[LUTE] Re: Heavy theorbo neck

2019-03-23 Thread John Mardinly
   Some guitar makers have also believed that neck stiffness improves the
   sound. Ramirez 1A guitars have a significant graphite-epoxy inset along
   the neck to stiffen it, and that is said to be significant in a neck
   that is only 66.7cm.

   A. John Mardinly, Ph.D., P.E.

   On Mar 23, 2019, at 2:22 PM, howard posner <[1]howardpos...@ca.rr.com>
   wrote:

 On Mar 23, 2019, at 5:43 AM, Luca Manassero <[2]l...@manassero.net>
 wrote:
  I‘m about to ask him to rebuild the long neck of my big Hasenfuss
  theorbo, as the instrument has a fantastic voice, but Hasenfuss
 built a
  very heavy long neck, so it is really painful to homd during
 concerts.
  A lighter neck should solve the issue.
  All the best,
  Luca

   Consider that the heavy neck may be part of what makes the fantastic
   voice.  I've been told that a neck that's heavy, and therefore does not
   vibrate, increases resonance because a vibrating neck has a damping
   effect on the body of the instrument.  I don't recall whether Hendrik
   told me that, or it was volunteered by someone else, and I can't vouch
   for its accuracy as a matter of acoustical science.
   But I can tell you that the heavy neck on my Hasenfuss theorbo was
   never a problem because I never held the instrument while I played it.
I just used a strap, and ran a leather or fake-leather bootlace from
   the bridge-end of the instrument and sat on it (the lace, NOT the
   instrument).  I could take my hands off the theorbo completely.
   Indeed, listeners may have preferred it when I did.
   And it's a lot cheaper than rebuilding the neck.
   H
   To get on or off this list see list information at
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   .edu_-7Ewbc_lute-2Dadmin_index.html=DwIFaQ=l45AxH-kUV29SRQusp9vYR0n
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   twxiBkUKArhZubU=

References

   1. mailto:howardpos...@ca.rr.com
   2. mailto:l...@manassero.net
   3. 
https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth.edu_-7Ewbc_lute-2Dadmin_index.html=DwIFaQ=l45AxH-kUV29SRQusp9vYR0n1GycN4_2jInuKy6zbqQ=VLPJ8OE-c_C6joGeE1ftlvxMmQPq9N6mpKZONBRt90E=dI7xnDPu2Bjw9zV3K5G0E9IDY4yelOErGet17R0lSoA=zWiWsrleJ4nToa6SSrmJ7P-6D006twxiBkUKArhZubU=



[LUTE] Heavy theorbo neck

2019-03-23 Thread howard posner
> On Mar 23, 2019, at 5:43 AM, Luca Manassero  wrote:
> 
>   I‘m about to ask him to rebuild the long neck of my big Hasenfuss
>   theorbo, as the instrument has a fantastic voice, but Hasenfuss built a
>   very heavy long neck, so it is really painful to homd during concerts.
>   A lighter neck should solve the issue.
>   All the best,
>   Luca

Consider that the heavy neck may be part of what makes the fantastic voice.  
I’ve been told that a neck that’s heavy, and therefore does not vibrate, 
increases resonance because a vibrating neck has a damping effect on the body 
of the instrument.  I don’t recall whether Hendrik told me that, or it was 
volunteered by someone else, and I can’t vouch for its accuracy as a matter of 
acoustical science.

But I can tell you that the heavy neck on my Hasenfuss theorbo was never a 
problem because I never held the instrument while I played it.  I just used a 
strap, and ran a leather or fake-leather bootlace from the bridge-end of the 
instrument and sat on it (the lace, NOT the instrument).  I could take my hands 
off the theorbo completely.  Indeed, listeners may have preferred it when I did.

And it’s a lot cheaper than rebuilding the neck.

H



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[LUTE] Theorbo for Sale

2019-03-18 Thread anna kowalska
   Dear Friends,
   if anybody is looking for a theorbo, we got one, made to our
   requirements.
   Theorbo after Matteo Sellas 76,5/151, built by Wojciech Wozniak in 2019
   spruce top, polisander/rosewood back, ebony veneer on the neck. In
   perfect condition, convinient to play, 4500EUR
   Good action, comes with a fitted hard case.
   Has two pegboxes of 8 pegs, so one can decide on the length of the 7th
   and 8 course if needed. (to have them long or to have them short and
   stopped)
   [1]LUTE DUO Anna Kowalska & Anton Birula www.luteduo.com

   [facebook.png]

LUTE DUO Anna Kowalska & Anton Birula www.luteduo.com

 LUTE DUO Anna Kowalska & Anton Birula www.luteduo.com. 1.5K likes.
   www.luteduo.com

   We travel quite much these days. Can be seen in Poland Germany Holland,
   Belgium or France upon a prior appointment, or can be shipped by the
   UPS.com
   Please contact at i...@luteduo.com or +48607727346
   Warmest wishes, Anna Kowalska
   PS. if you do not see the link, it is at the bottom of the message

   --

References

   Visible links:
   1. 
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   Hidden links:
   3. 
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[LUTE] Re: Theorbo in France - books and articles

2019-03-08 Thread yuval . dvoran

Dear Andreas,

This site I know already, and even some of the entries for Germany are 
from me ;-)


Trotzdem vielen Dank Dir!
Yuval

Am 08.03.2019 08:55 schrieb Andreas Schlegel:

Dear Yuval

An important ressource is here:
http://www.tiorba.eu/timeline.html
The menue at the right side allows to filter after countries etc.

Enjoy!

Andreas


Am 08.03.2019 um 04:23 schrieb yuval.dvo...@posteo.de:

Hello everybody,

what would you say ist the most important literature concerning the 
history ofthe theorbo (as an instrument, not concerning music for the 
theorbo) in France?

On my list are until now:

Michael Prynne: „James Talbot’s Manuscript, IV: Plucked Strings 
– the Lute Family“, The Galpin Society Journal 14 (1961), S. 
52–68;
Robert Spencer: “Chitarrone, Theorbo and Archlute“, in: Early 
Music Vol. 4, No. 4, 1976, S. 408–422;
Ingo Negwer: „Laute und Theorbe in Marin Mersennes Harmonie 
universelle“, Frankfurt am Main (Deutsche Lautengesellschaft) 2000;
Lynda Sayce „The development of Italianate continuo lutes“, Open 
University 2001.


Any other books and articles which shouldn't be missing here? I don't 
need a complete list, only the most important works about this topic.


Thank you very much! :-)
Yuval

P.S.: I wonder if nothing in French appeared, but I was unable to find 
something




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Andreas Schlegel
Eckstr. 6
CH-5737 Menziken
Festnetz +41 (0)62 771 47 07
Mobile +41 (0)78 646 87 63
lute.cor...@sunrise.ch




--





[LUTE] Re: Theorbo in France - books and articles

2019-03-08 Thread Andreas Schlegel
Dear Yuval

An important ressource is here:
http://www.tiorba.eu/timeline.html
The menue at the right side allows to filter after countries etc.

Enjoy!

Andreas

> Am 08.03.2019 um 04:23 schrieb yuval.dvo...@posteo.de:
> 
> Hello everybody,
> 
> what would you say ist the most important literature concerning the history 
> ofthe theorbo (as an instrument, not concerning music for the theorbo) in 
> France?
> On my list are until now:
> 
> Michael Prynne: „James Talbot’s Manuscript, IV: Plucked Strings – the 
> Lute Family“, The Galpin Society Journal 14 (1961), S. 52–68;
> Robert Spencer: “Chitarrone, Theorbo and Archlute“, in: Early Music Vol. 
> 4, No. 4, 1976, S. 408–422;
> Ingo Negwer: „Laute und Theorbe in Marin Mersennes Harmonie universelle“, 
> Frankfurt am Main (Deutsche Lautengesellschaft) 2000;
> Lynda Sayce „The development of Italianate continuo lutes“, Open 
> University 2001.
> 
> Any other books and articles which shouldn't be missing here? I don't need a 
> complete list, only the most important works about this topic.
> 
> Thank you very much! :-)
> Yuval
> 
> P.S.: I wonder if nothing in French appeared, but I was unable to find 
> something
> 
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

Andreas Schlegel
Eckstr. 6
CH-5737 Menziken
Festnetz +41 (0)62 771 47 07
Mobile +41 (0)78 646 87 63
lute.cor...@sunrise.ch




--


[LUTE] Theorbo in France - books and articles

2019-03-07 Thread yuval . dvoran

Hello everybody,

what would you say ist the most important literature concerning the 
history ofthe theorbo (as an instrument, not concerning music for the 
theorbo) in France?

On my list are until now:

Michael Prynne: „James Talbot’s Manuscript, IV: Plucked Strings – the 
Lute Family“, The Galpin Society Journal 14 (1961), S. 52–68;
Robert Spencer: “Chitarrone, Theorbo and Archlute“, in: Early Music Vol. 
4, No. 4, 1976, S. 408–422;
Ingo Negwer: „Laute und Theorbe in Marin Mersennes Harmonie 
universelle“, Frankfurt am Main (Deutsche Lautengesellschaft) 2000;
Lynda Sayce „The development of Italianate continuo lutes“, Open 
University 2001.


Any other books and articles which shouldn't be missing here? I don't 
need a complete list, only the most important works about this topic.


Thank you very much! :-)
Yuval

P.S.: I wonder if nothing in French appeared, but I was unable to find 
something




To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: electric theorbo

2018-10-12 Thread Konstantin Shchenikov
   Sorry, something goes wrong with the link:
   [1]https://www.facebook.com/baroque4you/videos/551180878677128/
   пÑ, 12 окÑ. 2018, 12:36 Konstantin Shchenikov
   <[2]konstantin.n...@gmail.com>:

Dear colleagues,
I do not pretending to be an expert or merely theorbo master, but
 would
like to say that theorbo (even my, which is honestly not the best
 one)
is loud enough with proper technique. I do not suffer playing
 this way.
Thanks to may teachers, Evangelina Mascardi and Xavier
 Diaz-Latorre who
showed me correct sound production and explained how to teach
 myself
this way. Also I do not fighting against a band, I'm observing
 time and
tessitura to be built in music, to support the band and to be
 audible
(thanks to my composition studies for that).
Obviously, if you play with modern orchestra with 16 I violins
 and
brass, theorbo is useless and there is no sence to enforce lutes
 for
that purpose. If one plays with big period orchestra one theorbo
 is not
enough, 2-3 axes of lutes plus harps makes effect if everyone
 plays
with correct technique. That is historical evidence.
Below is the proof. Days ago I played in ballet at the Hermitage
theater. The band is small and I am single theorbist. There was
 no
amplifier, there was no mic close to the theorbo, only distance
 mics.
Be the way, I do not use the nails on right hand. Lute starts to
 play
on about 13 min. Tell me, is it still not enough? Your experience
 is
more rich than mine and most of you know more than me, so I would
 be
glad to get your comments If I'm wrong. I would like to be
 better!
(Sorry, webcast was only in a Facebook, but Fb haters can watch
 without
logging in)

 [1][3]https://www.facebook.com/baroque4you/videos/551180878677128/?_
 _xts__

 [0]=68.ARC_yp_WNftrYVq_uOl0-j9Xxr6QaquBSFdwNY5szs4Gvtf_vuAAc8QYfufyg
 Vhw

 VPxYsXRSZgARlk-cUmiT--7f7m5tgoss7DzJ071sjGrf27nM8prkEzpKc6CfXymPj2En
 yRD
vpdjtzES2kW01YQ1Gh7UWjPvuINA4-uZMGbJB2YIQVGZp3YE&__tn__=H-R
Sincerely,
Konstantin
à ²Ã, 9 à ¾Ã ºÃ. 2018 à ³. à ² 0:42, Ron Andrico
 <[2][4]praelu...@hotmail.com>:
 For what it's worth, an increasing number do not.

 __
 From: [3][5]lute-...@cs.dartmouth.edu
 <[4][6]lute-...@cs.dartmouth.edu>
  on behalf
 of John Lenti <[5][7]johnle...@hotmail.com>
 Sent: Monday, October 8, 2018 8:39 PM
 To: howard posner; lutelist Net
 Subject: [LUTE] Re: electric theorbo
Oh god, I didn't think anyone looked at that magazineâ
 ¦..
Sent from [1]Mail for Windows 10

 __
From: [6][8]lute-...@cs.dartmouth.edu
  <[7][9]lute-...@cs.dartmouth.edu> on
 behalf
of howard posner <[8][10]howardpos...@ca.rr.com>
Sent: Saturday, September 29, 2018 10:32:35 PM
To: lutelist Net
    Subject: [LUTE] electric theorbo
On 04/10/2013 07:17, John Lenti wrote:
        > Speaking as a full-time theorbo player, I feel that I
 can
  say with
some authority that the theorbo cannot be held
 comfortably by
  anyone
ever. What you do is you play near the bridge and suffer,
 pop
  some
Advil, suffer some more, pop a Demerol, more massage,
 claw at
  the
strings nearish the bridge, Demerol, suffer, stretch,
 suffer,
  take a
    month off, and then start over. The theorbo is out to get
 you,
  and
 it
will win.
I bring up John's memorable (and, alas, accurate)
 5-year-old
  remarks
because the current issue of Early Music America has a
 feature
  story
 on
the Seattle Baroque Orchestra, which includes a picture
 of him
 playing
a concerto for electric theorbo, an instrument I had
 never
  imagined,
but which looks like John's ergonomic dream instrument.
  On
  to
victory...
To get on or off this list see list information at

 [2][9][11]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
 References
1.
 [1][10][12]https://go.microsoft.com/fwlink/?LinkId=550986
2.

 [2][11][13]http://www.

[LUTE] Re: electric theorbo

2018-10-12 Thread Konstantin Shchenikov
   Dear colleagues,
   I do not pretending to be an expert or merely theorbo master, but would
   like to say that theorbo (even my, which is honestly not the best one)
   is loud enough with proper technique. I do not suffer playing this way.
   Thanks to may teachers, Evangelina Mascardi and Xavier Diaz-Latorre who
   showed me correct sound production and explained how to teach myself
   this way. Also I do not fighting against a band, I'm observing time and
   tessitura to be built in music, to support the band and to be audible
   (thanks to my composition studies for that).
   Obviously, if you play with modern orchestra with 16 I violins and
   brass, theorbo is useless and there is no sence to enforce lutes for
   that purpose. If one plays with big period orchestra one theorbo is not
   enough, 2-3 axes of lutes plus harps makes effect if everyone plays
   with correct technique. That is historical evidence.
   Below is the proof. Days ago I played in ballet at the Hermitage
   theater. The band is small and I am single theorbist. There was no
   amplifier, there was no mic close to the theorbo, only distance mics.
   Be the way, I do not use the nails on right hand. Lute starts to play
   on about 13 min. Tell me, is it still not enough? Your experience is
   more rich than mine and most of you know more than me, so I would be
   glad to get your comments If I'm wrong. I would like to be better!
   (Sorry, webcast was only in a Facebook, but Fb haters can watch without
   logging in)
   [1]https://www.facebook.com/baroque4you/videos/551180878677128/?__xts__
   [0]=68.ARC_yp_WNftrYVq_uOl0-j9Xxr6QaquBSFdwNY5szs4Gvtf_vuAAc8QYfufygVhw
   VPxYsXRSZgARlk-cUmiT--7f7m5tgoss7DzJ071sjGrf27nM8prkEzpKc6CfXymPj2EnyRD
   vpdjtzES2kW01YQ1Gh7UWjPvuINA4-uZMGbJB2YIQVGZp3YE&__tn__=H-R
   Sincerely,
   Konstantin

   вÑ, 9 окÑ. 2018 г. в 0:42, Ron Andrico 
<[2]praelu...@hotmail.com>:

For what it's worth, an increasing number do not.

 __
From: [3]lute-...@cs.dartmouth.edu <[4]lute-...@cs.dartmouth.edu>
 on behalf
of John Lenti <[5]johnle...@hotmail.com>
Sent: Monday, October 8, 2018 8:39 PM
To: howard posner; lutelist Net
Subject: [LUTE] Re: electric theorbo
   Oh god, I didn't think anyone looked at that magazineâ¦..
   Sent from [1]Mail for Windows 10

 __
   From: [6]lute-...@cs.dartmouth.edu
 <[7]lute-...@cs.dartmouth.edu> on
behalf
   of howard posner <[8]howardpos...@ca.rr.com>
   Sent: Saturday, September 29, 2018 10:32:35 PM
   To: lutelist Net
       Subject: [LUTE] electric theorbo
   On 04/10/2013 07:17, John Lenti wrote:
       > Speaking as a full-time theorbo player, I feel that I can
 say with
   some authority that the theorbo cannot be held comfortably by
 anyone
   ever. What you do is you play near the bridge and suffer, pop
 some
   Advil, suffer some more, pop a Demerol, more massage, claw at
 the
   strings nearish the bridge, Demerol, suffer, stretch, suffer,
 take a
   month off, and then start over. The theorbo is out to get you,
 and
it
   will win.
   I bring up John's memorable (and, alas, accurate) 5-year-old
 remarks
   because the current issue of Early Music America has a feature
 story
on
   the Seattle Baroque Orchestra, which includes a picture of him
playing
   a concerto for electric theorbo, an instrument I had never
 imagined,
   but which looks like John's ergonomic dream instrument.   On
 to
   victory...
   To get on or off this list see list information at
   [2][9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   --
References
   1. [1][10]https://go.microsoft.com/fwlink/?LinkId=550986
   2.
 [2][11]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
 References
1. [12]https://go.microsoft.com/fwlink/?LinkId=550986
2. [13]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. 
https://www.facebook.com/baroque4you/videos/551180878677128/?__xts__[0]=68.ARC_yp_WNftrYVq_uOl0-j9Xxr6QaquBSFdwNY5szs4Gvtf_vuAAc8QYfufygVhwVPxYsXRSZgARlk-cUmiT--7f7m5tgoss7DzJ071sjGrf27nM8prkEzpKc6CfXymPj2EnyRDvpdjtzES2kW01YQ1Gh7UWjPvuINA4-uZMGbJB2YIQVGZp3YE&__tn__=H-R
   2. mailto:praelu...@hotmail.com
   3. mailto:lute-...@cs.dartmouth.edu
   4. mailto:lute-...@cs.dartmouth.edu
   5. mailto:johnle...@hotmail.com
   6. mailto:lute-...@cs.dartmouth.edu
   7. mailto:lute-...@cs.dartmouth.edu
   8. mailto:howardpos...@ca.rr.com
   9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  10. https://go

[LUTE] electric theorbo

2018-09-29 Thread howard posner
On 04/10/2013 07:17, John Lenti wrote: 
> Speaking as a full-time theorbo player, I feel that I can say with some 
> authority that the theorbo cannot be held comfortably by anyone ever. What 
> you do is you play near the bridge and suffer, pop some Advil, suffer some 
> more, pop a Demerol, more massage, claw at the strings nearish the bridge, 
> Demerol, suffer, stretch, suffer, take a month off, and then start over. The 
> theorbo is out to get you, and it will win.

I bring up John’s memorable (and, alas, accurate) 5-year-old remarks because 
the current issue of Early Music America has a feature story on the Seattle 
Baroque Orchestra, which includes a picture of him playing a concerto for 
electric theorbo, an instrument I had never imagined, but which looks like 
John’s ergonomic dream instrument.  On to victory...



