Re: Tan and 2011...

2010-12-12 Thread P N Stenquist

On Dec 12, 2010, at 9:43 AM, Daniel J. Matyola wrote:

 Cushietushies says Authorization Required.
 

Mark!


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Re: PESO - The Coffee Shop Portraits

2010-12-11 Thread P N Stenquist

On Dec 11, 2010, at 11:12 AM, frank theriault wrote:

 On Fri, Dec 10, 2010 at 3:52 PM, P N Stenquist pnstenqu...@comcast.net 
 wrote:
 Coffee Shop Portraits:
 http://photo.net/photodb/photo?photo_id=12072552size=lg
 http://photo.net/photodb/photo?photo_id=12072551size=lg
 
 Both with K-5 and DA* 50-135, ISO 2000, f4.
 
 Shot the tiger fan with live view after he had caught me twice with the 
 camera raised.
 
 The white thing in the foreground, bottom left hand side is a bit of a
 bother, but hey, it was there and can't really be cropped out.

Thanks Frank. Yes, I wasn't too pleased with that chair back in the frame. But 
I've included out of focus foreground objects in other pics of this series, and 
I'm not sure that they aren't a plus when taken collectively. They demonstrate 
that the perspective is limited to the view from one chair in the shop. But 
perhaps I'm just rationalizing a shortcoming:-).
Paul
 
 Other than that, both are fine photos of coffee shop life.  Well done!
 
 cheers,
 frank
 
 
 
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 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: PESO - Hanukkah Lights

2010-12-10 Thread P N Stenquist
Nice photo. A holiday card contender. Well done.
Paul
On Dec 10, 2010, at 7:05 AM, frank theriault wrote:

 On Thu, Dec 9, 2010 at 9:56 PM, Eric Weir eew...@bellsouth.net wrote:
 
 On Dec 9, 2010, at 6:41 AM, frank theriault wrote:
 
 Last night was the last night of Hanukkah, so all the candles in the
 Menorah were lit.  Looked pretty cool, I thought:
 
 http://knarfdummyblog.blogspot.com/2010/12/hanukkah-lights.html
 
 I thought so, too.
 
 Thanks, Eric.  Hanukkah was fun (especially the food - we had a
 variation of latkes every night, and I ~love~ latkes!).  One nice
 thing about having a Jewish partner is that we do both Jewish and
 Christian holidays in our house - twice the fun!
 
 ;-)
 
 Thanks to everyone who commented.
 
 cheers,
 frank
 
 
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 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Happy Birthday, Annsan

2010-12-10 Thread P N Stenquist
(Clears throat.)

Happy birthday to you, happy birthday to you. Happy birthday, dear Ann, happy 
birthday to you.

Paul
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Re: PESO: 'Cracked Up'

2010-12-10 Thread P N Stenquist

On Dec 10, 2010, at 6:56 AM, frank theriault wrote:

 On Thu, Dec 9, 2010 at 6:23 PM, Steven Desjardins drd1...@gmail.com wrote:
 Nice texture and geometry.
 
 Exactly!

Agreed! There's somef intrigue in not knowing the scale. Interesting.
Paul
 
 cheers,
 frank
 
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Re: Firmware 1.01

2010-12-10 Thread P N Stenquist
I get long bursts of RAW images at full throttle. Don't have an exact frame 
count, but seems to be somewhere around 20.
Paul
On Dec 10, 2010, at 10:54 AM, Jack Davis wrote:

 Probably missed it, but what is the affect on RAW image count after 
 installing firmware 1.01?
 Anyone.
 
 Jack
 
 
 
 
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PESO - The Coffee Shop Portraits

2010-12-10 Thread P N Stenquist
Coffee Shop Portraits:
http://photo.net/photodb/photo?photo_id=12072552size=lg
http://photo.net/photodb/photo?photo_id=12072551size=lg

Both with K-5 and DA* 50-135, ISO 2000, f4.

Shot the tiger fan with live view after he had caught me twice with the camera 
raised.
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Re: BW film home made processing... now that is cheap (+smartphone helpful apps)

2010-12-09 Thread P N Stenquist
TMax developer works well, and it has a long shelf life. I shot a roll of BW in 
my Leica a few months ago and processed it with some TMax that's been sitting 
on the shelf for about seven years. No problems. At normal development times, 
the negative density was spot on. When I was shooting a lot of BW, I preferred 
D-76 mixed 1:1 with water -- a somewhat gentle soup that yielded a nice range 
of midtones-- but it involved a lot of work, since D-76 is only sold as a 
mix-it-yourself powder.
Paul
On Dec 9, 2010, at 7:54 AM, Thibouille wrote:

 I bought Tmax because that's what my reseller had in stock.
 Heard a couple time Tmax is the best developper, ever. Dunno what to
 think about that but at least it is a good one, which is OK for me.
 
 2010/12/8 Gasha cir...@konts.lv:
 Welcome to the club!!!
 
 I discovered these nice things about 5 years ago. So far used only Rodinal,
 but i hope to try also Ilfosol.
 
 Gasha
 
 Thibouille wrote:
 
 Just understood how cheaper it was to process film in house.
 Got material from my brother, just needed the chemical part.
 Got developper + fixer for 30 Euros, dunno if it is about a right
 price or not...
 
 I can process 40 35mm films with that, compared to 6 euros per film
 when dropped to my reseller. Ouch !
 
 BTW, just found out there're a couple nice apps helping, at least on
 iPhone.
 The Massive Dev Chart, ( http://www.digitaltruth.com ) is available
 with complete database of developper/film times, stopwatch etc.
 Very impressive.
 
 
 
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 --
 Photo: K-7, Sigma 28/1.8 macro, FA50/1.4, DA40Ltd, K30/2.8, DA16-45,
 DA50-135, DA50-200, 360FGZ ...
 Laptop: Macbook 13 Unibody SnowLeo/Win7
 Programing: Delphi 2009
 
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Re: DA 16-45 f/4 lens

2010-12-09 Thread P N Stenquist

On Dec 9, 2010, at 2:04 PM, David J Brooks wrote:

 On Thu, Dec 9, 2010 at 2:03 PM, David J Brooks pentko...@gmail.com wrote:
 On Sun, Dec 5, 2010 at 11:43 AM, Dario Bonazza
 dario.bona...@virgilio.it wrote:
 
 The only problem can be it only reaches 45mm, but that's hardly a surprise
 ;-)
 
 Dario
 
 But its a 57 on an AP-C sensor.
 
 (insert image of me ducking here.)
 
 Dave
 
 Rats, I mean a 67. Forgot to carry.,
 
Forgot to carry what?

 Dave
 
 - Original Message - From: David Mann d...@multisport.net.nz
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Saturday, December 04, 2010 9:10 AM
 Subject: DA 16-45 f/4 lens
 
 
 I just noticed the camera shop's ad also has this lens on special (not the
 16-50 f/2.8 unfortunately).  What's the group's consensus on this one?  It
 might be a bad assumption that PDML can agree on anything, but it's worth a
 try.
 
 Cheers,
 Dave
 
 
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 Nessun virus nel messaggio.
 Controllato da AVG - www.avg.com
 Versione: 10.0.1170 / Database dei virus: 426/3298 -  Data di rilascio:
 05/12/2010
 
 
 
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 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 York Region, Ontario, Canada
 
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Re: laptop recommendation

2010-12-09 Thread P N Stenquist

On Dec 9, 2010, at 6:16 PM, John Sessoms wrote:

 From: Matthew Montgomery
 
 On Dec 8, 2010, at 12:46 AM, John Sessoms wrote:
 
 OTOH, Time Machine ... not having any way to turn it off so it
 won't bug me Do you want to use 'LaCie' to back up your hard
 drive? every time I plug it into the school's computer.
 
