[lace] Re Rannsom Dilligham.. transported. Botany Bay .......Inscription wrong?

2016-10-16 Thread Brian Lemin
I am doing research on this bobbin as the Higgins has granted approval to
use their image in the Dictionary.

 

I seem to remember that when I first raised this a member wrote and gave me
some information on the inscription being wrong.

 

Can you drop me those corrections again please, as I can only find a RICHARD
DILLINGHAM  VAN DIEMAN"S LAND in the convict records.

 

Sorry about that, at the time I should have recorded it but I did not.

 

Brian

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Re: [lace] Linen thread

2016-10-16 Thread lacel...@frontier.com
Not all brands of linen are the same.  I used Fresia brand linen in the
tablecloth I finished this year.  It was quite smooth.  The few slubs were
far apart.  I think the Fresia thread was made for lacemaking.  The linen
that is full of slubs was probably made for weaving, and the slubs were
intentional for texture.

Alice in Oregon

On Sunday, October 16, 2016 1:59 PM, Susan  wrote:


 Thank you Adele!  I particularly appreciate your reference to linen clothing
as there as some very fine linen clothes out there.  Beautiful to wear &
launder--& they last for years.  Others are unsuitable for much of anything &
they don't last long even on delicate cycle!  So It seems that finely spun
linen thread is currently available for high-quality dressmaking.  I was just
hoping that there might be a discernible difference among thread brands for
our purposes.  Slubs are less egregious in 40/2 thread where the lace is more
robust, but from my perspective, they aren't welcome in 90/2 for finely
textured lace.  I won't name names, but the one I used is well known & not
cheap stuff.  Bummer.  Thanks again for the wake up call.  You can probably
tell that I use more cotton & silk thread.  ;-)  Still growling, Susan
Hottle USA

Sent from my iPad

> On Oct 16, 2016, at 4:14 PM, Adele Shaak  wrote:
>
> 
> I must say that I love to use linen thread and I don’t notice the slubs in
the finished lace. Maybe I’m just so used to them, maybe it’s because
mangling makes the lace look different, maybe they just don’t bug me the way
they do you. I don’t know! You’re right in thinking that you will risk
breaking the thread by picking out the slub. The thread will also be less
twisted in the place where the slub used to be, and will be weaker in that
spot as a result.

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Re: [lace] Christmas Card Exchange

2016-10-16 Thread Lbuyred
Christine Springett has a book called Christmas Collection that has several 
Torchon patterns that I like a lot.  They are worked on bangles and work up 
pretty quickly.  They look great with glittery thread.
Liz R, Raleigh, NC

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[lace] Christmas Card Exchange

2016-10-16 Thread Analisa Hall
Hello,

I am a fairly new lace maker and was looking for some Christmas patterns
for the Christmas card exchange.  Any suggestions?

Analisa in Everett, Washington USA

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Re: [lace] Linen thread

2016-10-16 Thread Susan
Thank you Adele!  I particularly appreciate your reference to linen clothing as 
there as some very fine linen clothes out there.  Beautiful to wear & 
launder--& they last for years.  Others are unsuitable for much of anything & 
they don't last long even on delicate cycle!  So It seems that finely spun 
linen thread is currently available for high-quality dressmaking.  I was just 
hoping that there might be a discernible difference among thread brands for our 
purposes.  Slubs are less egregious in 40/2 thread where the lace is more 
robust, but from my perspective, they aren't welcome in 90/2 for finely 
textured lace.  I won't name names, but the one I used is well known & not 
cheap stuff.  Bummer.  Thanks again for the wake up call.  You can probably 
tell that I use more cotton & silk thread.  ;-)   Still growling, Susan Hottle 
USA

Sent from my iPad

> On Oct 16, 2016, at 4:14 PM, Adele Shaak  wrote:
> 
>  
> I must say that I love to use linen thread and I don’t notice the slubs in 
> the finished lace. Maybe I’m just so used to them, maybe it’s because 
> mangling makes the lace look different, maybe they just don’t bug me the way 
> they do you. I don’t know! You’re right in thinking that you will risk 
> breaking the thread by picking out the slub. The thread will also be less 
> twisted in the place where the slub used to be, and will be weaker in that 
> spot as a result.

