Re: PESO: Yellowbook

2010-11-18 Thread David Mann
What a beautiful photo.  It's a pity they cropped it, they should have printed 
the book in landscape format.

I hope they pay the going rate.

Dave

On Nov 18, 2010, at 2:50 AM, Jack Davis wrote:

 Received a call from a Sacramento based 'phonebook publisher. They had found 
 my website (I gather) and wanted to know if I'd be willing to allow them to 
 use one of my photos for the cover of the local 2011-2012 Yellowbook. Liberal 
 photo credit offered which would appear on the back of the cover.
 As I'm sure is the case virtually everywhere, at least in this country, the 
 book is delivered free to all listed city/town households and businesses.
 My website will appear as a part of my photo credit, so I agreed.
 
 Jack
 
 Cover:
 
 http://photolightimages.com/aspupload/detail.asp?ID=549
 
 Photo: (LX, 24mm Takumar)  
 
 http://photolightimages.com/aspupload/detail.asp?ID=550


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Re: OT I;m such a friggin idiot

2010-11-18 Thread David Mann
On Nov 18, 2010, at 4:14 AM, David J Brooks wrote:

 The 6 calendars, with tax were about $120.00 CAN. I received them last
 night, and the first thing i noticed was i made a 1 day boo boo on two
 of the three anniversaries.

Treat them like stamps - the mistaken ones are much more valuable.

FWIW I agree with Larry, the red sharpie is a great idea.  Turn the disaster 
into an attribute.

Dave
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Re: OT I;m such a friggin idiot

2010-11-18 Thread David Mann
On Nov 18, 2010, at 10:52 AM, Bob W wrote:

 I was 16 or so when the album was released, although I'd seen them play it
 live before then. I often used to wonder if I'd already missed the starting
 gun. Still do, and I'm 53 now. These spikes are starting to get a bit
 uncomfortable.

I first listened to that album only a couple of years ago.  I'd watched the 
episode of the Classic Albums show.  David Gilmour says that he wishes he 
could put a pair of headphones on and listen to it for the first time.  So a 
while later I bought the CD and did exactly that.

I don't listen to it very often... I really should put it on again sometime.

Dave
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Re: PESO: They Eyes of a Cormorant

2010-11-18 Thread eckinator
2010/11/18 Boris Liberman bori...@gmail.com:

 Most, however, are born to dive under water .  .  .  .

 Thus, I take it, their life is quite dive-rse... :-)

Yes and they scub ap quite a bit of fish along the way

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Re: PESO roast beef, sourdough, extra sharp cheddar, bacon and avocado

2010-11-18 Thread eckinator
Dang Larry, your camera takes nice pictures =)

2010/11/17 Larry Colen l...@red4est.com:
 I thought that lunch looked nice enough to be worth a photo:

 http://www.flickr.com/photos/ellarsee/5185616376/in/set-72157625411402588/

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Re: PESO roast beef, sourdough, extra sharp cheddar, bacon and avocado

2010-11-18 Thread Larry Colen

On Nov 18, 2010, at 1:17 AM, eckinator wrote:

 Dang Larry, your camera takes nice pictures =)

For a Pentax anyways.

 
 2010/11/17 Larry Colen l...@red4est.com:
 I thought that lunch looked nice enough to be worth a photo:
 
 http://www.flickr.com/photos/ellarsee/5185616376/in/set-72157625411402588/
 
 --
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Re: Sydney PDML?

2010-11-18 Thread David Mann
On Nov 16, 2010, at 10:55 PM, Brian Walters wrote:

 Anyway.  I have a few spare days next week.  If Rob's available we might
 yet get a chance to do some LXing.

Right, I've finally got the Mrs to write out an itinerary.  I've let her handle 
all the bookings this time around.

Wednesday is out.  Tuesday evening is also out.  Friday (and afterwards) is out.

So that leaves Monday (we arrive at 8am), most of Tuesday and all of Thursday.  
We have a lot of other small things planned so I can't just go off shooting for 
all of those times :)  But I should be able to spare a couple of hours during 
one of those days.

Let me know what suits you guys.

Cheers,
Dave
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OT: Engineer humor

2010-11-18 Thread Larry Colen
Warning, a pun bad enough that I laughed out loud:
http://partiallyclips.com/2010/09/24/workplace-conversation/
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Re: peso mr. mom

2010-11-18 Thread eckinator
Fun shot IMO but the midwife's words come to mind who said it is
consensus in the medical community that the baby björn style
carriers with the legs hanging down are bad for infant hip development
and that even though the marketing björns advertis this way of
carrying a baby as good and novel, you're not supposed to carry a baby
face forward  because not everyone's belly has the proper curve and
also there is much less comfort for the baby and not all can handle
the excess of input too well... hence mixed emotions.
thanks for sharing nonetheless
Ecke

2010/11/13 Christine  Aguila cagu...@earthlink.net:
 Hi Everyone:

 I've reluctant to show this pic because I've been afraid that some might
 find it vulgar because of what the dog is doing.  But the truth is, I find
 it funny--not vulgar, but I would be very interested in knowing your views.

 http://www.caguila.com/caguila/mrmom/content/IMGP1444_large.html

 Cheers, Christine

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Re: OT: Quantitative Easing Explained

2010-11-18 Thread P. J. Alling
Since the Keynsian multiplier has been found to be less than one, it 
really makes no sense as a policy. In fact it seems to actually inhibit 
economic growth in the mid term.


On 11/16/2010 7:07 AM, eckinator wrote:

no on Japan but just looking at the recent developed of the euro -
dollar - gold triangle is scary, there is no real world backing for
that. plus the European Central Bank with its guarantee to buy back
bad EU member bonds has opened a euro dollar swap gate which China is
making good use of - they've been heavily buying those bonds with
their USD reserve and selling them back to the ECB, thus far to
equivalent to 9% of the greek GNP and they'll keep doing so with other
EU bad bond members as well. also, the idea of an artificial inflation
as pursued by Bernanke just postpones the bursting of the - then
bigger - bubble. the amount of USD in circulation vs national reserve
ratio has changed dramatically over the past years. you can't do
Keynes 1 (artificial growth through overspending borrowed or printed
money) over and over without a thought to Keynes 2 (consolidation and
debt reduction). look at what happened to Greece when its CDS ratings
went to the shitter and you know the next thing to happen to anyone
with a GNP to debt ratio like theirs without some consolidation... all
Bernanke wants to do is fuel the economy by giving people the idea
that it is a good thing to spend money they don't have until those
loans go bad again... or the economy regains momentum which
incidentally didn't happen the last couple of times this was tried...

2010/11/16 Bob Sullivanrf.sulli...@gmail.com:

Peter,
No reason to believe Bernanki isn't just as good or better than
Greenspan and the others.
Remember Greenspan is the guy who brought you the mortgage/housing bubble,
talk about irrational exhuberance? ! ! !
I can't believe folks want to take us back to 1932 and Depression
monetary policies.  :-(
Anybody checked Japan's growth lately?!?
Regards,  Bob S.

On Mon, Nov 15, 2010 at 9:54 PM, P. J. Alling
webstertwenty...@gmail.com  wrote:

The Fed is supposed to manipulate the economy within certain limits.  Mostly
to anticipate the size of the money supply required to match economic
activity, to smooth out peeks and troughs due to natural variations.  Money
acts as a lubricant in an economy, and just as with an engine the wrong
amount of oil will ruin it .  The fact that The Fed has proven to be utterly
incompetent at it's task, about 3/4 of the time and the Obama administration
has chosen them to implement policies well beyond it's original scope,
(which did I mention it is often incompetent at),  just scares the bejesus
out of me.   The current Fed Chairman isn't Milton Freedman, he isn't Paul
Volcker, he isn't even Allen Greenspan, at least Greenspan had some idea
that something was going wrong...

On 11/15/2010 10:38 PM, Daniel J. Matyola wrote:

The point of manipulating the economy is not whether what is done is
good or bad;  the point is to manipulate the economy.

Dan

On Mon, Nov 15, 2010 at 10:30 PM, P. J. Alling
webstertwenty...@gmail.comwrote:

I've seen it.  The only problem I have with it is that they seem to think
that deflation is good.  It isn't any better for the economy than massive
inflation, just bad in a different way.

On 11/15/2010 10:30 PM, Daniel J. Matyola wrote:

http://www.youtube.com/watch?v=PTUY16CkS-kfeature=player_embedded


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OT you've all seen ken rock well...

2010-11-18 Thread eckinator
... now its time to see barbie roll better... =)
I just registered www.barbierollbetter.com and hope to turn it into a
photo advice page both humorous and helpful. Let me know if you want
wour own page linked and also if you want to contribute some content.
Cheers
Ecke

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Re: OT you've all seen ken rock well...

2010-11-18 Thread Larry Colen

On Nov 18, 2010, at 1:33 AM, eckinator wrote:

 ... now its time to see barbie roll better... =)
 I just registered www.barbierollbetter.com and hope to turn it into a
 photo advice page both humorous and helpful.

You're a sick man Mr. Inator. I like that.

 Let me know if you want
 wour own page linked and also if you want to contribute some content.
 Cheers
 Ecke
 
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Re: OT I;m such a friggin idiot

2010-11-18 Thread Larry Colen

On Nov 18, 2010, at 12:56 AM, David Mann wrote:

 On Nov 18, 2010, at 10:52 AM, Bob W wrote:
 
 I was 16 or so when the album was released, although I'd seen them play it
 live before then. I often used to wonder if I'd already missed the starting
 gun. Still do, and I'm 53 now. These spikes are starting to get a bit
 uncomfortable.
 
 I first listened to that album only a couple of years ago.  I'd watched the 
 episode of the Classic Albums show.  David Gilmour says that he wishes he 
 could put a pair of headphones on and listen to it for the first time.  So a 
 while later I bought the CD and did exactly that.
 
 I don't listen to it very often... I really should put it on again sometime.

I'm not the sort of person to advocate the use of illegal substances such as 
cannabis. But if I were, I'd say that one of the most memorable experiences of 
a certain person, was when he was 19 years old, getting stoned and listening to 
the entirety of the wall with his brand new NAD 3020 amp pushing the speakers 
for all that it was worth.

Even so, Wish you were here has long been my favorite PInk Floyd Album, and 
possibly my favorite album. The Wall tells a great story, but there is almost 
an album's worth of great songs, and a little over an album's worth of good 
songs.


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Re: The Platinum Print Guy

2010-11-18 Thread Matthew Hunt
On Wed, Nov 17, 2010 at 10:24 PM, Miserere miser...@gmail.com wrote:

 Little has been spoken of archrival Harry Westmen, who pioneered
 albumen printing on white bread. All his great prints have been either
 lost or eaten.

A related process is gaining popularity:

http://www.inseq.net/zuse.html

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Re: Strange news...

2010-11-18 Thread David J Brooks
And I complained about some internet theft from 11 year old horse back riders.

:-)

Dave

On Mon, Nov 15, 2010 at 6:05 PM, DagT li...@thrane.name wrote:
 A copy of the picture I had at the exhibition in Chicago
 http://www.thrane.name/page3/page11/files/page11-1008-full.html
 was been stolen last week from an exhibition in the Central station Metro in 
 Oslo. It was locked behind a glass door but the glass was not broken so the 
 thief had a key. The print was 60x90cm!!

