[NetBehaviour] As Can Be OST

2014-08-06 Thread brian gibson
Hello again, Netbehavior!

I've just released an original soundtrack https://bmaygibson.bandcamp.com/
for my documentary, *As Can Be*.
It is free streaming and is also available for purchase.
Proceeds go towards 8mm processing and development costs.
A trailer for the film is here http://www.bmaygibson.com/filmm/.

Hey, thanks!
B
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Re: [NetBehaviour] don trust -- tron dust

2012-10-13 Thread brian gibson
Many thanks to you Mez and Michael for you kind words and time!





On Fri, Oct 12, 2012 at 5:55 AM, Michael Szpakowski szp...@yahoo.comwrote:

 I really recommend this. Brian was kind enough to send me a preview copy
 and I hoped to be able to write something about it but life and the start
 of the new academic year caught up with me. I feel bad because it is a
 really great piece of work.
 Anyone who has seen any of Brian's video work will immediately recognise
 here too the union of poetry - heady, strange, sensual - and discipline
 (and I mean the kind of discipline that is the pre-requisite of elegance,
 not discipline as some abstract moral quality) that characterises that work.
 There's a third factor, too, and for me it's a key measure or indicator or
 whether something detains me personally - all Brian's work is deeply human
 and humane. There's warmth and quirk and playfulness and sadness and
 tragedy and near despair, too - one feels addressed all the while by a
 companion human consciousness, a fellow sensibility - in some ways
 mysterious,  and ineluctably other, in others so familiar as to feel a
 continuation of our own being.
 I'm too old to know whether one can dance to any of it but it certainly
 chugs along in the most contagious of ways.
 So, Brian, sorry this is belated; everyone else - give it a listen.
 cheers
 michael


   --
 *From:* brian gibson baiow...@gmail.com
 *To:* NetBehaviour for networked distributed creativity 
 NetBehaviour@netbehaviour.org
 *Sent:* Friday, October 12, 2012 12:47 AM
 *Subject:* [NetBehaviour] don trust -- tron dust

 Hello all,

 I've just released a new collection of sample based sounds under my
 digital freeloading alias Don Trust.  It is out on the free net label
 wombnet http://wombnet.blogspot.com/.

 A review and free download can be found 
 herehttp://wombnet.blogspot.com/2012/10/don-trust-tron-dust.html
 .
 Or you can stream it here http://dontrust.bandcamp.com/album/tron-dust.


 I'm Brian Gibson. Send me 31,000 dollars.  Thank you.


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[NetBehaviour] don trust -- tron dust

2012-10-11 Thread brian gibson
Hello all,

I've just released a new collection of sample based sounds under my digital
freeloading alias Don Trust.  It is out on the free net label
wombnethttp://wombnet.blogspot.com/
.

A review and free download can be found
herehttp://wombnet.blogspot.com/2012/10/don-trust-tron-dust.html
.
Or you can stream it here http://dontrust.bandcamp.com/album/tron-dust.


I'm Brian Gibson. Send me 31,000 dollars.  Thank you.
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Re: [NetBehaviour] aint, lamb pants, etc

2012-05-22 Thread brian gibson
Hey thanks, Simon!







On Tue, May 22, 2012 at 7:29 AM, Simon Mclennan mitjafash...@hotmail.comwrote:

 This is great!

 germolene all round

 Simon
 On 22 May 2012, at 02:00, brian gibson wrote:

 I now feel somehow reactivated. Thanks James, mez, Mark.

 Recently and out of the blue I was asked to do a 20 minute Don Trust set
 for Peter Nelson's show Eclectic Music For Mind And Bodhi.
 It has been airing this month on Dandelion Radio.

 aint don 
 http://glimpsecontrol.com/dontrust/aint%20don%20(dandelion).mp3((mp3))
 aint 
 donhttp://glimpsecontrol.com/dontrust/aint%20don%20(dandelion).mp3.zip((zip))


 root beers,
 bd


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Re: [NetBehaviour] g[s]li[p]b

2012-05-21 Thread brian gibson
but blue blood lamb for who?




On Mon, May 21, 2012 at 7:50 PM, mez breeze netwur...@gmail.com wrote:

 ...steers + bloody R[l]a[r]m[b]s, all chewed.

 On Tue, May 22, 2012 at 9:40 AM, ppl wrote:


  seer is rush ham's hue, not fortune

 ...i'm knot able enuff 4 the [s]lip of u?

  I'm not lick-able enough for the knot of ewe
  ...i'm not likeable enough 4 the se[a]riousness of u?
   i'm not serious enough for the likes of you.


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[NetBehaviour] aint, lamb pants, etc

2012-05-21 Thread brian gibson
I now feel somehow reactivated. Thanks James, mez, Mark.

Recently and out of the blue I was asked to do a 20 minute Don Trust set
for Peter Nelson's show Eclectic Music For Mind And Bodhi.
It has been airing this month on Dandelion Radio.

aint don 
http://glimpsecontrol.com/dontrust/aint%20don%20(dandelion).mp3((mp3))
aint 
donhttp://glimpsecontrol.com/dontrust/aint%20don%20(dandelion).mp3.zip((zip))


root beers,
bd
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Re: [NetBehaviour] g[s]li[p]b

2012-05-21 Thread brian gibson
not did then do done rue




On Mon, May 21, 2012 at 9:03 PM, mez breeze netwur...@gmail.com wrote:


 On Tue, May 22, 2012 at 10:54 AM, various collaborators wrote:

 i'm not serious enough for the likes of you.
 ...i'm not likeable enough 4 the se[a]riousness of u.
 I'm not lick-able enough for the knot of ewe.

 ...i'm knot able enuff 4 the [s]lip of u?
 seer is rush ham's hue, not fortune
 ...steers + bloody R[l]a[r]m[b]s, all chewed.

 but blue blood lamb for who?
 for all but those who do
 ...+ can, + c, + mew[l].

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Re: [NetBehaviour] g[s]li[p]b

2012-05-21 Thread brian gibson
._ © pee yew



On Mon, May 21, 2012 at 9:49 PM, mez breeze netwur...@gmail.com wrote:

 On Mon, May 21, 2012 at 9:03 PM, various collaborators wrote:

 i'm not serious enough for the likes of you.
 ...i'm not likeable enough 4 the se[a]riousness of u.
 I'm not lick-able enough for the knot of ewe.

 ...i'm knot able enuff 4 the [s]lip of u?
 seer is rush ham's hue, not fortune
 ...steers + bloody R[l]a[r]m[b]s, all chewed.

 but blue blood lamb for who?
 for all but those who do
 ...+ can, + c, + mew[l].

 not did then do done rue
 [we stink of goldblood hue].
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[NetBehaviour] Loud trash

2011-11-20 Thread Brian Gibson
In time helmet trash king wings gone new day morning light pet sing hammer 
stance everybody did you see have you been? Last week on bridge arrested 9 
years old stop that kid police state future jeopardize chance know mean but 
respond do (periphery not) crashed leave roll right. Waiting. Wrong.
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Re: [NetBehaviour] trad ukulele playing @ ground zero

2011-08-16 Thread brian gibson
swept away, alan.

thanks.

brian








On Tue, Aug 16, 2011 at 4:09 PM, Alan Sondheim sondh...@panix.com wrote:



 trad ukulele playing @ ground zero

 http://espdisk.com/alansondheim/traduke1.mp3 barely listenable,
 http://espdisk.com/alansondheim/traduke2.mp3 this will make you
 dizzy and uncomfortable, trad ukulele playing @ ground zero



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[NetBehaviour] what happens when

2011-05-17 Thread brian gibson
all these plus naked
probably tell you i haven't updated yet
all act like know but truth oblivious
broke english teach broke keep
learned it school days gone now onto
past expression memory minds
collectives and groups and dancers and old
and it aint not news on democracy then
market share harry and all kinds of dougs and erics and franks
and dougs and erins and franks

got sound though
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[NetBehaviour] Brooklyn Experimental Music Festival

2011-05-02 Thread brian gibson
Hello Netbehaviourists,

All this neighbor talk has me thinking (i think...)

I will be playing a show as Instant Conductors on Saturday May 7th at the
large and lofty loft in which I reside (well at least for now -- we've got
the boot).

Below are the words a fellow collaborator wrote about the event.


Perhaps you'll come!

Cheers,
Brian


+X+X+X+X+X+X+X+X+X+

After a decade of hosting shows and events, the Newsonic Loft is coming to a
close this spring. It all started back in 2001 with a series of rooftop bbqs
and experimental music shows, so to celebrate the end of the space, I've put
together a day-long celebration of experimental and improvised musics. It
all begins with a free rooftop bbq followed by 14 acts of some of Brooklyn's
finest experimental musicians, a lighting instal...lation by White Light
Prism, and a late night after party. It's going to be a special event, don't
miss out! Spread the word, bring your friends

Brooklyn Experimental Music Festival
Saturday May 7 Doors at 5pm
Newsonic, 76 Rutledge St., Brooklyn, New York
Free before 8pm, $10 after 8

5pm - Free Rooftop BBQ
7pm - Brooklyn Raga Association
7:45 - Brandon Evans solo
8:00 - Che Chen  Robbie Lee
8:30 - Philip Gayle
8:45 - Kevin Uehlinger's Alchemusic
9:15 - Instant Conductors
9:45 - Silver Ash
10:15 - Long Distance Posion
10:45 - Jackson Moore Trio
11:15 - Foxglove
11:45 - Mike Pride Bass Trio
12:15 - Brian Chase, Seth Misterka, and Matthew Welch
1:00 - Talibam!

+

Brooklyn Raga Association - http://brooklynragaassociation.bandcamp.com/
Combining traditional Indian Instruments with electronics and psychedelic
jamming, the Brooklyn Raga Association explores an otherworldly ground
between East and West, Raga and Psych-Rock.

Brandon Evans, Solo - http://www.allmusic.com/artist/brandon-evans-p411349
Multi-Instrumentalist Brandon Evans, a protege of Sonny Simmons and Anthony
Braxton returns to the scene for his first live performance in several
years.

Che Chen and Robbie Lee - http://www.myspace.com/telegraphharp
Che Chen  Robbie Lee are Brooklyn based multi-instrumentalists who have
been steadily and intensively developing their unique approach to free
improvisation over the last several years. Using a shifting constellation of
instruments that has included bass clarinets, baroque recorders, reed and
pipe organs, renaissance keyboard instruments, flutes, saxophones, bowed and
plucked strings, little drums, bells, tape machines and their voices, Che
Chen and Robbie Lee create earthy, slow moving improvisations that are
informed as much by the ethnic folk traditions of the world as they are by
20th century composition and improvisation.

Philip Gayle - http://www.philipgayle.com/
Philip Gayle has slowly been churning ears with his truly singular take on
acoustic improvising for the past ten years. New York City-via-Houston
based, he has avoided much notice from wide ranging auidences despite his
string of releases and critical praise. Dean Roberts lauded in Opprobrium
that Gayle's playing on his '97 debut Keguribap is wildly individualistic
... this makes a lot of [his] contemporaries/predecessors seem overrated in
the eternal search for expansion on the instrument. Gayle seems to talk
with trees, moving wind and desert elements with hollowed bodies, wooden
fret boards and steel strings. Assorted percussion, gongs and toys also
fliter in.

Kevin Uehlinger's Alchemusic - www.myspace.com/ku3
Pianist, composer and astrologer Kevin Uehlinger returns to Newsonic with
his Alchemusic compositions, derived from principles of molecular biology
and the I Ching. Kevin is another veteran of the Middletown scene of the
late 90s. He has recorded with Anthony Braxton and performed with Wadada Leo
Smith, Jessica Pavone, and Harris Eisenstadt, among others. Tonight he
brings a rhythm section comprised of drummer Adam Kriney (La Otracina,
Brooklyn Raga Association) guitarist Alex Kennedy-Grant (Madame Robot,
Humboldt Fog) and bassist Taylor Bergren-Chrisman together with a classic
Middletown-circa-1996 horn section of Jackson Moore, John Speck, Seth
Misterka, and Brandon Evans with some other surprise guests - and sounds
- possible as well.

Instant Conductors - www.instantconductors.com/
Instant Conductors is a patch-work of video's collected and collaged, slowed
or sped in rotation with live instrument additives, projected and displayed
on four television screens.

Silver Ash - http://www.generaterecords.net/C3R013.htm
Silver Ash is a collaborative effort between percussionist Jeff Arnal,
guitarist Aaron Dugan (x-Matisyahu), and electronics guru Casey Block. They
are releasing a new 7 this spring on Generate Records.

Long Distance Poison - http://soundcloud.com/longdistancepoison
Long Distance Poison is a Brooklyn based void drone band. LDP can be located
someplace in the analog wilderness amidst the likes of early Tangerine
Dream, Kluster, John Carpenter and Terry Riley. Erica Bradbury, Casey Block,
and Nathan Cearley use old Moogs, Arps, 

Re: [NetBehaviour] Three Crying-Out Songs for John Fahey

2011-04-25 Thread brian gibson
beautiful and just right, alan.

with thanks,
brian




On Sun, Apr 24, 2011 at 6:56 PM, Alan Sondheim sondh...@panix.com wrote:



 Three Crying-Out Songs for John Fahey

 http://espdisk.com/alansondheim/cryingout1.mp3
 http://espdisk.com/alansondheim/cryingout2.mp3
 http://espdisk.com/alansondheim/cryingout3.mp3

 solo electric oud, voice


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Re: [NetBehaviour] Cariou vs. Prince: THE COPYRIGHT BUNGLE

2011-04-01 Thread brian gibson
money seems the issue. and a call for respect.
regardless of how much a piece is altered
it's existence is impossible without the original.

to profit off the back of another artist is disgusting.
fight for rights, but forget not morals.

and either way

no law will stop a real artist from creating whatever she/he wants.



brian


On Fri, Apr 1, 2011 at 1:55 PM, dave miller dave.miller...@gmail.comwrote:

 But as artists what should concern us is that it is a decision
 regarding art that significantly reduces what it is possible to do in
 art.

 I totally agree Rob, this is important - copyright law should not stop
 artists from being free to transform source material into something
 original and new.

 dave

 On 1 April 2011 18:31, Rob Myers r...@robmyers.org wrote:
  On 01/04/11 17:29, Catherine Daly wrote:
  It is actually pretty consistent with recent decisions in music and
  literature re: copyright.
 
  It may or may not be consistent with recent bad decisions in literature
  and music that have misguidedly reduced the scope of free expression in
  the name of enforcing commercial interests.
 
  But as artists what should concern us is that it is a decision regarding
  art that significantly reduces what it is possible to do in art.
 
  Plus, he's appropriated 40 entire images and superimposed on them.  He
  hasn't altered the base image of the one picture I saw.
 
  Except by collaging it and painting on or around it to produce a
  noticeably new combined image.
 
  Reports of the case have been very careful to show only the most similar
  (parts of) images. And yet I doubt anyone would lose money if asked to
  bet on which was the original and which was the adaptation even for
 those.
 
  It seems part of his intent was to reduce the marketability of the
  original images (not of the small pieces of other images).  But his
  greater profit than the maker of the base images is very much on point.
 
  Well, no, as literature and music cases show. You don't have to be
  making more money than the rightsholder for their loss of revenue or
  your profit motive to be a factor in the four step test.
 
  But, is this fair use because it is parody?
 
  No. It is fair use because it is transformative. It changes the
  appearance and tone of the source material into something original and
 new.
 
  Which part of destroy the art are people not getting?
 
  - Rob.
 
 
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Re: [NetBehaviour] Cariou vs. Prince: THE COPYRIGHT BUNGLE

2011-04-01 Thread brian gibson
 Theoriginal is a pastiche of documentary styles produced without
 compensating its models.

this is the nature of all! surely you understand the difference between
inspiration and blatant theft?
the line may be blurry, but to pretend there is no line at all...


 to profit off the back of another artist is disgusting.
That means that schools, genres, and media are disgusting.

well... genres and media* are* disgusting.
but yes, students should be encouraged to experiment and take direction
from/with materials provided/found in their studies.
i view this repurposing of other's work as a way to practice, not as a way
to make a living.



 But this law can suppress anything you create if it fails an arbitrary
 test of originality.

perhaps suppress your ability to make money from said creation.


i've made several videos and albums created entirely from sampled material.
haven't sold a lick. haven't heard from any lawyers or government.
at this point it seems the creation is not what is illegal.
it's what you do with that creation.


respecting your adamance,
brian




On Fri, Apr 1, 2011 at 2:38 PM, Rob Myers r...@robmyers.org wrote:

 On 04/01/2011 07:21 PM, brian gibson wrote:
 
  money seems the issue. and a call for respect.
  regardless of how much a piece is altered

 Theoriginal is a pastiche of documentary styles produced without
 compensating its models.