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[LUTE] Re: Bach for viola and theorbo

2018-09-09 Thread G. C.
   Exactement! And well played IMO. :)
   On Sun, Sep 9, 2018 at 8:29 AM Lex van Sante <[1]lvansa...@gmail.com>
   wrote:

   Ma belle si ton âme/ Une jeune fillette/La Monica
   Lex van Sante

   Op 8 sep. 2018, om 22:41 heeft G. C. <[2]kalei...@gmail.com> het
   volgende geschreven:

  Who recognizes the theme starting on 36:21:)))
  On Sat, Sep 8, 2018 at 1:05 PM G. C. <[1][3]kalei...@gmail.com>
   wrote:
  Also well worth a listen, where the well balanced soundscape
   actually
  makes the plucker(s) audible:
  [2][4]https://www.bbc.co.uk/radio/play/m7lz
  --
   References
  1. [5]mailto:kalei...@gmail.com
  2. [6]https://www.bbc.co.uk/radio/play/m7lz
   To get on or off this list see list information at
   [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:lvansa...@gmail.com
   2. mailto:kalei...@gmail.com
   3. mailto:kalei...@gmail.com
   4. https://www.bbc.co.uk/radio/play/m7lz
   5. mailto:kalei...@gmail.com
   6. https://www.bbc.co.uk/radio/play/m7lz
   7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Bach for viola and theorbo

2018-09-09 Thread Lex van Sante
Ma belle si ton âme/ Une jeune fillette/La Monica


Lex van Sante




> Op 8 sep. 2018, om 22:41 heeft G. C.  het volgende 
> geschreven:
> 
>   Who recognizes the theme starting on 36:21   :)))
>   On Sat, Sep 8, 2018 at 1:05 PM G. C. <[1]kalei...@gmail.com> wrote:
> 
>   Also well worth a listen, where the well balanced soundscape actually
>   makes the plucker(s) audible:
>   [2]https://www.bbc.co.uk/radio/play/m7lz
> 
>   --
> 
> References
> 
>   1. mailto:kalei...@gmail.com
>   2. https://www.bbc.co.uk/radio/play/m7lz
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


--


[LUTE] Re: Bach for viola and theorbo

2018-09-08 Thread G. C.
   Who recognizes the theme starting on 36:21   :)))
   On Sat, Sep 8, 2018 at 1:05 PM G. C. <[1]kalei...@gmail.com> wrote:

   Also well worth a listen, where the well balanced soundscape actually
   makes the plucker(s) audible:
   [2]https://www.bbc.co.uk/radio/play/m7lz

   --

References

   1. mailto:kalei...@gmail.com
   2. https://www.bbc.co.uk/radio/play/m7lz


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[LUTE] Re: Bach for viola and theorbo

2018-09-08 Thread G. C.
   Also well worth a listen, where the well balanced soundscape actually
   makes the plucker(s) audible:
   [1]https://www.bbc.co.uk/radio/play/m7lz

   --

References

   1. https://www.bbc.co.uk/radio/play/m7lz


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: Bach for viola and theorbo

2018-09-08 Thread G. C.
   BWV 995 / 1011
   On Sat, Sep 8, 2018 at 12:24 PM G. C. <[1]kalei...@gmail.com> wrote:

For some refreshing Bach, (@ BBC early music late) go to:
[1][2]https://www.bbc.co.uk/radio/play/m8x2
The introduction starts at 1:16:55
G.
--
 References
1. [3]https://www.bbc.co.uk/radio/play/m8x2
 To get on or off this list see list information at
 [4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:kalei...@gmail.com
   2. https://www.bbc.co.uk/radio/play/m8x2
   3. https://www.bbc.co.uk/radio/play/m8x2
   4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Bach for viola and theorbo

2018-09-08 Thread G. C.
   For some refreshing Bach, (@ BBC early music late) go to:
   [1]https://www.bbc.co.uk/radio/play/m8x2
   The introduction starts at 1:16:55
   G.

   --

References

   1. https://www.bbc.co.uk/radio/play/m8x2


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[LUTE] Re: Starting Theorbo

2018-07-15 Thread Mathias Rösel
Sorry for misinformation, I have to correct myself: 
The Doni _lute_ book does not contain any music for the theorbo. It is a lute 
book for the 14c Arciliuto.

Mathias



-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag 
von Mathias Rösel
Gesendet: Mittwoch, 11. Juli 2018 22:56
An: 'Tristan von Neumann'; 'lutelist Net'
Betreff: [LUTE] Re: Starting Theorbo

Doni seems to be a good advice. But first try to get the basic idea of playing 
the theorbo, viz. playing with reentrant tuning. It's not the same as playing 
the lute. Or rather, you will easily hear when somebody actually plays the lute 
on a theorbo.
Start playing simple scales, starting on the 3rd course. That's for both your 
right and left hands.
And there's a method for the theorbo out there by Francesca Torelli IICR.

Mathias



-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag 
von Tristan von Neumann
Gesendet: Mittwoch, 11. Juli 2018 03:20
An: lutelist Net
Betreff: [LUTE] Re: Starting Theorbo

The Doni Lutebook has many rewarding yet easy pieces:

http://gerbode.net/sources/doni_MS_1640/pdf/


Am 11.07.2018 um 00:11 schrieb George Arndt:
> Dear Collected Wisdom:
> 
> I have rented a small theorbo from the American Lute Society for one
> year to learn how to play it. What easy pieces do you recommend I begin
> with?
> 
> Thanks in advance,
> 
> George Arndt
> 
> george.ar...@hotmail.com
> 
> --
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 








[LUTE] Re: Starting Theorbo

2018-07-11 Thread Mathias Rösel
Doni seems to be a good advice. But first try to get the basic idea of playing 
the theorbo, viz. playing with reentrant tuning. It's not the same as playing 
the lute. Or rather, you will easily hear when somebody actually plays the lute 
on a theorbo.
Start playing simple scales, starting on the 3rd course. That's for both your 
right and left hands.
And there's a method for the theorbo out there by Francesca Torelli IICR.

Mathias



-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag 
von Tristan von Neumann
Gesendet: Mittwoch, 11. Juli 2018 03:20
An: lutelist Net
Betreff: [LUTE] Re: Starting Theorbo

The Doni Lutebook has many rewarding yet easy pieces:

http://gerbode.net/sources/doni_MS_1640/pdf/


Am 11.07.2018 um 00:11 schrieb George Arndt:
> Dear Collected Wisdom:
> 
> I have rented a small theorbo from the American Lute Society for one
> year to learn how to play it. What easy pieces do you recommend I begin
> with?
> 
> Thanks in advance,
> 
> George Arndt
> 
> george.ar...@hotmail.com
> 
> --
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 






[LUTE] Re: Starting theorbo

2018-07-11 Thread Seicento/Rainer Luckhardt

Have a look into the Seicento Catalogue ===> 
http://www.seicentomusic.de/seite03.html. There is some easy music for theorbo.
Rainer


Subject: [LUTE] Starting Theorbo

  Dear Collected Wisdom:
  I have rented a small theorbo from the American Lute Society for one
  year to learn how to play it. What easy pieces do you recommend I
   begin
  with?
  Thanks in advance,
  George Arndt
  george.ar...@hotmail.com

--
__
SEICENTO-Notenversand
Rainer Luckhardt
Holbeinstrasse 12
D-79312 Emmendingen

Tel. ++49/(0)7641 - 932803
Internet: www.seicentomusic.de



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[LUTE] Re: Starting Theorbo

2018-07-10 Thread Tristan von Neumann

The Doni Lutebook has many rewarding yet easy pieces:

http://gerbode.net/sources/doni_MS_1640/pdf/


Am 11.07.2018 um 00:11 schrieb George Arndt:

Dear Collected Wisdom:

I have rented a small theorbo from the American Lute Society for one
year to learn how to play it. What easy pieces do you recommend I begin
with?

Thanks in advance,

George Arndt

george.ar...@hotmail.com

--


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html






[LUTE] Re: Starting Theorbo

2018-07-10 Thread jslute
   Try the lovey Piccinini chaccone.

   Jim

   Sent from my Verizon, Samsung Galaxy smartphone

    Original message 
   From: George Arndt 
   Date: 7/10/18 6:11 PM (GMT-05:00)
   To: Lute List , George Arndt
   
   Subject: [LUTE] Starting Theorbo

  Dear Collected Wisdom:
  I have rented a small theorbo from the American Lute Society for one
  year to learn how to play it. What easy pieces do you recommend I
   begin
  with?
  Thanks in advance,
  George Arndt
  george.ar...@hotmail.com
  --
   To get on or off this list see list information at
   http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Starting Theorbo

2018-07-10 Thread Roman Turovsky

http://polyhymnion.org/swv/theorbo.html
better URL!
RT



On 7/10/2018 6:55 PM, Roman Turovsky wrote:

try some of mine -
http://polyhymnion.org/theorbo.html
RT



On 7/10/2018 6:11 PM, George Arndt wrote:

    Dear Collected Wisdom:

    I have rented a small theorbo from the American Lute Society for one
    year to learn how to play it. What easy pieces do you recommend I 
begin

    with?

    Thanks in advance,

    George Arndt

    george.ar...@hotmail.com

    --


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html








[LUTE] Re: Starting Theorbo

2018-07-10 Thread Roman Turovsky

try some of mine -
http://polyhymnion.org/theorbo.html
RT



On 7/10/2018 6:11 PM, George Arndt wrote:

Dear Collected Wisdom:

I have rented a small theorbo from the American Lute Society for one
year to learn how to play it. What easy pieces do you recommend I begin
with?

Thanks in advance,

George Arndt

george.ar...@hotmail.com

--


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] Bass/transposing archlutes! further to] Re: Experiences with double strung theorbo

2018-05-04 Thread Martyn Hodgson
   Dear Magnus,
   Further to the below, I thought you might be interested in a discussion
   about large double strung lutes with extended pegheads which took place
   some 35 years ago in FoMRHI Quarterly.
   Eph Segerman in Comm 456 had suggested that we should consider 'bass
   archlutes' more seriously. I had some doubts at the time (Comm 464),
   and still do, nevertheless it may be an area of interest to some. So,
   for example, in the classification of 'bass archlutes', the Sellas E454
   instrument could be considered a instrument in nominal C pitch (ie
   highest course at middle c'). And accordingly the fingerboard strings
   would be   c'  g  d  Bb  F  C.  Pitch could perhaps just come up to
   modern A440 at 890mm but be more comfortable at a semitone below.
   Such an instrument could be used for continuo where a player didn't
   wish for the re-entrant theorbo tuning (who?) and could, of course, be
   used as a transposing instrument to accommodate lower pitched voices
   and instruments - the transposing archlute (as also required and
   suggested by Melli's collection - see Comm 464).
   In my view, I still think such a very large 'bass' archlute is probably
   a chimera - but others might wish to pursue this line.
   The two links to paste into your browser are:
   fomrhi.org/uploads/bulletins/Fomrhi-031.pdf
   fomrhi.org/uploads/bulletins/Fomrhi-032.pdf
   regards
   Martyn
   - Forwarded Message -
   From:Martyn Hodgson <hodgsonmar...@cs.dartmouth.edu>
   To:magnus andersson <maan7...@yahoo.com>; Lute Net
   <lute@cs.dartmouth.edu>
   Sent: Wednesday, 2 May 2018, 8:13
   Subject: [LUTE] Re: Experiences with double strung theorbo
 Dear Magnus,
 From the historical evidence and extant instruments, the double
   strung
 theorbo seemed at least as common as the single strung instrument.
 However generally not with doubled basses but mostly (pace the fine
 Puget painting)  in the configuration of only the fingered strings
 being double: the basses were generally single as on the instruments
 with single fingered courses. How this was reflected by contemporary
 professional theorbo players in, say, the opera house, who may have
 favoured single stringing throughout to enable a robust tone is, I
 suggest, an area still awaiting to be fully explored
 Regarding your experiences with double stringing: yours are similar
   to
 mine in that the double fingered strung instrument sound is
   penetrating
 and 'seems' to be almost as loud as the single strung even with
 fingered string tensions at around 60/70% of the single version.  I
   put
 this phenomenon down to: - the presence of more upper partials with
 thinner strings which produce ' brightness' ; - and also to some
   extent
 to the slight, but telling, difference in tuning of the double
   courses
 which, as on the lute, can give an edge to the sound (similarly,
   piano
 tuners can slightly put unisons out of tune to emphasise the beating
 and thus the penetration).
 Keep up the good work on the unjustly neglected double strung
 instrument
 regards
 Martyn
   __
 From: magnus andersson <maan7...@cs.dartmouth.edu>
 To: Lute Net <lute@cs.dartmouth.edu>
 Sent: Tuesday, 1 May 2018, 21:42
 Subject: [LUTE] Experiences with double strung theorbo
   Dear Lute netters,
   as some of you might recall I recently decided to get a new
 instrument.
   My first idea was to have a copy made of the Sellas E 545 theorbo
   in
   Paris,
   but since my principal aim with this instrument was to use it for
 Basso
   Continuo,
   I discussed with my lute maker Lars JÃ ¶nsson to use a bigger body
 than
   the Sellas original,
   with less frets (8 tied gut frets + 2 body frets) but hopefully
   more
   sound. We went for one of the biggest bodies
   out there, a Buechenberg model, but we kept the exact dimensions
   and
   string setups
   from the E 545, i.e. 6x2 @ 890mm for the fingerboard, and 8x2
   @1300mm
   for the diapasons.
   I ´ve only had it for a month, but already have had the opportunity
 to
   use it in concert a couple of times.
   My experiences so far (these are all of course personal, and in
   comparison with my previous theorbo, which was a Tiffenbrucker
 870/1650
   by the same maker), in these first steps in trying to learn to play
   this new therbo, can be summarized:
   It takes longer to tune it than a single strung instrument, but
   when
   tuned it is just as stable
   It is not quieter because of the double courses
   It has a very penetrating sound quality
   One must be much more careful in hitting the strings vertically
   with
   the left hand to avoid inconsistencies in

[LUTE] Re: Experiences with double strung theorbo

2018-05-02 Thread Martyn Hodgson
   Dear Magnus,
   From the historical evidence and extant instruments, the double strung
   theorbo seemed at least as common as the single strung instrument.
   However generally not with doubled basses but mostly (pace the fine
   Puget painting)  in the configuration of only the fingered strings
   being double: the basses were generally single as on the instruments
   with single fingered courses. How this was reflected by contemporary
   professional theorbo players in, say, the opera house, who may have
   favoured single stringing throughout to enable a robust tone is, I
   suggest, an area still awaiting to be fully explored
   Regarding your experiences with double stringing: yours are similar to
   mine in that the double fingered strung instrument sound is penetrating
   and 'seems' to be almost as loud as the single strung even with
   fingered string tensions at around 60/70% of the single version.  I put
   this phenomenon down to: - the presence of more upper partials with
   thinner strings which produce ' brightness' ; - and also to some extent
   to the slight, but telling, difference in tuning of the double courses
   which, as on the lute, can give an edge to the sound (similarly, piano
   tuners can slightly put unisons out of tune to emphasise the beating
   and thus the penetration).
   Keep up the good work on the unjustly neglected double strung
   instrument
   regards
   Martyn
 __

   From: magnus andersson <maan7...@cs.dartmouth.edu>
   To: Lute Net <lute@cs.dartmouth.edu>
   Sent: Tuesday, 1 May 2018, 21:42
   Subject: [LUTE] Experiences with double strung theorbo
 Dear Lute netters,
 as some of you might recall I recently decided to get a new
   instrument.
 My first idea was to have a copy made of the Sellas E 545 theorbo in
 Paris,
 but since my principal aim with this instrument was to use it for
   Basso
 Continuo,
 I discussed with my lute maker Lars JÃ ¶nsson to use a bigger body
   than
 the Sellas original,
 with less frets (8 tied gut frets + 2 body frets) but hopefully more
 sound. We went for one of the biggest bodies
 out there, a Buechenberg model, but we kept the exact dimensions and
 string setups
 from the E 545, i.e. 6x2 @ 890mm for the fingerboard, and 8x2 @1300mm
 for the diapasons.
 I ´ve only had it for a month, but already have had the opportunity
   to
 use it in concert a couple of times.
 My experiences so far (these are all of course personal, and in
 comparison with my previous theorbo, which was a Tiffenbrucker
   870/1650
 by the same maker), in these first steps in trying to learn to play
 this new therbo, can be summarized:
 It takes longer to tune it than a single strung instrument, but when
 tuned it is just as stable
 It is not quieter because of the double courses
 It has a very penetrating sound quality
 One must be much more careful in hitting the strings vertically with
 the left hand to avoid inconsistencies in intonation
 The ability to intonate a plucked note with alteration of the left
   hand
 pressure and l.h. horizontal movement is improved
 Playing long slurred tirades is more tiring than on a single strung
 theorbo
 890 mm feels big with double courses, but even with my relatively
   small
 hands, is no problem.
 The right hand thumb needs more than 4 weeks to find its way around
   in
 the basses...
 To illustrate this, the Bavarian Cultural radio funnily enough
   recorded
 a concert 10 days ago, which can be viewed
 here: [1]Die lange Nacht der Alten Musik: Ensemble CONTINUUM |
 BR-Klassik
 two examples (if you want to spare yourself KÃ ¤ptn Peng, David
   Foster
 Wallace and Kate Tempest arrangements)
 at 2:10 there is the second toccata from Kapsperger ´s first
   chitarrone
 print
 at 29.15 the Crucifixion sonata by H I F Biber
 Die lange Nacht der Alten Musik: Ensemble CONTINUUM | BR-Klassik
   Bayerischer Rundfunk
 Best wishes,
 Magnus Andersson
 --
   References
 Visible links
 1. [1]https://www.br-klassik.de/concert/ausstrahlung-1418078.html
 Hidden links:
 3. [2]https://www.br-klassik.de/concert/ausstrahlung-1418078.html
   To get on or off this list see list information at
   [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. https://www.br-klassik.de/concert/ausstrahlung-1418078.html
   2. https://www.br-klassik.de/concert/ausstrahlung-1418078.html
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Experiences with double strung theorbo

2018-05-01 Thread magnus andersson
   Dear Lute netters,
   as some of you might recall I recently decided to get a new instrument.
   My first idea was to have a copy made of the Sellas E 545 theorbo in
   Paris,
   but since my principal aim with this instrument was to use it for Basso
   Continuo,
   I discussed with my lute maker Lars Jönsson to use a bigger body than
   the Sellas original,
   with less frets (8 tied gut frets + 2 body frets) but hopefully more
   sound. We went for one of the biggest bodies
   out there, a Buechenberg model, but we kept the exact dimensions and
   string setups
   from the E 545, i.e. 6x2 @ 890mm for the fingerboard, and 8x2 @1300mm
   for the diapasons.
   I ´ve only had it for a month, but already have had the opportunity to
   use it in concert a couple of times.
   My experiences so far (these are all of course personal, and in
   comparison with my previous theorbo, which was a Tiffenbrucker 870/1650
   by the same maker), in these first steps in trying to learn to play
   this new therbo, can be summarized:
   It takes longer to tune it than a single strung instrument, but when
   tuned it is just as stable
   It is not quieter because of the double courses
   It has a very penetrating sound quality
   One must be much more careful in hitting the strings vertically with
   the left hand to avoid inconsistencies in intonation
   The ability to intonate a plucked note with alteration of the left hand
   pressure and l.h. horizontal movement is improved
   Playing long slurred tirades is more tiring than on a single strung
   theorbo
   890 mm feels big with double courses, but even with my relatively small
   hands, is no problem.
   The right hand thumb needs more than 4 weeks to find its way around in
   the basses...
   To illustrate this, the Bavarian Cultural radio funnily enough recorded
   a concert 10 days ago, which can be viewed
   here: [1]Die lange Nacht der Alten Musik: Ensemble CONTINUUM |
   BR-Klassik
   two examples (if you want to spare yourself Käptn Peng, David Foster
   Wallace and Kate Tempest arrangements)
   at 2:10 there is the second toccata from Kapsperger ´s first chitarrone
   print
   at 29.15 the Crucifixion sonata by H I F Biber

  Die lange Nacht der Alten Musik: Ensemble CONTINUUM | BR-Klassik

Bayerischer Rundfunk

   Best wishes,
   Magnus Andersson

   --

References

   Visible links
   1. https://www.br-klassik.de/concert/ausstrahlung-1418078.html

   Hidden links:
   3. https://www.br-klassik.de/concert/ausstrahlung-1418078.html


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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Theorbo

2018-03-28 Thread Roman Turovsky
   Dear theorbist friends, I now have 30 pieces for solo theorbo, with 4
   videos by Rob MacKillop and Peter Damsma at
   [1]http://polyhymnion.org/swv/theorbo.html Newly added is Горлиця
   (Mourning Dove), a sprightly Ukrainian dance with 3 doubles -

   [2]http://polyhymnion.org/swv/theorbo/images/ghorlycja-theorbo.mp3

   [3]http://polyhymnion.org/swv/theorbo/images/ghorlycja-theorbo.pdf
   Enjoy, RT

References

   1. http://polyhymnion.org/swv/theorbo.html
   2. http://polyhymnion.org/swv/theorbo/images/ghorlycja-theorbo.mp3
   3. http://polyhymnion.org/swv/theorbo/images/ghorlycja-theorbo.pdf


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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: Short Tongue-in-cheek lecture about the Theorbo

2018-01-08 Thread Tristan von Neumann
There is actually some not so tongue-in-cheek, but very informative lute 
channel on youtube that deserves support, made by Lukas Henning.
It also includes art history. Lukas is obviously a big fan of Marco 
Dall'Aquila, whose pieces are frequently featured in his videos.
Go fund his efforts via Patreon, he will appreciate it and display your 
name if you wish.


https://www.youtube.com/user/LutePieces



Am 08.01.2018 um 14:34 schrieb Ron Andrico:

This video receives four thumbs up from our household.  Finally,
something worth watching on yucktube.

RA
  __

From: lute-...@cs.dartmouth.edu <lute-...@cs.dartmouth.edu> on behalf
of Tristan von Neumann <tristanvonneum...@gmx.de>
Sent: Monday, January 8, 2018 12:28 PM
To: lutelist Net
Subject: [LUTE] Short Tongue-in-cheek lecture about the Theorbo

If you need a funny video to explain to someone what a theorbo is, this
cetainly serves the purpose. :)
[1]https://www.youtube.com/watch?v=rsypbHFR5_E
[2][th?id=OVP.6soGZk_TY_F0rOneh1YWCQHgFopid=Api]
[3]What is a Theorbo, Really?
www.youtube.com
Today we delve into the magical world of phallic bass lutes! Learn
everything you never dared to ask as we encounter the 'Theorbo', a
strange and lanky beast...
To get on or off this list see list information at
[4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[5]Lute Mail list technical information
www.cs.dartmouth.edu
How do I get on the lute mail list? To get on the mail list, send email
with a Subject: of "subscribe" to lute-requ...@cs.dartmouth.edu and
your name will be added to ...

