[NSP] Re: NPS competition results

2012-10-21 Thread Helen
Oh that is really sad. I will do what I can for next year. It will 
depend on where I am. About all I can be sure of is that I will be overseas.
Just as an encouragement to others; for all the possible short falls of 
a competitive situation, the benefits of putting in the preparations for 
these competitions are enormous.
To the committee: Please don't give up on us yet. Just today I was 
giving a lesson to a possible competitor for next year.

Cheers
Helen

On 21/10/2012 2:54 a.m., Julia Say wrote:

I have posted the results of these on the NPS forum at:

http://www.northumbrianpipers.org.uk/pipersforum/index.php

It is particularly disappointing that after all the discussion on this list a 
few
years back, and the expansion of the overseas playing classes as a result, this
year there were no overseas entries at all.

Julia



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[NSP] Re: NPS competition results

2012-10-21 Thread Julia Say
On 21 Oct 2012, Helen wrote: 

 Oh that is really sad. I will do what I can for next year. It will 
 depend on where I am. About all I can be sure of is that I will be overseas.
 Just as an encouragement to others; for all the possible short falls of 
 a competitive situation, the benefits of putting in the preparations for 
 these competitions are enormous.
 To the committee: Please don't give up on us yet. Just today I was 
 giving a lesson to a possible competitor for next year.

Thanks, Helen.
I'll pass the message along - I think few comm. members read this list.

Julia



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[NSP] Re: NPS competition results

2012-10-20 Thread cwhill
That's a great shame the so many had no entries this year - especially 
the overseas players. Hopefully things will pick up again.


Colin Hill


On 20/10/2012 18:24, Julia Say wrote:

I have posted the results of these on the NPS forum at:

http://www.northumbrianpipers.org.uk/pipersforum/index.php

It is particularly disappointing that after all the discussion on this list a 
few
years back, and the expansion of the overseas playing classes as a result, this
year there were no overseas entries at all.

Julia



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[NSP] Re: nps facebook

2012-08-16 Thread cwhill
If I have the right one (and that's far from certain as I don't 
understand facebook at all) it's

http://www.facebook.com/groups/131491660229952/
at least that's what's on the URL bit at the top of the page.

Colin Hill


On 16/08/2012 19:44, Richard Evans wrote:

Barry Say wrote:

More happens on fyecebeuk than anywhere else at the moment. I have been
very disappointed that more NPS committee members have not taken
advantage of the opportunities offered by the NPS forum.


So I created a facebook account and found the nps page but all I see is
a wikipedia extract. Is there some kind of forum or something? And if
so, what's wrong with the excellent and underused NPS forums?

Cheers
Richard





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[NSP] Re: [NPS-Discussion] Info: BBC Prom tonight

2011-08-02 Thread Mike Dixon
Ross

Sorry, should have been precise - I was checking the listings rather than
listening - so not certain when during the programme she featured

Mike
-Original Message-
From: discussion-boun...@northumbrianpipers.org.uk
[mailto:discussion-boun...@northumbrianpipers.org.uk] On Behalf Of
ross.ander...@cl.cam.ac.uk
Sent: 02 August 2011 10:45
To: NPS Discussion
Cc: NSP Dartmouth
Subject: Re: [NPS-Discussion] [NSP] Info: BBC Prom tonight

She's not on any more (1043). Did you hear exactly when she was on, so
we can listen again? Or should we just try 1030?

Ross

On 2 August 2011 10:38, Mike Dixon msdi...@btinternet.com wrote:
 Richard

 Thanks - I note KT is on Woman's Hour now! (10:40) Listen Again?

 Mike

 -Original Message-
 From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of richard.hea...@tiscali.co.uk
 Sent: 02 August 2011 09:21
 To: NPS Forum; NSP Dartmouth
 Subject: [NSP] Info: BBC Prom tonight

 Hi,
 Just information - there is a late night BBC Prom to be broadcast
 tonight (Tuesday 2nd August 2011) at 22:15 BST, lasting until 23:45.
 Its theme is music collected and arranged by Percy Grainger and it
 is performed by June Tabor (singer), the Wilson Family (Shanty
 singers), the Katrhyn Tickell Band (needs no introduction), the BBC
 Singers (men's voices) and the Northern Sinfonia.

 My impression is that the traditional musicians might be reverse
 engineering Grainger's work to revitalise it in a more modern 'folk'
 context.  A very short feature on the BBC Breakfast programme this
 morning showed Kathryn playing a tune collected by Grainger in a way
 reflecting a traditional style of piping, as in the old tunes with
 their lilts and pauses and variations.

 Richard



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[NSP] Re: [NPS-Discussion] Re: PS Forum

2011-07-04 Thread chris

  - Announcement on Dartmouth of any new topic or significant addition to
 the Forum which the provider thinks may be of general interest.

That would be very helpful.

One of the major advantages of the email list is that you don't have to go
looking for it.

Chris




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[NSP] Re: [NPS-Discussion] Re: PS Forum

2011-07-04 Thread smallpipes
A simple way of automating this would be to register the Dartmouth  
list email address to receive new topic and new message notification  
from the NPS forum.


Quoting ch...@harris405.plus.com:




 - Announcement on Dartmouth of any new topic or significant addition to
the Forum which the provider thinks may be of general interest.


That would be very helpful.

One of the major advantages of the email list is that you don't have to go
looking for it.

Chris




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[NSP] Re: [NPS-Discussion] Re: PS Forum

2011-07-04 Thread Francis Wood
That would work very efficiently . . . in fact, probably too efficiently.

Wouldn't it be better to leave it to the individual writer to decide whether 
they want their addition to the forum announced on Dartmouth?

And isn't there a facility for the individual reader to opt in to an email 
alert facility?

At the moment, theres an awful lot of duplication on the Dartmouth  NSP 
Discussion lists, about which, I'll post separately. 

Francis

 
On 4 Jul 2011, at 13:29, smallpi...@machineconcepts.co.uk wrote:

 A simple way of automating this would be to register the Dartmouth list email 
 address to receive new topic and new message notification from the NPS forum.
 
 Quoting ch...@harris405.plus.com:
 
 
 - Announcement on Dartmouth of any new topic or significant addition to
 the Forum which the provider thinks may be of general interest.
 
 That would be very helpful.
 
 One of the major advantages of the email list is that you don't have to go
 looking for it.
 
 Chris
 
 
 
 
 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 
 
 
 
 





[NSP] Re: [NPS-Discussion] Re: PS Forum

2011-07-04 Thread barry07

Quoting Francis Wood oatenp...@googlemail.com:


That would work very efficiently . . . in fact, probably too efficiently.

Wouldn't it be better to leave it to the individual writer to decide  
whether they want their addition to the forum announced on Dartmouth?


And isn't there a facility for the individual reader to opt in to an  
email alert facility?



I have tried replying to this once already.

Prepare for some nonsense.

Be alert, Britain needs lerts.

This is because if I use the word subscrib near the top of the  
message the list thinks I am trying to subscrib...


To get alerts:
Go to the bottom of the forum and click subscribe.

Barry




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[NSP] Re: [NPS-Discussion] NSP Lists duplication

2011-07-04 Thread Julia Say
On 4 Jul 2011, Francis Wood wrote: 
 
 The Dartmouth list is for anyone interested in Northmbrian Small-pipes. 

It is administered and monitored entirely from without NPS membership. No 
member or 
officer of the society has any say in how it is run, although several (only 
about 
half) committee members read it and some contribute (obviously).
Very occasionally Wayne (who does run it) and I consult on whether names are 
actual 
people or not, that is all.

The NPS
 Discussion list was subsequently established for Society-specific discussion. 
 I remain as a subscriber to the second list because I don't know whether it 
 still is
 useful. I have no means of knowing. 

Tim  I set it up, and do the necessary admin (mostly non-subscribers trying to 
cross post from Dartmouth) to keep NPS announcements / politics from annoying 
non-
members.

It presently has only 89 subscribers. As a consequence it is of little use to 
reach 
most NPS members.

It was also set up as a stop-gap until a discussion forum could be activated 
on 
the NPS website, where political discussions could be held in separate 
threads 
which need not bother those had no interest.

If (and this is not for me to decide, but NPS-discussion subscribers) we have 
reached the point where it could realistically be suspended, we can do so.

What I would actually propose (wearing my secretarial hat for a moment) is to 
convert it to an NPS-info list, subscribe all NPS members who have an email 
address unless they opt out, and use it for Society announcements with the 
reply 
function set to come to the sec.only. That is to say, not a discussion list, 
but an 
info-list, with discussions pointed to the website forum.

This would have to be passed by the committee and announced in the NL, since it 
is 
a further change, so it isn't going to happen now before the autumn, although 
we 
(the 89 subscribers) could all agree that NPS Discussion has passed its use-by 
date, and agree not to post to it, but rather use the forum.

Hope this helps
Julia



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[NSP] Re: [NPS-Discussion] NSP Lists duplication

2011-07-04 Thread Francis Wood
Thanks Julia. A really helpful response.

I'm in favour of your suggestions.

Francis


On 4 Jul 2011, at 14:23, Julia Say wrote:

 On 4 Jul 2011, Francis Wood wrote: 
 
 The Dartmouth list is for anyone interested in Northmbrian Small-pipes. 
 
 It is administered and monitored entirely from without NPS membership. No 
 member or 
 officer of the society has any say in how it is run, although several (only 
 about 
 half) committee members read it and some contribute (obviously).
 Very occasionally Wayne (who does run it) and I consult on whether names are 
 actual 
 people or not, that is all.
 
 The NPS
 Discussion list was subsequently established for Society-specific 
 discussion. 
 I remain as a subscriber to the second list because I don't know whether it 
 still is
 useful. I have no means of knowing. 
 
 Tim  I set it up, and do the necessary admin (mostly non-subscribers trying 
 to 
 cross post from Dartmouth) to keep NPS announcements / politics from annoying 
 non-
 members.
 
 It presently has only 89 subscribers. As a consequence it is of little use to 
 reach 
 most NPS members.
 
 It was also set up as a stop-gap until a discussion forum could be 
 activated on 
 the NPS website, where political discussions could be held in separate 
 threads 
 which need not bother those had no interest.
 
 If (and this is not for me to decide, but NPS-discussion subscribers) we 
 have 
 reached the point where it could realistically be suspended, we can do so.
 
 What I would actually propose (wearing my secretarial hat for a moment) is to 
 convert it to an NPS-info list, subscribe all NPS members who have an email 
 address unless they opt out, and use it for Society announcements with the 
 reply 
 function set to come to the sec.only. That is to say, not a discussion list, 
 but an 
 info-list, with discussions pointed to the website forum.
 
 This would have to be passed by the committee and announced in the NL, since 
 it is 
 a further change, so it isn't going to happen now before the autumn, although 
 we 
 (the 89 subscribers) could all agree that NPS Discussion has passed its 
 use-by 
 date, and agree not to post to it, but rather use the forum.
 