 If documentary photography had the same standards applied to it that we
 are being asked to apply to art, it would be declared illegal and immoral.

  it's existence is impossible without the original.

 This is true of all representational art, however transformative.

  to profit off the back of another artist is disgusting.

 That means that schools, genres, and media are disgusting.

  fight for rights, but forget not morals.
  
  and either way
 
  no law will stop a real artist from creating whatever she/he wants.

 But this law can suppress anything you create if it fails an arbitrary
 test of originality.

 - Rob.
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Re: [NetBehaviour] Cariou vs. Prince: THE COPYRIGHT BUNGLE

2011-04-01 Thread brian gibson
 Even when artists have not appropriated they have always stood on the
shoulders of others, for techniques, for subject matter, for an appraoch to
that subject matter, for materials, for everything


i suppose i owe you and Doron royalties then, Michael ;)





On Fri, Apr 1, 2011 at 7:01 PM, Michael Szpakowski szp...@yahoo.com wrote:

 And in a reductio ad absurdum the argument could be applied to *any* kind
 of representation, by whatever means, of *anything* where someone feels they
 have some intellectual property rights.
 Even when artists have not appropriated they have always stood on the
 shoulders of others, for techniques, for subject matter, for an appraoch to
 that subject matter, for materials, for everything. Human beings are
 irredeemably social in all they do and art is no exception.
 michael


 --- On Fri, 4/1/11, Rob Myers r...@robmyers.org wrote:



  From: Rob Myers r...@robmyers.org
  Subject: Re: [NetBehaviour] Cariou vs. Prince: THE COPYRIGHT BUNGLE
  To: netbehaviour@netbehaviour.org
  Date: Friday, April 1, 2011, 11:27 PM
  On 01/04/11 21:51, bob catchpole
  wrote:
  
   Are you sure you know what you're talking about?
 
  Yes.
 
  [...]early in the history of photography, there was a
  series of
  judicial decisions that could well have changed the course
  of
  photography substantially. Courts were asked whether the
  photographer,
  amateur or professional, required permission before he
  could capture and
  print whatever image he wanted. Their answer was no.[^31]
 
  The arguments in favor of requiring permission will sound
  surprisingly
  familiar. The photographer was taking something from the
  person or
  building whose photograph he shot - pirating something of
  value.[...]
 
  http://www.jus.uio.no/sisu/free_culture.lawrence_lessig/plain.txt
 
  - Rob.
 
 
  -Inline Attachment Follows-
 
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Re: [NetBehaviour] What One Can Find

2011-02-14 Thread brian gibson
Hello Martha,

Thanks a lot for bringing this to my attention.
Unfortunately, I can find no reason for these problems.
I've tested this movie, and others on the site with three computers and get
smooth playback on all.
The file for 'What One Can Find' is 93.1MB... perhaps this is the issue?

I've uploaded a smaller version
herehttp://glimpsecontrol.com/!nstant/what_one_can_find_SMALL.mov
.
It's a bit blocky in moments, but sometimes it's even more fun that way.

I appreciate your interest and hope you'll be able to view it !

Thanks again,
Brian










On Mon, Feb 14, 2011 at 10:33 AM, Martha Deed mld...@verizon.net wrote:

  Hi Brian--

 This looked like something I would like to view.  But it crashed my
 Quicktime plugin 3 times.  I tried loading something else from
 glimpsecontrol.com, and the same thing happened.

 Tried loading a QuickTime from a different site -- something I hadn't seen
 before, so not cached -- and that worked.

 So -- something with your website? What is the size of the file?  Could
 that be it?

 Anyhow, the splashpage is very inviting. . .

 Thanks for posting this.

 All best,
 Martha

 The Lost Shoehttp://www.chapbookpublisher.com/shop.html

 The Lost Shoe videohttp://www.sporkworld.org/Deed/lostshoe.mov

 this is visual poetry by Millie Niss (27 March 2010 release)
 this is visual poetry by Martha Deed (24 August 2010 
 release)http://thisisvisualpoetry.com

 Heat and 500 Favourite Words (Released July 
 2010)http://chapbookpublisher.com/tiny-shop.html


 On 2/13/2011 11:50 PM, brian gibson wrote:

 [image: what one can find]
  http://glimpsecontrol.com/%21nstant/what_one_can_find.mov*what one can
 find* (click image to play 
 quicktime)http://glimpsecontrol.com/%21nstant/what_one_can_find.mov

 In late December, in motion with company.
 The sun and snow and birds and Hands.


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Re: [NetBehaviour] What One Can Find

2011-02-14 Thread brian gibson
Thanks, Martha !

And your Snow Haiku is breathtaking, really.
The fragmented flight and deer and perching birds slow fading into snow
unknown. . .

(( for those who have not yet seen :: http://dvblog.org/?p=7652 ))


Stay warm,
Brian







On Mon, Feb 14, 2011 at 12:08 PM, Martha Deed mld...@verizon.net wrote:

  Dear Brian--

 Probably was the file size.  Thanks so much for going to the trouble of
 uploading a smaller version. . .

 Well, I was right.  I am very susceptible to the charms of road videos --
 and yours is great.  Love the transitions, the cell phone tower.  And the
 city scenes?  Could be Minneapolis or Chicago or Cleveland or Buffalo -- or
 many other places.  You have also done something with sky that is far from
 cliche.

 Or Providence, Rhode Island.  Yep.  Recognize some streets.  Just couldn't
 remember which city I was in when I saw them. . .

 Sorry not to be more constructive in my critique. . .


 All best,
 Martha

 The Lost Shoehttp://www.chapbookpublisher.com/shop.html

 The Lost Shoe videohttp://www.sporkworld.org/Deed/lostshoe.mov

 this is visual poetry by Millie Niss (27 March 2010 release)
 this is visual poetry by Martha Deed (24 August 2010 
 release)http://thisisvisualpoetry.com

 Heat and 500 Favourite Words (Released July 
 2010)http://chapbookpublisher.com/tiny-shop.html


 On 2/14/2011 11:19 AM, brian gibson wrote:

 Hello Martha,

  Thanks a lot for bringing this to my attention.
 Unfortunately, I can find no reason for these problems.
 I've tested this movie, and others on the site with three computers and get
 smooth playback on all.
 The file for 'What One Can Find' is 93.1MB... perhaps this is the issue?

  I've uploaded a smaller version 
 herehttp://glimpsecontrol.com/%21nstant/what_one_can_find_SMALL.mov
 .
 It's a bit blocky in moments, but sometimes it's even more fun that way.

  I appreciate your interest and hope you'll be able to view it !

  Thanks again,
 Brian










 On Mon, Feb 14, 2011 at 10:33 AM, Martha Deed mld...@verizon.net wrote:

  Hi Brian--

 This looked like something I would like to view.  But it crashed my
 Quicktime plugin 3 times.  I tried loading something else from
 glimpsecontrol.com, and the same thing happened.

 Tried loading a QuickTime from a different site -- something I hadn't seen
 before, so not cached -- and that worked.

 So -- something with your website? What is the size of the file?  Could
 that be it?

 Anyhow, the splashpage is very inviting. . .

 Thanks for posting this.

 All best,
 Martha

 The Lost Shoehttp://www.chapbookpublisher.com/shop.html

 The Lost Shoe videohttp://www.sporkworld.org/Deed/lostshoe.mov

 this is visual poetry by Millie Niss (27 March 2010 release)
 this is visual poetry by Martha Deed (24 August 2010 
 release)http://thisisvisualpoetry.com

 Heat and 500 Favourite Words (Released July 
 2010)http://chapbookpublisher.com/tiny-shop.html


 On 2/13/2011 11:50 PM, brian gibson wrote:

  [image: what one can find]
  http://glimpsecontrol.com/%21nstant/what_one_can_find.mov*what one can
 find* (click image to play 
 quicktime)http://glimpsecontrol.com/%21nstant/what_one_can_find.mov

 In late December, in motion with company.
 The sun and snow and birds and Hands.


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[NetBehaviour] What One Can Find

2011-02-13 Thread brian gibson
[image: what one can find]
http://glimpsecontrol.com/!nstant/what_one_can_find.mov*what one can
find* (click
image to play 
quicktime)http://glimpsecontrol.com/!nstant/what_one_can_find.mov

In late December, in motion with company.
The sun and snow and birds and Hands.
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[NetBehaviour] elaborate toy

2011-02-10 Thread brian gibson
[image: elaborate toy]
http://glimpsecontrol.com/baio/elaborate_toy.mov*elaborate toy* (click
image to play quicktime) http://glimpsecontrol.com/baio/elaborate_toy.mov

my grandmother videos me fumbling with her uncle’s accordion
while the wind plays the chimes on her front porch.
alongside sounds of my mother’s piano
on christmas day.


from the recently revamped instantconductors.com

best to you and yours,

brian
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Re: [NetBehaviour] From today...

2010-10-14 Thread brian gibson
nothing to add except my thanks for having the discussion in front of us.
brian






On Thu, Oct 14, 2010 at 6:04 PM, Alan Sondheim sondh...@panix.com wrote:


 Think we're pretty much in agreement here!

 Thanks for the discussion, Alan


 On Thu, 14 Oct 2010, Curt Cloninger wrote:

  The best art teaching I've seen (and hopefully articipated in) was Lutz
  Presser's in Tasmania, and David Askevold's at Nova Scotia; in both
 cases,
  they/we assumed the students were already artists/agents, and treated
 them
  as such. So making art became a cooperative effort - sharing techniques
  when needed, but not imposing anything. And believe it or not, everyone
  rose to the occasion. It's as if nothing was taught at all but
 everything
  was learned. It was astonishing.
 
  This sits well with me as a pedagogical practice. It makes me think
  of Ranciere's Ignorant Schoolmaster. If I am the teacher/explicator
  with the correct answer, then in order to liberate my students with
  my wisdom and knowledge, I first have to convince them that they
  aren't yet liberated. This is a form of oppression masquarading as
  emancipation. As the situationists say, Don't liberate me. I'll take
  care of that.
 
  I, as the teacher, don't arbitrate/decide what matters. But the
  student still must decide this for herself. That is her own pragmatic
  question as a practicing artist. Because she has been thrown into the
  world with a body that can act on things and with a limited amount of
  time to live. She is the steward of this body and time. So the art
  work she makes must at least matter to her; otherwise she would spend
  her time, money, and bodily energy on some other activity she deemed
  more worthy.
 
  What kind of pedagogy best comes alongside my student and helps her
  discover what matters to her? That becomes my own pragmatic
  question as a practicing teacher.
 
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 ==
 email archive: http://sondheim.rupamsunyata.org/
 webpage http://www.alansondheim.org
 music archive: http://www.espdisk.com/alansondheim/
 ==
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[NetBehaviour] as the wind

2010-10-10 Thread brian gibson
goog_1724065489
as_the_wind.mov http://glimpsecontrol.com/baio/as_the_wind.mov
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Re: [NetBehaviour] three new york films

2010-09-07 Thread brian gibson
only inauthentic appreciation the danger ...
mutual appreciation is but the key !









On Tue, Sep 7, 2010 at 12:19 PM, Michael Szpakowski szp...@yahoo.comwrote:

 Thanks Dave, I'm really glad you like them.
 Aware of the danger of this turning into a mutual appreciation society but
 the Rooney cartoon made me laugh a lot!
 warmest
 michael

 --- On Tue, 9/7/10, dave miller dave.miller...@gmail.com wrote:

  From: dave miller dave.miller...@gmail.com
  Subject: Re: [NetBehaviour] three new york films
  To: NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org
  Date: Tuesday, September 7, 2010, 4:48 PM
  hi michael
 
  These are great - and really interesting that your using
  StreetView to
  get pictures of places. Such a great idea.
 
  I also followed through one of your links - to
  http://www.intelligentagent.com - I like what you say
  about Artists
  Statements - they're like applying corporate conventions to
  artists.
  I've used them myself, but never get it right - what you
  say is true -
  that an artist is least equipped to tell us what their work
  is about.
  The comments you and Ruth have made on my work in the past
  has been
  really helpful and revealing to me - helping me realise
  things I never
  saw in my work.
 
  cheers, dave
 
  On 7 September 2010 10:29, Michael Szpakowski szp...@yahoo.com
  wrote:
  
  
  
 http://www.somedancersandmusicians.com/vlog/ScenesOfProvincialLife.cgi/2010/09
  
   never been there, but what a stretch of my imagination
  it colonises!
  
   cheers
   michael
  
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  --
  --
  Art Portfolio: http://davemiller.org
  Art Blog: http://davemiller.org/art_blog
  Illustrations: http://davemiller.org/illustrations/
  Prints for sale: http://www.etsy.com/shop/visualstories
  Etsy Blog: http://etsy-visualstories.blogspot.com/
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[NetBehaviour] found these words from a forgotten night

2010-09-01 Thread brian gibson
so when it starts iron cast and rank but gone like the rest into now

bloom boom dead

soon but humid air rise saw children all around old sounds born

new arm rest chancellor laugh contact both eyes finale

might be worth something.


remember a thing or two but most not.
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Re: [NetBehaviour] Deep Language, by Alan Sondheim, Salt Publishing, 2010

2010-08-04 Thread brian gibson
nice! and congratulations on the print, etc..

...will huddle in a maddening corner...

am in need of a copy. once the pay check's in..

beautiful cover too. you on design?


brian





On Wed, Aug 4, 2010 at 4:31 PM, Alan Sondheim sondh...@panix.com wrote:



 Deep Language, by Alan Sondheim, Salt Publishing, 2010

 Salt Publishing has just brought out my Deep Language; the URL is

 http://www.saltpublishing.com/books/smp/9781844718030.htm

 Please consider ordering this; it's inexpensive, and helps support Salt.
 If you don't want the book, please check out the publisher's other
 listings - Salt is one of the few independent companies who are not
 publish-on-demand; their books are found in bookstores, there are review
 copies, and so forth. They really need your support; they have a number of
 wonderful writers, and their paperbacks are high quality. Salt is at
 http://www.saltpublishing.com/ and they are very cool.


 Deep Language,

 Alan Sondheim

 EAN13:  9781844718030 ISBN:  9781844718030 Author:  Alan Sondheim Title:
 Deep Language Series:  Salt Modern Poets Audience:  General/trade
 Publisher:  Salt Publishing Pub date:  30-Jul-10 Extent:  260pp Height:
 246 mm Width:  189 mm Thickness:  15 mm Weight:  390 gms Supplier:
 Gardners Books Supplier:  Ingram Book Group Supplier:  Inbooks (James
 Bennett) Availability:  NP Price:  GBP 12.99 Price:  USD 16.95 Rights:
 World

 PAPERBACK / SOFTBACK

 20% off at the UK Bookstore! 12.99 10.39

 20% off at the US Bookstore! $16.95 $13.56

 Short description/annotation:  A series of short texts or poems that revel
 in structured and unstructured language, with all the gaps and excitement
 that happens when language is stressed to the limit.

 Main description:  In Sondheim.s Deep Language, writing detours through
 digital and other media, returning with new forms and genres, new ways of
 thinking philosophy, the body, religion, and everything else. This is a
 series of poems that revel in structured and unstructured language, with
 all the gaps and excitement that happens when language is stressed to the
 limit.

 These pieces cohere, interrelate, interpenetrate; they develop the concept
 of deep language in any number of fascinating ways, ranging from intuitive
 writing to the use of scripts, code, and programming to elucidate hidden
 meanings . where none may have existed before.

 Excerpt from book:

 bunnies

 the bunnies made strange calls, odd calls, gruntings, not the thumpings
 but the gruntings - ..I say. .there is a chair.. . Wittgenstein in
 translation . right over the other lupus. ears, just like that! .-:anyway
 the rabbits did this five or six times in a row and it seemed fairlyclear
 they were playing and right in front of us in the middle of the night.
 Honestly, you should have seen them! I never saw such a thing! I never
 knew rabbits could do such a thing! .Do not try to analyse your own inner
 experience.. - Wittgenstein in translation -:i pucker my lips constantly
 in the absence of the shakuhachi. i know its murmuring burbling abbling
 brook. now i.m at a loss, having transformed bAbbling into something else
 entirely . in any case, when i die, these three instruments will huddle in
 a maddening corner, bubbling with mournful murmuring cries . .Not it.s
 looking like him.. - Wittgenstein in translation . ]]] here is a space.
 the one rabbit runs straight at the other and the other rabbit jumps
 vertically at the very last moment over the first rabbit and landf in the
 same spot.that.s .lands.. ..::

 Write through my the bunnies made strange calls, odd calls, gruntings, not
 the thumpings but the gruntings . ..I say. .there is a chair.. -
 Wittgenstein in translation . right over the other lupus. ears, just like
 that! .-!