--

References

1. https://www.youtube.com/watch?v=rsypbHFR5_E
2. https://www.youtube.com/watch?v=rsypbHFR5_E
3. https://www.youtube.com/watch?v=rsypbHFR5_E
4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html







[LUTE] Short Tongue-in-cheek lecture about the Theorbo

2018-01-08 Thread Tristan von Neumann
If you need a funny video to explain to someone what a theorbo is, this 
cetainly serves the purpose. :)


https://www.youtube.com/watch?v=rsypbHFR5_E



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: Interesting painting showing a French theorbo

2017-10-04 Thread David Van Edwards



Dear Matthew,

Yes it is a shame but I suspect long instruments pose a problem of 
composition for artists, they seem so often to go off the picture 
edge. Yes the ribs are rather beautifully scalloped, I do like that 
effect. I think it is just a blob of paint but I'm not sure a 
fashionable aristo would be up to bothering with tastini!


David


At 20:21 +0200 4/10/17, Matthew Daillie wrote:
Thanks David. Shame that we have only such a partial view of the 
instrument. It would appear to have just 9 tied frets although it 
does look as though there is another fret knot between the nut and 
the first fret. A double fret for mean tone perhaps; or maybe just a 
blob of paint! The ribs seem to be quite deeply scalloped don't you 
think?


Best,
Matthew

On 04/10/2017 14:19, David Van Edwards wrote:
There's an interesting painting showing the back and part of the 
lower pegbox of a French theorbo with its distinctive pierced 
fretwoork pegbox and chanterelle slot. It is coming up for auction 
in Vienna on 17/10/17 and can be seen here:


https://www.dorotheum.com/en/auctions/current-auctions/kataloge/list-lots-detail/auktion/12759-old-master-paintings/lotID/123/lot/2282371-jean-ranc.html?currentPage=5=0

Of course it could be an Angelique since we can't see the bridge or 
string layout but pictures of either French type from c.1700 are 
rare enough for this to be interesting. And Ranc was working at the 
right level in the Paris social environment for this to be a proper 
example.


Best wishes,

David
--





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6 Whitwell Road,
Norwich,  NR1 4HB  
England.


Telephone: + 44 (0)1603 629899
Website: http://www.vanedwards.co.uk




[LUTE] Re: Interesting painting showing a French theorbo

2017-10-04 Thread Matthew Daillie
Thanks David. Shame that we have only such a partial view of the 
instrument. It would appear to have just 9 tied frets although it does 
look as though there is another fret knot between the nut and the first 
fret. A double fret for mean tone perhaps; or maybe just a blob of 
paint! The ribs seem to be quite deeply scalloped don't you think?


Best,
Matthew

On 04/10/2017 14:19, David Van Edwards wrote:
There's an interesting painting showing the back and part of the lower 
pegbox of a French theorbo with its distinctive pierced fretwoork 
pegbox and chanterelle slot. It is coming up for auction in Vienna on 
17/10/17 and can be seen here:


https://www.dorotheum.com/en/auctions/current-auctions/kataloge/list-lots-detail/auktion/12759-old-master-paintings/lotID/123/lot/2282371-jean-ranc.html?currentPage=5=0 



Of course it could be an Angelique since we can't see the bridge or 
string layout but pictures of either French type from c.1700 are rare 
enough for this to be interesting. And Ranc was working at the right 
level in the Paris social environment for this to be a proper example.


Best wishes,

David
--





To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Interesting painting showing a French theorbo

2017-10-04 Thread David Van Edwards
There's an interesting painting showing the back and part of the 
lower pegbox of a French theorbo with its distinctive pierced 
fretwoork pegbox and chanterelle slot. It is coming up for auction in 
Vienna on 17/10/17 and can be seen here:


https://www.dorotheum.com/en/auctions/current-auctions/kataloge/list-lots-detail/auktion/12759-old-master-paintings/lotID/123/lot/2282371-jean-ranc.html?currentPage=5=0

Of course it could be an Angelique since we can't see the bridge or 
string layout but pictures of either French type from c.1700 are rare 
enough for this to be interesting. And Ranc was working at the right 
level in the Paris social environment for this to be a proper example.


Best wishes,

David
--
The Smokehouse,
6 Whitwell Road,
Norwich,  NR1 4HB
England.

Telephone: + 44 (0)1603 629899
Website: http://www.vanedwards.co.uk




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[LUTE] Re: Shortest historical theorbo string length?

2017-08-22 Thread Luca Manassero
Dear Howard,

thank you very much for all these previous informations! (I didn't know
at all about the database, what a shame)

I was hoping to read a couple of personal opinions from our lutemaking
friends, but most probably everybody is still on vacation...

I agree that the definition of theorbo and / or chitarrone is a very
complex one, with a lot of different instruments (all double fretted
courses, all single fretted courses, etc.) and of course the variations
caused by very low (Rome, for instance) or very high pitches (Venezia).

..and instruments like the Roman archlutes where the local low picth
made the fretted string length comparably longer than (for instance)
Venitian archlutes, making them possibly looking similar to "short"
theorbos.

In any case, not really liking most of our recent "solutions" (1m long
theorbos, for instance) - I'm curious about this size issue, which must
have been a relevant one even back then, I suspect (as travelling on a
"carrozza" with a 2m long instrument is deinitely not like carrying a
violin or a recorder).

Best wishes,

Luca

Il 2017-08-20 19:59 howard posner ha scritto:

> There's a database of instruments at
>
> http://www.cs.dartmouth.edu/~lsa/associated/database/dbsearch.php
>
> I compiled a download of theorbos/archlutes from it when I was doing some 
> cursory research into a question similar to yours.  AI'm sending it to you 
> separately.
>
> The problem with your question is that to answer it you have to make 
> assumptions about precisely the instruments you should not be making 
> assumptions about.  Suppose you find an instrument with six double-strung 74 
> cm courses on the fingerboard and eight 150 cm courses on the extension.  Is 
> it a theorbo in D, a small theorbo in A built to play at A 466 or higher, or 
> a  archlute built to play at A 370?  Historical instruments don't come with 
> instruction manuals.
>
> You might search the list archives for "Theorbo in G?" and (dare I say it?), 
> "toy theorbo" to some views, not all of them helpful, that have been 
> expressed on theorbo sizes.
>
>> On Aug 20, 2017, at 9:36 AM, Luca Manassero <l...@manassero.net> wrote:
>>
>> Dear collective wisdom,
>>
>> I'm doing some research concerning the historical theorbo (fretted)
>> string lengths in museum or private collections: I'd be really grateful
>> to anybody letting me know about historical theorbos with "short" string
>> length. Of course a reference to a collection or at least to a an
>> historical lutemaker would be important, thank you.
>>
>> I'd be also curious to know from our luthier friends what is the
>> shortest historical theorbo they ever had the chance to see and/or
>> measure.
>>
>> I'm of course referring to theorbos in G or A, knowing that there aren't
>> surviving French theorbos ("théorbe des pièces") in D.
>>
>> Thank you in advance for your kind help,
>>
>> Luca
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--


[LUTE] Re: Shortest historical theorbo string length?

2017-08-20 Thread howard posner
There’s a database of instruments at 

http://www.cs.dartmouth.edu/~lsa/associated/database/dbsearch.php

I compiled a download of theorbos/archlutes from it when I was doing some 
cursory research into a question similar to yours.  AI’m sending it to you 
separately.

The problem with your question is that to answer it you have to make 
assumptions about precisely the instruments you should not be making 
assumptions about.  Suppose you find an instrument with six double-strung 74 cm 
courses on the fingerboard and eight 150 cm courses on the extension.  Is it a 
theorbo in D, a small theorbo in A built to play at A 466 or higher, or a  
archlute built to play at A 370?  Historical instruments don’t come with 
instruction manuals.

You might search the list archives for “Theorbo in G?” and (dare I say it?), 
“toy theorbo” to some views, not all of them helpful, that have been expressed 
on theorbo sizes.

> On Aug 20, 2017, at 9:36 AM, Luca Manassero <l...@manassero.net> wrote:
> 
> Dear collective wisdom,
> 
> I'm doing some research concerning the historical theorbo (fretted)
> string lengths in museum or private collections: I'd be really grateful
> to anybody letting me know about historical theorbos with "short" string
> length. Of course a reference to a collection or at least to a an
> historical lutemaker would be important, thank you.
> 
> I'd be also curious to know from our luthier friends what is the
> shortest historical theorbo they ever had the chance to see and/or
> measure.
> 
> I'm of course referring to theorbos in G or A, knowing that there aren't
> surviving French theorbos ("théorbe des pièces") in D.
> 
> Thank you in advance for your kind help,
> 
> Luca




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[LUTE] Shortest historical theorbo string length?

2017-08-20 Thread Luca Manassero
Dear collective wisdom,

I'm doing some research concerning the historical theorbo (fretted)
string lengths in museum or private collections: I'd be really grateful
to anybody letting me know about historical theorbos with "short" string
length. Of course a reference to a collection or at least to a an
historical lutemaker would be important, thank you.

I'd be also curious to know from our luthier friends what is the
shortest historical theorbo they ever had the chance to see and/or
measure.

I'm of course referring to theorbos in G or A, knowing that there aren't
surviving French theorbos ("théorbe des pièces") in D.

Thank you in advance for your kind help,

Luca
--

To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: Theorbo music for archlute

2017-05-07 Thread Anthony Hart
   Sorry about repeat my computer seems to have a mind of its own!
   On Sun, May 7, 2017 at 10:55 PM Anthony Hart
   <[1]anthony.hart1...@gmail.com> wrote:

Has anybody tried transcribing music for Theorbo in A to be
 played on
Archlute in G? What transposition could be used.
--

 __
Anthony Hart   MSc, LLCM,ALCM.
Musicologist   and   Independent   Researcher
Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
Mob: +356 9944 9552.
e-mail:   [1][2]resea...@antoninoreggio.com; web:
[2][3]www.monsignor-reggio.com
NEW   Publications:   EDIZIONE   ANTONINO   REGGIO
-   [3][4]www.edizionear.com
for information and special offer
--
 References
1. mailto:[5]resea...@antoninoreggio.com
2. [6]http://www.monsignor-reggio.com/
3. [7]http://www.edizionear.com/
 To get on or off this list see list information at
 [8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

   __
   Anthony Hart  MSc, LLCM,ALCM.
   Musicologist  and  Independent  Researcher
   Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
   Mob: +356 9944 9552.
   e-mail:  [9]resea...@antoninoreggio.com; web:
   [10]www.monsignor-reggio.com
   NEW  Publications:  EDIZIONE  ANTONINO  REGGIO
   -  [11]www.edizionear.com
   for information and special offer

   --

References

   1. mailto:anthony.hart1...@gmail.com
   2. mailto:resea...@antoninoreggio.com
   3. http://www.monsignor-reggio.com/
   4. http://www.edizionear.com/
   5. mailto:resea...@antoninoreggio.com
   6. http://www.monsignor-reggio.com/
   7. http://www.edizionear.com/
   8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   9. mailto:resea...@antoninoreggio.com
  10. http://www.monsignor-reggio.com/
  11. http://www.edizionear.com/



[LUTE] Theorbo music for archlute

2017-05-07 Thread Anthony Hart
   Has anybody tried transcribing music for Theorbo in A to be played on
   Archlute in G? What transposition could be used.

   --

   __
   Anthony Hart  MSc, LLCM,ALCM.
   Musicologist  and  Independent  Researcher
   Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
   Mob: +356 9944 9552.
   e-mail:  [1]resea...@antoninoreggio.com; web:
   [2]www.monsignor-reggio.com
   NEW  Publications:  EDIZIONE  ANTONINO  REGGIO
   -  [3]www.edizionear.com
   for information and special offer

   --

References

   1. mailto:resea...@antoninoreggio.com
   2. http://www.monsignor-reggio.com/
   3. http://www.edizionear.com/


To get on or off this list see list information at
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[LUTE] Re. Theorbo music on archlute

2017-05-07 Thread Mathias Rösel
Ask Arto Wikla. He has successfully done a lot on that field.
Mathias

-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Anthony Hart
Gesendet: Sonntag, 7. Mai 2017 18:35
An: lute
Betreff: [LUTE] Theorbo music on archlute

   Has anyone transcribed  music for theorbo in A to be played on Archlute
   in G? What transposition could be used?
   Many thanks
   Anthony
   --
   __
   Anthony Hart  MSc, LLCM,ALCM.
   Musicologist  and  Independent  Researcher
   Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
   Mob: +356 9944 9552.
   e-mail:  [1]resea...@antoninoreggio.com; web:
   [2]www.monsignor-reggio.com
   NEW  Publications:  EDIZIONE  ANTONINO  REGGIO
   -  [3]www.edizionear.com
   for information and special offer

   --

References

   1. mailto:resea...@antoninoreggio.com
   2. http://www.monsignor-reggio.com/
   3. http://www.edizionear.com/


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] Theorbo music on archlute

2017-05-07 Thread Anthony Hart
   Has anyone transcribed  music for theorbo in A to be played on Archlute
   in G? What transposition could be used?
   Many thanks
   Anthony
   --
   __
   Anthony Hart  MSc, LLCM,ALCM.
   Musicologist  and  Independent  Researcher
   Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
   Mob: +356 9944 9552.
   e-mail:  [1]resea...@antoninoreggio.com; web:
   [2]www.monsignor-reggio.com
   NEW  Publications:  EDIZIONE  ANTONINO  REGGIO
   -  [3]www.edizionear.com
   for information and special offer

   --

References

   1. mailto:resea...@antoninoreggio.com
   2. http://www.monsignor-reggio.com/
   3. http://www.edizionear.com/


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: Theorbo repertoire arranged for archlute?

2017-02-10 Thread Peter Kwasniewski
   Thanks to everyone for the suggestions (including those that came to me
   by direct email rather than on the listserve).
   This will keep Julian plenty busy!

   On Fri, Feb 10, 2017 at 2:47 AM, David van Ooijen
   <[1]davidvanooi...@gmail.com> wrote:

The Spanish Vihuela Society published a really nice collection of
Baroque pieces arranged for R-lute. Lots of French Baroque and a
 fair
dose of Bach and Weiss. I enjoyed the book.
La Dedicasse
Musica Baroca
transcrita para laud renacentista
Sociedad de la Vihuela
***
David van Ooijen
[1][2]davidvanooi...@gmail.com
[2][3]www.davidvanooijen.nl
***
On 10 February 2017 at 09:38, Rob MacKillop
 <[3][4]robmackil...@gmail.com>
wrote:
 That's what I meant to say, but I was still half asleep...
 Rob
 On 10 Feb 2017 08:34, "Albert Reyerman"
 <[1][4][5]albertreyer...@kabelmail.de> wrote:
   Infact the TREE edition shows Visee pieces for theorbo
   arranged for archlute in FRENCH tablature.
   Regards
   Albert Reyerman
   TREE EDITION
   Albert Reyerman
   Finkenberg 89
   23558 Luebeck
   Germany
   [2][5][6]albertreyer...@kabelmail.de
   [3][6][7]www.tree-edition.com
   0451 899 78 48
   ---
   Fine Art Paintings
   Anke Reyerman
   [4][7][8]www.anke-reyerman.de
   Am 10.02.2017 um 08:10 schrieb Rob MacKillop:
   Check out the publications of Tree Editions. You'll find
 Robert
  de
   Visà ©e pieces in Italian tuning.
   Rob
   [5][8][9]www.robmackillop.net
   On 9 Feb 2017, at 23:43, Peter Kwasniewski
   <[6][9][10]peter.kwasniew...@wyomingcatholiccollege.com>
 wrote:
  My son is renting an archlute from the LSA. He just got
 it
   yesterday
  and has been enjoying it immensely so far, playing his
   Renaissance lute
  repertoire on it.
  Since I'm the one signed up on this list, he asked me
 if I
  would
   ask
  you all whether anyone has taken any theorbo pieces and
  arranged
   them
  for archlute? E.g., de Visee's Chaconne in G or
 Kapsberger's
   Toccata
  arpeggiata?
  Beyond that, since he is still a rookie at reading
 Italian
   tablature,
  he would also be happy to work on archlute pieces
 written in
   something
  other than Italian tablature.
  Thanks for any help or links you can give.
  Peter Kwasniewski
  --
   To get on or off this list see list information at
   [7][10][11]http://www.cs.dartmouth.edu/~wbc/lute-admin/
 index.html
   .
 --
  References
 1. mailto:[11][12]albertreyer...@kabelmail.de
 2. mailto:[12][13]albertreyer...@kabelmail.de
 3. [13][14]http://www.tree-edition.com/
 4. [14][15]http://www.anke-reyerman.de/
 5. [15][16]http://www.robmackillop.net/
 6. mailto:[16][17]peter.kwasniewski@
 wyomingcatholiccollege.com
 7. [17][18]http://www.cs.dartmouth.
 edu/~wbc/lute-admin/index.html
--
 References
1. mailto:[19]davidvanooi...@gmail.com
2. [20]http://www.davidvanooijen.nl/
3. mailto:[21]robmackil...@gmail.com
4. mailto:[22]albertreyer...@kabelmail.de
5. mailto:[23]albertreyer...@kabelmail.de
6. [24]http://www.tree-edition.com/
7. [25]http://www.anke-reyerman.de/
8. [26]http://www.robmackillop.net/
9. mailto:[27]peter.kwasniew...@wyomingcatholiccollege.com
   10. [28]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   11. mailto:[29]albertreyer...@kabelmail.de
   12. mailto:[30]albertreyer...@kabelmail.de
   13. [31]http://www.tree-edition.com/
   14. [32]http://www.anke-reyerman.de/
   15. [33]http://www.robmackillop.net/
   16. mailto:[34]peter.kwasniew...@wyomingcatholiccollege.com
   17. [35]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --
   Peter A. Kwasniewski, Ph.D.
   Wyoming Catholic College /  306 Main Street / Lander, WY 82520
   "We must return to the Faith of our fathers by way of the prayer of our
   fathers." John Senior
   "I entreat the people of God, the holy nation, to cling to the
   traditions of the Church. For just as the removal of one of th

[LUTE] Re: Theorbo repertoire arranged for archlute?

2017-02-10 Thread David van Ooijen
   The Spanish Vihuela Society published a really nice collection of
   Baroque pieces arranged for R-lute. Lots of French Baroque and a fair
   dose of Bach and Weiss. I enjoyed the book.
   La Dedicasse
   Musica Baroca
   transcrita para laud renacentista
   Sociedad de la Vihuela

   ***
   David van Ooijen
   [1]davidvanooi...@gmail.com
   [2]www.davidvanooijen.nl
   ***
   On 10 February 2017 at 09:38, Rob MacKillop <[3]robmackil...@gmail.com>
   wrote:

That's what I meant to say, but I was still half asleep...
Rob
On 10 Feb 2017 08:34, "Albert Reyerman"
<[1][4]albertreyer...@kabelmail.de> wrote:
  Infact the TREE edition shows Visee pieces for theorbo
  arranged for archlute in FRENCH tablature.
  Regards
  Albert Reyerman
  TREEEDITION
  Albert Reyerman
  Finkenberg 89
  23558 Luebeck
  Germany
  [2][5]albertreyer...@kabelmail.de
  [3][6]www.tree-edition.com
  0451 899 78 48
  ---
  Fine Art Paintings
  Anke Reyerman
  [4][7]www.anke-reyerman.de
  Am 10.02.2017 um 08:10 schrieb Rob MacKillop:
  Check out the publications of Tree Editions. You'll find Robert
 de
  Visà ©e pieces in Italian tuning.
  Rob
  [5][8]www.robmackillop.net
  On 9 Feb 2017, at 23:43, Peter Kwasniewski
  <[6][9]peter.kwasniew...@wyomingcatholiccollege.com> wrote:
 My son is renting an archlute from the LSA. He just got it
  yesterday
 and has been enjoying it immensely so far, playing his
  Renaissance lute
 repertoire on it.
 Since I'm the one signed up on this list, he asked me if I
 would
  ask
 you all whether anyone has taken any theorbo pieces and
 arranged
  them
 for archlute? E.g., de Visee's Chaconne in G or Kapsberger's
  Toccata
 arpeggiata?
 Beyond that, since he is still a rookie at reading Italian
  tablature,
 he would also be happy to work on archlute pieces written in
  something
 other than Italian tablature.
 Thanks for any help or links you can give.
 Peter Kwasniewski
 --
  To get on or off this list see list information at
  [7][10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  .
--
 References
1. mailto:[11]albertreyer...@kabelmail.de
2. mailto:[12]albertreyer...@kabelmail.de
3. [13]http://www.tree-edition.com/
4. [14]http://www.anke-reyerman.de/
5. [15]http://www.robmackillop.net/
6. mailto:[16]peter.kwasniew...@wyomingcatholiccollege.com
7. [17]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:davidvanooi...@gmail.com
   2. http://www.davidvanooijen.nl/
   3. mailto:robmackil...@gmail.com
   4. mailto:albertreyer...@kabelmail.de
   5. mailto:albertreyer...@kabelmail.de
   6. http://www.tree-edition.com/
   7. http://www.anke-reyerman.de/
   8. http://www.robmackillop.net/
   9. mailto:peter.kwasniew...@wyomingcatholiccollege.com
  10. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  11. mailto:albertreyer...@kabelmail.de
  12. mailto:albertreyer...@kabelmail.de
  13. http://www.tree-edition.com/
  14. http://www.anke-reyerman.de/
  15. http://www.robmackillop.net/
  16. mailto:peter.kwasniew...@wyomingcatholiccollege.com
  17. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Theorbo repertoire arranged for archlute?