 Hope this helps
 Julia
 
 
 
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[NSP] Re: [NPS-Discussion] KVR online

2011-06-29 Thread richard.hea...@tiscali.co.uk
Hi Julia,
Thanks for these links - what a super find!
The links do work if you just copy the entire link (not just the blue 
part) and paste it into the URL address box of your browser.
Cheers,
Richard

 

Original 
Message

From: julia@nspipes.co.uk

Date: 29/06/2011 17:24 

To: nsp@cs.dartmouth.edu

Subj: [NPS-Discussion] KVR online



Kohler's Violin Repository, a hard to find but much used source of 
tunes for 

fiddlers in this area in the C19. It was sold in weekly or monthly 
instalments and 

then copies were passed from hand to hand.



http://imslp.org/imglnks/usimg/d/db/IMSLP106889-PMLP217734-

koehlersviolinrepository_1.pdf


http://imslp.org/imglnks/usimg/9/96/IMSLP106890-PMLP217734-

koehlersviolinrepository_2.pdf


http://imslp.org/imglnks/usimg/0/02/IMSLP106891-PMLP217734-

koehlersviolinrepository_3.pdf


The editor possibly knew James Hill, 
certainly he lived in N. Shields for many 
years.

Disclaimer - not original 
research on my part - I found the URL on a folk forum I 

occasionally frequent (mudcat.org)



Hope it's of interest to someone, anyway.



Julia



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[NSP] Re: [NPS-Discussion] KVR online

2011-06-29 Thread Reid Bishop
Ah got it.  Stupid iPhone goofed the formatting.  All is working.  This is 
superb.  

Any suggestions for a yank like me where to focus efforts tunewise?  Something 
like a standard top 20-40 Northumbrian fiddle tune or set list.  Looking for 
something similar for pipes as well.

Reid

Sent from my iPhone

On Jun 29, 2011, at 12:04 PM, richard.hea...@tiscali.co.uk 
richard.hea...@tiscali.co.uk wrote:

 http://imslp.org/imglnks/usimg/d/db/IMSLP106889-PMLP217734-
 
 koehlersviolinrepository_1.pdf

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[NSP] Re: [NPS-Discussion] Tommy's day April 2nd

2011-03-22 Thread John Dally
Great idea, Ian.  Perhaps we could practice by descending upon him
sometime this summer?

On Mon, Mar 21, 2011 at 5:03 PM, Ian Lawther irlawt...@comcast.net wrote:
 I can't help thinking that for next year the Pacific North West piping group
 should move their meeting at this time of year to the same day and descend
 on Peter Dyson's house so that we too can play in Bellingham..

 Ian



 Malcolm Craven wrote:

 Tommy’s Day
 Now in its second year, ‘Tommy’s Day’ was started to provide an
 opportunity
 for friends and admirers of Tommy Breckons to remember both him and his
 contribution to piping.  The ‘day’ comprises an afternoon’s informal
 session
 or play around held in Bellingham.  Tommy, a life-long resident of
 Bellingham, contributed much to piping, not least being a direct link to
 the
 ‘prince of pipers’ Tom Clough.  His straight forward attitude to life in
 general and piping in particular endeared him to many pipers.  The format
 of
 the session offers a chance to reminisce on Tommy’s life, share some of
 his
 many anecdotes and play tunes that were associated with him and to have a
 general play around.   This year, 2011, the event will be held on April
 2nd
 from 2:30 – 5:00 in Bellingham’s Methodist/United Reform Church.

 There is a small charge c £2:00 to cover the cost of hiring the hall.  Any
 surplus will be passed onto The Bellingham Heritage Centre. There are
 facilities for making tea and coffee; participants are encouraged to bring
 a
 small contribution (cake, biscuits, crisps, nibbles but not too much!).

 (In addition, there has been some talk of having a walk to Hareshaw Linn,
 past Foundry Farm,  before hand, this would take about 2 hours at a
 leisurely pace!) .
 If you are thinking of going it would be useful if you could let me know
 (helps plan refreshments atc)  malc...@northumbriansandpipers.com
 [Apologies to overseas members who will not be able to get there]


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[NSP] Re: [NPS-Discussion] Sharing Thomas Sander

2011-01-19 Thread Julia Say
On 19 Jan 2011, richard.hea...@tiscali.co.uk wrote: 

 I'm afraid I can't write 
 abc, so I can't post a transcription of it.  It's a 4/4 march in D.

Here's what was submitted for the NPS folio (as abc), which I think originates 
with 
Margaret W's transcription:

X:7867
T:Thomas Saunders
C:?
M:C
E:10
L:1/8
K:D
dB|A2 d2 d3 e|f4 e2 d2|G4 B2 d2|A4 A4|\
d2 A2 d3 e|f2 d2 A3 d|f d3 a3 f|e4 e2 f2|\
A2 d2 d3 e|f4 e2 d2|G4 B2 d2|A4 A4|\
B2 g2 f2 e2|a2 f2 d3 B|A2 g2 f2 e2|d4 d4||\
c3 d e2 A2|g3 f e4|d3 c d2 e2|f2 d2 A4|\
B3 c d2 B2|A2 d2 f4|f d3 a3 f|e4 e2 f2|\
A2 d2 d3 e|f4 e2 d2|G4 B2 d2|A4 A4|\
B2 g2 f2 e2|a2 f2 d3 B|A2 g2 f2 e2|d4 d2||**

Now to locate and contact the composer - do the GHB players amongst us know if  
Karl L  Walford of Ontario is still living, or his approximate dates if not?.

Hope this helps
Julia




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[NSP] Re: [NPS-Discussion] Sharing Thomas Sander

2011-01-19 Thread Ian Lawther
Karl's book ( 
http://scottshighland.com/catalog/product_info.php?products_id=348 ) is 
published by Scott's Highland Supply and they should be able to give you 
some information on him. He was still alive in 2007 but probably in his 
late 60s.


Ian


Julia Say wrote:
On 19 Jan 2011, richard.hea...@tiscali.co.uk wrote: 

  
I'm afraid I can't write 
abc, so I can't post a transcription of it.  It's a 4/4 march in D.



Here's what was submitted for the NPS folio (as abc), which I think originates with 
Margaret W's transcription:


X:7867
T:Thomas Saunders
C:?
M:C
E:10
L:1/8
K:D
dB|A2 d2 d3 e|f4 e2 d2|G4 B2 d2|A4 A4|\
d2 A2 d3 e|f2 d2 A3 d|f d3 a3 f|e4 e2 f2|\
A2 d2 d3 e|f4 e2 d2|G4 B2 d2|A4 A4|\
B2 g2 f2 e2|a2 f2 d3 B|A2 g2 f2 e2|d4 d4||\
c3 d e2 A2|g3 f e4|d3 c d2 e2|f2 d2 A4|\
B3 c d2 B2|A2 d2 f4|f d3 a3 f|e4 e2 f2|\
A2 d2 d3 e|f4 e2 d2|G4 B2 d2|A4 A4|\
B2 g2 f2 e2|a2 f2 d3 B|A2 g2 f2 e2|d4 d2||**

Now to locate and contact the composer - do the GHB players amongst us know if  
Karl L  Walford of Ontario is still living, or his approximate dates if not?.


Hope this helps
Julia



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[NSP] Re: [NPS-Discussion] Monday NPS meeting at The Chantry

2010-09-04 Thread Julia Say
On 3 Sep 2010, richard.hea...@tiscali.co.uk wrote: 

 The regular NPS monthly meeting will be held on Monday (6th) at 19:30 
 at The Chantry Bagpipe Museum in Morpeth.
 The session was to have been run by Margaret and Andy Watchorn 
 This Monday's meeting wiill therefore take the usual form.

Well, as a backstop, (and if no-one has any better ideas) I'll bring a box of 
Billy 
Pigg books and we can trawl through some of his lesser played tunes and the 
stuff 
that wasn't published before, and have some discussion about why his playing is 
so 
inspirational to some and a complete no-no to others.

(Oct. week participants who are there may suffer a sense of deja-vu in a few 
weeks, 
but I'll do my best!).

If it helps
Julia



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[NSP] Re: NPS competition results

2009-10-19 Thread rosspipes
I see that you are already taking over the role of Chairman in 
pre-empting the Secretary's report on the Competitions. You should have 
checked this with the Secretary before making a report which could have 
been left to be included in the Newsletter along with other views on 
the Comps that other members may wish to write.

Colin R


-Original Message-
From: Malcolm Craven malc...@northumbriansandpipers.com
To: julia@nspipes.co.uk; 'nsp' nsp@cs.dartmouth.edu
Sent: Sun, 18 Oct 2009 21:05
Subject: [NSP] Re: NPS competition results



Hi,
Just to add to Julia's bald facts.

We played tracks by the winning overseas competitors, which were very 
warmly

recieved by the audiance.

Well done to all of the overseas entrants ( several of whom were with us
last year and are fondly remembered)
We had several visitors during the course of the day; and had pipers 
from

Germany, France, Canada, and the USA at the event.

All the comments I received were very positive.

The whole day was very pleasant, with much support for the competitors.

I hope that this very positive atmosphere will continue to next year's
comps.

I'd like to thank all those who organised the day, the venue, the 
judges,

the competitors themselves and the many pipers who attended the day.

A very pleasant day which concluded with a play around both at the 
Chantry

and later at Newbiggin.

Malcolm Craven




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[NSP] Re: NPS competition results

2009-10-19 Thread Paul Gretton

For God's sake Colin! Malcolm's message came in on the Dartmouth list (as
did Julia's message that it adds to). So any publications by the Society are
irrelevant - not all of the list members get them or read them. Moreover,
the kind of bureaucratic procedure that you advocate is just the sort of
thing that puts people off the Society.

It's OK to be a curmudgeon, but you are starting to sound rather sad.

Cheers,

Paul Gretton


-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of rosspi...@aol.com
Sent: 19 October 2009 13:55
To: malc...@northumbriansandpipers.com
Cc: nsp@cs.dartmouth.edu
Subject: [NSP] Re: NPS competition results

I see that you are already taking over the role of Chairman in 
pre-empting the Secretary's report on the Competitions. You should have 
checked this with the Secretary before making a report which could have 
been left to be included in the Newsletter along with other views on 
the Comps that other members may wish to write.
Colin R


-Original Message-
From: Malcolm Craven malc...@northumbriansandpipers.com
To: julia@nspipes.co.uk; 'nsp' nsp@cs.dartmouth.edu
Sent: Sun, 18 Oct 2009 21:05
Subject: [NSP] Re: NPS competition results



Hi,
Just to add to Julia's bald facts.

We played tracks by the winning overseas competitors, which were very 
warmly
recieved by the audiance.

Well done to all of the overseas entrants ( several of whom were with us
last year and are fondly remembered)
We had several visitors during the course of the day; and had pipers 
from
Germany, France, Canada, and the USA at the event.

All the comments I received were very positive.

The whole day was very pleasant, with much support for the competitors.

I hope that this very positive atmosphere will continue to next year's
comps.

I'd like to thank all those who organised the day, the venue, the 
judges,
the competitors themselves and the many pipers who attended the day.

A very pleasant day which concluded with a play around both at the 
Chantry
and later at Newbiggin.

Malcolm Craven




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[NSP] Re: NPS competition results

2009-10-19 Thread Francis Wood


On 19 Oct 2009, at 12:54, rosspi...@aol.com wrote:

You should have checked this with the Secretary before making a  
report which could have been left to be included in the Newsletter


Much nicer to eat the cake when it is freshly baked, I think.

I welcomed Malcolm's informal news about a successful  and positive  
occasion.


