[LUTE] Re: Heavy theorbo neck
Some guitar makers have also believed that neck stiffness improves the sound. Ramirez 1A guitars have a significant graphite-epoxy inset along the neck to stiffen it, and that is said to be significant in a neck that is only 66.7cm. A. John Mardinly, Ph.D., P.E. On Mar 23, 2019, at 2:22 PM, howard posner <[1]howardpos...@ca.rr.com> wrote: On Mar 23, 2019, at 5:43 AM, Luca Manassero <[2]l...@manassero.net> wrote: Iâm about to ask him to rebuild the long neck of my big Hasenfuss theorbo, as the instrument has a fantastic voice, but Hasenfuss built a very heavy long neck, so it is really painful to homd during concerts. A lighter neck should solve the issue. All the best, Luca Consider that the heavy neck may be part of what makes the fantastic voice. I've been told that a neck that's heavy, and therefore does not vibrate, increases resonance because a vibrating neck has a damping effect on the body of the instrument. I don't recall whether Hendrik told me that, or it was volunteered by someone else, and I can't vouch for its accuracy as a matter of acoustical science. But I can tell you that the heavy neck on my Hasenfuss theorbo was never a problem because I never held the instrument while I played it. I just used a strap, and ran a leather or fake-leather bootlace from the bridge-end of the instrument and sat on it (the lace, NOT the instrument). I could take my hands off the theorbo completely. Indeed, listeners may have preferred it when I did. And it's a lot cheaper than rebuilding the neck. H To get on or off this list see list information at [3]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth .edu_-7Ewbc_lute-2Dadmin_index.html=DwIFaQ=l45AxH-kUV29SRQusp9vYR0n 1GycN4_2jInuKy6zbqQ=VLPJ8OE-c_C6joGeE1ftlvxMmQPq9N6mpKZONBRt90E=dI7 xnDPu2Bjw9zV3K5G0E9IDY4yelOErGet17R0lSoA=zWiWsrleJ4nToa6SSrmJ7P-6D006 twxiBkUKArhZubU= References 1. mailto:howardpos...@ca.rr.com 2. mailto:l...@manassero.net 3. https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth.edu_-7Ewbc_lute-2Dadmin_index.html=DwIFaQ=l45AxH-kUV29SRQusp9vYR0n1GycN4_2jInuKy6zbqQ=VLPJ8OE-c_C6joGeE1ftlvxMmQPq9N6mpKZONBRt90E=dI7xnDPu2Bjw9zV3K5G0E9IDY4yelOErGet17R0lSoA=zWiWsrleJ4nToa6SSrmJ7P-6D006twxiBkUKArhZubU=
[LUTE] Heavy theorbo neck
> On Mar 23, 2019, at 5:43 AM, Luca Manassero wrote: > > I‘m about to ask him to rebuild the long neck of my big Hasenfuss > theorbo, as the instrument has a fantastic voice, but Hasenfuss built a > very heavy long neck, so it is really painful to homd during concerts. > A lighter neck should solve the issue. > All the best, > Luca Consider that the heavy neck may be part of what makes the fantastic voice. I’ve been told that a neck that’s heavy, and therefore does not vibrate, increases resonance because a vibrating neck has a damping effect on the body of the instrument. I don’t recall whether Hendrik told me that, or it was volunteered by someone else, and I can’t vouch for its accuracy as a matter of acoustical science. But I can tell you that the heavy neck on my Hasenfuss theorbo was never a problem because I never held the instrument while I played it. I just used a strap, and ran a leather or fake-leather bootlace from the bridge-end of the instrument and sat on it (the lace, NOT the instrument). I could take my hands off the theorbo completely. Indeed, listeners may have preferred it when I did. And it’s a lot cheaper than rebuilding the neck. H To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Theorbo for Sale
Dear Friends, if anybody is looking for a theorbo, we got one, made to our requirements. Theorbo after Matteo Sellas 76,5/151, built by Wojciech Wozniak in 2019 spruce top, polisander/rosewood back, ebony veneer on the neck. In perfect condition, convinient to play, 4500EUR Good action, comes with a fitted hard case. Has two pegboxes of 8 pegs, so one can decide on the length of the 7th and 8 course if needed. (to have them long or to have them short and stopped) [1]LUTE DUO Anna Kowalska & Anton Birula www.luteduo.com [facebook.png] LUTE DUO Anna Kowalska & Anton Birula www.luteduo.com LUTE DUO Anna Kowalska & Anton Birula www.luteduo.com. 1.5K likes. www.luteduo.com We travel quite much these days. Can be seen in Poland Germany Holland, Belgium or France upon a prior appointment, or can be shipped by the UPS.com Please contact at i...@luteduo.com or +48607727346 Warmest wishes, Anna Kowalska PS. if you do not see the link, it is at the bottom of the message -- References Visible links: 1. https://www.facebook.com/193101590724180/photos/?tab=album_id=2385561074811543 Hidden links: 3. https://www.facebook.com/193101590724180/photos/?tab=album_id=2385561074811543 To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Theorbo in France - books and articles
Dear Andreas, This site I know already, and even some of the entries for Germany are from me ;-) Trotzdem vielen Dank Dir! Yuval Am 08.03.2019 08:55 schrieb Andreas Schlegel: Dear Yuval An important ressource is here: http://www.tiorba.eu/timeline.html The menue at the right side allows to filter after countries etc. Enjoy! Andreas Am 08.03.2019 um 04:23 schrieb yuval.dvo...@posteo.de: Hello everybody, what would you say ist the most important literature concerning the history ofthe theorbo (as an instrument, not concerning music for the theorbo) in France? On my list are until now: Michael Prynne: „James Talbot’s Manuscript, IV: Plucked Strings – the Lute Family“, The Galpin Society Journal 14 (1961), S. 52–68; Robert Spencer: “Chitarrone, Theorbo and Archlute“, in: Early Music Vol. 4, No. 4, 1976, S. 408–422; Ingo Negwer: „Laute und Theorbe in Marin Mersennes Harmonie universelle“, Frankfurt am Main (Deutsche Lautengesellschaft) 2000; Lynda Sayce „The development of Italianate continuo lutes“, Open University 2001. Any other books and articles which shouldn't be missing here? I don't need a complete list, only the most important works about this topic. Thank you very much! :-) Yuval P.S.: I wonder if nothing in French appeared, but I was unable to find something To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html Andreas Schlegel Eckstr. 6 CH-5737 Menziken Festnetz +41 (0)62 771 47 07 Mobile +41 (0)78 646 87 63 lute.cor...@sunrise.ch --
[LUTE] Re: Theorbo in France - books and articles
Dear Yuval An important ressource is here: http://www.tiorba.eu/timeline.html The menue at the right side allows to filter after countries etc. Enjoy! Andreas > Am 08.03.2019 um 04:23 schrieb yuval.dvo...@posteo.de: > > Hello everybody, > > what would you say ist the most important literature concerning the history > ofthe theorbo (as an instrument, not concerning music for the theorbo) in > France? > On my list are until now: > > Michael Prynne: âJames Talbotâs Manuscript, IV: Plucked Strings â the > Lute Familyâ, The Galpin Society Journal 14 (1961), S. 52â68; > Robert Spencer: âChitarrone, Theorbo and Archluteâ, in: Early Music Vol. > 4, No. 4, 1976, S. 408â422; > Ingo Negwer: âLaute und Theorbe in Marin Mersennes Harmonie universelleâ, > Frankfurt am Main (Deutsche Lautengesellschaft) 2000; > Lynda Sayce âThe development of Italianate continuo lutesâ, Open > University 2001. > > Any other books and articles which shouldn't be missing here? I don't need a > complete list, only the most important works about this topic. > > Thank you very much! :-) > Yuval > > P.S.: I wonder if nothing in French appeared, but I was unable to find > something > > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html Andreas Schlegel Eckstr. 6 CH-5737 Menziken Festnetz +41 (0)62 771 47 07 Mobile +41 (0)78 646 87 63 lute.cor...@sunrise.ch --
[LUTE] Theorbo in France - books and articles
Hello everybody, what would you say ist the most important literature concerning the history ofthe theorbo (as an instrument, not concerning music for the theorbo) in France? On my list are until now: Michael Prynne: „James Talbot’s Manuscript, IV: Plucked Strings – the Lute Family“, The Galpin Society Journal 14 (1961), S. 52–68; Robert Spencer: “Chitarrone, Theorbo and Archlute“, in: Early Music Vol. 4, No. 4, 1976, S. 408–422; Ingo Negwer: „Laute und Theorbe in Marin Mersennes Harmonie universelle“, Frankfurt am Main (Deutsche Lautengesellschaft) 2000; Lynda Sayce „The development of Italianate continuo lutes“, Open University 2001. Any other books and articles which shouldn't be missing here? I don't need a complete list, only the most important works about this topic. Thank you very much! :-) Yuval P.S.: I wonder if nothing in French appeared, but I was unable to find something To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: electric theorbo
Sorry, something goes wrong with the link: [1]https://www.facebook.com/baroque4you/videos/551180878677128/ ÿÃ, 12 þúÃ. 2018, 12:36 Konstantin Shchenikov <[2]konstantin.n...@gmail.com>: Dear colleagues, I do not pretending to be an expert or merely theorbo master, but would like to say that theorbo (even my, which is honestly not the best one) is loud enough with proper technique. I do not suffer playing this way. Thanks to may teachers, Evangelina Mascardi and Xavier Diaz-Latorre who showed me correct sound production and explained how to teach myself this way. Also I do not fighting against a band, I'm observing time and tessitura to be built in music, to support the band and to be audible (thanks to my composition studies for that). Obviously, if you play with modern orchestra with 16 I violins and brass, theorbo is useless and there is no sence to enforce lutes for that purpose. If one plays with big period orchestra one theorbo is not enough, 2-3 axes of lutes plus harps makes effect if everyone plays with correct technique. That is historical evidence. Below is the proof. Days ago I played in ballet at the Hermitage theater. The band is small and I am single theorbist. There was no amplifier, there was no mic close to the theorbo, only distance mics. Be the way, I do not use the nails on right hand. Lute starts to play on about 13 min. Tell me, is it still not enough? Your experience is more rich than mine and most of you know more than me, so I would be glad to get your comments If I'm wrong. I would like to be better! (Sorry, webcast was only in a Facebook, but Fb haters can watch without logging in) [1][3]https://www.facebook.com/baroque4you/videos/551180878677128/?_ _xts__ [0]=68.ARC_yp_WNftrYVq_uOl0-j9Xxr6QaquBSFdwNY5szs4Gvtf_vuAAc8QYfufyg Vhw VPxYsXRSZgARlk-cUmiT--7f7m5tgoss7DzJ071sjGrf27nM8prkEzpKc6CfXymPj2En yRD vpdjtzES2kW01YQ1Gh7UWjPvuINA4-uZMGbJB2YIQVGZp3YE&__tn__=H-R Sincerely, Konstantin à ²Ã, 9 à ¾à ºÃ. 2018 à ³. à ² 0:42, Ron Andrico <[2][4]praelu...@hotmail.com>: For what it's worth, an increasing number do not. __ From: [3][5]lute-...@cs.dartmouth.edu <[4][6]lute-...@cs.dartmouth.edu> on behalf of John Lenti <[5][7]johnle...@hotmail.com> Sent: Monday, October 8, 2018 8:39 PM To: howard posner; lutelist Net Subject: [LUTE] Re: electric theorbo Oh god, I didn't think anyone looked at that magazineâ ¦.. Sent from [1]Mail for Windows 10 __ From: [6][8]lute-...@cs.dartmouth.edu <[7][9]lute-...@cs.dartmouth.edu> on behalf of howard posner <[8][10]howardpos...@ca.rr.com> Sent: Saturday, September 29, 2018 10:32:35 PM To: lutelist Net Subject: [LUTE] electric theorbo On 04/10/2013 07:17, John Lenti wrote: > Speaking as a full-time theorbo player, I feel that I can say with some authority that the theorbo cannot be held comfortably by anyone ever. What you do is you play near the bridge and suffer, pop some Advil, suffer some more, pop a Demerol, more massage, claw at the strings nearish the bridge, Demerol, suffer, stretch, suffer, take a month off, and then start over. The theorbo is out to get you, and it will win. I bring up John's memorable (and, alas, accurate) 5-year-old remarks because the current issue of Early Music America has a feature story on the Seattle Baroque Orchestra, which includes a picture of him playing a concerto for electric theorbo, an instrument I had never imagined, but which looks like John's ergonomic dream instrument. On to victory... To get on or off this list see list information at [2][9][11]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. [1][10][12]https://go.microsoft.com/fwlink/?LinkId=550986 2. [2][11][13]http://www.
[LUTE] Re: electric theorbo
Dear colleagues, I do not pretending to be an expert or merely theorbo master, but would like to say that theorbo (even my, which is honestly not the best one) is loud enough with proper technique. I do not suffer playing this way. Thanks to may teachers, Evangelina Mascardi and Xavier Diaz-Latorre who showed me correct sound production and explained how to teach myself this way. Also I do not fighting against a band, I'm observing time and tessitura to be built in music, to support the band and to be audible (thanks to my composition studies for that). Obviously, if you play with modern orchestra with 16 I violins and brass, theorbo is useless and there is no sence to enforce lutes for that purpose. If one plays with big period orchestra one theorbo is not enough, 2-3 axes of lutes plus harps makes effect if everyone plays with correct technique. That is historical evidence. Below is the proof. Days ago I played in ballet at the Hermitage theater. The band is small and I am single theorbist. There was no amplifier, there was no mic close to the theorbo, only distance mics. Be the way, I do not use the nails on right hand. Lute starts to play on about 13 min. Tell me, is it still not enough? Your experience is more rich than mine and most of you know more than me, so I would be glad to get your comments If I'm wrong. I would like to be better! (Sorry, webcast was only in a Facebook, but Fb haters can watch without logging in) [1]https://www.facebook.com/baroque4you/videos/551180878677128/?__xts__ [0]=68.ARC_yp_WNftrYVq_uOl0-j9Xxr6QaquBSFdwNY5szs4Gvtf_vuAAc8QYfufygVhw VPxYsXRSZgARlk-cUmiT--7f7m5tgoss7DzJ071sjGrf27nM8prkEzpKc6CfXymPj2EnyRD vpdjtzES2kW01YQ1Gh7UWjPvuINA4-uZMGbJB2YIQVGZp3YE&__tn__=H-R Sincerely, Konstantin òÃ, 9 þúÃ. 2018 ó. ò 0:42, Ron Andrico <[2]praelu...@hotmail.com>: For what it's worth, an increasing number do not. __ From: [3]lute-...@cs.dartmouth.edu <[4]lute-...@cs.dartmouth.edu> on behalf of John Lenti <[5]johnle...@hotmail.com> Sent: Monday, October 8, 2018 8:39 PM To: howard posner; lutelist Net Subject: [LUTE] Re: electric theorbo Oh god, I didn't think anyone looked at that magazineâ¦.. Sent from [1]Mail for Windows 10 __ From: [6]lute-...@cs.dartmouth.edu <[7]lute-...@cs.dartmouth.edu> on behalf of howard posner <[8]howardpos...@ca.rr.com> Sent: Saturday, September 29, 2018 10:32:35 PM To: lutelist Net Subject: [LUTE] electric theorbo On 04/10/2013 07:17, John Lenti wrote: > Speaking as a full-time theorbo player, I feel that I can say with some authority that the theorbo cannot be held comfortably by anyone ever. What you do is you play near the bridge and suffer, pop some Advil, suffer some more, pop a Demerol, more massage, claw at the strings nearish the bridge, Demerol, suffer, stretch, suffer, take a month off, and then start over. The theorbo is out to get you, and it will win. I bring up John's memorable (and, alas, accurate) 5-year-old remarks because the current issue of Early Music America has a feature story on the Seattle Baroque Orchestra, which includes a picture of him playing a concerto for electric theorbo, an instrument I had never imagined, but which looks like John's ergonomic dream instrument. On to victory... To get on or off this list see list information at [2][9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. [1][10]https://go.microsoft.com/fwlink/?LinkId=550986 2. [2][11]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. [12]https://go.microsoft.com/fwlink/?LinkId=550986 2. [13]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. https://www.facebook.com/baroque4you/videos/551180878677128/?__xts__[0]=68.ARC_yp_WNftrYVq_uOl0-j9Xxr6QaquBSFdwNY5szs4Gvtf_vuAAc8QYfufygVhwVPxYsXRSZgARlk-cUmiT--7f7m5tgoss7DzJ071sjGrf27nM8prkEzpKc6CfXymPj2EnyRDvpdjtzES2kW01YQ1Gh7UWjPvuINA4-uZMGbJB2YIQVGZp3YE&__tn__=H-R 2. mailto:praelu...@hotmail.com 3. mailto:lute-...@cs.dartmouth.edu 4. mailto:lute-...@cs.dartmouth.edu 5. mailto:johnle...@hotmail.com 6. mailto:lute-...@cs.dartmouth.edu 7. mailto:lute-...@cs.dartmouth.edu 8. mailto:howardpos...@ca.rr.com 9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 10. https://go
[LUTE] electric theorbo
On 04/10/2013 07:17, John Lenti wrote: > Speaking as a full-time theorbo player, I feel that I can say with some > authority that the theorbo cannot be held comfortably by anyone ever. What > you do is you play near the bridge and suffer, pop some Advil, suffer some > more, pop a Demerol, more massage, claw at the strings nearish the bridge, > Demerol, suffer, stretch, suffer, take a month off, and then start over. The > theorbo is out to get you, and it will win. I bring up John’s memorable (and, alas, accurate) 5-year-old remarks because the current issue of Early Music America has a feature story on the Seattle Baroque Orchestra, which includes a picture of him playing a concerto for electric theorbo, an instrument I had never imagined, but which looks like John’s ergonomic dream instrument. On to victory... To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Bach for viola and theorbo
Exactement! And well played IMO. :) On Sun, Sep 9, 2018 at 8:29 AM Lex van Sante <[1]lvansa...@gmail.com> wrote: Ma belle si ton âme/ Une jeune fillette/La Monica Lex van Sante Op 8 sep. 2018, om 22:41 heeft G. C. <[2]kalei...@gmail.com> het volgende geschreven: Who recognizes the theme starting on 36:21:))) On Sat, Sep 8, 2018 at 1:05 PM G. C. <[1][3]kalei...@gmail.com> wrote: Also well worth a listen, where the well balanced soundscape actually makes the plucker(s) audible: [2][4]https://www.bbc.co.uk/radio/play/m7lz -- References 1. [5]mailto:kalei...@gmail.com 2. [6]https://www.bbc.co.uk/radio/play/m7lz To get on or off this list see list information at [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:lvansa...@gmail.com 2. mailto:kalei...@gmail.com 3. mailto:kalei...@gmail.com 4. https://www.bbc.co.uk/radio/play/m7lz 5. mailto:kalei...@gmail.com 6. https://www.bbc.co.uk/radio/play/m7lz 7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Bach for viola and theorbo
Ma belle si ton âme/ Une jeune fillette/La Monica Lex van Sante > Op 8 sep. 2018, om 22:41 heeft G. C. het volgende > geschreven: > > Who recognizes the theme starting on 36:21 :))) > On Sat, Sep 8, 2018 at 1:05 PM G. C. <[1]kalei...@gmail.com> wrote: > > Also well worth a listen, where the well balanced soundscape actually > makes the plucker(s) audible: > [2]https://www.bbc.co.uk/radio/play/m7lz > > -- > > References > > 1. mailto:kalei...@gmail.com > 2. https://www.bbc.co.uk/radio/play/m7lz > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html --
[LUTE] Re: Bach for viola and theorbo
Who recognizes the theme starting on 36:21 :))) On Sat, Sep 8, 2018 at 1:05 PM G. C. <[1]kalei...@gmail.com> wrote: Also well worth a listen, where the well balanced soundscape actually makes the plucker(s) audible: [2]https://www.bbc.co.uk/radio/play/m7lz -- References 1. mailto:kalei...@gmail.com 2. https://www.bbc.co.uk/radio/play/m7lz To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Bach for viola and theorbo
Also well worth a listen, where the well balanced soundscape actually makes the plucker(s) audible: [1]https://www.bbc.co.uk/radio/play/m7lz -- References 1. https://www.bbc.co.uk/radio/play/m7lz To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Bach for viola and theorbo
BWV 995 / 1011 On Sat, Sep 8, 2018 at 12:24 PM G. C. <[1]kalei...@gmail.com> wrote: For some refreshing Bach, (@ BBC early music late) go to: [1][2]https://www.bbc.co.uk/radio/play/m8x2 The introduction starts at 1:16:55 G. -- References 1. [3]https://www.bbc.co.uk/radio/play/m8x2 To get on or off this list see list information at [4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:kalei...@gmail.com 2. https://www.bbc.co.uk/radio/play/m8x2 3. https://www.bbc.co.uk/radio/play/m8x2 4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Bach for viola and theorbo
For some refreshing Bach, (@ BBC early music late) go to: [1]https://www.bbc.co.uk/radio/play/m8x2 The introduction starts at 1:16:55 G. -- References 1. https://www.bbc.co.uk/radio/play/m8x2 To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Starting Theorbo
Sorry for misinformation, I have to correct myself: The Doni _lute_ book does not contain any music for the theorbo. It is a lute book for the 14c Arciliuto. Mathias -Ursprüngliche Nachricht- Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag von Mathias Rösel Gesendet: Mittwoch, 11. Juli 2018 22:56 An: 'Tristan von Neumann'; 'lutelist Net' Betreff: [LUTE] Re: Starting Theorbo Doni seems to be a good advice. But first try to get the basic idea of playing the theorbo, viz. playing with reentrant tuning. It's not the same as playing the lute. Or rather, you will easily hear when somebody actually plays the lute on a theorbo. Start playing simple scales, starting on the 3rd course. That's for both your right and left hands. And there's a method for the theorbo out there by Francesca Torelli IICR. Mathias -Ursprüngliche Nachricht- Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag von Tristan von Neumann Gesendet: Mittwoch, 11. Juli 2018 03:20 An: lutelist Net Betreff: [LUTE] Re: Starting Theorbo The Doni Lutebook has many rewarding yet easy pieces: http://gerbode.net/sources/doni_MS_1640/pdf/ Am 11.07.2018 um 00:11 schrieb George Arndt: > Dear Collected Wisdom: > > I have rented a small theorbo from the American Lute Society for one > year to learn how to play it. What easy pieces do you recommend I begin > with? > > Thanks in advance, > > George Arndt > > george.ar...@hotmail.com > > -- > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >