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Re: [lace] Linen thread

2016-10-16 Thread Adele Shaak
Hi Susan:

True story - in London the mid-1960s, linen manufacturers worked and worked to 
get the slubs (that’s what those big hunks of lint are called) out of the linen 
thread used to make fabric, because people wanted smooth linen for high-quality 
dressmaking. Then the 60s fashion revolution happened and designer Mary Quant 
headed the trend that convinced them to keep the slubs, for the texture.

Nothing to do with your 90/2 thread, of course, but an interesting story. 

Anyway, slubs have always been a part of linen thread. We’ve had a lot of 
discussions about linen thread over the years; you could probably find them in 
the archive. There are all sorts of twists and turns to the story (excuse the 
pun). Smooth threads in manufacturing are often achieved through cutting up the 
long flax fibre into very small pieces that are wet spun to achieve uniformity 
- but that takes away much of the strength of the fibre. Plus, it’s difficult 
to spin very fine linen thread by machine - in the past, very expert master 
handspinners achieved very fine linen threads, but that quality of skill just 
doesn’t exist any more. 

When I was into handspinning, every year I’d meet one or two people who were 
determined to learn handspinning so they could re-create the very fine linen 
threads of 200 years ago. They’d take the class and buy the equipment and the 
hank of flax and you’d never hear from them again, and I’m not surprised. I 
tried it once and with great difficulty I was able to produce a fair-quality 
baling twine ;-)

I must say that I love to use linen thread and I don’t notice the slubs in the 
finished lace. Maybe I’m just so used to them, maybe it’s because mangling 
makes the lace look different, maybe they just don’t bug me the way they do 
you. I don’t know! You’re right in thinking that you will risk breaking the 
thread by picking out the slub. The thread will also be less twisted in the 
place where the slub used to be, and will be weaker in that spot as a result.

This probably doesn’t help much, but since the list is quiet I thought nobody’d 
mind.

Adele
West Vancouver, BC
(west coast of Canada)

> Hello All!  May I ask what brand linen thread you are using & why?  I'm a bit 
> steamed to find big hunks of lint stuck in 90/2 linen thread & unsure of 
> whether to pick it out & risk breaking the thread or cutting it out & adding 
> a new bobbin.  While I realize that linen was nicer in the "good old days", 
> I'm concerned that there seems to be so little quality control for thread 
> that is now $xx a spool!  Is one brand doing a better job of it than another 
> or is this just the new normal?  Comments?  Suggestions?  Many thanks.  
> Sincerely, Susan Hottle USA 

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[lace] Amelia Ars

2016-10-16 Thread Susan
Thanks for posting Vickie!  Your Ithaca class project is exquisite.  It would 
also look great on one of my crazy quilt blocks.  ;-)   My EGA friends will be 
drooling when I show it to them later week.  Great job!  Sincerely, Susan 
Hottle USA. 

Sent from my iPad

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[lace] Linen thread

2016-10-16 Thread hottleco
Hello All!  May I ask what brand linen thread you are using & why?  I'm a bit 
steamed to find big hunks of lint stuck in 90/2 linen thread & unsure of 
whether to pick it out & risk breaking the thread or cutting it out & adding a 
new bobbin.  While I realize that linen was nicer in the "good old days", I'm 
concerned that there seems to be so little quality control for thread that is 
now $xx a spool!  Is one brand doing a better job of it than another or is this 
just the new normal?  Comments?  Suggestions?  Many thanks.  Sincerely, Susan 
Hottle USA 

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[lace] welcome & Flickr

2016-10-16 Thread hottleco
Welcome Joseph!  Learning lace on your own is a big challenge.  Having been 
stuck on more than a few occasions, Arachne has certainly been a lifeline for 
all manner of lace issues!  Plus it is fun to meet fellow Arachneans at lace 
events--putting face to name from the other end of a previously helpful email.  
Hope you will also take a moment to post pics of your lacemaking progress on 
Arachne Flickr.  As to Flickr, I tried to post my sea star today & there seems 
to be a new password protocol.  It didn't made sense to me so I didn't log in.  
If an expert knows what I should be doing, please contact me off list.  Many 
thanks.  Sincerely, Susan Hottle USA  