 If the school wants the computer backed up let 'em buy their own
 damn drives. All I want to do is save my school work.
 
 If the program was worth a damn, you could tell it NO one time
 and tell it not to ever ask you about it again.
 
 Windoze can do that, why can't Mac?
 Try this. Create a file called '.com.apple.timemachine.donotpresent'
 at the root of your portable drive. You might find it easier to do
 this with the Terminal using the following command.
 
 touch /Volumes/The Name of Your
 Drive/.com.apple.timemachine.donotpresent
 
 I am pretty sure I have see the option to never use a drive in the
 Time Machine UI but perhaps something is amiss for you.
 
 
 Thanks. I'll stop by the computer lab at school tomorrow and give that a try. 
 When I get to Terminal, do I type in:
 
 /Volumes/jsessoms_mac_drive/.com.apple.timemachine.donotpresent
 
 (jsessoms_mac_drive is the name I gave my drive)
 
 or do I need to type in:
 
 touch /Volumes/jsessoms_mac_drive/.com.apple.timemachine.do not present
 
 The school has the Time Machine UI locked down where I cannot get to it. 
 That's what's amiss.
 
 There are a couple of reasons I need the configuration stored on my drive 
 rather on the schools machines.
 
 They've got a program named Deep Freeze that dumps any changes made to the 
 system while a student is logged on. Even if I could get into Time Machine 
 and configure it, any changes I made would be wiped out when I log off.
 
 Plus, I can't be sure I'll always be on the same computer, so I'd have to 
 load that configuration on 75 different computers in three different labs.


On the other hand,  you could just click no when time machine asks if you 
want to use the drive as a backup. 


 
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Re: Massaging K-5 RAW files

2010-12-08 Thread P N Stenquist

On Dec 8, 2010, at 11:12 AM, Miserere wrote:

 On 8 December 2010 05:14, Boris Liberman bori...@gmail.com wrote:
 Miserere, have you noticed an additional bonus of shadow recovery - no
 purple fringing at all???
 
 That was the first thing I noticed: No purple fringing. Of course, had
 I remembered to turn on the CA correction feature there should have
 been no PF anyway.
 
 
Is CA correction for jpeg only, or does it work with RAW files? 
Paul
   —M.
 
\/\/o/\/\ -- http://WorldOfMiserere.com
 
http://EnticingTheLight.com
A Quest for Photographic Enlightenment
 
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Re: OT - Mamiya Cxxx TLRs and TLR in general

2010-12-08 Thread P N Stenquist
I had Mamiyaflex C2 and a C220. I always wanted the C330, which has some sort 
of parallax correction, so the upper lens shows you the frame for the lower 
lens. Shot with the TLR for many years and made quite a bit of money with it. I 
used just the 80mm lens for most of that time, but later added the 250mm. It 
takes a while to get used to seeing things reversed in the viewinder. That was 
especially difficult shooting pans of race cars, because they came through my 
viewfinder from the wrong end! But it was a great camera, and the lenses were 
excellent for the time.
Paul
On Dec 8, 2010, at 5:19 AM, Thibouille wrote:

 Got myself (not arrived yet) a Mamiya C330 TLR (with 80/2.8) for a
 couple reasons:
 
 * I want to do film
 * Medium format
 * 6x4,5 is bigger than 35mm but if going MF, just do it completely.
 6x4,5 is somewhat small IMO
 * The challenge of using a TLR, waist level finder (although prism is
 available as well)
 * The challenge of square format, 6x6
 * Interchangeable lenses on a TLR (quite rare)
 * Mechanical beast, easier to repair than electronic ones if it needs to.
 
 Now, I know Darren have one, he wrote so a couple weeks ago.
 Darren and others, what could you advise as for usage of such cameras?
 Like usage with or without tripod, what kind of subjects, 120 film handling 
 etc.
 
 Thank you much.
 
 -- 
 Thibault Massart aka Thibouille/Thibs
 --
 Photo: K-7, Sigma 28/1.8 macro, FA50/1.4, DA40Ltd, K30/2.8, DA16-45,
 DA50-135, DA50-200, 360FGZ ...
 Laptop: Macbook 13 Unibody SnowLeo/Win7
 Programing: Delphi 2009
 
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Re: Ned plugs Mark's book and PDML

2010-12-08 Thread P N Stenquist
Excellent! Kudos to Mark.
Paul


On Dec 8, 2010, at 3:20 PM, Miserere wrote:

 http://nedbunnell.posterous.com/pentax-photo-book-for-the-holidays-0
 
 Mark was wondering if they'd received the book he sent, and here's the
 answer. The book looks even better in person than it did online,
 unlike some of us. You're getting pretty good at book layout,
 Mark...and setting the bar very high for yourself for the upcoming
 PDML Annual. We expect nothing but 10% more than the best  :-)
 
 
—M.
 
 \/\/o/\/\ -- http://WorldOfMiserere.com
 
 http://EnticingTheLight.com
 A Quest for Photographic Enlightenment
 
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Re: K-5 Focusing Speed -- My Opinion

2010-12-07 Thread P N Stenquist

On Dec 7, 2010, at 9:12 AM, Jaume Lahuerta wrote:

 - Mensaje original 
 
 De: Miserere miser...@gmail.com
 Para: Pentax-Discuss Mail List pdml@pdml.net
 Enviado: lun,6 diciembre, 2010 15:05
 Asunto: K-5 Focusing Speed -- My Opinion
 
 As part of my on-going K-5 review, I updated the focusing section:
 
 http://enticingthelight.com/2010/12/01/review-pentax-k-5/#focusing
 
 My  conclusions about focusing speed seem to differe from everyone
 else's.  Opinions welcomed!
 
 Cheers,
 
 
 Aghh Miserere...
 Noise improvement is great, but autofocus (low light and continuous) is the 
 feature that I see as weaker in Pentax when I hold another brand DSLR...and 
 is 
 one of my main motivations to upgrade...
 This, and your sensor blobs warning makes you the perfect 'un-enabler' (or is 
 it 
 'de-enabler'?)
 ;-)

Low light autofocus is much improved in the K-5, but mainly with the SDM 
lenses. In regard to the sensor blobs, this shouldn't be a problem a month or 
two down the road, as Pentax (and/or Sony) will undoubtedly take steps to 
resolve the problem, and once the current stock is off the shelves, it should 
be a safe bet. 
Paul


 
 Jaume
 
 
 
 
 
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Re: K-5 Focusing Speed -- My Opinion

2010-12-07 Thread P N Stenquist

On Dec 7, 2010, at 9:31 AM, Boris Liberman wrote:

 On 12/7/2010 4:27 PM, P N Stenquist wrote:
 Low light autofocus is much improved in the K-5, but mainly with the
 SDM lenses. In regard to the sensor blobs, this shouldn't be a
 problem a month or two down the road, as Pentax (and/or Sony) will
 undoubtedly take steps to resolve the problem, and once the current
 stock is off the shelves, it should be a safe bet. Paul
 
 Paul's right. Whoever wanted to buy K-5 /right here right now/ is better hold 
 their horses. This is what I plan on doing.
 