[LUTE] Re: Starting Theorbo
Doni seems to be a good advice. But first try to get the basic idea of playing the theorbo, viz. playing with reentrant tuning. It's not the same as playing the lute. Or rather, you will easily hear when somebody actually plays the lute on a theorbo. Start playing simple scales, starting on the 3rd course. That's for both your right and left hands. And there's a method for the theorbo out there by Francesca Torelli IICR. Mathias -Ursprüngliche Nachricht- Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag von Tristan von Neumann Gesendet: Mittwoch, 11. Juli 2018 03:20 An: lutelist Net Betreff: [LUTE] Re: Starting Theorbo The Doni Lutebook has many rewarding yet easy pieces: http://gerbode.net/sources/doni_MS_1640/pdf/ Am 11.07.2018 um 00:11 schrieb George Arndt: > Dear Collected Wisdom: > > I have rented a small theorbo from the American Lute Society for one > year to learn how to play it. What easy pieces do you recommend I begin > with? > > Thanks in advance, > > George Arndt > > george.ar...@hotmail.com > > -- > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >
[LUTE] Re: Starting theorbo
Have a look into the Seicento Catalogue ===> http://www.seicentomusic.de/seite03.html. There is some easy music for theorbo. Rainer Subject: [LUTE] Starting Theorbo Dear Collected Wisdom: I have rented a small theorbo from the American Lute Society for one year to learn how to play it. What easy pieces do you recommend I begin with? Thanks in advance, George Arndt george.ar...@hotmail.com -- __ SEICENTO-Notenversand Rainer Luckhardt Holbeinstrasse 12 D-79312 Emmendingen Tel. ++49/(0)7641 - 932803 Internet: www.seicentomusic.de To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Starting Theorbo
The Doni Lutebook has many rewarding yet easy pieces: http://gerbode.net/sources/doni_MS_1640/pdf/ Am 11.07.2018 um 00:11 schrieb George Arndt: Dear Collected Wisdom: I have rented a small theorbo from the American Lute Society for one year to learn how to play it. What easy pieces do you recommend I begin with? Thanks in advance, George Arndt george.ar...@hotmail.com -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Starting Theorbo
Try the lovey Piccinini chaccone. Jim Sent from my Verizon, Samsung Galaxy smartphone Original message From: George Arndt Date: 7/10/18 6:11 PM (GMT-05:00) To: Lute List , George Arndt Subject: [LUTE] Starting Theorbo Dear Collected Wisdom: I have rented a small theorbo from the American Lute Society for one year to learn how to play it. What easy pieces do you recommend I begin with? Thanks in advance, George Arndt george.ar...@hotmail.com -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Starting Theorbo
http://polyhymnion.org/swv/theorbo.html better URL! RT On 7/10/2018 6:55 PM, Roman Turovsky wrote: try some of mine - http://polyhymnion.org/theorbo.html RT On 7/10/2018 6:11 PM, George Arndt wrote: Dear Collected Wisdom: I have rented a small theorbo from the American Lute Society for one year to learn how to play it. What easy pieces do you recommend I begin with? Thanks in advance, George Arndt george.ar...@hotmail.com -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Starting Theorbo
try some of mine - http://polyhymnion.org/theorbo.html RT On 7/10/2018 6:11 PM, George Arndt wrote: Dear Collected Wisdom: I have rented a small theorbo from the American Lute Society for one year to learn how to play it. What easy pieces do you recommend I begin with? Thanks in advance, George Arndt george.ar...@hotmail.com -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Bass/transposing archlutes! further to] Re: Experiences with double strung theorbo
Dear Magnus, Further to the below, I thought you might be interested in a discussion about large double strung lutes with extended pegheads which took place some 35 years ago in FoMRHI Quarterly. Eph Segerman in Comm 456 had suggested that we should consider 'bass archlutes' more seriously. I had some doubts at the time (Comm 464), and still do, nevertheless it may be an area of interest to some. So, for example, in the classification of 'bass archlutes', the Sellas E454 instrument could be considered a instrument in nominal C pitch (ie highest course at middle c'). And accordingly the fingerboard strings would be c' g d Bb F C. Pitch could perhaps just come up to modern A440 at 890mm but be more comfortable at a semitone below. Such an instrument could be used for continuo where a player didn't wish for the re-entrant theorbo tuning (who?) and could, of course, be used as a transposing instrument to accommodate lower pitched voices and instruments - the transposing archlute (as also required and suggested by Melli's collection - see Comm 464). In my view, I still think such a very large 'bass' archlute is probably a chimera - but others might wish to pursue this line. The two links to paste into your browser are: fomrhi.org/uploads/bulletins/Fomrhi-031.pdf fomrhi.org/uploads/bulletins/Fomrhi-032.pdf regards Martyn - Forwarded Message - From:Martyn Hodgson <hodgsonmar...@cs.dartmouth.edu> To:magnus andersson <maan7...@yahoo.com>; Lute Net <lute@cs.dartmouth.edu> Sent: Wednesday, 2 May 2018, 8:13 Subject: [LUTE] Re: Experiences with double strung theorbo Dear Magnus, From the historical evidence and extant instruments, the double strung theorbo seemed at least as common as the single strung instrument. However generally not with doubled basses but mostly (pace the fine Puget painting) in the configuration of only the fingered strings being double: the basses were generally single as on the instruments with single fingered courses. How this was reflected by contemporary professional theorbo players in, say, the opera house, who may have favoured single stringing throughout to enable a robust tone is, I suggest, an area still awaiting to be fully explored Regarding your experiences with double stringing: yours are similar to mine in that the double fingered strung instrument sound is penetrating and 'seems' to be almost as loud as the single strung even with fingered string tensions at around 60/70% of the single version. I put this phenomenon down to: - the presence of more upper partials with thinner strings which produce ' brightness' ; - and also to some extent to the slight, but telling, difference in tuning of the double courses which, as on the lute, can give an edge to the sound (similarly, piano tuners can slightly put unisons out of tune to emphasise the beating and thus the penetration). Keep up the good work on the unjustly neglected double strung instrument regards Martyn __ From: magnus andersson <maan7...@cs.dartmouth.edu> To: Lute Net <lute@cs.dartmouth.edu> Sent: Tuesday, 1 May 2018, 21:42 Subject: [LUTE] Experiences with double strung theorbo Dear Lute netters, as some of you might recall I recently decided to get a new instrument. My first idea was to have a copy made of the Sellas E 545 theorbo in Paris, but since my principal aim with this instrument was to use it for Basso Continuo, I discussed with my lute maker Lars Jà ¶nsson to use a bigger body than the Sellas original, with less frets (8 tied gut frets + 2 body frets) but hopefully more sound. We went for one of the biggest bodies out there, a Buechenberg model, but we kept the exact dimensions and string setups from the E 545, i.e. 6x2 @ 890mm for the fingerboard, and 8x2 @1300mm for the diapasons. I ´ve only had it for a month, but already have had the opportunity to use it in concert a couple of times. My experiences so far (these are all of course personal, and in comparison with my previous theorbo, which was a Tiffenbrucker 870/1650 by the same maker), in these first steps in trying to learn to play this new therbo, can be summarized: It takes longer to tune it than a single strung instrument, but when tuned it is just as stable It is not quieter because of the double courses It has a very penetrating sound quality One must be much more careful in hitting the strings vertically with the left hand to avoid inconsistencies in
[LUTE] Re: Experiences with double strung theorbo
Dear Magnus, From the historical evidence and extant instruments, the double strung theorbo seemed at least as common as the single strung instrument. However generally not with doubled basses but mostly (pace the fine Puget painting) in the configuration of only the fingered strings being double: the basses were generally single as on the instruments with single fingered courses. How this was reflected by contemporary professional theorbo players in, say, the opera house, who may have favoured single stringing throughout to enable a robust tone is, I suggest, an area still awaiting to be fully explored Regarding your experiences with double stringing: yours are similar to mine in that the double fingered strung instrument sound is penetrating and 'seems' to be almost as loud as the single strung even with fingered string tensions at around 60/70% of the single version. I put this phenomenon down to: - the presence of more upper partials with thinner strings which produce ' brightness' ; - and also to some extent to the slight, but telling, difference in tuning of the double courses which, as on the lute, can give an edge to the sound (similarly, piano tuners can slightly put unisons out of tune to emphasise the beating and thus the penetration). Keep up the good work on the unjustly neglected double strung instrument regards Martyn __ From: magnus andersson <maan7...@cs.dartmouth.edu> To: Lute Net <lute@cs.dartmouth.edu> Sent: Tuesday, 1 May 2018, 21:42 Subject: [LUTE] Experiences with double strung theorbo Dear Lute netters, as some of you might recall I recently decided to get a new instrument. My first idea was to have a copy made of the Sellas E 545 theorbo in Paris, but since my principal aim with this instrument was to use it for Basso Continuo, I discussed with my lute maker Lars Jà ¶nsson to use a bigger body than the Sellas original, with less frets (8 tied gut frets + 2 body frets) but hopefully more sound. We went for one of the biggest bodies out there, a Buechenberg model, but we kept the exact dimensions and string setups from the E 545, i.e. 6x2 @ 890mm for the fingerboard, and 8x2 @1300mm for the diapasons. I ´ve only had it for a month, but already have had the opportunity to use it in concert a couple of times. My experiences so far (these are all of course personal, and in comparison with my previous theorbo, which was a Tiffenbrucker 870/1650 by the same maker), in these first steps in trying to learn to play this new therbo, can be summarized: It takes longer to tune it than a single strung instrument, but when tuned it is just as stable It is not quieter because of the double courses It has a very penetrating sound quality One must be much more careful in hitting the strings vertically with the left hand to avoid inconsistencies in intonation The ability to intonate a plucked note with alteration of the left hand pressure and l.h. horizontal movement is improved Playing long slurred tirades is more tiring than on a single strung theorbo 890 mm feels big with double courses, but even with my relatively small hands, is no problem. The right hand thumb needs more than 4 weeks to find its way around in the basses... To illustrate this, the Bavarian Cultural radio funnily enough recorded a concert 10 days ago, which can be viewed here: [1]Die lange Nacht der Alten Musik: Ensemble CONTINUUM | BR-Klassik two examples (if you want to spare yourself Kà ¤ptn Peng, David Foster Wallace and Kate Tempest arrangements) at 2:10 there is the second toccata from Kapsperger ´s first chitarrone print at 29.15 the Crucifixion sonata by H I F Biber Die lange Nacht der Alten Musik: Ensemble CONTINUUM | BR-Klassik Bayerischer Rundfunk Best wishes, Magnus Andersson -- References Visible links 1. [1]https://www.br-klassik.de/concert/ausstrahlung-1418078.html Hidden links: 3. [2]https://www.br-klassik.de/concert/ausstrahlung-1418078.html To get on or off this list see list information at [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. https://www.br-klassik.de/concert/ausstrahlung-1418078.html 2. https://www.br-klassik.de/concert/ausstrahlung-1418078.html 3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Experiences with double strung theorbo
Dear Lute netters, as some of you might recall I recently decided to get a new instrument. My first idea was to have a copy made of the Sellas E 545 theorbo in Paris, but since my principal aim with this instrument was to use it for Basso Continuo, I discussed with my lute maker Lars Jönsson to use a bigger body than the Sellas original, with less frets (8 tied gut frets + 2 body frets) but hopefully more sound. We went for one of the biggest bodies out there, a Buechenberg model, but we kept the exact dimensions and string setups from the E 545, i.e. 6x2 @ 890mm for the fingerboard, and 8x2 @1300mm for the diapasons. I ´ve only had it for a month, but already have had the opportunity to use it in concert a couple of times. My experiences so far (these are all of course personal, and in comparison with my previous theorbo, which was a Tiffenbrucker 870/1650 by the same maker), in these first steps in trying to learn to play this new therbo, can be summarized: It takes longer to tune it than a single strung instrument, but when tuned it is just as stable It is not quieter because of the double courses It has a very penetrating sound quality One must be much more careful in hitting the strings vertically with the left hand to avoid inconsistencies in intonation The ability to intonate a plucked note with alteration of the left hand pressure and l.h. horizontal movement is improved Playing long slurred tirades is more tiring than on a single strung theorbo 890 mm feels big with double courses, but even with my relatively small hands, is no problem. The right hand thumb needs more than 4 weeks to find its way around in the basses... To illustrate this, the Bavarian Cultural radio funnily enough recorded a concert 10 days ago, which can be viewed here: [1]Die lange Nacht der Alten Musik: Ensemble CONTINUUM | BR-Klassik two examples (if you want to spare yourself Käptn Peng, David Foster Wallace and Kate Tempest arrangements) at 2:10 there is the second toccata from Kapsperger ´s first chitarrone print at 29.15 the Crucifixion sonata by H I F Biber Die lange Nacht der Alten Musik: Ensemble CONTINUUM | BR-Klassik Bayerischer Rundfunk Best wishes, Magnus Andersson -- References Visible links 1. https://www.br-klassik.de/concert/ausstrahlung-1418078.html Hidden links: 3. https://www.br-klassik.de/concert/ausstrahlung-1418078.html To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Theorbo
Dear theorbist friends, I now have 30 pieces for solo theorbo, with 4 videos by Rob MacKillop and Peter Damsma at [1]http://polyhymnion.org/swv/theorbo.html Newly added is ÐоÑлиÑÑ (Mourning Dove), a sprightly Ukrainian dance with 3 doubles - [2]http://polyhymnion.org/swv/theorbo/images/ghorlycja-theorbo.mp3 [3]http://polyhymnion.org/swv/theorbo/images/ghorlycja-theorbo.pdf Enjoy, RT References 1. http://polyhymnion.org/swv/theorbo.html 2. http://polyhymnion.org/swv/theorbo/images/ghorlycja-theorbo.mp3 3. http://polyhymnion.org/swv/theorbo/images/ghorlycja-theorbo.pdf To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Short Tongue-in-cheek lecture about the Theorbo
There is actually some not so tongue-in-cheek, but very informative lute channel on youtube that deserves support, made by Lukas Henning. It also includes art history. Lukas is obviously a big fan of Marco Dall'Aquila, whose pieces are frequently featured in his videos. Go fund his efforts via Patreon, he will appreciate it and display your name if you wish. https://www.youtube.com/user/LutePieces Am 08.01.2018 um 14:34 schrieb Ron Andrico: This video receives four thumbs up from our household. Finally, something worth watching on yucktube. RA __ From: lute-...@cs.dartmouth.edu <lute-...@cs.dartmouth.edu> on behalf of Tristan von Neumann <tristanvonneum...@gmx.de> Sent: Monday, January 8, 2018 12:28 PM To: lutelist Net Subject: [LUTE] Short Tongue-in-cheek lecture about the Theorbo If you need a funny video to explain to someone what a theorbo is, this cetainly serves the purpose. :) [1]https://www.youtube.com/watch?v=rsypbHFR5_E [2][th?id=OVP.6soGZk_TY_F0rOneh1YWCQHgFopid=Api] [3]What is a Theorbo, Really? www.youtube.com Today we delve into the magical world of phallic bass lutes! Learn everything you never dared to ask as we encounter the 'Theorbo', a strange and lanky beast... To get on or off this list see list information at [4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html [5]Lute Mail list technical information www.cs.dartmouth.edu How do I get on the lute mail list? To get on the mail list, send email with a Subject: of "subscribe" to lute-requ...@cs.dartmouth.edu and your name will be added to ... -- References 1. https://www.youtube.com/watch?v=rsypbHFR5_E 2. https://www.youtube.com/watch?v=rsypbHFR5_E 3. https://www.youtube.com/watch?v=rsypbHFR5_E 4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Short Tongue-in-cheek lecture about the Theorbo
If you need a funny video to explain to someone what a theorbo is, this cetainly serves the purpose. :) https://www.youtube.com/watch?v=rsypbHFR5_E To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Interesting painting showing a French theorbo
Dear Matthew, Yes it is a shame but I suspect long instruments pose a problem of composition for artists, they seem so often to go off the picture edge. Yes the ribs are rather beautifully scalloped, I do like that effect. I think it is just a blob of paint but I'm not sure a fashionable aristo would be up to bothering with tastini! David At 20:21 +0200 4/10/17, Matthew Daillie wrote: Thanks David. Shame that we have only such a partial view of the instrument. It would appear to have just 9 tied frets although it does look as though there is another fret knot between the nut and the first fret. A double fret for mean tone perhaps; or maybe just a blob of paint! The ribs seem to be quite deeply scalloped don't you think? Best, Matthew On 04/10/2017 14:19, David Van Edwards wrote: There's an interesting painting showing the back and part of the lower pegbox of a French theorbo with its distinctive pierced fretwoork pegbox and chanterelle slot. It is coming up for auction in Vienna on 17/10/17 and can be seen here: https://www.dorotheum.com/en/auctions/current-auctions/kataloge/list-lots-detail/auktion/12759-old-master-paintings/lotID/123/lot/2282371-jean-ranc.html?currentPage=5=0 Of course it could be an Angelique since we can't see the bridge or string layout but pictures of either French type from c.1700 are rare enough for this to be interesting. And Ranc was working at the right level in the Paris social environment for this to be a proper example. Best wishes, David -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- The Smokehouse, 6 Whitwell Road, Norwich, NR1 4HB England. Telephone: + 44 (0)1603 629899 Website: http://www.vanedwards.co.uk
[LUTE] Re: Interesting painting showing a French theorbo
Thanks David. Shame that we have only such a partial view of the instrument. It would appear to have just 9 tied frets although it does look as though there is another fret knot between the nut and the first fret. A double fret for mean tone perhaps; or maybe just a blob of paint! The ribs seem to be quite deeply scalloped don't you think? Best, Matthew On 04/10/2017 14:19, David Van Edwards wrote: There's an interesting painting showing the back and part of the lower pegbox of a French theorbo with its distinctive pierced fretwoork pegbox and chanterelle slot. It is coming up for auction in Vienna on 17/10/17 and can be seen here: https://www.dorotheum.com/en/auctions/current-auctions/kataloge/list-lots-detail/auktion/12759-old-master-paintings/lotID/123/lot/2282371-jean-ranc.html?currentPage=5=0 Of course it could be an Angelique since we can't see the bridge or string layout but pictures of either French type from c.1700 are rare enough for this to be interesting. And Ranc was working at the right level in the Paris social environment for this to be a proper example. Best wishes, David -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Interesting painting showing a French theorbo
There's an interesting painting showing the back and part of the lower pegbox of a French theorbo with its distinctive pierced fretwoork pegbox and chanterelle slot. It is coming up for auction in Vienna on 17/10/17 and can be seen here: https://www.dorotheum.com/en/auctions/current-auctions/kataloge/list-lots-detail/auktion/12759-old-master-paintings/lotID/123/lot/2282371-jean-ranc.html?currentPage=5=0 Of course it could be an Angelique since we can't see the bridge or string layout but pictures of either French type from c.1700 are rare enough for this to be interesting. And Ranc was working at the right level in the Paris social environment for this to be a proper example. Best wishes, David -- The Smokehouse, 6 Whitwell Road, Norwich, NR1 4HB England. Telephone: + 44 (0)1603 629899 Website: http://www.vanedwards.co.uk To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Shortest historical theorbo string length?