 I guess someone really wanted it, or at least the story is so funny that I 
 don´t want a boring version...

 DagT
 http://www.thrane.name




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Re: OT you've all seen ken rock well...

2010-11-18 Thread eckinator
Thank you Larry =)
On a serious note, I wonder if I should ask Mattel first rather than
to have them go after me later - I figure that using the words Ken or
Barbie by themselves is no big whoop whereare advertising the site
with you've seen ken rock well, now come see barbie roll better may
be a different story altogether. Any lawyers on the list? Any
opinions?
Cheers
Ecke

2010/11/18 Larry Colen l...@red4est.com:

 On Nov 18, 2010, at 1:33 AM, eckinator wrote:

 ... now its time to see barbie roll better... =)
 I just registered www.barbierollbetter.com and hope to turn it into a
 photo advice page both humorous and helpful.

 You're a sick man Mr. Inator. I like that.

 Let me know if you want
 wour own page linked and also if you want to contribute some content.
 Cheers
 Ecke

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Re: The Platinum Print Guy

2010-11-18 Thread Mark Roberts
Matthew Hunt wrote:

On Wed, Nov 17, 2010 at 10:24 PM, Miserere miser...@gmail.com wrote:

 Little has been spoken of archrival Harry Westmen, who pioneered
 albumen printing on white bread. All his great prints have been either
 lost or eaten.

A related process is gaining popularity:

http://www.inseq.net/zuse.html

I'm told all those ever do is turn out pictures of the virgin Mary...


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Re: Yellowbook

2010-11-18 Thread Jack Davis
Kind of you, Bob. Thanks!

Jack

--- On Wed, 11/17/10, Bob Sullivan rf.sulli...@gmail.com wrote:

 From: Bob Sullivan rf.sulli...@gmail.com
 Subject: Re: Yellowbook
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, November 17, 2010, 8:35 PM
 Jack,
 You don't need more approval.
 Your pictures are consistently beautiful and of
 professional quality.
 I always look forward to viewing what you post.
 Regards,  Bob S.
 
 On Wed, Nov 17, 2010 at 10:01 PM, Jack Davis jdavi...@yahoo.com
 wrote:
  Appreciated comments, Christine! Will I ever get past
 needing approval? ;)
 
  Jack
 
  --- On Wed, 11/17/10, Christine Aguila cagu...@earthlink.net
 wrote:
 
  From: Christine Aguila cagu...@earthlink.net
  Subject: Re: Yellowbook
  To: Pentax-Discuss Mail List pdml@pdml.net
  Date: Wednesday, November 17, 2010, 5:42 PM
  Big congrats, Jack!  Well
  done!  Cheers, Christine
 
 
  - Original Message - From: Jack Davis
 jdavi...@yahoo.com
  To: Pentax-Discuss Mail List pdml@pdml.net
  Sent: Wednesday, November 17, 2010 7:50 AM
  Subject: PESO: Yellowbook
 
 
  Received a call from a Sacramento based
 'phonebook
  publisher. They had found my website (I gather)
 and wanted
  to know if I'd be willing to allow them to use one
 of my
  photos for the cover of the local 2011-2012
 Yellowbook.
  Liberal photo credit offered which would appear on
 the back
  of the cover.
  As I'm sure is the case virtually everywhere, at
 least in
  this country, the book is delivered free to all
 listed
  city/town households and businesses.
  My website will appear as a part of my photo
 credit, so I
  agreed.
 
  Jack
 
  Cover:
 
  http://photolightimages.com/aspupload/detail.asp?ID=549
 
  Photo: (LX, 24mm Takumar)
 
  http://photolightimages.com/aspupload/detail.asp?ID=550
 
 
 
 
 
 
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Re: PESO: Yellowbook

2010-11-18 Thread Jack Davis
Thanks, David! The going rate in this case is photo credit inside the front 
cover. The book is provided free to households and businesses in those towns 
listed on the cover. As you point out, the cropped gaudy cover isn't the best 
presentation. ;)

Jack

--- On Thu, 11/18/10, David Mann d...@multisport.net.nz wrote:

 From: David Mann d...@multisport.net.nz
 Subject: Re: PESO: Yellowbook
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Thursday, November 18, 2010, 12:32 AM
 What a beautiful photo.  It's a
 pity they cropped it, they should have printed the book in
 landscape format.
 
 I hope they pay the going rate.
 
 Dave
 
 On Nov 18, 2010, at 2:50 AM, Jack Davis wrote:
 
  Received a call from a Sacramento based 'phonebook
 publisher. They had found my website (I gather) and wanted
 to know if I'd be willing to allow them to use one of my
 photos for the cover of the local 2011-2012 Yellowbook.
 Liberal photo credit offered which would appear on the back
 of the cover.
  As I'm sure is the case virtually everywhere, at least
 in this country, the book is delivered free to all listed
 city/town households and businesses.
  My website will appear as a part of my photo credit,
 so I agreed.
  
  Jack
  
  Cover:
  
  http://photolightimages.com/aspupload/detail.asp?ID=549
  
  Photo: (LX, 24mm Takumar)  
  
  http://photolightimages.com/aspupload/detail.asp?ID=550
 
 
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Phonecamera

2010-11-18 Thread Dario Bonazza

http://en.akihabaranews.com/70707/phones/lg-l-03c-the-%E2%80%9Cfirst%E2%80%9D-point-shoot-phone


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New K5 firmware is out.

2010-11-18 Thread Thibouille
Link and comments here:
http://www.pentaxforums.com/forums/pentax-news-rumors/123030-k5-firmware-available.html

Some user got 24 RAW at Iso100, from approx 20 officialy stated.

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DA50-135, DA50-200, 360FGZ ...
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Programing: Delphi 2009

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Re: Phonecamera

2010-11-18 Thread eckinator
convergence is always a good thing and this was overdue
good for the environment as well as out pockets and wallets
now could someone please make a wireless live view transceiver 
remote app to control a dslr with a smartphone?
Ecke

2010/11/18 Dario Bonazza dario.bona...@virgilio.it:
 http://en.akihabaranews.com/70707/phones/lg-l-03c-the-%E2%80%9Cfirst%E2%80%9D-point-shoot-phone


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Re: New K5 firmware is out.

2010-11-18 Thread Ralf R. Radermacher
Thibouille pentaxl...@gmail.com wrote:

 Link and comments here:

I have installed it and no probs so far. 

 Some user got 24 RAW at Iso100, from approx 20 officialy stated.

Could this depend on the speed of the SD card and the number of frames
that can already be saved while the buffer is filling?

Ralf

-- 
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resetting frame count

2010-11-18 Thread paul stenquist
I know this is probably in the archives, but I couldn't find it. Swapping a 
card from my k7 to the k5, I screwed up the frame count on the K-5. I thought I 
could set it back to what it should be by renumbering a frame on a card and 
using that card in the camera. Didn't work. How is it done?
Paul
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I think I may have a problem....

2010-11-18 Thread CheekyGeek
I have been joking about selling a kidney in order to pay for a K-5,
but that may not be necessary. I took a little inventory last night
and what I found surprised me. I've accumulated a fair amount of stuff
in my pursuit of legacy glass for my K200D (and later K-x). A rather
SILLY amount of stuff. Even eliminating the stuff that I really want
to keep for myself, I seem to have acquired about 22 Pentax bodies, 3
Olympus bodies, 3 Canon bodies, and 1 Minolta body. And then there are
the lenses for the above. (I've also got three Yashica rangefinders
and a couple of SX-70s along with a few unusual items like a Walz
Wide, psuedo rangefinder and a Zeiss Ikon Contessamat.) Nothing
terribly valuable individually, but collectively I think I should have
little trouble in amassing $1500. I've been sentimentally hanging onto
my Mamiya TLR bodies and lenses, and I have special project in mind
for them so I will sell them only as a last resort.

Suffice it to say that I may be able to keep the area Post Office busy
for a while.

Darren Addy
Kearney, Nebraska

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Re: resetting frame count

2010-11-18 Thread Dario Bonazza
Allow the camera to reset the File No. in the Memory submenu (uncheck the 
File No. box), then put a properly numbered file in the SD card. That way 
the number will start from the file No. of the picture instead of zeroing. 
Then check the File No. item in the Memory submenu, so that it won't reset 
again next.

Dario

- Original Message - 
From: paul stenquist pnstenqu...@comcast.net

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Thursday, November 18, 2010 3:41 PM
Subject: resetting frame count


I know this is probably in the archives, but I couldn't find it. Swapping a 
card from my k7 to the k5, I screwed up the frame count on the K-5. I 
thought I could set it back to what it should be by renumbering a frame on 
a card and using that card in the camera. Didn't work. How is it done?

Paul
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-
Nessun virus nel messaggio.
Controllato da AVG - www.avg.com
Versione: 10.0.1153 / Database dei virus: 424/3263 -  Data di rilascio: 
17/11/2010





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Re: resetting frame count

2010-11-18 Thread paul stenquist
Thanks Dario!

On Nov 18, 2010, at 9:56 AM, Dario Bonazza wrote:

 Allow the camera to reset the File No. in the Memory submenu (uncheck the 
 File No. box), then put a properly numbered file in the SD card. That way the 
 number will start from the file No. of the picture instead of zeroing. Then 
 check the File No. item in the Memory submenu, so that it won't reset again 
 next.
 Dario
 
 - Original Message - From: paul stenquist pnstenqu...@comcast.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Thursday, November 18, 2010 3:41 PM
 Subject: resetting frame count
 
 
 I know this is probably in the archives, but I couldn't find it. Swapping a 
 card from my k7 to the k5, I screwed up the frame count on the K-5. I 
 thought I could set it back to what it should be by renumbering a frame on a 
 card and using that card in the camera. Didn't work. How is it done?
 Paul
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 follow the directions.
 
 
 -
 Nessun virus nel messaggio.
 Controllato da AVG - www.avg.com
 Versione: 10.0.1153 / Database dei virus: 424/3263 -  Data di rilascio: 
 17/11/2010
 
 
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Re: New K5 firmware is out.

2010-11-18 Thread Jack Davis
Pentax also advises 20 RAW at high(?) ISO.

Jack

--- On Thu, 11/18/10, Thibouille pentaxl...@gmail.com wrote:

 From: Thibouille pentaxl...@gmail.com
 Subject: New K5 firmware is out.
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Thursday, November 18, 2010, 5:50 AM
 Link and comments here:
 http://www.pentaxforums.com/forums/pentax-news-rumors/123030-k5-firmware-available.html
 
 Some user got 24 RAW at Iso100, from approx 20 officialy
 stated.
 
 -- 
 Thibault Massart aka Thibouille/Thibs
 --
 Photo: K-7, Sigma 28/1.8 macro, FA50/1.4, DA40Ltd, K30/2.8,
 DA16-45,
 DA50-135, DA50-200, 360FGZ ...
 Laptop: Macbook 13 Unibody SnowLeo/Win7
 Programing: Delphi 2009
 
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Re: Strange news...