Malcolm said:

I hope that this very positive atmosphere will continue to next  
year's comps.



We shall continue to hope.

Francis Wood





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[NSP] Re: NPS results

2009-10-19 Thread Francis Wood
I do agree with John and Michael that the different purposes of the  
two lists should be observed as far as possible. I also agree  
wholeheartedly that nastiness is completely unacceptable under any  
circumstances. Are we also saying that in objecting to individual  
instances of this we are furthering the nastiness? That's a difficult  
one.


I do have reservations about the perception of the incidence of this.  
Unpleasantness happens but it is most certainly not widespread.
It is  also irritating when items are inappropriately posted but this  
will continue to happen and we need not get too excited by this. In  
subscribing to any list we receive all the postings whether they are  
congenial or not.


Similarly, on a good day letters and cards from friends come through  
my letterbox. There are also bills which are uninteresting but have a  
purpose More than anything else, I get pizza leaflets. Loads of them!  
Sometimes a leaflet from a political party I detest. All of this is  
inevitable if not altogether welcome. I could nail the letterbox shut  
but would miss the best items too.


Reflectively,

Francis

On 19 Oct 2009, at 22:53, J M Dillon wrote:


  John wrote: Every time someone makes a post on this forum about the
  NPS I wait for the inevitable nastiness.  Even though I delete some
  posts without reading them I know from experience that another bit  
of

  silliness is going on.  Speaking as a long time participant on this
  newsgroup, with all due respect, I beseech the officers and  
members of

  the NPS to keep NPS business on the NPS list.
  I couldn't agree more John. Let it rest in piece until the next NPS
  meeting.
  Regards,
  Michael Dillon


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[NSP] Re: NPS competition results

2009-10-18 Thread Malcolm Craven
Hi,
Just to add to Julia's bald facts.
 
We played tracks by the winning overseas competitors, which were very warmly
recieved by the audiance.

Well done to all of the overseas entrants ( several of whom were with us
last year and are fondly remembered)
We had several visitors during the course of the day; and had pipers from
Germany, France, Canada, and the USA at the event.
 
All the comments I received were very positive.
 
The whole day was very pleasant, with much support for the competitors.
 
I hope that this very positive atmosphere will continue to next year's
comps.
 
I'd like to thank all those who organised the day, the venue, the judges,
the competitors themselves and the many pipers who attended the day.
 
A very pleasant day which concluded with a play around both at the Chantry
and later at Newbiggin.
 
Malcolm Craven




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[NSP] Re: NPS competition results

2009-10-18 Thread Debbie Lawther
   Thank you both for the news, always welcome by this self-exile - the
   best NSP player in Kentucky, as far as I know!
   Debbie Lawther

   2009/10/18 Malcolm Craven [1]malc...@northumbriansandpipers.com

 Hi,
 Just to add to Julia's bald facts.
 We played tracks by the winning overseas competitors, which were
 very warmly
 recieved by the audiance.
 Well done to all of the overseas entrants ( several of whom were
 with us
 last year and are fondly remembered)
 We had several visitors during the course of the day; and had pipers
 from
 Germany, France, Canada, and the USA at the event.
 All the comments I received were very positive.
 The whole day was very pleasant, with much support for the
 competitors.
 I hope that this very positive atmosphere will continue to next
 year's
 comps.
 I'd like to thank all those who organised the day, the venue, the
 judges,
 the competitors themselves and the many pipers who attended the day.
 A very pleasant day which concluded with a play around both at the
 Chantry
 and later at Newbiggin.
 Malcolm Craven

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References

   1. mailto:malc...@northumbriansandpipers.com
   2. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html



[NSP] Re: NPS Third Folio

2009-10-03 Thread Julia Say
On 2 Oct 2009, Dru Brooke-Taylor wrote: 

 I'd endorse this too.

Please stop it, you're embarrassing me - I'm just doing my job. But 
thank you all the same.

However while we're on the subject - the Folio collection only works 
if people submit tunes (in good time).
This one turned into a bit of a scrabble through my personal tune 
collection in search of likely tunes not available elsewhere in NPS 
publications.

I'll look into the error Richard Y mentions.

Tunes played by any piping group/piper are welcome for the next issue 
- if they have active or recently deceased composers then any clue as 
to copyright would also help. This last is a minefield: I had to drop 
one suggestion this issue when the tune turned out to belong to a 
multinational publishing company who wanted 50 pounds + VAT for 
permission. Peanuts to them, maybe, but not to us.

Most composers  and publishers are only too happy for their tunes to 
be included, and a more modest fee was happily paid for another, 
along with several free permissions on promise of a copy.

If contributions are as forthcoming as thanks for this one, I'll 
gladly compile another in 2 years time.

Julia



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[NSP] Re: NPS Third Folio

2009-10-02 Thread Di Jevons

Hear, hear!!!  My sentiments exactly.

Di Jevons

- Original Message - 
From: Francis Wood oatenp...@googlemail.com

To: Dartmouth NPS nsp@cs.dartmouth.edu
Sent: Friday, October 02, 2009 10:36 AM
Subject: [NSP] NPS Third Folio


Excellent to have this latest collection of tunes assembled in the new  
NPS Third Collection Folio!


Thanks to Julia, Colin and all others concerned.

Francis



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[NSP] Re: [NPS-Discussion] Cut and Dry Dolly

2009-09-17 Thread Matt Seattle
   On Thu, Sep 17, 2009 at 12:51 PM, [1]richard.hea...@tiscali.co.uk
   [2]richard.hea...@tiscali.co.uk wrote:

 Speaking purely personally, and without further evidence at this
 stage, the definition that most appeals to me is that relating to a
 kirn-dolly the last corn to be cut which is then dressed as a
 female.  This event appears to be a suitable cause for celebration
 and
 just the sort of event to name a tune after; further the cut and
 dried part of the name appears consistent with the cutting and
 drying
 of corn (or other cereals, perhaps).  The test application of good
 old
 Occams Razor may support this straightforward explanation.

   I'm with Richard and Stephen Douglass on this. Wikipedia gives an
   interesting counterpart to occam's razor which I feel applies to some
   of the other explanations advanced! -
   ---
   Crabtree's Bludgeon is a foil to [3]Occam's Razor, and may be expressed
   so:

   No set of mutually inconsistent observations can exist for which some
   human intellect cannot conceive a coherent explanation, however
   complicated.

   --

References

   1. mailto:richard.hea...@tiscali.co.uk
   2. mailto:richard.hea...@tiscali.co.uk
   3. http://en.wikipedia.org/wiki/Occam%27s_Razor


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[NSP] Re: [NPS-Discussion] British Library NSP Recordings

2009-09-06 Thread GibbonsSoinne
   A lot of these BL recordings are annotated with helpful titles like
   'Unidentified Tune' or 'Hornpipe'.

   I have identified a couple so far.

   If anyone can point to a specific recording, and identify the sequence
   of tunes, I can add a note.

   Non-UK-academics aren't trusted, apparently. Let alone
   non-academics



   John





   --


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[NSP] Re: [NPS-Discussion] Lists and Wrists

2009-08-13 Thread Francis Wood

Hello Richard and others,

I mostly agree. There's been a lot of communication on these lists  
which has been embarrassing, tedious and even poignant without doing  
anything to serve the interests of the instrument, the repertoire and  
the enthusiasts who keep the whole thing alive. No doubt the same kind  
of thing was going on very many years ago with letters and  
newsletters.  The whole slow business of assembling writing materials  
and a stamp, as well as a trip to the post office has been replaced by  
the 'send' button. Perhaps not such a good thing.


The negative aspects of all this are painfully apparent. There are  
gains, too.


There have been concerns about the NPS which any sensible individual  
might have hesitated to state in public. From a Transaltantic  
perspective, these may have seemed either puzzling or irrelevant and  
certainly annoying. However, they have been painful for some of those  
who have served the NPS whether as Committee members or active  
members. Some of those feelings are becoming very visible and I think  
that's not unhealthy; it will pass, anyway.


A while ago, there was a lot of contentious discussion about some of  
the decisions of the NPS Committee. Many specially-tipped emails were  
flying fast and free.
What more recent exchanges is making blazingly obvious is exactly why  
certain choices were made, or not made. For distant enquiring members,  
that's probably a good thing. Incidentally, enthusiast societies  
typically undergo these upheavals and the goings-on in the NPS are  
mild in comparison with some other organisations.
There's been a certain amount of pulling down of public statues and a  
certain amount of public whooping. Perhaps it's not very edifying but  
it won't go on much longer.



Why do the best among us have to continually fight each other?



It certainly seems like that sometimes. But I don't think that's the  
reality. There are areas of profound disagreement about style but they  
are localised, permanent and remain within their usual boundaries.  
Other far more injurious things have been said about honorary members  
( a player, a pipe-maker, and a course-organiser) have been said but  
none of them have responded on these lists. No fight there.


I still recommend the archives and may even take my own advice. They  
are a useful reminder that anything said hastily and maybe regrettably  
has a permanence.
No doubt it will provide extremely useful material for some distantly  
future PhD. By then, we will have all stopped getting excited about  
this stuff.


Francis
On 13 Aug 2009, at 01:26, Richard Shuttleworth wrote:

What you write is perfectly true Francis but living as I do in  
Canada near the US border I hear comments from my North American  
friends who are beginning to look upon the NPS and some of its more  
prominent members as total misfits (to be polite about it).  They  
neither know nor care about the machinations of politics and  
personal grudges within the NPS but are deeply interested in playing  
the Northumbrian small pipes.  Viewed from this distance, we are a  
small band of players.  Why do the best among us have to continually  
fight each other?


I really feel that there are some eminent members of the NPS who are  
doing the rank and file a great disservice by arguing in public.  A  
discussion group has been created for the purpose of airing more  
contentious issues and we should be careful where we post our  
views.  Personally, I belong to both groups and derive great  
amusement from some of the more childish posts on the discussion  
group but then I have an odd sense of humour.  I imagine that newer  
participants in the Dartmouth group have a very different reaction  
to some of he more recent postings.


Richard


Francis wrote:


There are some puzzling misconceptions about how lists operate.

The facts are simple: when you subscribe to a list you receive   
_all_  the postings.  The rough with the smooth. As simple as that.
There are two parallel lists of interest to Northumbrian pipers,  
many  of whom are members of the NPS. They have purposes which at  
first  sight seem distinct but in ordinary usage are not easily  
separable. We  can try but there will inevitably be spillage  
between the two because  some issues are shared.


These vehement discussions will come and go as they always have  
done. Sometimes there will be quiet periods and at others there  
will be word- wars. They are not life threatening, though when they  
become livelihood-threatening, that's a fairly serious matter. For  
the most part, though, disagreements happen because people care  
about the music and the freedoms to play as they choose.  Some  
topics will recur and occasionally a new insight will emerge. It  
can't all be interesting  all of the time.


For those people who find this manner of interaction either tedious  
or distasteful or both, there is a practical alternative and that  
is to 

[NSP] Re: [NPS-Discussion] Robert Bewick tune

2009-08-04 Thread Matt Seattle
   This thread seems to have been split between the dartmouth and NPS
   groups so I'm resending this bit to both. I've since checked SMM and
   found that the link ([1]www.gleeman.org) provided by Richard gives an
   inaccurate transcription and midi of SMM, which is actually closer to
   Oswald than it appears. I will post a corrected version later. Is
   anyone still interested in this tune?