 Unpublished endorsement:  Alan Sondheim writes. In fear of death . literal
 fear, real fear, symbolic fear . he uses anything and everything at his
 disposal to make and unmake himself and all of us as statements, words,
 part-words, characters. Alan Sondheim is one of the precious few who
 joyfully . and in abject misery . risks these terrors of writing for us,
 for our pleasure and our undoing. What happens? Language disposes of us.

 As if that were not all that is required of any writer, Alan Sondheim is
 also the poet, the artist, the maker who has most profoundly immersed
 himself and his work in the life-changing code-forms . of networked
 computation . that have the world and its .genesis redux. in their grip.
 John Cayley


 Unpublished endorsement:  Pioneer of experimental sensibility in multiple
 performance media Alan Sondheim tangles us up in these hypnotically
 repetitive, abject, slyly humorous and childishly gleeful,
 philosophically, aesthetically, theoretically and psychologically dense
 and insightful poems that are also essays, diasporic riffs and
 incantations, true confessions, Platonic dialogues, shtick, tantrums,
 aphorisms and manifesti. And that.s just the first 5 pieces! Maria Damon


 

[NetBehaviour] or so

2010-08-01 Thread brian gibson
hey people people

just released a free album of sound for video
at brian m gibson http://brianmgibson.bandcamp.com/album/or-so

rickety,
brian


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Re: [NetBehaviour] Video self-portrait - The Idea of Karen Blissett

2010-07-23 Thread brian gibson
quite beautiful work, karen(s).


...brian





On Fri, Jul 23, 2010 at 8:23 AM, karenbliss...@myself.com wrote:


  http://www.youtube.com/watch?v=SFgdh_L7wEk


  -Original Message-
 From: karen blissett karen.bliss...@googlemail.com
 To: syndic...@ck13.org; NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 Sent: Fri, Jul 23, 2010 12:08 pm
 Subject: [NetBehaviour] Video self-portrait - The Idea of Karen Blissett

  Hi All,




 A video self-portrait called 'The Idea of Karen Blissett', in which I


 contemplate my future multiple identity, has just been featured on


 DVblog.



 http://dvblog.org/?p=6578




 Thanks DVblog




 Karen




 --


 Open, Free, Public and Distributed at last.


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Re: [NetBehaviour] Invitation to join me

2010-07-20 Thread brian gibson
 so we are all karens without loggin in

i am not karen..
nor do i karen to be.


brian







On Tue, Jul 20, 2010 at 3:45 PM, hi...@34n118w.net wrote:

 dia log u  ...glue o ad

 I exist only in data except here but here means nothing once I hit send

 so we are all karens without loggin in






  Hello James,
 
  We had an ongoing dialogue before one was many Karens.
 
  Here is a collection of images submitted to netbehaviour before:
 
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20090908/c596a850/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20091007/4c62d762/attachment.jpeg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20100203/0ef974f2/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071220/1d11c9dd/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071114/d38ec032/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071113/a1d6223c/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071112/eecc0558/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071119/59ff1e6c/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071127/9e79e12d/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071130/66b3dc76/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071207/bb6ad1d7/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071209/3f76561e/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20100313/3b7818ab/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20100211/02f18038/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20100203/eb4e88e6/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20100107/b0455468/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20080211/69dc48ff/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20080223/b76eaf62/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20080323/c5e15357/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20091113/6418cd74/attachment.jpg
 
 http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20091029/672677b8/attachment.jpg
 
  Karen also has a facebook account - all Karens have passwords to this.
 
  The images are there also.
 
  Karen.
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[NetBehaviour] redefine and

2010-07-14 Thread brian gibson
situation proportion known
young seen think first call stat show
witness model victim
learn line
comment
moment
leave
absolute time
never walk
seldom aggressor
aught value quick hands
case report text any focus
opportunity repeated
sticking redefine kids and

redefine and

kids sticking repeated opportunity focus
any text report case
hands quick
value aught agressor
seldom walk
never time
absolute leave
moment
comment
line learn
victim model witness show
stat call first
think seen
young known
proportion situation
proportion known
young seen think first call stat show
witness model victim learn line
comment moment leave it
moment
absolute time








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[NetBehaviour] shut up gibson

2010-07-01 Thread brian gibson
found this while scrubbing through some bollywood movie for work.
made me smile uncontrollably.


http://glimpsecontrol.com/movin/shutup_gibson.mov



..gibson
is
glimpsecontrol.com +
instantconductors.com +
baiowulf.com +
lucidunison.com +
nhq.cc +
suitmachine.tumblr.com +

shut up gibson!
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Re: [NetBehaviour] Media Art and Teenage

2010-06-01 Thread brian gibson
? saddie benning http://www.vdb.org/smackn.acgi$artistdetail?BENNINGS.




On Tue, Jun 1, 2010 at 5:24 PM, Simon Biggs s.bi...@eca.ac.uk wrote:

  Sadie Benning?

 Simon Biggs
 s.bi...@eca.ac.uk  si...@littlepig.org.uk  Skype: simonbiggsuk  http://
 www.littlepig.org.uk/
 Research Professor  edinburgh college of art  http://www.eca.ac.uk/
 *C*reative *I*nterdisciplinary *R*esearch into *C*o*L*laborative 
 *E*nvironments
  http://www.eca.ac.uk/circle/
 *E*lectronic *L*iterature as a *M*odel of *C*reativity and *I*nnovation in
 *P*ractice  http://www.elmcip.net/
 *C*entre for *F*ilm, *P*erformance and *M*edia *A*rts http://
 www.ed.ac.uk/schools-departments/film-performance-media-arts


 --
 *From: *anniea a...@bram.org

 *Reply-To: *NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org
 *Date: *Tue, 1 Jun 2010 16:59:17 +0200

 *To: *NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org
 *Subject: *Re: [NetBehaviour] Media Art and Teenage

 Hi Lauren,
 I was a bit like Michael, but also I cant find the name of the artist I was
 thinking about
 Some ten or even more years ago an American young girl had a videotoycamera
 for her birthday and starts after a sort of emotional shock, if I remember
 well, filmimg her life. The videos are very low tech and beautifull.
 Maybe my mail triggers someome elses mind :)

 Yours
 Annie

 On Tue, Jun 1, 2010 at 11:44 AM, lwri...@turnercontemporary.org wrote:

 Hi Michael, Ruth,

 Many thanks for the suggestions – really really helpful. I had that Axel
 Stockburger piece on my list already, but not the rest. The show’s finally
 beginning to coalesce a bit, but I still felt I’d not found quite the right
 work to look critically at the role of technology in teenagers’ lives. So
 some really good tips in there. If anyone else has thoughts do keep them
 coming!

 xxlaw


 --

 *From:* netbehaviour-boun...@netbehaviour.org [
 mailto:netbehaviour-boun...@netbehaviour.orgnetbehaviour-boun...@netbehaviour.org]
 *On Behalf Of *Michael Szpakowski
 *Sent:* 31 May 2010 14:27

 *To:* NetBehaviour for networked distributed creativity
 *Subject:* Re: [NetBehaviour] Media Art and Teenage


 Hi Lauren
 I felt guilty about not replying to this for ages but I couldn't think of
 *anything* teenager related, which says quite a lot about me , I think.
 Ruth's reply prompted me think a bit harder and I remembered Michael Daines
 who was a bit of a star on Rhizome as a teenager in the 2001 or so. The one
 that people remember is the body of michael daines but he also made a
 couple of other good things including a rather droll work called it is now
 safe to turn off your computer . There's a Rhizome memory lane editorial
 here:
 http://rhizome.org/editorial/2707

 I couldn't find any of the actual pieces though..

 hope it's all going well!
 michael


 --- On *Mon, 5/31/10, Ruth Catlow ruth.cat...@furtherfield.org* wrote:


 From: Ruth Catlow ruth.cat...@furtherfield.org
 Subject: Re: [NetBehaviour] Media Art and Teenage
 To: NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org
 Cc: LWright lwri...@turnercontemporary.org
 Date: Monday, May 31, 2010, 1:15 PM
 Hi Lauren,


 Sorry for the tardy reply
 Been meaning to get back to you with a few suggestions.

 Jeanie finlay makes beautiful work (film, live, networked media, all sorts)
 with different groups of people Including this, Teenland, film
 http://www.jeaniefinlay.com/wordpress/?p=3

 Classic early (and controversial) netart notable for it's uncomfortable
 intimacy and heat
 http://www.mouchette.org/

 I found this on Turbulence---Beyond the Fire is an interactive documentary
 by Sesh Kannan which tells the stories of *teenage* war refugees and their
 journeys to the U.S. http://archive.itvs.org/beyondthefire/
 Although this probably wouldn't make ideal gallery viewing, an online
 component of this nature might connect with the experience of a section of
 local Margate teenagers. Could be a great spur for work with the gallery
 education/outreach programme

 An old favourite of mine is *Boys in the Hood* - video, Axel Stockburger

 http://art-action.org/proposition/catalogue/detail_cat.php?codeoeuvre=B13152lang=enqui=realioeuvre=B13152
 interviews with players of the controversial computer game Grand Theft
 Auto. The players deliver their perspective of the narrative space of the
 game by giving detailed descriptions of locations, movements, and actions in
 the game. These subjective accounts of a shared space lead to a diffusion of
 the borders between ‘real’ and ‘virtual’.

 This from the 2008 Whitney Bienniale sounded pretty spectacular

 http://whitney.org/www/2008biennial/www/?section=eventspage=at_park_performances
 *Teenage Lontano
 *Marina Rosenfield invited 40 teenagers to engage in a musical
 performance.  Under a speaker installation suspended overhead in the vast
 Drill hall, each teenager 

Re: [NetBehaviour] here you go you bunch of expletives

2010-05-28 Thread brian gibson
..  
.http://images.paraorkut.com/img/funnypics/images/m/middle_finger-12764.jpg



On Fri, May 28, 2010 at 10:19 PM, Roboslob robots_have_no_...@it-all.comwrote:

 making fun of politeness

 on the internet it's very nice to be very nice even when you don't feel
 like it

 you should always converse as though you were conversing to the entire
 world, because in fact you are as far as you know

 but what if you don't care that the world knows you're an expletive?

 what if you want the world to be listening?

 what to do what to do... where's my confidence when i need it?

 all time is real-time, nothing is planned, life comes and goes here you
 have it there you don't. wow this went in an entirely unexpected
 direction didn't it. oh well, i didn't want to go to work today anyway.
 what a shitty ending
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Re: [NetBehaviour] ``On the difference between free speech and free beer: free culture as ?people want to be free?''

2010-05-27 Thread brian gibson
oh, it does..




On Thu, May 27, 2010 at 7:21 PM, Pall Thayer pallt...@gmail.com wrote:

 I think freedom should come in furs.

 On 5/27/10, Rob Myers r...@robmyers.org wrote:
  On 05/27/2010 03:34 PM, patrick simons wrote:
  Free the free erm three?
 
  Freedoms seem to come in fours.
 
  - Rob.
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 *
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 artist
 http://www.this.is/pallit
 *
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[NetBehaviour] moni

2010-05-15 Thread brian gibson
and today

long hour meeting lunch
with past ride through
arrive then home
discuss chance but options
not olgar tonight
harsh curb down kent
turn switch light off
as shabbat favor
south william

roll toward shower
cold heat
shorts temporary
convinced to leave
sandwich train
they knocked out flat

first stop
fish'd max
people famous
sigh
next trophy
near
father-style beverage choice
break smoke
want to leave don't
return in stand
listen move notice
her smile
stop

notebook pen out
rainforest line junk plant drawing
fold in pocket
approach
ask permission
her passion answer
film photography
6x9
history  antoini
(later find nights/far/views/doors/strait obligation)
in moment of leave gift stone
known eye'd tiger

assure
bow
exit

now to dream
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Re: [NetBehaviour] Jazz Lounge prelims - sounds for tomorrow night

2010-05-03 Thread brian gibson
alan

disappointed i'll miss this one
please continue to let us know about these

my word, this music

brian





On Mon, May 3, 2010 at 11:11 PM, Alan Sondheim sondh...@panix.com wrote:



 Jazz Lounge prelims -

 Myk, Azure, and myself playing. We're playing tomorrow night at the Jazz
 Lounge -

 http://espdisk.com/alansondheim/rh4.mp3
 http://espdisk.com/alansondheim/rh3.mp3
 http://espdisk.com/alansondheim/rh2.mp3
 http://espdisk.com/alansondheim/rh1.mp3

 So this was a departure, Myk on acoustic steel-string carbon-fiber guitar
 - I'm no the usual various including kamanche which I probably won't bring
 - but the rest is there - more jazz-oriented maybe - a kind of mellowness
 - maybe the attempt car-bombing - maybe just the teetering of worlds - in
 any case, come tomorrow night if you're in the vicinity - if not, or even
 if you do, have a listen to these. By the way, the poor recording is the
 result of very soft music and very loud outside noise - and our place was
 at maybe 84-85 degrees at the time - Alan


 The AMA Trio and Secret Orchestra at the Jazz Lounge, Tuesday May 4th


 Tuesday May 4th

 ESP LIVE @ The Jazz Lounge
 An experimental music series the 1st Tuesday of every month
 520 Dekalb Avenue, Brooklyn, NY 11205 - G train to Bedford/Nostrand

 Show starts promptly at 8:30!

 8:30 pm
 Alan Sondheim (ESP 1048, ESP 1082)
 Azure Carter - voice
 Myk Freidman - lap-steel guitar
 Alan Sondheim - electric saz, electric oud, cura cumbus, maybe kamache

 9:30 pm
 Secret Orchestra
 David Gould - drums, percussion
 Yuko Fujiyama - piano
 Clif Jackson - bass

 More about Alan Sondheim:

 Alan Sondheim was born in Wilkes-Barre, Pennsylvania; he lives with his
 partner, Azure Carter, in Brooklyn NY. He holds a B.A. and M.A. from Brown
 University in English. A new-media artist, writer, and theorist, he has
 exhibited, performed and lectured widely.

 Current interests include aesthetics and productions of virtual environ-
 ments and installations, mapping with motion capture and 3d laser
 scanners, Buddhist philosophy and its relation to avatars and online
 environments, and experimental choreography.

 Alan recorded two albums for ESP-Disk' in the 60s which melded free
 improvisation with electronic instrumentation.  His latest recordings have
 been issued on Porter Records, Fire Museum  Qbico.

 More about Azure Carter:

 Azure Carter has been writing and performing her own songs for a number of
 years; she also performs with Foofwa d'Imobilite and Alan Sondheim. Azure
 is working on her own performances and sets, which are documented online.
 She has appeared in a number of videos, and sings with Myk Freedman and
 Alan Sondheim.

 More about Myk Freedman:

 Myk Freedman is a 29-year-old lap steel player, composer, arranger, and
 band leader.  In 2003 he moved from Toronto to NYC to study music and
 pursue the American Dream.  Since then, he has preformed with John Zorn,
 William Parker, Elliot Sharp, Cyro Baptista and Kenney Wessel, as well as
 with countless others.

 Myk's compositions have been recorded by many of his own groups, as well
 as by ensembles: The MK Groove Orchestra, In a China Shop and MARTIN 
 HAYNES, a Toronto duo made up of Justin Haynes and Jean Martin who
 released an entire record dedicated to his music entitled, FREEDMAN.  His
 arrangements have been premiered at world famous venues such as The Blue
 Note, John Zorn's The Stone, The Knitting Factory and the 2004 Distillery
 Jazz Festival where he was nominated for the Emerging Artist Award.

 As the leader of Saint Dirt Elementary School, Myk has released three
 positively received albums on Canadian labels, Oval Window Records,
 Barnyard Records, and Rat Drifting.  He splits his time between New York
 and North York (Ontario) and is currently completing his second songbook
 of fake folk music.