Dear Howard, thank you very much for all these previous informations! (I didn't know at all about the database, what a shame) I was hoping to read a couple of personal opinions from our lutemaking friends, but most probably everybody is still on vacation... I agree that the definition of theorbo and / or chitarrone is a very complex one, with a lot of different instruments (all double fretted courses, all single fretted courses, etc.) and of course the variations caused by very low (Rome, for instance) or very high pitches (Venezia). ..and instruments like the Roman archlutes where the local low picth made the fretted string length comparably longer than (for instance) Venitian archlutes, making them possibly looking similar to "short" theorbos. In any case, not really liking most of our recent "solutions" (1m long theorbos, for instance) - I'm curious about this size issue, which must have been a relevant one even back then, I suspect (as travelling on a "carrozza" with a 2m long instrument is deinitely not like carrying a violin or a recorder). Best wishes, Luca Il 2017-08-20 19:59 howard posner ha scritto: > There's a database of instruments at > > http://www.cs.dartmouth.edu/~lsa/associated/database/dbsearch.php > > I compiled a download of theorbos/archlutes from it when I was doing some > cursory research into a question similar to yours. AI'm sending it to you > separately. > > The problem with your question is that to answer it you have to make > assumptions about precisely the instruments you should not be making > assumptions about. Suppose you find an instrument with six double-strung 74 > cm courses on the fingerboard and eight 150 cm courses on the extension. Is > it a theorbo in D, a small theorbo in A built to play at A 466 or higher, or > a archlute built to play at A 370? Historical instruments don't come with > instruction manuals. > > You might search the list archives for "Theorbo in G?" and (dare I say it?), > "toy theorbo" to some views, not all of them helpful, that have been > expressed on theorbo sizes. > >> On Aug 20, 2017, at 9:36 AM, Luca Manassero <l...@manassero.net> wrote: >> >> Dear collective wisdom, >> >> I'm doing some research concerning the historical theorbo (fretted) >> string lengths in museum or private collections: I'd be really grateful >> to anybody letting me know about historical theorbos with "short" string >> length. Of course a reference to a collection or at least to a an >> historical lutemaker would be important, thank you. >> >> I'd be also curious to know from our luthier friends what is the >> shortest historical theorbo they ever had the chance to see and/or >> measure. >> >> I'm of course referring to theorbos in G or A, knowing that there aren't >> surviving French theorbos ("théorbe des pièces") in D. >> >> Thank you in advance for your kind help, >> >> Luca > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html --
[LUTE] Re: Shortest historical theorbo string length?
There’s a database of instruments at http://www.cs.dartmouth.edu/~lsa/associated/database/dbsearch.php I compiled a download of theorbos/archlutes from it when I was doing some cursory research into a question similar to yours. AI’m sending it to you separately. The problem with your question is that to answer it you have to make assumptions about precisely the instruments you should not be making assumptions about. Suppose you find an instrument with six double-strung 74 cm courses on the fingerboard and eight 150 cm courses on the extension. Is it a theorbo in D, a small theorbo in A built to play at A 466 or higher, or a archlute built to play at A 370? Historical instruments don’t come with instruction manuals. You might search the list archives for “Theorbo in G?” and (dare I say it?), “toy theorbo” to some views, not all of them helpful, that have been expressed on theorbo sizes. > On Aug 20, 2017, at 9:36 AM, Luca Manassero <l...@manassero.net> wrote: > > Dear collective wisdom, > > I'm doing some research concerning the historical theorbo (fretted) > string lengths in museum or private collections: I'd be really grateful > to anybody letting me know about historical theorbos with "short" string > length. Of course a reference to a collection or at least to a an > historical lutemaker would be important, thank you. > > I'd be also curious to know from our luthier friends what is the > shortest historical theorbo they ever had the chance to see and/or > measure. > > I'm of course referring to theorbos in G or A, knowing that there aren't > surviving French theorbos ("théorbe des pièces") in D. > > Thank you in advance for your kind help, > > Luca To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Shortest historical theorbo string length?
Dear collective wisdom, I'm doing some research concerning the historical theorbo (fretted) string lengths in museum or private collections: I'd be really grateful to anybody letting me know about historical theorbos with "short" string length. Of course a reference to a collection or at least to a an historical lutemaker would be important, thank you. I'd be also curious to know from our luthier friends what is the shortest historical theorbo they ever had the chance to see and/or measure. I'm of course referring to theorbos in G or A, knowing that there aren't surviving French theorbos ("théorbe des pièces") in D. Thank you in advance for your kind help, Luca -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Theorbo music for archlute
Sorry about repeat my computer seems to have a mind of its own! On Sun, May 7, 2017 at 10:55 PM Anthony Hart <[1]anthony.hart1...@gmail.com> wrote: Has anybody tried transcribing music for Theorbo in A to be played on Archlute in G? What transposition could be used. -- __ Anthony Hart MSc, LLCM,ALCM. Musicologist and Independent Researcher Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA Mob: +356 9944 9552. e-mail: [1][2]resea...@antoninoreggio.com; web: [2][3]www.monsignor-reggio.com NEW Publications: EDIZIONE ANTONINO REGGIO - [3][4]www.edizionear.com for information and special offer -- References 1. mailto:[5]resea...@antoninoreggio.com 2. [6]http://www.monsignor-reggio.com/ 3. [7]http://www.edizionear.com/ To get on or off this list see list information at [8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- __ Anthony Hart MSc, LLCM,ALCM. Musicologist and Independent Researcher Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA Mob: +356 9944 9552. e-mail: [9]resea...@antoninoreggio.com; web: [10]www.monsignor-reggio.com NEW Publications: EDIZIONE ANTONINO REGGIO - [11]www.edizionear.com for information and special offer -- References 1. mailto:anthony.hart1...@gmail.com 2. mailto:resea...@antoninoreggio.com 3. http://www.monsignor-reggio.com/ 4. http://www.edizionear.com/ 5. mailto:resea...@antoninoreggio.com 6. http://www.monsignor-reggio.com/ 7. http://www.edizionear.com/ 8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 9. mailto:resea...@antoninoreggio.com 10. http://www.monsignor-reggio.com/ 11. http://www.edizionear.com/
[LUTE] Theorbo music for archlute
Has anybody tried transcribing music for Theorbo in A to be played on Archlute in G? What transposition could be used. -- __ Anthony Hart MSc, LLCM,ALCM. Musicologist and Independent Researcher Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA Mob: +356 9944 9552. e-mail: [1]resea...@antoninoreggio.com; web: [2]www.monsignor-reggio.com NEW Publications: EDIZIONE ANTONINO REGGIO - [3]www.edizionear.com for information and special offer -- References 1. mailto:resea...@antoninoreggio.com 2. http://www.monsignor-reggio.com/ 3. http://www.edizionear.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re. Theorbo music on archlute
Ask Arto Wikla. He has successfully done a lot on that field. Mathias -Ursprüngliche Nachricht- Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag von Anthony Hart Gesendet: Sonntag, 7. Mai 2017 18:35 An: lute Betreff: [LUTE] Theorbo music on archlute Has anyone transcribed music for theorbo in A to be played on Archlute in G? What transposition could be used? Many thanks Anthony -- __ Anthony Hart MSc, LLCM,ALCM. Musicologist and Independent Researcher Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA Mob: +356 9944 9552. e-mail: [1]resea...@antoninoreggio.com; web: [2]www.monsignor-reggio.com NEW Publications: EDIZIONE ANTONINO REGGIO - [3]www.edizionear.com for information and special offer -- References 1. mailto:resea...@antoninoreggio.com 2. http://www.monsignor-reggio.com/ 3. http://www.edizionear.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Theorbo music on archlute
Has anyone transcribed music for theorbo in A to be played on Archlute in G? What transposition could be used? Many thanks Anthony -- __ Anthony Hart MSc, LLCM,ALCM. Musicologist and Independent Researcher Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA Mob: +356 9944 9552. e-mail: [1]resea...@antoninoreggio.com; web: [2]www.monsignor-reggio.com NEW Publications: EDIZIONE ANTONINO REGGIO - [3]www.edizionear.com for information and special offer -- References 1. mailto:resea...@antoninoreggio.com 2. http://www.monsignor-reggio.com/ 3. http://www.edizionear.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Theorbo repertoire arranged for archlute?
Thanks to everyone for the suggestions (including those that came to me by direct email rather than on the listserve). This will keep Julian plenty busy! On Fri, Feb 10, 2017 at 2:47 AM, David van Ooijen <[1]davidvanooi...@gmail.com> wrote: The Spanish Vihuela Society published a really nice collection of Baroque pieces arranged for R-lute. Lots of French Baroque and a fair dose of Bach and Weiss. I enjoyed the book. La Dedicasse Musica Baroca transcrita para laud renacentista Sociedad de la Vihuela *** David van Ooijen [1][2]davidvanooi...@gmail.com [2][3]www.davidvanooijen.nl *** On 10 February 2017 at 09:38, Rob MacKillop <[3][4]robmackil...@gmail.com> wrote: That's what I meant to say, but I was still half asleep... Rob On 10 Feb 2017 08:34, "Albert Reyerman" <[1][4][5]albertreyer...@kabelmail.de> wrote: Infact the TREE edition shows Visee pieces for theorbo arranged for archlute in FRENCH tablature. Regards Albert Reyerman TREE EDITION Albert Reyerman Finkenberg 89 23558 Luebeck Germany [2][5][6]albertreyer...@kabelmail.de [3][6][7]www.tree-edition.com 0451 899 78 48 --- Fine Art Paintings Anke Reyerman [4][7][8]www.anke-reyerman.de Am 10.02.2017 um 08:10 schrieb Rob MacKillop: Check out the publications of Tree Editions. You'll find Robert de Visà ©e pieces in Italian tuning. Rob [5][8][9]www.robmackillop.net On 9 Feb 2017, at 23:43, Peter Kwasniewski <[6][9][10]peter.kwasniew...@wyomingcatholiccollege.com> wrote: My son is renting an archlute from the LSA. He just got it yesterday and has been enjoying it immensely so far, playing his Renaissance lute repertoire on it. Since I'm the one signed up on this list, he asked me if I would ask you all whether anyone has taken any theorbo pieces and arranged them for archlute? E.g., de Visee's Chaconne in G or Kapsberger's Toccata arpeggiata? Beyond that, since he is still a rookie at reading Italian tablature, he would also be happy to work on archlute pieces written in something other than Italian tablature. Thanks for any help or links you can give. Peter Kwasniewski -- To get on or off this list see list information at [7][10][11]http://www.cs.dartmouth.edu/~wbc/lute-admin/ index.html . -- References 1. mailto:[11][12]albertreyer...@kabelmail.de 2. mailto:[12][13]albertreyer...@kabelmail.de 3. [13][14]http://www.tree-edition.com/ 4. [14][15]http://www.anke-reyerman.de/ 5. [15][16]http://www.robmackillop.net/ 6. mailto:[16][17]peter.kwasniewski@ wyomingcatholiccollege.com 7. [17][18]http://www.cs.dartmouth. edu/~wbc/lute-admin/index.html -- References 1. mailto:[19]davidvanooi...@gmail.com 2. [20]http://www.davidvanooijen.nl/ 3. mailto:[21]robmackil...@gmail.com 4. mailto:[22]albertreyer...@kabelmail.de 5. mailto:[23]albertreyer...@kabelmail.de 6. [24]http://www.tree-edition.com/ 7. [25]http://www.anke-reyerman.de/ 8. [26]http://www.robmackillop.net/ 9. mailto:[27]peter.kwasniew...@wyomingcatholiccollege.com 10. [28]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 11. mailto:[29]albertreyer...@kabelmail.de 12. mailto:[30]albertreyer...@kabelmail.de 13. [31]http://www.tree-edition.com/ 14. [32]http://www.anke-reyerman.de/ 15. [33]http://www.robmackillop.net/ 16. mailto:[34]peter.kwasniew...@wyomingcatholiccollege.com 17. [35]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- Peter A. Kwasniewski, Ph.D. Wyoming Catholic College / 306 Main Street / Lander, WY 82520 "We must return to the Faith of our fathers by way of the prayer of our fathers." John Senior "I entreat the people of God, the holy nation, to cling to the traditions of the Church. For just as the removal of one of th
[LUTE] Re: Theorbo repertoire arranged for archlute?
The Spanish Vihuela Society published a really nice collection of Baroque pieces arranged for R-lute. Lots of French Baroque and a fair dose of Bach and Weiss. I enjoyed the book. La Dedicasse Musica Baroca transcrita para laud renacentista Sociedad de la Vihuela *** David van Ooijen [1]davidvanooi...@gmail.com [2]www.davidvanooijen.nl *** On 10 February 2017 at 09:38, Rob MacKillop <[3]robmackil...@gmail.com> wrote: That's what I meant to say, but I was still half asleep... Rob On 10 Feb 2017 08:34, "Albert Reyerman" <[1][4]albertreyer...@kabelmail.de> wrote: Infact the TREE edition shows Visee pieces for theorbo arranged for archlute in FRENCH tablature. Regards Albert Reyerman TREEEDITION Albert Reyerman Finkenberg 89 23558 Luebeck Germany [2][5]albertreyer...@kabelmail.de [3][6]www.tree-edition.com 0451 899 78 48 --- Fine Art Paintings Anke Reyerman [4][7]www.anke-reyerman.de Am 10.02.2017 um 08:10 schrieb Rob MacKillop: Check out the publications of Tree Editions. You'll find Robert de Visà ©e pieces in Italian tuning. Rob [5][8]www.robmackillop.net On 9 Feb 2017, at 23:43, Peter Kwasniewski <[6][9]peter.kwasniew...@wyomingcatholiccollege.com> wrote: My son is renting an archlute from the LSA. He just got it yesterday and has been enjoying it immensely so far, playing his Renaissance lute repertoire on it. Since I'm the one signed up on this list, he asked me if I would ask you all whether anyone has taken any theorbo pieces and arranged them for archlute? E.g., de Visee's Chaconne in G or Kapsberger's Toccata arpeggiata? Beyond that, since he is still a rookie at reading Italian tablature, he would also be happy to work on archlute pieces written in something other than Italian tablature. Thanks for any help or links you can give. Peter Kwasniewski -- To get on or off this list see list information at [7][10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html . -- References 1. mailto:[11]albertreyer...@kabelmail.de 2. mailto:[12]albertreyer...@kabelmail.de 3. [13]http://www.tree-edition.com/ 4. [14]http://www.anke-reyerman.de/ 5. [15]http://www.robmackillop.net/ 6. mailto:[16]peter.kwasniew...@wyomingcatholiccollege.com 7. [17]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:davidvanooi...@gmail.com 2. http://www.davidvanooijen.nl/ 3. mailto:robmackil...@gmail.com 4. mailto:albertreyer...@kabelmail.de 5. mailto:albertreyer...@kabelmail.de 6. http://www.tree-edition.com/ 7. http://www.anke-reyerman.de/ 8. http://www.robmackillop.net/ 9. mailto:peter.kwasniew...@wyomingcatholiccollege.com 10. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 11. mailto:albertreyer...@kabelmail.de 12. mailto:albertreyer...@kabelmail.de 13. http://www.tree-edition.com/ 14. http://www.anke-reyerman.de/ 15. http://www.robmackillop.net/ 16. mailto:peter.kwasniew...@wyomingcatholiccollege.com 17. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Theorbo repertoire arranged for archlute?