 It seems to me that most if not all manufacturers rush their products to the 
 market and the earliest adopters play certain gamble here. No offense to you, 
 Paul or anyone else here who /already/ bought K-5's. I was like this with K-7 
 and got reasonably lucky. So, indeed, if one can wait, one would be better 
 off both from resolved issues and relaxed price points of view.
 
 IMHO.

I agree Boris. it's alway better to wait. However, I don't like to wait to sell 
my oldest body, because once the new camera is released, it becomes a 
generation older and loses value. And with a big job on my schedule, I needed a 
backup, so I dove right in on the K-5. Fortunately, I got lucky and can find no 
evidence of sensor contamination. 

However, my own testing suggests some people may be imagining problems. On one 
of several tests I conducted, I noticed that a speck of black dust on a piece 
of white paper can show up as a blob when the paper is shot out of focus at 
f22. The testing has to be performed very carefully and should be repeated with 
an alternate target. 

Paul


 
 Boris
 
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Re: laptop recommendation

2010-12-07 Thread P N Stenquist
Obviously, a mentally impaired user. Too much time with a PC.

On Dec 7, 2010, at 2:02 PM, mike wilson wrote:

 Kenton Brede wrote:
 I've decided to purchase a laptop for RAW image processing.  I'm also
 a budding nature audio recordist, so I'll be doing audio post
 processing as well.  So far I've only played with Bibble and Picassa a
 bit processing photos.  My plan is to give Photoshop and Lightroom a
 try.
 I would like to purchase a mac since it's unix based, but I need a
 more compelling reason than that to justify spending the extra money.
 Those of you who've used image processing software on both platforms,
 what reasons made you settle on one OS over the other for working
 images?
 Thanks,
 Kent
 A story about a MAC
 http://illuminatiguzzisti.forumcircle.com/viewtopic.php?t=14799;
 
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Re: K-5 Focusing Speed -- My Opinion

2010-12-06 Thread P N Stenquist
I find the biggest advantage of K-5 autofocus is that it's able to lock in with 
relatively little light. As you note, continuous autofocus is better, but spot 
autofocus is also able to lock onto moving objects much more easily than was 
that of the K-7. I've used only SDM lenses thus far -- the opposite of your 
experience

Paul


On Dec 6, 2010, at 9:05 AM, Miserere wrote:

 As part of my on-going K-5 review, I updated the focusing section:
 
 http://enticingthelight.com/2010/12/01/review-pentax-k-5/#focusing
 
 My conclusions about focusing speed seem to differe from everyone
 else's. Opinions welcomed!
 
 Cheers,
 
 
—M.
 
 \/\/o/\/\ -- http://WorldOfMiserere.com
 
 http://EnticingTheLight.com
 A Quest for Photographic Enlightenment
 
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Re: Good/Bad news about my all-green K-7

2010-12-06 Thread P N Stenquist
Very nice. I would pull down the highlights a bit, but otherwise they look darn 
good.
Paul


On Dec 6, 2010, at 10:03 AM, Charles Robinson wrote:

 On Dec 5, 2010, at 23:10, P. J. Alling wrote:
 
 You've got one channel I don;t think you're going to have a lot of control, 
 brightness and contrast is about it.
 
 
 Heh.  Yeah, I was going to amend my post with that observation...   It is a 
 little bit freeing when all you can do is brightness, contrast, and the 
 recovery/shadows.  Still, it worked out well.  Punched up the 
 exposure/contrast and they came out looking OK.
 
 I still wish I could have shot this in color (well, more than one color) but 
 I got a few shots that I would call 'acceptable'
 
 http://charles.robinsontwins.org/photos/2010/new_standards_holiday_show/index.html
 
 -Charles
 
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 Minneapolis, MN
 http://charles.robinsontwins.org
 http://www.facebook.com/charles.robinson
 
 
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Re: Latest Pentax Scare: Blobs on K-5 Sensor

2010-12-06 Thread P N Stenquist

On Dec 6, 2010, at 4:16 PM, Miserere wrote:

 On 6 December 2010 16:03, paul stenquist pnstenqu...@comcast.net wrote:
 
 On Dec 6, 2010, at 3:33 PM, Charles Robinson wrote:
 
 On Dec 6, 2010, at 14:19, Miserere wrote:
 
 Any of you guys with a K-5 experiencing any of this?
 
 http://forums.dpreview.com/forums/readflat.asp?forum=1036thread=37092371
 
 http://forums.dpreview.com/forums/readflat.asp?forum=1036thread=37101106
 
 Maybe you K-7 owners could take a look too. No need to transfer test
 images to the computer, the blobs can be seen on the LCD.
 
 
 Frankly, if the images turn out OK (besides being all green) then there is 
 no problem.  Interesting as a curiosity, but not in a OMG the sky is 
 falling kind of way.
 
 Seriously... why would a person even bother looking for something like this 
 unless it's affecting the output?
 
 And by affect the output I mean: can this really be SEEN on something 
 other than an f/22 shot of a blank grey surface?
 
 It could be seen on any number of small aperture shots. I'm definitely going 
 to test for it.
 Paul
 
 Thanks for the replies so far, and please keep 'em coming.
 
 My test unit has a string of blobs near the center (most people seem
 to report them near the center for what it's worth). They are
 noticeable at f/8 and smaller when photographing a blank surface; I
 suspect in real photographs (with plenty of detail) they should
 *maybe* be noticeable at f/11 and onwards. I rarely photograph at such
 apertures, but I can imagine people shooting landscapes would be
 annoyed to find these blobs in their blue skies. Then again, a blob in
 a blue sky is easy to clone out. Then again, again, we'd all prefer
 not to have to clone out blobs as part of our postprocessing.
 
 

I just tested my camera in the same manner as the guy reported on dpreview. I 
filled my computer screen with white and shot it with my DA* 16-50 at about 
30mm, F stops were f22, f16 and f11. Focus set to infinity. No blobs. Saw a few 
specs of dust, Did the sensor clean operation and retested, and the dust was 
gone. I get pure white. 
Paul


   —M.
 
\/\/o/\/\ -- http://WorldOfMiserere.com
 
http://EnticingTheLight.com
A Quest for Photographic Enlightenment
 
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Re: Latest Pentax Scare: Blobs on K-5 Sensor

2010-12-06 Thread P N Stenquist

On Dec 6, 2010, at 4:42 PM, Jack Davis wrote:

 Paul, in cleaning the sensor, did you use sensor vibration or a Pentax gum 
 stick?
 

Just the vibration. I only resort to the gum stick if the vibration fails in 
repeated attempts. These were minor dust specs and not near the center. They 
disappeared with one vibrate.
Paul


 Jack
 
 --- On Mon, 12/6/10, P N Stenquist pnstenqu...@comcast.net wrote:
 
 From: P N Stenquist pnstenqu...@comcast.net
 Subject: Re: Latest Pentax Scare: Blobs on K-5 Sensor
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Monday, December 6, 2010, 1:31 PM
 
 On Dec 6, 2010, at 4:16 PM, Miserere wrote:
 
 On 6 December 2010 16:03, paul stenquist pnstenqu...@comcast.net
 wrote:
 
 On Dec 6, 2010, at 3:33 PM, Charles Robinson
 wrote:
 
 On Dec 6, 2010, at 14:19, Miserere wrote:
 
 Any of you guys with a K-5 experiencing
 any of this?
 
 http://forums.dpreview.com/forums/readflat.asp?forum=1036thread=37092371
 
 http://forums.dpreview.com/forums/readflat.asp?forum=1036thread=37101106
 
 Maybe you K-7 owners could take a look
 too. No need to transfer test
 images to the computer, the blobs can be
 seen on the LCD.
 