2010-11-18 Thread DagT

Den 18. nov. 2010 kl. 07.28 skrev Boris Liberman:

 On 11/18/2010 4:08 AM, Christine Aguila wrote:
 I can't fucking believe prints have still not been returned. I'm so
 sorry this has happened to you, Mark, and other folks. I'll see what I
 can do in the next few days. Ugh. Despite the slow return of prints, I
 hope all PDMLers still feel that the exhibition was worthwhile and a fun
 adventure for the list. I'd feel really bad if the slow return-of-prints
 soured people against any future exhibitions that might be offered to
 PDML. Christine
 
 No news over here, Christine. Don't you worry too much, although I surely 
 would like to see my print not getting lost. My company is changing offices 
 so that hanging my picture on the walls of the new offices would be somehow 
 appropriate. It will take time however, to make my wish come true.
 
 Boris

Nothing here either. A little bit funny that it was the same photograph. 
Someone out there doesn´t want me to have it on my wall...

DagT
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Re: PAW45 - Sunset

2010-11-18 Thread DagT
Thanks!

DagT

Den 18. nov. 2010 kl. 02.39 skrev Christine Aguila:

 Very clever, DatT!  Cheers, Christine
 
 
 - Original Message - From: DagT li...@thrane.name
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Sunday, November 14, 2010 2:05 PM
 Subject: PAW45 - Sunset
 
 
 http://www.thrane.name/page3/page7/files/page7-1000-full.html
 K20D, da*16...@45mm, 1/125s, f/8, ISO200
 
 DagT
 http://www.thrane.name/


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Re: Phonecamera

2010-11-18 Thread P. J. Alling

No one uses phones anymore they all text...

On 11/18/2010 8:47 AM, Dario Bonazza wrote:
http://en.akihabaranews.com/70707/phones/lg-l-03c-the-%E2%80%9Cfirst%E2%80%9D-point-shoot-phone 







--
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bankruptcy.
 -Woody Allen


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Re: OT you've all seen ken rock well...

2010-11-18 Thread P. J. Alling
I think you'd do all right in the good old days if you sold it as 
satire.  Today who knows.


On 11/18/2010 7:07 AM, eckinator wrote:

Thank you Larry =)
On a serious note, I wonder if I should ask Mattel first rather than
to have them go after me later - I figure that using the words Ken or
Barbie by themselves is no big whoop whereare advertising the site
with you've seen ken rock well, now come see barbie roll better may
be a different story altogether. Any lawyers on the list? Any
opinions?
Cheers
Ecke

2010/11/18 Larry Colenl...@red4est.com:

On Nov 18, 2010, at 1:33 AM, eckinator wrote:


... now its time to see barbie roll better... =)
I just registered www.barbierollbetter.com and hope to turn it into a
photo advice page both humorous and helpful.

You're a sick man Mr. Inator. I like that.


Let me know if you want
wour own page linked and also if you want to contribute some content.
Cheers
Ecke

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 -Woody Allen


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Re: OT I;m such a friggin idiot

2010-11-18 Thread Charles Robinson
On Nov 18, 2010, at 2:56, David Mann wrote:

 On Nov 18, 2010, at 10:52 AM, Bob W wrote:
 
 I was 16 or so when the album was released, although I'd seen them play it
 live before then. I often used to wonder if I'd already missed the starting
 gun. Still do, and I'm 53 now. These spikes are starting to get a bit
 uncomfortable.
 
 I first listened to that album only a couple of years ago.  I'd watched the 
 episode of the Classic Albums show.  David Gilmour says that he wishes he 
 could put a pair of headphones on and listen to it for the first time.  So a 
 while later I bought the CD and did exactly that.
 

My first listen to it was back in 1979 after an all-night party.  I'd borrowed 
a friend's record and put it on the turntable when I got home. 

Then... because I'd been up all night, I closed my eyes and dozed a bit while 
listening.  

Needless to say, I was a little startled at the opening notes to the song 
Time!

 -Charles

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Minneapolis, MN
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http://www.facebook.com/charles.robinson


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Re: OT you've all seen ken rock well...

2010-11-18 Thread CheekyGeek
Speaking of Barbie, this gives me a good excuse to point out one of
the more BIZARRE Barbie Dolls I have seen yet.
Frankly, I think it is for the birds.
http://tinyurl.com/27x87kh

Darren Addy
Kearney, NE
- - -
Nothing is sure but Death and Pentaxes.

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Re: OT you've all seen ken rock well...

2010-11-18 Thread John Francis

IANAL, but parody is protected speech.  And unless you intend to make
it look as though yours is really a Mattel site, you should be safe.


On Thu, Nov 18, 2010 at 01:07:37PM +0100, eckinator wrote:
 Thank you Larry =)
 On a serious note, I wonder if I should ask Mattel first rather than
 to have them go after me later - I figure that using the words Ken or
 Barbie by themselves is no big whoop whereare advertising the site
 with you've seen ken rock well, now come see barbie roll better may
 be a different story altogether. Any lawyers on the list? Any
 opinions?
 Cheers
 Ecke
 
 2010/11/18 Larry Colen l...@red4est.com:
 
  On Nov 18, 2010, at 1:33 AM, eckinator wrote:
 
  ... now its time to see barbie roll better... =)
  I just registered www.barbierollbetter.com and hope to turn it into a
  photo advice page both humorous and helpful.
 
  You're a sick man Mr. Inator. I like that.
 
  Let me know if you want
  wour own page linked and also if you want to contribute some content.
  Cheers
  Ecke
 
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Re: New K5 firmware is out.

2010-11-18 Thread John Francis
On Thu, Nov 18, 2010 at 03:39:32PM +0100, Ralf R. Radermacher wrote:
 Thibouille pentaxl...@gmail.com wrote:
 
  Link and comments here:
 
 I have installed it and no probs so far. 
 
  Some user got 24 RAW at Iso100, from approx 20 officialy stated.
 
 Could this depend on the speed of the SD card and the number of frames
 that can already be saved while the buffer is filling?

More likely is the amount of compression attained; if your images
compress really well the buffer will hold more.


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Re: OT you've all seen ken rock well...

2010-11-18 Thread P. J. Alling
Tippi Hedren had a nervous breakdown during the filming of the birds. I 
think that doll is totally insensitive, and disrespectful of her memory, 
except that she's still alive.


On 11/18/2010 12:04 PM, CheekyGeek wrote:

Speaking of Barbie, this gives me a good excuse to point out one of
the more BIZARRE Barbie Dolls I have seen yet.
Frankly, I think it is for the birds.
http://tinyurl.com/27x87kh

Darren Addy
Kearney, NE
- - -
Nothing is sure but Death and Pentaxes.




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 -Woody Allen


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Re: New K5 firmware is out.

2010-11-18 Thread Thibouille
Sd Card speed, compression rate of thé image and iso (high iso noise
meaning less compression).

2010/11/18, Ralf R. Radermacher fotor...@gmx.de:
 Thibouille pentaxl...@gmail.com wrote:

 Link and comments here:

 I have installed it and no probs so far.

 Some user got 24 RAW at Iso100, from approx 20 officialy stated.

 Could this depend on the speed of the SD card and the number of frames
 that can already be saved while the buffer is filling?

 Ralf

 --
 Ralf R. Radermacher  -  DL9KCG  -  Köln/Cologne, Germany
 Blog   : http://the-real-fotoralf.blogspot.com
 Audio : http://aporee.org/maps/projects/fotoralf
 Web   : http://www.fotoralf.de

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--
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DA50-135, DA50-200, 360FGZ ...
Laptop: Macbook 13 Unibody SnowLeo/Win7
Programing: Delphi 2009

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Re: New K5 firmware is out.

2010-11-18 Thread mark
Thibouille pentaxl...@gmail.com wrote:

Link and comments here:
http://www.pentaxforums.com/forums/pentax-news-rumors/123030-k5-firmware-available.html

Some user got 24 RAW at Iso100, from approx 20 officialy stated.

I just had a vision of Steve Martin running around in circles
shouting, The new firmware is out! The new firmware is out!


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Re: New K5 firmware is out.

2010-11-18 Thread Jack Davis
..and boy do I need it!

J

--- On Thu, 11/18/10, m...@robertstech.com m...@robertstech.com wrote:

 From: m...@robertstech.com m...@robertstech.com
 Subject: Re: New K5 firmware is out.
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Thursday, November 18, 2010, 9:30 AM
 Thibouille pentaxl...@gmail.com
 wrote:
 
 Link and comments here:
 http://www.pentaxforums.com/forums/pentax-news-rumors/123030-k5-firmware-available.html
 
 Some user got 24 RAW at Iso100, from approx 20
 officialy stated.
 
 I just had a vision of Steve Martin running around in
 circles
 shouting, The new firmware is out! The new firmware is
 out!
 
 
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Re: PESO: more clouds from the french alps and an unusual diner .....

2010-11-18 Thread Madame RD

thanks Christine . i've seen some incredible clouds over there 
dominique

Le 18/11/10 02:46, Christine Aguila a écrit :
That's a very dramatic cloud, dominique!  Nicely composed frame.  
Cheers, christine



- Original Message - From: Madame RD romd...@orange.fr
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Wednesday, November 17, 2010 3:05 PM
Subject: Re: PESO: more clouds from the french alps and an unusual 
diner .




  thanks . they were  gathering on what was left of the leaves ..  I'd
completely forgotten about my uncle's garden and it was too late to do
anything for the cauliflowers so I shot  those d...m creepers  instead
of squashing 'em !.  ;)))

dominique


Le 17/11/10 17:50, Steven Desjardins a écrit :

I really like the caterpillar shot.

On Wed, Nov 17, 2010 at 11:44 AM, Madame RDromd...@orange.fr  wrote:


the colours were incredible ...  I'd never seen anything like this .
I wondered about cropping the bottom of the picture but decided 
against it

.. I felt it emphasized the sheer size of the cloud 

http://www.flickr.com/photos/la_meduse/5184368445/#/photos/la_meduse/5184368445/lightbox/ 



had a go at  the garden too
http://www.flickr.com/photos/la_meduse/5184320307/#/photos/la_meduse/5184320307/lightbox/ 




dominique



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Re: PESO: Godfrey's Contraption

2010-11-18 Thread Larry Colen

On Nov 17, 2010, at 6:19 PM, Walter Gilbert wrote:

   Of course, I would never come up with an overwrought title like that!

That wasn't wrought, it was probably mild steel.
 

--
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Re: I'm back, and so is @PDML

2010-11-18 Thread Miserere
On 16 November 2010 01:44, Tim Bray tb...@textuality.com wrote:
 The summer trip to Chicago, except for the couple of hours I spent in
 your company, was disastrous on some other fronts, and then I got
 super-busy at work, then I noticed I was like 2000-plus messages
 behind on PDML.  Also, the PESO/Twitter mashup broke when Twitter
 introduced a barbaric technology called OAuth.  Long story short:
 recently I've been shooting more and consequently missing y'all and
 your pictures.  So I fixed the mashup and will post a couple of pix to
 prove I'm here.