2017-02-10 Thread Rob MacKillop
   That's what I meant to say, but I was still half asleep...
   Rob

   On 10 Feb 2017 08:34, "Albert Reyerman"
   <[1]albertreyer...@kabelmail.de> wrote:

 Infact the TREE edition shows Visee pieces for theorbo
 arranged for archlute in FRENCH tablature.
 Regards
 Albert Reyerman
 TREE   EDITION
 Albert Reyerman
 Finkenberg 89
 23558 Luebeck
 Germany
 [2]albertreyer...@kabelmail.de
 [3]www.tree-edition.com
 0451 899 78 48
 ---
 Fine Art Paintings
 Anke Reyerman
 [4]www.anke-reyerman.de
 Am 10.02.2017 um 08:10 schrieb Rob MacKillop:

 Check out the publications of Tree Editions. You'll find Robert de
 Visée pieces in Italian tuning.
 Rob
 [5]www.robmackillop.net

 On 9 Feb 2017, at 23:43, Peter Kwasniewski
 <[6]peter.kwasniew...@wyomingcatholiccollege.com> wrote:
My son is renting an archlute from the LSA. He just got it
 yesterday
and has been enjoying it immensely so far, playing his
 Renaissance lute
repertoire on it.
Since I'm the one signed up on this list, he asked me if I would
 ask
you all whether anyone has taken any theorbo pieces and arranged
 them
for archlute? E.g., de Visee's Chaconne in G or Kapsberger's
 Toccata
arpeggiata?
Beyond that, since he is still a rookie at reading Italian
 tablature,
he would also be happy to work on archlute pieces written in
 something
other than Italian tablature.
Thanks for any help or links you can give.
Peter Kwasniewski
--
 To get on or off this list see list information at
 [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

 .

   --

References

   1. mailto:albertreyer...@kabelmail.de
   2. mailto:albertreyer...@kabelmail.de
   3. http://www.tree-edition.com/
   4. http://www.anke-reyerman.de/
   5. http://www.robmackillop.net/
   6. mailto:peter.kwasniew...@wyomingcatholiccollege.com
   7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Theorbo repertoire arranged for archlute?

2017-02-10 Thread Albert Reyerman

Infact the TREE edition shows Visee pieces for theorbo
arranged for archlute in FRENCH tablature.

Regards
Albert Reyerman

TREE  EDITION
Albert Reyerman
Finkenberg 89
23558 Luebeck
Germany

albertreyer...@kabelmail.de
www.tree-edition.com
0451 899 78 48
---
Fine Art Paintings
Anke Reyerman
www.anke-reyerman.de

Am 10.02.2017 um 08:10 schrieb Rob MacKillop:

Check out the publications of Tree Editions. You'll find Robert de Visée pieces 
in Italian tuning.

Rob

www.robmackillop.net


On 9 Feb 2017, at 23:43, Peter Kwasniewski 
<peter.kwasniew...@wyomingcatholiccollege.com> wrote:

   My son is renting an archlute from the LSA. He just got it yesterday
   and has been enjoying it immensely so far, playing his Renaissance lute
   repertoire on it.
   Since I'm the one signed up on this list, he asked me if I would ask
   you all whether anyone has taken any theorbo pieces and arranged them
   for archlute? E.g., de Visee's Chaconne in G or Kapsberger's Toccata
   arpeggiata?
   Beyond that, since he is still a rookie at reading Italian tablature,
   he would also be happy to work on archlute pieces written in something
   other than Italian tablature.
   Thanks for any help or links you can give.
   Peter Kwasniewski

   --


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



.








[LUTE] Re: Theorbo repertoire arranged for archlute?

2017-02-09 Thread Rob MacKillop
Check out the publications of Tree Editions. You'll find Robert de Visée pieces 
in Italian tuning.

Rob

www.robmackillop.net 

> On 9 Feb 2017, at 23:43, Peter Kwasniewski 
> <peter.kwasniew...@wyomingcatholiccollege.com> wrote:
> 
>   My son is renting an archlute from the LSA. He just got it yesterday
>   and has been enjoying it immensely so far, playing his Renaissance lute
>   repertoire on it.
>   Since I'm the one signed up on this list, he asked me if I would ask
>   you all whether anyone has taken any theorbo pieces and arranged them
>   for archlute? E.g., de Visee's Chaconne in G or Kapsberger's Toccata
>   arpeggiata?
>   Beyond that, since he is still a rookie at reading Italian tablature,
>   he would also be happy to work on archlute pieces written in something
>   other than Italian tablature.
>   Thanks for any help or links you can give.
>   Peter Kwasniewski
> 
>   --
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




[LUTE] Re: Theorbo repertoire arranged for archlute?

2017-02-09 Thread Charles Mokotoff
As an aside, how very cool you've got offspring playing lute! My kids have zero 
interest in early music. 

> On Feb 9, 2017, at 6:43 PM, Peter Kwasniewski 
> <peter.kwasniew...@wyomingcatholiccollege.com> wrote:
> 
>   My son is renting an archlute from the LSA. He just got it yesterday
>   and has been enjoying it immensely so far, playing his Renaissance lute
>   repertoire on it.
>   Since I'm the one signed up on this list, he asked me if I would ask
>   you all whether anyone has taken any theorbo pieces and arranged them
>   for archlute? E.g., de Visee's Chaconne in G or Kapsberger's Toccata
>   arpeggiata?
>   Beyond that, since he is still a rookie at reading Italian tablature,
>   he would also be happy to work on archlute pieces written in something
>   other than Italian tablature.
>   Thanks for any help or links you can give.
>   Peter Kwasniewski
> 
>   --
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




[LUTE] Re: Theorbo repertoire arranged for archlute?

2017-02-09 Thread Roman Turovsky

http://polyhymnion.org/swv/archlute.html
RT


On 2/9/2017 6:43 PM, Peter Kwasniewski wrote:

My son is renting an archlute from the LSA. He just got it yesterday
and has been enjoying it immensely so far, playing his Renaissance lute
repertoire on it.
Since I'm the one signed up on this list, he asked me if I would ask
you all whether anyone has taken any theorbo pieces and arranged them
for archlute? E.g., de Visee's Chaconne in G or Kapsberger's Toccata
arpeggiata?
Beyond that, since he is still a rookie at reading Italian tablature,
he would also be happy to work on archlute pieces written in something
other than Italian tablature.
Thanks for any help or links you can give.
Peter Kwasniewski

--


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[LUTE] Theorbo repertoire arranged for archlute?

2017-02-09 Thread Peter Kwasniewski
   My son is renting an archlute from the LSA. He just got it yesterday
   and has been enjoying it immensely so far, playing his Renaissance lute
   repertoire on it.
   Since I'm the one signed up on this list, he asked me if I would ask
   you all whether anyone has taken any theorbo pieces and arranged them
   for archlute? E.g., de Visee's Chaconne in G or Kapsberger's Toccata
   arpeggiata?
   Beyond that, since he is still a rookie at reading Italian tablature,
   he would also be happy to work on archlute pieces written in something
   other than Italian tablature.
   Thanks for any help or links you can give.
   Peter Kwasniewski

   --


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[LUTE] Possible Summer School to make a theorbo

2017-01-02 Thread David Van Edwards
   Dear All,

   This year I might again be doing an international summer workshop in
   Norwich, as the Lute Society has need of another theorbo for hire to
   members. If we do, it is likely to be in late July or early August. To
   get a flavour of what is involved have a look at this webpage:

   http://www.vanedwards.co.uk/summers.htm

   If you are interested, please do email me so I can assess whether there
   would be takers.

   Best wishes and Happy New Year,

   David

--

   The Smokehouse,
   6 Whitwell Road,
   Norwich,  NR1 4HB
   England.

   Telephone: + 44 (0)1603 629899
   Website: http://www.vanedwards.co.uk

   --


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[LUTE] Re: Bach for Theorbo

2016-12-12 Thread Charles Mokotoff
Absolutely stunning Stefan. Wonderful playing, congratulations on this daunting 
accomplishment!

> On Dec 12, 2016, at 6:07 AM, Stefan Lundgren <stefan.olof.lundg...@gmail.com> 
> wrote:
> 
>   Hello!
> 
>   Videos now complete on You Tube:
> 
>   J.S. Bach "6 Suites a Violoncello Solo" for Theorbo Solo
> 
>   [1]BWV 1007 / [2]BWV 1008 / [3]BWV 1009 / [4]BWV 1010 / [5]BWV 1011 /
>   [6]BWV 1012[]^[DEL: :DEL] []^[DEL: :DEL]
>   Lundgren Edition
>   [7]www.luteonline.se
> 
>   --
> 
> References
> 
>   1. https://www.youtube.com/watch?v=KyIOx-bLakU=28s
>   2. https://www.youtube.com/watch?v=9LNKkVoB634=26s
>   3. https://www.youtube.com/watch?v=g-q_hzxMHOs=34s
>   4. https://www.youtube.com/watch?v=DAd3CF0EkE0=145s
>   5. https://www.youtube.com/watch?v=7QAElFWyDME
>   6. https://www.youtube.com/watch?v=TFD2CWQiUbI
>   7. http://www.luteonline.se/
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




[LUTE] Bach for Theorbo

2016-12-12 Thread Stefan Lundgren
   Hello!

   Videos now complete on You Tube:

   J.S. Bach "6 Suites a Violoncello Solo" for Theorbo Solo

   [1]BWV 1007 / [2]BWV 1008 / [3]BWV 1009 / [4]BWV 1010 / [5]BWV 1011 /
   [6]BWV 1012[]^[DEL: :DEL] []^[DEL: :DEL]
   Lundgren Edition
   [7]www.luteonline.se

   --

References

   1. https://www.youtube.com/watch?v=KyIOx-bLakU=28s
   2. https://www.youtube.com/watch?v=9LNKkVoB634=26s
   3. https://www.youtube.com/watch?v=g-q_hzxMHOs=34s
   4. https://www.youtube.com/watch?v=DAd3CF0EkE0=145s
   5. https://www.youtube.com/watch?v=7QAElFWyDME
   6. https://www.youtube.com/watch?v=TFD2CWQiUbI
   7. http://www.luteonline.se/


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[LUTE] RE : Theorbo and baroque guitar played by Miguel Rincón

2016-10-13 Thread jmpoirier2
   Highly recommended indeed !

   Best,

   Jean-Marie Poirier

   Envoyé depuis mon appareil Samsung

    Message d'origine 
   De : David Morales <dmorale...@cuerdaspulsadas.com>
   Date : 13/10/2016 9:28 AM (GMT+01:00)
   À : List LUTELIST <lute@cs.dartmouth.edu>
   Objet : [LUTE] Theorbo and baroque guitar played by Miguel Rincón
  Dear lute friends,
  Let me share with you two great videos:
  [1]https://vimeo.com/186238735
  [2]https://vimeo.com/186238734
  Regards.
  --
  Cuerdas Pulsadas
  [3]www.cuerdaspulsadas.com || [4]h...@cuerdaspulsadas.com
  [5]BLOG || [6]AGENDA || [7]TIMELINE
   [8]blog [9]facebook [10]twitter [11]instagram
  --
   References
  1. https://vimeo.com/186238735
  2. https://vimeo.com/186238734
  3. http://www.cuerdaspulsadas.com/
  4. mailto:h...@cuerdaspulsadas.com
  5. http://www.cuerdaspulsadas.es/blog
  6. http://cuerdaspulsadas.es/blog/agenda/
  7. http://www.cuerdaspulsadas.com/timeline
  8. http://.cuerdaspulsadas.com/blog
  9. http://www.facebook.com/cuerdaspulsadas
 10. http://www.twitter.com/cuerdaspulsadas
 11. http://www.instagram.com/cuerdaspulsadas
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[LUTE] Theorbo and baroque guitar played by Miguel Rincón

2016-10-13 Thread mjlh...@tiscali.co.uk
Thanks for the link.   A very interesting performance on the  baroque 
guitar!  A very HIP performance.
Monica

Original Message
From: dmorale...@cuerdaspulsadas.com
Date: 13/10/2016 7:28 
To: "List LUTELIST"<lute@cs.dartmouth.edu>
Subj: [LUTE] Theorbo and baroque guitar played by Miguel Rincón

Dear lute friends,
   Let me share with you two great videos:
   [1]https://vimeo.com/186238735
   [2]https://vimeo.com/186238734
   Regards.
   --
   Cuerdas Pulsadas
   [3]www.cuerdaspulsadas.com || [4]h...@cuerdaspulsadas.com
   [5]BLOG || [6]AGENDA || [7]TIMELINE

[8]blog [9]facebook [10]twitter [11]instagram

   --

References

   1. https://vimeo.com/186238735
   2. https://vimeo.com/186238734
   3. http://www.cuerdaspulsadas.com/
   4. mailto:h...@cuerdaspulsadas.com
   5. http://www.cuerdaspulsadas.es/blog
   6. http://cuerdaspulsadas.es/blog/agenda/
   7. http://www.cuerdaspulsadas.com/timeline
   8. http://.cuerdaspulsadas.com/blog
   9. http://www.facebook.com/cuerdaspulsadas
  10. http://www.twitter.com/cuerdaspulsadas
  11. http://www.instagram.com/cuerdaspulsadas


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[LUTE] Theorbo and baroque guitar played by Miguel Rincón

2016-10-13 Thread David Morales
   Dear lute friends,
   Let me share with you two great videos:
   [1]https://vimeo.com/186238735
   [2]https://vimeo.com/186238734
   Regards.
   --
   Cuerdas Pulsadas
   [3]www.cuerdaspulsadas.com || [4]h...@cuerdaspulsadas.com
   [5]BLOG || [6]AGENDA || [7]TIMELINE

[8]blog [9]facebook [10]twitter [11]instagram

   --

References

   1. https://vimeo.com/186238735
   2. https://vimeo.com/186238734
   3. http://www.cuerdaspulsadas.com/
   4. mailto:h...@cuerdaspulsadas.com
   5. http://www.cuerdaspulsadas.es/blog
   6. http://cuerdaspulsadas.es/blog/agenda/
   7. http://www.cuerdaspulsadas.com/timeline
   8. http://.cuerdaspulsadas.com/blog
   9. http://www.facebook.com/cuerdaspulsadas
  10. http://www.twitter.com/cuerdaspulsadas
  11. http://www.instagram.com/cuerdaspulsadas


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[LUTE] Theorbo & Lutes are looking for a new owner:)))

2016-09-06 Thread Anton Birula
   Dear Friends, these lutes are looking for a new owner..
   [1]https://www.facebook.com/193101590724180/photos/?tab=album_id=
   1285830578117937
   1. Theorbo by Anatoli Gundilowicz 2016 76 / 151cm
   2 11 course baroque lute by Anatoli Gundilowicz 2016 69cm.
   3. Liuto Attiorbato by Martin de Witte 2008 58/85 cm
   Please feel free to ask for more information. warmest wishes, Anna &
   Anton [2]www.luteduo.com
   [facebook.png]

Facebook

   --

References

   Visible links
   1. 
https://www.facebook.com/193101590724180/photos/?tab=album_id=1285830578117937
   2. 
http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.luteduo.com%2F=6AQGDBgVt=1

   Hidden links:
   4. 
https://www.facebook.com/193101590724180/photos/?tab=album_id=1285830578117937


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[LUTE] theorbo music from Germany?

2016-05-19 Thread David van Ooijen
   Solo music for theorbo from Germany. Anybody can think of composers,
   pieces, manuscripts?
   David
   ***
   David van Ooijen
   [1]davidvanooi...@gmail.com
   [2]www.davidvanooijen.nl
   ***

   --

References

   1. mailto:davidvanooi...@gmail.com
   2. http://www.davidvanooijen.nl/


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[LUTE] Re: Theorbo for sale

2016-05-02 Thread Roman Turovsky

What's the bridge width on it?

RT


On 5/2/2016 12:15 PM, BENJAMIN NARVEY wrote:

--e89a8f2357afa488ad0531de4d93
Content-Type: text/plain; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

Dear all,

Please excuse this mass email. In case you are interested please do get in
touch.

14C (NEW!!!) THEORBO BY IVO MAGHERINI (May 2015), sold with PVC
ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or
double strings. Fantastic instrument that can be tuned as a theorbo in A or
as a ""théorbe de pièces" in D. It can also be set up as a powerful
swan-neck baroque lute. I purchased it for certain projects in 2015, but no
longer have need of the instrument.

Asking price is €6000 (or best offer). Instrument can be seen in Paris.

Do get in touch privately for photos and other information.

Best wishes,
Benjamin Narvey








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[LUTE] Theorbo for sale

2016-05-02 Thread BENJAMIN NARVEY
--e89a8f2357afa488ad0531de4d93
Content-Type: text/plain; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

Dear all,

Please excuse this mass email. In case you are interested please do get in
touch.

14C (NEW!!!) THEORBO BY IVO MAGHERINI (May 2015), sold with PVC
ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or
double strings. Fantastic instrument that can be tuned as a theorbo in A or
as a ""théorbe de pièces" in D. It can also be set up as a powerful
swan-neck baroque lute. I purchased it for certain projects in 2015, but no
longer have need of the instrument.

Asking price is €6000 (or best offer). Instrument can be seen in Paris.

Do get in touch privately for photos and other information.

Best wishes,
Benjamin Narvey




-- 
www.luthiste.com

*t +33 (0) 6 71 79 98 98*

--e89a8f2357afa488ad0531de4d93
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

Dear
 all,Please
 excuse this mass email. In case you are interested please do get in 
touch.14C
 (NEW!!!) THEORBO BY IVO MAGHERINI (May 2015), sold with PVC ultra-lightweight 
Vorko Case. 76cm/120cm. Can be set up with single or double strings. Fantastic 
instrument that can be tuned as a theorbo in A or as a théorbe de 
pièces in D. It can als!
 o be set up as a powerful swan-neck baroque lute. I purchased it for certain 
projects in 2015, but no longer have need of the instrument.Asking
 price is €6000 (or best offer). Instrument can be seen in Paris.Do
 get in touch privately for photos and other information.Best wishes,Benjamin
 Narvey
-- http://www.luthiste.com; 
target="_blank">www.luthiste.comt +33 (0) 6 71 79 98 98

--e89a8f2357afa488ad0531de4d93--
--

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[LUTE] Re: For Sale: 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015)

2016-03-29 Thread David Morales
   Hi everyone,
   We can post your instrument on sale on our website, it's completely
   free and many people find it quite useful.
   [1]www.cuerdaspulsadas.com/blog
   Send me a message if you are interested ([2]h...@cuerdaspulsadas.com).
   Regards

   2016-03-29 17:08 GMT+02:00 BENJAMIN NARVEY <[3]luthi...@gmail.com>:

Dear Lutenists,
Just a note to say that I am selling a 14c theorbo/baroque lute
 by Ivo
Magherini. The instrument is in Paris but could be taken to
 London for
viewings on 16/17 April.
In case this may be of interest, do contact me in a private
 message.
Photos are readily available.
All best wishes,
Benjamin
    14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015), sold with PVC
ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with
 single or
double strings. Fantastic instrument that can be tuned as a
 theorbo in
A   or as a "thA(c)orbe de piA"ces" in D. It can also be set up
 as a big
swan-neck baroque lute like the later German monster lutes. I
 purchased
it for certain projects in 2015, but no longer have need of the
instrument. Asking price is aNOT6000.
--
[1][4]www.luthiste.com
t [5]+33 (0) 6 71 79 98 98
--
 References
1. [6]http://www.luthiste.com/
 To get on or off this list see list information at
 [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --
   De conformidad con lo dispuesto en la Ley OrgA!nica 15/1999 de
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   datos de carA!cter personal que facilite forman parte de un fichero,
   responsabilidad del mismo, para la gestiA^3n administrativa de los
   clientes. En el supuesto de que desee ejercitar los derechos que le
   asisten de acceso, rectificaciA^3n, cancelaciA^3n y oposiciA^3n dirija
   una comunicaciA^3n por escrito a la direcciA^3n indicada anteriormente
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   "ProtecciA^3n de Datos" incluyendo copia de su Documento Nacional de
   Identidad o documento identificativo equivalente. La informaciA^3n
   contenida en el presente mensaje de correo electrA^3nico es
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   original del mismo, quedando prohibidos cualquier comunicaciA^3n,
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   borre el contenido del mensaje y nos comunique dicha circunstancia a
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   --

References

   1. http://www.cuerdaspulsadas.com/blog
   2. mailto:h...@cuerdaspulsadas.com
   3. mailto:luthi...@gmail.com
   4. http://www.luthiste.com/
   5. tel:%2B33%20%280%29%206%2071%2079%2098%2098
   6. http://www.luthiste.com/
   7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   8. mailto:h...@cuerdaspulsadas.com
   9. mailto:h...@cuerdaspulsadas.com



[LUTE] For Sale: 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015)

2016-03-29 Thread BENJAMIN NARVEY
   Dear Lutenists,

   Just a note to say that I am selling a 14c theorbo/baroque lute by Ivo
   Magherini. The instrument is in Paris but could be taken to London for
   viewings on 16/17 April.