That's what I meant to say, but I was still half asleep... Rob On 10 Feb 2017 08:34, "Albert Reyerman" <[1]albertreyer...@kabelmail.de> wrote: Infact the TREE edition shows Visee pieces for theorbo arranged for archlute in FRENCH tablature. Regards Albert Reyerman TREE EDITION Albert Reyerman Finkenberg 89 23558 Luebeck Germany [2]albertreyer...@kabelmail.de [3]www.tree-edition.com 0451 899 78 48 --- Fine Art Paintings Anke Reyerman [4]www.anke-reyerman.de Am 10.02.2017 um 08:10 schrieb Rob MacKillop: Check out the publications of Tree Editions. You'll find Robert de Visée pieces in Italian tuning. Rob [5]www.robmackillop.net On 9 Feb 2017, at 23:43, Peter Kwasniewski <[6]peter.kwasniew...@wyomingcatholiccollege.com> wrote: My son is renting an archlute from the LSA. He just got it yesterday and has been enjoying it immensely so far, playing his Renaissance lute repertoire on it. Since I'm the one signed up on this list, he asked me if I would ask you all whether anyone has taken any theorbo pieces and arranged them for archlute? E.g., de Visee's Chaconne in G or Kapsberger's Toccata arpeggiata? Beyond that, since he is still a rookie at reading Italian tablature, he would also be happy to work on archlute pieces written in something other than Italian tablature. Thanks for any help or links you can give. Peter Kwasniewski -- To get on or off this list see list information at [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html . -- References 1. mailto:albertreyer...@kabelmail.de 2. mailto:albertreyer...@kabelmail.de 3. http://www.tree-edition.com/ 4. http://www.anke-reyerman.de/ 5. http://www.robmackillop.net/ 6. mailto:peter.kwasniew...@wyomingcatholiccollege.com 7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Theorbo repertoire arranged for archlute?
Infact the TREE edition shows Visee pieces for theorbo arranged for archlute in FRENCH tablature. Regards Albert Reyerman TREE EDITION Albert Reyerman Finkenberg 89 23558 Luebeck Germany albertreyer...@kabelmail.de www.tree-edition.com 0451 899 78 48 --- Fine Art Paintings Anke Reyerman www.anke-reyerman.de Am 10.02.2017 um 08:10 schrieb Rob MacKillop: Check out the publications of Tree Editions. You'll find Robert de Visée pieces in Italian tuning. Rob www.robmackillop.net On 9 Feb 2017, at 23:43, Peter Kwasniewski <peter.kwasniew...@wyomingcatholiccollege.com> wrote: My son is renting an archlute from the LSA. He just got it yesterday and has been enjoying it immensely so far, playing his Renaissance lute repertoire on it. Since I'm the one signed up on this list, he asked me if I would ask you all whether anyone has taken any theorbo pieces and arranged them for archlute? E.g., de Visee's Chaconne in G or Kapsberger's Toccata arpeggiata? Beyond that, since he is still a rookie at reading Italian tablature, he would also be happy to work on archlute pieces written in something other than Italian tablature. Thanks for any help or links you can give. Peter Kwasniewski -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html .
[LUTE] Re: Theorbo repertoire arranged for archlute?
Check out the publications of Tree Editions. You'll find Robert de Visée pieces in Italian tuning. Rob www.robmackillop.net > On 9 Feb 2017, at 23:43, Peter Kwasniewski > <peter.kwasniew...@wyomingcatholiccollege.com> wrote: > > My son is renting an archlute from the LSA. He just got it yesterday > and has been enjoying it immensely so far, playing his Renaissance lute > repertoire on it. > Since I'm the one signed up on this list, he asked me if I would ask > you all whether anyone has taken any theorbo pieces and arranged them > for archlute? E.g., de Visee's Chaconne in G or Kapsberger's Toccata > arpeggiata? > Beyond that, since he is still a rookie at reading Italian tablature, > he would also be happy to work on archlute pieces written in something > other than Italian tablature. > Thanks for any help or links you can give. > Peter Kwasniewski > > -- > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Theorbo repertoire arranged for archlute?
As an aside, how very cool you've got offspring playing lute! My kids have zero interest in early music. > On Feb 9, 2017, at 6:43 PM, Peter Kwasniewski > <peter.kwasniew...@wyomingcatholiccollege.com> wrote: > > My son is renting an archlute from the LSA. He just got it yesterday > and has been enjoying it immensely so far, playing his Renaissance lute > repertoire on it. > Since I'm the one signed up on this list, he asked me if I would ask > you all whether anyone has taken any theorbo pieces and arranged them > for archlute? E.g., de Visee's Chaconne in G or Kapsberger's Toccata > arpeggiata? > Beyond that, since he is still a rookie at reading Italian tablature, > he would also be happy to work on archlute pieces written in something > other than Italian tablature. > Thanks for any help or links you can give. > Peter Kwasniewski > > -- > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Theorbo repertoire arranged for archlute?
http://polyhymnion.org/swv/archlute.html RT On 2/9/2017 6:43 PM, Peter Kwasniewski wrote: My son is renting an archlute from the LSA. He just got it yesterday and has been enjoying it immensely so far, playing his Renaissance lute repertoire on it. Since I'm the one signed up on this list, he asked me if I would ask you all whether anyone has taken any theorbo pieces and arranged them for archlute? E.g., de Visee's Chaconne in G or Kapsberger's Toccata arpeggiata? Beyond that, since he is still a rookie at reading Italian tablature, he would also be happy to work on archlute pieces written in something other than Italian tablature. Thanks for any help or links you can give. Peter Kwasniewski -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Theorbo repertoire arranged for archlute?
My son is renting an archlute from the LSA. He just got it yesterday and has been enjoying it immensely so far, playing his Renaissance lute repertoire on it. Since I'm the one signed up on this list, he asked me if I would ask you all whether anyone has taken any theorbo pieces and arranged them for archlute? E.g., de Visee's Chaconne in G or Kapsberger's Toccata arpeggiata? Beyond that, since he is still a rookie at reading Italian tablature, he would also be happy to work on archlute pieces written in something other than Italian tablature. Thanks for any help or links you can give. Peter Kwasniewski -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Possible Summer School to make a theorbo
Dear All, This year I might again be doing an international summer workshop in Norwich, as the Lute Society has need of another theorbo for hire to members. If we do, it is likely to be in late July or early August. To get a flavour of what is involved have a look at this webpage: http://www.vanedwards.co.uk/summers.htm If you are interested, please do email me so I can assess whether there would be takers. Best wishes and Happy New Year, David -- The Smokehouse, 6 Whitwell Road, Norwich, NR1 4HB England. Telephone: + 44 (0)1603 629899 Website: http://www.vanedwards.co.uk -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Bach for Theorbo
Absolutely stunning Stefan. Wonderful playing, congratulations on this daunting accomplishment! > On Dec 12, 2016, at 6:07 AM, Stefan Lundgren <stefan.olof.lundg...@gmail.com> > wrote: > > Hello! > > Videos now complete on You Tube: > > J.S. Bach "6 Suites a Violoncello Solo" for Theorbo Solo > > [1]BWV 1007 / [2]BWV 1008 / [3]BWV 1009 / [4]BWV 1010 / [5]BWV 1011 / > [6]BWV 1012[]^[DEL: :DEL] []^[DEL: :DEL] > Lundgren Edition > [7]www.luteonline.se > > -- > > References > > 1. https://www.youtube.com/watch?v=KyIOx-bLakU=28s > 2. https://www.youtube.com/watch?v=9LNKkVoB634=26s > 3. https://www.youtube.com/watch?v=g-q_hzxMHOs=34s > 4. https://www.youtube.com/watch?v=DAd3CF0EkE0=145s > 5. https://www.youtube.com/watch?v=7QAElFWyDME > 6. https://www.youtube.com/watch?v=TFD2CWQiUbI > 7. http://www.luteonline.se/ > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Bach for Theorbo
Hello! Videos now complete on You Tube: J.S. Bach "6 Suites a Violoncello Solo" for Theorbo Solo [1]BWV 1007 / [2]BWV 1008 / [3]BWV 1009 / [4]BWV 1010 / [5]BWV 1011 / [6]BWV 1012[]^[DEL: :DEL] []^[DEL: :DEL] Lundgren Edition [7]www.luteonline.se -- References 1. https://www.youtube.com/watch?v=KyIOx-bLakU=28s 2. https://www.youtube.com/watch?v=9LNKkVoB634=26s 3. https://www.youtube.com/watch?v=g-q_hzxMHOs=34s 4. https://www.youtube.com/watch?v=DAd3CF0EkE0=145s 5. https://www.youtube.com/watch?v=7QAElFWyDME 6. https://www.youtube.com/watch?v=TFD2CWQiUbI 7. http://www.luteonline.se/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] RE : Theorbo and baroque guitar played by Miguel Rincón
Highly recommended indeed ! Best, Jean-Marie Poirier Envoyé depuis mon appareil Samsung Message d'origine De : David Morales <dmorale...@cuerdaspulsadas.com> Date : 13/10/2016 9:28 AM (GMT+01:00) à : List LUTELIST <lute@cs.dartmouth.edu> Objet : [LUTE] Theorbo and baroque guitar played by Miguel Rincón Dear lute friends, Let me share with you two great videos: [1]https://vimeo.com/186238735 [2]https://vimeo.com/186238734 Regards. -- Cuerdas Pulsadas [3]www.cuerdaspulsadas.com || [4]h...@cuerdaspulsadas.com [5]BLOG || [6]AGENDA || [7]TIMELINE [8]blog [9]facebook [10]twitter [11]instagram -- References 1. https://vimeo.com/186238735 2. https://vimeo.com/186238734 3. http://www.cuerdaspulsadas.com/ 4. mailto:h...@cuerdaspulsadas.com 5. http://www.cuerdaspulsadas.es/blog 6. http://cuerdaspulsadas.es/blog/agenda/ 7. http://www.cuerdaspulsadas.com/timeline 8. http://.cuerdaspulsadas.com/blog 9. http://www.facebook.com/cuerdaspulsadas 10. http://www.twitter.com/cuerdaspulsadas 11. http://www.instagram.com/cuerdaspulsadas To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Theorbo and baroque guitar played by Miguel Rincón
Thanks for the link. A very interesting performance on the baroque guitar! A very HIP performance. Monica Original Message From: dmorale...@cuerdaspulsadas.com Date: 13/10/2016 7:28 To: "List LUTELIST"<lute@cs.dartmouth.edu> Subj: [LUTE] Theorbo and baroque guitar played by Miguel Rincón Dear lute friends, Let me share with you two great videos: [1]https://vimeo.com/186238735 [2]https://vimeo.com/186238734 Regards. -- Cuerdas Pulsadas [3]www.cuerdaspulsadas.com || [4]h...@cuerdaspulsadas.com [5]BLOG || [6]AGENDA || [7]TIMELINE [8]blog [9]facebook [10]twitter [11]instagram -- References 1. https://vimeo.com/186238735 2. https://vimeo.com/186238734 3. http://www.cuerdaspulsadas.com/ 4. mailto:h...@cuerdaspulsadas.com 5. http://www.cuerdaspulsadas.es/blog 6. http://cuerdaspulsadas.es/blog/agenda/ 7. http://www.cuerdaspulsadas.com/timeline 8. http://.cuerdaspulsadas.com/blog 9. http://www.facebook.com/cuerdaspulsadas 10. http://www.twitter.com/cuerdaspulsadas 11. http://www.instagram.com/cuerdaspulsadas To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Theorbo and baroque guitar played by Miguel Rincón
Dear lute friends, Let me share with you two great videos: [1]https://vimeo.com/186238735 [2]https://vimeo.com/186238734 Regards. -- Cuerdas Pulsadas [3]www.cuerdaspulsadas.com || [4]h...@cuerdaspulsadas.com [5]BLOG || [6]AGENDA || [7]TIMELINE [8]blog [9]facebook [10]twitter [11]instagram -- References 1. https://vimeo.com/186238735 2. https://vimeo.com/186238734 3. http://www.cuerdaspulsadas.com/ 4. mailto:h...@cuerdaspulsadas.com 5. http://www.cuerdaspulsadas.es/blog 6. http://cuerdaspulsadas.es/blog/agenda/ 7. http://www.cuerdaspulsadas.com/timeline 8. http://.cuerdaspulsadas.com/blog 9. http://www.facebook.com/cuerdaspulsadas 10. http://www.twitter.com/cuerdaspulsadas 11. http://www.instagram.com/cuerdaspulsadas To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Theorbo & Lutes are looking for a new owner:)))
Dear Friends, these lutes are looking for a new owner.. [1]https://www.facebook.com/193101590724180/photos/?tab=album_id= 1285830578117937 1. Theorbo by Anatoli Gundilowicz 2016 76 / 151cm 2 11 course baroque lute by Anatoli Gundilowicz 2016 69cm. 3. Liuto Attiorbato by Martin de Witte 2008 58/85 cm Please feel free to ask for more information. warmest wishes, Anna & Anton [2]www.luteduo.com [facebook.png] Facebook -- References Visible links 1. https://www.facebook.com/193101590724180/photos/?tab=album_id=1285830578117937 2. http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.luteduo.com%2F=6AQGDBgVt=1 Hidden links: 4. https://www.facebook.com/193101590724180/photos/?tab=album_id=1285830578117937 To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] theorbo music from Germany?