 More about Secret Orchestra:

 Secret Orchestra is an original group initiated by Clif Jackson in 2007
 after the trio had already played together as a rhythm section in various
 other projects.  It became apparent that they had a connection and shared
 osme similar musical ideas.  However, they also brought their very
 different backgrounds into the mix creating a strong dynamic and a wide
 spectrum of musical space to play in.  Although Clif is the 'leader' of
 the group and writes a lot of the music, he is the youngest member and
 defers to the knowledge and experience of his elder band mates.  Yuko
 contributes original compositions, as well, and they all contribute to
 arrangements and aesthetics when appropriate.  Furthermore, improvisation
 is at the center of their music, leaving all of them open to create their
 own parts or to work within the composer's guidelines.  Through a mix of
 composition and improvisation the overall musical aesthetic is grounded in
 a sense of direction and an exploration of colors, textures, silence, and
 rhythmic and melodic structures.

 --
 Adam Downey
 Director of Promotions
 ESP-Disk'
 

[NetBehaviour] birdlife

2010-05-02 Thread brian gibson
birdlife http://glimpsecontrol.com/birdlife.mov (quicktime link)

:: in woodstock, new york some weeks ago
:: drum cut, 35% into 35+75%, ehren shorday
:: doubles on multilayered organ with andreas van ingen


not tired enough for 3:17am,
brian


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Re: [NetBehaviour] IMPORTANT STATEMENTS CXXXXIV

2010-05-01 Thread brian gibson
will even this truly satisfy manik?


content with shithole,
brian







On Sat, May 1, 2010 at 4:59 PM, manik ma...@sbb.rs wrote:

 ...MANIK HAVE SERIOUS CAREER BEHIND...WHICH INCLUDE EXHIBITION IN BEST
 GALERIES IN BELGRADE...OUR VIDEO WAS SHOWN ALL AROUND EUROPE...AFTER ALL OF
 THAT WE ARE NOT INTERESTED TO MAKE EXHIBITION IN SOME SHITHOLE
 GALERIES...THAT'S FOR ART STUDENTS...YOU MISS POIN OF ALL OUR STORY...OF
 COURSE MANIK ESPECT TO HAVE EXHIBITION IN TATE OR GUGENHEIM...OR PLACE LIKE
 THAT...OR YOU THINK IT'S NOT FOR MANIK.../?/...MANIK...MAY...2010...
 - Original Message -
 From: Alan Sondheim sondh...@panix.com
 To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 Sent: Saturday, May 01, 2010 7:47 PM
 Subject: Re: [NetBehaviour] IMPORTANT STATEMENTS CIV


 
 
  I wonder if this isn't the result of an absent somewhat self-sustaining
  art community? In NY, there are numerous venues - it's almost impossible
  to get into a museum etc. (that's blue-chip stuff) - but it's not
  difficult to set up a show somewhere, or show at a smaller space - it's a
  much broader base. This is especially true for dancer/musician/performer
 -
  these things can be done fast and there are a lot of venues - everyone I
  know here shows somewhere, including people who aren't making money from
  their work. So the big deals are still there, but they're with big
  artists who are also brokers - it's a different kind of corruption, but
  it's one that's easier on bottom-feeders. A big problem is the relation
  between art and design - so many young artists are concerned with making
  it and the political/critical edge isn't there so much. On the other hand
  earlier on, people like Vito Acconci and Dan Graham seemed ruthless here
 -
  ambition was everything.
 
  - Alan
 
 
  On Sat, 1 May 2010, manik wrote:
 
  ...ART BUREAUCRACY IS EXTENSION OF CORPORATIVE *IDEA*...THEY EXISTED TO
  EXPLOIT RESOURCE WHICH ART MAKE TROUGH HER SHORT INDEPENDENT
  HISTORY/ARTIFACTS...REAL ESTATE.../ETC.../SO CALLED *AESTHETIC*AS
 SCIENCE
  IS
  NOTHING ELSE THAN ONE MORE PLAYGROUND FOR MARKET...ART
  BUREAUCRACY LIKE CLERKS BUY AND SELL...NOTHING MORE ...NOTHING
  LESS...*BIG*
  NAMES OF CURATORS...ARTISTS... AND ART BROKERS ARE LIKE HEAP IN SOME BIG
  STOCK MARKET...THEIR NAMES ARE EPHEMERAL...THEIR ROLE IN ART IS MOSTLY
  DISHONEST...EXAMPLE...IF YOU WANT TO MAKE SOME EXHIBITION IN MY COUNTRY
  YOU
  MUST CONTACT SOME STATE INSTITUTION...NOT SOME NET.CHARACTER LIKE MANIK
  OR
  SOMETHING...DEAL IS BETWEEN TWO SIMILAR INSTITUTIONS...MINISTRY IN
 SERBIA
  STEP IN DEAL WITH RECIPROCAL MINISTRY OF OTHER COUNTRY AND FLOW OF MONEY
  IS
  ESTABLISHED... INDIVIDUAL IS JUST SIGNATURE ON CHECK WHO GIVE LEGALITY
 TO
  THIS DREGS...FOR ARTIST LEFT SOME SMALL CHANGE AND *GLORY*... FINALLY
  *ART
  BUREAUCRACY* DECIDE WHAT'S ART AND WHO COULD BE ARTIST...ARTIST'S ARE
  COLLATERAL DAMAGE NOW ...THEY LIVE IN WORST UTOPIA EVER...IN WORLD OF
  *WESTERN POTLATCH*
  /.BATAILLE-http://en.wikipedia.org/wiki/Georges_Bataille/...BUT WITHOUT
  IT'S
  ETHIC BASE...EXTINGUISHED AND HUMILIATE ARTIST IS HAPPY TO GIVE TO FAT
  *ART
  BUREAUCRACY*HIS BLOOD...IN RETURN THEY CAN SHIT OVER HIM AND HIS
  SURVIVAL...THAT'S LOOK TO US LIKE WORST PERVERSION...EVER...MANIK...MAY
  DAY...2010...
 
 
 
 
  ==
  email archive: http://sondheim.rupamsunyata.org/
  webpage http://www.alansondheim.org
  music archive: http://www.espdisk.com/alansondheim/
  ==
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  __ NOD32 4979 (20100328) Information __
 
  This message was checked by NOD32 antivirus system.
  http://www.eset.com
 
 

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Re: [NetBehaviour] flock buck a tier

2010-05-01 Thread brian gibson
*logical shampoo vision*


clapping,
brian




On Sat, May 1, 2010 at 7:05 PM, James Morris ja...@jwm-art.net wrote:

 flock buck a tier , tired ours, eyes, sleeting shrine tremolo
 forceps tweening bird charmers for logical shampoo vision
 specter gran channel linguistic health flannels bus famine
 compilation pharmacy twoddle rubber necking flecks twitter-bishop
 compositing guilty cosine bubble frottage bulbous gritty destitute
 icicle-test bicycle blessed get flocking box dump sprintf %d\n


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[NetBehaviour] in the flesh?

2010-04-30 Thread brian gibson
in the flesh http://glimpsecontrol.com/flesh/in_the_flesh.mov (quicktime
link)

during work i often will hear a song and become inspired. unfortunately i
have a lot of tasks to finish, so play time is limited. my favorite quick
edit for audio manipulation is slowing the speed. weeks ago i made a slow
edit from a luther wright and the wrongs song called 'in the flesh?'. last
night i shot footage of the wind and things on our roof. today i combined
the two withmy last 15 minutes on the clock. above, the result. below,
original and altered audio.

in the flesh? http://glimpsecontrol.com/flesh/intheflesh.mp3 (luther
wright and the wrongs version)
in the flesh http://glimpsecontrol.com/flesh/intheflesh40percentile.mp3(at
40 percent)


in the text,
brian
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Re: [NetBehaviour] IMPORTANT STATEMENTS CXXXXIII

2010-04-30 Thread brian gibson
...MANIK, fully loaded...



On Sat, May 1, 2010 at 1:25 AM, manik ma...@sbb.rs wrote:

  ...MANIK IS NOT HERE TO DISCUSS ABOUT HIS QUALITU...ALSO WE ARE NOT HERE
 TO PROMOTE GOOD ENGLISH...WE ARE NOT HERE EVEN TO DISCUSS *SOCIAL
 NETWORK*...WE SHAL REFER ON SOME BASIC PROBLEM IN OUR EGZISTENCE...MANIK'S
 PROBLEM IS NOT POLITICS...WE ARE VERY FREE TO EXPRES OUR
 POLITICS OPINION...IT SEEM TO US THAT NOBODY ACTUALY DOESN'T CARE FOR
 THATSO...WHAT'S THE CATCH...ARTISTS LIKE ASHLEY,MOODY...EVEN LIKE OPIE
 OR BANKSY HAVE STRONG SOCIAL BACKGROUND...WHICH MEAN THEY KNOW WHERE TO
 PLACE THEIR GOODS...MANIK HAVE NOTHING LIKE THAT...HE IS UNDER ECONOMIC
 BLOKADEWHICH LEAD US TO HIPER-POLITIC FALL...THIS FALL IS CAUSED BY
 GLOBAL/NEOLIBERAL PENETRATION ON EAST/*DRANG NACH OST*/...COUNTRIES WHO
 SUROUNDED RUSSIA ARE UNDER HUGE INFLUENCE OF WESTERN
 CAPITAL/NOT QUANTITATIVE...MORE GOOOD CALCULABLE... ESPETIALY IN
 ART...SOROS..FOR EXAMPLE... MAKE VERY CHEAP INFRASTRUCTURE IN THOSE
 COUNTRIES...HE KNOW THAT'S THE BEST WAY TO DESTROY NATIONAL ENTITY/IDENTITY
 BY DESTROY NATIONAL CULTURE/ACTUALY THAT'S NAZI RECIPE...FIRST BOMB IN
 SECOND WORLD WAR ...HERE IN BELGRADE DESTROY NATIONAL LIBRARY...BEFORE THAT
 SPY STOLE OLDEST AND MOST IMPORTANT BOOKS FROM XI AND XII CENTURY WITH FIRST
 TRACE OF SERBIAN CULTURAL AND ETHNIC IDENTITY...SIMILAR THING HAPPENED
 NOW...OUR NATIONAL MUSEUM IS CLOSSED...MUSEUM OF CONTEMPORAY ART IS ALSO
 CLOSS...CROWD IN CONTEMPORARY MUSEUM VERE ACTUALY FORMER EMPLOY IN SOROS
 *OPEN SOCIETY*...DOZEN ARTIST WHO SERVE TO SOROS SPY TRAVEL AND EGZIBIT IN
 REGION/IT'S STILL NOT ALLOW THEM TO SHOW THEIR PATHETIC SECOND-CLASS 'ART'IN
 DEWELOP WESTERN COUNTRIES...THEY COULD MAKE EXHIBITION IN
 BOSNIA,BULGARIA,HUNGARY...ETC...MEANWHILE BY SOME UNBELIEVABLE MIRACLE SOROS
 CROWD PASS FROM SOROS SALARY ON STATE BUDGET...WE COULD EXPECT EVEN SOME
 SERBIAN STATE DONATION FOR MR.SOROS PERSONALY AS PETTTIT SIGN OF THEIR
 GRATITUDE...SO...FROM VERY BEGINNING MANIK WAS AGAINST SOROS INFLUENCE ON
 SERBIAN ART...YEAR BY YEAR WE WERE UNDER ECONOMIC PRESURE...NEVER GET CALL
 FOR EXHIBITION WHO GUARANTY RANSOM...HERE'S STIL OLD *ETATE*SYSTEM OF
 VALUATION AND BUYING UP OF ART WORKS...ONE PICTURE FOR CONTEPORARY ART
 MUSEUM COLECTION COULD PROVIDE ENOUGH MONEY FOR TWO...THREE YEARS
 LIVING...WE NEVER GET ANY CALL FOR SOMETHING LIKE THAT... ALTHOUGH WE SHOW
 OUR WORK ON MOST PRESTIGE EXHIBITION IN SERBIA...INCLUDING MUSEUM OF
 CONTEMPORARY ART...BUT IT WAS FEW YEARS AGO...NOW WE ARE  IN THE
 MARGINS...OUT OF ANY ECONOMIC STREAM/THERE'S NO *MIDDLE CLASS* IN
 SERBIA...OUR SOCIETY IS 3%OF VERY RICH PEOPLE WHO USE SO CALLED TRASITION TO
 BECAME ENORMOUS RICH...REST OF CITIZEN ARE VERY POORTHEY ARE PEOPLE VERY
 FAR FROM  ART AND STUF LIKE THAT...THERE'S NO ART MARKET IN SERBIA...WE TRY
 TO SHOW OUR WORK TO PEOPLE ON THE WEST...WE EXPECT THAT THEY HAVE SENSE FOR
 QUALITY AND BRAVE HART TO FOLOW THEYR AESTHETIC VISION...MANIK ARE EXCELLENT
 ARTISTS...BUT IN BUREAUCRACY ART WORLD NOBODY HAVE NO COURAGE TO BUY MANIK'S
 WORK...WE ARE TIRED AND DISGUST BY COMMENT/EVEN SOME MITCHEL ON NETBEHAVIOUR
 FIND ENOUGH IMPUDENCE TO DISCUS MANIK'S WORK/WHY DON'T HE DISCUS MR.KOONS OR
 DAMIEN HEARST/... FIRST ON RHIZOME...NOW ON NETBEVIOUR WE GET PLENTY OF
 COMPLIMENT...EVEN ANNIEAUO DISCUS ABOU HER FREE WILL TO WROTE OUR OUR NAME
 AS SHE WANT TO...WITHOUT ANY CONSCIENCE ABOUT HOW PATHETIC IT IS CONSIDERED
 MANIK'S SITUATION...WE HAVE NO MONEY...WE ARE GOING TO BE TRAMP IN SHORT
 TIME...MANIK DON'T UNDERSTAND WHAT YOU THINK/IF YOU THINK/...HOW'S THAT LOOK
 TO LIVE WITH 100EUROS FOR MONTH...DID YOU EVER THINK ABOUT SCANDAL LIKE
 THAT...WHERE YOU LIVE SPOILED BUREAUCRAT...OBVIOUS YOUR WORLD IS NOT THE
 SAME WORLD AS MANIK'S...WE ARE *INVISIBLE PEOPLE*...WE ARE *OTHER*FOR
 YOU...WE ARE SILHOUETTE OF WORKERS WHO GO OUT ON NIGHT STREET OF CITY AND
 FRIGHTENED TO DEATH TARDY CLERKS WHO HURRY TO THEYR WORM HOME/PARAPHRASE
 H.G. WELLS/...MANIK...THE FIRST MAY...2010...