 A quick mashup primer:  It's at http://twitter.com/#!/PDML, @PDML for
 short, and if you're a twitter/Pentax kind of person you might enjoy
 it.  If you post anything with a subject line that begins PESO or GESO
 it shows up there.  It's case-sensitive, so if you want to avoid that
 just say Peso or peso or whatever.  I wasn't smart enough to figure
 out how to make it skip over the hundreds of PESOs since it broke in
 August so it's doing 15 per hour and should be caught up in a couple
 of days.

 Photo news... recently I've been sort of infatuated with the
 stupidly-good-for-its-size-and-price Canon S90.  So when I travel I
 take my K20, the 40mm and 21mm Limiteds, and the S90; a very compact
 and versatile kit.  The S90 has a bit of zoom and is damn near the
 K20's equal for low-light.

 I am totally planning on not buying a K-5. Totally, I keep telling myself.

  -Tim

So Tim, if I read your message correctly, you said that when you had
to choose between the PDML and taking photographs, you went with
taking photographs. Now we know where your allegiance lies, Tim!  I'll
talk to you again when you get your priorities straight.

Humph!


  --M.


PS: You've missed very little, apart from a minor war between Godders
and Bill Rob; The Six Days War, I believe we're calling it. Nobody's
sure who won, but the PDML is the clear loser I think.


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    http://EnticingTheLight.com
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Re: OT you've all seen ken rock well...

2010-11-18 Thread Larry Colen

On Nov 18, 2010, at 4:07 AM, eckinator wrote:

 Thank you Larry =)
 On a serious note, I wonder if I should ask Mattel first rather than
 to have them go after me later - I figure that using the words Ken or
 Barbie by themselves is no big whoop whereare advertising the site
 with you've seen ken rock well, now come see barbie roll better may
 be a different story altogether. Any lawyers on the list? Any
 opinions?

Don't even mention Kennyboy.  Let people figure it out for themselves.  If 
anyone asks tell them that you named it after an old girlfriend who was into 
photography and played the bass in a punk polka band.

 

--
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Re: Phonecamera

2010-11-18 Thread Bruce Walker

With what do they text if not a phone?

On 10-11-18 11:26 AM, P. J. Alling wrote:

No one uses phones anymore they all text...

On 11/18/2010 8:47 AM, Dario Bonazza wrote:
http://en.akihabaranews.com/70707/phones/lg-l-03c-the-%E2%80%9Cfirst%E2%80%9D-point-shoot-phone 










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Re: OT: Engineer humor

2010-11-18 Thread Adam Maas
Groan

-Adam

On Thu, Nov 18, 2010 at 4:24 AM, Larry Colen l...@red4est.com wrote:
 Warning, a pun bad enough that I laughed out loud:
 http://partiallyclips.com/2010/09/24/workplace-conversation/
 --
 Larry Colen l...@red4est.com sent from i4est





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Re: Phonecamera

2010-11-18 Thread P. J. Alling

Specially designed texting devices, that just barely resemble a phone.

On 11/18/2010 1:50 PM, Bruce Walker wrote:

With what do they text if not a phone?

On 10-11-18 11:26 AM, P. J. Alling wrote:

No one uses phones anymore they all text...

On 11/18/2010 8:47 AM, Dario Bonazza wrote:
http://en.akihabaranews.com/70707/phones/lg-l-03c-the-%E2%80%9Cfirst%E2%80%9D-point-shoot-phone 













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bankruptcy.
 -Woody Allen


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digital bw

2010-11-18 Thread Collin Brendemuehl
I've been looking at a lot of digital bw work this week.

When you digitroids do this, do you employ filters like we filmaniacs do?
I'm thinking that this might be a good Saturday a.m. experiment.

When I look at the work on Pentax photo gallery, the Bw efforts
seem to share a common fault:  3 tones -- near-black, near-white, zone 6.
There just is not the tonal variance.

Sincerely, 

Collin Brendemuehl 
http://kerygmainstitute.org 

He is no fool who gives what he cannot keep to gain what he cannot lose 
-- Jim Elliott 






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Re: Semi-OT: Battery Question

2010-11-18 Thread steve harley

On 2010-11-12 11:44 , John Sessoms wrote:

I don't know if there will be any other windoze computers along on the
trip. I could format my external drive for Mac HFS or HFS+ and install
MacDrive on my windoze box when I get home.


just noticed this; format the external as FAT-32 -- any Mac can read it 
and you won't have to install any software on Windows


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Re: digital bw

2010-11-18 Thread CheekyGeek
The only filters that I feel are necessary/useful in the digital world
are Neutral Density filters (for those times you want longer shutter
speeds at equiv. apertures or gradient NDs) and maybe polarizers.
Other than that, you can do the filter-thing for various BW
enhancements with a post-processing product like Nik Software's Silver
Efex Pro.

http://www.flickr.com/groups/silver_efex_pro/pool/

Darren Addy
Kearney, Nebraska
-- 
Nothing is sure, except Death and Pentaxes.

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Re: digital bw

2010-11-18 Thread paul stenquist

On Nov 18, 2010, at 2:02 PM, Collin Brendemuehl wrote:

 I've been looking at a lot of digital bw work this week.
 
 When you digitroids do this, do you employ filters like we filmaniacs do?
 I'm thinking that this might be a good Saturday a.m. experiment.
 
 When I look at the work on Pentax photo gallery, the Bw efforts
 seem to share a common fault:  3 tones -- near-black, near-white, zone 6.
 There just is not the tonal variance.

That's probably the result of sloppy conversions. I don't employ filters, but I 
convert using the ACR BW function, which allows you to control the gray level 
of each color independently. It's actually superior to BW film in many ways. I 
believe Lightroom offers similar conversion features.
Paul


 Sincerely, 
 
 Collin Brendemuehl 
 http://kerygmainstitute.org 
 
 He is no fool who gives what he cannot keep to gain what he cannot lose 
 -- Jim Elliott 
 
 
 
 
 
 
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Re: peso mr. mom

2010-11-18 Thread Ken Waller

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: eckinator eckina...@gmail.com


Subject: Re: peso mr. mom



Fun shot IMO but the midwife's words come to mind who said it is
consensus in the medical community that the baby björn style
carriers with the legs hanging down are bad for infant hip development
and that even though the marketing björns advertis this way of
carrying a baby as good and novel, you're not supposed to carry a baby
face forward  because not everyone's belly has the proper curve and
also there is much less comfort for the baby and not all can handle
the excess of input too well... hence mixed emotions.
thanks for sharing nonetheless
Ecke


Maybe he should have the kid on a leash and put the dogs in the carrier !


2010/11/13 Christine  Aguila cagu...@earthlink.net:

Hi Everyone:

I've reluctant to show this pic because I've been afraid that some might
find it vulgar because of what the dog is doing. But the truth is, I find
it funny--not vulgar, but I would be very interested in knowing your 
views.


http://www.caguila.com/caguila/mrmom/content/IMGP1444_large.html

Cheers, Christine



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Re: digital bw

2010-11-18 Thread David Parsons
Yeah, LR has sliders for each color (10 or 12 different colors and
shades, IIRC).  I really like how LR handles BW conversions.

On Thu, Nov 18, 2010 at 2:21 PM, paul stenquist pnstenqu...@comcast.net wrote:

 On Nov 18, 2010, at 2:02 PM, Collin Brendemuehl wrote:

 I've been looking at a lot of digital bw work this week.

 When you digitroids do this, do you employ filters like we filmaniacs do?
 I'm thinking that this might be a good Saturday a.m. experiment.

 When I look at the work on Pentax photo gallery, the Bw efforts
 seem to share a common fault:  3 tones -- near-black, near-white, zone 6.
 There just is not the tonal variance.

 That's probably the result of sloppy conversions. I don't employ filters, but 
 I convert using the ACR BW function, which allows you to control the gray 
 level of each color independently. It's actually superior to BW film in many 
 ways. I believe Lightroom offers similar conversion features.
 Paul


 Sincerely,

 Collin Brendemuehl
 http://kerygmainstitute.org

 He is no fool who gives what he cannot keep to gain what he cannot lose
 -- Jim Elliott






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Re: OT I;m such a friggin idiot

2010-11-18 Thread Ken Waller


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Larry Colen l...@red4est.com

Subject: Re: OT I;m such a friggin idiot



On Nov 18, 2010, at 12:56 AM, David Mann wrote:


On Nov 18, 2010, at 10:52 AM, Bob W wrote:

I was 16 or so when the album was released, although I'd seen them play 
it
live before then. I often used to wonder if I'd already missed the 
starting

gun. Still do, and I'm 53 now. These spikes are starting to get a bit
uncomfortable.


I first listened to that album only a couple of years ago.  I'd watched 
the episode of the Classic Albums show.  David Gilmour says that he 
wishes he could put a pair of headphones on and listen to it for the 
first time.  So a while later I bought the CD and did exactly that.


I don't listen to it very often... I really should put it on again 
sometime.


I'm not the sort of person to advocate the use of illegal substances such 
as cannabis.



And you say you're from Calie-fornia !


But if I were, I'd say that one of the most memorable experiences of a 
certain person, was when he was 19 years old, getting stoned and listening 
to the entirety of the wall with his brand new NAD 3020 amp pushing the 
speakers for all that it was worth.


Even so, Wish you were here has long been my favorite PInk Floyd Album, 
and possibly my favorite album. The Wall tells a great story, but there 
is almost an album's worth of great songs, and a little over an album's 
 worth of good songs.

--
Larry Colen l...@red4est.com sent from i4est



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Re: digital bw

2010-11-18 Thread Larry Colen

On Nov 18, 2010, at 11:16 AM, CheekyGeek wrote:

 The only filters that I feel are necessary/useful in the digital world
 are Neutral Density filters (for those times you want longer shutter
 speeds at equiv. apertures or gradient NDs) and maybe polarizers.

In most cases, I'd agree with you.  I was experimenting at the local dive 
bar/blues club last night, photographing a friend's gig. The red channel is two 
to three stops brighter than the blue and green channels.  I was experimenting 
both with and without blue filters, and both with and without in camera white 
balance.  With a blue filter on the camera, I was able to set the custom white 
balance, however without a blue filter, the ambient color balance was so far 
out of whack, that the camera would not set a custom color balance.

I haven't had a chance to process the photos and see how the best of each set 
turns out.  I suspect that for shooting color, then a filter could actually be 
useful for bringing radically out of color balance scenes back into balance, if 
you can handle the loss of light. However, in these situations, what any sane 
person would do is just convert to black and white in post.

This is a situation where:
1) I REALLY wish the histogram could show raw data, rather than JPEG.
2) I wish that lightroom had an extra stop or two of adjustment on color 
balance.
3) It would be nice to be able to adjust the ISO of each color channel 
separately, so that color balance could be achieved and still expose to the 
right on all three channels.



 Other than that, you can do the filter-thing for various BW
 enhancements with a post-processing product like Nik Software's Silver
 Efex Pro.
 
 http://www.flickr.com/groups/silver_efex_pro/pool/

Yeah, for what Collin asked, just do it in software.  All filters on your 
camera do is let you choose what information that you throw away before it even 
gets to the sensor.

 
 Darren Addy
 Kearney, Nebraska
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 Nothing is sure, except Death and Pentaxes.
 