Solo music for theorbo from Germany. Anybody can think of composers, pieces, manuscripts? David *** David van Ooijen [1]davidvanooi...@gmail.com [2]www.davidvanooijen.nl *** -- References 1. mailto:davidvanooi...@gmail.com 2. http://www.davidvanooijen.nl/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Theorbo for sale
What's the bridge width on it? RT On 5/2/2016 12:15 PM, BENJAMIN NARVEY wrote: --e89a8f2357afa488ad0531de4d93 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Dear all, Please excuse this mass email. In case you are interested please do get in touch. 14C (NEW!!!) THEORBO BY IVO MAGHERINI (May 2015), sold with PVC ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or double strings. Fantastic instrument that can be tuned as a theorbo in A or as a ""théorbe de pièces" in D. It can also be set up as a powerful swan-neck baroque lute. I purchased it for certain projects in 2015, but no longer have need of the instrument. Asking price is €6000 (or best offer). Instrument can be seen in Paris. Do get in touch privately for photos and other information. Best wishes, Benjamin Narvey To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Theorbo for sale
--e89a8f2357afa488ad0531de4d93 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Dear all, Please excuse this mass email. In case you are interested please do get in touch. 14C (NEW!!!) THEORBO BY IVO MAGHERINI (May 2015), sold with PVC ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or double strings. Fantastic instrument that can be tuned as a theorbo in A or as a ""théorbe de pièces" in D. It can also be set up as a powerful swan-neck baroque lute. I purchased it for certain projects in 2015, but no longer have need of the instrument. Asking price is â¬6000 (or best offer). Instrument can be seen in Paris. Do get in touch privately for photos and other information. Best wishes, Benjamin Narvey -- www.luthiste.com *t +33 (0) 6 71 79 98 98* --e89a8f2357afa488ad0531de4d93 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Dear all,Please excuse this mass email. In case you are interested please do get in touch.14C (NEW!!!) THEORBO BY IVO MAGHERINI (May 2015), sold with PVC ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or double strings. Fantastic instrument that can be tuned as a theorbo in A or as a théorbe de pièces in D. It can als! o be set up as a powerful swan-neck baroque lute. I purchased it for certain projects in 2015, but no longer have need of the instrument.Asking price is â¬6000 (or best offer). Instrument can be seen in Paris.Do get in touch privately for photos and other information.Best wishes,Benjamin Narvey -- http://www.luthiste.com; target="_blank">www.luthiste.comt +33 (0) 6 71 79 98 98 --e89a8f2357afa488ad0531de4d93-- -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: For Sale: 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015)
Hi everyone, We can post your instrument on sale on our website, it's completely free and many people find it quite useful. [1]www.cuerdaspulsadas.com/blog Send me a message if you are interested ([2]h...@cuerdaspulsadas.com). Regards 2016-03-29 17:08 GMT+02:00 BENJAMIN NARVEY <[3]luthi...@gmail.com>: Dear Lutenists, Just a note to say that I am selling a 14c theorbo/baroque lute by Ivo Magherini. The instrument is in Paris but could be taken to London for viewings on 16/17 April. In case this may be of interest, do contact me in a private message. Photos are readily available. All best wishes, Benjamin 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015), sold with PVC ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or double strings. Fantastic instrument that can be tuned as a theorbo in A or as a "thA(c)orbe de piA"ces" in D. It can also be set up as a big swan-neck baroque lute like the later German monster lutes. I purchased it for certain projects in 2015, but no longer have need of the instrument. Asking price is aNOT6000. -- [1][4]www.luthiste.com t [5]+33 (0) 6 71 79 98 98 -- References 1. [6]http://www.luthiste.com/ To get on or off this list see list information at [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- De conformidad con lo dispuesto en la Ley OrgA!nica 15/1999 de ProtecciA^3n de Datos de carA!cter Personal DAVID MORALES DE FRAAS, con domicilio en Salamanca, C/ Luis Vives, 6 - cuarto, le informa que los datos de carA!cter personal que facilite forman parte de un fichero, responsabilidad del mismo, para la gestiA^3n administrativa de los clientes. En el supuesto de que desee ejercitar los derechos que le asisten de acceso, rectificaciA^3n, cancelaciA^3n y oposiciA^3n dirija una comunicaciA^3n por escrito a la direcciA^3n indicada anteriormente o al correo electrA^3nico [8]h...@cuerdaspulsadas.com con la referencia "ProtecciA^3n de Datos" incluyendo copia de su Documento Nacional de Identidad o documento identificativo equivalente. La informaciA^3n contenida en el presente mensaje de correo electrA^3nico es confidencial y su acceso A-onicamente estA! autorizado al destinatario original del mismo, quedando prohibidos cualquier comunicaciA^3n, divulgaciA^3n, o reenvAo, tanto del mensaje como de su contenido. En el supuesto de que usted no sea el destinatario autorizado, le rogamos borre el contenido del mensaje y nos comunique dicha circunstancia a travA(c)s de un mensaje de correo electrA^3nico a la direcciA^3n [9]h...@cuerdaspulsadas.com -- References 1. http://www.cuerdaspulsadas.com/blog 2. mailto:h...@cuerdaspulsadas.com 3. mailto:luthi...@gmail.com 4. http://www.luthiste.com/ 5. tel:%2B33%20%280%29%206%2071%2079%2098%2098 6. http://www.luthiste.com/ 7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 8. mailto:h...@cuerdaspulsadas.com 9. mailto:h...@cuerdaspulsadas.com
[LUTE] For Sale: 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015)
Dear Lutenists, Just a note to say that I am selling a 14c theorbo/baroque lute by Ivo Magherini. The instrument is in Paris but could be taken to London for viewings on 16/17 April. In case this may be of interest, do contact me in a private message. Photos are readily available. All best wishes, Benjamin 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015), sold with PVC ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or double strings. Fantastic instrument that can be tuned as a theorbo in A or as a "thA(c)orbe de piA"ces" in D. It can also be set up as a big swan-neck baroque lute like the later German monster lutes. I purchased it for certain projects in 2015, but no longer have need of the instrument. Asking price is aNOT6000. -- [1]www.luthiste.com t +33 (0) 6 71 79 98 98 -- References 1. http://www.luthiste.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Theorbo in G
If you're used to the G tuning, it's an option. If you're used to the A tuning, an easier solution that helps with flat keys is to have the second string in the high octave (if your string length allows for it). This gives you room to add more harmonies above bass notes in lower positions. Also, 5 of your six fingerboard strings would then be identical to modern guitar, so, if you come from that background, most chord shapes feel familiar. I used to wince whenever I saw flat keys, but nowadays I don't find the ordinary re-entrant A tuning so much of a bother for the flats. Must be the jazz I attempt to crudely hack out every now and then. ;-) Chris [1]Sent from Yahoo Mail for iPhone On Thursday, March 17, 2016, 12:18 PM, Edward Chrysogonus Yong <edward.y...@gmail.com> wrote: Hi Lutefolk! Just a thought - would a theorbo in G be useful for playing continuo in flat keys? Edward Yong II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I.. HA| litterA| electronicA| ab iPhono missA| sunt. aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea This e-mail was sent from my iPhone. To get on or off this list see list information at [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References Visible links 1. https://yho.com/footer0 2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html Hidden links: 4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Theorbo in G
Mentioned by a few people in early 1600s; Praetorius for one. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Bruno Figueiredo Sent: Thursday, March 17, 2016 12:37 PM To: Edward Chrysogonus Yong Cc: Lute List Subject: [LUTE] Re: Theorbo in G I have no doubt. It would work as a lute in g with reentrant tuning. 2016-03-17 13:14 GMT-03:00 Edward Chrysogonus Yong <[1]edward.y...@gmail.com>: Hi Lutefolk! Just a thought - would a theorbo in G be useful for playing continuo in flat keys? Edward Yong II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I.. HA| litterA| electronicA| ab iPhono missA| sunt. aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea This e-mail was sent from my iPhone. To get on or off this list see list information at [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- Bruno Figueiredo Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o historicamente informada no alaA-ode e teorba. Doutor em PrA!ticas Interpretativas pela Universidade Federal do Estado do Rio de Janeiro. -- References 1. mailto:edward.y...@gmail.com 2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Theorbo in G
I have no doubt. It would work as a lute in g with reentrant tuning. 2016-03-17 13:14 GMT-03:00 Edward Chrysogonus Yong <[1]edward.y...@gmail.com>: Hi Lutefolk! Just a thought - would a theorbo in G be useful for playing continuo in flat keys? Edward Yong II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I.. HA| litterA| electronicA| ab iPhono missA| sunt. aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea This e-mail was sent from my iPhone. To get on or off this list see list information at [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- Bruno Figueiredo Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o historicamente informada no alaA-ode e teorba. Doutor em PrA!ticas Interpretativas pela Universidade Federal do Estado do Rio de Janeiro. -- References 1. mailto:edward.y...@gmail.com 2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Theorbo in G
Hi Lutefolk! Just a thought - would a theorbo in G be useful for playing continuo in flat keys? Edward Yong τούτο ηλεκτρονικόν ταχυδρομείον εκ είΦωνου εμεύ επέμφθη. Hæ litteræ electronicæ ab iPhono missæ sunt. 此電子郵件發送于自吾iPhone。 This e-mail was sent from my iPhone. To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Theorbo in G
English Theorbo. Single re-entrant 1st String/course down the 8ve. Thomas Mace, Wilson, etc. in "G". I think also some large French lutes? Some old article or other in one of the lute publications. On 3/17/2016 9:14 AM, Edward Chrysogonus Yong wrote: Hi Lutefolk! Just a thought - would a theorbo in G be useful for playing continuo in flat keys? Edward Yong τούτο ηλεκτρονικόν ταχυδρομείον εκ είΦωνου εμεύ επέμφθη. Hæ litteræ electronicæ ab iPhono missæ sunt. 此電子郵件發送于自吾iPhone。 This e-mail was sent from my iPhone. To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Pachenbel suite for theorbo
Cool. I really like his playing. I dont know what his instrument was like and I guess he was using classical guitar technique but the Bach is very exciting. On Mar 7, 2016, at 6:10 AM, Christopher Stetsonwrote: > but until then, someone has put it here: > [2]https://www.youtube.com/watch?v=FTX0MycryIA Ed Durbrow Saitama, Japan http://www.youtube.com/user/edurbrow?feature=watch https://soundcloud.com/ed-durbrow http://www9.plala.or.jp/edurbrow/ -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Pachenbel suite for theorbo
Unfortunately without the very 1969, quasi-psychedelic, almost Peter Max cover art. On Sun, Mar 6, 2016 at 4:08 PM, Christopher Stetson <[1]christophertstet...@gmail.com> wrote: Yes, Leonard, I have the same LP (somewhere), but until then, someone has put it here: [2]https://www.youtube.com/watch?v=FTX0MycryIA On Sun, Mar 6, 2016 at 3:02 PM, Leonard Williams <[3]arc...@verizon.net> wrote: A late response to this thread: I have an LP by Walter Gerwig called "The Baroque Lute" (Nonesuch, late 60's?) featuring compositions by Bach, Buxtehude, and Pachelbel. Haven't had it out in a long time, so I can't say for sure which pieces are on it. Leonard Williams On 2/25/16, 10:27 AM, "Mayes, Joseph" <[4]lute-...@cs.dartmouth.edu on behalf of [5]ma...@rowan.edu> wrote: >OOPS! Forgot this: [6]https://www.youtube.com/watch?v=0PQPgmz3j1E > > >On 2/25/16 9:30 AM, "Lex van Sante" <[7]lvansa...@gmail.com> wrote: > >> I've not been able to find this recording. Neither the one by >>MA 1/4ller-Dombois. >> However I found one by Walter Gerwig. By the way the name of the >>composer is >> Pachelbel. >> Happy luting >> Lex >> Op 25 feb 2016, om 15:17 heeft Edward Martin het volgende geschreven: >> >>>Anthony Bailes also recorded this suite. >>> >>>On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur <[1][8]p.st...@inrim.it> >>>wrote: >>> >>>--Boundary-00=_XEI34BGBH2K712S0 >>>Content-Type: Text/Plain; >>> charset="iso-8859-1" >>>Content-Transfer-Encoding: quoted-printable >>>BTW the first recording that I'm aware of is by Eugen Dombois, on >>>vinyl >>>... >>>Peter >>>---Messaggio originale--- >>>Da: Wayne >>>Data: 23/02/2016 18:32:08 >>>A: [2][9]lute@cs.dartmouth.edu >>>Oggetto: [LUTE] Re: Pachenbel suite for theorbo >>>Peter Steur contributed them, and as Arto says, for baroque lute. >>> Wayne >>>To get on or off this list see list information at >>>[3][10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >>>--Boundary-00=_XEI34BGBH2K712S0 >>>Content-Type: Text/HTML; >>> charset="iso-8859-1" >>>Content-Transfer-Encoding: quoted-printable >>> >>>>>http-equiv=Content-Type> >>> >>>v\:* { >>>BEHAVIOR: url (#default#vml) >>>} >>> >>> >>> >>>>>bgColor=#ff> >>>>>border=0> >>> >>> >>> >>> >>> >>>BTWthe first recording that I'm aware of is by Eugen >>>Dombois, on vinyl ... >>> >>>Peter >>> >>> >>> >>>>>dir=ltr>---Messaggio originale--- >>> >>> >>>Da: >>href="mailto:[4][11]wst...@cs.dartmouth.edu;>Wayne >>>Data: 23/02/2016 >>>18:32:08 >>>A: >> >>>href="mailto:[5][12]lute@cs.dartmouth.edu;>[6][13]lute@cs.dartmou th.edu>>V> >>>Oggetto: [LUTE] >>>Re: >>>Pachenbel suite for theorbo >>> >>>Peter Steur contributed them, and as Arto says, for baroque >>>lute. >>> >>>Wayne >>> >>> >>> >>> >>>To get on or off this list see list information at >>>>> >>>href="[7][14]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.ht ml">[8]htt >>> >>>p://[15]www.cs.dartmouth.edu/~wbc/lute-admin/index.html >>> >>> >>> >>> >>> >>> >>> >>>>> >>>align=center> >>id=IncrediStamp> >&
[LUTE] Re: Pachenbel suite for theorbo
Yes, Leonard, I have the same LP (somewhere), but until then, someone has put it here: [1]https://www.youtube.com/watch?v=FTX0MycryIA On Sun, Mar 6, 2016 at 3:02 PM, Leonard Williams <[2]arc...@verizon.net> wrote: A late response to this thread: I have an LP by Walter Gerwig called "The Baroque Lute" (Nonesuch, late 60's?) featuring compositions by Bach, Buxtehude, and Pachelbel. Haven't had it out in a long time, so I can't say for sure which pieces are on it. Leonard Williams On 2/25/16, 10:27 AM, "Mayes, Joseph" <[3]lute-...@cs.dartmouth.edu on behalf of [4]ma...@rowan.edu> wrote: >OOPS! Forgot this: [5]https://www.youtube.com/watch?v=0PQPgmz3j1E > > >On 2/25/16 9:30 AM, "Lex van Sante" <[6]lvansa...@gmail.com> wrote: > >> I've not been able to find this recording. Neither the one by >>MA 1/4ller-Dombois. >> However I found one by Walter Gerwig. By the way the name of the >>composer is >> Pachelbel. >> Happy luting >> Lex >> Op 25 feb 2016, om 15:17 heeft Edward Martin het volgende geschreven: >> >>>Anthony Bailes also recorded this suite. >>> >>>On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur <[1][7]p.st...@inrim.it> >>>wrote: >>> >>>--Boundary-00=_XEI34BGBH2K712S0 >>>Content-Type: Text/Plain; >>> charset="iso-8859-1" >>>Content-Transfer-Encoding: quoted-printable >>>BTW the first recording that I'm aware of is by Eugen Dombois, on >>>vinyl >>>... >>>Peter >>>---Messaggio originale--- >>>Da: Wayne >>>Data: 23/02/2016 18:32:08 >>>A: [2][8]lute@cs.dartmouth.edu >>>Oggetto: [LUTE] Re: Pachenbel suite for theorbo >>>Peter Steur contributed them, and as Arto says, for baroque lute. >>> Wayne >>>To get on or off this list see list information at >>>[3][9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >>>--Boundary-00=_XEI34BGBH2K712S0 >>>Content-Type: Text/HTML; >>> charset="iso-8859-1" >>>Content-Transfer-Encoding: quoted-printable >>> >>>>>http-equiv=Content-Type> >>> >>>v\:* { >>>BEHAVIOR: url (#default#vml) >>>} >>> >>> >>> >>>>>bgColor=#ff> >>>>>border=0> >>> >>> >>> >>> >>> >>>BTWthe first recording that I'm aware of is by Eugen >>>Dombois, on vinyl ... >>> >>>Peter >>> >>> >>> >>>>>dir=ltr>---Messaggio originale--- >>> >>> >>>Da: >>href="mailto:[4][10]wst...@cs.dartmouth.edu;>Wayne >>>Data: 23/02/2016 >>>18:32:08 >>>A: >> >>>href="mailto:[5][11]lute@cs.dartmouth.edu;>[6][12]lute@cs.dartmou th.edu>>V> >>>Oggetto: [LUTE] >>>Re: >>>Pachenbel suite for theorbo >>> >>>Peter Steur contributed them, and as Arto says, for baroque >>>lute. >>> >>>Wayne >>> >>> >>> >>> >>>To get on or off this list see list information at >>>>> >>>href="[7][13]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.ht ml">[8]htt >>> >>>p://[14]www.cs.dartmouth.edu/~wbc/lute-admin/index.html >>> >>> >>> >>> >>> >>> >>> >>>>> >>>align=center> >>id=IncrediStamp> >>> >>>>>cellPadding=0 width=580 align=center border=0> >>> >>> >>> &g
[LUTE] Re: Pachenbel suite for theorbo
A late response to this thread: I have an LP by Walter Gerwig called "The Baroque Lute" (Nonesuch, late 60's?) featuring compositions by Bach, Buxtehude, and Pachelbel. Haven't had it out in a long time, so I can't say for sure which pieces are on it. Leonard Williams On 2/25/16, 10:27 AM, "Mayes, Joseph" <lute-...@cs.dartmouth.edu on behalf of ma...@rowan.edu> wrote: >OOPS! Forgot this: https://www.youtube.com/watch?v=0PQPgmz3j1E > > >On 2/25/16 9:30 AM, "Lex van Sante" <lvansa...@gmail.com> wrote: > >> I've not been able to find this recording. Neither the one by >>Müller-Dombois. >> However I found one by Walter Gerwig. By the way the name of the >>composer is >> Pachelbel. >> Happy luting >> Lex >> Op 25 feb 2016, om 15:17 heeft Edward Martin het volgende geschreven: >> >>> Anthony Bailes also recorded this suite. >>> >>> On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur <[1]p.st...@inrim.it> >>> wrote: >>> >>> --Boundary-00=_XEI34BGBH2K712S0 >>> Content-Type: Text/Plain; >>> charset="iso-8859-1" >>> Content-Transfer-Encoding: quoted-printable >>> BTW the first recording that I'm aware of is by Eugen Dombois, on >>>vinyl >>> ... >>> Peter >>> ---Messaggio originale--- >>> Da: Wayne >>> Data: 23/02/2016 18:32:08 >>> A: [2]lute@cs.dartmouth.edu >>> Oggetto: [LUTE] Re: Pachenbel suite for theorbo >>> Peter Steur contributed them, and as Arto says, for baroque lute. >>> Wayne >>> To get on or off this list see list information at >>> [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >>> --Boundary-00=_XEI34BGBH2K712S0 >>> Content-Type: Text/HTML; >>> charset="iso-8859-1" >>> Content-Transfer-Encoding: quoted-printable >>> >>> >>http-equiv=Content-Type> >>> >>> v\:* { >>> BEHAVIOR: url (#default#vml) >>> } >>> >>> >>> >>> >> bgColor=#ff> >>> >> border=0> >>> >>> >>> >>> >>> >>> BTWthe first recording that I'm aware of is by Eugen >>> Dombois, on vinyl ... >>> >>> Peter >>> >>> >>> >>> >> dir=ltr>---Messaggio originale--- >>> >>> >>> Da: >> href="mailto:[4]wst...@cs.dartmouth.edu;>Wayne >>> Data: 23/02/2016 >>> 18:32:08 >>> A: >> >>>href="mailto:[5]lute@cs.dartmouth.edu;>[6]lute@cs.dartmouth.edu>> V> >>> Oggetto: [LUTE] >>>Re: >>> Pachenbel suite for theorbo >>> >>> Peter Steur contributed them, and as Arto says, for baroque >>> lute. >>> >>> Wayne >>> >>> >>> >>> >>> To get on or off this list see list information at >>> >> >>>href="[7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html;>[8]htt >>> >>>p://www.cs.dartmouth.edu/~wbc/lute-admin/index.html>>> >>> >>> >>> >>> >>> >>> >>> >> >>>align=center>>> id=IncrediStamp> >>> >>> >> cellPadding=0 width=580 align=center border=0> >>> >>> >>> >>> >> border=0> >>> >>> >>> >>style="PADDING-BOTTOM: >>> 0px; PADDING-TOP: 0px; PADDING-LEFT: 0px; PADDING-RIGHT: 0px" >>> align=right>>> >>>href="[9]http://www.incredimail.com/?id=621161did=10501ppd=28 >>> >>>61,201207171420,16,1,1953940358219890687rui=156356875app_test >>> _id=0sd=20160225">>> style="BORDER-TOP: medium none; BORDER-RIGHT: medium none; >>> BORDER-BOTTOM: medium none; BORDER-LEFT: medium none" border=0 >>> src="cid:0CFBD4C8-A4E0-4E1C-A8ED-7808F63DBD78"> >>> >>> >>> >>> >> width=500 border=0 valign="middle" >>> >>>href="[10]http://www.incredimail.com?id=621161did=10501ppd=28 >>> 61,201207171420,16,1,1953940358219890687"> >>> >>> >>>
[LUTE] Re: Pachenbel suite for theorbo