 
 Frankly, if the images turn out OK (besides
 being all green) then there is no problem.  Interesting
 as a curiosity, but not in a OMG the sky is falling kind
 of way.
 
 Seriously... why would a person even bother
 looking for something like this unless it's affecting the
 output?
 
 And by affect the output I mean: can this
 really be SEEN on something other than an f/22 shot of a
 blank grey surface?
 
 It could be seen on any number of small aperture
 shots. I'm definitely going to test for it.
 Paul
 
 Thanks for the replies so far, and please keep 'em
 coming.
 
 My test unit has a string of blobs near the center
 (most people seem
 to report them near the center for what it's worth).
 They are
 noticeable at f/8 and smaller when photographing a
 blank surface; I
 suspect in real photographs (with plenty of detail)
 they should
 *maybe* be noticeable at f/11 and onwards. I rarely
 photograph at such
 apertures, but I can imagine people shooting
 landscapes would be
 annoyed to find these blobs in their blue skies. Then
 again, a blob in
 a blue sky is easy to clone out. Then again, again,
 we'd all prefer
 not to have to clone out blobs as part of our
 postprocessing.
 
 
 
 I just tested my camera in the same manner as the guy
 reported on dpreview. I filled my computer screen with white
 and shot it with my DA* 16-50 at about 30mm, F stops were
 f22, f16 and f11. Focus set to infinity. No blobs. Saw a few
 specs of dust, Did the sensor clean operation and retested,
 and the dust was gone. I get pure white. 
 Paul
 
 
—M.
 
 \/\/o/\/\ -- http://WorldOfMiserere.com
 
 http://EnticingTheLight.com
 A Quest for Photographic Enlightenment
 
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 PDML@pdml.net
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Re: Latest Pentax Scare: Blobs on K-5 Sensor

2010-12-06 Thread P N Stenquist

On Dec 6, 2010, at 4:36 PM, Miserere wrote:

 On 6 December 2010 16:31, P N Stenquist pnstenqu...@comcast.net wrote:
 
 On Dec 6, 2010, at 4:16 PM, Miserere wrote:
 
 On 6 December 2010 16:03, paul stenquist pnstenqu...@comcast.net wrote:
 
 On Dec 6, 2010, at 3:33 PM, Charles Robinson wrote:
 
 On Dec 6, 2010, at 14:19, Miserere wrote:
 
 Any of you guys with a K-5 experiencing any of this?
 
 http://forums.dpreview.com/forums/readflat.asp?forum=1036thread=37092371
 
 http://forums.dpreview.com/forums/readflat.asp?forum=1036thread=37101106
 
 Maybe you K-7 owners could take a look too. No need to transfer test
 images to the computer, the blobs can be seen on the LCD.
 
 
 Frankly, if the images turn out OK (besides being all green) then there 
 is no problem.  Interesting as a curiosity, but not in a OMG the sky is 
 falling kind of way.
 
 Seriously... why would a person even bother looking for something like 
 this unless it's affecting the output?
 
 And by affect the output I mean: can this really be SEEN on something 
 other than an f/22 shot of a blank grey surface?
 
 It could be seen on any number of small aperture shots. I'm definitely 
 going to test for it.
 Paul
 
 Thanks for the replies so far, and please keep 'em coming.
 
 My test unit has a string of blobs near the center (most people seem
 to report them near the center for what it's worth). They are
 noticeable at f/8 and smaller when photographing a blank surface; I
 suspect in real photographs (with plenty of detail) they should
 *maybe* be noticeable at f/11 and onwards. I rarely photograph at such
 apertures, but I can imagine people shooting landscapes would be
 annoyed to find these blobs in their blue skies. Then again, a blob in
 a blue sky is easy to clone out. Then again, again, we'd all prefer
 not to have to clone out blobs as part of our postprocessing.
 
 
 
 I just tested my camera in the same manner as the guy reported on dpreview. 
 I filled my computer screen with white and shot it with my DA* 16-50 at 
 about 30mm, F stops were f22, f16 and f11. Focus set to infinity. No blobs. 
 Saw a few specs of dust, Did the sensor clean operation and retested, and 
 the dust was gone. I get pure white.
 Paul
 
 That's good news, Paul.
 
 For what it's worth, my blobs are much better defined using the sky or
 a blank piece of paper than the computer screen. Not sure why anyone
 would want advice on improving their blob definition, but it's one of
 the many useful services I provide to the community.
 
 Because giving back is important.
 
I repeated the test with white paper. Still no blobs at f22. Just out of focus 
paper.
Paul
 
   —M.
 
\/\/o/\/\ -- http://WorldOfMiserere.com
 
http://EnticingTheLight.com
A Quest for Photographic Enlightenment
 
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Re: Latest Pentax Scare: Blobs on K-5 Sensor

2010-12-06 Thread P N Stenquist
goodly out of focus:-). When trying to detect spots on the sensor, you want 
only a white surface in front of the lens. Focusing on the surface is 
counterproductive in that you pick up more of its texture.

Paul
On Dec 6, 2010, at 5:00 PM, Jack Davis wrote:

 Badly OOF?
 
 Jack
 
 --- On Mon, 12/6/10, P N Stenquist pnstenqu...@comcast.net wrote:
 
 From: P N Stenquist pnstenqu...@comcast.net
 Subject: Re: Latest Pentax Scare: Blobs on K-5 Sensor
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Monday, December 6, 2010, 1:52 PM
 
 On Dec 6, 2010, at 4:36 PM, Miserere wrote:
 
 On 6 December 2010 16:31, P N Stenquist pnstenqu...@comcast.net
 wrote:
 
 On Dec 6, 2010, at 4:16 PM, Miserere wrote:
 
 On 6 December 2010 16:03, paul stenquist
 pnstenqu...@comcast.net
 wrote:
 
 On Dec 6, 2010, at 3:33 PM, Charles
 Robinson wrote:
 
 On Dec 6, 2010, at 14:19, Miserere
 wrote:
 
 Any of you guys with a K-5
 experiencing any of this?
 
 http://forums.dpreview.com/forums/readflat.asp?forum=1036thread=37092371
 
 http://forums.dpreview.com/forums/readflat.asp?forum=1036thread=37101106
 
 Maybe you K-7 owners could take a
 look too. No need to transfer test
 images to the computer, the blobs
 can be seen on the LCD.
 
 
 Frankly, if the images turn out OK
 (besides being all green) then there is no problem. 
 Interesting as a curiosity, but not in a OMG the sky is
 falling kind of way.
 
 Seriously... why would a person even
 bother looking for something like this unless it's affecting
 the output?
 
 And by affect the output I mean: can
 this really be SEEN on something other than an f/22 shot of
 a blank grey surface?
 
 It could be seen on any number of small
 aperture shots. I'm definitely going to test for it.
 Paul
 
 Thanks for the replies so far, and please keep
 'em coming.
 