   ---
   As promised, Oswald's version. I'd be interested in people's
   preferences between this and the Burns/SMM, and also which key sits
   better. Any other versions known?

   X: 1

   T:What shou'd a Lassie do wi an auld Man

   Z:Matt Seattle

   R:Song or Jig

   B:Oswald's Caledonian Pocket Companion vol. 6

   M:6/8

   L:1/8

   N:Brisk

   K:Em

   B|efe gab|abg ~fed|efe gab|dBB B2:|]

   [|:d|(BG)G (BA)A|(dB)B B(e/f/g)|(BG)G (BA)A|(dB)B e2d|

   (BG)G (BA)A|(dB)B g2a|(ba)g (fba)|(ge)e e2:|]

   --

References

   1. http://www.gleeman.org/


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[NSP] Re: [NPS-Discussion] Robert Bewick tune

2009-08-04 Thread richard.hea...@tiscali.co.uk
Hi Matt,

Thanks for producing the 'abc' of the tune.  That's really helpful.  
In web searches I've so far found transcriptions in D and in C but both 
appear to me to go back to Oswald.

In regard to what you said about where this search might go, I've not 
yet found any local variant, not any other tune under the same or a 
very similar name  (having said that, I've been busy over the last few 
days, so I haven't looked very thoroughly).

Thanks again,

Richard

Original Message
From: theborderpi...@googlemail.com
Date: 04/08/2009 10:43 
To: Dartmouth NPSnsp@cs.dartmouth.edu, NPS Discussion
discuss...@northumbrianpipers.org.uk
Subj: [NSP] Re: [NPS-Discussion] Robert Bewick tune

This thread seems to have been split between the dartmouth and NPS
   groups so I'm resending this bit to both. I've since checked SMM 
and
   found that the link ([1]www.gleeman.org) provided by Richard gives 
an
   inaccurate transcription and midi of SMM, which is actually closer 
to
   Oswald than it appears. I will post a corrected version later. Is
   anyone still interested in this tune?

   ---
   As promised, Oswald's version. I'd be interested in people's
   preferences between this and the Burns/SMM, and also which key 
sits
   better. Any other versions known?

   X: 1

   T:What shou'd a Lassie do wi an auld Man

   Z:Matt Seattle

   R:Song or Jig

   B:Oswald's Caledonian Pocket Companion vol. 6

   M:6/8

   L:1/8

   N:Brisk

   K:Em

   B|efe gab|abg ~fed|efe gab|dBB B2:|]

   [|:d|(BG)G (BA)A|(dB)B B(e/f/g)|(BG)G (BA)A|(dB)B e2d|

   (BG)G (BA)A|(dB)B g2a|(ba)g (fba)|(ge)e e2:|]

   --

References

   1. http://www.gleeman.org/


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[NSP] Re: [NPS-Discussion] Robert Bewick tune

2009-07-26 Thread Julia Say
Francis Wood wrote:

Iain Bain´s excellent article: Thomas
 and Robert Bewick and their Connection with Northumbrian Piping. In
 it,

One of the most significant articles ever published in the NPS mag, I
find.

 http://www.mediafire.com/?
 sharekey=09ff1cf99500a89441446e35a78dc463e04e75f6e8ebb871

If anyone wants a transcript of the text, I have same as a Word doc -
done some years ago by OCR. Copies of the 1982 mag being about as
common as hens teeth.

What happened to the digitization project for these early mags?
I presume it foundered for lack of an efficient co-ordinator, like so
many other good ideas.

Julia




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[NSP] Re: [NPS-Discussion] Robert Bewick tune

2009-07-26 Thread Matt Seattle
   That's a fine tune from the Scots Musical Museum. I checked for other
   versions and found it's also in Oswald (c.1750), 'What shou'd a Lassie
   do wi an auld Man'. Different details - no snaps, and in G/Em rather
   than D/Bm - but basically the same melody. I'll post the abc but
   haven't time just now, if someone else does it first, good.

   What's the feeling about choice of key for NSP?

   --


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[NSP] Re: NPS President

2009-05-23 Thread Adrian
   I think it's time for the NPS to stop this childish sucking-up to
   Patrons and Presidents. There is no need for our Patron at all. I've
   not seen or heard anything that he has done for the cause of our
   society except give our society some false illusion of Grandeur,
   Nobility and Eliteism and cast an erroneous cloud of what the
   Northumberland Smallpipes are about. The Patron has not supported our
   society as within dictionary terms for the word Patron So what's he
   there for?

   As for a President, there is no need for one, the Chairman can do that
   job. If one says that the President most be impartial, then the
   Chairman should be too when sitting in committee. The Chairman is not
   there to dictate, he there to precide. I believe the title Honarary
   President could be given to achievements made within the society as a
   gesture of thanks but he/she would have no powers whatsoever.

   Adrian

   --


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[NSP] Re: NPS President

2009-05-23 Thread Dave Shaw

I would like to support the views of Ann Sessoms and Francis wood
as they reflect my own but are so much more eloquently put.

There seems to be an orchestrated Gadarene rush towards what is essentially 
a vote

of no confidence in the elected committee.

Where will it all end if they take the hump and resign en masse?

Dave Shaw

Dave Shaw, Northumbrian and Scottish Smallpipes, Irish Pipes and SHAW 
Whistles
www.daveshaw.co.uk 




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[NSP] Re: NPS President Francis Wood's post

2009-05-23 Thread Robert Greef
This posting from Francis Wood summarises my feelings on the new president 
affair very eloquently and comprehensively, and moreover soothingly - as is 
his way. I would imagine that Colin Ross in particular could take comfort 
with the understanding shown of his awkward position in all of this. I would 
add my own good wishes to Colin, as I, among the legion, have from personal 
contact with him benefitted  from his expertise in pipe-fettling and 
reed-making, and he has my total respect in all things to do with pipes and 
piping and pipe music.


I find the campaign to subvert the completely legitimate and praiseworthy 
presidential selection process to be ill-conceived. It does no service to 
the society or more importantly to Colin Ross. Who could fail to be moved by 
Colin's account on the 19th of this month of the reasons behind his decision 
to step away from the selection process?


The campaign totally ignores what the effect on Colin could be of the 
additional stress of facing an election process when there would obviously 
be strong opposition. I hope that the organisers will reconsider their 
position, preferably sooner rather than later.

Robert

- Original Message - 
From: Francis Wood oatenp...@googlemail.com

To: annsess...@yahoo.co.uk; nsp@cs.dartmouth.edu
Sent: Saturday, May 23, 2009 2:56 PM
Subject: [NSP] NPS President




  Thank you, Ann, for providing further information about the
  President-elect and her piping interests and abilities,  which is much
  needed. Some brief Web-based research has provided further information
  indicating that Joyce Quin  has been very active in the House of Lords
  in supporting causes which, personally, I find admirable. Nobody will
  be surprised that they do not include issues intimately connected with
  smallpipes but they are worthy of respect. Other members will make
  their own minds up about this if they make similar enquiries.

  As to the election of the ex-Chairman as President, this really is a
  redundant issue. It seems that the Committee made their decision in
  accordance with the rules of the Society and giving due consideration
  to eligible and potentially willing candidates, neither of which
  categories included the Chairman at the time the decision was taken. I
  see no reason to distrust the processes by which this decision was
  reached and no doubt the Committee will wish to clarify the details if
  controversy continues.

  I understand that there is presently a campaign, so far conducted in
  private, to subvert the  Committees efforts and decision, and to
  persuade the former Chairman to become President. Members have already
  been informed by the Secretary via this list,that the Chairman decided
  to resign from the chair and the Committee as a result of medical
  advice. I am sure we would all wish him well and I am dismayed to hear
  of any ill-conceived interventions which might well compromise his
  health. No doubt he would wish to dissociate himself from these
  misguided efforts.

  I understand Anns misgivings and I share them. The distribution of
  skills in any gifted individual is frequently very uneven and (forgive
  my frankness) this is the issue at stake here.  Our Chairman has made
  an colossal contribution to the traditional music of this country  both
  as an advocate and performer. His position in the development of our
  pipes, one of the very few traditional instruments native to England,
  is inestimable and of importance in the wider field of innovative
  woodwind development. What more could one ask? These are not
  necessarily the qualities enabling the effective chairing of a
  committee or diplomatically and inclusively presiding over an
  organisation. Others can do those things perfectly well and possibly
  better, and should be permitted to do so.

  I would like to express my confidence in the NPS Committee, in their
  observance of fair practice, and in their decision on this matter.

  Francis Wood
  --


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[NSP] Re: NPS President and more.

2009-05-23 Thread colin

This seems to be getting out of hand.
If I'm correct, there was a decision taken in committee to which the chair 
objected and, as a result, resigned.
Is there nothing in place where a contentious issue may be placed before the 
members or that an EGM could be called for?
I've been is situations where this has happened and, after a vote by the 
members, all has settled down with those unable to accept the ruling 
deciding that they would be forever at odds with the rest of the committee 
and have resigned their post. That's their prerogative
The EGM can give an opportunity for all sides to discuss the problem in an 
open manner.

Discussions behind closed doors often result in whisperings and suspicion.
Even when it's not called for in the rules, open discussions with members is 
often a good idea.
We do, after all, vote people into the positions and can also vote them out 
again (or at least not vote for them again).
At the moment we are hearing bits of things which, to my mind, smacks of 
infighting and personal grudges ranging from I'm not playing any more to 
if you don't like it, tough, we don't need you.

This isn't doing any good at all.
Sometimes it's too late to announce that a decision has been taken and just 
maybe (when politics can seem to take a part, for instance) it may be 
appropriate to involve all the members in a vote or at least to ask their 
opinion first (don't governments have enough of a problem with this?).
Whilst I realise that the committee is voted in to take these decisions, 
there may be occasions when a simple committee majority just isn't enough.

A simple poll of the members would, I think, have been a good idea.
We run the severe risk of alienating sections of our membership here and we 
need also to remember that the membership covers a rather wide area with 
some unable to attend meetings either through distance, cost or health 
reasons.

Has the society considered a proxy vote for these people?
If this matter isn't resolved in an open and public way, I can see a 
fragmenting of the society into two or more camps.
We must, I think, put our own personal selves aside and think PIPES and what 
is best for PIPES.

Innuendo and gossip isn't what we want to hear.
maybe a publishing of the minutes of the meeting concerned would help?
Without getting a concise record of what was said and done, we are forced to 
glean what we can from emails. That's not good and will totally rely on how 
vehement or eloquent the writer may be.

Let's have it all out in the open (isn't that what minutes are for???).

Colin Hill

- Original Message - 
From: Dave Shaw d...@daveshaw.co.uk
To: annsess...@yahoo.co.uk; nsp@cs.dartmouth.edu; Francis Wood 
oatenp...@googlemail.com

Sent: Saturday, May 23, 2009 4:32 PM
Subject: [NSP] Re: NPS President




I would like to support the views of Ann Sessoms and Francis wood
as they reflect my own but are so much more eloquently put.

There seems to be an orchestrated Gadarene rush towards what is 
essentially a vote

of no confidence in the elected committee.

Where will it all end if they take the hump and resign en masse?