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Re: [NetBehaviour] on a roof

2010-04-23 Thread brian gibson
thank you for watching and listening, michael.
 :)




On Thu, Apr 22, 2010 at 7:46 PM, Michael Szpakowski szp...@yahoo.comwrote:

 fantastic! Quite, quite ravishing both visually and sonically!
 michael

 --- On *Fri, 4/23/10, brian gibson baiow...@gmail.com* wrote:


 From: brian gibson baiow...@gmail.com
 Subject: [NetBehaviour] on a roof
 To: NetBehaviour for networked distributed creativity 
 NetBehaviour@netbehaviour.org
 Date: Friday, April 23, 2010, 12:24 AM


  on a roof http://glimpsecontrol.com/onaroof.mov (quicktime link)

 video samples include:

 - two jennifers (ananda and electrik) on a roof with tambourine and sleigh
 bell
 - speed altered siren (captured through skylight)
 - myself on bass line additives
 - john o’hara drum session, cut to mix
 - ehren shorday guitarin’ it
 - johnny o’ on that trumpet



 -Inline Attachment Follows-


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Re: [NetBehaviour] on a roof

2010-04-23 Thread brian gibson
many thanks, alan.

the link to your mail archive is news to me.
entirely fascinating and thorough..
going to have to spend some more time with this.


brian






On Fri, Apr 23, 2010 at 12:36 PM, Alan Sondheim sondh...@panix.com wrote:



 Also want to chime in here - quite liked this and it's odd quietness/
 intensity - Alan



 On Fri, 23 Apr 2010, brian gibson wrote:

  thank you for watching and listening, michael. :)




 On Thu, Apr 22, 2010 at 7:46 PM, Michael Szpakowski szp...@yahoo.com
 wrote:
  fantastic! Quite, quite ravishing both visually and sonically!
 michael

 --- On Fri, 4/23/10, brian gibson baiow...@gmail.com wrote:

  From: brian gibson baiow...@gmail.com
  Subject: [NetBehaviour] on a roof
  To: NetBehaviour for networked distributed creativity
  NetBehaviour@netbehaviour.org
  Date: Friday, April 23, 2010, 12:24 AM


 on a roof (quicktime link)

 video samples include:

 - two jennifers (ananda and electrik) on a roof with tambourine
 and sleigh bell
 - speed altered siren (captured through skylight)
 - myself on bass line additives
 - john o?hara drum session, cut to mix
 - ehren shorday guitarin? it
 - johnny o?on that trumpet



 -Inline Attachment Follows-



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 ==
 email archive: http://sondheim.rupamsunyata.org/
 webpage http://www.alansondheim.org
 music archive: http://www.espdisk.com/alansondheim/
 ==
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Re: [NetBehaviour] ==

2010-04-22 Thread brian gibson
The first haircut of Roland Barthes
The first meal of Jacques Derrida
The first tree of Agnes Varda
The first interview of Michael Jackson
The first words of Alphonso Lingis
The first blue sky of Kathy Acker
The first smile of Vito Acconci
The first floor of Foofwa d'Imobilite
The first touch of Jimmy Carter
The first walk of Luce Iregaray
The first friend of Allen Ginsberg
The first tears of Rene Levesque
The first photograph of Michel Foucault
The first sitting of Monica Vitti
The first rain of Isadore Ducasse
The first sighing of Anne Bradstreet
The first breath of Marina Abramovic
The first sleep of Charlie Parker
The first drink of Hermann Weyl
The first prayer of Opal Whitely
The first touch of Johannes Birringer
The first good times of Al McKenzie
The first diary of Evelyn Weiss
The first thought of Sarah Bernhardt
The first memoir of Joseph Fuerman
The first goodbye of Simone Signoret
The first laugh of Nicole Miller
The first book of Ludwig Wittgenstein
The first singing of Lucille Ball
The first memory of Marguerite Young
The first movement of David Marr
The first yawn of Armand Schwerner
The first lightning of Valeska Gert
The first cup of Alan Sondheim
The first bird of Andy Karp
The first gasp of Michelangelo Antonioni
The first sorrow of Anita O'Day
The first bed of Buddy Bolden
The first swordplay of Robert Fanning
The first writing of Karl Marx
The first happiness of Martina Navratilova
The first gesture of Donald Knuth
The first whisper by Merce Cunningham
The first thing seen by Azure Carter
The first mountain of Terry Fox
The first food of Cherie Kanjorski
The first hiccup of Ossi Oswalda
The first coastline of Kaja Silverman
The first one seen of Rainer Maria Rilke

On Thu, Apr 22, 2010 at 3:45 PM, Alan Sondheim sondh...@panix.com wrote:





 The last haircut of Roland Barthes
 The last meal of Jacques Derrida
 The last tree of Agnes Varda
 The last interview of Michael Jackson
 The last words of Alphonso Lingis
 The last blue sky of Kathy Acker
 The last smile of Vito Acconci
 The last floor of Foofwa d'Imobilite
 The last touch of Jimmy Carter
 The last walk of Luce Iregaray
 The last friend of Allen Ginsberg
 The last tears of Rene Levesque
 The last photograph of Michel Foucault
 The last sitting of Monica Vitti
 The last rain of Isadore Ducasse
 The last sighing of Anne Bradstreet
 The last breath of Marina Abramovic
 The last sleep of Charlie Parker
 The last drink of Hermann Weyl
 The last prayer of Opal Whitely
 The last touch of Johannes Birringer
 The last good times of Al McKenzie
 The last diary of Evelyn Weiss
 The last thought of Sarah Bernhardt
 The last memoir of Joseph Fuerman
 The last goodbye of Simone Signoret
 The last laugh of Nicole Miller
 The last book of Ludwig Wittgenstein
 The last singing of Lucille Ball
 The last memory of Marguerite Young
 The last movement of David Marr
 The last yawn of Armand Schwerner
 The last lightning of Valeska Gert
 The last cup of Alan Sondheim
 The last bird of Andy Karp
 The last gasp of Michelangelo Antonioni
 The last sorrow of Anita O'Day
 The last bed of Buddy Bolden
 The last swordplay of Robert Fanning
 The last writing of Karl Marx
 The last happiness of Martina Navratilova
 The last gesture of Donald Knuth
 The last whisper by Merce Cunningham
 The last thing seen by Azure Carter
 The last mountain of Terry Fox
 The last food of Cherie Kanjorski
 The last hiccup of Ossi Oswalda
 The last coastline of Kaja Silverman
 The last one seen of Rainer Maria Rilke

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[NetBehaviour] on a roof

2010-04-22 Thread brian gibson
on a roof http://glimpsecontrol.com/onaroof.mov (quicktime link)

video samples include:

- two jennifers (ananda and electrik) on a roof with tambourine and sleigh
bell
- speed altered siren (captured through skylight)
- myself on bass line additives
- john o’hara drum session, cut to mix
- ehren shorday guitarin’ it
- johnny o’ on that trumpet
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[NetBehaviour] make your baby

2010-03-19 Thread brian gibson
made http://glimpsecontrol.com/made.png.
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Re: [NetBehaviour] Most students use Wikipedia, avoid telling profs about it.

2010-03-19 Thread brian gibson
keep at em..:)






On Fri, Mar 19, 2010 at 8:19 PM, Jim Andrews j...@vispo.com wrote:

  Bearcat is clearly a deletionist. They are a real problem, and not just
  for well-referenced notable articles about art. They are convinced (and
  convince each other) that they are making Wikipedia better by removing
  articles based not so much on technicalities as on ostentatious ignorance
  of Wikipedia's own stated aims and criteria. They are wrong.
 
  - Rob.

 Given our discussion, I determined to give trying to get that article on
 wikipedia another go. And I find that the article has been undeleted, now,
 which is good. Though there is no indication who undeleted it in the
 'history' section. No history of the deletions at all, actually.

 I see it has been worked on by several people, now. Including the ding bat
 deletionist who deleted it three or four times, three of which were for bad
 reasons.

 They added internal links and categories.

 I hadn't checked on it in a couple of months, was getting tired of the
 stupid deletions for bad reasons.

 My account had also been deleted. Had to recreate it today.

 ja
 http://vispo.com

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Re: [NetBehaviour] Systems of Romance: Chris Carter- The Space Between Cassette.

2010-03-10 Thread brian gibson
yes.



thanka, marc.





On Wed, Mar 10, 2010 at 4:28 PM, marc garrett marc.garr...@furtherfield.org
 wrote:

 Systems of Romance: Chris Carter- The Space Between Cassette.

 Today's artist should need no introduction, as he's a member of several
 pioneering electronic acts including the likes of Throbbing Gristle and
 Chris and Cosey/Carter Tutti. Though Chris Carter lent his skills
 primarily to these outfits, the English musician recorded several of his
 own more electronic and less abrasive pieces on the side.


 http://systemsofromance.blogspot.com/2009/04/chris-carter-space-between-cassette.html

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Re: [NetBehaviour] IMPORTANT STATEMENTS LXXXIX

2010-02-19 Thread brian gibson
even if an eighth full.

we've had the 
blueshttp://glimpsecontrol.com/barfday/Blind%20Blake%20-%20Buck-Town%20Blues.mp3before.



http://glimpsecontrol.com/barfday/Blind%20Blake%20-%20Buck-Town%20Blues.mp3
On Fri, Feb 19, 2010 at 6:54 AM, manik ma...@sbb.rs wrote:

  *...IS YOUR EMPTINESS MORE EMPTY THAN MINE...MANIK...FEBRUARY...2010...*

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[NetBehaviour] one.II.3.

2010-02-13 Thread brian gibson
onehttp://s3.amazonaws.com/data.tumblr.com/tumblr_kxt5h0PBYU1qzzmvwo1_1280.jpg?AWSAccessKeyId=0RYTHV9YYQ4W5Q3HQMG2Expires=1266197839Signature=MrDHeu1ckKu31pyD0AXu2NZO7ss%3D
.
IIhttp://s3.amazonaws.com/data.tumblr.com/tumblr_kxnfb2NT241qzzmvwo1_1280.jpg?AWSAccessKeyId=0RYTHV9YYQ4W5Q3HQMG2Expires=1266197766Signature=rZiAWi%2FY9oGO5WoI9Adfrj621UQ%3D
.
3http://s3.amazonaws.com/data.tumblr.com/tumblr_kxru07jsUa1qzzmvwo1_1280.jpg?AWSAccessKeyId=0RYTHV9YYQ4W5Q3HQMG2Expires=1266197311Signature=q6Rp6Vh1ZRCBa9IlEGiWghP1F48%3D
.

at.
suit http://suitmachine.tumblr.com.
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[NetBehaviour] why can't we be friends?

2010-01-08 Thread brian gibson
why can't we be loop http://glimpsecontrol.com/whycantwe_loo.mov




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Re: [NetBehaviour] Call for Submissions: Multichannel VariableEconomies Screening Programme Deadline 28th January

2010-01-07 Thread brian gibson
common sense never told me to be a nihilist..

common sense told me to make video.







On Thu, Jan 7, 2010 at 12:42 PM, martin mitchell martinmitc...@mac.comwrote:

  Have no idea what  this means ..

  They want some video art that engages current international
 socio-economic events to put in an exhibition.

 Common sense tells us it's meaningless.

 Just cannot write anymore... this is embarrassing nonsense.

 martin mitchell.



 On 7 Jan 2010, at 17:11, james morris wrote:



 http://www.youtube.com/watch?v=PHoCd1pTJx4feature=PlayListp=5840AC014CA20F89playnext=1playnext_from=PLindex=56


 :)

 On 7/1/2010, Simon Biggs s.bi...@eca.ac.uk wrote:

 Seems clear to me. They want some video art that engages current

 international socio-economic events to put in an exhibition.


 Simon Biggs


 Research Professor

 edinburgh college of art

 s.bi...@eca.ac.uk

 www.eca.ac.uk


 Creative Interdisciplinary Research into CoLlaborative Environments

 CIRCLE research group

 www.eca.ac.uk/circle/


 si...@littlepig.org.uk

 www.littlepig.org.uk

 AIM/Skype: simonbiggsuk




 From: martin mitchell martinmitc...@mac.com

 Reply-To: NetBehaviour for networked distributed creativity

 netbehaviour@netbehaviour.org

 Date: Thu, 07 Jan 2010 15:50:15 +

 To: NetBehaviour for networked distributed creativity

 netbehaviour@netbehaviour.org

 Subject: Re: [NetBehaviour] Call for Submissions: Multichannel Variable

 Economies Screening Programme Deadline 28th January




 Is this another example of administrative gobbledegook ...!


 Have no idear of what you are trying to describe.


 martin mitchell [ artist ].


 On 7 Jan 2010, at 11:25, Helen Sloan wrote:


 Hello


 This is my first post here and it's a call - sorry. I really enjoyed the

 Dark Mountain debate and the one that's emerging on Second Life so far.


 Meantime, I hope this is of interest and do contact if you want more info.


 Happy New Year


 Helen

 Helen Sloan

 SCAN


 CALL FOR SUBMISSIONS: Multichannel 3

 Title: Variable Economies


 Variable Economies provides the theme for the programme of works for

 Multichannel 2010. The theme implies the current global economic downturn,

 decreased availability of resources influenced by human intervention in the

 natural environment, shifts in national and global political emphasis, and

 formally in relation to the making of artist film and video.  For

 Multichannel 2010 artists are invited to submit works for selection that

 touch upon the themes of the programme in terms of the use of the

 medium/material of film and video.


 Multichannel is a screening programme of artists film and video, organised

 and curated by ArtSway and SCAN in ArtSway¹s galleries. The programme,
 which

 previously took place at ArtSway in 2007 and 2008, will once again feature

 both established practitioners, as well as ground breaking video works by

 artists from across the UK, and around the world. This year we are pleased

 to announce that Animate Projects will partner on Multichannel.

 The selection panel for Multichannel 3 is: Gary Thomas, Co-director Animate

 Projects; Helen Sloan, Director, SCAN; Peter Bonnell, Curator, ArtSway.

 Criteria/ Format of works for selection: Please submit your work for
 viewing

 on DVD. Should your piece be selected, we will ask you to supply your work

 as raw uncompressed files preferably on MiniDV, uncompressed .mpg or ..avi.

 Duration: We will accept pieces of any duration but please be aware that
 the

 screenings last up to 2 hours and shorter pieces will take preference. In

 exceptional circumstances we may be able to consider one-off screenings of

 longer pieces. Open to: artists of any age, in any part of the world,

 working in the format of film or video.


 Deadline for submitting works: Thursday 28 January 2010

 Selection panel meets: Week beginning 8 February 2010

 Notification of selection result: 26 February 2010

 Exhibition of Multichannel 3 at ArtSway: 2 April - 11 April 2010

 Contact and address to send work: Peter Bonnell, Curator, ArtSway, Station

 Road, Sway, SO41 6BA, UK

 For more information please contact Peter on +44 (0)1590 682260 (+4) or

 email: pe...@artsway.org.uk mailto:pe...@artsway.org.uk



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 Edinburgh College of Art (eca) is a charity registered in Scotland, number
 SC009201





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Re: [NetBehaviour] Call for Submissions: Multichannel VariableEconomies Screening Programme Deadline 28th January

2010-01-07 Thread brian gibson
how does one expect another to only use vocabulary that martin is
comfortable with?






On Thu, Jan 7, 2010 at 1:34 PM, martin mitchell martinmitc...@mac.comwrote:

 It's not the moving image event itself but the nonsensical language used to
 describe ideas you are looking for inside of those projected images onto a
 screen.
 How does one translate into another language part of dogmatic statements
 like 'running past', 'flag up' or 'socio economic' !

 C.N.A.S.

 On 7 Jan 2010, at 18:14, Helen Sloan wrote:

 Martin and List

 Noone is censored in terms of submitting to this programme. It is open to
 all.

 I was merely suggesting that if  the approach of the programme feels
 uncomfortable, it may not be the right one to be involved in.

 If anyone wishes to contact me about submitting work or any aspect of
 Multichannel, then please get in touch.

 Helen


 On 7/1/10 18:01, martin mitchell martinmitc...@mac.com wrote:

 Interesting animation on you tube 'puffing away'.

 Ok.. idea is perhaps to do with self destruction of planet earth by
 human beings that assume to be in control of their own destiny, a problem
 for self aware human beings to try and resolve through creative and artistic
 actions such as being a member of the crew on Sea Shepherd but that is
 method of confrontation, maybe I'll think about image content closer to home
 in the East End of London that might reflect destruction of living artists
 environment by construction of new Olympic Park.
 Please no more of this 'international socio-economic events language
 ..!

 martin mitchell.

 Crispy Nails Animation Studio



 On 7 Jan 2010, at 17:11, james morris wrote:




 http://www.youtube.com/watch?v=PHoCd1pTJx4feature=PlayListp=5840AC014CA20F89playnext=1playnext_from=PLindex=56
 http://www.youtube.com/watch?v=PHoCd1pTJx4amp;feature=PlayListamp;p=5840AC014CA20F89amp;playnext=1amp;playnext_from=PLamp;index=56http://www.youtube.com/watch?v=PHoCd1pTJx4feature=PlayListp=5840AC014CA20F89playnext=1playnext_from=PLindex=56


 :)

 On 7/1/2010, Simon Biggs s.bi...@eca.ac.uk wrote:

 Seems clear to me. They want some video art that engages current
 international socio-economic events to put in an exhibition.

 Simon Biggs

 Research Professor
 edinburgh college of art
 s.bi...@eca.ac.uk
 www.eca.ac.uk

 Creative Interdisciplinary Research into CoLlaborative Environments
 CIRCLE research group
 www.eca.ac.uk/circle/

 si...@littlepig.org.uk
 www.littlepig.org.uk
 AIM/Skype: simonbiggsuk



 From: martin mitchell martinmitc...@mac.com
 Reply-To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 Date: Thu, 07 Jan 2010 15:50:15 +
 To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 Subject: Re: [NetBehaviour] Call for Submissions: Multichannel Variable
 Economies Screening Programme Deadline 28th January



 Is this another example of administrative gobbledegook ...!

 Have no idear of what you are trying to describe.

 martin mitchell [ artist ].

 On 7 Jan 2010, at 11:25, Helen Sloan wrote:

 Hello

 This is my first post here and it's a call - sorry. I really enjoyed the
 Dark Mountain debate and the one that's emerging on Second Life so far.

 Meantime, I hope this is of interest and do contact if you want more info.

 Happy New Year

 Helen
 Helen Sloan
 SCAN

 CALL FOR SUBMISSIONS: Multichannel 3
 Title: Variable Economies

 Variable Economies provides the theme for the programme of works for
 Multichannel 2010. The theme implies the current global economic downturn,
 decreased availability of resources influenced by human intervention in the
 natural environment, shifts in national and global political emphasis, and
 formally in relation to the making of artist film and video.  For
 Multichannel 2010 artists are invited to submit works for selection that
 touch upon the themes of the programme in terms of the use of the
 medium/material of film and video.