OOPS! Forgot this: https://www.youtube.com/watch?v=0PQPgmz3j1E On 2/25/16 9:30 AM, "Lex van Sante" <lvansa...@gmail.com> wrote: > I've not been able to find this recording. Neither the one by Müller-Dombois. > However I found one by Walter Gerwig. By the way the name of the composer is > Pachelbel. > Happy luting > Lex > Op 25 feb 2016, om 15:17 heeft Edward Martin het volgende geschreven: > >> Anthony Bailes also recorded this suite. >> >> On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur <[1]p.st...@inrim.it> >> wrote: >> >> --Boundary-00=_XEI34BGBH2K712S0 >> Content-Type: Text/Plain; >> charset="iso-8859-1" >> Content-Transfer-Encoding: quoted-printable >> BTW the first recording that I'm aware of is by Eugen Dombois, on vinyl >> ... >> Peter >> ---Messaggio originale--- >> Da: Wayne >> Data: 23/02/2016 18:32:08 >> A: [2]lute@cs.dartmouth.edu >> Oggetto: [LUTE] Re: Pachenbel suite for theorbo >> Peter Steur contributed them, and as Arto says, for baroque lute. >> Wayne >> To get on or off this list see list information at >> [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >> --Boundary-00=_XEI34BGBH2K712S0 >> Content-Type: Text/HTML; >> charset="iso-8859-1" >> Content-Transfer-Encoding: quoted-printable >> >> >> >> v\:* { >> BEHAVIOR: url (#default#vml) >> } >> >> >> >> > bgColor=#ff> >> > border=0> >> >> >> >> >> >> BTWthe first recording that I'm aware of is by Eugen >> Dombois, on vinyl ... >> >> Peter >> >> >> >> > dir=ltr>---Messaggio originale--- >> >> >> Da: > href="mailto:[4]wst...@cs.dartmouth.edu;>Wayne >> Data: 23/02/2016 >> 18:32:08 >> A: > href="mailto:[5]lute@cs.dartmouth.edu;>[6]lute@cs.dartmouth.edu> V> >> Oggetto: [LUTE] Re: >> Pachenbel suite for theorbo >> >> Peter Steur contributed them, and as Arto says, for baroque >> lute. >> >> Wayne >> >> >> >> >> To get on or off this list see list information at >> > href="[7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html;>[8]htt >> p://www.cs.dartmouth.edu/~wbc/lute-admin/index.html>> >> >> >> >> >> >> >> > align=center>> id=IncrediStamp> >> >> > cellPadding=0 width=580 align=center border=0> >> >> >> >> > border=0> >> >> >> > align=right>> href="[9]http://www.incredimail.com/?id=621161did=10501ppd=28 >> 61,201207171420,16,1,1953940358219890687rui=156356875app_test >> _id=0sd=20160225">> style="BORDER-TOP: medium none; BORDER-RIGHT: medium none; >> BORDER-BOTTOM: medium none; BORDER-LEFT: medium none" border=0 >> src="cid:0CFBD4C8-A4E0-4E1C-A8ED-7808F63DBD78"> >> >> >> >> > width=500 border=0 valign="middle" >> href="[10]http://www.incredimail.com?id=621161did=10501ppd=28 >> 61,201207171420,16,1,1953940358219890687"> >> >> >> > title="Animazioni GRATIS per la tua e-mail" style="TEXT-DECORATION: >> none" >> href="[11]http://www.incredimail.com/?id=621161did=10501ppd=2 >> 861,201207171420,16,1,1953940358219890687rui=156356875app_tes >> t_id=0sd=20160225">Animazioni GRATIS per >> la tua e-mail >> >> >> >> >> > bgColor=#e2fbb2 height=1> >> > height=1 colSpan=3>> href="[12]http://www.incredimail.com/?id=621161did=10501ppd=2 >> 861,201207171420,16,1,1953940358219890687rui=156356875app_tes >> t_id=0sd=20160225"> >> > bgColor=#e2fbb2 height=1> >> >> > bgColor=#91a184 height=1> >> > height=1 colSpan=3>> href="[13]http://www.incredimail.com/?id=621161did=10501ppd=2 >> 861,201207171420,16,1,1953940358219890687rui=156356875app_tes >> t_id=0sd=20160225"> >> > bgColor=#bcd5a7 height=1> >> >> > bgColor=#91a184 height=32>> href="[14]http://www.incredimail.com/?id=621161did=10501ppd=2 &
[LUTE] Re: Pachenbel suite for theorbo
This suite can also be found on Youube. On 2/25/16 9:17 AM, "Edward Martin" <edvihuel...@gmail.com> wrote: >Anthony Bailes also recorded this suite. > >On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur <[1]p.st...@inrim.it> >wrote: > >--Boundary-00=_XEI34BGBH2K712S0 >Content-Type: Text/Plain; > charset="iso-8859-1" >Content-Transfer-Encoding: quoted-printable >BTW the first recording that I'm aware of is by Eugen Dombois, on vinyl >... >Peter >---Messaggio originale--- >Da: Wayne >Data: 23/02/2016 18:32:08 >A: [2]lute@cs.dartmouth.edu >Oggetto: [LUTE] Re: Pachenbel suite for theorbo >Peter Steur contributed them, and as Arto says, for baroque lute. > Wayne >To get on or off this list see list information at >[3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >--Boundary-00=_XEI34BGBH2K712S0 >Content-Type: Text/HTML; > charset="iso-8859-1" >Content-Transfer-Encoding: quoted-printable > > > >v\:* { >BEHAVIOR: url (#default#vml) >} > > > >bgColor=#ff> >border=0> > > > > > >BTWthe first recording that I'm aware of is by Eugen >Dombois, on vinyl ... > >Peter > > > >dir=ltr>---Messaggio originale--- > > >Da: href="mailto:[4]wst...@cs.dartmouth.edu;>Wayne >Data: 23/02/2016 >18:32:08 >A: href="mailto:[5]lute@cs.dartmouth.edu;>[6]lute@cs.dartmouth.eduV> >Oggetto: [LUTE] Re: >Pachenbel suite for theorbo > >Peter Steur contributed them, and as Arto says, for baroque >lute. > >Wayne > > > > >To get on or off this list see list information at >href="[7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html;>[8]htt >p://www.cs.dartmouth.edu/~wbc/lute-admin/index.html> > > > > > > >align=center>id=IncrediStamp> > >cellPadding=0 width=580 align=center border=0> > > > >border=0> > > >align=right>href="[9]http://www.incredimail.com/?id=621161did=10501ppd=28 >61,201207171420,16,1,1953940358219890687rui=156356875app_test >_id=0sd=20160225">style="BORDER-TOP: medium none; BORDER-RIGHT: medium none; >BORDER-BOTTOM: medium none; BORDER-LEFT: medium none" border=0 >src="cid:0CFBD4C8-A4E0-4E1C-A8ED-7808F63DBD78"> > > > >width=500 border=0 valign="middle" >href="[10]http://www.incredimail.com?id=621161did=10501ppd=28 >61,201207171420,16,1,1953940358219890687"> > > >title="Animazioni GRATIS per la tua e-mail" style="TEXT-DECORATION: >none" >href="[11]http://www.incredimail.com/?id=621161did=10501ppd=2 >861,201207171420,16,1,1953940358219890687rui=156356875app_tes >t_id=0sd=20160225">Animazioni GRATIS per >la tua e-mail > > > > >bgColor=#e2fbb2 height=1> >height=1 colSpan=3>href="[12]http://www.incredimail.com/?id=621161did=10501ppd=2 >861,201207171420,16,1,1953940358219890687rui=156356875app_tes >t_id=0sd=20160225"> >bgColor=#e2fbb2 height=1> > >bgColor=#91a184 height=1> >height=1 colSpan=3>href="[13]http://www.incredimail.com/?id=621161did=10501ppd=2 >861,201207171420,16,1,1953940358219890687rui=156356875app_tes >t_id=0sd=20160225"> >bgColor=#bcd5a7 height=1> > >bgColor=#91a184 height=32>href="[14]http://www.incredimail.com/?id=621161did=10501ppd=2 >861,201207171420,16,1,1953940358219890687rui=156356875app_tes >t_id=0sd=20160225"> >bgColor=#e2fbb2 height=32 border="0">href="[15]http://www.incredimail.com/?id=621161did=10501ppd=2 >861,201207171420,16,1,1953940358219890687rui=156356875app_tes >t_id=0sd=20160225"> >id=link title="Animazioni GRATIS per la tua e-mail" >style="TEXT-DECORATION: none; HEIGHT: 32px" >href="[16]http://www.incredimail.com/?id=621161did=10501ppd=2 >861,201207171420,16,1,1953940358219890687rui=156356875app_tes >t_id=0sd=20160225" border="0">Fai clic qui! >bgColor=#e2fbb2 height=32>href="[17]http://www.incr
[LUTE] Re: Pachenbel suite for theorbo
I've not been able to find this recording. Neither the one by Müller-Dombois. However I found one by Walter Gerwig. By the way the name of the composer is Pachelbel. Happy luting Lex Op 25 feb 2016, om 15:17 heeft Edward Martin het volgende geschreven: > Anthony Bailes also recorded this suite. > > On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur <[1]p.st...@inrim.it> > wrote: > > --Boundary-00=_XEI34BGBH2K712S0 > Content-Type: Text/Plain; > charset="iso-8859-1" > Content-Transfer-Encoding: quoted-printable > BTW the first recording that I'm aware of is by Eugen Dombois, on vinyl > ... > Peter > ---Messaggio originale--- > Da: Wayne > Data: 23/02/2016 18:32:08 > A: [2]lute@cs.dartmouth.edu > Oggetto: [LUTE] Re: Pachenbel suite for theorbo > Peter Steur contributed them, and as Arto says, for baroque lute. > Wayne > To get on or off this list see list information at > [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > --Boundary-00=_XEI34BGBH2K712S0 > Content-Type: Text/HTML; > charset="iso-8859-1" > Content-Transfer-Encoding: quoted-printable > > > > v\:* { > BEHAVIOR: url (#default#vml) > } > > > > bgColor=#ff> > border=0> > > > > > > BTWthe first recording that I'm aware of is by Eugen > Dombois, on vinyl ... > > Peter > > > > dir=ltr>---Messaggio originale--- > > > Da:href="mailto:[4]wst...@cs.dartmouth.edu;>Wayne > Data: 23/02/2016 > 18:32:08 > A:href="mailto:[5]lute@cs.dartmouth.edu;>[6]lute@cs.dartmouth.edu V> > Oggetto: [LUTE] Re: > Pachenbel suite for theorbo > > Peter Steur contributed them, and as Arto says, for baroque > lute. > > Wayne > > > > > To get on or off this list see list information at > href="[7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html;>[8]htt > p://www.cs.dartmouth.edu/~wbc/lute-admin/index.html> > > > > > > > align=center> id=IncrediStamp> > > cellPadding=0 width=580 align=center border=0> > > > > border=0> > > > align=right> href="[9]http://www.incredimail.com/?id=621161did=10501ppd=28 > 61,201207171420,16,1,1953940358219890687rui=156356875app_test > _id=0sd=20160225"> style="BORDER-TOP: medium none; BORDER-RIGHT: medium none; > BORDER-BOTTOM: medium none; BORDER-LEFT: medium none" border=0 > src="cid:0CFBD4C8-A4E0-4E1C-A8ED-7808F63DBD78"> > > > > width=500 border=0 valign="middle" > href="[10]http://www.incredimail.com?id=621161did=10501ppd=28 > 61,201207171420,16,1,1953940358219890687"> > > > title="Animazioni GRATIS per la tua e-mail" style="TEXT-DECORATION: > none" > href="[11]http://www.incredimail.com/?id=621161did=10501ppd=2 > 861,201207171420,16,1,1953940358219890687rui=156356875app_tes > t_id=0sd=20160225">Animazioni GRATIS per > la tua e-mail > > > > > bgColor=#e2fbb2 height=1> > height=1 colSpan=3> href="[12]http://www.incredimail.com/?id=621161did=10501ppd=2 > 861,201207171420,16,1,1953940358219890687rui=156356875app_tes > t_id=0sd=20160225"> > bgColor=#e2fbb2 height=1> > > bgColor=#91a184 height=1> > height=1 colSpan=3> href="[13]http://www.incredimail.com/?id=621161did=10501ppd=2 > 861,201207171420,16,1,1953940358219890687rui=156356875app_tes > t_id=0sd=20160225"> > bgColor=#bcd5a7 height=1> > > bgColor=#91a184 height=32> href="[14]http://www.incredimail.com/?id=621161did=10501ppd=2 > 861,201207171420,16,1,1953940358219890687rui=156356875app_tes > t_id=0sd=20160225"> > bgColor=#e2fbb2 height=32 border="0"> href="[15]http://www.incredimail.com/?id=621161did=10501ppd=2 > 861,201207171420,16,1,1953940358219890687rui=156356875app_tes > t_id=0sd=20160225"> > id=link title="Animazioni GRATIS per la tua e-mail" > style="TEXT-DECORATION: none; HEIGHT: 32px" > href="[16]http://www.incredimail.com/?id=621161did=10501ppd=2 > 861,201207171420,16,1,1953940358219890687rui=156356875app_tes > t_id=0sd=20160225" border="0">Fai clic qui! > bgColor=#e2fbb2 height=32> href="[17]http://w
[LUTE] Re: Pachenbel suite for theorbo
Anthony Bailes also recorded this suite. On Thu, Feb 25, 2016 at 3:01 AM, Peter Steur <[1]p.st...@inrim.it> wrote: --Boundary-00=_XEI34BGBH2K712S0 Content-Type: Text/Plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable BTW the first recording that I'm aware of is by Eugen Dombois, on vinyl ... Peter ---Messaggio originale--- Da: Wayne Data: 23/02/2016 18:32:08 A: [2]lute@cs.dartmouth.edu Oggetto: [LUTE] Re: Pachenbel suite for theorbo Peter Steur contributed them, and as Arto says, for baroque lute. Wayne To get on or off this list see list information at [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html --Boundary-00=_XEI34BGBH2K712S0 Content-Type: Text/HTML; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable v\:* { BEHAVIOR: url (#default#vml) } BTWthe first recording that I'm aware of is by Eugen Dombois, on vinyl ... Peter ---Messaggio originale--- Da: mailto:[4]wst...@cs.dartmouth.edu;>Wayne Data: 23/02/2016 18:32:08 A: mailto:[5]lute@cs.dartmouth.edu;>[6]lute@cs.dartmouth.edu Oggetto: [LUTE] Re: Pachenbel suite for theorbo Peter Steur contributed them, and as Arto says, for baroque lute. Wayne To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html;>[8]htt p://www.cs.dartmouth.edu/~wbc/lute-admin/index.html http://www.incredimail.com/?id=621161did=10501ppd=28 61,201207171420,16,1,1953940358219890687rui=156356875app_test _id=0sd=20160225"> http://www.incredimail.com?id=621161did=10501ppd=28 61,201207171420,16,1,1953940358219890687"> http://www.incredimail.com/?id=621161did=10501ppd=2 861,201207171420,16,1,1953940358219890687rui=156356875app_tes t_id=0sd=20160225">Animazioni GRATIS per la tua e-mail http://www.incredimail.com/?id=621161did=10501ppd=2 861,201207171420,16,1,1953940358219890687rui=156356875app_tes t_id=0sd=20160225"> http://www.incredimail.com/?id=621161did=10501ppd=2 861,201207171420,16,1,1953940358219890687rui=156356875app_tes t_id=0sd=20160225"> http://www.incredimail.com/?id=621161did=10501ppd=2 861,201207171420,16,1,1953940358219890687rui=156356875app_tes t_id=0sd=20160225"> http://www.incredimail.com/?id=621161did=10501ppd=2 861,201207171420,16,1,1953940358219890687rui=156356875app_tes t_id=0sd=20160225"> http://www.incredimail.com/?id=621161did=10501ppd=2 861,201207171420,16,1,1953940358219890687rui=156356875app_tes t_id=0sd=20160225" border="0">Fai clic qui! http://www.incredimail.com/?id=621161did=10501ppd=2 861,201207171420,16,1,1953940358219890687rui=156356875app_tes t_id=0sd=20160225"> http://www.incredimail.com/?id=621161did=10501ppd=2 861,201207171420,16,1,1953940358219890687rui=156356875app_tes t_id=0sd=20160225"> http://www.incredimail.com/?id=621161did=10501ppd=2 861,201207171420,16,1,1953940358219890687rui=156356875app_tes t_id=0sd=20160225"> http://www.incredimail.com/?id=621161did=10501ppd=2 861,201207171420,16,1,1953940358219890687rui=156356875app_tes t_id=0sd=20160225"> http://www.incredimail.com/?id=621161did=10501ppd=2 861,201207171420,16,1,1953940358219890687rui=156356875app_tes t_id=0sd=20160225"> http://www2l.incredimail.com/gcontent/stamps/new2011/pixel.gif ?upn=1953940358219890687" width=1 height=1> --Boundary-00=_XEI34BGBH2K712S0-- -- -- References 1. mailto:p.st...@inrim.it 2. mailto:lute@cs.dartmouth.edu 3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 4. mailto:wst...@cs.dartmouth.edu 5. mailto:lute@cs.dartmouth.edu 6. mailto:lute@cs.dartmouth.edu 7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 9. http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225 10. http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687 11. http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225 12. http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225 13. http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,19
[LUTE] Re: Pachenbel suite for theorbo
--Boundary-00=_XEI34BGBH2K712S0 Content-Type: Text/Plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable BTW the first recording that I'm aware of is by Eugen Dombois, on vinyl ... Peter ---Messaggio originale--- Da: Wayne Data: 23/02/2016 18:32:08 A: lute@cs.dartmouth.edu Oggetto: [LUTE] Re: Pachenbel suite for theorbo Peter Steur contributed them, and as Arto says, for baroque lute. Wayne To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html --Boundary-00=_XEI34BGBH2K712S0 Content-Type: Text/HTML; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable v\:* { BEHAVIOR: url (#default#vml) } BTWthe first recording that I'm aware of is by Eugen Dombois, on vinyl ... Peter ---Messaggio originale--- Da: mailto:wst...@cs.dartmouth.edu;>Wayne Data: 23/02/2016 18:32:08 A: mailto:lute@cs.dartmouth.edu;>lute@cs.dartmouth.edu Oggetto: [LUTE] Re: Pachenbel suite for theorbo Peter Steur contributed them, and as Arto says, for baroque lute. Wayne To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html;>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;> http://www.incredimail.com?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687;> http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;>Animazioni GRATIS per la tua e-mail http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;> http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;> http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;> http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;> http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225; border="0">Fai clic qui! http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;> http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;> http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;> http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;> http://www.incredimail.com/?id=621161did=10501ppd=2861,201207171420,16,1,1953940358219890687rui=156356875app_test_id=0sd=20160225;> http://www2l.incredimail.com/gcontent/stamps/new2011/pixel.gif?upn=1953940358219890687; width=1 height=1> --Boundary-00=_XEI34BGBH2K712S0-- --
[LUTE] Re: Pachenbel suite for theorbo
Peter Steur contributed them, and as Arto says, for baroque lute. Wayne To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Pachenbel suite for theorbo
And by the way, these pieces are to baroque lute in d-minor tuning (11 courses is enough), no to theorbo! Arto On 23/02/16 18:55, Wayne wrote: That might be http://www.cs.dartmouth.edu/~wbc/tab-serv/tablature.cgi?Baroque_lute/pachelbel.pdf We will see if this gets to the list unmangled. W Begin forwarded message: From: "jo.lued...@t-online.de" <jo.lued...@t-online.de> Subject: [LUTE] Re: Pachenbel suite for theorbo Date: February 23, 2016 at 11:33:06 AM EST To: Anthony Hart <anthony.hart1...@gmail.com>, "lute@cs.dartmouth.edu" <lute@cs.dartmouth.edu> Reply-To: "jo.lued...@t-online.de" <jo.lued...@t-online.de> Dear Anthony, Nuremberg, Stadtbibliothek, Autogr. 2353b. If you search for "Pachelbel L'amant", you should find a tablature edition on XXXdartmouth.edu (Wayne Cripps' page). Joachim To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Pachenbel suite for theorbo
found it on Wayne's page, .. doesn't seem to be for Therbo though.. pitch is too high.. appears to be for Baroque lute.. or is it in Renaissance Tuning.. ? 2016-02-23 11:33 GMT-05:00 [1]jo.lued...@t-online.de <[2]jo.lued...@t-online.de>: Dear Anthony, Nuremberg, Stadtbibliothek, Autogr. 2353b. If you search for "Pachelbel L'amant", you should find a tablature edition on XXXdartmouth.edu (Wayne Cripps' page). Uli plays a concert tomorrow evening in the Germanische Nationalmuseum in Nuremberg with the Hamburger Ratsmusik, but with en entirely different program focus (Dowland in Nuremberg). Regards, Joachim -Original-Nachricht- Betreff: [LUTE] Pachenbel suite for theorbo Datum: 2016-02-23T17:15:00+0100 Von: "Anthony Hart" <[3]anthony.hart1...@gmail.com> An: "lute" <[4]lute@cs.dartmouth.edu> I have just discovered a youtube video of a suite by Pachenbel played on theorbo by Ulrich Wedermeier. Does anyone know where I can find this work? [1][5]https://www.youtube.com/watch?v=fPGmylInxic -- many thanks Anthony __ Anthony Hart MSc, LLCM,ALCM. Musicologist and Independent Researcher Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA Tel: [6]+356 27014791; Mob: [7]+356 9944 9552. e-mail: [2][8]resea...@antoninoreggio.com; web: [3][9]www.monsignor-reggio.com NEW Publications: EDIZIONE ANTONINO REGGIO - [4][10]www.edizionear.com for information and special offer -- References 1. [11]https://www.youtube.com/watch?v=fPGmylInxic 2. mailto:[12]resea...@antoninoreggio.com 3. [13]http://www.monsignor-reggio.com/ 4. [14]http://www.edizionear.com/ To get on or off this list see list information at [15]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:jo.lued...@t-online.de 2. mailto:jo.lued...@t-online.de 3. mailto:anthony.hart1...@gmail.com 4. mailto:lute@cs.dartmouth.edu 5. https://www.youtube.com/watch?v=fPGmylInxic 6. tel:%2B356%2027014791 7. tel:%2B356%209944%209552 8. mailto:resea...@antoninoreggio.com 9. http://www.monsignor-reggio.com/ 10. http://www.edizionear.com/ 11. https://www.youtube.com/watch?v=fPGmylInxic 12. mailto:resea...@antoninoreggio.com 13. http://www.monsignor-reggio.com/ 14. http://www.edizionear.com/ 15. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Pachenbel suite for theorbo
That might be http://www.cs.dartmouth.edu/~wbc/tab-serv/tablature.cgi?Baroque_lute/pachelbel.pdf We will see if this gets to the list unmangled. W > Begin forwarded message: > > From: "jo.lued...@t-online.de" <jo.lued...@t-online.de> > Subject: [LUTE] Re: Pachenbel suite for theorbo > Date: February 23, 2016 at 11:33:06 AM EST > To: Anthony Hart <anthony.hart1...@gmail.com>, "lute@cs.dartmouth.edu" > <lute@cs.dartmouth.edu> > Reply-To: "jo.lued...@t-online.de" <jo.lued...@t-online.de> > > > > Dear Anthony, > > Nuremberg, Stadtbibliothek, Autogr. 2353b. If you search for "Pachelbel > L'amant", you should find a tablature edition on XXXdartmouth.edu (Wayne > Cripps' page). > > > Joachim To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Pachenbel suite for theorbo
Dear Anthony, Nuremberg, Stadtbibliothek, Autogr. 2353b. If you search for "Pachelbel L'amant", you should find a tablature edition on XXXdartmouth.edu (Wayne Cripps' page). Uli plays a concert tomorrow evening in the Germanische Nationalmuseum in Nuremberg with the Hamburger Ratsmusik, but with en entirely different program focus (Dowland in Nuremberg). Regards, Joachim -Original-Nachricht- Betreff: [LUTE] Pachenbel suite for theorbo Datum: 2016-02-23T17:15:00+0100 Von: "Anthony Hart" <anthony.hart1...@gmail.com> An: "lute" <lute@cs.dartmouth.edu> I have just discovered a youtube video of a suite by Pachenbel played on theorbo by Ulrich Wedermeier. Does anyone know where I can find this work? [1]https://www.youtube.com/watch?v=fPGmylInxic -- many thanks Anthony __ Anthony Hart MSc, LLCM,ALCM. Musicologist and Independent Researcher Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA Tel: +356 27014791; Mob: +356 9944 9552. e-mail: [2]resea...@antoninoreggio.com; web: [3]www.monsignor-reggio.com NEW Publications: EDIZIONE ANTONINO REGGIO - [4]www.edizionear.com for information and special offer -- References 1. https://www.youtube.com/watch?v=fPGmylInxic 2. mailto:resea...@antoninoreggio.com 3. http://www.monsignor-reggio.com/ 4. http://www.edizionear.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Pachenbel suite for theorbo