Dave Shaw

Dave Shaw, Northumbrian and Scottish Smallpipes, Irish Pipes and SHAW 
Whistles

www.daveshaw.co.uk


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[NSP] Re: NPS President and more.

2009-05-23 Thread Julia Say
On 23 May 2009, colin wrote: 

 If I'm correct, there was a decision taken in committee to which the
 chair objected and, as a result, resigned. 

The chairman accepted the vote of the meeting. Colin R resigned on 
the advice of his doctor. With a serious heart condition one does not 
ignore that advice lightly.

   there may be occasions
 when a simple committee majority just isn't enough. A simple poll of
 the members would, I think, have been a good idea. 

I suggested to the committee that suggestions be sought from the 
membership via the newsletter and I would have liked to have had a 
membership wide vote on a shortlist, in the interest of openness, but 
the committee majority thought these ideas inappropriate in view of 
the rules.

 maybe a
 publishing of the minutes of the meeting concerned would help? 

Copies of the minutes of any committee meeting are available to any 
member on request. This has been the case for many years and was 
reiterated in the newsletter a year or so ago.

Julia Say
NPS Hon Sec



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[NSP] Re: NPS President and more.

2009-05-23 Thread colin
Yes, I am aware that minutes are available upon request. I was suggesting 
that, in this particular case and for reasons of clarity, that they should 
be made available (say on line and maybe password protected) so that those 
of us who are not within the inner circle could get a clearer reflection 
of what actually happened - on the presumption that it was all minuted, of 
course and nothing pertinent was off the record. That may stem any rash 
urges to take the matter further as may have been suggested by questions 
asked.
It seems odd that a simple resignation on health grounds would stir up so 
much kafuffle and leads to a suspicion that there was more to it - without 
suggesting that health grounds did not contribute, of course. I do remember 
some details of a bypass some time back, I think and the Colins on this list 
ain't getting any younger :).
It was only a suggestion so that decisions can be made on facts, not hearsay 
and personal vendettas.

After all, we want to stay a coherent and useful society, do we not?
The last thing we want is any hint of a cover-up or misinformation.
I personally don't really have an axe to grind over who you choose as I 
don't know enough about the role and who would be best to fill it.
Some societies and charities have some very odd presidents and patrons 
anyway and most that I know or have some connection with select someone who 
seems important  and often a very tenuous connection with the aims of the 
society/charity .
At least we do seem to be looking at people who have some connection with 
piping so that's good.
I do think that we should be looking at a 21C solution to communications 
though. Waiting for a newsletter isn't ideal in the days of instant 
messaging and snail mail is expensive.
If nothing else, maybe this debate will open up a new communications 
channel.


Colin Hill
- Original Message - 
From: Julia Say julia@nspipes.co.uk

To: nsp@cs.dartmouth.edu; colin cwh...@santa-fe.freeserve.co.uk
Sent: Saturday, May 23, 2009 8:11 PM
Subject: Re: [NSP] Re: NPS President and more.




On 23 May 2009, colin wrote:


If I'm correct, there was a decision taken in committee to which the
chair objected and, as a result, resigned.


The chairman accepted the vote of the meeting. Colin R resigned on
the advice of his doctor. With a serious heart condition one does not
ignore that advice lightly.


  there may be occasions
when a simple committee majority just isn't enough. A simple poll of
the members would, I think, have been a good idea.


I suggested to the committee that suggestions be sought from the
membership via the newsletter and I would have liked to have had a
membership wide vote on a shortlist, in the interest of openness, but
the committee majority thought these ideas inappropriate in view of
the rules.


maybe a
publishing of the minutes of the meeting concerned would help?


Copies of the minutes of any committee meeting are available to any
member on request. This has been the case for many years and was
reiterated in the newsletter a year or so ago.

Julia Say
NPS Hon Sec







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[NSP] Re: NPS Presidency etc

2009-05-19 Thread Rosspipes
   Just about my own sentiments on the present situation. I was reading
   Machiavelli's 'The Prince' recently and he was writing about
   'malcontents' and ways of dealing with them. I am not suggesting we
   should resort to his methods but the problem with the Society have
   started with similar malcontents or dissadents who have spread their
   influence over the last four years or so to create the present
   unpleasantness in the Society.

   Yes, the solution is to get on with playing the pipes and not piping
   politics.

   Colin R

   --


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[NSP] Re: NPS information

2009-05-18 Thread Marianne Hall
   Re: Joyce Quin

   Surely this is a joke?

   Marianne.

Date: Sun, 17 May 2009 10:04:49 +0100
To: nsp@cs.dartmouth.edu
From: julia@nspipes.co.uk
Subject: [NSP] NPS information
   
To all the NPS members out there, and apologies to others whom this
does not concern:
   
The NPS committee has decided to recommmend to the membership that
the Rt. Hon the Baroness Quin of Gateshead (to be known to us as
Joyce Quin) become the next president of the NPS. This is subject to
ratification by the membership at an EGM to be convened around the
end of July. The exact date will be notified to all members in the
July newsletter.
   
Joyce was an academic before she became Labour MP for Gateshead 
Washington. She is now an active member of the House of Lords, and
has a home base in Harbottle. She is a player of our pipes, and once
declared them as her luxury item when being interviewed on Desert
Island Discs.
   
We look forward to getting to know her better.
   
 Please feel free to pass this on to any pipers who
you feel will be interested.
   
Julia Say
NPS Hon Sec.
   
   
   
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[NSP] Re: NPS information

2009-05-17 Thread Philip Gruar

Shouldn't she be vetted by the anti-choyting police first?



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[NSP] Re: NPS information

2009-05-17 Thread Bill Telfer
''She is a player of our pipes, and once declared them as her luxury
item''. 

Were they bought on expenses? 

Bill

-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Philip Gruar
Sent: 17 May 2009 12:21
To: nsp@cs.dartmouth.edu
Subject: [NSP] Re: NPS information

Shouldn't she be vetted by the anti-choyting police first?



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[NSP] Re: NPS Anniversary concert question

2009-05-06 Thread Paul Rhodes
   Hello John,

   I was part of the Oxford Group. We performed five tunes, and
   unfortunately I don't know which one is on the CD.

   The tunes are all Cotswold Morris tunes; not Northumbrian I'm afraid,
   but lovely nevertheless.

   Orange in Bloom
   Constant Billy
   Old Woman Tossed Up

   Young Collins
   Old Tom of Oxford

   Best wishes,

   Paul

Date: Tue, 5 May 2009 16:52:02 -0400
To: nsp@cs.dartmouth.edu
From: john.da...@hmhpub.com
Subject: [NSP] NPS Anniversary concert question
   
On a DVD given to us by Chris Gregg of the NPS Anniversary Concert
   one
of the many excellent pieces of music was a tune performed by the
Oxford branch. There's just the one tune on the DVD, so I'd guess the
group performed others as well, but if anyone can guess which tune
   I'm
talking about and tell me the name I would appreciate it very much.
   It
has a lovely melody I haven't heard before.
   
Among the many wonderful performances Chris Ormston's playing of
   Theid
mi dhachaidh `chro chinn t-saile was especially enjoyable. Just goes
to show you how versatile the NSP can be in the hands of a master.
   
   
Thanks,
   
John
   
--
   
   
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[NSP] Re: nps

2009-04-28 Thread Matt Seattle
A lot of sense in there Barry.

It's easy to forget, if one is struggling with the intricacies of
technique, that a relatively uninformed listener will not actually
give a hoot about closed or open fingering, but *will* respond to
musicality on a macro-level. I have seen in more than one context that
an obsession with the 'right' way of doing things on a micro-level can
go hand in hand with a startling ignorance of general musicianship, as
well as an unpleasant tendency to rubbish those of different
persuasions in an attempt to mask a deeply felt insecurity. We all
need each other to help each other see the parts of the picture that
we don't see because of our individual limitations. Evangelists of all
kinds can often be 'right', but usually only about the tiny bit of the
picture that they know. There's a bigger picture that we can only see
between us, which is why we appear to be more than one person, though
actually we're not.



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[NSP] Re: nps

2009-04-28 Thread Dave Shaw

Hi all,
I seem to be missing out on some of the posts on this subject.

However, futher to the Fenwick gracing advice I've checked the 1931 reprint 
as well as my 1974 edition and it has the following words below the section 
on stacccato;


The learner should note that the staccato style of playing should not be 
overdone.
Excessive cutting of the notes though at times lending a meretricious 
brilliance to a performance,

is not in accordance with good small-pipe style

It is interesting that this was left out of the '74 reprint.

Cheers,

Dave

Dave Shaw, Northumbrian and Scottish Smallpipes, Irish Pipes and SHAW 
Whistles
www.daveshaw.co.uk 




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[NSP] Re: nps

2009-04-28 Thread Christopher.Birch
   The learner should note that the staccato style of playing
   should not be
   overdone.
   Excessive cutting of the notes though at times lending a meretricious
   brilliance to a performance,
   is not in accordance with good small-pipe style
   
   It is interesting that this was left out of the '74 reprint.

   Very interesting. It would seem that some authorities are more
   authoritative than others.
   Oink, oink.
   Chirs
   --


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[NSP] Re: nps

2009-04-28 Thread Christopher.Birch
James Galway playing tin whistle used to be alarming, 
though the Chieftains taught him a better, more fluid, style 
subsequently. 

Only heard him doing so once and this was back in the early Cretaceous or 
thereabouts.
Your description of the better style as more fluid suggests that he fell 
into the same trap as classical violinist when presented with a folk tune - 
they tend to play in a clipped martelé fashion (more suited to, say, Vivaldi or 
Mozart, their differences nothwithstanding) rather than letting it roll.

This might be similar to the kind of overdone staccato that the unexpurgated 
Fenwick was warning against.

The much maligned Kathryn Tickell is a model of fluidity (but can shell peas 
with the best of them when she so chooses).

c 



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[NSP] Re: nps

2009-04-28 Thread Paul Gretton

   Very interesting. It would seem that some authorities are more
   authoritative than others.
   Oink, oink.
   Chirs
   --

Oink, oink

So you're aligning yourself with those that are MORE authoritative, then?

;-)

Cheers,

Paul Gretton



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[NSP] Re: nps

2009-04-28 Thread Gibbons, John
James Galway playing tin whistle used to be alarming, 
though the Chieftains taught him a better, more fluid, style subsequently. 



-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of 
christopher.bi...@ec.europa.eu
Sent: 28 April 2009 09:46
To: gibbonssoi...@aol.com
Cc: nsp@cs.dartmouth.edu
Subject: [NSP] Re: nps


 Maybe your violin teacher was teaching you classical style along
   with the good basic violin technique, and the classical style was
   impeding your traditional style.



   I don't think so, but there's no way of knowing.  I've never claimed to
   be a good player of anything (I would describe myself as a devoted
   and conscientious dabbler), but I do claim stylistic awareness.
   Give your  average classical violinist a folk tune and the results can
   be bizarre in the extreme. It also amuses me to hear classical singers
   trying to sing pop/rock songs without changing their style/technique. A
   certain Peter
   Hofmann [1]http://www.peterhofmann.com/index-lebensweg.html used to
   sing rock classics in exactly the same way as he sang Wagner -
   dreadful. I have, in my day, sung traditional ballads, classical music
   (baritone), early music (countertenor), pop rock, blues rock, progrock
   and even country (backing vox only - I don't really like country, but
   being with a band was fun at the time) without being good, but
   without having any complaints about lack of stylistic awareness
   either.