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Re: digital bw

2010-11-18 Thread Tim Bray
In fact, I've used the LR low-contrast and high-contrast presets for
making BW and they do pretty well.  I always tinker but on a couple
occasions just went almost entirely with the preset, because it was so
good.
-Tim

On Thu, Nov 18, 2010 at 11:32 AM, David Parsons parsons.da...@gmail.com wrote:
 Yeah, LR has sliders for each color (10 or 12 different colors and
 shades, IIRC).  I really like how LR handles BW conversions.

 On Thu, Nov 18, 2010 at 2:21 PM, paul stenquist pnstenqu...@comcast.net 
 wrote:

 On Nov 18, 2010, at 2:02 PM, Collin Brendemuehl wrote:

 I've been looking at a lot of digital bw work this week.

 When you digitroids do this, do you employ filters like we filmaniacs do?
 I'm thinking that this might be a good Saturday a.m. experiment.

 When I look at the work on Pentax photo gallery, the Bw efforts
 seem to share a common fault:  3 tones -- near-black, near-white, zone 6.
 There just is not the tonal variance.

 That's probably the result of sloppy conversions. I don't employ filters, 
 but I convert using the ACR BW function, which allows you to control the 
 gray level of each color independently. It's actually superior to BW film in 
 many ways. I believe Lightroom offers similar conversion features.
 Paul


 Sincerely,

 Collin Brendemuehl
 http://kerygmainstitute.org

 He is no fool who gives what he cannot keep to gain what he cannot lose
 -- Jim Elliott






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Re: OT you've all seen ken rock well...

2010-11-18 Thread steve harley

On 2010-11-18 05:07 , eckinator wrote:

Thank you Larry =)
On a serious note, I wonder if I should ask Mattel first rather than
to have them go after me later - I figure that using the words Ken or
Barbie by themselves is no big whoop whereare advertising the site
with you've seen ken rock well, now come see barbie roll better may
be a different story altogether. Any lawyers on the list? Any
opinions?


IANAL, but a domain search shows that 2642 domains starting with 
barbie, most of them parked, such as barbie-hell.com, barbiebotox.com, 
barbiedreamhearse.com (that one's live), barbiemdplasticsurgery.com,


plus a bunch that include barbie like atheistbarbie.com, 
aussiebarbiebabes.com, badassbarbie.com


i noticed that barbiefuck.com is locked by Mattel ...

so at least you are in good company; probably safer if you don't put any 
barbie doll images on the site


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Re: digital bw

2010-11-18 Thread Matthew Montgomery
I use Matt Kloskowski's black and white presets as a starting point at times. 

http://lightroomkillertips.com/2009/presets-better-black-and-whites/

On Nov 18, 2010, at 1:45 PM, Tim Bray wrote:

 In fact, I've used the LR low-contrast and high-contrast presets for
 making BW and they do pretty well.  I always tinker but on a couple
 occasions just went almost entirely with the preset, because it was so
 good.
 -Tim
 
 On Thu, Nov 18, 2010 at 11:32 AM, David Parsons parsons.da...@gmail.com 
 wrote:
 Yeah, LR has sliders for each color (10 or 12 different colors and
 shades, IIRC).  I really like how LR handles BW conversions.
 
 On Thu, Nov 18, 2010 at 2:21 PM, paul stenquist pnstenqu...@comcast.net 
 wrote:
 
 On Nov 18, 2010, at 2:02 PM, Collin Brendemuehl wrote:
 
 I've been looking at a lot of digital bw work this week.
 
 When you digitroids do this, do you employ filters like we filmaniacs do?
 I'm thinking that this might be a good Saturday a.m. experiment.
 
 When I look at the work on Pentax photo gallery, the Bw efforts
 seem to share a common fault:  3 tones -- near-black, near-white, zone 6.
 There just is not the tonal variance.
 
 That's probably the result of sloppy conversions. I don't employ filters, 
 but I convert using the ACR BW function, which allows you to control the 
 gray level of each color independently. It's actually superior to BW film 
 in many ways. I believe Lightroom offers similar conversion features.
 Paul
 
 
 Sincerely,
 
 Collin Brendemuehl
 http://kerygmainstitute.org
 
 He is no fool who gives what he cannot keep to gain what he cannot lose
 -- Jim Elliott
 
 
 
 
 
 
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 Aloha Photographer Photoblog
 http://alohaphotog.blogspot.com/
 
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matt...@electricjunk.com






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Re: digital bw

2010-11-18 Thread Collin Brendemuehl
Paul the heretic Stenquist wrote:

That's probably the result of sloppy conversions. I don't employ filters, but 
I convert using the ACR BW function, which allows you to control the gray 
level of each color independently. It's actually superior to BW film in many 
ways. I believe Lightroom offers similar conversion features.
Paul

Anyone here have a good background in bw printing?  
Have you found a digital technique that can equal split printing?  
I haven't yet, but that doesn't mean there isn't one.  
Split printing involves altering the times for separate 
high contrast and low contrast filter settings.  
That way I can burn in low contrast textures for n(1) time 
while doing high contrast for n(2) time for other purposes.
This allows me to emphasize the details of texture while not
over-exposing the print.
My personal favorite technique.

Sincerely, 

Collin Brendemuehl 
http://kerygmainstitute.org 

He is no fool who gives what he cannot keep to gain what he cannot lose 
-- Jim Elliott



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Re: OT you've all seen ken rock well...

2010-11-18 Thread eckinator
2010/11/18 Larry Colen l...@red4est.com:

 Don't even mention Kennyboy.  Let people figure it out for themselves.  If 
 anyone asks tell them that you named it after an old girlfriend who was into 
 photography and played the bass in a punk polka band.

Thanks Larry. Sticking with the KR team I promise to PayPal you $5
every time I use that explanation... ]=)

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Re: digital bw

2010-11-18 Thread Jack Davis
The only minor tinkering I've done in this area is use a polarizer on the BW 
preset and compare that to a post color conversion. Felt the color channel 
conversion capabilities were superior.

--- On Thu, 11/18/10, Collin Brendemuehl coll...@brendemuehl.net wrote:

 From: Collin Brendemuehl coll...@brendemuehl.net
 Subject: digital bw
 To: pdml pdml@pdml.net
 Date: Thursday, November 18, 2010, 11:02 AM
 I've been looking at a lot of digital
 bw work this week.
 
 When you digitroids do this, do you employ filters like we
 filmaniacs do?
 I'm thinking that this might be a good Saturday a.m.
 experiment.
 
 When I look at the work on Pentax photo gallery, the
 Bw efforts
 seem to share a common fault:  3 tones -- near-black,
 near-white, zone 6.
 There just is not the tonal variance.
 
 Sincerely, 
 
 Collin Brendemuehl 
 http://kerygmainstitute.org 
 
 He is no fool who gives what he cannot keep to gain what
 he cannot lose 
 -- Jim Elliott 
 
 
 
 
 
 
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 directly above and follow the directions.
 


  

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Re: What Price Today the K-5 In USA

2010-11-18 Thread CheekyGeek
Interestingly, Buy.com has Adorama selling the K-5 body for $1493 + 16
shipping ($1509 total), while the Adorama site itself has it priced at
$1565 with free shipping.
Buy.com currently shows it In Stock and shipping in 1 to 2 business days.
http://www.buy.com/prod/pentax-k-5-16-3-megapixel-digital-slr-camera-body-only-black-3-lcd/q/loc/111/217451047.html

Darren Addy
Kearney, Nebraska

On Thu, Nov 18, 2010 at 12:21 AM, Morris Galloway
morris-gallo...@sbcglobal.net wrote:
 Delurking for a moment.

 The K-5, today, Thursday A.M. at 17 minutes after midnight.

 BH wins the Low Price War, $1493.99  -- Except they are sold out.  And they
 will have to notify you when it is back in stock.

 If you Really want to buy one, Adorama @ $1565.47, body only.  Zo... a Long
 14,9 for one you can't hold, and a long 15,5 for one you can hold. U.S.
 Dollars, of course.

 Hm.

 Back to Lurking,

 Galloway

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Re: digital bw

2010-11-18 Thread Godfrey DiGiorgi
I haven't looked at the Pentax Photo Gallery in a very long time, but
I assure you that what I print is hardly 3 tones. ;-)

I capture raw format and use Lightroom (and/or Photoshop) to render
BW. Rendering BW is not a Saturday a.m. experiment if you want to
be skilled at it.

Regards filters, for most things, ND, grad ND and Polarizers are all
that are necessary once you're doing digital capture. The traditional
spectral translation adjustments afforded by Red, Orange, Yellow,
Green, and Blue filters are all more than capably replaced by various
techniques in image processing the color channels. Special purpose
filters ... Infrared, ultraviolet, effects, etc ... are of course
still needed if you are trying to capture something outside of
rendering normal visible light to BW.

Something you can't do in BW film capture using filters but is quite
easy to accomplish with digital capture and image processing is
selective change to the spectral translation within a single exposure.
For instance, if you have one section of a photo where you want to
separate tones arising from clothing but need a different filter for
skin tone, you can apply one set of digital filters to one area and a
different set of digital filters to the other area of the photo. The
traditional selective tonal gradation adjustments performed by dodge
and burn operations are also easily performed in image processing.

And just like in film and wet lab BW photography, there is a wide
assortment of paper types and surfaces which affect the output image.
Computer displays remain tricksy things to present photographs with
... prints are a much more stable presentation platform.

Digital capture and image processing bring new levels of capability
and quality to BW photography. :-)

On Thu, Nov 18, 2010 at 11:02 AM, Collin Brendemuehl
coll...@brendemuehl.net wrote:
 I've been looking at a lot of digital bw work this week.

 When you digitroids do this, do you employ filters like we filmaniacs do?
 I'm thinking that this might be a good Saturday a.m. experiment.

 When I look at the work on Pentax photo gallery, the Bw efforts
 seem to share a common fault:  3 tones -- near-black, near-white, zone 6.
 There just is not the tonal variance.

 Sincerely,

 Collin Brendemuehl
 http://kerygmainstitute.org

 He is no fool who gives what he cannot keep to gain what he cannot lose
 -- Jim Elliott






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Re: digital bw

2010-11-18 Thread Mark Roberts
Collin Brendemuehl wrote:

Paul the heretic Stenquist wrote:

That's probably the result of sloppy conversions. I don't employ filters, but 
I convert using the ACR BW function, which allows you to control the gray 
level of each color independently. It's actually superior to BW film in many 
ways. I believe Lightroom offers similar conversion features.
Paul

Anyone here have a good background in bw printing?  
Have you found a digital technique that can equal split printing?  
I haven't yet, but that doesn't mean there isn't one.  
Split printing involves altering the times for separate 
high contrast and low contrast filter settings.  
That way I can burn in low contrast textures for n(1) time 
while doing high contrast for n(2) time for other purposes.
This allows me to emphasize the details of texture while not
over-exposing the print.
My personal favorite technique.

You can't do that in raw conversion but you can do it in Photoshop
with layer masks. You can even do two different raw conversions, one
with high contrast and one with low contrast, and combine them.

BTW: In theory, because of metamerism it's impossible for
post-processing of digital captures to emulate all the effects
possible with colored filters and BW film. Once you've split the
broad-spectrum light into three grayscale channels some information is
lost that can never be recovered. In theory. I've never had any
trouble getting the effect I wanted in digital post-processing,
though.  (But, come to think of it, Larry Colen's example might be a
case of this happening...)