I have just discovered a youtube video of a suite by Pachenbel played on theorbo by Ulrich Wedermeier. Does anyone know where I can find this work? [1]https://www.youtube.com/watch?v=fPGmylInxic -- many thanks Anthony __ Anthony Hart MSc, LLCM,ALCM. Musicologist and Independent Researcher Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA Tel: +356 27014791; Mob: +356 9944 9552. e-mail: [2]resea...@antoninoreggio.com; web: [3]www.monsignor-reggio.com NEW Publications: EDIZIONE ANTONINO REGGIO - [4]www.edizionear.com for information and special offer -- References 1. https://www.youtube.com/watch?v=fPGmylInxic 2. mailto:resea...@antoninoreggio.com 3. http://www.monsignor-reggio.com/ 4. http://www.edizionear.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Theorbo hire
An ensemble in Malta is looking for a theorbo to hire for an extended period. We are aware of the costs of shipping and would be prepared to pay that. If anyone has an instrument which they would be prepared to hire please contact me off-line. Many thanks Anthony -- __ Anthony Hart MSc, LLCM,ALCM. Musicologist and Independent Researcher Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA Tel: +356 27014791; Mob: +356 9944 9552. e-mail: [1]resea...@antoninoreggio.com; web: [2]www.monsignor-reggio.com NEW Publications: EDIZIONE ANTONINO REGGIO - [3]www.edizionear.com for information and special offer -- References 1. mailto:resea...@antoninoreggio.com 2. http://www.monsignor-reggio.com/ 3. http://www.edizionear.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[BAROQUE-LUTE] Re: Looking for Theorbo for rent, Washington
Dear all I don't suppose anybody can help this student wanting a theorbo for this term's opera? Please contact them directly if you can help best wishes Chris Goodwin -Original Message- From: Marbelly Davila <44dav...@cua.edu> To: secretary <secret...@lutesociety.org> Sent: Thu, 21 Jan 2016 16:09 Subject: Looking for Theorbo for rent Dear Mr. Goodwin, I hope that you are doing fine. I am a graduate student at Catholic University (CUA) and the music school is looking for a Theorbo that they can rent to be use in the Opera for this semester. Unfortunately, so far, we have not being able to find one. Could you please, guide us in this search? Any help will be appreciated it. Regards, Marbelly Davila Graduate Student at CUA -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: theorbo tuning experiment
On 2016-01-15 10:26 AM, Bruno Cognyl-Fournier wrote: Has anyone ever experimented tuning a theorbo like a guitar with an E top string, no re-entrant tuning? to facilitate the player with reading a continuo part from music notation? this would essentially give the same tessitura as a regular theorbo and allow to play the melody on the top string instead of mucking around on the 3 rd string... what would be the top string gauge suggestion for a 74 cm string Mid-East sells "baroque lutes" tuned this way: http://www.mid-east.com/Strings/Roosebeck-Lutes/Roosebeck-5-9-Baroque-Lute The scale length is 660mm, also similar to a guitar. Clearly these are aimed at classical guitarists who want something that behaves somewhat like a guitar, rather than a lute. For any lutenist who is not also a guitarist, this would be a nightmare to play. Geoff -- Geoff Gaherty Foxmead Observatory Coldwater, Ontario, Canada http://www.gaherty.ca http://starrynightskyevents.blogspot.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: theorbo tuning experiment
Replacing the second string with a high octave is what some continuo players do. I remember some 25 years ago having to replace one particular theorbo player for just one concert in a series. I received a cassette tape with a recording of one of the earlier concerts so I knew more or less what was expected of me. I worked hard to get all those high lines while still playing full bass and harmony. It turned out later that the guy had his 2nd string an octave up ... It did sound good. After that experience I did as well on occasion, but often found myself playing guitar in stead of theorbo. Another instrument. Re-entrant theorbo is fun, worth the trouble of learning. David *** David van Ooijen [1]davidvanooi...@gmail.com [2]www.davidvanooijen.nl *** On 15 January 2016 at 17:30, Bruno Cognyl-Fournier <[3]fournier...@gmail.com> wrote: Hi Ed The point is for some of us who came from a guitar background back in the 70's. I can play from music notation in E tuning, G tuning, and C tuning ( oud ) but for the life of me I can't wrap my head around playing in A tuning and having to play the melody on the 3 rd string... just a thought.. though, if anyone else has tried it, I am talking of course for Continuo regards Bruno 2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong <[1][4]edward.y...@gmail.com>: Dear Bruno, What would be the point of such a tuning? Some of us don't come from a classical guitar background and this would be pointless to us, not to mention making all the solo music unplayable - no campanellas etc. Edward Yong II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I.. HA| litterA| electronicA| ab iPhono missA| sunt. aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea This e-mail was sent from my iPhone. > On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier <[2][5]fournier...@gmail.com> wrote: > > Dear lutenetters, > Has anyone ever experimented tuning a theorbo like a guitar with an E > top string, no re-entrant tuning? to facilitate the player with reading > a continuo part from music notation?this would essentially give the > same tessitura as a regular theorbo and allow to play the melody on the > top string instead of mucking around on the 3 rd string... > what would be the top string gauge suggestion for a 74 cm string > length? > Bruno > > -- > > > To get on or off this list see list information at > [3][6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:[7]edward.y...@gmail.com 2. mailto:[8]fournier...@gmail.com 3. [9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:davidvanooi...@gmail.com 2. http://www.davidvanooijen.nl/ 3. mailto:fournier...@gmail.com 4. mailto:edward.y...@gmail.com 5. mailto:fournier...@gmail.com 6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 7. mailto:edward.y...@gmail.com 8. mailto:fournier...@gmail.com 9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: theorbo tuning experiment
And by the way, all the 6 open strings of an a theorbo, A-d-g-h-e-a, should be familiar to guitarists, too. Only the order is little different... ;-) Arto On 15/01/16 18:58, David van Ooijen wrote: Replacing the second string with a high octave is what some continuo players do. I remember some 25 years ago having to replace one particular theorbo player for just one concert in a series. I received a cassette tape with a recording of one of the earlier concerts so I knew more or less what was expected of me. I worked hard to get all those high lines while still playing full bass and harmony. It turned out later that the guy had his 2nd string an octave up ... It did sound good. After that experience I did as well on occasion, but often found myself playing guitar in stead of theorbo. Another instrument. Re-entrant theorbo is fun, worth the trouble of learning. David *** David van Ooijen [1]davidvanooi...@gmail.com [2]www.davidvanooijen.nl *** On 15 January 2016 at 17:30, Bruno Cognyl-Fournier <[3]fournier...@gmail.com> wrote: Hi Ed The point is for some of us who came from a guitar background back in the 70's. I can play from music notation in E tuning, G tuning, and C tuning ( oud ) but for the life of me I can't wrap my head around playing in A tuning and having to play the melody on the 3 rd string... just a thought.. though, if anyone else has tried it, I am talking of course for Continuo regards Bruno 2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong <[1][4]edward.y...@gmail.com>: Dear Bruno, What would be the point of such a tuning? Some of us don't come from a classical guitar background and this would be pointless to us, not to mention making all the solo music unplayable - no campanellas etc. Edward Yong II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I.. HA| litterA| electronicA| ab iPhono missA| sunt. aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea This e-mail was sent from my iPhone. > On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier <[2][5]fournier...@gmail.com> wrote: > > Dear lutenetters, > Has anyone ever experimented tuning a theorbo like a guitar with an E > top string, no re-entrant tuning? to facilitate the player with reading > a continuo part from music notation?this would essentially give the > same tessitura as a regular theorbo and allow to play the melody on the > top string instead of mucking around on the 3 rd string... > what would be the top string gauge suggestion for a 74 cm string > length? > Bruno > > -- > > > To get on or off this list see list information at > [3][6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:[7]edward.y...@gmail.com 2. mailto:[8]fournier...@gmail.com 3. [9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:davidvanooi...@gmail.com 2. http://www.davidvanooijen.nl/ 3. mailto:fournier...@gmail.com 4. mailto:edward.y...@gmail.com 5. mailto:fournier...@gmail.com 6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 7. mailto:edward.y...@gmail.com 8. mailto:fournier...@gmail.com 9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: theorbo tuning experiment
Hello all obviously many are not understanding the point of my question, and yes some of us did not learn the lute directly without coming from guitar originally., People of my generation in the 70's did not have the chance of starting directly on the lute back then. In any case, its an experiment,... of course learning to read in that tuning is ideal, but when you already read in various tunings , it becomes a bit more of a challenge to re-adjust all the time. bruno 2016-01-15 11:58 GMT-05:00 David van Ooijen <[1]davidvanooi...@gmail.com>: Replacing the second string with a high octave is what some continuo players do. I remember some 25 years ago having to replace one particular theorbo player for just one concert in a series. I received a cassette tape with a recording of one of the earlier concerts so I knew more or less what was expected of me. I worked hard to get all those high lines while still playing full bass and harmony. It turned out later that the guy had his 2nd string an octave up ... It did sound good. After that experience I did as well on occasion, but often found myself playing guitar in stead of theorbo. Another instrument. Re-entrant theorbo is fun, worth the trouble of learning. David *** David van Ooijen [1][2]davidvanooi...@gmail.com [2][3]www.davidvanooijen.nl *** On 15 January 2016 at 17:30, Bruno Cognyl-Fournier <[3][4]fournier...@gmail.com> wrote: Hi Ed The point is for some of us who came from a guitar background back in the 70's. I can play from music notation in E tuning, G tuning, and C tuning ( oud ) but for the life of me I can't wrap my head around playing in A tuning and having to play the melody on the 3 rd string... just a thought.. though, if anyone else has tried it, I am talking of course for Continuo regards Bruno 2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong <[1][4][5]edward.y...@gmail.com>: Dear Bruno, What would be the point of such a tuning? Some of us don't come from a classical guitar background and this would be pointless to us, not to mention making all the solo music unplayable - no campanellas etc. Edward Yong II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I.. HA| litterA| electronicA| ab iPhono missA| sunt. aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea This e-mail was sent from my iPhone. > On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier <[2][5][6]fournier...@gmail.com> wrote: > > Dear lutenetters, > Has anyone ever experimented tuning a theorbo like a guitar with an E > top string, no re-entrant tuning? to facilitate the player with reading > a continuo part from music notation? this would essentially give the > same tessitura as a regular theorbo and allow to play the melody on the > top string instead of mucking around on the 3 rd string... > what would be the top string gauge suggestion for a 74 cm string > length? > Bruno > > -- > > > To get on or off this list see list information at > [3][6][7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:[7][8]edward.y...@gmail.com 2. mailto:[8][9]fournier...@gmail.com 3. [9][10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:[11]davidvanooi...@gmail.com 2. [12]http://www.davidvanooijen.nl/ 3. mailto:[13]fournier...@gmail.com 4. mailto:[14]edward.y...@gmail.com 5. mailto:[15]fournier...@gmail.com 6. [16]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 7. mailto:[17]edward.y...@gmail.com 8. mailto:[18]fournier...@gmail.com 9. [19]http://www.cs.dartmouth.edu/~wbc/lute-admin/
[LUTE] Re: theorbo tuning experiment
--089e015389920cb87b052962271f Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Hi Ed, I did say in my initial post, in order to facilitate Continuo playing, and yes coming from a guitar background.. where reading from notation is ok for me in E and in G, also in C. but not in A or with re-entrant tuning.. Campanella is a nice effect but not a must in continuo.. anyone else ? What do you think Ed Martin? -- Bruno Cognyl-Fournier [image: Images intégrées 1] 2016-01-15 11:30 GMT-05:00 Bruno Cognyl-Fournier <fournier...@gmail.com>: >Hi Ed >The point is for some of us who came from a guitar background back in >the 70's. >I can play from music notation in E tuning, G tuning, and C tuning ( >oud ) but for the life of me I can't wrap my head around playing in A >tuning and having to play the melody on the 3 rd string... just a >thought.. though, >if anyone else has tried it, I am talking of course for Continuo >regards >Bruno > >2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong ><[1]edward.y...@gmail.com>: > > Dear Bruno, > What would be the point of such a tuning? Some of us don't come from > a classical guitar background and this would be pointless to us, not > to mention making all the solo music unplayable - no campanellas > etc. > Edward Yong > > II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2 > IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I.. > HA| litterA| electronicA| ab iPhono missA| sunt. > aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea > This e-mail was sent from my iPhone. > >> On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier > <[2]fournier...@gmail.com> wrote: >> >>Dear lutenetters, >>Has anyone ever experimented tuning a theorbo like a guitar with >an E >>top string, no re-entrant tuning? to facilitate the player with >reading >>a continuo part from music notation? this would essentially give >the >>same tessitura as a regular theorbo and allow to play the melody >on the >>top string instead of mucking around on the 3 rd string... >>what would be the top string gauge suggestion for a 74 cm string >>length? >>Bruno >> >>-- >> >> >> To get on or off this list see list information at >> [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > >-- > > References > >1. mailto:edward.y...@gmail.com >2. mailto:fournier...@gmail.com >3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > > --089e015389920cb87b052962271f Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Hi Ed,I did say in my initial post, in order to facilitate Continuo playing, and yes coming from a guitar background.. where reading from notation is ok for me in E and in G, also in C. but not in A or with re-entrant tuning.. Campanella is a nice effect but not a must in continuo..anyone else ? What do you think Ed Martin?--  Bruno Cognyl-Fournier    2016-01-15 11:30 GMT-05:00 Bruno Cognyl-Fournier mailto:fournier...@gmail.com; target="_blank">fournier...@gmail.com:  Hi Ed   The point is for some of us who came from a guitar background back in   the 70s.   I can play from music notation in E tuning, G tuning, and C tuning (   oud ) but for the life of me I cant wrap my head around playing in A   tuning and having to play the melody on the 3 rd string... just a   thought.. though,   if anyone else has tried it, I am talking of course for Continuo   regards   Bruno   2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong   [1]mailto:edward.y...@gmail.com;>edward.y...@gmail.com:    Dear Bruno,    What would be the point of such a tuning? Some of us dont come from    a classical guitar background and this would be pointless to us, not    to mention making all the solo music unplayable - no campanellas    etc.    Edward Yong       II?III? I.IIuI-oIII?I 1/2I^1I-oII 1/2 II+-I?I 1/4IuI-I?I 1/2    IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..    HA| litterA| electronicA| ab iPhono missA| sunt.    aeCUReaaeuaeP:c, 1/4eae-oe-aaa 3/4iPhonea    This e-mail was sent from my iPhone.   On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier   [2]mailto:fournier...@gmail.com;>fournier...@gmail.com wrote:       Dear lutenetters,     Has anyone ever experimented tuning a theorbo like a guitar with   an E     top string, no re-entrant tuning? to fac
[LUTE] Re: theorbo tuning experiment
Tune it to F# and it's an archlute at Roman pitch, sort of. r -Original Message- From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of Geoff Gaherty Sent: Friday, January 15, 2016 11:50 AM To: lute@cs.dartmouth.edu Subject: [LUTE] Re: theorbo tuning experiment On 2016-01-15 10:26 AM, Bruno Cognyl-Fournier wrote: > Has anyone ever experimented tuning a theorbo like a guitar with an E > top string, no re-entrant tuning? to facilitate the player with reading > a continuo part from music notation? this would essentially give the > same tessitura as a regular theorbo and allow to play the melody on the > top string instead of mucking around on the 3 rd string... > what would be the top string gauge suggestion for a 74 cm string Mid-East sells "baroque lutes" tuned this way: http://www.mid-east.com/Strings/Roosebeck-Lutes/Roosebeck-5-9-Baroque-Lute The scale length is 660mm, also similar to a guitar. Clearly these are aimed at classical guitarists who want something that behaves somewhat like a guitar, rather than a lute. For any lutenist who is not also a guitarist, this would be a nightmare to play. Geoff -- Geoff Gaherty Foxmead Observatory Coldwater, Ontario, Canada http://www.gaherty.ca http://starrynightskyevents.blogspot.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: theorbo tuning experiment
Yes thx Arto, I know the tuning 2016-01-15 12:12 GMT-05:00 Arto Wikla <[1]wi...@cs.dartmouth.edu>: And by the way, all the 6 open strings of an a theorbo, A-d-g-h-e-a, should be familiar to guitarists, too. Only the order is little different... ;-) Arto On 15/01/16 18:58, David van Ooijen wrote: Replacing the second string with a high octave is what some continuo players do. I remember some 25 years ago having to replace one particular theorbo player for just one concert in a series. I received a cassette tape with a recording of one of the earlier concerts so I knew more or less what was expected of me. I worked hard to get all those high lines while still playing full bass and harmony. It turned out later that the guy had his 2nd string an octave up ... It did sound good. After that experience I did as well on occasion, but often found myself playing guitar in stead of theorbo. Another instrument. Re-entrant theorbo is fun, worth the trouble of learning. David *** David van Ooijen [1][2]davidvanooi...@gmail.com [2][3]www.davidvanooijen.nl *** On 15 January 2016 at 17:30, Bruno Cognyl-Fournier <[3][4]fournier...@gmail.com> wrote: Hi Ed The point is for some of us who came from a guitar background back in the 70's. I can play from music notation in E tuning, G tuning, and C tuning ( oud ) but for the life of me I can't wrap my head around playing in A tuning and having to play the melody on the 3 rd string... just a thought.. though, if anyone else has tried it, I am talking of course for Continuo regards Bruno 2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong <[1][4][5]edward.y...@gmail.com>: Dear Bruno, What would be the point of such a tuning? Some of us don't come from a classical guitar background and this would be pointless to us, not to mention making all the solo music unplayable - no campanellas etc. Edward Yong II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I.. HA| litterA| electronicA| ab iPhono missA| sunt. aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea This e-mail was sent from my iPhone. > On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier <[2][5][6]fournier...@gmail.com> wrote: > > Dear lutenetters, > Has anyone ever experimented tuning a theorbo like a guitar with an E > top string, no re-entrant tuning? to facilitate the player with reading > a continuo part from music notation? this would essentially give the > same tessitura as a regular theorbo and allow to play the melody on the > top string instead of mucking around on the 3 rd string... > what would be the top string gauge suggestion for a 74 cm string > length? > Bruno > > -- > > > To get on or off this list see list information at > [3][6][7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:[7][8]edward.y...@gmail.com 2. mailto:[8][9]fournier...@gmail.com 3. [9][10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:[11]davidvanooi...@gmail.com 2. [12]http://www.davidvanooijen.nl/ 3. mailto:[13]fournier...@gmail.com 4. mailto:[14]edward.y...@gmail.com 5. mailto:[15]fournier...@gmail.com 6. [16]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 7. mailto:[17]edward.y...@gmail.com 8. mailto:[18]fournier...@gmail.com 9. [19]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:wi...@cs.dartmouth.edu 2. mailto:davidvanooi...@gmail.com 3. http://www.davidvanooijen.nl/ 4. mailto:fournier.