   The person who disapproved of my improved technique was capable of
   being dismissive of, for example, Stephane Grappelly as well as the
   entire classical establishment. and indeed of anything too
   sophisticated, including Genesis, Gentle Giant and Steely Dan q.v.



 Two styles can be inconsistent. Doing one well might well mean doing
   the other badly. A classical violinist might try to play quavers equal,
   others such as a baroque violinist  - or Willy Taylor - definitely
   wouldn't.



   Yup,  I've played baroque and classical too - under some pretty good
   conductors such as Jaap Schroeder, Hans-Martin Linde and Guy van Waas
   (with the latter of whom I am performing (on viola) both Vivaldi and
   Haydn this very evening (concertos from Estro Armonico and Schoepfung
   (Creation) respectively - unfortunately on modern instruments).



   But with the nsp, all good players, including Kathryn Tickell and Billy
   Pigg, have (have had) a largely detached technique, and crux of the
   argument is a stylistic point as to whether a 'good style' can include
   open-fingered ornament. If Chris and Adrian are at the 'wee free' end
   of the spectrum, all good players are some sort of protestant at
   least.



   I'm glad you agree Kathryn and Billy were good players.



   The justification for the 'wee free' position is that if  you allow
   open fingering in some contexts but not others, then bad players (they
   exist) will take these contentious elements as the basis of their
   'style' and ignore the closed-fingered basic technique.



   The bad players probably don't give much consideration at all to what
   they are doing (this is why they are bad) and as such are hardly of
   much relevance. let them get on with it. there are bad players of all
   instruments.



   If religious analogies are felt inappropriate in this forum, try
   the  Judaean People's Liberation Front  instead!



   I do hope you mean the People's Liberation Front of Judaea!



   Chirs

   --

References

   1. http://www.peterhofmann.com/index-lebensweg.html


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[NSP] Re: nps

2009-04-28 Thread Ian Lawther
Whilst Fenwickdescribes gracenotes he does not say that one should step 
outside the closed fingering rule he has already set out in order to 
play them. Many Northumbrian pipers grace within the closed 
fingeringeven those shakes sound better closed!


Ian





Dave Shaw wrote:


Adrian wishes to use the Fenwick tutor as his bible to prove that only 
plain closed fingering is admissible.
Between the music reading and tunes section of this book, however, 
there is written the following:

(see)
http://www.daveshaw.co.uk/Fenwick/





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[NSP] Re: nps

2009-04-28 Thread colin

I come out with this one a few times every year on this subject. :)
Does no harm to repeat it again as, for me, it puts things into perspective.
More years ago than I care to remember, there was an excellent TV 
documentary in which the classical violinist Yehudi Menuhin met with an old 
Shetland fiddler (can't remember his name, sorry - big tall chap with 
receding hair and a winning smile and twinkle in his eyes - I think he was 
in his 80s then) and they discussed the instrument and played each others 
favourite tunes etc.
Interestingly, the Shetland fiddler was able to play classical quite well 
but poor Yehudi had a terrible time getting any life into the traditional 
tunes at all (very precise and mechanical) the fiddler was very patient with 
him but it looked like a master teaching a novice.

Same instrument but what a difference.
many of the nuances for the fiddling were, of course, no-no's for Yehudi.
Nobody could possibly claim that these two were not masters of the violin 
but both styles and interpretation of the dots were very different as was 
their method of playing (vibrato, bowing etc).

This discussion does remind me of it each time it comes around.

Colin Hill


From: christopher.bi...@ec.europa.eu
To: j.gibb...@imperial.ac.uk; gibbonssoi...@aol.com
Cc: nsp@cs.dartmouth.edu
Sent: Tuesday, April 28, 2009 11:43 AM
Subject: [NSP] Re: nps




James Galway playing tin whistle used to be alarming,
though the Chieftains taught him a better, more fluid, style
subsequently.


Only heard him doing so once and this was back in the early Cretaceous or 
thereabouts.
Your description of the better style as more fluid suggests that he fell 
into the same trap as classical violinist when presented with a folk tune - 
they tend to play in a clipped martelé fashion (more suited to, say, Vivaldi 
or Mozart, their differences nothwithstanding) rather than letting it roll.


This might be similar to the kind of overdone staccato that the 
unexpurgated Fenwick was warning against.


The much maligned Kathryn Tickell is a model of fluidity (but can shell peas 
with the best of them when she so chooses).


c



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[NSP] Re: nps

2009-04-27 Thread Mike and Enid Walton

Everybody is discussing the statement


A bad player puts people off the instrument and also teaches
you the wrong was to play.


Where does that leave us ?  I've reached a certain level of proficiency in 
the instrument, I try to keep my fingering detached as far as I can but I'm 
conscious that at speed my right hand doesn't respond as well as it should, 
so I do tend to not be detached on lower notes on fast tunes.  I'm aware 
that this is not where I'm trying to get, but already being in the bus 
pass generation I doubt it'll ever be right.  Should I not be playing the 
pipes in public, in case people are put off or taught the wrong way to 
play ?  Should I just give up ?  I personally think people hear me playing, 
and hear other more proficient players playing, and are aware that I'm not 
as good as the best.  That's true of most of the musicians in the gatherings 
I go to.  However, the attitude of certain of those posting on this 
newsgroup seems to be - don't bring your pipes out in public until you're 
perfect.


I'm also probably choyting, although most of the definitions I've seen on 
this newsgroup haven't been very clear.  I have been trying to avoid certain 
gracings (which might come in this definition) recently. Listening to myself 
more critically, I can hear them not sounding very good.  I came to nsp from 
whistle, perhaps the cause of my incorrect technique.


However, I didn't think we were really discussing the playing of bad 
players (possibly including myself) but those who have mastered the 
correct techniques and can use them when they want, and chose to also add 
other wrong techniques because (in their view) they add to the listening 
experience.  I think that a certain Kathryn Tickell is the main target of 
the abuse in this context isn't she ?  That's where the fundamental 
difference in opinions lies isn't it ?


Or perhaps I'm wrong.  A long time ago, I think we started discussing some 
child prodigy whose piping I haven't heard and can't therefore comment on.


Mike



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[NSP] Re: nps tradition

2009-04-26 Thread Philip Gruar
A study of how the various, now tiny, denominations of extreme protestant 
churches in the Western Isles have split and re-split over the last century 
is quite instructive here (and I'm sure there are similar examples in 
American religious history). All because tiny groups of essentially 
well-meaning people think that the organisation they belong to is not 
adhering to the true faith.



- Original Message - 
From: Ian  Carol Bartlett (home account) i...@ihug.co.nz

To: 
Sent: Sunday, April 26, 2009 7:36 AM
Subject: [NSP] Re: nps  tradition



  - Original Message - Subject: [NSP] tradition etc
  Shiela wrote:-
   If classical music had remained in the tradition Mozart would have
  been shot, Beethoven would never
  have dared to experiment and to shock his contemporaries, as he most
  certainly did, and we would all still be playing like the troubadors.
  .If you want to stick at being 100% traditional take all of the
  keys off the pipes.
  Well said Sheila; and I might add the pipes would still be pitched in
  all manner of tunings around F and we'd be unable to play the music in
  social groups.
  As for a 'breakaway' group from the NPS I think this would achieve
  little in the promotion of the instrument and the music which I believe
  is the overall objective as opposed to promoting a particular style. I
  have seen professional organisations split in similar ways, in the main
  because people fail to work harmoniously with each other as opposed to
  any significant difference in direction. I have also observed that over
  the years those people come to realise that the division of resources
  achieved very little and they end up merging again or in some cases
  both factions fade into obscurity and irrelevance. In either case, what
  an utter waste of talent and effort!
  I have never met Chris Ormston nor Adrian Schofield nor Kathryn Tickell
  or Pauline Kato or many other deities of the piping world. Nor have I
  had the opportunity to see them play. They all have a place in the
  piping fraternity as do the styles that they follow and promote and we
  all have things to learn from each of them. Dare I say it, they
  probably have learned positive things from each other, as we all do.
  The really important thing is that all styles continue to have their
  champions and those champions continue to flourish and attract new
  followers. This recurring sniping at individuals and 'organisations'
  does not get us anywhere. Nor does the traditional way is the only
  way.
  Let's just accept that there are several styles of Northumbrian Piping
  out there and each as valid as the other.
  It is worth noting that the phrase from Fenwick's tutor is As a
  general direction we may observe that the small-pipes are played upon
  the method called 'Close Fingering' which allows of only one finger
  being lifted at a time.
  That says --- As a general direction... not As the only
  direction. It allows for diversification does it not?
  Thus to take the 'My way or no way' approach ignores the lattitude that
  As a general direction allows.
  Tradition moves, tradition progresses and is not a pile of stones.
  . Martin Carthy
  Fractionating an already small and specialised group will be unlikely
  to achieve any sustainable benefits and will certainly confuse
  newcomers to NSPs Which organisation should I join? Should I join
  both?? Do I really have to pay two subscriptions?
  Competition has a lot to answer for!!!
  Cheers
  Ian Bartlett
  Auckland - New Zealand

  --


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[NSP] Re: nps

2009-04-26 Thread Paul Rhodes
   Can we all join?

   Paul
Date: Sat, 25 Apr 2009 18:33:36 +
To: nsp@cs.dartmouth.edu
From: what...@ntlworld.com
Subject: [NSP] nps
   
Dear all,
   
after talking to Tommy Breckons shorltly before his death and
   chatting
to fellow pipers after his funeral, I have come to the conclusion
   that
the Northumbrian Pipers' society has lost its way. I therefore ask:
   is
it time to form some other group or society which bases its playing
   on
a pure, traditional detached fingering technique and get back to
playing some of the tunes with divisions,correctly? After all, in
   1974,
the 3rd addition of the 'Tutor for the Northumbrian Small-Pipes' was
re-published by the NPS. Originally published in 1896, this tutor was
written by JW Fenwick, a member of the committee. The preface to the
3rd edition states-Fenwick's tutor is as relevant today as it was in
1895 and will provide ample instruction and guidance to all potential
playersof the small-pipes.
   
The instruction book states - There is no qualification more
   important
to the learner than that of correct fingering, and as it presents
considerable difficulty, the lessons of a skilful master would be a
great advantage. As a general direction we may observe that the
small-pipes are played upon the method called 'Close Fingering' which
allows of only one finger being lifted at a time.
   
Perhaps have a new piping competition, which is based on pure
   fingering
and not a load of choyte.
   
Adrian.
   
(not a Grand Master, nor a member of that other society!)
   
   
   
   
   
   
   
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[NSP] Re: nps

2009-04-26 Thread Mike and Enid Walton

what...@ntlworld.com said


   after talking to Tommy Breckons shorltly before his death and chatting
   to fellow pipers after his funeral, I have come to the conclusion that
   the Northumbrian Pipers' society has lost its way. I therefore ask: is
   it time to form some other group or society which bases its playing on
   a pure, traditional detached fingering technique


Then Paul Rhodes oxpi...@hotmail.com said



  Can we all join?