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Re: digital bw

2010-11-18 Thread Jeffery Smith
Photoshop allows a large measure of filter effects in converting color to 
BW, using slider tools that show the preview of the filter's effects. The 
biggest problem I have when shooting digital is blown highlights that I cannot 
burn and basically have to replace using cut a paste from an adjoining area. 
I've gotten to the point that I often have to use exposure compensation of -1 
to avoid blown highlights.

Jeffery

On Nov 18, 2010, at 1:02 PM, Collin Brendemuehl wrote:

 I've been looking at a lot of digital bw work this week.
 
 When you digitroids do this, do you employ filters like we filmaniacs do?
 I'm thinking that this might be a good Saturday a.m. experiment.
 
 When I look at the work on Pentax photo gallery, the Bw efforts
 seem to share a common fault:  3 tones -- near-black, near-white, zone 6.
 There just is not the tonal variance.
 
 Sincerely, 
 
 Collin Brendemuehl 
 http://kerygmainstitute.org 
 
 He is no fool who gives what he cannot keep to gain what he cannot lose 
 -- Jim Elliott 
 
 
 
 
 
 
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Re: PESO: Godfrey's Contraption

2010-11-18 Thread Bob Sullivan
Mild steel is never as tasty as sharp steel.

On Thu, Nov 18, 2010 at 12:46 PM, Larry Colen l...@red4est.com wrote:

 On Nov 17, 2010, at 6:19 PM, Walter Gilbert wrote:

   Of course, I would never come up with an overwrought title like that!

 That wasn't wrought, it was probably mild steel.


 --
 Larry Colen l...@red4est.com sent from i4est





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Re: Phonecamera

2010-11-18 Thread eckinator
iEditor rears its ugly head...

2010/11/18 P. J. Alling webstertwenty...@gmail.com:
 Specially designed texting devices, that just barely resemble a phone.

 On 11/18/2010 1:50 PM, Bruce Walker wrote:

 With what do they text if not a phone?

 On 10-11-18 11:26 AM, P. J. Alling wrote:

 No one uses phones anymore they all text...

 On 11/18/2010 8:47 AM, Dario Bonazza wrote:


 http://en.akihabaranews.com/70707/phones/lg-l-03c-the-%E2%80%9Cfirst%E2%80%9D-point-shoot-phone








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Re: digital bw

2010-11-18 Thread Mark Roberts
Godfrey DiGiorgi wrote:

Rendering BW is not a Saturday a.m. experiment if you want to
be skilled at it.

Boy, *that's* the truth!

Especially if you're skilled at BW darkroom printing: There's a whole
new set of techniques to learn and old ones to unlearn. The latter is
harder :)

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Re: digital bw

2010-11-18 Thread Collin Brendemuehl
Some good information.  Thanks all.

But do you ever feel like rendering bw is like rendering lard?
It takes a long time and it's messy but 
good pie crust and pastry are better that way.
I feel the same way about the chemical darkroom and only wish days were longer.

There is so much I want to do, to study, and to write.
But alas ...

Sincerely, 

Collin Brendemuehl 
http://kerygmainstitute.org 

He is no fool who gives what he cannot keep to gain what he cannot lose 
-- Jim Elliott 






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Re: digital bw

2010-11-18 Thread CheekyGeek
I'm in the process of setting up an old school BW darkroom just
because I miss the process/smells/etc.
The only film I really plan on shooting from this point forward will
be BW that I develop myself.
I'm also interested in exploring alternative processes in the monochrome world.

However, if you get a really good image that requires a lot of
separate gyrations to produce a perfect print, getting consistent
prints can be an expensive pain. That's one huge benefit to digital
(albeit an obvious one). Once you've got the digital file the way you
want it, any number of prints with that same perfection is assured. Of
course, that is one more thing to make the old process more
singular/valuable.

I guess I'd liken it to automobiles and bicycles. The one didn't
become totally impractical or unenjoyable just because the other is
used (or practical) more often.

Darren Addy
Kearney, Nebraska



On Thu, Nov 18, 2010 at 2:22 PM, Collin Brendemuehl
coll...@brendemuehl.net wrote:
 Some good information.  Thanks all.

 But do you ever feel like rendering bw is like rendering lard?
 It takes a long time and it's messy but
 good pie crust and pastry are better that way.
 I feel the same way about the chemical darkroom and only wish days were 
 longer.

 There is so much I want to do, to study, and to write.
 But alas ...

 Sincerely,

 Collin Brendemuehl
 http://kerygmainstitute.org

 He is no fool who gives what he cannot keep to gain what he cannot lose
 -- Jim Elliott






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Re: digital bw

2010-11-18 Thread paul stenquist

On Nov 18, 2010, at 2:57 PM, Collin Brendemuehl wrote:

 Paul the heretic Stenquist wrote:
 
 That's probably the result of sloppy conversions. I don't employ filters, 
 but I convert using the ACR BW function, which allows you to control the 
 gray level of each color independently. It's actually superior to BW film 
 in many ways. I believe Lightroom offers similar conversion features.
 Paul
 
 Anyone here have a good background in bw printing?  
 Have you found a digital technique that can equal split printing?  
 I haven't yet, but that doesn't mean there isn't one.  
 Split printing involves altering the times for separate 
 high contrast and low contrast filter settings.  
 That way I can burn in low contrast textures for n(1) time 
 while doing high contrast for n(2) time for other purposes.
 This allows me to emphasize the details of texture while not
 over-exposing the print.
 My personal favorite technique.
 

Paul the heretic Stenquist printed BW in the darkroom for thirty years. And 
yes, I've done split printing with different contrast filters. I've also used a 
wide variety of papers and chemicals, along with contrast control development 
of the film. No darkroom techniques can match the results achievable with 
digital BW. In digital processing, each tone can be rendered individually, 
allowing infinite adjustment of grays. 
Paul


 Sincerely, 
 
 Collin Brendemuehl 
 http://kerygmainstitute.org 
 
 He is no fool who gives what he cannot keep to gain what he cannot lose 
 -- Jim Elliott
 
 
 
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Hawaii, anyone

2010-11-18 Thread Collin Brendemuehl
http://honolulu.craigslist.org/oah/pho/2029424389.html

Sincerely, 

Collin Brendemuehl 
http://kerygmainstitute.org 

He is no fool who gives what he cannot keep to gain what he cannot lose 
-- Jim Elliott 






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MBOI Tamron PKA2

2010-11-18 Thread eckinator
someone here wants one, IIRC Larry or Darren - there is one in the
German bay: 200545075350 but please note that it may go high, last one
here sold for over € 62 =~US$100... =[
Cheers
Ecke

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Re: digital bw

2010-11-18 Thread Collin Brendemuehl
Paul the heretic Stenquist printed BW in the darkroom for thirty years. 
And yes, I've done split printing with different contrast filters. 
I've also used a wide variety of papers and chemicals, along with 
contrast control development of the film. No darkroom techniques can match 
the results achievable with digital BW. In digital processing, each tone 
can be rendered individually, allowing infinite adjustment of grays. 
Paul

Apologies for the moniker.  Just a little turf thing.
Thanks.

Sincerely, 

Collin Brendemuehl 
http://kerygmainstitute.org 

He is no fool who gives what he cannot keep to gain what he cannot lose 
-- Jim Elliott 






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PESO - November Clematis

2010-11-18 Thread paul stenquist
Went out in the yard with the K-5 and DA*60-250 to take the new firmware for a 
spin. Saw this bloom on a Clematis vine, the leaves of which had already been 
damaged by a couple of hard frosts. A nasty wind was blowing it around, so I 
pumped up the ISO and shutter speed. f5.6 @ 1/500th, ISO 1600.

http://photo.net/photodb/photo?photo_id=11969971size=lg
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Re: PESO - November Clematis

2010-11-18 Thread eckinator
pretty impressive for ISO1600. your camera takes really good pictures =P
thanks for sharing
Ecke

2010/11/18 paul stenquist pnstenqu...@comcast.net:
 Went out in the yard with the K-5 and DA*60-250 to take the new firmware for 
 a spin. Saw this bloom on a Clematis vine, the leaves of which had already 
 been damaged by a couple of hard frosts. A nasty wind was blowing it around, 
 so I pumped up the ISO and shutter speed. f5.6 @ 1/500th, ISO 1600.

 http://photo.net/photodb/photo?photo_id=11969971size=lg
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OT: Anyone here able to read/translate Chinese?

2010-11-18 Thread Charles Robinson
My brother has been doing some research on these bottles we toasted from when 
we were in China this May.

Seems that BaiJiu has a storied history in China.  The description of this 
beverage as smelling/tasting like 'a cross between rubbing alcohol and diesel 
fuel' is not far off.

Reading up on the Baijiu entry in Wikipedia, I'm trying to figure out what 
type/version is in the bottle in this photo:

http://charles.robinsontwins.org/photos/2010/china/content/DSCF6800_large.html

(Sorry this particular photo was taken with a Fuji, not my Pentax)

I have figured out that the 5 characters underneath the big stylized label are:

[blank] fragrance [blank] white liquor

..and I'm trying to fill in the blanks. Any help here?

 -Charles

PS: our group of 6 travelers each got a full bottle to take home.  Went over 
pretty well with most of the people here in the U.S. who gave it a shot.  Fun 
times, fun times.

--
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Minneapolis, MN
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http://www.facebook.com/charles.robinson


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Re: PESO - November Clematis

2010-11-18 Thread paul stenquist
Thanks Ecke. And you're right, my camera does take good pictures.
Seriously, I'm liking high ISO capability more than I thought I would. It gives 
me the luxury of a range cushion. With the K7, I would have probably shot this 
at ISO 400, f4, 1/250th. Since the lens was at 250 mm, it would have been iffy.
Paul
On Nov 18, 2010, at 4:18 PM, eckinator wrote:

 pretty impressive for ISO1600. your camera takes really good pictures =P
 thanks for sharing
 Ecke
 
 2010/11/18 paul stenquist pnstenqu...@comcast.net:
 Went out in the yard with the K-5 and DA*60-250 to take the new firmware for 
 a spin. Saw this bloom on a Clematis vine, the leaves of which had already 
 been damaged by a couple of hard frosts. A nasty wind was blowing it around, 
 so I pumped up the ISO and shutter speed. f5.6 @ 1/500th, ISO 1600.
 
 http://photo.net/photodb/photo?photo_id=11969971size=lg
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Re: PESO - November Clematis

2010-11-18 Thread eckinator
I want one. Everything I read about the K-5 makes me think perhaps I
can stop eyeing a Nikon after all...
Cheers
Ecke

2010/11/18 paul stenquist pnstenqu...@comcast.net:
 Thanks Ecke. And you're right, my camera does take good pictures.
 Seriously, I'm liking high ISO capability more than I thought I would. It 
 gives me the luxury of a range cushion. With the K7, I would have probably 
 shot this at ISO 400, f4, 1/250th. Since the lens was at 250 mm, it would 
 have been iffy.
 Paul
 On Nov 18, 2010, at 4:18 PM, eckinator wrote:

 pretty impressive for ISO1600. your camera takes really good pictures =P
 thanks for sharing
 Ecke

 2010/11/18 paul stenquist pnstenqu...@comcast.net:
 Went out in the yard with the K-5 and DA*60-250 to take the new firmware 
 for a spin. Saw this bloom on a Clematis vine, the leaves of which had 
 already been damaged by a couple of hard frosts. A nasty wind was blowing 
 it around, so I pumped up the ISO and shutter speed. f5.6 @ 1/500th, ISO 
 1600.

 http://photo.net/photodb/photo?photo_id=11969971size=lg
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Re: MBOI Tamron PKA2

2010-11-18 Thread Adam Maas
Damn, didn't realize they were so expensive. Might have to part with
mine since I'm not really using it anymore.