   In case this may be of interest, do contact me in a private message.
   Photos are readily available.

   All best wishes,

   Benjamin

   14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015), sold with PVC
   ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or
   double strings. Fantastic instrument that can be tuned as a theorbo in
   A  or as a "thA(c)orbe de piA"ces" in D. It can also be set up as a big
   swan-neck baroque lute like the later German monster lutes. I purchased
   it for certain projects in 2015, but no longer have need of the
   instrument. Asking price is aNOT6000.

   --

   [1]www.luthiste.com
   t +33 (0) 6 71 79 98 98

   --

References

   1. http://www.luthiste.com/


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[LUTE] Re: Theorbo in G

2016-03-19 Thread Christopher Wilke
   If you're used to the G tuning, it's an option. If you're used to the A
   tuning, an easier solution that helps with flat keys is to have the
   second string in the high octave (if your string length allows for it).
   This gives you room to add more harmonies above bass notes in lower
   positions. Also, 5 of your six fingerboard strings would then be
   identical to modern guitar, so, if you come from that background, most
   chord shapes feel familiar.

   I used to wince whenever I saw flat keys, but nowadays I don't find the
   ordinary re-entrant A tuning so much of a bother for the flats. Must be
   the jazz I attempt to crudely hack out every now and then. ;-)

   Chris
   [1]Sent from Yahoo Mail for iPhone

   On Thursday, March 17, 2016, 12:18 PM, Edward Chrysogonus Yong
   <edward.y...@gmail.com> wrote:

   Hi Lutefolk!
   Just a thought - would a theorbo in G be useful for playing continuo in
   flat keys?
   Edward Yong
   
   II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2
   IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
   HA| litterA| electronicA| ab iPhono missA| sunt.
   aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea
   This e-mail was sent from my iPhone.
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[LUTE] Re: Theorbo in G

2016-03-19 Thread Roland Hayes
Mentioned by a few people in early 1600s; Praetorius for one. r

-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of 
Bruno Figueiredo
Sent: Thursday, March 17, 2016 12:37 PM
To: Edward Chrysogonus Yong
Cc: Lute List
Subject: [LUTE] Re: Theorbo in G

   I have no doubt. It would work as a lute in g with reentrant tuning.

   2016-03-17 13:14 GMT-03:00 Edward Chrysogonus Yong
   <[1]edward.y...@gmail.com>:

 Hi Lutefolk!
 Just a thought - would a theorbo in G be useful for playing continuo
 in flat keys?
 Edward Yong
 
 II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2
 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
 HA| litterA| electronicA| ab iPhono missA| sunt.
 aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea
 This e-mail was sent from my iPhone.
 To get on or off this list see list information at
 [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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   Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o
   historicamente informada no alaA-ode e teorba.
   Doutor em PrA!ticas Interpretativas  pela
   Universidade Federal do Estado do Rio de Janeiro.

   --

References

   1. mailto:edward.y...@gmail.com
   2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] Re: Theorbo in G

2016-03-19 Thread Bruno Figueiredo
   I have no doubt. It would work as a lute in g with reentrant tuning.

   2016-03-17 13:14 GMT-03:00 Edward Chrysogonus Yong
   <[1]edward.y...@gmail.com>:

 Hi Lutefolk!
 Just a thought - would a theorbo in G be useful for playing continuo
 in flat keys?
 Edward Yong
 
 II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2
 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
 HA| litterA| electronicA| ab iPhono missA| sunt.
 aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea
 This e-mail was sent from my iPhone.
 To get on or off this list see list information at
 [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --
   Bruno Figueiredo

   Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o
   historicamente informada no alaA-ode e teorba.
   Doutor em PrA!ticas Interpretativas  pela
   Universidade Federal do Estado do Rio de Janeiro.

   --

References

   1. mailto:edward.y...@gmail.com
   2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Theorbo in G

2016-03-19 Thread Edward Chrysogonus Yong
Hi Lutefolk!

Just a thought - would a theorbo in G be useful for playing continuo in flat 
keys? 

Edward Yong



τούτο ηλεκτρονικόν ταχυδρομείον εκ είΦωνου εμεύ επέμφθη.
Hæ litteræ electronicæ ab iPhono missæ sunt.
此電子郵件發送于自吾iPhone。
This e-mail was sent from my iPhone.



To get on or off this list see list information at
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[LUTE] Re: Theorbo in G

2016-03-19 Thread Dan Winheld
English Theorbo. Single re-entrant 1st String/course down the 8ve. 
Thomas Mace, Wilson, etc. in "G". I think also some large French lutes? 
Some old article or other in one of the lute publications.


On 3/17/2016 9:14 AM, Edward Chrysogonus Yong wrote:

Hi Lutefolk!

Just a thought - would a theorbo in G be useful for playing continuo in flat 
keys?

Edward Yong



τούτο ηλεκτρονικόν ταχυδρομείον εκ είΦωνου εμεύ επέμφθη.
Hæ litteræ electronicæ ab iPhono missæ sunt.
此電子郵件發送于自吾iPhone。
This e-mail was sent from my iPhone.



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html






[LUTE] Re: Pachenbel suite for theorbo

2016-03-06 Thread Ed Durbrow
Cool. I really like his playing. I don’t know what his instrument was like and 
I guess he was using classical guitar technique but the Bach is very exciting.


On Mar 7, 2016, at 6:10 AM, Christopher Stetson  
wrote:
>  but until then, someone has put it here:
>   [2]https://www.youtube.com/watch?v=FTX0MycryIA

Ed Durbrow
Saitama, Japan
http://www.youtube.com/user/edurbrow?feature=watch
https://soundcloud.com/ed-durbrow
http://www9.plala.or.jp/edurbrow/





--

To get on or off this list see list information at
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[LUTE] Re: Pachenbel suite for theorbo

2016-03-06 Thread Christopher Stetson
   Unfortunately without the very 1969, quasi-psychedelic,  almost Peter
   Max cover art.

   On Sun, Mar 6, 2016 at 4:08 PM, Christopher Stetson
   <[1]christophertstet...@gmail.com> wrote:

   Yes, Leonard, I have the same LP (somewhere), but until then, someone
   has put it here:
   [2]https://www.youtube.com/watch?v=FTX0MycryIA

   On Sun, Mar 6, 2016 at 3:02 PM, Leonard Williams
   <[3]arc...@verizon.net> wrote:

 A late response to this thread:
 I have an LP by Walter Gerwig called "The Baroque Lute"
 (Nonesuch, late
 60's?) featuring compositions by Bach, Buxtehude, and Pachelbel.
 Haven't
 had it out in a long time, so I can't say for sure which pieces are
 on it.
 Leonard Williams
 On 2/25/16, 10:27 AM, "Mayes, Joseph" <[4]lute-...@cs.dartmouth.edu
 on behalf
 of [5]ma...@rowan.edu> wrote:
 >OOPS! Forgot this: [6]https://www.youtube.com/watch?v=0PQPgmz3j1E
 >
 >
 >On 2/25/16 9:30 AM, "Lex van Sante" <[7]lvansa...@gmail.com> wrote:
 >
 >> I've not been able to find this recording. Neither the one by
 >>MA 1/4ller-Dombois.
 >> However I found one by Walter Gerwig. By the way the name of the
 >>composer is
 >> Pachelbel.
 >> Happy luting
 >> Lex
 >> Op 25 feb 2016, om 15:17 heeft Edward Martin het volgende
 geschreven:
 >>
 >>>Anthony Bailes also recorded this suite.
 >>>
 >>>On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur
 <[1][8]p.st...@inrim.it>
 >>>wrote:
 >>>
 >>>--Boundary-00=_XEI34BGBH2K712S0
 >>>Content-Type: Text/Plain;
 >>>  charset="iso-8859-1"
 >>>Content-Transfer-Encoding: quoted-printable
 >>>BTW the first recording that I'm aware of is by Eugen
 Dombois, on
 >>>vinyl
 >>>...
 >>>Peter
 >>>---Messaggio originale---
 >>>Da: Wayne
 >>>Data: 23/02/2016 18:32:08
 >>>A: [2][9]lute@cs.dartmouth.edu
 >>>Oggetto: [LUTE] Re: Pachenbel suite for theorbo
 >>>Peter Steur contributed them, and as Arto says, for baroque
 lute.
 >>>  Wayne
 >>>To get on or off this list see list information at
 >>>[3][10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 >>>--Boundary-00=_XEI34BGBH2K712S0
 >>>Content-Type: Text/HTML;
 >>>  charset="iso-8859-1"
 >>>Content-Transfer-Encoding: quoted-printable
 >>>
 >>>>>http-equiv=Content-Type>
 >>>
 >>>v\:* {
 >>>BEHAVIOR: url (#default#vml)
 >>>}
 >>>
 >>>
 >>>
 >>>>>bgColor=#ff>
 >>>>>border=0>
 >>>
 >>>
 >>>
 >>>
 >>>
 >>>BTWthe first recording that I'm aware of is by
 Eugen
 >>>Dombois, on vinyl ...
 >>>
 >>>Peter
 >>>
 >>>
 >>>
 >>>>>dir=ltr>---Messaggio originale---
 >>>
 >>>
 >>>Da: >>href="mailto:[4][11]wst...@cs.dartmouth.edu;>Wayne
 >>>Data:
 23/02/2016
 >>>18:32:08
 >>>A: >>
 >>>href="mailto:[5][12]lute@cs.dartmouth.edu;>[6][13]lute@cs.dartmou
 th.edu>>V>
 >>>Oggetto:
 [LUTE]
 >>>Re:
 >>>Pachenbel suite for theorbo
 >>>
 >>>Peter Steur contributed them, and as Arto says, for
 baroque
 >>>lute.
 >>>
 >>>Wayne
 >>>
 >>>
 >>>
 >>>
 >>>To get on or off this list see list information at
 >>>>>
 >>>href="[7][14]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.ht
 ml">[8]htt
 >>>
 >>>p://[15]www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 >>> 
 >>>
 >>>
 >>>
 >>>
 >>>
 >>>
 >>>>>
 >>>align=center>
 >>id=IncrediStamp>
 >&

[LUTE] Re: Pachenbel suite for theorbo

2016-03-06 Thread Christopher Stetson
   Yes, Leonard, I have the same LP (somewhere), but until then, someone
   has put it here:
   [1]https://www.youtube.com/watch?v=FTX0MycryIA

   On Sun, Mar 6, 2016 at 3:02 PM, Leonard Williams
   <[2]arc...@verizon.net> wrote:

 A late response to this thread:
 I have an LP by Walter Gerwig called "The Baroque Lute"
 (Nonesuch, late
 60's?) featuring compositions by Bach, Buxtehude, and Pachelbel.
 Haven't
 had it out in a long time, so I can't say for sure which pieces are
 on it.
 Leonard Williams
 On 2/25/16, 10:27 AM, "Mayes, Joseph" <[3]lute-...@cs.dartmouth.edu
 on behalf
 of [4]ma...@rowan.edu> wrote:
 >OOPS! Forgot this: [5]https://www.youtube.com/watch?v=0PQPgmz3j1E
 >
 >
 >On 2/25/16 9:30 AM, "Lex van Sante" <[6]lvansa...@gmail.com> wrote:
 >
 >> I've not been able to find this recording. Neither the one by
 >>MA 1/4ller-Dombois.
 >> However I found one by Walter Gerwig. By the way the name of the
 >>composer is
 >> Pachelbel.
 >> Happy luting
 >> Lex
 >> Op 25 feb 2016, om 15:17 heeft Edward Martin het volgende
 geschreven:
 >>
 >>>Anthony Bailes also recorded this suite.
 >>>
 >>>On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur
 <[1][7]p.st...@inrim.it>
 >>>wrote:
 >>>
 >>>--Boundary-00=_XEI34BGBH2K712S0
 >>>Content-Type: Text/Plain;
 >>>  charset="iso-8859-1"
 >>>Content-Transfer-Encoding: quoted-printable
 >>>BTW the first recording that I'm aware of is by Eugen
 Dombois, on
 >>>vinyl
     >>>...
 >>>Peter
 >>>---Messaggio originale---
 >>>Da: Wayne
 >>>Data: 23/02/2016 18:32:08
 >>>A: [2][8]lute@cs.dartmouth.edu
 >>>Oggetto: [LUTE] Re: Pachenbel suite for theorbo
 >>>Peter Steur contributed them, and as Arto says, for baroque
 lute.
 >>>  Wayne
 >>>To get on or off this list see list information at
 >>>[3][9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 >>>--Boundary-00=_XEI34BGBH2K712S0
 >>>Content-Type: Text/HTML;
 >>>  charset="iso-8859-1"
 >>>Content-Transfer-Encoding: quoted-printable
 >>>
 >>>>>http-equiv=Content-Type>
 >>>
 >>>v\:* {
 >>>BEHAVIOR: url (#default#vml)
 >>>}
 >>>
 >>>
 >>>
 >>>>>bgColor=#ff>
 >>>>>border=0>
 >>>
 >>>
 >>>
 >>>
 >>>
 >>>BTWthe first recording that I'm aware of is by
 Eugen
 >>>Dombois, on vinyl ...
 >>>
 >>>Peter
 >>>
 >>>
 >>>
 >>>>>dir=ltr>---Messaggio originale---
 >>>
 >>>
 >>>Da: >>href="mailto:[4][10]wst...@cs.dartmouth.edu;>Wayne
 >>>Data:
 23/02/2016
 >>>18:32:08
 >>>A: >>
 >>>href="mailto:[5][11]lute@cs.dartmouth.edu;>[6][12]lute@cs.dartmou
 th.edu>>V>
 >>>Oggetto:
 [LUTE]
 >>>Re:
 >>>Pachenbel suite for theorbo
 >>>
 >>>Peter Steur contributed them, and as Arto says, for
 baroque
 >>>lute.
 >>>
 >>>Wayne
 >>>
 >>>
 >>>
 >>>
 >>>To get on or off this list see list information at
 >>>>>
 >>>href="[7][13]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.ht
 ml">[8]htt
 >>>
 >>>p://[14]www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 >>> 
 >>>
 >>>
 >>>
 >>>
 >>>
 >>>
 >>>>>
 >>>align=center>
 >>id=IncrediStamp>
 >>>
 >>>>>cellPadding=0 width=580 align=center border=0>
 >>>
 >>>
 >>>
 &g

[LUTE] Re: Pachenbel suite for theorbo

2016-03-06 Thread Leonard Williams
A late response to this thread:
I have an LP by Walter Gerwig called "The Baroque Lute" (Nonesuch, late
60's?) featuring compositions by Bach, Buxtehude, and Pachelbel.  Haven't
had it out in a long time, so I can't say for sure which pieces are on it.

Leonard Williams

On 2/25/16, 10:27 AM, "Mayes, Joseph" <lute-...@cs.dartmouth.edu on behalf
of ma...@rowan.edu> wrote:

>OOPS! Forgot this: https://www.youtube.com/watch?v=0PQPgmz3j1E
>
>
>On 2/25/16 9:30 AM, "Lex van Sante" <lvansa...@gmail.com> wrote:
>
>> I've not been able to find this recording. Neither the one by
>>Müller-Dombois.
>> However I found one by Walter Gerwig. By the way the name of the
>>composer is
>> Pachelbel.
>> Happy luting
>> Lex
>> Op 25 feb 2016, om 15:17 heeft Edward Martin het volgende geschreven:
>> 
>>>   Anthony Bailes also recorded this suite.
>>> 
>>>   On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur <[1]p.st...@inrim.it>
>>>   wrote:
>>> 
>>>   --Boundary-00=_XEI34BGBH2K712S0
>>>   Content-Type: Text/Plain;
>>> charset="iso-8859-1"
>>>   Content-Transfer-Encoding: quoted-printable
>>>   BTW the first recording that I'm aware of is by Eugen Dombois, on
>>>vinyl
>>>   ...
>>>   Peter
>>>   ---Messaggio originale---
>>>   Da: Wayne
>>>   Data: 23/02/2016 18:32:08
>>>   A: [2]lute@cs.dartmouth.edu
>>>   Oggetto: [LUTE] Re: Pachenbel suite for theorbo
>>>   Peter Steur contributed them, and as Arto says, for baroque lute.
>>> Wayne
>>>   To get on or off this list see list information at
>>>   [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>>   --Boundary-00=_XEI34BGBH2K712S0
>>>   Content-Type: Text/HTML;
>>> charset="iso-8859-1"
>>>   Content-Transfer-Encoding: quoted-printable
>>>   
>>>   >>http-equiv=Content-Type>
>>>   
>>>   v\:* {
>>>   BEHAVIOR: url (#default#vml)
>>>   }
>>>   
>>>   
>>>   
>>>   >>   bgColor=#ff>
>>>   >>   border=0>
>>>   
>>>   
>>>   
>>>   
>>>   
>>>   BTWthe first recording that I'm aware of is by Eugen
>>>   Dombois, on vinyl ...
>>>   
>>>   Peter
>>>   
>>>   
>>>   
>>>   >>   dir=ltr>---Messaggio originale---
>>>   
>>>   
>>>   Da: >>   href="mailto:[4]wst...@cs.dartmouth.edu;>Wayne
>>>   Data: 23/02/2016
>>>   18:32:08
>>>   A: >>   
>>>href="mailto:[5]lute@cs.dartmouth.edu;>[6]lute@cs.dartmouth.edu>>   V>
>>>   Oggetto: [LUTE]
>>>Re:
>>>   Pachenbel suite for theorbo
>>>   
>>>   Peter Steur contributed them, and as Arto says, for baroque
>>>   lute.
>>>   
>>>   Wayne
>>>   
>>>   
>>>   
>>>   
>>>   To get on or off this list see list information at
>>>   >>   
>>>href="[7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html;>[8]htt
>>>   
>>>p://www.cs.dartmouth.edu/~wbc/lute-admin/index.html>>> 
>>>   
>>>   
>>>   
>>>   
>>>   
>>>   
>>>   >>   
>>>align=center>>>   id=IncrediStamp>
>>>   
>>>   >>   cellPadding=0 width=580 align=center border=0>
>>>   
>>>   
>>>   
>>>   >>   border=0>
>>>   
>>>   
>>>   >>style="PADDING-BOTTOM:
>>>   0px; PADDING-TOP: 0px; PADDING-LEFT: 0px; PADDING-RIGHT: 0px"
>>>   align=right>>>   
>>>href="[9]http://www.incredimail.com/?id=621161did=10501ppd=28
>>>   
>>>61,201207171420,16,1,1953940358219890687rui=156356875app_test
>>>   _id=0sd=20160225">>>   style="BORDER-TOP: medium none; BORDER-RIGHT: medium none;
>>>   BORDER-BOTTOM: medium none; BORDER-LEFT: medium none" border=0
>>>   src="cid:0CFBD4C8-A4E0-4E1C-A8ED-7808F63DBD78">
>>>   
>>>   
>>>   
>>>   >>   width=500 border=0 valign="middle"
>>>   
>>>href="[10]http://www.incredimail.com?id=621161did=10501ppd=28
>>>   61,201207171420,16,1,1953940358219890687">
>>>   
>>>   
>>> 

[LUTE] Re: Pachenbel suite for theorbo

2016-02-25 Thread Mayes, Joseph
OOPS! Forgot this: https://www.youtube.com/watch?v=0PQPgmz3j1E


On 2/25/16 9:30 AM, "Lex van Sante" <lvansa...@gmail.com> wrote:

> I've not been able to find this recording. Neither the one by Müller-Dombois.
> However I found one by Walter Gerwig. By the way the name of the composer is
> Pachelbel.
> Happy luting
> Lex
> Op 25 feb 2016, om 15:17 heeft Edward Martin het volgende geschreven:
> 
>>   Anthony Bailes also recorded this suite.
>> 
>>   On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur <[1]p.st...@inrim.it>
>>   wrote:
>> 
>>   --Boundary-00=_XEI34BGBH2K712S0
>>   Content-Type: Text/Plain;
>> charset="iso-8859-1"
>>   Content-Transfer-Encoding: quoted-printable
>>   BTW the first recording that I'm aware of is by Eugen Dombois, on vinyl
>>   ...
>>   Peter
>>   ---Messaggio originale---
>>   Da: Wayne
>>   Data: 23/02/2016 18:32:08
>>   A: [2]lute@cs.dartmouth.edu
>>   Oggetto: [LUTE] Re: Pachenbel suite for theorbo
>>   Peter Steur contributed them, and as Arto says, for baroque lute.
>> Wayne
>>   To get on or off this list see list information at
>>   [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>   --Boundary-00=_XEI34BGBH2K712S0
>>   Content-Type: Text/HTML;
>> charset="iso-8859-1"
>>   Content-Transfer-Encoding: quoted-printable
>>   
>>   
>>   
>>   v\:* {
>>   BEHAVIOR: url (#default#vml)
>>   }
>>   
>>   
>>   
>>   >   bgColor=#ff>
>>   >   border=0>
>>   
>>   
>>   
>>   
>>   
>>   BTWthe first recording that I'm aware of is by Eugen
>>   Dombois, on vinyl ...
>>   
>>   Peter
>>   
>>   
>>   
>>   >   dir=ltr>---Messaggio originale---
>>   
>>   
>>   Da: >   href="mailto:[4]wst...@cs.dartmouth.edu;>Wayne
>>   Data: 23/02/2016
>>   18:32:08
>>   A: >   href="mailto:[5]lute@cs.dartmouth.edu;>[6]lute@cs.dartmouth.edu>   V>
>>   Oggetto: [LUTE] Re:
>>   Pachenbel suite for theorbo
>>   
>>   Peter Steur contributed them, and as Arto says, for baroque
>>   lute.
>>   
>>   Wayne
>>   
>>   
>>   
>>   
>>   To get on or off this list see list information at
>>   >   href="[7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html;>[8]htt
>>   p://www.cs.dartmouth.edu/~wbc/lute-admin/index.html>> 
>>   
>>   
>>   
>>   
>>   
>>   
>>   >   align=center>>   id=IncrediStamp>
>>   
>>   >   cellPadding=0 width=580 align=center border=0>
>>   
>>   
>>   
>>   >   border=0>
>>   
>>   
>>   >   align=right>>   href="[9]http://www.incredimail.com/?id=621161did=10501ppd=28
>>   61,201207171420,16,1,1953940358219890687rui=156356875app_test
>>   _id=0sd=20160225">>   style="BORDER-TOP: medium none; BORDER-RIGHT: medium none;
>>   BORDER-BOTTOM: medium none; BORDER-LEFT: medium none" border=0
>>   src="cid:0CFBD4C8-A4E0-4E1C-A8ED-7808F63DBD78">
>>   
>>   
>>   
>>   >   width=500 border=0 valign="middle"
>>   href="[10]http://www.incredimail.com?id=621161did=10501ppd=28
>>   61,201207171420,16,1,1953940358219890687">
>>   
>>   
>>   >   title="Animazioni GRATIS per la tua e-mail" style="TEXT-DECORATION:
>>   none"
>>   href="[11]http://www.incredimail.com/?id=621161did=10501ppd=2
>>   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>>   t_id=0sd=20160225">Animazioni GRATIS per
>>   la tua e-mail 
>>   
>>   
>>   
>>   
>>   >   bgColor=#e2fbb2 height=1>
>>   >   height=1 colSpan=3>>   href="[12]http://www.incredimail.com/?id=621161did=10501ppd=2
>>   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>>   t_id=0sd=20160225">
>>   >   bgColor=#e2fbb2 height=1>
>>   
>>   >   bgColor=#91a184 height=1>
>>   >   height=1 colSpan=3>>   href="[13]http://www.incredimail.com/?id=621161did=10501ppd=2
>>   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>>   t_id=0sd=20160225">
>>   >   bgColor=#bcd5a7 height=1>
>>   
>>   >   bgColor=#91a184 height=32>>   href="[14]http://www.incredimail.com/?id=621161did=10501ppd=2
&

[LUTE] Re: Pachenbel suite for theorbo

2016-02-25 Thread Mayes, Joseph
This suite can also be found on Youube.


On 2/25/16 9:17 AM, "Edward Martin" <edvihuel...@gmail.com> wrote:

>Anthony Bailes also recorded this suite.
> 
>On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur <[1]p.st...@inrim.it>
>wrote:
> 
>--Boundary-00=_XEI34BGBH2K712S0
>Content-Type: Text/Plain;
>  charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>BTW the first recording that I'm aware of is by Eugen Dombois, on vinyl
>...
>Peter
>---Messaggio originale---
>Da: Wayne
>Data: 23/02/2016 18:32:08
>A: [2]lute@cs.dartmouth.edu
>Oggetto: [LUTE] Re: Pachenbel suite for theorbo
>Peter Steur contributed them, and as Arto says, for baroque lute.
>  Wayne
>To get on or off this list see list information at
>[3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>--Boundary-00=_XEI34BGBH2K712S0
>Content-Type: Text/HTML;
>  charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
>
>
>v\:* {
>BEHAVIOR: url (#default#vml)
>}
>
>
>
>bgColor=#ff>
>border=0>
>
>
>
>
>
>BTWthe first recording that I'm aware of is by Eugen
>Dombois, on vinyl ...
>
>Peter
>
>
>
>dir=ltr>---Messaggio originale---
>
>
>Da: href="mailto:[4]wst...@cs.dartmouth.edu;>Wayne
>Data: 23/02/2016
>18:32:08
>A: href="mailto:[5]lute@cs.dartmouth.edu;>[6]lute@cs.dartmouth.eduV>
>Oggetto: [LUTE] Re:
>Pachenbel suite for theorbo
>
>Peter Steur contributed them, and as Arto says, for baroque
>lute.
>
>Wayne
>
>
>
>
>To get on or off this list see list information at
>href="[7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html;>[8]htt
>p://www.cs.dartmouth.edu/~wbc/lute-admin/index.html> 
>
>
>
>
>
>
>align=center>id=IncrediStamp>
>
>cellPadding=0 width=580 align=center border=0>
>
>
>
>border=0>
>
>
>align=right>href="[9]http://www.incredimail.com/?id=621161did=10501ppd=28
>61,201207171420,16,1,1953940358219890687rui=156356875app_test
>_id=0sd=20160225">style="BORDER-TOP: medium none; BORDER-RIGHT: medium none;
>BORDER-BOTTOM: medium none; BORDER-LEFT: medium none" border=0
>src="cid:0CFBD4C8-A4E0-4E1C-A8ED-7808F63DBD78">
>
>
>
>width=500 border=0 valign="middle"
>href="[10]http://www.incredimail.com?id=621161did=10501ppd=28
>61,201207171420,16,1,1953940358219890687">
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>none"
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>861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>t_id=0sd=20160225">Animazioni GRATIS per
>la tua e-mail 
>
>
>
>
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>bgColor=#e2fbb2 height=1>
>
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>height=1 colSpan=3>href="[13]http://www.incredimail.com/?id=621161did=10501ppd=2
>861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>t_id=0sd=20160225">
>bgColor=#bcd5a7 height=1>
>
>bgColor=#91a184 height=32>href="[14]http://www.incredimail.com/?id=621161did=10501ppd=2
>861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>t_id=0sd=20160225">
>bgColor=#e2fbb2 height=32 border="0">href="[15]http://www.incredimail.com/?id=621161did=10501ppd=2
>861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>t_id=0sd=20160225">
>id=link title="Animazioni GRATIS per la tua e-mail"
>style="TEXT-DECORATION: none; HEIGHT: 32px"
>href="[16]http://www.incredimail.com/?id=621161did=10501ppd=2
>861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>t_id=0sd=20160225" border="0">Fai clic qui! 
>bgColor=#e2fbb2 height=32>href="[17]http://www.incr

[LUTE] Re: Pachenbel suite for theorbo

2016-02-25 Thread Lex van Sante
I've not been able to find this recording. Neither the one by Müller-Dombois.
However I found one by Walter Gerwig. By the way the name of the composer is 
Pachelbel.
Happy luting
Lex
Op 25 feb 2016, om 15:17 heeft Edward Martin het volgende geschreven:

>   Anthony Bailes also recorded this suite.
> 
>   On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur <[1]p.st...@inrim.it>
>   wrote:
> 
>   --Boundary-00=_XEI34BGBH2K712S0
>   Content-Type: Text/Plain;
> charset="iso-8859-1"
>   Content-Transfer-Encoding: quoted-printable
>   BTW the first recording that I'm aware of is by Eugen Dombois, on vinyl
>   ...
>   Peter
>   ---Messaggio originale---
>   Da: Wayne
>   Data: 23/02/2016 18:32:08
>   A: [2]lute@cs.dartmouth.edu
>   Oggetto: [LUTE] Re: Pachenbel suite for theorbo
>   Peter Steur contributed them, and as Arto says, for baroque lute.
> Wayne
>   To get on or off this list see list information at
>   [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>   --Boundary-00=_XEI34BGBH2K712S0
>   Content-Type: Text/HTML;
> charset="iso-8859-1"
>   Content-Transfer-Encoding: quoted-printable
>   
>   
>   
>   v\:* {
>   BEHAVIOR: url (#default#vml)
>   }
>   
>   
>   
>  bgColor=#ff>
>  border=0>
>   
>   
>   
>   
>   
>   BTWthe first recording that I'm aware of is by Eugen
>   Dombois, on vinyl ...
>   
>   Peter
>   
>   
>   
>  dir=ltr>---Messaggio originale---
>   
>   
>   Da:href="mailto:[4]wst...@cs.dartmouth.edu;>Wayne
>   Data: 23/02/2016
>   18:32:08
>   A:href="mailto:[5]lute@cs.dartmouth.edu;>[6]lute@cs.dartmouth.edu   V>
>   Oggetto: [LUTE] Re:
>   Pachenbel suite for theorbo
>   
>   Peter Steur contributed them, and as Arto says, for baroque
>   lute.
>   
>   Wayne
>   
>   
>   
>   
>   To get on or off this list see list information at
>  href="[7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html;>[8]htt
>   p://www.cs.dartmouth.edu/~wbc/lute-admin/index.html> 
>   
>   
>   
>   
>   
>   
>  align=center>   id=IncrediStamp>
>   
>  cellPadding=0 width=580 align=center border=0>
>   
>   
>   
>  border=0>
>   
>   
>  align=right>   href="[9]http://www.incredimail.com/?id=621161did=10501ppd=28
>   61,201207171420,16,1,1953940358219890687rui=156356875app_test
>   _id=0sd=20160225">   style="BORDER-TOP: medium none; BORDER-RIGHT: medium none;
>   BORDER-BOTTOM: medium none; BORDER-LEFT: medium none" border=0
>   src="cid:0CFBD4C8-A4E0-4E1C-A8ED-7808F63DBD78">
>   
>   
>   
>  width=500 border=0 valign="middle"
>   href="[10]http://www.incredimail.com?id=621161did=10501ppd=28
>   61,201207171420,16,1,1953940358219890687">
>   
>   
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>   none"
>   href="[11]http://www.incredimail.com/?id=621161did=10501ppd=2
>   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>   t_id=0sd=20160225">Animazioni GRATIS per
>   la tua e-mail 
>   
>   
>   
>   
>  bgColor=#e2fbb2 height=1>
>  height=1 colSpan=3>   href="[12]http://www.incredimail.com/?id=621161did=10501ppd=2
>   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>   t_id=0sd=20160225">
>  bgColor=#e2fbb2 height=1>
>   
>  bgColor=#91a184 height=1>
>  height=1 colSpan=3>   href="[13]http://www.incredimail.com/?id=621161did=10501ppd=2
>   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>   t_id=0sd=20160225">
>  bgColor=#bcd5a7 height=1>
>   
>  bgColor=#91a184 height=32>   href="[14]http://www.incredimail.com/?id=621161did=10501ppd=2
>   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>   t_id=0sd=20160225">
>  bgColor=#e2fbb2 height=32 border="0">   href="[15]http://www.incredimail.com/?id=621161did=10501ppd=2
>   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>   t_id=0sd=20160225">
>  id=link title="Animazioni GRATIS per la tua e-mail"
>   style="TEXT-DECORATION: none; HEIGHT: 32px"
>   href="[16]http://www.incredimail.com/?id=621161did=10501ppd=2
>   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
>   t_id=0sd=20160225" border="0">Fai clic qui! 
>  bgColor=#e2fbb2 height=32>   href="[17]http://w

[LUTE] Re: Pachenbel suite for theorbo

2016-02-25 Thread Edward Martin
   Anthony Bailes also recorded this suite.

   On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur <[1]p.st...@inrim.it>
   wrote:

   --Boundary-00=_XEI34BGBH2K712S0
   Content-Type: Text/Plain;
 charset="iso-8859-1"
   Content-Transfer-Encoding: quoted-printable
   BTW the first recording that I'm aware of is by Eugen Dombois, on vinyl
   ...
   Peter
   ---Messaggio originale---
   Da: Wayne
   Data: 23/02/2016 18:32:08
   A: [2]lute@cs.dartmouth.edu
   Oggetto: [LUTE] Re: Pachenbel suite for theorbo
   Peter Steur contributed them, and as Arto says, for baroque lute.
 Wayne
   To get on or off this list see list information at
   [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   --Boundary-00=_XEI34BGBH2K712S0
   Content-Type: Text/HTML;
 charset="iso-8859-1"
   Content-Transfer-Encoding: quoted-printable
   
   
   
   v\:* {
   BEHAVIOR: url (#default#vml)
   }
   
   
   
   
   
   
   
   
   
   
   BTWthe first recording that I'm aware of is by Eugen
   Dombois, on vinyl ...
   
   Peter
   
   
   
   ---Messaggio originale---
   
   
   Da: mailto:[4]wst...@cs.dartmouth.edu;>Wayne
   Data: 23/02/2016
   18:32:08
   A: mailto:[5]lute@cs.dartmouth.edu;>[6]lute@cs.dartmouth.edu
   Oggetto: [LUTE] Re:
   Pachenbel suite for theorbo
   
   Peter Steur contributed them, and as Arto says, for baroque
   lute.
   
   Wayne
   
   
   
   
   To get on or off this list see list information at
   http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html;>[8]htt
   p://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   http://www.incredimail.com/?id=621161did=10501ppd=28
   61,201207171420,16,1,1953940358219890687rui=156356875app_test
   _id=0sd=20160225">
   
   
   
   http://www.incredimail.com?id=621161did=10501ppd=28
   61,201207171420,16,1,1953940358219890687">
   
   
   http://www.incredimail.com/?id=621161did=10501ppd=2
   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
   t_id=0sd=20160225">Animazioni GRATIS per
   la tua e-mail 
   
   
   
   
   
   http://www.incredimail.com/?id=621161did=10501ppd=2
   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
   t_id=0sd=20160225">
   
   
   
   http://www.incredimail.com/?id=621161did=10501ppd=2
   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
   t_id=0sd=20160225">
   
   
   http://www.incredimail.com/?id=621161did=10501ppd=2
   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
   t_id=0sd=20160225">
   http://www.incredimail.com/?id=621161did=10501ppd=2
   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
   t_id=0sd=20160225">
   http://www.incredimail.com/?id=621161did=10501ppd=2
   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
   t_id=0sd=20160225" border="0">Fai clic qui! 
   http://www.incredimail.com/?id=621161did=10501ppd=2
   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
   t_id=0sd=20160225">
   http://www.incredimail.com/?id=621161did=10501ppd=2
   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
   t_id=0sd=20160225">
   
   
   http://www.incredimail.com/?id=621161did=10501ppd=2
   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
   t_id=0sd=20160225">
   
   
   
   http://www.incredimail.com/?id=621161did=10501ppd=2
   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
   t_id=0sd=20160225">
   
   
   
   
   
   
   http://www.incredimail.com/?id=621161did=10501ppd=2
   861,201207171420,16,1,1953940358219890687rui=156356875app_tes
   t_id=0sd=20160225">
   
   
   
   
   
   
   http://www2l.incredimail.com/gcontent/stamps/new2011/pixel.gif
   ?upn=1953940358219890687" width=1 height=1> 
   --Boundary-00=_XEI34BGBH2K712S0--
   --

   --

References

   1. mailto:p.st...@inrim.it
   2. mailto:lute@cs.dartmouth.edu
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   4. mailto:wst...@cs.dartmouth.edu
   5. mailto:lute@cs.dartmouth.edu
   6. mailto:lute@cs.dartmouth.edu
   7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   9. 
http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225
  10. 
http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687
  11. 
http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225
  12. 
http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225
  13. 
http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,19

[LUTE] Re: Pachenbel suite for theorbo

2016-02-25 Thread Peter Steur

--Boundary-00=_XEI34BGBH2K712S0
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  charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

BTW the first recording that I'm aware of is by Eugen Dombois, on vinyl ...
 
Peter 
 
 
---Messaggio originale---
 
Da: Wayne
Data: 23/02/2016 18:32:08
A: lute@cs.dartmouth.edu
Oggetto: [LUTE] Re: Pachenbel suite for theorbo
 
Peter Steur contributed them, and as Arto says, for baroque lute.
 
  Wayne
 
 
 
 
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--Boundary-00=_XEI34BGBH2K712S0
Content-Type: Text/HTML;
  charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable




v\:* {
BEHAVIOR: url (#default#vml)
}











BTWthe first recording that I'm aware of is by Eugen Dombois, on 
vinyl ...

Peter



---Messaggio originale---


Da: mailto:wst...@cs.dartmouth.edu;>Wayne
Data: 23/02/2016 
18:32:08
A: mailto:lute@cs.dartmouth.edu;>lute@cs.dartmouth.edu
Oggetto: [LUTE] Re: 
Pachenbel suite for theorbo

Peter Steur contributed them, and as Arto says, for baroque lute.

Wayne




To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html;>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html















http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;> 



http://www.incredimail.com?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687;>


http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;>Animazioni GRATIS per la tua e-mail 





http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;>



http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;>


http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;>
http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;>
http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;
 border="0">Fai clic qui! 

http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;>
http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;>


http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;>



http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;>






http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;> 






http://www2l.incredimail.com/gcontent/stamps/new2011/pixel.gif?upn=1953940358219890687;
 width=1 height=1> 
--Boundary-00=_XEI34BGBH2K712S0--

--


[LUTE] Re: Pachenbel suite for theorbo

2016-02-23 Thread Wayne

Peter Steur contributed them, and as Arto says, for baroque lute.

  Wayne




To get on or off this list see list information at
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[LUTE] Re: Pachenbel suite for theorbo

2016-02-23 Thread Arto Wikla
And by the way, these pieces are to baroque lute in d-minor tuning (11 
courses is enough), no to theorbo!


Arto

On 23/02/16 18:55, Wayne wrote:

That might be

http://www.cs.dartmouth.edu/~wbc/tab-serv/tablature.cgi?Baroque_lute/pachelbel.pdf

  We will see if this gets to the list unmangled.

   W


Begin forwarded message:

From: "jo.lued...@t-online.de" <jo.lued...@t-online.de>
Subject: [LUTE] Re: Pachenbel suite for theorbo
Date: February 23, 2016 at 11:33:06 AM EST
To: Anthony Hart <anthony.hart1...@gmail.com>, "lute@cs.dartmouth.edu" 
<lute@cs.dartmouth.edu>
Reply-To: "jo.lued...@t-online.de" <jo.lued...@t-online.de>



Dear Anthony,

Nuremberg, Stadtbibliothek, Autogr. 2353b. If you search for "Pachelbel 
L'amant", you should find a tablature edition on XXXdartmouth.edu (Wayne Cripps' 
page).


Joachim





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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html






[LUTE] Re: Pachenbel suite for theorbo

2016-02-23 Thread Bruno Cognyl-Fournier
   found it on Wayne's page, .. doesn't seem to be for Therbo though..
   pitch is too high.. appears to be for Baroque lute.. or is it in
   Renaissance Tuning.. ?

   2016-02-23 11:33 GMT-05:00 [1]jo.lued...@t-online.de
   <[2]jo.lued...@t-online.de>:

 Dear Anthony,
 Nuremberg, Stadtbibliothek, Autogr. 2353b. If you search for
 "Pachelbel L'amant", you should find a tablature edition on
 XXXdartmouth.edu (Wayne Cripps' page).
 Uli plays a concert tomorrow evening in the Germanische
 Nationalmuseum in Nuremberg with the Hamburger Ratsmusik, but with
 en entirely different program focus (Dowland in Nuremberg).
 Regards,
 Joachim
 -Original-Nachricht-
 Betreff: [LUTE] Pachenbel suite for theorbo
 Datum: 2016-02-23T17:15:00+0100
 Von: "Anthony Hart" <[3]anthony.hart1...@gmail.com>
 An: "lute" <[4]lute@cs.dartmouth.edu>

  I have just discovered a youtube video of a suite by Pachenbel
   played
  on theorbo by Ulrich Wedermeier. Does anyone know where I can find
   this
  work?
  [1][5]https://www.youtube.com/watch?v=fPGmylInxic
  -- many thanks
  Anthony
  __
  Anthony Hart   MSc, LLCM,ALCM.
  Musicologist   and   Independent   Researcher
  Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
  Tel: [6]+356 27014791; Mob: [7]+356 9944 9552.
  e-mail:   [2][8]resea...@antoninoreggio.com; web:
  [3][9]www.monsignor-reggio.com
  NEW   Publications:   EDIZIONE   ANTONINO   REGGIO
  -   [4][10]www.edizionear.com
  for information and special offer
  --
   References
  1. [11]https://www.youtube.com/watch?v=fPGmylInxic
  2. mailto:[12]resea...@antoninoreggio.com
  3. [13]http://www.monsignor-reggio.com/
  4. [14]http://www.edizionear.com/
   To get on or off this list see list information at
   [15]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:jo.lued...@t-online.de
   2. mailto:jo.lued...@t-online.de
   3. mailto:anthony.hart1...@gmail.com
   4. mailto:lute@cs.dartmouth.edu
   5. https://www.youtube.com/watch?v=fPGmylInxic
   6. tel:%2B356%2027014791
   7. tel:%2B356%209944%209552
   8. mailto:resea...@antoninoreggio.com
   9. http://www.monsignor-reggio.com/
  10. http://www.edizionear.com/
  11. https://www.youtube.com/watch?v=fPGmylInxic
  12. mailto:resea...@antoninoreggio.com
  13. http://www.monsignor-reggio.com/
  14. http://www.edizionear.com/
  15. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Pachenbel suite for theorbo

2016-02-23 Thread Wayne
That might be

http://www.cs.dartmouth.edu/~wbc/tab-serv/tablature.cgi?Baroque_lute/pachelbel.pdf

 We will see if this gets to the list unmangled.