Certainly not, at least until you've submitted to a 2 hour test of your
piping technique and received 2 days corrective tuition from a properly
approved tutor.  Continuing membership will be subject to further testing on
at least an annual basis.

I can't believe it !  Why did I ever take up this instrument which causes so
much bad feeling ?

Mike



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[NSP] Re: nps

2009-04-26 Thread Mike and Enid Walton

Ian Lawther irlawt...@comcast.net said

Enter those who saw the chance to make some money by promoting an 
attractive young woman who was marketable beyond the dowdy folkies.


So is the argument that piping would be far better off without all those who 
came into piping at least partially as a result of said young woman's 
playing ?  Then we could be left with the dowdy folkies who would at least 
not play wrongly ?  We would thereby get rid of a good number of those who 
love the instrument but don't play very well, leaving this job to an elite 
few who have really mastered the instrument and the correct way of playing. 
It would reduce pipe-makers waiting lists, and really be a very positive 
contribution to the continuation of piping.  Pity I don't be involved 
though.


I would add (removing my tongue from cheek) that I really do enjoy Chris 
Ormston's music.  I also have never understood (or known half of) the affair 
of the bloke who is sitting on folk recordings and refusing to release them, 
but I do understand that this is affecting many other folk artistes beyond 
the piping fraternity* and therefore cannot be convinced that there is a 
conspiracy against certain pipers.


* Perhaps fraternity is an inappropriate term at the moment.

Mike Walton



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[NSP] Re: nps

2009-04-26 Thread colin
Maybe we are heading backwards to the days of playing and non-playing 
members when one had to actually play the pipes before members (or send a 
tape if you were too far away or abroad) so they could decide if you could 
play or not. :)


Colin Hill
- Original Message - 
From: Paul Rhodes oxpi...@hotmail.com
To: Mike Walton mikeande...@worcesterfolk.org.uk; Dartmouth NSP 
nsp@cs.dartmouth.edu

Sent: Sunday, April 26, 2009 12:28 PM
Subject: [NSP] Re: nps




  Yes, it is all rather remarkable isn't it? My understanding has always
  been that the traditional music of the north east is Metallica, and the
  NSP is just a rather quaint musical backwater to be enjoyed by
  teachers, social workers and assorted folkies.

  There is now an interesting tutorial for playing the NSP with detached
  fingering on Youtube:

  [1]http://www.youtube.com/watch?v=O7paLft9_ms

  Enjoy!

  Paul

   Date: Sat, 25 Apr 2009 02:28:43 +0100
   To: nsp@cs.dartmouth.edu
   From: mikeande...@worcesterfolk.org.uk
   Subject: [NSP] Re: nps
  
   what...@ntlworld.com said
  
 after talking to Tommy Breckons shorltly before his death and
  chatting
 to fellow pipers after his funeral, I have come to the conclusion
  that
 the Northumbrian Pipers' society has lost its way. I therefore
  ask: is
 it time to form some other group or society which bases its
  playing on
 a pure, traditional detached fingering technique
  
   Then Paul Rhodes oxpi...@hotmail.com said
  
  
Can we all join?
  
   Certainly not, at least until you've submitted to a 2 hour test of
  your
   piping technique and received 2 days corrective tuition from a
  properly
   approved tutor. Continuing membership will be subject to further
  testing on
   at least an annual basis.
  
   I can't believe it ! Why did I ever take up this instrument which
  causes so
   much bad feeling ?
  
   Mike
  
  
  
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__

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References

  1. http://www.youtube.com/watch?v=O7paLft9_ms
  2. http://extras.uk.msn.com/internet-explorer-8/?ocid=T010MSN07A0716U









[NSP] Re: nps

2009-04-26 Thread Dru Brooke-Taylor
And be tattooed by an approved tattooist who holds the correct 
understanding of the Westminster Confession?


Dru

On 25 Apr 2009, at 02:28, Mike and Enid Walton wrote:



what...@ntlworld.com said

   after talking to Tommy Breckons shorltly before his death and 
chatting
   to fellow pipers after his funeral, I have come to the conclusion 
that
   the Northumbrian Pipers' society has lost its way. I therefore 
ask: is
   it time to form some other group or society which bases its 
playing on

   a pure, traditional detached fingering technique


Then Paul Rhodes oxpi...@hotmail.com said



  Can we all join?


Certainly not, at least until you've submitted to a 2 hour test of your
piping technique and received 2 days corrective tuition from a properly
approved tutor.  Continuing membership will be subject to further 
testing on

at least an annual basis.

I can't believe it !  Why did I ever take up this instrument which 
causes so

much bad feeling ?

Mike



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[NSP] Re: nps

2009-04-26 Thread Ian Lawther
The point I was trying to make was that Billy Pigg's style was not in 
the Northumbrian piping mainstream, and that those who have been heavily 
influenced by him, like Kathryn can also be said to be outside the 
mainstream as it was. Dave Bulmer's promotion of Kathryn's recordings 
and non-release of Chris's (and possibly others) have distorted what 
many view as the mainstream so that the fringe is now perceived as 
mainstream and the pure tradition has become the fringe.


As an aside this is not just a Northumbrian piping thing. Debbie Lawther 
who is also on this list used to live in a flat in London, below an 
Indian couple. Mr Dasgupta was a sitar pupil of  the senior member of 
the Khan  dynasty on Indian musicians, and had a number of pupils 
himself. When Mr. Khan's children or grandchildren came to London to 
play at the Festival Hall they would often follow that performance with 
a private one in thw Dasgupta's flat in Tooting for him and his pupils. 
And then they would sit around and discuss how Ravi Shankar had 
corrupted the tradition


Ian





Mike and Enid Walton wrote:

Ian Lawther irlawt...@comcast.net said

Enter those who saw the chance to make some money by promoting an 
attractive young woman who was marketable beyond the dowdy folkies.


So is the argument that piping would be far better off without all 
those who came into piping at least partially as a result of said 
young woman's playing ?  Then we could be left with the dowdy 
folkies who would at least not play wrongly ?  We would thereby get 
rid of a good number of those who love the instrument but don't play 
very well, leaving this job to an elite few who have really mastered 
the instrument and the correct way of playing. It would reduce 
pipe-makers waiting lists, and really be a very positive contribution 
to the continuation of piping.  Pity I don't be involved though.


I would add (removing my tongue from cheek) that I really do enjoy 
Chris Ormston's music.  I also have never understood (or known half 
of) the affair of the bloke who is sitting on folk recordings and 
refusing to release them, but I do understand that this is affecting 
many other folk artistes beyond the piping fraternity* and therefore 
cannot be convinced that there is a conspiracy against certain pipers.


* Perhaps fraternity is an inappropriate term at the moment.

Mike Walton






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[NSP] Re: nps

2009-04-26 Thread colin

That's the whole point, isn't it?
There's a big difference between pipers who can play and then choose to 
experiment and do naughty things and players who just play badly and 
sloppily (is that a word?).
I respect players who are accomplished enough to branch out and boldly go 
where no piper has gone before.
Bad playing is just bad playing. We can all do that - some just faster than 
others :-)


Colin Hill
- Original Message - 
From: what.me what...@ntlworld.com

To: Dartmouth NPS nsp@cs.dartmouth.edu
Sent: Sunday, April 26, 2009 7:18 PM
Subject: [NSP] nps




  I seem to remember a certain well known piper who entered an open
  competition playing a simple chanter and won it.
  Running notes in is rubbish, choyting is rubbish and I would rather see
  the pipes die out if certain pipers, who are promoting this and who
  cannot play, are pulling the wool over listeners ears by showing the
  world that their playing is the way to go forward.
  Adrian

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[NSP] Re: nps

2009-04-26 Thread colin

Yes, I should have added that bit!
As with all instruments that are not mainstream, what you first hear is 
often how you think it should sound.
A bad player puts people off the instrument and also teaches you the wrong 
way to play.
I also play(?)  Hurdy Gurdy and that instrument has already been through the 
process of being used to refer to a bad wailing sound soon after the French 
Revolution when it fell out of favour and was played (often badly) by 
beggars etc.

We don't want that to happen to the pipes, do we?

Colin Hill
- Original Message - 
From: Ian Lawther irlawt...@comcast.net

To: colin cwh...@santa-fe.freeserve.co.uk
Cc: Dartmouth NPS nsp@cs.dartmouth.edu
Sent: Sunday, April 26, 2009 9:03 PM
Subject: Re: [NSP] Re: nps




colin wrote:

That's the whole point, isn't it?
There's a big difference between pipers who can play and then choose to 
experiment and do naughty things and players who just play badly and 
sloppily (is that a word?).
But there is also the knock on effect of those who do not bother to learn 
properly but simply learn the naughty things  without the grounding in 
the basics.


Ian







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[NSP] Re: NPS competition results

2007-10-23 Thread Ian Lawther
Thanks from the west of the US as well. Sunday was our monthly meeting 
so news of Peter Dyson and Gail Gibbard's wins was known as we gathered.


Ian

[EMAIL PROTECTED] wrote:

Dear Julia,
Just to let you know, your prompt efforts in getting the competition  results 
out WERE very much appreciated by myself and all the Mid-Atlantic group  
members.Last weekend we had Dick Hensold over for a weekend of tuition, at Mark  
Stayton's.
Colin McNaught stayed with me and when we arrived on Sunday Dick was able  to 
congratulate him on his win and placing as we walked into the door.

Best Regards
Steve Barwick



** See what's new at http://www.aol.com

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[NSP] Re: NPS Dec NL, mag etc

2006-12-01 Thread Colin
No doubt we will let you know grin.
Colin Hill
- Original Message - 
From: [EMAIL PROTECTED]
To: nsp@cs.dartmouth.edu
Sent: Friday, December 01, 2006 6:14 PM
Subject: [NSP] NPS Dec NL, mag etc


 Apologies to those whom this does not concern.
 
 The Dec NL, annual mag, and AGM notice etc have been posted Fri pm 1 
 Dec, so should start arriving in places (at least in the UK) Monday, 
 or possibly even Sat for a few lucky (?) folk.
 
 Julia 
 
 
 
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[NSP] Re: NPS July newsletter

2006-06-30 Thread Dru Brooke-Taylor
Reached Bristol 9.15 am Friday. Great photo on the cover by the way.

Dru Brooke-Taylor

On 29 Jun 2006, at 18:12, Julia Say wrote:

 This was posted to members today, except for a small number of UK
 members whose surnames begin with J, L or M. (technical hitch due to
 my arithmetic)
 These latter will be posted Friday morning.

 Cheers
 --
 Julia Say, Hon Sec. NPS
 [EMAIL PROTECTED]
 Tel 01670 860215



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[NSP] Re: NPS July newsletter

2006-06-30 Thread Colin
Not starting with J, L or M, mine arrived in Liverpool at 10.00am today.
Colin Hill
- Original Message - 
From: Julia Say [EMAIL PROTECTED]
To: nsp@cs.dartmouth.edu
Sent: Thursday, June 29, 2006 6:12 PM
Subject: [NSP] NPS July newsletter


 This was posted to members today, except for a small number of UK 
 members whose surnames begin with J, L or M. (technical hitch due to 
 my arithmetic)
 These latter will be posted Friday morning.
 