 My test unit has a string of blobs near the
 center (most people seem
 to report them near the center for what it's
 worth). They are
 noticeable at f/8 and smaller when
 photographing a blank surface; I
 suspect in real photographs (with plenty of
 detail) they should
 *maybe* be noticeable at f/11 and onwards. I
 rarely photograph at such
 apertures, but I can imagine people shooting
 landscapes would be
 annoyed to find these blobs in their blue
 skies. Then again, a blob in
 a blue sky is easy to clone out. Then again,
 again, we'd all prefer
 not to have to clone out blobs as part of our
 postprocessing.
 
 
 
 I just tested my camera in the same manner as the
 guy reported on dpreview. I filled my computer screen with
 white and shot it with my DA* 16-50 at about 30mm, F stops
 were f22, f16 and f11. Focus set to infinity. No blobs. Saw
 a few specs of dust, Did the sensor clean operation and
 retested, and the dust was gone. I get pure white.
 Paul
 
 That's good news, Paul.
 
 For what it's worth, my blobs are much better defined
 using the sky or
 a blank piece of paper than the computer screen. Not
 sure why anyone
 would want advice on improving their blob definition,
 but it's one of
 the many useful services I provide to the community.
 
 Because giving back is important.
 
 I repeated the test with white paper. Still no blobs at
 f22. Just out of focus paper.
 Paul
 
—M.
 
 \/\/o/\/\ -- http://WorldOfMiserere.com
 
 http://EnticingTheLight.com
 A Quest for Photographic Enlightenment
 
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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 directly above and follow the directions.
 
 
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Re: Teleconverters?

2010-12-04 Thread P N Stenquist

On Dec 4, 2010, at 10:12 AM, John Sessoms wrote:

 From: Peter Loveday
 
 Ken Waller and his 600mm is always gonna beat you and your 300mm w/TC.
  Thanks for the confidence Bob, but equipment will only take you so far...
  ;+}
 Indeed.  It's not about the equipment.  A *great* photographer can make a
 10mm fisheye look like a 600mm tele :)
 
 
 But, when would he do that?
 
 One of the characteristic skills that make a photographer *great* is knowing 
  using the most suitable lens for the situation. Or conversely, creating 
 photos that make the best use of the available lens.
 
 I make no claim to greatness, although I have aspirations, but if I'm using a 
 10mm fish-eye, I don't want photos that look like they were taken with a 
 600mm tele.

It was obviously a joke. We're all with you on this. Loosen the cincture:-).
Paul




 
 The long tele-photo prime without tele-converter is always going to trump the 
 medium tele-photo prime with tele-converter. And both of them will give 
 sharper images without the TC than a long zoom with the TC will.
 
 All other things being equal, my 300mm with a 2x tele-converter will not give 
 me as sharp an image as I could get with the 600mm. Without the 
 tele-converter my 300 is just as sharp as the 600, but doesn't get in as 
 close.
 
 And the 600 with a tele-converter would suffer just as much loss of sharpness 
 as the 300 does. But it would still get in a hell of a lot closer.
 
 I have the 300. I don't have the 600.
 
 To me, the path to greatness is to make the best images I can make with the 
 300 I have and not worry about what the 600 can do for me until the day ever 
 comes that I can afford to buy one  hire the necessary Sherpa to carry it 
 around for me.
 
 The same applies to making photographs using a tele-converter. You make the 
 best image you can given the characteristic limits imposed by the equipment. 
 And accept that sometimes the limits imposed by the equipment are going to 
 keep you from getting the image you really want.
 
 I apologize for the rant. I *did* see the smiley.
 
 Don't even know why.
 
 While I've been in school, I've hardly had occasion to use the 300 other than 
 for baseball last summer, and for that the 300 was almost too long ... got 
 more utility from my 80-200.
 
 Most everything I've done in school this year has been at 70mm or shorter.
 
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PESO - Studebaker

2010-12-04 Thread P N Stenquist
From this summer's dream cruise, which played out in the rain. Perhaps the 
nicest Studebaker of them all.

http://photo.net/photodb/photo?photo_id=12042951size=lg
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Re: PESO: Leave the Light On

2010-12-04 Thread P N Stenquist
Well composed and exposed. Nice.
Paul
On Dec 4, 2010, at 12:25 PM, Bob W wrote:

 
 http://blog.nickdavidwright.net/2010/12/leave-light-on.html
 
 This shot has set in my files since I shot it. It is another 
 example of why I needed my own scanner. The machine at 
 walmart thought this photo was a mistake and would make the 
 file so the building was exposed properly. I tried working 
 with the techs at the lab to get a better scan but no go. The 
 lit area would scan completely blown out and the dark 
 building would come back with so much digital noise ...
 ugh.
 
 It was horrible. Now, no worries!
 
 nicely done
 
 
 
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Re: PESO: Leave the Light On

2010-12-04 Thread P N Stenquist

On Dec 4, 2010, at 12:27 PM, Walter Gilbert wrote:

 Very nice image, Nick.
 
 I didn't realize the Walmart machines correct mistakes for the photographer.
 
 How nice of them.
 

All automatic processing machines average out the values. They're dumb 
machines. Don't know there's a light on in a dark place.
Paul



 On 12/4/2010 8:33 AM, Nick David Wright wrote:
 http://blog.nickdavidwright.net/2010/12/leave-light-on.html
 
 This shot has set in my files since I shot it. It is another example
 of why I needed my own scanner. The machine at walmart thought this
 photo was a mistake and would make the file so the building was
 exposed properly. I tried working with the techs at the lab to get a
 better scan but no go. The lit area would scan completely blown out
 and the dark building would come back with so much digital noise ...
 ugh.
 
 It was horrible. Now, no worries!
 
 
 
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Re: New to list / acronyms

2010-12-04 Thread P N Stenquist
Welcome to the list. Controlling color temp with RAW shooting is fairly easy. I 
just shoot on auto white balance and adjust during conversion – either to my 
preference or, using the eyedropper, to a neutral color, like grey or white. 
Getting out of Linux and into PhotoShop elements, PhotoShop or Lightroom, on 
either a Mac or PC, will help in that regard.
Paul


On Dec 4, 2010, at 2:32 PM, Kenton Brede wrote:

 On Sat, Dec 4, 2010 at 12:06 PM, Christine  Aguila
 cagu...@earthlink.net wrote:
 
 - Original Message - From: Kenton Brede kbr...@gmail.com
 snip
 It's excellent to read books for basic understanding and grounding with the
 equipment etc, and I support that but do try to start taking pictures as
 soon as possible.  That's the fun part and you'll always learn by doing.
 With digital it's much more affordable to learn this way.
 
 Understood.  I've taken over a thousand photos so far with the camera.
 99.99% are crap and the rest are not quite crap. LOL  But
 I've learned a few things.  One thing I've learned is my inability to
 remember to change ISO and white balance.  When the camera is in my
 hands aperture and shutter speed is all I seem to think about.  White
 balance I've read isn't a big thing when shooting raw, but I've not
 been able to take one photo shot on incandecent and one on cloudy,
 with the same settings otherwise, look the same in Bibble.  I should
 probably make a mental checklist to go over before every shot.
 snip
 
 PESO:  Picture Every So Often, a solitary picture that you'd like to share
 for fun or get critique on.
 GESO:  Gallery Every So Often:  a collection of pictures, say from 6 - 12,
 but not everyone holds to that limit, myself included  :-)
 
 PAW:  Picture A Week:  a photographer creates a collection of 52
 pictures--one for each week of the year.
 