 Multichannel is a screening programme of artists film and video, organised
 and curated by ArtSway and SCAN in ArtSway’s galleries. The programme,
 which
 previously took place at ArtSway in 2007 and 2008, will once again feature
 both established practitioners, as well as ground breaking video works by
 artists from across the UK, and around the world. This year we are pleased
 to announce that Animate Projects will partner on Multichannel.
 The selection panel for Multichannel 3 is: Gary Thomas, Co-director Animate
 Projects; Helen Sloan, Director, SCAN; Peter Bonnell, Curator, ArtSway.
 Criteria/ Format of works for selection: Please submit your work for
 viewing
 on DVD. Should your piece be selected, we will ask you to supply your work
 as raw uncompressed files preferably on MiniDV, uncompressed .mpg or ..avi.
 Duration: We will accept pieces of any duration but please be aware that
 the
 screenings last up to 2 hours and shorter pieces will take preference. In
 exceptional 

Re: [NetBehaviour] Call for Submissions: Multichannel VariableEconomies Screening Programme Deadline 28th January

2010-01-07 Thread brian gibson
jesus, mart,
you are narrow as a sparrow.

its safe to say simon is an artist, an academic, a human, a descendent of
biggs and more..
and this is said without even really knowing the man..
'a man is either and artist or an academic.'
what an absurd and dangerous idea.

get rid of all those boxes in your head.
life is easier than you think.






On Thu, Jan 7, 2010 at 7:03 PM, martin mitchell martinmitc...@mac.comwrote:

 Is this an academic statement:-You need to get out more...

 Spent 7 hours today walking along Lea Valley making digital images of snow
 and ice effects ..

 On 7 Jan 2010, at 23:57, Simon Biggs wrote:

 You need to get out more...

 Simon Biggs

 Research Professor
 edinburgh college of art
 s.bi...@eca.ac.uk
 www.eca.ac.uk

 *C*reative *I*nterdisciplinary *R*esearch into *C*o*L*laborative *E*
 nvironments
 CIRCLE research group
 www.eca.ac.uk/circle/

 si...@littlepig.org.uk
 www.littlepig.org.uk
 AIM/Skype: simonbiggsuk


 --
 *From: *martin mitchell martinmitc...@mac.com
 *Reply-To: *NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org
 *Date: *Thu, 07 Jan 2010 23:55:00 +
 *To: *NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org
 *Subject: *Re: [NetBehaviour] Call for Submissions: Multichannel
 VariableEconomies Screening Programme Deadline 28th January

 It was used without any description of a subject matter, I'm not a
 politician or economist merely an artist, on reading had no idea about what
 writer was referring to, I do not read dreadful daily papers or listen to
 office management language which the original statement was concerned with,
 spending as much time allowed me aside from basic human needs and desires,
 in my studio creating mostly digital imagery.Sensible an individual on this
 site linked a message to . I'm Singing ... on YouTube .. immediately
 understood idea behind administrative statement.
 On 7 Jan 2010, at 23:41, Simon Biggs wrote:

 It wasn’t Helen who used the term “socio-economic”, it was me. Why is that
 term difficult? It seems clear to me. It evokes those aspects of the social
 that are primarily to do with exchange; material and otherwise. I’d be
 interested to know why it might be a difficult term for some people to
 process, as it might help me tune my language in the future. I like to be
 precise.

 Simon Biggs

 Research Professor
 edinburgh college of art
 s.bi...@eca.ac.uk
 www.eca.ac.uk

 *C*reative *I*nterdisciplinary *R*esearch into *C*o*L*laborative *E*
 nvironments
 CIRCLE research group
 www.eca.ac.uk/circle/

 si...@littlepig.org.uk x-msg://96/si...@littlepig.org.uk
 www.littlepig.org.uk http://www.littlepig.org.uk
 AIM/Skype: simonbiggsuk


 --
 *From: *martin mitchell martinmitc...@mac.com x-msg:
 //96/martinmitc...@mac.com 
 *Reply-To: *NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org x-msg://96/netbehaviour@netbehaviour.org 
 *Date: *Thu, 07 Jan 2010 18:34:02 +
 *To: *NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org x-msg://96/netbehaviour@netbehaviour.org 
 *Subject: *Re: [NetBehaviour] Call for Submissions: Multichannel
 VariableEconomies Screening Programme Deadline 28th January

 It's not the moving image event itself but the nonsensical language used to
 describe ideas you are looking for inside of those projected images onto a
 screen.
 How does one translate into another language part of dogmatic statements
 like 'running past', 'flag up' or 'socio economic' !

 C.N.A.S.

 On 7 Jan 2010, at 18:14, Helen Sloan wrote:

 Martin and List

 Noone is censored in terms of submitting to this programme. It is open to
 all.

 I was merely suggesting that if  the approach of the programme feels
 uncomfortable, it may not be the right one to be involved in.

 If anyone wishes to contact me about submitting work or any aspect of
 Multichannel, then please get in touch.

 Helen


 On 7/1/10 18:01, martin mitchell martinmitc...@mac.com x-msg:
 //96/martinmitc...@mac.com  wrote:

 Interesting animation on you tube 'puffing away'.

 Ok.. idea is perhaps to do with self destruction of planet earth by
 human beings that assume to be in control of their own destiny, a problem
 for self aware human beings to try and resolve through creative and artistic
 actions such as being a member of the crew on Sea Shepherd but that is
 method of confrontation, maybe I'll think about image content closer to home
 in the East End of London that might reflect destruction of living artists
 environment by construction of new Olympic Park.
 Please no more of this 'international socio-economic events language
 ..!

 martin mitchell.

 Crispy Nails Animation Studio



 On 7 Jan 2010, at 17:11, james morris wrote:




 http://www.youtube.com/watch?v=PHoCd1pTJx4feature=PlayListp=5840AC014CA20F89playnext=1playnext_from=PLindex=56
 

Re: [NetBehaviour] What's in your wallet?*

2009-12-17 Thread brian gibson
http://baiowulf.com/wp-content/uploads/2009/12/desk.png

rootbeers,
brian





On Thu, Dec 17, 2009 at 7:00 PM, Michael Szpakowski szp...@yahoo.comwrote:

 :)

 m.

 --- On Thu, 12/17/09, Pall Thayer pallt...@gmail.com wrote:

  From: Pall Thayer pallt...@gmail.com
  Subject: Re: [NetBehaviour] What's in your wallet?*
  To: NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org
  Date: Thursday, December 17, 2009, 10:17 PM
  The desktop I posted today was my
  work 'puter. Here's my laptop:
 
  http://pallit.lhi.is/dtop2.png
 
 
  Michael Szpakowski wrote:
   http://www.somedancersandmusicians.com/desktop.jpg
  
   cheers
   michael
  
  
   --- On Thu, 12/17/09, anniea a...@bram.org wrote:
  
   From: anniea a...@bram.org
   Subject: Re: [NetBehaviour] What's in your
  wallet?*
   To: NetBehaviour for networked distributed
  creativity netbehaviour@netbehaviour.org
   Date: Thursday, December 17, 2009, 12:20 PM
   http://bram.org/images/desktop.png
  
   On Thu, Dec 17, 2009 at 1:02 PM,
   Pall Thayer pallt...@gmail.com
   wrote:
  
   http://pallit.lhi.is/dtop.png
  
  
  
  
  
  
  
  
   On Thu, Dec 17, 2009 at 11:56 AM, Alan Sondheim
  sondh...@panix.com
   wrote:
  
   What's in your wallet?*
   http://www.alansondheim.org/top.jpg
   Thanks to James Morris who creates brilliant
  works on
   his laptop screen,
  
   and to the people on Cybermind, who, years
  ago, sent
   out images of their
  
   desktop screens as a kind of home-sharing.
  I'm
   hoping other people might
  
   show their screens as well at this point.
   Thanks, Alan
   * annoying U.S. ad for something or other.
  
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   --
  
   *
  
   Pall Thayer
  
   artist
  
   http://www.this.is/pallit
  
   *
  
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   On Collaboration : http://bram.org/collaboration/index.php
  
  
   -Inline Attachment Follows-
  
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Re: [NetBehaviour] Mellifluous

2009-12-15 Thread brian gibson
all those words and more are these.





On Tue, Dec 15, 2009 at 10:32 AM, Alan Sondheim sondh...@panix.com wrote:




 Mellifluous


 http://www.alansondheim.org/theatersong.jpg
 http://www.alansondheim.org/theateruke2.mp4
 http://www.alansondheim.org/theatersong.mp4
 http://www.alansondheim.org/theateruke3.mp4


 The sixty features of a melodic voice; the sixty mellifluous speech.

 1. flexible
 2. soft
 3. attractive
 4. delightful
 5. pure
 6. faultless
 7. clear
 8. pleasantly soothing
 9. worthy of hearing
 10. not harmful
 11. beautiful
 12. subdued
 13. not coarse
 14. not rough
 15. completely subdued
 16. beautiful to hear
 17. refreshing for body
 18. refreshing for mind
 19. pleasing the heart
 20. generating pleasure and happiness
 21. completely without sadness
 22. being the object of universal knowledge
 23. being the object of thorough understanding
 24. completely clear
 25. producing pleasure
 26. producing manifest pleasure
 27. producing universal knowledge
 28. producing thorough understanding
 29. logical
 30. relevant
 31. free of repetition
 32. possessing the strength of a lion's roar
 33. producing the sound of an elephant
 34. producing the sound of a cloud (thunder)
 35. producing the sound of a Naga (serpent-spirit)
 36. producing the sound of Gandharva (a celestial musician)
 37. producing the melody of a sparrow
 38. producing the melody of Brahma
 39. producing the sound of a jivanjivaka bird
 40. pleasant as the melodies of the lord of gods
 41. producing the sound of a dundubhi drum
 42. free of arrogance
 43. not degraded
 44. harmonious to all sounds
 45. free of corrupted words
 46. not incomplete
 47. not crying
 48. not depressed
 49. extremely joyous
 50. pervasive
 51. perfected
 52. flowing
 53. elegantly connected
 54. making all sounds complete
 55. satisfying all senses
 56. non-abusive
 57. unchanging
 58. unwavering
 59. popular in all circles
 60. possessing the best of all components

 (from Tsepak Rigzin, Tibetan-English Dictionary of Buddhist Terminology)


 mellifluous

 Moby Thesaurus words for mellifluous:
 accordant, achingly sweet, affable, agreeable, agreeable-sounding,
 ambrosial, amiable, amicable, appealing, ariose, arioso,
 bittersweet, blissful, candied, canorous, cantabile, catchy,
 cheerful, compatible, complaisant, congenial, cordial, desirable,
 dulcet, en rapport, enjoyable, euphonic, euphonious, euphonous,
 fair, fair and pleasant, felicific, felicitous, fine, fine-toned,
 genial, golden, golden-tongued, golden-voiced, good, goodly,
 gracious, grateful, gratifying, harmonious, heart-warming, honeyed,
 honeysweet, likable, liquid, melic, melliferous, mellifluent,
 mellisonant, mellow, melodic, melodious, music-flowing, music-like,
 musical, nectareous, nectarous, nice, pleasant, pleasant-sounding,
 pleasing, pleasurable, pleasure-giving, pleasureful, rewarding,
 rich, sacchariferous, satisfying, silver-toned, silver-tongued,
 silver-voiced, silvery, singable, songful, songlike, sonorous,
 sour-sweet, sugarcoated, sugared, sugarsweet, sugary, sweet,
 sweet and pungent, sweet and sour, sweet as sugar, sweet-flowing,
 sweet-sounding, sweetened, sweetish, syrupy, tunable, tuneful,
 welcome

 (from Moby Thesaurus II by Grady Ward, 1.0 [moby-thes])

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[NetBehaviour] thisboxoftext

2009-12-15 Thread brian gibson
thisboxoftext
thisboxoftext
thisboxoftext
thisboxoftext
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Re: [NetBehaviour] privacy @ this box of text, iron != chrome

2009-12-15 Thread brian gibson
well, thanks james.
and i'd imagine i should be sorry.

just did not know.

however, iron does not look to be available for mac..
suggestions or alternatives would be greatly appreciated.


people on the list- i sincerely hope this is not offensive to your privacy?

obliviously,
brian




On Tue, Dec 15, 2009 at 9:05 PM, james morris ja...@jwm-art.net wrote:


 this box of text
 inspect html
 class=webkit-indent-blockquote
 but there's no css defining any classes!
 what uses webkit-indent-blockquote (front-page-express!? quack!
 quack!)
 google chrome uses webkit-indent-blockquote
 do google: chrome is evil
 do google: chrome privacy

 conclusion: brian gibson may be using google chrome and so i should be
 the one to make him worry about his privacy in his using of it, plus
 privacy is a theme on this list and i can justify it that way too.

 check:
 http://www.srware.net/en/software_srware_iron_chrome_vs_iron.php
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[NetBehaviour] television

2009-12-02 Thread brian gibson
television http://glimpsecontrol.com/television.mov

two apartments ago my favorite pastime
was scoring cell phone photographs
of closed caption gold mines off the television.
i began organizing a collection (which you can view
herehttp://glimpsecontrol.com/telev.html
)
and made this little video yesterday.

with thanks.
and hands,
brian


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Re: [NetBehaviour] Exhibition plan for DIWO at the Dark Mountain

2009-11-29 Thread brian gibson
hi ruth!

thanks for including me in this :)
wish i could be there in the flesh..

as for my name.. just 'brian gibson' is fine.
baiowulf is kind of a childhood thing that has stuck..

thanks again and again!

brian





On Sun, Nov 29, 2009 at 8:48 PM, Andrej Tisma a...@eunet.rs wrote:

 Dear Marc,
 I am glad you got it now, and you replied. You know my email address
 changed
 since April, because we all users in Serbia got rs instead of yu (which
 standed for Yugoslavia) at the end, so maybe that is why my contribution
 didn't come to the list. Now I cahnged my email address in the list account
 and it got through. But I am glad it is not too late. I sent this to the
 list on Nov. 11 for the first time, and several times repeatedly, but it
 never went through it seams.
 Thanks and all the best, keep the good work.
 Andrej

  Hi Andre,
 
  No problem, will sort out tomorrow :-)
 
  wishing you well  thanks...
 
  marc
 
 
  I have been compiling sound all day, will check regarding sound at the
  space tomorrow.
 
 
  Hi Marc,I hear you are working on presentation of sound works for the
  show. I never got a confirmation that you received my sound work
  contribution I sent weeks ago, I also mentioned in the chat on Friday.
  But couldn't get to you because you were busy.So plese, one more time
  I am reminding you about it:
 
  Virus Detected
  http://www.atisma.com/sound/VirusDetected.mp3
 
  Plese confirm that you have received it and tah you will include it in
  show.
 
  Love,
  Andrej Tisma
 
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Re: [NetBehaviour] TIME

2009-11-20 Thread brian gibson
time for lunch..



On Fri, Nov 20, 2009 at 12:36 PM, marc garrett 
marc.garr...@furtherfield.org wrote:

 I know I didn't...

 marc
  ...WHO INVENTED TIME...
  MANIK,NOVEMBER 2009...
  - Original Message -
  From: marc garrett marc.garr...@furtherfield.org
  To: NetBehaviour for networked distributed creativity
  netbehaviour@netbehaviour.org
  Sent: Friday, November 20, 2009 2:13 PM
  Subject: Re: [NetBehaviour] TIME
 
 
 
  Time is invented
 
  marc
 
  TIME IS LOVE
 
  Bob
 
 
  manik ma...@sbb.rs wrote Wed, 18 November, 2009 22:38:31
 
 
  TIME IS MONEY...
 
 
 
 
 
 
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Re: [NetBehaviour] Fw: Fw: Fw: Fw: DIWO accidental voyagethroughboredom

2009-11-09 Thread brian gibson
dark. light.



On Mon, Nov 9, 2009 at 6:43 PM, manik ma...@sbb.rs wrote:

  ...*yes?* *no?* ...
 MANIK,NOVEMBER 2009...

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Re: [NetBehaviour] songs again and again

2009-11-08 Thread brian gibson
some immaculately beautiful stupidity.