  W

> Begin forwarded message:
> 
> From: "jo.lued...@t-online.de" <jo.lued...@t-online.de>
> Subject: [LUTE] Re: Pachenbel suite for theorbo
> Date: February 23, 2016 at 11:33:06 AM EST
> To: Anthony Hart <anthony.hart1...@gmail.com>, "lute@cs.dartmouth.edu" 
> <lute@cs.dartmouth.edu>
> Reply-To: "jo.lued...@t-online.de" <jo.lued...@t-online.de>
> 
> 
> 
> Dear Anthony,
> 
> Nuremberg, Stadtbibliothek, Autogr. 2353b. If you search for "Pachelbel 
> L'amant", you should find a tablature edition on XXXdartmouth.edu (Wayne 
> Cripps' page).
> 
> 
> Joachim




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[LUTE] Re: Pachenbel suite for theorbo

2016-02-23 Thread jo.lued...@t-online.de


Dear Anthony,

Nuremberg, Stadtbibliothek, Autogr. 2353b. If you search for "Pachelbel 
L'amant", you should find a tablature edition on XXXdartmouth.edu (Wayne 
Cripps' page).

Uli plays a concert tomorrow evening in the Germanische Nationalmuseum in 
Nuremberg with the Hamburger Ratsmusik, but with en entirely different program 
focus (Dowland in Nuremberg).

Regards,

Joachim


-Original-Nachricht-
Betreff: [LUTE] Pachenbel suite for theorbo
Datum: 2016-02-23T17:15:00+0100
Von: "Anthony Hart" <anthony.hart1...@gmail.com>
An: "lute" <lute@cs.dartmouth.edu>

   I have just discovered a youtube video of a suite by Pachenbel  played
   on theorbo by Ulrich Wedermeier. Does anyone know where I can find this
   work?
   [1]https://www.youtube.com/watch?v=fPGmylInxic
   -- many thanks
   Anthony
   __
   Anthony Hart  MSc, LLCM,ALCM.
   Musicologist  and  Independent  Researcher
   Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
   Tel: +356 27014791; Mob: +356 9944 9552.
   e-mail:  [2]resea...@antoninoreggio.com; web:
   [3]www.monsignor-reggio.com
   NEW  Publications:  EDIZIONE  ANTONINO  REGGIO
   -  [4]www.edizionear.com
   for information and special offer

   --

References

   1. https://www.youtube.com/watch?v=fPGmylInxic
   2. mailto:resea...@antoninoreggio.com
   3. http://www.monsignor-reggio.com/
   4. http://www.edizionear.com/


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




[LUTE] Pachenbel suite for theorbo

2016-02-23 Thread Anthony Hart
   I have just discovered a youtube video of a suite by Pachenbel  played
   on theorbo by Ulrich Wedermeier. Does anyone know where I can find this
   work?
   [1]https://www.youtube.com/watch?v=fPGmylInxic
   -- many thanks
   Anthony
   __
   Anthony Hart  MSc, LLCM,ALCM.
   Musicologist  and  Independent  Researcher
   Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
   Tel: +356 27014791; Mob: +356 9944 9552.
   e-mail:  [2]resea...@antoninoreggio.com; web:
   [3]www.monsignor-reggio.com
   NEW  Publications:  EDIZIONE  ANTONINO  REGGIO
   -  [4]www.edizionear.com
   for information and special offer

   --

References

   1. https://www.youtube.com/watch?v=fPGmylInxic
   2. mailto:resea...@antoninoreggio.com
   3. http://www.monsignor-reggio.com/
   4. http://www.edizionear.com/


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Theorbo hire

2016-02-08 Thread Anthony Hart
   An ensemble in Malta is looking for a theorbo to hire for an extended
   period. We are aware of the costs of shipping and would be prepared to
   pay that.
   If anyone has an instrument which they would be prepared to hire please
   contact me off-line.
   Many thanks
   Anthony
   --
   __
   Anthony Hart  MSc, LLCM,ALCM.
   Musicologist  and  Independent  Researcher
   Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
   Tel: +356 27014791; Mob: +356 9944 9552.
   e-mail:  [1]resea...@antoninoreggio.com; web:
   [2]www.monsignor-reggio.com
   NEW  Publications:  EDIZIONE  ANTONINO  REGGIO
   -  [3]www.edizionear.com
   for information and special offer

   --

References

   1. mailto:resea...@antoninoreggio.com
   2. http://www.monsignor-reggio.com/
   3. http://www.edizionear.com/


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[BAROQUE-LUTE] Re: Looking for Theorbo for rent, Washington

2016-01-22 Thread w
   Dear all

   I don't suppose anybody can help this student wanting a theorbo for
   this term's opera?

   Please contact them directly if you can help

   best wishes
   Chris Goodwin


   -Original Message-
   From: Marbelly Davila <44dav...@cua.edu>
   To: secretary <secret...@lutesociety.org>
   Sent: Thu, 21 Jan 2016 16:09
   Subject: Looking for Theorbo for rent
   Dear Mr. Goodwin,
   I hope that you are doing fine.
   I am a graduate student at Catholic University (CUA) and the music
   school is looking for a Theorbo that they can rent to be use in the
   Opera for this semester.  Unfortunately, so far, we have not being able
   to find one.  Could you please, guide us in this search?
   Any help will be appreciated it.
   Regards,
   Marbelly Davila
   Graduate Student at CUA

   --


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: theorbo tuning experiment

2016-01-15 Thread Geoff Gaherty

On 2016-01-15 10:26 AM, Bruno Cognyl-Fournier wrote:

Has anyone ever experimented tuning a theorbo like a guitar with an E
top string, no re-entrant tuning? to facilitate the player with reading
a continuo part from music notation?  this would essentially give the
same tessitura as a regular theorbo and allow to play the melody on the
top string instead of mucking around on the 3 rd string...
what would be the top string gauge suggestion for a 74 cm string


Mid-East sells "baroque lutes" tuned this way:

http://www.mid-east.com/Strings/Roosebeck-Lutes/Roosebeck-5-9-Baroque-Lute

The scale length is 660mm, also similar to a guitar.  Clearly these are 
aimed at classical guitarists who want something that behaves somewhat 
like a guitar, rather than a lute.  For any lutenist who is not also a 
guitarist, this would be a nightmare to play.


Geoff

--
Geoff Gaherty
Foxmead Observatory
Coldwater, Ontario, Canada
http://www.gaherty.ca
http://starrynightskyevents.blogspot.com/



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[LUTE] Re: theorbo tuning experiment

2016-01-15 Thread David van Ooijen
   Replacing the second string with a high octave  is what some continuo
   players do. I remember some 25 years ago having to replace one
   particular theorbo player for just one concert in a series. I received
   a cassette tape with a recording of one of the earlier concerts so I
   knew more or less what was expected of me. I worked hard to get all
   those high lines while still playing full bass and harmony. It turned
   out later that the guy had his 2nd string an octave up ... It did sound
   good.
   After that experience I did as well on occasion, but often found myself
   playing guitar in stead of theorbo. Another instrument. Re-entrant
   theorbo is fun, worth the trouble of learning.
   David

   ***
   David van Ooijen
   [1]davidvanooi...@gmail.com
   [2]www.davidvanooijen.nl
   ***
   On 15 January 2016 at 17:30, Bruno Cognyl-Fournier
   <[3]fournier...@gmail.com> wrote:

Hi Ed
The point is for some of us who came from a guitar background
 back in
the 70's.
I can play from music notation in E tuning, G tuning, and C
 tuning (
oud ) but for the life of me I can't wrap my head around playing
 in A
tuning and having to play the melody on the 3 rd string...   just
 a
thought.. though,
if anyone else has tried it, I am talking of course for Continuo
regards
Bruno
2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong
<[1][4]edward.y...@gmail.com>:
  Dear Bruno,
  What would be the point of such a tuning? Some of us don't come
 from
  a classical guitar background and this would be pointless to
 us, not
  to mention making all the solo music unplayable - no
 campanellas
  etc.
  Edward Yong
  
  II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I
 1/2
  IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
  HA| litterA| electronicA| ab iPhono missA| sunt.
  aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea
  This e-mail was sent from my iPhone.
> On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier
<[2][5]fournier...@gmail.com> wrote:
>
> Dear lutenetters,
    >     Has anyone ever experimented tuning a theorbo like a guitar
 with
an E
> top string, no re-entrant tuning? to facilitate the player
 with
reading
> a continuo part from music notation?this would
 essentially give
    the
> same tessitura as a regular theorbo and allow to play the
 melody
on the
> top string instead of mucking around on the 3 rd string...
> what would be the top string gauge suggestion for a 74 cm
 string
> length?
> Bruno
>
> --
>
>
> To get on or off this list see list information at
> [3][6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
 References
1. mailto:[7]edward.y...@gmail.com
2. mailto:[8]fournier...@gmail.com
3. [9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:davidvanooi...@gmail.com
   2. http://www.davidvanooijen.nl/
   3. mailto:fournier...@gmail.com
   4. mailto:edward.y...@gmail.com
   5. mailto:fournier...@gmail.com
   6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   7. mailto:edward.y...@gmail.com
   8. mailto:fournier...@gmail.com
   9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: theorbo tuning experiment

2016-01-15 Thread Arto Wikla
And by the way, all the 6 open strings of an a theorbo, A-d-g-h-e-a, 
should be familiar to guitarists, too. Only the order is little 
different... ;-)


Arto

On 15/01/16 18:58, David van Ooijen wrote:

Replacing the second string with a high octave  is what some continuo
players do. I remember some 25 years ago having to replace one
particular theorbo player for just one concert in a series. I received
a cassette tape with a recording of one of the earlier concerts so I
knew more or less what was expected of me. I worked hard to get all
those high lines while still playing full bass and harmony. It turned
out later that the guy had his 2nd string an octave up ... It did sound
good.
After that experience I did as well on occasion, but often found myself
playing guitar in stead of theorbo. Another instrument. Re-entrant
theorbo is fun, worth the trouble of learning.
David

***
David van Ooijen
[1]davidvanooi...@gmail.com
[2]www.davidvanooijen.nl
***
On 15 January 2016 at 17:30, Bruno Cognyl-Fournier
<[3]fournier...@gmail.com> wrote:

 Hi Ed
 The point is for some of us who came from a guitar background
  back in
 the 70's.
 I can play from music notation in E tuning, G tuning, and C
  tuning (
 oud ) but for the life of me I can't wrap my head around playing
  in A
 tuning and having to play the melody on the 3 rd string...   just
  a
 thought.. though,
 if anyone else has tried it, I am talking of course for Continuo
 regards
 Bruno
 2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong
 <[1][4]edward.y...@gmail.com>:
   Dear Bruno,
   What would be the point of such a tuning? Some of us don't come
  from
   a classical guitar background and this would be pointless to
  us, not
   to mention making all the solo music unplayable - no
  campanellas
   etc.
   Edward Yong
   
   II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I
  1/2
   IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
   HA| litterA| electronicA| ab iPhono missA| sunt.
   aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea
   This e-mail was sent from my iPhone.
 > On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier
 <[2][5]fournier...@gmail.com> wrote:
 >
 > Dear lutenetters,
 >     Has anyone ever experimented tuning a theorbo like a guitar
  with
 an E
 > top string, no re-entrant tuning? to facilitate the player
  with
 reading
 > a continuo part from music notation?this would
  essentially give
     the
 > same tessitura as a regular theorbo and allow to play the
  melody
 on the
 > top string instead of mucking around on the 3 rd string...
 > what would be the top string gauge suggestion for a 74 cm
  string
 > length?
 > Bruno
 >
 > --
 >
 >
 > To get on or off this list see list information at
 > [3][6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 --
  References
 1. mailto:[7]edward.y...@gmail.com
 2. mailto:[8]fournier...@gmail.com
 3. [9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

--

References

1. mailto:davidvanooi...@gmail.com
2. http://www.davidvanooijen.nl/
3. mailto:fournier...@gmail.com
4. mailto:edward.y...@gmail.com
5. mailto:fournier...@gmail.com
6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
7. mailto:edward.y...@gmail.com
8. mailto:fournier...@gmail.com
9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html






[LUTE] Re: theorbo tuning experiment

2016-01-15 Thread Bruno Cognyl-Fournier
   Hello all
   obviously many are not understanding the point of my question, and yes
   some of us did not learn the lute directly without coming from guitar
   originally., People of my generation in the 70's did not have the
   chance of starting directly on the lute back then.   In any case, its
   an experiment,... of course learning to read in that tuning is ideal,
   but when you already read in various tunings , it becomes a bit more of
   a challenge to re-adjust all the time.
   bruno

   2016-01-15 11:58 GMT-05:00 David van Ooijen
   <[1]davidvanooi...@gmail.com>:

Replacing the second string with a high octave   is what some
 continuo
players do. I remember some 25 years ago having to replace one
particular theorbo player for just one concert in a series. I
 received
a cassette tape with a recording of one of the earlier concerts
 so I
knew more or less what was expected of me. I worked hard to get
 all
those high lines while still playing full bass and harmony. It
 turned
out later that the guy had his 2nd string an octave up ... It did
 sound
good.
After that experience I did as well on occasion, but often found
 myself
playing guitar in stead of theorbo. Another instrument.
 Re-entrant
    theorbo is fun, worth the trouble of learning.
David
***
David van Ooijen
[1][2]davidvanooi...@gmail.com
[2][3]www.davidvanooijen.nl
***
On 15 January 2016 at 17:30, Bruno Cognyl-Fournier
<[3][4]fournier...@gmail.com> wrote:
 Hi Ed
 The point is for some of us who came from a guitar
 background
  back in
 the 70's.
 I can play from music notation in E tuning, G tuning, and C
  tuning (
 oud ) but for the life of me I can't wrap my head around
 playing
  in A
 tuning and having to play the melody on the 3 rd string...
  just
  a
 thought.. though,
 if anyone else has tried it, I am talking of course for
 Continuo
 regards
 Bruno
 2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong
 <[1][4][5]edward.y...@gmail.com>:
   Dear Bruno,
   What would be the point of such a tuning? Some of us don't
 come
  from
   a classical guitar background and this would be pointless
 to
  us, not
   to mention making all the solo music unplayable - no
  campanellas
   etc.
   Edward Yong
   
   II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I
 1/4IuI-I?I
  1/2
   IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
   HA| litterA| electronicA| ab iPhono missA| sunt.
   aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea
   This e-mail was sent from my iPhone.
 > On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier
 <[2][5][6]fournier...@gmail.com> wrote:
 >
 >  Dear lutenetters,
     >  Has anyone ever experimented tuning a theorbo like a
 guitar
  with
 an E
 >  top string, no re-entrant tuning? to facilitate the
 player
  with
 reading
 >  a continuo part from music notation? this would
  essentially give
     the
 >  same tessitura as a regular theorbo and allow to play
 the
  melody
 on the
 >  top string instead of mucking around on the 3 rd
 string...
 >  what would be the top string gauge suggestion for a
 74 cm
  string
 >  length?
 >  Bruno
 >
 >  --
 >
 >
 > To get on or off this list see list information at
 >
 [3][6][7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 --
  References
 1. mailto:[7][8]edward.y...@gmail.com
 2. mailto:[8][9]fournier...@gmail.com
 3.
 [9][10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
 References
1. mailto:[11]davidvanooi...@gmail.com
2. [12]http://www.davidvanooijen.nl/
3. mailto:[13]fournier...@gmail.com
4. mailto:[14]edward.y...@gmail.com
5. mailto:[15]fournier...@gmail.com
6. [16]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
7. mailto:[17]edward.y...@gmail.com
8. mailto:[18]fournier...@gmail.com
9. [19]http://www.cs.dartmouth.edu/~wbc/lute-admin/

[LUTE] Re: theorbo tuning experiment

2016-01-15 Thread Bruno Cognyl-Fournier
--089e015389920cb87b052962271f
Content-Type: text/plain; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

Hi Ed,

I did say in my initial post, in order to facilitate Continuo playing, and
yes coming from a guitar background.. where reading from notation is ok for
me in E and in G, also in C. but not in A or with re-entrant tuning..
Campanella is a nice effect but not a must in continuo..


anyone else ? What do you think Ed Martin?


-- 

Bruno Cognyl-Fournier


[image: Images intégrées 1]


2016-01-15 11:30 GMT-05:00 Bruno Cognyl-Fournier <fournier...@gmail.com>:

>Hi Ed
>The point is for some of us who came from a guitar background back in
>the 70's.
>I can play from music notation in E tuning, G tuning, and C tuning (
>oud ) but for the life of me I can't wrap my head around playing in A
>tuning and having to play the melody on the 3 rd string...  just a
>thought.. though,
>if anyone else has tried it, I am talking of course for Continuo
>regards
>Bruno
>
>2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong
><[1]edward.y...@gmail.com>:
>
>  Dear Bruno,
>  What would be the point of such a tuning? Some of us don't come from
>  a classical guitar background and this would be pointless to us, not
>  to mention making all the solo music unplayable - no campanellas
>  etc.
>  Edward Yong
>  
>  II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2
>  IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
>  HA| litterA| electronicA| ab iPhono missA| sunt.
>  aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea
>  This e-mail was sent from my iPhone.
>
>> On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier
>    <[2]fournier...@gmail.com> wrote:
>>
>>Dear lutenetters,
>>Has anyone ever experimented tuning a theorbo like a guitar with
>an E
>>top string, no re-entrant tuning? to facilitate the player with
>reading
>>a continuo part from music notation?   this would essentially give
>the
>>same tessitura as a regular theorbo and allow to play the melody
>on the
>>top string instead of mucking around on the 3 rd string...
>>what would be the top string gauge suggestion for a 74 cm string
>>length?
>>Bruno
>>
>>--
>>
>>
>> To get on or off this list see list information at
>> [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
>--
>
> References
>
>1. mailto:edward.y...@gmail.com
>2. mailto:fournier...@gmail.com
>3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
>

--089e015389920cb87b052962271f
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable

Hi Ed,I did say in my initial post, in order 
to facilitate Continuo playing, and yes coming from a guitar background.. where 
reading from notation is ok for me in E and in G, also in C. but not in A or 
with re-entrant tuning.. Campanella is a nice effect but not a must in 
continuo..anyone else ? What do you 
think Ed Martin?-- 
 
Bruno Cognyl-Fournier
 
 
 

2016-01-15 
11:30 GMT-05:00 Bruno Cognyl-Fournier mailto:fournier...@gmail.com; 
target="_blank">fournier...@gmail.com:   Hi Ed
   The point is for some of us who came from a guitar background back in
   the 70s.
   I can play from music notation in E tuning, G tuning, and C tuning (
   oud ) but for the life of me I cant wrap my head around playing in 
A
   tuning and having to play the melody on the 3 rd string...  just a
   thought.. though,
   if anyone else has tried it, I am talking of course for Continuo
   regards
   Bruno

   2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong
   [1]mailto:edward.y...@gmail.com;>edward.y...@gmail.com:

     Dear Bruno,
     What would be the point of such a tuning? Some of us dont come 
from
     a classical guitar background and this would be pointless to us, not
     to mention making all the solo music unplayable - no campanellas
     etc.
     Edward Yong
     
     II?III? I.IIuI-oIII?I 1/2I^1I-oII 1/2 II+-I?I 
1/4IuI-I?I 1/2
     IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
     HA| litterA| electronicA| ab iPhono missA| sunt.
     aeCUReaaeuaeP:c, 1/4eae-oe-aaa 3/4iPhonea
     This e-mail was sent from my iPhone.