 Cheers
 --
 Julia Say, Hon Sec. NPS
 [EMAIL PROTECTED]
 Tel 01670 860215
 
 
 
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 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 
 




[NSP] Re: nps detatched

2006-05-18 Thread SWise10
 
In a message dated 17/05/2006 18:02:28 GMT Daylight Time, [EMAIL PROTECTED]  
writes:

There is  no 'official' NPS policy on telling folk how to play the closed  
end  
smallpipes as far as I am aware in my position as Chairman and Vice   
President of the NPS. I beleive that Julia - NPS Secretary - has said  this  
already. 
Therefore 'competition' style or any other style does  not exist except  that 
the fingering should be 'closed'. What any  listener wants to hear is a  
musical 
performance which can involve  anything that is possible on the closed  end 
chanter whether it be  detached,slurred, overblown or anything else the  
player 
can get out  of the chanter to express what he or she wants to convey in   
performance.
I sometimes think that piping has become almost a religion  to some players  
and the spectre of fundimentalism then rears its  ugly head so that the 
closed  
style of playing is declared to be the  the only 'correct' way to play the  
chanter with the risk of having  your fingers severed as a punishment if you 
dare  
to deviate from the  true way.
Ours is a broad church so keep the faith and enjoy all the  various ways we  
can express ourselves on the pipes.
The rev.  Colin Ross



And all the people said - AaaaMEN
 
Sam

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[NSP] Re: nps detatched

2006-05-17 Thread Julia Say
On 17 May 2006, what.me wrote: 

 This is what I'm trying to get at - I would like to know: does the NPS
 accept that legato is a correct way of playing the pipes? 

Adrian and all:

Please note change of email address, and hence change of mental hat.

As far as I am aware, the NPS does not have, and has never had, a 
formally agreed policy on appropriate style for playing the 
Northumbrian smallpipes. 

Whether it should have one, and if so, what that should be, would be 
a matter for the NPS committee to decide. Such a process would 
hopefully include discussions with the commonly recognized 
authorities on the subject - our top-flight players.

If you wish this matter to be taken up by the committee I will gladly 
draw it to their attention and initiate such a discussion.

For the record,  only a minority of the NPS committee read this list. 
I believe about 50% of the list's subscribers are NPS members.

I hope this helps

--
Julia Say, Hon Sec. NPS
[EMAIL PROTECTED]
Tel 01670 860215



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[NSP] Re: nps detatched

2006-05-17 Thread Gibbons, John
Julia,

This topic is certainly worth a detailed and wide discussion, and it
would ultimately be worth the Committee issuing //advisory// guidelines.
But //prescriptive// guidelines - eg 
any 2 notes should have a gap between them; 
grace notes should also be separated, both from their melody note and
one another;
...

or any defined 'house style', even if it is a style I like, would be
over-restrictive. We would turn into Highland pipers, only with a
different style.

Perhaps it's time for an up-to-date NPS tutor. Compare the LBPS's More
Power to your Elbow, with CD-rom attached - pity the title's gone
really.

John



-Original Message-
From: Julia Say [mailto:[EMAIL PROTECTED] 
Sent: 17 May 2006 15:20
To: nsp; what.me
Subject: [NSP] Re: nps detatched


On 17 May 2006, what.me wrote: 

 This is what I'm trying to get at - I would like to know: does the NPS

 accept that legato is a correct way of playing the pipes?

Adrian and all:

Please note change of email address, and hence change of mental hat.

As far as I am aware, the NPS does not have, and has never had, a 
formally agreed policy on appropriate style for playing the 
Northumbrian smallpipes. 

Whether it should have one, and if so, what that should be, would be 
a matter for the NPS committee to decide. Such a process would 
hopefully include discussions with the commonly recognized 
authorities on the subject - our top-flight players.

If you wish this matter to be taken up by the committee I will gladly 
draw it to their attention and initiate such a discussion.

For the record,  only a minority of the NPS committee read this list. 
I believe about 50% of the list's subscribers are NPS members.

I hope this helps

--
Julia Say, Hon Sec. NPS
[EMAIL PROTECTED]
Tel 01670 860215



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[NSP] Re: nps detatched

2006-05-17 Thread Colin
I would certainly urge the other 50% to join the NPS. As the recognised
voice for the NSP and by the very nature of their existence it would seem
that those who contribute to the list could make their views more official
by joining.
One voice and all that.
The more members, the louder their voice and the more likely they are to be
heard (and asked) about things. It's the pipes not their location that is
important (I don't mean anything odd here, just that it doesn't matter where
you live - lest that be thought of as an insult to the NE or thereabouts or
the people living there. Phew, nearly started something there).
No, I'm not connected with it other than as a member and I probably cost
them a fortune as I joined as a life member back in '72. I do think they are
very important though.
Colin Hill
- Original Message - 
From: Gibbons, John [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; nsp nsp@cs.dartmouth.edu;
what.me [EMAIL PROTECTED]
Sent: Wednesday, May 17, 2006 3:32 PM
Subject: [NSP] Re: nps detatched


 Julia,

 This topic is certainly worth a detailed and wide discussion, and it
 would ultimately be worth the Committee issuing //advisory// guidelines.
 But //prescriptive// guidelines - eg
 any 2 notes should have a gap between them;
 grace notes should also be separated, both from their melody note and
 one another;
 ...

 or any defined 'house style', even if it is a style I like, would be
 over-restrictive. We would turn into Highland pipers, only with a
 different style.

 Perhaps it's time for an up-to-date NPS tutor. Compare the LBPS's More
 Power to your Elbow, with CD-rom attached - pity the title's gone
 really.

 John



 -Original Message-
 From: Julia Say [mailto:[EMAIL PROTECTED]
 Sent: 17 May 2006 15:20
 To: nsp; what.me
 Subject: [NSP] Re: nps detatched


 On 17 May 2006, what.me wrote:

  This is what I'm trying to get at - I would like to know: does the NPS

  accept that legato is a correct way of playing the pipes?

 Adrian and all:

 Please note change of email address, and hence change of mental hat.

 As far as I am aware, the NPS does not have, and has never had, a
 formally agreed policy on appropriate style for playing the
 Northumbrian smallpipes.

 Whether it should have one, and if so, what that should be, would be
 a matter for the NPS committee to decide. Such a process would
 hopefully include discussions with the commonly recognized
 authorities on the subject - our top-flight players.

 If you wish this matter to be taken up by the committee I will gladly
 draw it to their attention and initiate such a discussion.

 For the record,  only a minority of the NPS committee read this list.
 I believe about 50% of the list's subscribers are NPS members.

 I hope this helps

 --
 Julia Say, Hon Sec. NPS
 [EMAIL PROTECTED]
 Tel 01670 860215



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[NSP] Re: nps detached

2006-05-17 Thread Julia Say
On 17 May 2006, Gibbons, John wrote: 

 This topic is certainly worth a detailed and wide discussion,

As we are doing. I have a running edit going on this thread (ie I'm 
saving the mesages in order, and editing off the excess headers, 
that's all), a digest of which will probably end up in committee 
members' inboxes for discussion.

 it would ultimately be worth the Committee issuing //advisory//
 guidelines. 

I'll bring this suggestion to folks' attention.

 any defined 'house style'.. would be
 over-restrictive. We would turn into Highland pipers, only with a
 different style.

It is my personal opinion that this would not be a desirable outcome.

 Perhaps it's time for an up-to-date NPS tutor. Compare the LBPS's More
 Power to your Elbow, with CD-rom attached

This is something which is already on the 'serious consideration' 
list for future publications.

I hope this helps

--
Julia Say, Hon Sec. NPS
[EMAIL PROTECTED]
Tel 01670 860215



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[NSP] Re: nps detatched

2006-05-17 Thread Gibbons, John
Colin,
'Right reverend' for the Chairman and VP, surely??

I would absolutely agree that the music comes first, and a rigorous
prescriptive style could kill the music. My feeling is this is what
happened to Highland pipe music. Advisory guidelines, though, might
serve to remind people, especially beginners, that sloppiness and
artistic freedom are not the same thing, though. The justification for
Pauline or Kathryn  playing slurred notes or open graces is that they
have enough technique to make a choice. The choice isn't open to some
with less technique and there is a risk of them citing these as role
models. 

Hope all's well,

John


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
Sent: 17 May 2006 18:02
To: nsp@cs.dartmouth.edu
Subject: [NSP] Re: nps detatched


There is no 'official' NPS policy on telling folk how to play the closed
end 
smallpipes as far as I am aware in my position as Chairman and Vice  
President of the NPS. I beleive that Julia - NPS Secretary - has said
this  already. 
Therefore 'competition' style or any other style does not exist except
that 
the fingering should be 'closed'. What any listener wants to hear is a
musical 
performance which can involve anything that is possible on the closed
end 
chanter whether it be detached,slurred, overblown or anything else the
player 
can get out of the chanter to express what he or she wants to convey in

performance.
I sometimes think that piping has become almost a religion to some
players  
and the spectre of fundimentalism then rears its ugly head so that the
closed  
style of playing is declared to be the the only 'correct' way to play
the  
chanter with the risk of having your fingers severed as a punishment if
you dare  
to deviate from the true way.
Ours is a broad church so keep the faith and enjoy all the various ways
we  
can express ourselves on the pipes.
The rev. Colin Ross

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[NSP] Re: nps detatched

2006-05-17 Thread Ian Lawther
Just to take this discussion outside our immediate sphere I htough I would 
share a sound clip with you. In amongst the dozens of emails from the NSP 
list this morning I got one from a Colarado based group that mixes bagpipes 
with rocking blues. I went to their site to have a listen and think what I 
heard is relevant to this discussion. I enjoy the broad church that is now 
Scottish pipe music and listen to people like the late Martyn Bennett, Mark 
Saul, Rare Air and others who combine well ground highland piping with all 
sorts of other stuff. However the group from Colarado is using poor playing 
with a rock background just to be different. Listen here:
  http://cdbaby.com/mp3lofi/pipapelli-01.m3u

Translating this back to NSP we can have a wide range of music played but 
what has to be at the base of it is good technique otherwise we get an 
equivalent of what you have just heard...

Ian 



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[NSP] Re: NPS Dec N/L etc

2005-12-10 Thread Julia Say
Dear NPS members

It seems we had a dodgy batch of envelopes - we're disposing of the 
remainder.

Members should have received:
the annual magazine (green)
the Dec newsletter (blue)
the AGM notice (a separate cream coloured leaflet)
and a catalogue from the Bagpipe Museum.

If anyone hasn't got any of the first three items, please let me know 
and I'll replace them.

We apologise for the inconvenience.
--
Julia Say, Hon Sec. NPS
[EMAIL PROTECTED]
Tel 01670 860215



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[NSP] Re: NPS Dec N/L etc

2005-12-09 Thread Richard Shuttleworth
The newsletter arrived in Quebec today, December 9th.  At least the envelope 
did, the flap had come unstuck and the magazine must have dropped out 
somewhere over the Atlantic.  If anyone happens to see it as they fly back 
and forth, grab hold of it and send it on :-)

Gratefully yours,

Richard S.

Subject: [NSP] NPS Dec N/L etc


 The Dec issue of the newsletter, annual magazine, and AGM details
 have been posted to society members today, 2 Dec.

 --
 Julia Say, Hon Sec. NPS
 [EMAIL PROTECTED]
 Tel 01670 860215



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