-Adam

On Thu, Nov 18, 2010 at 3:42 PM, eckinator eckina...@gmail.com wrote:
 someone here wants one, IIRC Larry or Darren - there is one in the
 German bay: 200545075350 but please note that it may go high, last one
 here sold for over € 62 =~US$100... =[
 Cheers
 Ecke

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Re: digital bw

2010-11-18 Thread Adam Maas
No, when doing BW conversion from colour I handle the filtration in
post (Note I've been known to do this with both colour film and
digital. Provia 100F in particular makes just lovely BW images).

BW images online tend to be overly contrasty as that grabs attention
(and I say that as someone who tends to like a lot of contrast in his
BW). You can do very nice BW conversions with subtle tones but that
sort of image really needs to be printed to look good, especially on
consumer-grade monitors.

-Adam

On Thu, Nov 18, 2010 at 2:02 PM, Collin Brendemuehl
coll...@brendemuehl.net wrote:
 I've been looking at a lot of digital bw work this week.

 When you digitroids do this, do you employ filters like we filmaniacs do?
 I'm thinking that this might be a good Saturday a.m. experiment.

 When I look at the work on Pentax photo gallery, the Bw efforts
 seem to share a common fault:  3 tones -- near-black, near-white, zone 6.
 There just is not the tonal variance.

 Sincerely,

 Collin Brendemuehl
 http://kerygmainstitute.org

 He is no fool who gives what he cannot keep to gain what he cannot lose
 -- Jim Elliott






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Re: digital bw

2010-11-18 Thread Godfrey DiGiorgi
On Thu, Nov 18, 2010 at 12:10 PM, Jeffery Smith jsmith...@bellsouth.net wrote:
 Photoshop allows a large measure of filter effects in converting color to 
 BW, using slider tools that show the preview of the filter's effects.

Filter effects isn't the right expression, nor is converting color
to BW when you're talking about digital capture to producing BW
results. It's somewhat sloppy language that has somehow become the
standard.

When you make an exposure with a digital camera and save it as a raw
file, you are capturing an [x,y] array of linear gamma luminance
intensities organized in an RGB mosaic. The process of 'raw
conversion' into something intelligible to our eyes involves an
interpolation of those RGB values into chrominance values per pixel
and gamma correction of the luminance intensities to suit the way our
eyes and brain work. A more precise word than 'conversion' is
'rendering'.

Rendering an image to monochrome values rather than RGB values, well,
since what we appreciate as BW photography is a translation of color
values into luminances without chroma, and BW films and colored
filters help us to control that translation by separating or smashing
together color/intensity values into luminance values, what you're
doing with the sliders in Photoshop is directly analogous to putting
filters on the lens when exposing BW film. It's not a filter
effect: it's filtering, period. ;-)

 The biggest problem I have when shooting digital is blown highlights that I 
 cannot burn and basically have to replace using cut a paste from an adjoining 
 area. I've gotten to the point that I often have to use exposure compensation 
 of -1 to avoid blown highlights.

That's a matter of proper exposure for the digital capture medium,
Jeffery, which requires a different approach than metering for film
negatives. You should only very rarely have to use negative EV
Compensation UNLESS your subject matter is mostly dark and the
significant area where you need detail is mostly bright highlights. (I
would say if I looked at exposure compensation values for all of my
past couple years exposures that my properly exposed photos showed a
100:1 preponderance of +EV valued EV Compensation, not -EV values...)

The old adage used for negative film was expose for the shadows,
develop for the highlights, the notion being to get enough light
energy onto the medium to activate the chemicals and record detail
where you wanted it in the dark areas, and then control the gamma (or
contrast curve) to keep from blocking up the highlights through
development techniques.

Digital capture sensors, as said above, always capture in a linear
gamma. Their behavior at the limits of exposure are different from
film media: the highlight limit is a hard stop when the photosite
cannot record any additional light energy, the minimum exposure limit
is a soft threshold where detail can no longer be distinguished from
noise. Another factor: since the capture gamma is linear and has to be
stretched and squeezed into a more curvaceous shape for our eyes and
brain to interpret it correctly, it turns out that we need to stuff as
many bits towards the high end of the range as we can (without hitting
the saturation limit) so that we can stretch the values down into the
low end without losing too much data along the way.

So the goal in exposing properly for a digital sensor is to consider
them as more similar to transparency film ... Avoid over-exposure on
the highlights like the dickens and let the rest fall where it might
... but with a lot more control since we can push the rendering curve
around with great freedom in the raw processing phase. I usually look
at a scene with the idea of evaluating a) what's the overall
reflectivity of the scene? and b) where are my Zone IX highlight
values? A scene which has a lot of bright in it and a small contrast
ratio to handle usually means adding exposure from an averaging
meter's normal recommendation (most scenes, as it turns out). A scene
which has big contrast and small areas of significant Zone IX detail
that has to be preserved is one where I will pull down the EV
compensation to keep from overexposing the details I want and let the
rest fall into blackness (if it's outside the DR of the sensor). These
latter are where the Spot metering pattern is helpful in evaluation,
but don't let it do the whole job for you... it's pretty dumb in AE
mode.

Expose for the highlights, and render for the shadows is a
simplification of the technique often called Expose to the Right,
but it works. It presupposed raw capture, btw, because JPEGs don't
have the range of adjustability required for processing high contrast
scenes most of the time.

But I'm beginning to ramble ... ;-)


-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: PESO - November Clematis

2010-11-18 Thread Jack Davis
Nice, Paul. Very much like the overall color and tone.

Jack

--- On Thu, 11/18/10, paul stenquist pnstenqu...@comcast.net wrote:

 From: paul stenquist pnstenqu...@comcast.net
 Subject: PESO - November Clematis
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Thursday, November 18, 2010, 1:07 PM
 Went out in the yard with the K-5 and
 DA*60-250 to take the new firmware for a spin. Saw this
 bloom on a Clematis vine, the leaves of which had already
 been damaged by a couple of hard frosts. A nasty wind was
 blowing it around, so I pumped up the ISO and shutter speed.
 f5.6 @ 1/500th, ISO 1600.
 
 http://photo.net/photodb/photo?photo_id=11969971size=lg
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Re: OT you've all seen ken rock well...

2010-11-18 Thread Miserere
On 18 November 2010 04:33, eckinator eckina...@gmail.com wrote:
 ... now its time to see barbie roll better... =)
 I just registered www.barbierollbetter.com and hope to turn it into a
 photo advice page both humorous and helpful. Let me know if you want
 wour own page linked and also if you want to contribute some content.
 Cheers
 Ecke

I'd be happy to contribute--I need to feed my growing family. OF LENSES!


   —M.

\/\/o/\/\ -- http://WorldOfMiserere.com

http://EnticingTheLight.com
A Quest for Photographic Enlightenment

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Re: OT you've all seen ken rock well...

2010-11-18 Thread Cotty
On 18/11/10, CheekyGeek, discombobulated, unleashed:

Speaking of Barbie, this gives me a good excuse to point out one of
the more BIZARRE Barbie Dolls I have seen yet.
Frankly, I think it is for the birds.
http://tinyurl.com/27x87kh

great laugh ta!

--


Cheers,
  Cotty


___/\__
||   (O)  | People, Places, Pastiche
--  http://www.cottysnaps.com
_



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Re: PESO today's mushroom picture

2010-11-18 Thread Larry Colen

On Nov 17, 2010, at 5:58 PM, Christine Aguila wrote:

 I like your mushroom picture very much, Larry.  Always fun to get distracted 
 with the camera.  You know, I actually see two pictures in one here.  It 
 would be interesting to see a shot of the mushrooms on the left only, and a 
 picture of the shrooms on the right only.  Cheers, Christine

Here's one of the mushrooms on the right:
http://www.flickr.com/photos/ellarsee/5188336792/in/set-72157625295443523/

I used this as an excuse to experiment with two flashes.

http://www.flickr.com/photos/ellarsee/5187741627/in/set-72157625295443523/

I tried to set up the 540 to slave off the studio flash, but couldn't 
remember/figure out how to do it without an optical slave shoe.

--
Larry Colen l...@red4est.com sent from i4est





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Re: PESO - November Clematis

2010-11-18 Thread David J Brooks
Nicely composed, and detail.

1600 eh,

Dave

On Thu, Nov 18, 2010 at 4:07 PM, paul stenquist pnstenqu...@comcast.net wrote:
 Went out in the yard with the K-5 and DA*60-250 to take the new firmware for 
 a spin. Saw this bloom on a Clematis vine, the leaves of which had already 
 been damaged by a couple of hard frosts. A nasty wind was blowing it around, 
 so I pumped up the ISO and shutter speed. f5.6 @ 1/500th, ISO 1600.

 http://photo.net/photodb/photo?photo_id=11969971size=lg
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Possibly stupid question re: K-x ISO range

2010-11-18 Thread Walter Gilbert

 HI all,

I've been meaning to ask this for some time now, but just keep 
forgetting to.  Anyway, here goes: From day one of ownership, I've had 
the expanded sensitivity enabled on my K-x.  I can force it manually all 
the way up to the 12800 top-end limit, but have yet to figure out a way 
to get it to shoot at 100 -- not Shutter Priority, or any other.  The 
camera is clearly capable of shooting at that low a sensitivity, as it's 
indicated in the auto-ISO range (though I've yet to see a shot come out 
of it with that indicated in the EXIF data.


So, what gives?  I can't understand the rationale for allowing one to 
force the camera all the way to the top end of its range, where IQ 
suffers, but not at the bottom end, where one presumes it would 
benefit.  Is there something I can do about this?


Thanks!

Walt



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Re: Possibly stupid question re: K-x ISO range

2010-11-18 Thread Walter Gilbert

   I meant not *Sensitivity Priority* or any other.

On 11/18/2010 4:39 PM, Walter Gilbert wrote:

 HI all,

I've been meaning to ask this for some time now, but just keep 
forgetting to.  Anyway, here goes: From day one of ownership, I've had 
the expanded sensitivity enabled on my K-x.  I can force it manually 
all the way up to the 12800 top-end limit, but have yet to figure out 
a way to get it to shoot at 100 -- not Shutter Priority, or any 
other.  The camera is clearly capable of shooting at that low a 
sensitivity, as it's indicated in the auto-ISO range (though I've yet 
to see a shot come out of it with that indicated in the EXIF data.


So, what gives?  I can't understand the rationale for allowing one to 
force the camera all the way to the top end of its range, where IQ 
suffers, but not at the bottom end, where one presumes it would 
benefit.  Is there something I can do about this?