On Sun, Nov 8, 2009 at 2:27 AM, Alan Sondheim sondh...@panix.com wrote:



 songs again and again

 eo1-4, Azure Carter, voice, myself, electric oud
 eo5, myself, electric oud

 http://www.alansondheim.org/eo1.mp3
 http://www.alansondheim.org/eo2.mp3
 http://www.alansondheim.org/eo3.mp3
 http://www.alansondheim.org/eo4.mp3
 http://www.alansondheim.org/eo5.mp3

 you'd listen to the ensemble first. you'd take note of the bass response
 and the tricks, and playing in and out of tune, and the shame of playing
 out of tune. you'd then note, something's present as if murmuring was an
 order of the day, sounding through the improbable dance of fingers on a
 particularly ungainly solid-body instrument somewhat poorly made by
 tharwat saber, egyptian, eleven strings, tuning ADeadg. you'd stay way
 from these instruments with overdetermined tradition, but this is strange
 enough, open to new ways of playing. i curse myself for playing at all,
 it's a useless enterprise, idiotic, narcissistic, not even dance-play,
 just wood. http://www.yourworldinstruments.com/product-p/oud-32.htm - an
 example. stupid stupid stupid stupid stupid. ok it sounds good.

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[NetBehaviour] 2x4

2009-11-02 Thread brian gibson
2x4.html http://glimpsecontrol.com/2x4.html


thought i lost this.. but then i didn't.



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Re: [NetBehaviour] 2x4

2009-11-02 Thread brian gibson
and actually your html from earlier sparked the memory of it..
so thanks for that!

brian
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On Mon, Nov 2, 2009 at 3:32 PM, Renee Turner geu...@xs4all.nl wrote:

 super! Excellent find :-)

 Renee
 www.geuzen.org
 www.fudgethefacts.com
 On Nov 2, 2009, at 9:00 PM, brian gibson wrote:

 2x4.html http://glimpsecontrol.com/2x4.html


 thought i lost this.. but then i didn't.



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[NetBehaviour] diwo :::: fox news

2009-11-01 Thread brian gibson
fox 
newshttp://a22.video2.blip.tv/243967149/Baiowulf-FoxNews684.mov?bri=5.7brs=2346


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Re: [NetBehaviour] DIWO: a host of whys

2009-11-01 Thread brian gibson
hi dougald,

i'm so sorry. http://glimpsecontrol.com/baio/sorry_loopWEB.mov

and i hope this doesnt seem overly sarcastic and stupid to you.
i think it's really funny and it seemed appropriate or something.

following suit with introductions and explanations.. i am brian. i live in
south williamsburg, brooklyn. (alan, you are near? maybe we'll cross paths
one day) for rent money i am a dvd author of documentaries, art films and
scholastic children's movies. in the moments spare i make videos, music,
drawings, etc (glimpsecontrol http://www.glimpsecontrol.com) i lurk on
this site (hence my lack of welcoming) ..i feel to young to do anything
but.. much much much to learn, much.

BUT! i feel i've learned the most from netbehaviour when everyone is
arguing. not to say the moments they (we) all come together aren't beautiful
and momentous.. but the clashing of such strong and constructed ideas, to
me, is more proving of unison than any string of compliments. the fact that
you were able to pull any response from this group is fascinating and
admirable, no?

as for the manifesto, (and this may be youth talking..) but i don't care
about it that much.. well.. not as much as i care about the ripple it has
created. it has made us all think a little harder and sharpen our ideas,
challenging our opinions about what we envision the future to hold. oh, but
also too, it has led to a string of thoughtful posts from several of my
favorite contributors (and the posts even rhyme with one another!)

oh. and marc. you are the man. i think you are made of steel and live in a
castle made of numbers. thanks for doing this thing. it's a sweet ride. (i
think we should start a bimonthly 'thank marc' day..h..)

ok, this was supposed to be short.

rootbeers,
brian






On Sat, Oct 31, 2009 at 7:16 PM, manik ma...@sbb.rs wrote:


 ...I DO FEEL I...
 MANIK,OCTOBER 2009...
 - Original Message -
 From: Alan Sondheim sondh...@panix.com
 To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 Sent: Saturday, October 31, 2009 7:17 PM
 Subject: Re: [NetBehaviour] DIWO: a host of whys


 
 
  I agree with Annie, and want to add the list is a community, work and
  discussing ranging from personal to lab to collab, but it's all with
  others; even with the pieces I put up, created for the most part out of
  context here, are always within context, always collab (rarely commented
  on, probably not read/watched/heard that much), that collab comes from
  without as well as within, collab is transported. Oddly DIWO sounds
 sexual
  as well (perhaps others have pointed that out), touching (literally) on
  the dance-work we've been doing with others (short however of doing
 _it_).
  I do feel if I were in England I'd be visiting everyone I could face-to-
  face, which is still for me the best kind of intimacy; I've met for
  example Simon Biggs, which was wonderful, so in a way I hear/see him
  through his words here. And it's an odd list, with people emotionally
  intimate at times as well, which is a gift. I've not been able to collab
  in a formal sense here, generally I'm uncomfortable with that. As far as
  manifestos go, they've always been a problem for me (as are most
 political
  and artistic pronouncement, protocols, protocol sentences). As far as
  welcoming people to this (or other lists), I've almost never been
 welcomed
  myself, that doesn't seem how most lists, even communal lists, work, and
  as I said above, my work's rarely commented on, so be it; I have to take
  responsibility for that as well as for my untoward production. - Alan
 
 
  On Sat, 31 Oct 2009, anniea wrote:
 
  *Do* = act
  *It* What? make a show
  *With* = this is the difficult part
  *Others *Who? not me (I wanted to put a list of the names of all
  subscribers, but as I am not an administrator I don't have access to the
  list of subscribers)
 
  I (Annie Abrahams, artist working on computermediated communication?)
  never
  like manifestos, I am some one who likes to think, to observe and to
 act,
  no
  so much to talk and discuss , but I do respect Dougalds position and
 work
  and I am very glad you (Dougald) are observing us and hopefully
  participating in, just trying to do something as simple as make a show
  together.
 
  *At* Where? HTTP gallery
  *The* = the, no capital
  *Dark*, Let there be light
  *Mountain* is too far away, too high
 
 
 
  ==
  email archive: http://sondheim.rupamsunyata.org/
  webpage http://www.alansondheim.org sondheimat gmail.com, panix.com
  ==
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Re: [NetBehaviour] DIWO - HTML Cinema Presents Alan Sondheim's 'Poseurs' -PS

2009-11-01 Thread brian gibson
um..

bedtime is getting pushed back tonight.

thanks for the heads up, michael.






On Sat, Oct 31, 2009 at 6:34 PM, Michael Szpakowski szp...@yahoo.comwrote:

 I should have said I used the marvellous 'Reductionizer' for this:

 http://www.donrelyea.com/reductionizer_project.htm

 m.


 --- On Sat, 10/31/09, Michael Szpakowski szp...@yahoo.com wrote:

  From: Michael Szpakowski szp...@yahoo.com
  Subject: DIWO - HTML Cinema Presents Alan Sondheim's 'Poseurs'
  To: NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org
  Date: Saturday, October 31, 2009, 10:31 PM
  http://www.somedancersandmusicians.com/diwo2009/sondheim/
 
  curiously, this seems to work better in IE than Firefox.
 
  cheers
  m.
 
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Re: [NetBehaviour] DIWO - HTML Cinema Presents Alan Sondheim's 'Poseurs' -PS

2009-11-01 Thread brian gibson
ah, but only on windows..

a harsh realization.



On Sun, Nov 1, 2009 at 3:44 AM, brian gibson baiow...@gmail.com wrote:

 um..

 bedtime is getting pushed back tonight.

 thanks for the heads up, michael.






 On Sat, Oct 31, 2009 at 6:34 PM, Michael Szpakowski szp...@yahoo.comwrote:

 I should have said I used the marvellous 'Reductionizer' for this:

 http://www.donrelyea.com/reductionizer_project.htm

 m.


 --- On Sat, 10/31/09, Michael Szpakowski szp...@yahoo.com wrote:

  From: Michael Szpakowski szp...@yahoo.com
  Subject: DIWO - HTML Cinema Presents Alan Sondheim's 'Poseurs'
  To: NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org
  Date: Saturday, October 31, 2009, 10:31 PM
  http://www.somedancersandmusicians.com/diwo2009/sondheim/
 
  curiously, this seems to work better in IE than Firefox.
 
  cheers
  m.
 
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Re: [NetBehaviour] beautiful evammusik

2009-11-01 Thread brian gibson
evammovinghttp://a3.video3.blip.tv/0160001455076/Baiowulf-evammoving803.m4v?bri=3.8brs=1324




On Sun, Nov 1, 2009 at 2:52 AM, Alan Sondheim sondh...@panix.com wrote:



 beautiful evammusik

 pump organ music which makes me smile
 and takes me somewhere beyond my own troubles
 into a beautiful and deep realm
  where all things are possible
  where all things are possible

 http://www.alansondheim.org/evammusic.mp3
 http://www.alansondheim.org/evammusik.mp3

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Re: [NetBehaviour] Diwo Re: unsigned head5

2009-10-29 Thread brian gibson
On Thu, Oct 29, 2009 at 7:27 AM, marc garrett marc.garr...@furtherfield.org
 wrote:



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Re: [NetBehaviour] I MUST SAY

2009-10-29 Thread brian gibson
..i must not say i don't...



On Thu, Oct 29, 2009 at 4:53 PM, manik ma...@sbb.rs wrote:


 *...I MUST SAY I THINK...*
 MANIK,OCTOBER 2009...

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Re: [NetBehaviour] DIWO at The Dark Mountain

2009-10-28 Thread brian gibson
honesty, opinions and debate are uncivilized now?


maybe a definition of civilization, or rather how the word is intended to be
perceived by diwo at dark mountain, is in order.

while arguments for both sides are clear and warranted, my favorite
statement thusfar:

 I will not be diverted by the manifesto in a literal way, I will exploit
it so I can use my imagination according to my needs to understand it on my
terms with a flexible mind, like an artist does :-)


this thread has kept me refreshing my mailbox..
thanks netbehaviour.

brian



On Wed, Oct 28, 2009 at 3:07 PM, karen blissett 
karen.bliss...@googlemail.com wrote:

 well, we certainly have proved how uncivilized we are on here ;-(




 On Wed, Oct 28, 2009 at 6:45 PM, Michael Szpakowski szp...@yahoo.com
 wrote:

 Hi Bob
 that's a very genial response to my somewhat grumpy rant :)
 I have to disagree, though. It's not a story - it's a polemic. It
 contains things which I believe to be true and I attempt, successfully or
 no, to demonstrate their truth or at least to indicate reasons for believing
 them to be so.
 The notion that we can at random call such things stories indicates
 a  dose of the postmodern disease where, as with Humpty Dumpty, a word
 mean just what I choose it to mean -- neither more nor less. 
 The same thing applies to the (ab)usage of the word civilisation in
 the manifesto.
 cheers
 michael



 --- On Wed, 10/28/09, bob catchpole bobcatchp...@yahoo.co.uk wrote:

  From: bob catchpole bobcatchp...@yahoo.co.uk
  Subject: Re: [NetBehaviour] DIWO at The Dark Mountain
  To: NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org
  Date: Wednesday, October 28, 2009, 4:40 PM
  Michael,
 
  I believe your posting can be read as an important
  'story'...  a passionately expressed piece of
  writing about the incredible dilemna we're in...
 
  Bob
 
  Michael Szpakowski
  wrote Wednesday, 28 October, 2009 13:41:46
 
  I live for art but if I *am* in a boat going over a
  cataract I don't paint a picture of it
 
 
  Send instant messages to your online friends
  http://uk.messenger.yahoo.com
  -Inline Attachment Follows-
 
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Re: [NetBehaviour] it rains.

2009-09-12 Thread brian gibson
when it rains, it pours.

thanks for these, alan.





On Sat, Sep 12, 2009 at 5:32 PM, Alan Sondheim sondh...@panix.com wrote:




 it rains.

 What happens when you can't get the sound right? The day's overcast again,
 until 6:30 last night I recorded and recorded, making a mess of things.
 rainday4 I replaced, still trying, while rainday5 sputters like a dirt
 bike without the excuse of dirt; it makes its own. The music I do sounds
 more and more oppressive, one instrument, one sound, in a fast-forward
 world of tantric-sonic generation and completion. It's the last vestige of
 the artisan in me, last vestige of primitive accumulation, if nothing but
 notes, and here even less than that. I'm my own medicine wagon, taking my
 own medicine, remaining incurable. The files below are replacements, just
 as I am; they shudder, just as I do, one foot in the grave, the other, for
 good measure, dragged behind. When the rhythm no longer holds, the center
 fails; each of these pieces is a metaphor, either replete at the surface
 and empty at the heart, or - more likely - replete at the heart with
 emptied, emptied surface.

 http://www.alansondheim.org/rainyday4.mp3
 http://www.alansondheim.org/rainyday5.mp3

 I am the it that rains.


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[NetBehaviour] unwhisperable

2009-08-22 Thread brian gibson
hi everyone,

and a new songhttp://baiowulf.com/wp-content/uploads/2009/08/unwhisperable.mp3
 .

shears, brian
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[NetBehaviour] A fabric with vision

2009-07-10 Thread brian gibson
Researchers create flexible lensless camera from web of light-detecting
fibers

Elizabeth A. Thomson, News Office
July 8, 2009

Imagine a soldier's uniform made of a special fabric that allows him to look
in all directions and identify threats that are to his side or even behind
him. In work that could turn such science fiction into reality, MIT
researchers have developed light-detecting fibers that, when weaved into a
web, act as a flexible camera. Fabric composed of these fibers could be
joined to a computer that could provide information on a small display
screen attached to a visor, providing the soldier greater awareness of his
surroundings

...more http://web.mit.edu/newsoffice/2009/flexible-0708.html
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Re: [NetBehaviour] are you in new york ?

2009-06-15 Thread brian gibson
hi marc,
this would be fantastic !
please, let me know when you are around +

brian



On Sun, Jun 14, 2009 at 12:57 PM, marc garrett 
marc.garr...@furtherfield.org wrote:

 Hi Brian,

 mmm - we could do something in a month's time :-)

 marc
  hello all you netbehaviour people,
 
  anyone up for a collaboration on some digital video?
  something in the vein of absurd narrative?
  let me know.
 
  want to see some of my previous work before deciding whether or not to
  respond?
  can't blame you.. glimpsecontrol.com http://glimpsecontrol.com/
 
  ey!
  brian
  
 
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Re: [NetBehaviour] are you in new york ?

2009-06-15 Thread brian gibson
aha.. no need for apology, marc.online would be just as fantastic!

so, with slight rewording..
please, let me know when you have free time :)

 brian


On Mon, Jun 15, 2009 at 10:40 AM, marc garrett 
marc.garr...@furtherfield.org wrote:

 Oh Brian,

 I meant do something on-line...

 Unfortunately, myself  Ruth are unable to travel long distances for the
 next 4 months because we have taken the pledge with some others, not to
 fly by plane.

 Sorry for the confusion ;-(

 marc
  hi marc,
 
  this would be fantastic !
  please, let me know when you are around +
 
  brian
 
 
 
  On Sun, Jun 14, 2009 at 12:57 PM, marc garrett
  marc.garr...@furtherfield.org mailto:marc.garr...@furtherfield.org
  wrote:
 
  Hi Brian,
 
  mmm - we could do something in a month's time :-)
 
  marc
   hello all you netbehaviour people,
  
   anyone up for a collaboration on some digital video?
   something in the vein of absurd narrative?
   let me know.
  
   want to see some of my previous work before deciding whether or
  not to
   respond?
   can't blame you.. glimpsecontrol.com http://glimpsecontrol.com
  http://glimpsecontrol.com/
  
   ey!
   brian
  
 
 
  
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[NetBehaviour] are you in new york ?

2009-06-13 Thread brian gibson
hello all you netbehaviour people,
anyone up for a collaboration on some digital video?
something in the vein of absurd narrative?
let me know.

want to see some of my previous work before deciding whether or not to
respond?
can't blame you.. glimpsecontrol.com

ey!
brian
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[NetBehaviour] atoll

2009-05-08 Thread brian gibson
good afternoon all,
a new video: atoll http://glimpsecontrol.com/atollWEBBB.mov
and thanks!
brian

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[NetBehaviour] yooouuutuuube

2009-05-07 Thread brian gibson
from a friend, to eye, to you.
http://www.yooouuutuuube.com/

brian
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[NetBehaviour] meeting mosaic man

2009-04-20 Thread brian gibson
sunday in the east village of new york city.

meeting mosaic 
manhttp://lucidunison.tumblr.com/post/97972739/meeting-mosaic-man-b
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[NetBehaviour] eye lens

2009-04-14 Thread brian gibson
eye lens http://glimpsecontrol.com/baio/eyelens_WEB.mov
for those with 2 minutes
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Re: [NetBehaviour] songs?

