth) Roland Horvath, - 4th horn (Jungwirth) Friedrich Pfeiffer, - 4th horn (Jungwirth) What I was wondering, was what model of Yamaha they mainly play on, and also, for which works do they typically use the Vienna horn for and when do they switch to the double/triple or whichever they use? I'm not too familiar with what they play but would love to hear some info on what they use and when. I've been comparing a lot of the U.S. orchestra sounds(Chicago, Boston, New York, San Fran) to those of Europe (Berlin Phil, Vienna Phil, London Symphony/Phil, etc...). I find it interesting to hear about what horns different orchestras play on to produce the distinct and different types of horn sounds that they do. Well if anyone is of any help, please post. Thanks Jason ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Philharmonic horns...
Hi Jason, The Yamaha Vienna Horn is the model YHR-801. I believe Yamaha made a run of about 85 or so of this model and a few (2?) made it to the U.S. I believe the VPO has a set of at least four. I have one in my collection. I understand the parts were made in Japan and then assembled in Vienna and, IMHO, they are top of the line Vienna Horns. Regards, Jerry in Kansas City ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re: Work(s) in progress
Orchestra #1 Rachmaninoff - Symphonic Dances (love it!) Schumann - Konzertstuck for Four Horns Upcoming: Mahler - Symphony #9 Orchestra #2 Current: Prokofieff - Classical Symphony Brahms - Piano Concerto #1 Upcoming: Dvorak - Symphony #7 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Vienna Philharmonic horns...
Yamaha makes a Vienna horn, it's just not on the US market. I think if you check out their Europe site or at least their Austrian site, it should be up there. I have a Bill Kuyper (pardon the spelling) recording of the Britten Serenade and in the program notes, it says that the first and last parts are played with a Yamaha natural horn. I've always wished they would market everyone one of their instruments in the US. If you check out their other sites, you see that they offer a very beautiful lacquered 667V with a garland. While you can probably still get one, it's a huge hassle. I'm not positive of this, but they offered a custom single B-flat model that Thomas Bacon plays on. Chris --- [EMAIL PROTECTED] wrote: I recently checked out the horn section listing for the Vienna Phil and this is what I came up with: Wolfgang Tomböck, - 1st horn (Jungwirth) Ronald Janezic, - 1st horn (Yamaha) Lars Michael Stransky, - 1st horn (Wiener Produktiv-Genossenschaft) Willibald Janezic, - 2nd horn (Yamaha) Volker Altmann, - 2nd horn (Yamaha) Thomas Jöbstl, - 2nd horn (Yamaha) Günter Högner, - 3rd horn (Yamaha) Wolfgang Vladar, - 3rd horn (Jungwirth) Roland Horvath, - 4th horn (Jungwirth) Friedrich Pfeiffer, - 4th horn (Jungwirth) What I was wondering, was what model of Yamaha they mainly play on, and also, for which works do they typically use the Vienna horn for and when do they switch to the double/triple or whichever they use? I'm not too familiar with what they play but would love to hear some info on what they use and when. I've been comparing a lot of the U.S. orchestra sounds(Chicago, Boston, New York, San Fran) to those of Europe (Berlin Phil, Vienna Phil, London Symphony/Phil, etc...). I find it interesting to hear about what horns different orchestras play on to produce the distinct and different types of horn sounds that they do. Well if anyone is of any help, please post. Thanks Jason ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/tedesccj%40yahoo.com __ Do you Yahoo!? Yahoo! Mail - Find what you need with new enhanced search. http://info.mail.yahoo.com/mail_250 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re: Work(s) in progress
Oh, and the Brahms Horn Trio coming up in June... - Original Message - From: Dave Tuttle [EMAIL PROTECTED] To: The Horn List horn@music.memphis.edu Sent: Tuesday, February 15, 2005 8:44 PM Subject: Re: [Hornlist] Re: Work(s) in progress Orchestra #1 Rachmaninoff - Symphonic Dances (love it!) Schumann - Konzertstuck for Four Horns Upcoming: Mahler - Symphony #9 Orchestra #2 Current: Prokofieff - Classical Symphony Brahms - Piano Concerto #1 Upcoming: Dvorak - Symphony #7 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/cairnman%40wisetec.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RE: Works in Progress
I'm one of those rank (or unranked) amateurs who is enjoying getting reacquainted with my horn after a 45 year hiatus, playing in a Community College band and a separate Community band. In one or the other, we're working on: 1st horn (Community band)- Rondo from Mozart's 4th horn concerto - arr.Jerry Lanning (My first solo in about 50 years!) Tschaikowsky's (sic) Caprice Italien - arr. L.P. Laurendeau Hoagy Carmichael in Concert - arr. Warren Barker Gershwin's Porgy and Bess selection - arr. Russell Bennett 2nd horn (Community College band) - Finale from Dvorak's New World Symphony Aaron Copeland's Lincoln Portrait Holst's Mars Gliere's Russian Sailors Dance from The Red Poppy harswoodhorn ** message: 7 date: Tue, 15 Feb 2005 15:01:15 +0100 from: Graham Jarvis [EMAIL PROTECTED] subject: [Hornlist] Work(s) in progress Hello listers I guess I am just curious - but maybe I'm not the only one. Wouldn't it be interesting to know what music we're working on just now - a= sort of snapshot of repertoire covered by hornlisters at one moment of tim= e. (It could be for a solo recital, a community band concert, a church ser= vice, a freelance gig, a pro orchestra concert, or whatever). Maybe we shouldn't count studies - we can take all that Kopprasch for grant= ed.=20 and not works that we're looking at just for interest (I'm getting to kn= ow the Gli=E9re concerto at the moment - but I'll never play it in public!!= ). I can kick of with our community/amateur orchestra working on Beethoven's F= irst Symphony and a selection of songs by Carl Michael Bellman. (In the win= d section we're going to be working up Mozart's Serenade No. 11 in Eb.) All the best, Graham ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Vienna Philharmonic horns...