Thanks!

Walt





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Re: Hawaii, anyone

2010-11-18 Thread Daniel J. Matyola
I'll be there is January, but in Maui, not Honolulu (thank god).

Dan

On Thu, Nov 18, 2010 at 3:40 PM, Collin Brendemuehl
coll...@brendemuehl.net wrote:
 http://honolulu.craigslist.org/oah/pho/2029424389.html

 Sincerely,

 Collin Brendemuehl
 http://kerygmainstitute.org

 He is no fool who gives what he cannot keep to gain what he cannot lose
 -- Jim Elliott






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PESO: Pigeon Point Light

2010-11-18 Thread Jack Davis
Was reworking some old files and decided to get a new scan of this northern 
California light. Shot, obviously, on a Blue Bird day sometime in the early 
80's(?)
Just offered it to PPG.

Jack

Comments, of course, most welcome.

http://photolightimages.com/aspupload/detail.asp?ID=551


I think: ME Super w/M 28 f/2.8or3.5(?)





  

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OT Why did we not come up with these.

2010-11-18 Thread David J Brooks
http://www.petapixel.com/2009/11/13/21-awesome-t-shirts-for-photographers/

There is a few here i might get.

Dave

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Re: PESO: They Eyes of a Cormorant

2010-11-18 Thread Daniel J. Matyola
Many years ago I watched Japanese fishing with cormorants.

They place a band around the bird's neck, so it cannot swallow a
larger fish.  The bird is also on a leash, and when it dives and
catches a fish, it is brought back to the boat and made to disgorge
its catch.

The birds did not appear to be harmed, and it was quite interesting to watch.

Dan

On Thu, Nov 18, 2010 at 4:08 AM, eckinator eckina...@gmail.com wrote:
 2010/11/18 Boris Liberman bori...@gmail.com:

 Most, however, are born to dive under water .  .  .  .

 Thus, I take it, their life is quite dive-rse... :-)

 Yes and they scub ap quite a bit of fish along the way

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OT Next time bring your friends

2010-11-18 Thread David J Brooks
I think Mike Johnson should get this link

http://en.video.canoe.tv/video/comedy/funny-animals/88690753001/brave-cat-vs-alligators/677500417001

Dave

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Re: PESO - November Clematis

2010-11-18 Thread Ann Sanfedele

paul stenquist wrote:


Went out in the yard with the K-5 and DA*60-250 to take the new firmware for a 
spin. Saw this bloom on a Clematis vine, the leaves of which had already been 
damaged by a couple of hard frosts. A nasty wind was blowing it around, so I 
pumped up the ISO and shutter speed. f5.6 @ 1/500th, ISO 1600.

http://photo.net/photodb/photo?photo_id=11969971size=lg
 


oooh .. I got back in time to see this...
beautiful!

Btw... Paul... you owe me email :-)
recipe?  or did you not get mine?  same note to Frank

ann de-lurking



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RE: OT I;m such a friggin idiot

2010-11-18 Thread Bob W
[...]
 
 Even so, Wish you were here has long been my favorite PInk Floyd Album,
 and possibly my favorite album. The Wall tells a great story, but there is
 almost an album's worth of great songs, and a little over an album's worth
of
 good songs.

I was a massive fan of theirs when I was a teenager. I had all of their
albums, singles and solo work, including Syd Barrett's albums and a few
bootlegs, but the last album I bought was Animals. After that I found them
boring and have never listened to any of the later albums (although I know
some of the tracks). I bought some of their albums again 2 or 3 years ago
because I'd rediscovered them a bit through Youtube, but I don't listen to
them much - maybe once or twice a year. It's an interesting experience
because it demonstrates something to me about the deterioration in my
hearing - there are notes that I can no longer hear, particularly in the
upper registers, but I knew the tracks so well from my younger days that I
know the notes are there.

B


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Re: Possibly stupid question re: K-x ISO range

2010-11-18 Thread John Francis
On Thu, Nov 18, 2010 at 04:39:29PM -0600, Walter Gilbert wrote:
  HI all,

 I've been meaning to ask this for some time now, but just keep  
 forgetting to.  Anyway, here goes: From day one of ownership, I've had  
 the expanded sensitivity enabled on my K-x.  I can force it manually all  
 the way up to the 12800 top-end limit, but have yet to figure out a way  
 to get it to shoot at 100 -- not Shutter Priority, or any other.  The  
 camera is clearly capable of shooting at that low a sensitivity, as it's  
 indicated in the auto-ISO range (though I've yet to see a shot come out  
 of it with that indicated in the EXIF data.

 So, what gives?  I can't understand the rationale for allowing one to  
 force the camera all the way to the top end of its range, where IQ  
 suffers, but not at the bottom end, where one presumes it would benefit.  
 Is there something I can do about this?

I believe you've answered your own question.

AFAIK, if you turn off expanded sensitivity you'll be able to use ISO 100.


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Re: OT: Anyone here able to read/translate Chinese?

2010-11-18 Thread Eric Featherstone
On 18 November 2010 21:19, Charles Robinson charl...@visi.com wrote:
 My brother has been doing some research on these bottles we toasted from when 
 we were in China this May.

 Seems that BaiJiu has a storied history in China.  The description of this 
 beverage as smelling/tasting like 'a cross between rubbing alcohol and diesel 
 fuel' is not far off.

 Reading up on the Baijiu entry in Wikipedia, I'm trying to figure out what 
 type/version is in the bottle in this photo:

 http://charles.robinsontwins.org/photos/2010/china/content/DSCF6800_large.html

 (Sorry this particular photo was taken with a Fuji, not my Pentax)

 I have figured out that the 5 characters underneath the big stylized label 
 are:

 [blank] fragrance [blank] white liquor

 ..and I'm trying to fill in the blanks. Any help here?

浓香型白酒
The second blank 型 is type and, as I guess you saw from wikipedia, 白酒 is baijiu.
i.e. 浓香 type baijiu
Where 浓香 is something to do with fragrance like you said. I don't know
the first character 浓, I can't even type it!
Actually I don't even know Chinese so this information might be worth
precisely what you just paid for it ;-)

I have no idea if that'll make it through the PDML mail server, let
alone be visible on your own screen.
-- 
Eric

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RE: OT I;m such a friggin idiot

2010-11-18 Thread Bob W
  I was 16 or so when the album was released, although I'd seen them
  play it live before then. I often used to wonder if I'd already missed
  the starting gun. Still do, and I'm 53 now. These spikes are starting
  to get a bit uncomfortable.
 
 I first listened to that album only a couple of years ago.  I'd watched
the
 episode of the Classic Albums show.  David Gilmour says that he wishes
he
 could put a pair of headphones on and listen to it for the first time.  So
a
 while later I bought the CD and did exactly that.
 
 I don't listen to it very often... I really should put it on again
sometime.

That's an interesting experience. There are books I wish I could read again
for the first time, and I enjoy it very much when young people read them for
the first time and get a great thrill out of them.

B


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Re: digital bw

2010-11-18 Thread Jeffery Smith
I'll be the first to admit that the digital color stuff still gives me a hard 
time. I'm not resistant when it comes to modern digital technology (and 
converted from the typewriter to the word processor very quickly), but all of 
the parameters in digital photography can be a bit overwhelming after decades 
in the analog world. I've been leaning toward shooting digital as though it 
were color slide film, and that's why the -1 exposure comp. The lighting 
conditions were a bit extreme (shade with some blown out sunlit areas, and 
theater, with some blown out highlights on the actor's face). 

I'll try to get my lingo right. ;-)  Old habits die hard. I also still think of 
my Pentax lenses as x mm equivalent, which I need to stop doing. A 25 1.4 
isn't all that much like a 50 1.4, even if it is on an Olympus E-1. The field 
depth is astronomical.

Jeffery


On Nov 18, 2010, at 4:08 PM, Godfrey DiGiorgi wrote:

 On Thu, Nov 18, 2010 at 12:10 PM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 Photoshop allows a large measure of filter effects in converting color to 
 BW, using slider tools that show the preview of the filter's effects.
 
 Filter effects isn't the right expression, nor is converting color
 to BW when you're talking about digital capture to producing BW
 results. It's somewhat sloppy language that has somehow become the
 standard.
 
 When you make an exposure with a digital camera and save it as a raw
 file, you are capturing an [x,y] array of linear gamma luminance
 intensities organized in an RGB mosaic. The process of 'raw
 conversion' into something intelligible to our eyes involves an
 interpolation of those RGB values into chrominance values per pixel
 and gamma correction of the luminance intensities to suit the way our
 eyes and brain work. A more precise word than 'conversion' is
 'rendering'.
 
 Rendering an image to monochrome values rather than RGB values, well,
 since what we appreciate as BW photography is a translation of color
 values into luminances without chroma, and BW films and colored
 filters help us to control that translation by separating or smashing
 together color/intensity values into luminance values, what you're
 doing with the sliders in Photoshop is directly analogous to putting
 filters on the lens when exposing BW film. It's not a filter
 effect: it's filtering, period. ;-)
 
 The biggest problem I have when shooting digital is blown highlights that I 
 cannot burn and basically have to replace using cut a paste from an 
 adjoining area. I've gotten to the point that I often have to use exposure 
 compensation of -1 to avoid blown highlights.
 
 That's a matter of proper exposure for the digital capture medium,
 Jeffery, which requires a different approach than metering for film
 negatives. You should only very rarely have to use negative EV
 Compensation UNLESS your subject matter is mostly dark and the
 significant area where you need detail is mostly bright highlights. (I
 would say if I looked at exposure compensation values for all of my
 past couple years exposures that my properly exposed photos showed a
 100:1 preponderance of +EV valued EV Compensation, not -EV values...)
 
 The old adage used for negative film was expose for the shadows,
 develop for the highlights, the notion being to get enough light
 energy onto the medium to activate the chemicals and record detail
 where you wanted it in the dark areas, and then control the gamma (or
 contrast curve) to keep from blocking up the highlights through
 development techniques.
 
 Digital capture sensors, as said above, always capture in a linear
 gamma. Their behavior at the limits of exposure are different from
 film media: the highlight limit is a hard stop when the photosite
 cannot record any additional light energy, the minimum exposure limit
 is a soft threshold where detail can no longer be distinguished from
 noise. Another factor: since the capture gamma is linear and has to be
 stretched and squeezed into a more curvaceous shape for our eyes and
 brain to interpret it correctly, it turns out that we need to stuff as
 many bits towards the high end of the range as we can (without hitting
 the saturation limit) so that we can stretch the values down into the
 low end without losing too much data along the way.
 
 So the goal in exposing properly for a digital sensor is to consider
 them as more similar to transparency film ... Avoid over-exposure on
 the highlights like the dickens and let the rest fall where it might
 ... but with a lot more control since we can push the rendering curve
 around with great freedom in the raw processing phase. I usually look
 at a scene with the idea of evaluating a) what's the overall
 reflectivity of the scene? and b) where are my Zone IX highlight
 values? A scene which has a lot of bright in it and a small contrast
 ratio to handle usually means adding exposure from an averaging
 meter's normal recommendation (most scenes, as it turns out). A scene
 

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