 Thank you for the clarification. :)
 
 Welcome to the list, Kent.  Where in the midwest are you from?  I'm from
 Chicago.
 
 I'm living in Omaha.  My wife lived in Chicago for few years, before
 moving here.  She really liked Chicago.  My few visits have been
 pleasant as well.
 
 Thanks for your help. :)
 Kent
 
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PESO - Christmas at the Mall

2010-12-04 Thread P N Stenquist
http://photo.net/photodb/photo?photo_id=12044123size=lg

k-5 with DA* 16-50, ISO 2500, f8 @ 1/40th, 16 mm

http://photo.net/photodb/photo?photo_id=12044123size=lg

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Re: OT - Wedding Flowers Video

2010-12-04 Thread P N Stenquist
Great job Cotty. Beautiful edit, 
Paul

On Dec 4, 2010, at 4:21 PM, mike wilson wrote:

 Christine Aguila wrote:
 
 Hi Cotty:  Just watched and thought the video excellent:  lovely scenes were 
 chosen, great sense of pace, very informative, all elements blended well 
 together -- sound, image, voice over etc.  Excellent work.  Cheers, Christine
 
 What did you expect?  He's a bleedin' artist!
 - Original Message - From: Cotty cotty...@mac.com
 To: pentax list PDML@pdml.net
 Sent: Friday, December 03, 2010 1:03 PM
 Subject: OT - Wedding Flowers Video
 I know some of you like to keep an eye on my latest work - a series of
 online videos for a British celebrity wedding designer. First, flowers:
 
 http://www.youtube.com/watch?v=81welfMh-dg
 
 
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Re: PESO - Christmas at the Mall

2010-12-04 Thread P N Stenquist

On Dec 4, 2010, at 5:27 PM, Daniel J. Matyola wrote:

 Very effective:  it certainly tells the whole story.  Nice color, and
 lots of interesting detail.
 
 Palm trees for Christmas decoration

Sure, Bethlehem. Actually, the palms are there year round.
Paul

 
 Dan
 http://www.pentaxphotogallery.com/danieljmatyola
 
 On Sat, Dec 4, 2010 at 5:19 PM, P N Stenquist pnstenqu...@comcast.net wrote:
 http://photo.net/photodb/photo?photo_id=12044123size=lg
 
 k-5 with DA* 16-50, ISO 2500, f8 @ 1/40th, 16 mm
 
 http://photo.net/photodb/photo?photo_id=12044123size=lg
 
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Re: Semi-OT request: Resources for

2010-12-03 Thread P N Stenquist

On Dec 3, 2010, at 1:48 PM, Eric Weir wrote:

 
 On Dec 3, 2010, at 1:05 PM, Godfrey DiGiorgi wrote:
 
 On Thu, Dec 2, 2010 at 5:48 PM, paul stenquist pnstenqu...@comcast.net 
 wrote:
 I see the smiley, but I have to put in a good word for Photo.net. I've been 
 with them for many years, and they've served me well. The interface is fast 
 and easy and the photos can be displayed at a good size. More importantly, 
 when I had some serious copyright issues, they helped me solve them and 
 went after the perps. At another time, they deleted some things from the 
 archives that had posed a problem for me. Good site, good people.
 
 Sorry, this was incorrectly quoted first time out.
 
 Yeah, I was a little puzzled.

I'm still puzzled. They censored your words? Good God, man, what did you say?


 
 --
 Eric Weir
 Decatur, GA  USA
 eew...@bellsouth.net
 
 
 
 
 
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Re: John Celio has been having pdml grief

2010-12-03 Thread P N Stenquist
Tell him to kill the fatted calf and send the tenderloin to Doug.
Paul

On Dec 3, 2010, at 3:31 PM, Larry Colen wrote:

 I got the following message from him on facebook:
 
 Has the PDML been working for the last couple days? I appear to have been 
 kicked off when neovenator.com was transfered to a different registrar, which 
 messed up everything for a while. I tried resubscribing yesterday, but 
 nothing happened. I tried unsubscribing a couple times today, but still 
 nothing is happening. I don't know what to do to get back in. :(
 
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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Re: GESO: Romania/Austrika

2010-12-02 Thread P N Stenquist
I found this to be a fascinating set  – not at all typical of travel pics and 
certainly not narcissistic. There is something profound about the pairings. I 
found myself looking for the linkage, and I was disappointed when the slide 
show concluded. The only two that I would eliminate are the forest and the 
lake. They just don't fit.  Love the shot of the crowd, where only one man in 
the rear is in focus. My eye immediately searched for the point of focus, and 
its discovery was rewarding and interesting in that the subject was looking 
back at me. Well done.
Paul


On Dec 2, 2010, at 9:50 AM, Ann Sanfedele wrote:

 Luka - Carlos is a quite harsh -- but I agree with him to the extent that you 
 should have pruned a bit more - because your best work
 is so very strong...   and you know I'm a fan.  But there are certainly more 
 than 1 or 2 keepers, Carlos!
 
 I had a bit of problem viewing the slideshow - because of the wide white 
 borders and I have a strong preference for seeing a stream of images that 
 read left to right instead of up and down.   I also wanted to be able to look 
 at each photo alone...  as I often liked one of a pair much better than the 
 other... if for no other reason than I could say I really liked one of them 
 and could do so by grabbing a link to show you. Like the second photo on the 
 page where the guy on top is guzzling a beer.  The shot below  it is  
 terrific...  also the one
 where there are all those chairs on a roof top  -
 
 ann
 
 
 
 Luka Knezevic-Strika wrote:
 
 Thanks guys.
 
 @carlos: i appreciate your opinion, although my goal here was not
 really to post the best photos necessarily, but to try and create a
 short essay/narrative. i mainly focused on the pairings and the flow
 of the slide show. i can accept that i've failed at that too, if
 that's your opinion. thank you, anyway, of course!
 
 On Thu, Dec 2, 2010 at 12:49 PM, Carlos R carlos_r...@teleline.es wrote:
 
 El 02/12/2010 3:09, Luka Knezevic-Strika escribió:
   
 A short photo-essay in diptychs from my trip to Austria and Romania:
 http://www.lukaknezevicstrika.com/gallery.html (click on the first
 slideshow - austria romania)
 
 
 I am an admirer of your work, but this time I think there are only a few
 keepers in your trip photos, perhaps 1 or 2. Many of them look like the
 usual narcissistic, dispensable pics you can see by miriads looking at
 Flickr pages.
 Sorry if I sound a bit harsh, that's not my intention, I try hard to be
 constructive and friendly but I think a frank opinion is the best possible
 thing amongst friends.
 
 Carlos
 
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Re: Teleconverters?

2010-12-02 Thread P N Stenquist
The A 2X teleconverters are very good optically. Of course because you're 
adding glass, a lens plus converter can never match the performance of the lens 
alone, but the A 2X converters are among the best I've seen. Note that I said 
converters, because there are two. The A2X-L can only be used with certain 
long telephoto lenses. It has a long snout and can't be attached to other 
Pentax lenses. The A2X-S fits all Pentax lenses. I use the A2X-S once in a 
while with an A400/5.6. It yields good results. My photo of a dragonfly that's 
on the opening page of the Pentax Gallery and in their Premier Collection was 
shot with this combination on an *istD. 
Paul
On Dec 2, 2010, at 9:26 AM, Eric Weir wrote:

 
 I wouldn't put it to use immediately, but I've got my eye on a Pentax 2X 
 Teleconverter-A. I know nothing about teleconverters. General advice would be 
 welcome as well as comments specifically about this one.  
 