[LUTE] Re: theorbo tuning experiment
Dear Bruno, What would be the point of such a tuning? Some of us don't come from a classical guitar background and this would be pointless to us, not to mention making all the solo music unplayable - no campanellas etc. Edward Yong τούτο ηλεκτρονικόν ταχυδρομείον εκ είΦωνου εμεύ επέμφθη. Hæ litteræ electronicæ ab iPhono missæ sunt. 此電子郵件發送于自吾iPhone。 This e-mail was sent from my iPhone. > On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier <fournier...@gmail.com> > wrote: > > Dear lutenetters, > Has anyone ever experimented tuning a theorbo like a guitar with an E > top string, no re-entrant tuning? to facilitate the player with reading > a continuo part from music notation? this would essentially give the > same tessitura as a regular theorbo and allow to play the melody on the > top string instead of mucking around on the 3 rd string... > what would be the top string gauge suggestion for a 74 cm string > length? > Bruno > > -- > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] theorbo tuning experiment
Dear lutenetters, Has anyone ever experimented tuning a theorbo like a guitar with an E top string, no re-entrant tuning? to facilitate the player with reading a continuo part from music notation? this would essentially give the same tessitura as a regular theorbo and allow to play the melody on the top string instead of mucking around on the 3 rd string... what would be the top string gauge suggestion for a 74 cm string length? Bruno -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: theorbo tuning experiment
Hi Ed The point is for some of us who came from a guitar background back in the 70's. I can play from music notation in E tuning, G tuning, and C tuning ( oud ) but for the life of me I can't wrap my head around playing in A tuning and having to play the melody on the 3 rd string... just a thought.. though, if anyone else has tried it, I am talking of course for Continuo regards Bruno 2016-01-15 11:21 GMT-05:00 Edward Chrysogonus Yong <[1]edward.y...@gmail.com>: Dear Bruno, What would be the point of such a tuning? Some of us don't come from a classical guitar background and this would be pointless to us, not to mention making all the solo music unplayable - no campanellas etc. Edward Yong II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2 IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I.. HA| litterA| electronicA| ab iPhono missA| sunt. aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea This e-mail was sent from my iPhone. > On 15 Jan 2016, at 11:26 PM, Bruno Cognyl-Fournier <[2]fournier...@gmail.com> wrote: > >Dear lutenetters, >Has anyone ever experimented tuning a theorbo like a guitar with an E >top string, no re-entrant tuning? to facilitate the player with reading >a continuo part from music notation? this would essentially give the >same tessitura as a regular theorbo and allow to play the melody on the >top string instead of mucking around on the 3 rd string... >what would be the top string gauge suggestion for a 74 cm string >length? >Bruno > >-- > > > To get on or off this list see list information at > [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:edward.y...@gmail.com 2. mailto:fournier...@gmail.com 3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[BAROQUE-LUTE] For Sale: 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015)
Dear Lutenists, A very happy new year! In case this may be of interest, do contact me in a private message. All best wishes, Benjamin 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015), sold with PVC ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or double strings. Fantastic instrument that can be tuned as a theorbo in A or as a "thA(c)orbe de piA"ces" in D. It can also be set up as a big swan-neck baroque lute like the later German monster lutes. I purchased it for certain projects in 2015, but no longer have need of the instrument. Asking price is aNOT6500. Instrument can be seen in Paris. Photos here: [1]http://www.cs.dartmouth.edu/~wbc/lute/forsale.html -- [2]www.luthiste.com t +33 (0) 6 71 79 98 98 -- [3]www.luthiste.com t +33 (0) 6 71 79 98 98 -- References 1. http://www.cs.dartmouth.edu/~wbc/lute/forsale.html 2. http://www.luthiste.com/ 3. http://www.luthiste.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[BAROQUE-LUTE] Re: For Sale: 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015)
What's the bridge width? RT On 1/3/2016 10:21 AM, BENJAMIN NARVEY wrote: Dear Lutenists, A very happy new year! In case this may be of interest, do contact me in a private message. All best wishes, Benjamin 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015), sold with PVC ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or double strings. Fantastic instrument that can be tuned as a theorbo in A or as a "thA(c)orbe de piA"ces" in D. It can also be set up as a big swan-neck baroque lute like the later German monster lutes. I purchased it for certain projects in 2015, but no longer have need of the instrument. Asking price is aNOT6500. Instrument can be seen in Paris. Photos here: [1]http://www.cs.dartmouth.edu/~wbc/lute/forsale.html -- [2]www.luthiste.com t +33 (0) 6 71 79 98 98 -- [3]www.luthiste.com t +33 (0) 6 71 79 98 98 -- References 1. http://www.cs.dartmouth.edu/~wbc/lute/forsale.html 2. http://www.luthiste.com/ 3. http://www.luthiste.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] For Sale: 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015)
Dear Lutenists, A very happy new year! In case this may be of interest, do contact me in a private message. All best wishes, Benjamin 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015), sold with PVC ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or double strings. Fantastic instrument that can be tuned as a theorbo in A or as a "thA(c)orbe de piA"ces" in D. It can also be set up as a big swan-neck baroque lute like the later German monster lutes. I purchased it for certain projects in 2015, but no longer have need of the instrument. Asking price is aNOT6500. Instrument can be seen in Paris. Photos here: [1]http://www.cs.dartmouth.edu/~wbc/lute/forsale.html -- [2]www.luthiste.com t +33 (0) 6 71 79 98 98 -- References 1. http://www.cs.dartmouth.edu/~wbc/lute/forsale.html 2. http://www.luthiste.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: For Sale: 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015)
What's the bridge width? RT On 1/3/2016 10:20 AM, BENJAMIN NARVEY wrote: Dear Lutenists, A very happy new year! In case this may be of interest, do contact me in a private message. All best wishes, Benjamin 14C THEORBO/BAROQUE LUTE BY IVO MAGHERINI (2015), sold with PVC ultra-lightweight Vorko Case. 76cm/120cm. Can be set up with single or double strings. Fantastic instrument that can be tuned as a theorbo in A or as a "thA(c)orbe de piA"ces" in D. It can also be set up as a big swan-neck baroque lute like the later German monster lutes. I purchased it for certain projects in 2015, but no longer have need of the instrument. Asking price is aNOT6500. Instrument can be seen in Paris. Photos here: [1]http://www.cs.dartmouth.edu/~wbc/lute/forsale.html -- [2]www.luthiste.com t +33 (0) 6 71 79 98 98 -- References 1. http://www.cs.dartmouth.edu/~wbc/lute/forsale.html 2. http://www.luthiste.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] EMS Theorbo
has anyone any experience of the EMS Theorbo? Not as a professional instrument but for a beginner and as a practice instrument. Anthony -- __ Anthony Hart MSc, LLCM,ALCM. Musicologist and Independent Researcher Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA Tel: +356 27014791; Mob: +356 9944 9552. e-mail: [1]resea...@antoninoreggio.com; web: [2]www.monsignor-reggio.com NEW Publications: EDIZIONE ANTONINO REGGIO - [3]www.edizionear.com for information and special offer -- References 1. mailto:resea...@antoninoreggio.com 2. http://www.monsignor-reggio.com/ 3. http://www.edizionear.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Looking for a theorbo in New York
Dear friends, next October I'll spend a few days in New York. I'm looking for a theorbo or an archlute to ren,t from 2nd to 11th. Can be at 415 or 440. Can someone help me? thanks, Diego Inviato da iPad To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Theorbo pieces
Dear lute folks, can anyone point out any publication on the market afor those who are starting on the theorboa? I mean simple and progressive pieces for those with no experience at all. Everything I have is for intermediate and advanced players (Kapsperger, Piccinini, Hurel, Pitoni, VisA(c)e, etc...). I never bothered about this until some students started to come in. -- Bruno Figueiredo A Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o historicamente informada no alaA-ode e teorba. Doutor em PrA!ticas InterpretativasA pela Universidade Federal do Estado do Rio de Janeiro. -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Theorbo pieces
Dear Bruno, Although I do not play the theorbo, I am aware of a theorbo tutor by Francesca Torelli, aptly named A Tutor for the Theorbo. It is published by Ut Orpheus Edizioni: [1]http://www.utorpheus.com/product_info.php?cPath5products_id50. It is available in English and Italian. From what I can tell, it contains basic exercises and musical pieces. Hope this helps. Best regards, Bill Eisele Date: Tue, 16 Jun 2015 11:21:33 -0300 To: lute@cs.dartmouth.edu From: bruno.l...@gmail.com Subject: [LUTE] Theorbo pieces Dear lute folks, can anyone point out any publication on the market afor those who are starting on the theorboa? I mean simple and progressive pieces for those with no experience at all. Everything I have is for intermediate and advanced players (Kapsperger, Piccinini, Hurel, Pitoni, VisA(c)e, etc...). I never bothered about this until some students started to come in. -- Bruno Figueiredo A Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o historicamente informada no alaA-ode e teorba. Doutor em PrA!ticas InterpretativasA pela Universidade Federal do Estado do Rio de Janeiro. -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. http://www.utorpheus.com/product_info.php?cPath5products_id50
[LUTE] Re: Theorbo pieces
I was dissociated in the Torelli Tutor. It does have a few exercises but as for actual pieces it is a bit lacking. For pieces I found the two volumes of a Easy Theorbo pieces published by Seicento useful. These are not actual theorbo works but lute and baroque guitar transcriptions. Quite nice pieces and playable as a beginner. On Tuesday, June 16, 2015, Bill [1]wfeis...@msn.com wrote: A A Dear Bruno, A A Although I do not play the theorbo, I am aware of a theorbo tutor by A A Francesca Torelli, aptly named A Tutor for the Theorbo.A It is A A published by Ut Orpheus Edizioni: A A [1][2]http://www.utorpheus.com/product_info.php?cPath5products_id 50.A It A A is available in English and Italian.A From what I can tell, it contains A A basic exercises and musical pieces.A Hope this helps. A A Best regards, A A Bill Eisele A A Date: Tue, 16 Jun 2015 11:21:33 -0300 A A To: [3]lute@cs.dartmouth.edu A A From: [4]bruno.l...@gmail.com A A Subject: [LUTE] Theorbo pieces A A A A Dear lute folks, can anyone point out any publication on the market A A afor those who are starting on the theorboa? I mean simple and A A progressive pieces for those with no experience at all. Everything I A A have is for intermediate and advanced players (Kapsperger, Piccinini, A A Hurel, Pitoni, VisA(c)e, etc...). I never bothered about this until A A some students started to come in. A A -- A A Bruno Figueiredo A A A A A Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o A A historicamente informada no alaA-ode e teorba. A A Doutor em PrA!ticas InterpretativasA pela A A Universidade Federal do Estado do Rio de Janeiro. A A A A -- A A A A A A To get on or off this list see list information at A A [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html A A -- References A A 1. [6]http://www.utorpheus.com/product_info.php?cPath5products_id50 -- __ Anthony HartA MSc, LLCM,ALCM.A MusicologistA andA IndependentA Researcher Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA Tel: +356 27014791; Mob: +356 9944 9552. e-mail:A [7]resea...@antoninoreggio.com; web:A [8]www.monsignor-reggio.com NEWA Publications:A EDIZIONEA ANTONINOA REGGIO -A [9]www.edizionear.com for information and special offer -- References 1. mailto:wfeis...@msn.com 2. http://www.utorpheus.com/product_info.php?cPath5products_id50 3. javascript:; 4. javascript:; 5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 6. http://www.utorpheus.com/product_info.php?cPath5products_id50 7. mailto:resea...@antoninoreggio.com 8. http://www.monsignor-reggio.com/ 9. http://www.edizionear.com/
[LUTE] Re: Theorbo pieces
Whoops I meant dissapointedA On Tuesday, June 16, 2015, Bill [1]wfeis...@msn.com wrote: A A Dear Bruno, A A Although I do not play the theorbo, I am aware of a theorbo tutor by A A Francesca Torelli, aptly named A Tutor for the Theorbo.A It is A A published by Ut Orpheus Edizioni: A A [1][2]http://www.utorpheus.com/product_info.php?cPath5products_id 50.A It A A is available in English and Italian.A From what I can tell, it contains A A basic exercises and musical pieces.A Hope this helps. A A Best regards, A A Bill Eisele A A Date: Tue, 16 Jun 2015 11:21:33 -0300 A A To: [3]lute@cs.dartmouth.edu A A From: [4]bruno.l...@gmail.com A A Subject: [LUTE] Theorbo pieces A A A A Dear lute folks, can anyone point out any publication on the market A A afor those who are starting on the theorboa? I mean simple and A A progressive pieces for those with no experience at all. Everything I A A have is for intermediate and advanced players (Kapsperger, Piccinini, A A Hurel, Pitoni, VisA(c)e, etc...). I never bothered about this until A A some students started to come in. A A -- A A Bruno Figueiredo A A A A A Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o A A historicamente informada no alaA-ode e teorba. A A Doutor em PrA!ticas InterpretativasA pela A A Universidade Federal do Estado do Rio de Janeiro. A A A A -- A A A A A A To get on or off this list see list information at A A [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html A A -- References A A 1. [6]http://www.utorpheus.com/product_info.php?cPath5products_id50 -- __ Anthony HartA MSc, LLCM,ALCM.A MusicologistA andA IndependentA Researcher Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA Tel: +356 27014791; Mob: +356 9944 9552. e-mail:A [7]resea...@antoninoreggio.com; web:A [8]www.monsignor-reggio.com NEWA Publications:A EDIZIONEA ANTONINOA REGGIO -A [9]www.edizionear.com for information and special offer -- References 1. mailto:wfeis...@msn.com 2. http://www.utorpheus.com/product_info.php?cPath5products_id50 3. javascript:; 4. javascript:; 5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 6. http://www.utorpheus.com/product_info.php?cPath5products_id50 7. mailto:resea...@antoninoreggio.com 8. http://www.monsignor-reggio.com/ 9. http://www.edizionear.com/