    On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier
   [2]mailto:fournier...@gmail.com;>fournier...@gmail.com wrote:
   
       Dear lutenetters,
       Has anyone ever experimented tuning a theorbo like a guitar 
with
   an E
       top string, no re-entrant tuning? to fac

[LUTE] Re: theorbo tuning experiment

2016-01-15 Thread Roland Hayes
Tune it to F# and it's an archlute at Roman pitch, sort of. r

-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of 
Geoff Gaherty
Sent: Friday, January 15, 2016 11:50 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: theorbo tuning experiment

On 2016-01-15 10:26 AM, Bruno Cognyl-Fournier wrote:
> Has anyone ever experimented tuning a theorbo like a guitar with an E
> top string, no re-entrant tuning? to facilitate the player with reading
> a continuo part from music notation?  this would essentially give the
> same tessitura as a regular theorbo and allow to play the melody on the
> top string instead of mucking around on the 3 rd string...
> what would be the top string gauge suggestion for a 74 cm string

Mid-East sells "baroque lutes" tuned this way:

http://www.mid-east.com/Strings/Roosebeck-Lutes/Roosebeck-5-9-Baroque-Lute

The scale length is 660mm, also similar to a guitar.  Clearly these are aimed 
at classical guitarists who want something that behaves somewhat like a guitar, 
rather than a lute.  For any lutenist who is not also a guitarist, this would 
be a nightmare to play.

Geoff

--
Geoff Gaherty
Foxmead Observatory
Coldwater, Ontario, Canada
http://www.gaherty.ca
http://starrynightskyevents.blogspot.com/



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[LUTE] Re: theorbo tuning experiment

2016-01-15 Thread Bruno Cognyl-Fournier
   Yes thx Arto, I know the tuning

   2016-01-15 12:12 GMT-05:00 Arto Wikla <[1]wi...@cs.dartmouth.edu>:

 And by the way, all the 6 open strings of an a theorbo, A-d-g-h-e-a,
 should be familiar to guitarists, too. Only the order is little
 different... ;-)
 Arto

   On 15/01/16 18:58, David van Ooijen wrote:

 Replacing the second string with a high octave   is what some
 continuo
 players do. I remember some 25 years ago having to replace one
 particular theorbo player for just one concert in a series. I
 received
 a cassette tape with a recording of one of the earlier concerts
 so I
 knew more or less what was expected of me. I worked hard to get
 all
 those high lines while still playing full bass and harmony. It
 turned
 out later that the guy had his 2nd string an octave up ... It
 did sound
 good.
 After that experience I did as well on occasion, but often found
 myself
 playing guitar in stead of theorbo. Another instrument.
 Re-entrant
     theorbo is fun, worth the trouble of learning.
 David
 ***
 David van Ooijen
 [1][2]davidvanooi...@gmail.com
 [2][3]www.davidvanooijen.nl
 ***
 On 15 January 2016 at 17:30, Bruno Cognyl-Fournier
 <[3][4]fournier...@gmail.com> wrote:
  Hi Ed
  The point is for some of us who came from a guitar
 background
   back in
  the 70's.
  I can play from music notation in E tuning, G tuning, and C
   tuning (
  oud ) but for the life of me I can't wrap my head around
 playing
   in A
  tuning and having to play the melody on the 3 rd string...
just
   a
  thought.. though,
  if anyone else has tried it, I am talking of course for
 Continuo
  regards
  Bruno
  2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong
  <[1][4][5]edward.y...@gmail.com>:
Dear Bruno,
What would be the point of such a tuning? Some of us
 don't come
   from
a classical guitar background and this would be pointless
 to
   us, not
to mention making all the solo music unplayable - no
   campanellas
etc.
Edward Yong

II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I
 1/4IuI-I?I
   1/2
IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
HA| litterA| electronicA| ab iPhono missA| sunt.
aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea
This e-mail was sent from my iPhone.
  > On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier
  <[2][5][6]fournier...@gmail.com> wrote:
  >
  >  Dear lutenetters,
  >  Has anyone ever experimented tuning a theorbo like a
 guitar
   with
  an E
  >  top string, no re-entrant tuning? to facilitate the
 player
   with
  reading
  >  a continuo part from music notation? this would
   essentially give
      the
  >  same tessitura as a regular theorbo and allow to
 play the
   melody
  on the
  >  top string instead of mucking around on the 3 rd
 string...
  >  what would be the top string gauge suggestion for a
 74 cm
   string
  >  length?
  >  Bruno
  >
  >  --
  >
  >
  > To get on or off this list see list information at
  >
 [3][6][7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  --
   References
  1. mailto:[7][8]edward.y...@gmail.com
  2. mailto:[8][9]fournier...@gmail.com
  3.
 [9][10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 --
 References
 1. mailto:[11]davidvanooi...@gmail.com
 2. [12]http://www.davidvanooijen.nl/
 3. mailto:[13]fournier...@gmail.com
 4. mailto:[14]edward.y...@gmail.com
 5. mailto:[15]fournier...@gmail.com
 6. [16]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 7. mailto:[17]edward.y...@gmail.com
 8. mailto:[18]fournier...@gmail.com
 9. [19]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:wi...@cs.dartmouth.edu
   2. mailto:davidvanooi...@gmail.com
   3. http://www.davidvanooijen.nl/
   4. mailto:fournier.

[LUTE] Re: theorbo tuning experiment

2016-01-15 Thread Edward Chrysogonus Yong

Dear Bruno,

What would be the point of such a tuning? Some of us don't come from a 
classical guitar background and this would be pointless to us, not to mention 
making all the solo music unplayable - no campanellas etc.

Edward Yong



τούτο ηλεκτρονικόν ταχυδρομείον εκ είΦωνου εμεύ επέμφθη.
Hæ litteræ electronicæ ab iPhono missæ sunt.
此電子郵件發送于自吾iPhone。
This e-mail was sent from my iPhone.

> On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier <fournier...@gmail.com> 
> wrote:
> 
>   Dear lutenetters,
>   Has anyone ever experimented tuning a theorbo like a guitar with an E
>   top string, no re-entrant tuning? to facilitate the player with reading
>   a continuo part from music notation?  this would essentially give the
>   same tessitura as a regular theorbo and allow to play the melody on the
>   top string instead of mucking around on the 3 rd string...
>   what would be the top string gauge suggestion for a 74 cm string
>   length?
>   Bruno
> 
>   --
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




[LUTE] theorbo tuning experiment

2016-01-15 Thread Bruno Cognyl-Fournier
   Dear lutenetters,
   Has anyone ever experimented tuning a theorbo like a guitar with an E
   top string, no re-entrant tuning? to facilitate the player with reading
   a continuo part from music notation?  this would essentially give the
   same tessitura as a regular theorbo and allow to play the melody on the
   top string instead of mucking around on the 3 rd string...
   what would be the top string gauge suggestion for a 74 cm string
   length?
   Bruno

   --


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: theorbo tuning experiment

2016-01-15 Thread Bruno Cognyl-Fournier
   Hi Ed
   The point is for some of us who came from a guitar background back in
   the 70's.
   I can play from music notation in E tuning, G tuning, and C tuning (
   oud ) but for the life of me I can't wrap my head around playing in A
   tuning and having to play the melody on the 3 rd string...  just a
   thought.. though,
   if anyone else has tried it, I am talking of course for Continuo
   regards
   Bruno

   2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong
   <[1]edward.y...@gmail.com>:

 Dear Bruno,
 What would be the point of such a tuning? Some of us don't come from
 a classical guitar background and this would be pointless to us, not
 to mention making all the solo music unplayable - no campanellas
 etc.
 Edward Yong
 
 II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2
 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
 HA| litterA| electronicA| ab iPhono missA| sunt.
 aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea
 This e-mail was sent from my iPhone.

   > On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier
   <[2]fournier...@gmail.com> wrote:
   >
   >Dear lutenetters,
   >Has anyone ever experimented tuning a theorbo like a guitar with
   an E
   >top string, no re-entrant tuning? to facilitate the player with
   reading
   >a continuo part from music notation?   this would essentially give
   the
   >same tessitura as a regular theorbo and allow to play the melody
   on the
   >top string instead of mucking around on the 3 rd string...
   >what would be the top string gauge suggestion for a 74 cm string
   >length?
   >Bruno
   >
   >--
   >
   >
   > To get on or off this list see list information at
   > [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:edward.y...@gmail.com
   2. mailto:fournier...@gmail.com
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[BAROQUE-LUTE] For Sale: 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015)

2016-01-03 Thread BENJAMIN NARVEY
   Dear Lutenists,

   A very happy new year! In case this may be of interest, do contact me
   in a private message.

   All best wishes,

   Benjamin

   14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015), sold with PVC
   ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or
   double strings. Fantastic instrument that can be tuned as a theorbo in
   A  or as a "thA(c)orbe de piA"ces" in D. It can also be set up as a big
   swan-neck baroque lute like the later German monster lutes. I purchased
   it for certain projects in 2015, but no longer have need of the
   instrument. Asking price is aNOT6500.

   Instrument can be seen in Paris.

   Photos here:

   [1]http://www.cs.dartmouth.edu/~wbc/lute/forsale.html

   --

   [2]www.luthiste.com
   t +33 (0) 6 71 79 98 98

   --

   [3]www.luthiste.com
   t +33 (0) 6 71 79 98 98

   --

References

   1. http://www.cs.dartmouth.edu/~wbc/lute/forsale.html
   2. http://www.luthiste.com/
   3. http://www.luthiste.com/


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[BAROQUE-LUTE] Re: For Sale: 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015)

2016-01-03 Thread Roman Turovsky

What's the bridge width?
RT


On 1/3/2016 10:21 AM, BENJAMIN NARVEY wrote:

Dear Lutenists,

A very happy new year! In case this may be of interest, do contact me
in a private message.

All best wishes,

Benjamin

14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015), sold with PVC
ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or
double strings. Fantastic instrument that can be tuned as a theorbo in
A  or as a "thA(c)orbe de piA"ces" in D. It can also be set up as a big
swan-neck baroque lute like the later German monster lutes. I purchased
it for certain projects in 2015, but no longer have need of the
instrument. Asking price is aNOT6500.

Instrument can be seen in Paris.

Photos here:

[1]http://www.cs.dartmouth.edu/~wbc/lute/forsale.html

--

[2]www.luthiste.com
t +33 (0) 6 71 79 98 98

--

[3]www.luthiste.com
t +33 (0) 6 71 79 98 98

--

References

1. http://www.cs.dartmouth.edu/~wbc/lute/forsale.html
2. http://www.luthiste.com/
3. http://www.luthiste.com/


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] For Sale: 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015)

2016-01-03 Thread BENJAMIN NARVEY
   Dear Lutenists,

   A very happy new year! In case this may be of interest, do contact me
   in a private message.

   All best wishes,

   Benjamin

   14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015), sold with PVC
   ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or
   double strings. Fantastic instrument that can be tuned as a theorbo in
   A  or as a "thA(c)orbe de piA"ces" in D. It can also be set up as a big
   swan-neck baroque lute like the later German monster lutes. I purchased
   it for certain projects in 2015, but no longer have need of the
   instrument. Asking price is aNOT6500.

   Instrument can be seen in Paris.

   Photos here:

   [1]http://www.cs.dartmouth.edu/~wbc/lute/forsale.html

   --

   [2]www.luthiste.com
   t +33 (0) 6 71 79 98 98

   --

References

   1. http://www.cs.dartmouth.edu/~wbc/lute/forsale.html
   2. http://www.luthiste.com/


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: For Sale: 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015)

2016-01-03 Thread Roman Turovsky

What's the bridge width?
RT

On 1/3/2016 10:20 AM, BENJAMIN NARVEY wrote:

Dear Lutenists,

A very happy new year! In case this may be of interest, do contact me
in a private message.

All best wishes,

Benjamin

14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015), sold with PVC
ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or
double strings. Fantastic instrument that can be tuned as a theorbo in
A  or as a "thA(c)orbe de piA"ces" in D. It can also be set up as a big
swan-neck baroque lute like the later German monster lutes. I purchased
it for certain projects in 2015, but no longer have need of the
instrument. Asking price is aNOT6500.

Instrument can be seen in Paris.

Photos here:

[1]http://www.cs.dartmouth.edu/~wbc/lute/forsale.html

--

[2]www.luthiste.com
t +33 (0) 6 71 79 98 98

--

References

1. http://www.cs.dartmouth.edu/~wbc/lute/forsale.html
2. http://www.luthiste.com/


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] EMS Theorbo

2015-09-30 Thread Anthony Hart
   has anyone any experience of the EMS Theorbo? Not as a professional
   instrument but for a beginner and as a practice instrument.

   Anthony

   --

   __
   Anthony Hart  MSc, LLCM,ALCM.
   Musicologist  and  Independent  Researcher
   Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
   Tel: +356 27014791; Mob: +356 9944 9552.
   e-mail:  [1]resea...@antoninoreggio.com; web:
   [2]www.monsignor-reggio.com
   NEW  Publications:  EDIZIONE  ANTONINO  REGGIO
   -  [3]www.edizionear.com
   for information and special offer

   --

References

   1. mailto:resea...@antoninoreggio.com
   2. http://www.monsignor-reggio.com/
   3. http://www.edizionear.com/


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Looking for a theorbo in New York

2015-09-16 Thread tiorba
Dear friends,
next October I'll spend a few days in New York.
I'm looking for a theorbo or an archlute to ren,t from 2nd to 11th.
Can be at 415 or 440.
Can someone help me?

thanks,

Diego

Inviato da iPad



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[LUTE] Theorbo pieces

2015-06-16 Thread Bruno Figueiredo
   Dear lute folks, can anyone point out any publication on the market
   afor those who are starting on the theorboa? I mean simple and
   progressive pieces for those with no experience at all. Everything I
   have is for intermediate and advanced players (Kapsperger, Piccinini,
   Hurel, Pitoni, VisA(c)e, etc...). I never bothered about this until
   some students started to come in.
   --
   Bruno Figueiredo
   A
   Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o
   historicamente informada no alaA-ode e teorba.
   Doutor em PrA!ticas InterpretativasA pela
   Universidade Federal do Estado do Rio de Janeiro.

   --


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: Theorbo pieces

2015-06-16 Thread Bill
   Dear Bruno,
   Although I do not play the theorbo, I am aware of a theorbo tutor by
   Francesca Torelli, aptly named A Tutor for the Theorbo.  It is
   published by Ut Orpheus Edizioni:
   [1]http://www.utorpheus.com/product_info.php?cPath5products_id50.  It
   is available in English and Italian.  From what I can tell, it contains
   basic exercises and musical pieces.  Hope this helps.
   Best regards,
   Bill Eisele
Date: Tue, 16 Jun 2015 11:21:33 -0300
To: lute@cs.dartmouth.edu
From: bruno.l...@gmail.com
Subject: [LUTE] Theorbo pieces
   
Dear lute folks, can anyone point out any publication on the market
afor those who are starting on the theorboa? I mean simple and
progressive pieces for those with no experience at all. Everything I
have is for intermediate and advanced players (Kapsperger, Piccinini,
Hurel, Pitoni, VisA(c)e, etc...). I never bothered about this until
some students started to come in.
--
Bruno Figueiredo
A
Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o
historicamente informada no alaA-ode e teorba.
Doutor em PrA!ticas InterpretativasA pela
Universidade Federal do Estado do Rio de Janeiro.
   
--
   
   
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. http://www.utorpheus.com/product_info.php?cPath5products_id50



[LUTE] Re: Theorbo pieces

2015-06-16 Thread Anthony Hart
   I was dissociated in the Torelli Tutor. It does have a few exercises
   but as for actual pieces it is a bit lacking. For pieces I found the
   two volumes of a Easy Theorbo pieces published by Seicento useful.
   These are not actual theorbo works but lute and baroque guitar
   transcriptions. Quite nice pieces and playable as a beginner.

   On Tuesday, June 16, 2015, Bill [1]wfeis...@msn.com wrote:

 A  A Dear Bruno,
 A  A Although I do not play the theorbo, I am aware of a theorbo
 tutor by
 A  A Francesca Torelli, aptly named A Tutor for the Theorbo.A  It
 is
 A  A published by Ut Orpheus Edizioni:
 A
 A [1][2]http://www.utorpheus.com/product_info.php?cPath5products_id
 50.A  It
 A  A is available in English and Italian.A  From what I can tell, it
 contains
 A  A basic exercises and musical pieces.A  Hope this helps.
 A  A Best regards,
 A  A Bill Eisele
 A  A  Date: Tue, 16 Jun 2015 11:21:33 -0300
 A  A  To: [3]lute@cs.dartmouth.edu
 A  A  From: [4]bruno.l...@gmail.com
 A  A  Subject: [LUTE] Theorbo pieces
 A  A 
 A  A  Dear lute folks, can anyone point out any publication on the
 market
 A  A  afor those who are starting on the theorboa? I mean simple
 and
 A  A  progressive pieces for those with no experience at all.
 Everything I
 A  A  have is for intermediate and advanced players (Kapsperger,
 Piccinini,
 A  A  Hurel, Pitoni, VisA(c)e, etc...). I never bothered about this
 until
 A  A  some students started to come in.
 A  A  --
 A  A  Bruno Figueiredo
 A  A  A
 A  A  Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o
 A  A  historicamente informada no alaA-ode e teorba.
 A  A  Doutor em PrA!ticas InterpretativasA pela
 A  A  Universidade Federal do Estado do Rio de Janeiro.
 A  A 
 A  A  --
 A  A 
 A  A 
 A  A  To get on or off this list see list information at
 A  A  [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 A  A --
 References
 A  A 1.
 [6]http://www.utorpheus.com/product_info.php?cPath5products_id50

   --

   __
   Anthony HartA MSc, LLCM,ALCM.A
   MusicologistA andA IndependentA Researcher
   Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
   Tel: +356 27014791; Mob: +356 9944 9552.
   e-mail:A [7]resea...@antoninoreggio.com;
   web:A [8]www.monsignor-reggio.com
   NEWA Publications:A EDIZIONEA ANTONINOA REGGIO
   -A [9]www.edizionear.com
   for information and special offer

   --

References

   1. mailto:wfeis...@msn.com
   2. http://www.utorpheus.com/product_info.php?cPath5products_id50
   3. javascript:;
   4. javascript:;
   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   6. http://www.utorpheus.com/product_info.php?cPath5products_id50
   7. mailto:resea...@antoninoreggio.com
   8. http://www.monsignor-reggio.com/
   9. http://www.edizionear.com/



[LUTE] Re: Theorbo pieces

2015-06-16 Thread Anthony Hart
   Whoops I meant dissapointedA
   On Tuesday, June 16, 2015, Bill [1]wfeis...@msn.com wrote:

 A  A Dear Bruno,
 A  A Although I do not play the theorbo, I am aware of a theorbo
 tutor by
 A  A Francesca Torelli, aptly named A Tutor for the Theorbo.A  It
 is
 A  A published by Ut Orpheus Edizioni:
 A
 A [1][2]http://www.utorpheus.com/product_info.php?cPath5products_id
 50.A  It
 A  A is available in English and Italian.A  From what I can tell, it
 contains
 A  A basic exercises and musical pieces.A  Hope this helps.
 A  A Best regards,
 A  A Bill Eisele
 A  A  Date: Tue, 16 Jun 2015 11:21:33 -0300
 A  A  To: [3]lute@cs.dartmouth.edu
 A  A  From: [4]bruno.l...@gmail.com
 A  A  Subject: [LUTE] Theorbo pieces
 A  A 
 A  A  Dear lute folks, can anyone point out any publication on the
 market
 A  A  afor those who are starting on the theorboa? I mean simple
 and
 A  A  progressive pieces for those with no experience at all.
 Everything I
 A  A  have is for intermediate and advanced players (Kapsperger,
 Piccinini,
 A  A  Hurel, Pitoni, VisA(c)e, etc...). I never bothered about this
 until
 A  A  some students started to come in.
 A  A  --
 A  A  Bruno Figueiredo
 A  A  A
 A  A  Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o
 A  A  historicamente informada no alaA-ode e teorba.
 A  A  Doutor em PrA!ticas InterpretativasA pela
 A  A  Universidade Federal do Estado do Rio de Janeiro.
 A  A 
 A  A  --
 A  A 
 A  A 
 A  A  To get on or off this list see list information at
 A  A  [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 A  A --
 References
 A  A 1.
 [6]http://www.utorpheus.com/product_info.php?cPath5products_id50

   --

   __
   Anthony HartA MSc, LLCM,ALCM.A
   MusicologistA andA IndependentA Researcher
   Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
   Tel: +356 27014791; Mob: +356 9944 9552.
   e-mail:A [7]resea...@antoninoreggio.com;
   web:A [8]www.monsignor-reggio.com
   NEWA Publications:A EDIZIONEA ANTONINOA REGGIO
   -A [9]www.edizionear.com
   for information and special offer

   --

References

   1. mailto:wfeis...@msn.com
   2. http://www.utorpheus.com/product_info.php?cPath5products_id50
   3. javascript:;
   4. javascript:;
   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   6. http://www.utorpheus.com/product_info.php?cPath5products_id50
   7. mailto:resea...@antoninoreggio.com
   8. http://www.monsignor-reggio.com/
   9. http://www.edizionear.com/



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