2009-04-06 Thread brian gibson
am floored by untitled on steel.thanks for that.

and the rest too.

brian



On Mon, Apr 6, 2009 at 1:13 PM, marc garrett
marc.garr...@furtherfield.orgwrote:

 Hi Mark,

 On a more detailed listen - I love this stuff :-)

 marc
  songs to sing and dance to - well, not exactly...
  http://www.myspace.com/untitledonsteel
 
 
  
 
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[NetBehaviour] you can either

2009-03-30 Thread brian gibson
hello all,
a new one.
http://glimpsecontrol.com/instant/you_can_eitherWEB.mov

and the mp3.
http://glimpsecontrol.com/instant/you_can_either.mp3

good luck today,
brian

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Re: [NetBehaviour] url corrected here, apologies -

2009-03-26 Thread brian gibson
inducing. beautiful.

On Thu, Mar 26, 2009 at 3:35 PM, Alan Sondheim sondh...@panix.com wrote:



 two phenomenologies of acoustic architecture, please have a listen

 Monk Parakeets (Quaker Parrots) nesting at Greenwood Cemetary in Brooklyn
 - three large nests at the entrance. the sound is digitally slowed-down to
 reveal the interaction between digital artifacts and call structures and
 details. a sense of the _space_ of the calls is clear.

 http://www.alansondheim.org/quarterparrot.mp3
 http://www.alansondheim.org/tenthparrot.mp3

 three audio pieces from a sound version of the Second Life installation,
 detailing an invisible but definable virtual path among sources. something
 here resonates with the classical Greek chorus and Sarah Bernardt; the
 space is evocative, choratic.

 http://www.alansondheim.org/hardlyremember1.mp3
 http://www.alansondheim.org/hardlyremember2.mp3
 http://www.alansondheim.org/hardlyremember3.mp3

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Re: [NetBehaviour] getting onto furtherfield.org

2009-03-17 Thread brian gibson
works like a charm over here.. not even a delay in load.


On Tue, Mar 17, 2009 at 11:43 AM, marc garrett 
marc.garr...@furtherfield.org wrote:

 Hi all,

 I wonder if you can help us?

 Some are having trouble getting www.furtherfield.org on their browser -
 could some others do us a favour and visit the link and let us know if
 it's ok?

 thanks again...

 marc
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[NetBehaviour] dylan, simone, supremes temptations

2009-03-13 Thread brian gibson
mixed in one.
http://glimpsecontrol.com/suitmachine/here_comes_the_respect_ma.mp3

created under the alias suit machine.



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[NetBehaviour] editing

2009-03-10 Thread brian gibson
 it go a little something like
this..editing.mp3http://glimpsecontrol.com/instant/editing.mp3


oh, and new post on baiowulf http://www.baiowulf.com if you have a few
minutes for video.

your time is gold.
brian

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Re: [NetBehaviour] My Stuff 2...

2009-03-05 Thread brian gibson
hello marc,

some exciting audio !
these 5 on loop to get me through this work day safely.

thanks
brian




On Thu, Mar 5, 2009 at 8:09 AM, karen blissett 
karen.bliss...@googlemail.com wrote:

 Hello James,

 Like your image and like Marc's music - all is refreshing.

 karen...


 On Thu, Mar 5, 2009 at 1:30 PM, james of jwm-art net ja...@jwm-art.netwrote:

 Hi Marc,
 I like souls_settled_within... In keeping with your lofi asthetic... and
 me finally being able to connect to the net through linux (after 7
 years) i've attached a little piccie :)

 unfortunately i live in a gprs network but my girlfriend has 3g network
 (and my computer) so later i'll check out the others.

 james.

 On 5/3/2009, marc garrett marc.garr...@furtherfield.org wrote:

 Hi Dave,
 
 Again, much thanks for listening,
 
 Even though it seems like a band because I have used 'Ouch Those
 Monkeys', as a group name for these in the past; the sound and or music,
 is engineered, mixed, played all by me.
 
 Some are new, some old. A couple from 2002 even, such as 'Outer Limits'
 - they consciously lo-tech and the even some of the lyrics to a few of
 the songs are nearly 20 years old. '
 The War Against Imagination' lyrics were written originally in 1990.
 Some lyrics, just a couple of years. Although I lyrics more recently
 written in other tunes etc...
 
 wishing you well.
 
 marc
  hi marc
 
  really great - thanks for posting these - did you do them recently?
  And is it just you, or is there a band playing?
 
  hope you're well
  dave
 
  2009/3/5 marc garrett marc.garr...@furtherfield.org
  mailto:marc.garr...@furtherfield.org
 
  My Stuff 2...
 
  Another selection of past songs/sounds that I have created -
 enjoy...
 
  Perhaps the best way to appreciate these are as, net art sounds -
  sketches expressed via the Internet.
 
  I am in the process of re-editing and creating more tracks - enjoy
 :-)
 
  marc
 
 
  The Outer Limits.
  
  http://www.furtherfield.org/otmonkeys/musik/outer_limits(128).mp3http://www.furtherfield.org/otmonkeys/musik/outer_limits%28128%29.mp3
  
 http://www.furtherfield.org/otmonkeys/musik/outer_limits%28128%29.mp3
 
  Jello Ain't Yello.
 
 http://www.furtherfield.org/otmonkeys/musik/jello_ain%27t_yello.mp3
 
  Venus Vs Warz.
  http://www.furtherfield.org/otmonkeys/musik/venus%20vs%20warz.mp3
 
  Souls Are Settled
  Within Not Seeing.
 
 http://www.furtherfield.org/otmonkeys/musik/souls_settled_within(64k).mp3http://www.furtherfield.org/otmonkeys/musik/souls_settled_within%2864k%29.mp3
  
 http://www.furtherfield.org/otmonkeys/musik/souls_settled_within%2864k%29.mp3
 
 
  The War Against Imagination.
  http://www.furtherfield.org/otmonkeys/musik/war_against.mp3
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Re: [NetBehaviour] Two with Doron

2009-02-09 Thread brian gibson
hey, thanks for watching edward !

On Mon, Feb 9, 2009 at 1:08 PM, Edward Picot edw...@edwardpicot.com wrote:

  These are just fantastic, especially OkCharlie, which manages to be
 fingerclickin' funky and toecurlingly clever at the same time. It's also got
 a real sense of personality in that little grin Doron gives as he lifts his
 cup of coffee.

 - Edward

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Re: [NetBehaviour] Exhibition by Doron Golan and Michael Szpakowski - Thereof one cannot speak, thereof one must be silent...

2008-12-19 Thread brian gibson
good god yall why am i not in north london


On Fri, Dec 19, 2008 at 5:15 AM, marc garrett marc.garr...@furtherfield.org
 wrote:

 Whereof one cannot speak, thereof one must be silent:
 An exhibition at HTTP Gallery in London by Doron Golan and Michael
 Szpakowski.

 Private View 7-9pm Fri 16th January 2009
 Open 16 January - 1 March 2009
 Fri-Sun 12noon-5pm
 Unit A2, Arena Design Centre,
 71 Ashfield Rd,
 London N4 1NY.
 http://www.http.uk.net/

 Collaboration is working together. Can two people work together without
 ever having met?
 Doron Golan and Michael Szpakowski demonstrates that they can...

 Whereof one cannot speak, thereof one must be silent:
 The exhibition takes its title from Tractatus Logico-Philosophicus by
 the philosopher of language Ludwig Wittgenstein. It explores a
 collaboration between two artists across geographical distance through
 the ineffable language of image.

 Israeli video artist and filmmaker Doron Golan and British artist,
 composer and educator Michael Szpakowski both make digital films, which
 they share through websites and email lists, exploring the mystery of
 everyday life and of being a human in this place and time. Over the
 years, the two artists have developed a dialogue and friendship through
 the exchange of their work. Since 2005 they have collaborated to found
 and curate DVblog.org, a groundbreaking early platform for art films on
 the Internet. And yet they've never met face to face.

 HTTP Gallery in North London is pleased to host the first meeting
 between Golan and Szpakowski and their art, in real space. Making their
 online collaborative process physical, the central installation has
 three elements: a new silent film by each of the artists with a new
 musical composition by Szpakowski. Bearing their shared sympathies in
 mind, the artists have independently determined the length and subjects
 of their films. As a result, the correspondences and resonances between
 the works are as yet unknown, and will change constantly. The
 collaborative installation will be accompanied by elements of their
 independent practices, including a new installation by Szpakowski
 utilising video and silver birch branches and a selection of Golan's
 recent videos, engaging with elements of life in the Middle East and his
 native Israel, to which he has returned after many years living in New
 York City.

 For more information about the exhibition  artists:
 http://www.http.uk.net/exhibitions/golan_szpakowski/index.shtml

 Location Details:
 http://www.http.uk.net/docs/gettingto.shtml

 --
 HTTP Gallery based near North London's thriving Green Lanes area is
 London's first dedicated gallery for networked and new media art.
 Working with artists from around the world, HTTP provides experimental
 approaches to exhibiting artworks simultaneously in physical and virtual
 space, and for online projects that explore participative and
 collaborative art practice. Projects on DVD, real-time, webcast,
 software art and live art also play a role in their curatorial work.

 Past Exhibitions:
 http://www.http.uk.net/docs/exhib12/exhibitions12.shtml

 HTTP Gallery is run by furtherfield.org
 http://www.furtherfield.org
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[NetBehaviour] loft party

2008-12-11 Thread brian gibson
*Newsonic Holiday Party*
*an  evening of experimental rock,  jazz, and noise in hasidic williamburg*
join us for another legendary underground loft extravaganza. free admission!

live music from
*Starstrewn and Tattered* http://www.myspace.com/starstrewnandtattered
*Junk House Butt House *  http://www.myspace.com/junkhousebutthouse
*Bot* http://www.myspace.com/botmetal
*Talibam!* http://www.myspace.com/talibam
*Fan-Tan* http://www.myspace.com/fantanrock
*Lampa* http://www.myspace.com/lampa
*Jewel Thief *
*
*
*+ Dynasty Electric DJs and video projections by brian gibson*

*Friday December 12*9pm - late
76 Rutledge St., Brooklyn
Free Admission
Cheap Drinks

MAP:
http://maps.google.com/maps?hl=enclient=firefox-arls=org.mozilla:en-US:officialhs=llUq=76+rutledge+st.,+brooklyn,+nyum=1ie=UTF-8sa=Xoi=geocode_resultresnum=1ct=title

Come early! *Free beer from 9-10*.

open invitation.  bring your friends.
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Re: [NetBehaviour] My Stuff...

2008-11-08 Thread brian gibson
amazing.
thank you


On Fri, Nov 7, 2008 at 9:38 PM, marc garrett
[EMAIL PROTECTED]wrote:

 My Stuff...

 A selection of past songs/sounds that I have created - enjoy...

 marc

 Valentines Day.
 http://www.furtherfield.org/otmonkeys/musik/valentines_day.mp3

 I Eat The World.
 http://www.furtherfield.org/otmonkeys/musik/i_eat_the_world.mp3

 K1ll1ng by Numb3rs.
 http://www.furtherfield.org/otmonkeys/musik/killing_by_numbers.mp3

 Reaching Outwards.

 http://www.furtherfield.org/otmonkeys/musik/reaching_outwards_(cannibals)2.mp3

 Run Monkey Run.
 http://www.furtherfield.org/otmonkeys/musik/run_monkey-run_128kb.mp3

 Safehouse.
 http://www.furtherfield.org/otmonkeys/musik/safehouse.mp3

 Cyber Sex Sensation.
 http://www.furtherfield.org/otmonkeys/musik/cyber_sex_sensation.mp3

 fLESH-TONAL
 FEEDBACK...
 http://www.furtherfield.org/otmonkeys/musik/flesh_tonal_feed_back.mp3

 Quirksome Life.
 http://www.furtherfield.org/otmonkeys/musik/quirksome_life.mp3

 Meeting of Minds.
 http://www.furtherfield.org/otmonkeys/musik/meeting_of_minds_(64k).mp3

 Armchairs - Part of the Crowd.

 http://www.furtherfield.org/otmonkeys/musik/armchairs_part_of_the_crowd_64kb.mp3

 Gravity - it has weight
 http://www.furtherfield.org/otmonkeys/musik/gravity.mp3

 Nature's Trapping
 http://www.furtherfield.org/otmonkeys/musik/natures_trapping.mp3

 Bright Starz.
 http://www.furtherfield.org/otmonkeys/musik/bright%20starz.mp3

 FAT (bodies homeless on the streets).
 http://www.furtherfield.org/otmonkeys/musik/fat.mp3

 Rubbery Gates
 http://www.furtherfield.org/otmonkeys/musik/rubbery_gates.mp3
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[NetBehaviour] where the numbers at?

2008-10-27 Thread brian gibson
3 new pdf files up at glimpsecontrol.com under DRAWdraw.
thanks,
brian
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Re: [NetBehaviour] Team records 'music' from stars - Like Aphex Twin music.

2008-10-27 Thread brian gibson
wow a million thank yous



On Mon, Oct 27, 2008 at 8:21 PM, aymeric mansoux [EMAIL PROTECTED] wrote:

 marc garrett said :
  Team records 'music' from stars - Like Aphex Twin music.
 
  By Pallab Ghosh
  Science correspondent, BBC News.
 
  Scientists have recorded the sound of three stars similar to our Sun
  using France's Corot space telescope.
 
  The subtly pulsating, haunting sounds are very similar to artist Aphex
  Twin's minimalistic nineties album 'Selected Ambient Works, Vol. 2,'
  only stripping away what little melody it had and leaving just the beat.
 
  http://news.bbc.co.uk/2/hi/science/nature/7687286.stm

 Reminds me of Lustmord

 He used such sounds in 94 as material for an album ARECIBO/Trans
 Plutonian Transmissions
 http://www.discogs.com/release/114042
 http://en.wikipedia.org/wiki/Arecibo_Observatory#Arecibo_in_popular_culture

 nice one if you like darkambient.

 a.


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[NetBehaviour] unaimed one, unaimed two

2008-10-18 Thread brian gibson
all!
couple new ones.
http://baiowulf.com/?p=335
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[NetBehaviour] never herd

2008-10-15 Thread brian gibson
just posted 13 new songs @ http://glimpsecontrol.com/musiccc.html
..if only you have time for a few!

,brian

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[NetBehaviour] choosing its weapons

2008-09-12 Thread brian gibson
new audiovisual piece up.

http://baiowulf.com/?p=310

thanks
brian
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[NetBehaviour] lincoln

2008-08-28 Thread Brian Gibson
hello all,

just posted a new video i shot and made music for..
http://baiowulf.com/?p=307
hope you have the time.

thanks,
brian
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Re: [NetBehaviour] grab the helmet

2008-08-14 Thread Brian Gibson
Hi Renee!

thanks so much for your time and kind words!

for the original 3 tracks I actually only captured the audio (though i
still have the video on tape..)
it wasn't until I actually faced up to this being a longer term
project that I began to capture the video too..
to be honest these 3 tracks took me off guard a little..
so to answer your question more directly- I doubt there will be videos
for the 3..
at least video with the corresponding instruments that is..

I currently have 6 or 7 tracks in the works for a full length type thing..
all future works will have videos..
will certainly post them to netbehaviour.

appreciate your link to freesound- amazing!
I had not come across this before.

many thanks!
brian



On Thu, Aug 14, 2008 at 3:32 AM, Renee Turner [EMAIL PROTECTED] wrote:
 Hi Brian,
 I thoroughly enjoyed this, especially, Wagnall funk is now on paperback!
  Are you planning on making videos for all of the pieces?
 And as an aside, are you familiar with
 thefreesoundproject http://www.freesound.org/  ?  It's a great resource for
  sounds (the good, the bad and the ugly ;-).  It could be interesting to
 feed your music or a few samples back into something like this for further
 re-mixing.
 all the best with your work...and thanks again for posting it to the list
 :-)
 Renee
 On 13 Aug 2008, at 16:11, Brian Gibson wrote:

 hello all,
 name is brian.
 new to the list and loving it.
 i've recently made a 3 track e.p. type thing and would love to share-
 www.glimpsecontrol.com/grabthehelmet.html
 all sounds are recorded with my mini dv camera and edited in final cut pro.
 there is a 4th song with the video layer accompaniment at
 http://baiowulf.com/?p=298
 your time is appreciated!
 brian
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