 I haven't really done any wildlife photography, but it's on my agenda, and I 
 imagine it could be put to use in that connection.
 
 Thanks,
 --
 Eric Weir
 Decatur, GA  USA
 eew...@bellsouth.net
 
 P.S. I got a Weston Master II exposure meter and manual of eBay.  Both look 
 in good condition. It's been suggested that even it didn't work one of these, 
 or something like it, would help me understand exposure better. 
 
 
 
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Re: Teleconverters?

2010-12-02 Thread P N Stenquist

On Dec 2, 2010, at 10:31 AM, Eric Weir wrote:

 
 On Dec 2, 2010, at 10:23 AM, P N Stenquist wrote:
 
 The A 2X teleconverters are very good optically. Of course because you're 
 adding glass, a lens plus converter can never match the performance of the 
 lens alone, but the A 2X converters are among the best I've seen. Note that 
 I said converters, because there are two. The A2X-L can only be used with 
 certain long telephoto lenses. It has a long snout and can't be attached to 
 other Pentax lenses. The A2X-S fits all Pentax lenses. I use the A2X-S once 
 in a while with an A400/5.6. It yields good results. My photo of a dragonfly 
 that's on the opening page of the Pentax Gallery and in their Premier 
 Collection was shot with this combination on an *istD. 
 
 Thanks, Paul. It's the 2X-S.Looks like the price is going to turn out to be 
 reasonable. And *my* camera is a *ist DS.
 
 Can you use a teleconvertor with a zoom?
 
Sure. I haven't done use it with a zoom, but I don't see why not. Now that you 
mention it, I'll have to give it a try with my DA* 60-250. Might be a good 
combo for wildlife. Of course, it would be manual focus only.
Paul

 --
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 Decatur, GA  USA
 eew...@bellsouth.net
 
 
 
 
 
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Re: Teleconverters?

2010-12-02 Thread P N Stenquist
The A2X-S and A2X-L were originally the same price if I recall. I don't think 
the L is better glass, just different. It has the long snout to optimize its 
use with lenses that have the recessed rear element. That group includes more 
than just the *** lenses, and not all of the latter.
Paul


On Dec 2, 2010, at 11:24 AM, Jack Davis wrote:

 Just to add a quick thought to Paul's solid advice, the Pentax A2L is  
 considerably better glass, but the price goes UP accordingly. This converter, 
 however, is made to be used with Pentax * lenses with recessed rear lens 
 element.
 You've doubtless considered it, but the lesser powered converters (1.7, 1.4) 
 tend to produce somewhat better IQ at the obvious loss of power.
 
 Jack
 
 --- On Thu, 12/2/10, P N Stenquist pnstenqu...@comcast.net wrote:
 
 From: P N Stenquist pnstenqu...@comcast.net
 Subject: Re: Teleconverters?
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Thursday, December 2, 2010, 7:23 AM
 The A 2X teleconverters are very good
 optically. Of course because you're adding glass, a lens
 plus converter can never match the performance of the lens
 alone, but the A 2X converters are among the best I've seen.
 Note that I said converters, because there are two. The
 A2X-L can only be used with certain long telephoto lenses.
 It has a long snout and can't be attached to other Pentax
 lenses. The A2X-S fits all Pentax lenses. I use the A2X-S
 once in a while with an A400/5.6. It yields good results. My
 photo of a dragonfly that's on the opening page of the
 Pentax Gallery and in their Premier Collection was shot with
 this combination on an *istD. 
 Paul
 On Dec 2, 2010, at 9:26 AM, Eric Weir wrote:
 
 
 I wouldn't put it to use immediately, but I've got my
 eye on a Pentax 2X Teleconverter-A. I know nothing about
 teleconverters. General advice would be welcome as well as
 comments specifically about this one.  
 
 I haven't really done any wildlife photography, but
 it's on my agenda, and I imagine it could be put to use in
 that connection.
 
 Thanks,
 
 --
 Eric Weir
 Decatur, GA  USA
 eew...@bellsouth.net
 
 P.S. I got a Weston Master II exposure meter and
 manual of eBay.  Both look in good condition. It's been
 suggested that even it didn't work one of these, or
 something like it, would help me understand exposure better.
 
 
 
 
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Re: What's the going rate?

2010-12-02 Thread P N Stenquist

On Dec 2, 2010, at 5:33 PM, David Parsons wrote:

 You don't join professional organizations to impress clients and
 customers.  The ASMP isn't going to throw prospective leads your way,
 that's not what they do.  They provide information and organize events
 for members.
 
 Either it's worth it to you or not.  It has nothing to do with getting
 business.  If you want that, you join a marketing association.

Exactly right. 
Paul
 
 On Wed, Dec 1, 2010 at 2:47 PM, P N Stenquist pnstenqu...@comcast.net wrote:
 
 On Dec 1, 2010, at 2:19 PM, John Sessoms wrote:
 
 From: Walter Gilbert
 
 Hmm ... $335 a year.
 
 At the moment, it's a bit beyond my range.  I think I'd be better off
 putting that money toward a car for the time being.
 
 But, now I know what happened to Annie Leibovitz.
 
 -- Walt
 
 
 I spend more than $335 a year just on coffee, and I don't even drink 
 Starbucks. I'm talking McDonalds/Dunkin Donuts/Quickie Mart prices here.
 
 You can join the first year as an Emerging Associate at $140/year. After 
 the first year you can be an Associate as a Professional with less than 3 
 years publication experience, part-time professional or non-professional at 
 $225/year.
 
 Best deal is as a Student Associate. You can join at $45/year and can 
 remain a Student Associate for one year after graduation before moving up 
 to the Emerging Associate level for the next year, and then on to Associate 
 member for the next three years.
 
 And you may never get to the General Membership level where the dues are 
 $335/year.
 
 I think Annie has other money management issues beyond the cost of ASMP 
 dues.
 
 
 And any of those memberships will get youwellnothing.
 Those who hire photographers couldn't care less if their ASMP members. They 
 just want to see a portfolio.
 
 Paul
 
 
 
 
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Re: Happy Hanukkah

2010-12-01 Thread P N Stenquist
Best holiday wishes to all.
Paul

On Dec 1, 2010, at 8:50 AM, Bob Sullivan wrote:

 Frank,
 You beat me to it!
 Happy Hanukah to all.
 Bob  Lynn
 
 On Wed, Dec 1, 2010 at 6:44 AM, frank theriault
 knarftheria...@gmail.com wrote:
 In about 10 hours it will be Hanukkah here.  Somewhere in the world
 it's already started.
 
 Tonight we're trying potato and broccoli latkes, vegan cholent and
 home made macaroons for dessert.  Should be yummy!
 
 Whatever you're having, enjoy this first night of lighting the Menorah.
 
 Happy Hannukah,
 Judy and Frank
 
 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: What's the going rate?

2010-12-01 Thread P N Stenquist

On Dec 1, 2010, at 2:19 PM, John Sessoms wrote:

 From: Walter Gilbert
 
 Hmm ... $335 a year.
 
 At the moment, it's a bit beyond my range.  I think I'd be better off
 putting that money toward a car for the time being.
 
 But, now I know what happened to Annie Leibovitz.
 