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[lace] Ithaca weekend

2016-10-16 Thread hottleco
Hello All!  What a great time!  I enjoyed Allie's Idrija class & finished my 
tri-color sea star.  I made plenty of mistakes but I'm still very pleased with 
the results.  There were more than a few challenges working open method on a 
bolster & controlling the color thru all the sewings!  This narrow tape style 
was influenced by the Italians so there are a few similarities with Cantu.  
Overall, FLLG does a great job--especially selecting interesting classes.  When 
you have difficulty winnowing down the list to a first, second & third choice, 
you know you're in trouble!  This year, I took some time on Friday afternoon to 
visit the Cornell University Mann library where the lace books reside.  They 
have a nice collection of lace publications & it's worth making time to visit.  
Their online catalog makes it easy to create your "must see" list ahead of 
time.  I was able to research some back issues of Lace magazine (Lace Guild UK) 
& browse in the stacks.  Other lace books in their !
 special collection require advance notice & their online staff provides 
generous help. For those of us who missed IOLI this year, Ithaca was also an 
opportunity to reconnect with long-time lace friends, make new ones & put faces 
with names from Arachne.  Looking forward to Ithaca 2017!  Sincerely, Susan 
Hottle USA  

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Re: [lace] Hi, New Member here.

2016-10-16 Thread Clay Blackwell
A couple of years ago, I had a TBI (traumatic brain injury) which affected my 
memory.  I am still dealing with memory issues, but my Neurologist strongly 
recommended eye-hand activities, and was delighted to know I am a lacemaker.  
The quality of my lace suffered in the beginning, and I had to work less 
complex lace for a while, but I am now working my favorite Binche again and am 
happy with the results!  

Clay

Sent from my iPad

> On Oct 16, 2016, at 12:04 AM, Joseph Young  
> wrote:
> 
> I have heard of it Kim,
> 
> I am currently trialing a new therapy/drug regime, it seems to be helping. 
> Only problem is the side effects.
> 
> I have found that doing bobbin lace is very therapeutic. The movements repeat 
> themselves, which is wonderful for OCD.
> 
> 
> On 16-Oct-16 10:43 AM, Kim Davis wrote:
> Joseph,
> 
> I am so glad you are able to reach out!  This is a fun hobby, regardless 
> of whether or not you find it an art or a craft!
> 
> Have you heard of EMDR therapy before?  it is an interesting thing, and I 
> was once reading an article about how things such as bobbin lace can mimic 
> it.  I can
> not recall where I read it, or I would share that with you.  If it comes to 
> me I will be sure to post.  In any case, the idea is that because you are 
> working with both your left and right hands, it engages both sides of the 
> brain and is helpful in getting the emotional side to talk to the logical 
> side.  Thankfully the anxiety I have experienced in my life has been mild, 
> but I will say that I noticed long ago that both bobbin lace and braiding 
> have a very meditative quality for me.  I think the symmetrical work is very 
> soothing.
> 
> Have fun with your lace!
> 
> Kim
> 
> 
> 
> 
> --
> Joseph
> 
> The way I see it, if you want the rainbow, you gotta put up with the rain.
> -Dolly Parton
> 
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[lace] Quiet list has woken up

2016-10-16 Thread Janis Savage
Thank you to everyone who put my mind at rest re the quiet time on the list. I
am so jealous of all the conventions and other lace-ins in USA, Australia and
UK. It must be wonderful to have all these top-notch teachers to choose from
and to keep up-to-date with everthing in the lace world. That is why I need my
daily arachne lace fix, and get worried if it is not there for a few days.

I have also been very busy for this past week or two. It was our bi-annual
exhibition in Johannesburg, combined with the Embroiderers Guild. Apart from
being chair of the Witwatersrand Lace Guild and editor of the quarterly
newsletter and webmaster and Facebook admin, I also run The Lace Place for all
their supplies, so I was involved everywhere.

Now that it is over I am looking forward to the holiday season when I hope to
get some peaceful lacemaking time in.

The exhibition was a great success over 2 days and the reporter from the local
newspaper came to take pics and interview the organisers, so we hope to be in
next week's edition.  When I get some pictures back from our photographer I
will put them on our website and tell you where to find them.

Lace greetings from

Janis in South Africa

where we have just had a couple of showers of rain. The first in about 3
months and hope it will break the drought.

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