They play their pumpenhorns for everything. You should listen to the new CD Vienna Horns watch out for Thomas Joebstl´s playing. It beats everybody, really. - Very few times they use a double or a descant for extreme pieces, but i have not seen them using it recently. Very few times means really very very few times a year, not a month or week. = -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: Wednesday, February 16, 2005 4:49 AM To: horn@music.memphis.edu Subject: [Hornlist] Vienna Philharmonic horns... I recently checked out the horn section listing for the Vienna Phil and this is what I came up with: Wolfgang Tomböck, - 1st horn (Jungwirth) Ronald Janezic, - 1st horn (Yamaha) Lars Michael Stransky, - 1st horn (Wiener Produktiv-Genossenschaft) Willibald Janezic, - 2nd horn (Yamaha) Volker Altmann, - 2nd horn (Yamaha) Thomas Jöbstl, - 2nd horn (Yamaha) Günter Högner, - 3rd horn (Yamaha) Wolfgang Vladar, - 3rd horn (Jungwirth) Roland Horvath, - 4th horn (Jungwirth) Friedrich Pfeiffer, - 4th horn (Jungwirth) What I was wondering, was what model of Yamaha they mainly play on, and also, for which works do they typically use the Vienna horn for and when do they switch to the double/triple or whichever they use? I'm not too familiar with what they play but would love to hear some info on what they use and when. I've been comparing a lot of the U.S. orchestra sounds(Chicago, Boston, New York, San Fran) to those of Europe (Berlin Phil, Vienna Phil, London Symphony/Phil, etc...). I find it interesting to hear about what horns different orchestras play on to produce the distinct and different types of horn sounds that they do. Well if anyone is of any help, please post. Thanks Jason ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/hans%40pizka.d e ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Works (this concert season)
The good stuff from seven ensembles- Chamber Orchestra: Carl Orff- Carmina Burana (w/ choir) Williams, Ralph V.- Three Preludes on a Welsh Hymn Tune Williams, R.V.- The Lark Ascending Bortniansky- Concerto in D Major (for Bandura) Oliynyk- Concerto for Bandura Orchestra: Herold,Louis- Zampa Overture Bruch- Swedish Dances, Op. 63 Rodgers, Richard- Victory at Sea Nicholai- Overture to the Merry Wives of Windsor Mussourgsky- Pictures at an Exhibition Shubert- Symphony #4 Suppe- Overture Poet Peasant Schubert- Rosamunde Overture Dvorak- Serenade Bernstein- West Side Story Herbert- March of the Toys Tschaikowsky- Marche Slave Tschaikowsky- Symphony #6 (3rd mov.) Saint-Saens- Danse Macabre Delius- Walk to the Paradise Garden Berlioz- Hungarian March Mozart- Symphonies 1 and 41 Concert Band: Williams, Ralph V.- Folk Song Suite Jacob, Gordon- An Original Suite Holst- First Suite in Eb Holst- Second Suite in F Holst- Moorside March Zawinal- Birdland Hosay- Black Granite 3 Duble- Bravura Smetana- Dance of the Comedians Hagen- Harlem Nocturne LaPlante- In the Forest of the King Sousa- Nobles of the Mystic Shrine Chattaway- Parade of the Tall Ships Simons- The Peanut Vendor Gershwin- Porgy and Bess (highlights) Ticheli- Postcard Ticheli- Amazing Grace Osterling- Ragtime Revue Reineke- Where Eagles Soar Roost,Jan van der- Arsenal Brosse- Tintin (suite from the musical) Haan, Jacob de- La Storia Haan- Ammerland Haan- Ross Roy Haan- Concerto D'Amore I admire the prolific and gifted young wind ensemble composer, Jacob de Haan (www.jacobdehaan.com); recommended: his brilliant and heroic Ross Roy... great horn parts. Brosse's Tintin has great horn parts, including a dolce, slow horn solo-- highly recommended. __ Do you Yahoo!? The all-new My Yahoo! - What will yours do? http://my.yahoo.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