 -- Walt
 
 
 I spend more than $335 a year just on coffee, and I don't even drink 
 Starbucks. I'm talking McDonalds/Dunkin Donuts/Quickie Mart prices here.
 
 You can join the first year as an Emerging Associate at $140/year. After the 
 first year you can be an Associate as a Professional with less than 3 years 
 publication experience, part-time professional or non-professional at 
 $225/year.
 
 Best deal is as a Student Associate. You can join at $45/year and can remain 
 a Student Associate for one year after graduation before moving up to the 
 Emerging Associate level for the next year, and then on to Associate member 
 for the next three years.
 
 And you may never get to the General Membership level where the dues are 
 $335/year.
 
 I think Annie has other money management issues beyond the cost of ASMP dues.


And any of those memberships will get youwellnothing.
Those who hire photographers couldn't care less if their ASMP members. They 
just want to see a portfolio.

Paul



 
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Re: Question about flash photography

2010-12-01 Thread P N Stenquist

On Dec 1, 2010, at 5:14 PM, David Parsons wrote:

 Wouldn't it be tons easier to simply use an umbrella?
Yes. An umbrella would work just fine. I've also used two umbrellas and 
monolights for stage pics.. Still relatively simple and better yet. But Boris 
needs something extremely simple and inconspicuous for this children's show. A 
diffuser will suffice. Or, if he gets his K-5, he can probably handle it with 
available light.
Paul
 
 On Wed, Dec 1, 2010 at 4:49 PM, Godfrey DiGiorgi gdigio...@gmail.com wrote:
 I hate those shadows. Shooting in an auditorium or gymnasium, with
 high ceilings and nothing useful to bounce against, these are always a
 pain to work with. I've not found that the on-flash diffusers help
 very much, even the LumiQuest big-bounce. Oh, they do help some, but
 they're just not really big enough to spread the light out relative to
 the subject.
 
 My solution is a bit of business to manage, really should have an
 assistant. I bought a 6x4 foot piece of semi-translucent white plastic
 sheet at a local plastics supply shop and rigged a simple frame for it
 using a boom, a lightstand and a couple sand bags ... liberally
 treated with gaffers tape. I set it up over my position and pump the
 flash up into it, aimed at the subject from as close a distance as I
 can manage to get them all in the frame. If it's not enough light, I
 put a couple more lights on stands pointed into it. (manual flash
 techniques at that point...) With a couple of pops to get the exposure
 right and a small flash pointed directly to get some sparkle, it helps
 kill the black outlines.
 
 It works well for group shots in those locations.
 
 On Tue, Nov 30, 2010 at 9:30 PM, Boris Liberman bori...@gmail.com wrote:
 Hi!
 
 The holidays are coming near and I'm having a couple of gigs at
 Galia's class. One involved shooting the general rehearsal of the
 little musical they've been making. Given the fact that the hall was
 empty I could shoot as I pleased. So I also shot a number of shots
 from the distance.
 
 My flash is Metz 40 MZ-2 which is a good flash. In particular it
 auto-zooms as per the actual focal length taking into account the crop
 factor of the camera. However, the ceiling of the hall wasn't the
 ideal surface for bouncing and the distance (10m and upwards) was too
 much to play the bounce game. So I ended up with many properly exposed
 shots but with this ugly shadow behind everyone and everything.
 
 Is there a way to at least make these shadows less prominent during
 the shoot? I reckon the likes of diffuser are necessary but I'd rather
 ask someone who has direct experience with this, as I am total klutz
 to all things flash.
 
 Thanks.
 
 --
 Boris
 
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Re: peso: What, no K5?

2010-11-30 Thread P N Stenquist
Very nice. I'm surprised you could get that close with a 135. Was it alive? :-))
Paul


On Nov 30, 2010, at 10:27 AM, Steven Desjardins wrote:

 http://chemistry.wlu.edu/~desjardins/
 
 K7, FA135 2.8
 
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Re: Anyone ever dealt with the Montclair Who's Who in Photography scammers?

2010-11-30 Thread P N Stenquist

On Nov 30, 2010, at 11:23 AM, eckinator wrote:

 sounds a lot like facebook except the scam is less subtle...

Nothing like Facebook. Montclair wants to empty your pockets. Facebook just 
provides a venue for others who want to empty your pockets, but you're free to 
ignore them.
Paul

 
 2010/11/30 Bob Sullivan rf.sulli...@gmail.com:
 All very similar to the 'Who's Who of High School Seniors'.
 For a 'small' fee your child could be listed and you could buy a book!
 It was a snail mail offer...
 Regards,  Bob S.
 
 On Tue, Nov 30, 2010 at 6:29 AM, Mark Roberts m...@robertstech.com wrote:
 I'm guessing that a lot of people on the PDML have received email from
 the Montclair Publishing Who's Who con artists.
 (http://www.robertstech.com/blog/?p=140) They say you're being
 considered for inclusion in the next edition of their book, please
 call for an interview, etc. Like most people I just delete the email
 (and report them for spamming) but there are several sites on the web
 from people who called back for the interview that detail the rest of
 the scam: Basically, one has to buy membership for an exorbitant fee
 to be included.
 
 Anyway, if anyone has dealt with this scam operation I'd be interested
 in hearing about it.
 
 
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Re: Two more PESOs from Boris

2010-11-30 Thread P N Stenquist
I like both of these. Love the warm lighting on the street shot and the empty 
feeling. 
I think you exposed the ice cream display perfectly, with the bright colors of 
the ice cream popping out from the dark environment.
Paul

On Nov 30, 2010, at 12:15 AM, Boris Liberman wrote:

 Since I posted two pesos you can be brutal on one and honest on other.
 You choose which is which though :-).
 
 On Mon, Nov 29, 2010 at 6:07 PM, John Sessoms jsessoms...@nc.rr.com wrote:
 From: Boris Liberman
 
 Hi!
 
 http://pentax-ways.blogspot.com/2010/11/peso-2010-55-ice-cream.html and
 http://pentax-ways.blogspot.com/2010/11/peso-2010-56-empty-street.html
 
 Be brutal and honest.
 
 With these, I can be one or the other, but not both. You pick which it's
 going to be.  ;-D
 
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Re: GESO - Conowingo Dam

2010-11-30 Thread P N Stenquist
Excellent pics, nevertheless. The vulture is fascinating. Ugly beast. And while 
I know you can top that eagle pic, it's a keeper.
Paul

On Nov 30, 2010, at 10:42 AM, Christian wrote:

 Hi all;
 
 It's been a long time since I've posted a PESO or GESO.  I've been crazy busy 
 with traveling for my new job, going to exciting places like, Miami, New York 
 City, Chicago, Paris and Frankfurt.
 
 Because of that, my time for photography has suffered except for the 
 occasional tourist snaps.  Also, my time on the PDML has been infrequent and 
 I apologize for not commenting on the many beautiful PESOs, GESOs and PAWs 
 I've seen in the past few months.
 
 The weekend before Thanksgiving I decided to remedy all that by going to 
 Conowingo Dam in Maryland to photograph Bald Eagles.  I've put my thoughts 
 about the trip along with some photos on my blog.  Not my best work but enjoy 
 it nonetheless.
 
 http://birdofthemoment.blogspot.com/2010/11/conowingo-dam-november-2010.html
 
 
 -- 
 Christian
 http://404mohawknotfound.blogspot.com
 http://birdofthemoment.blogspot.com
 
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Re: BH memory card deal -- BACK in stock

2010-11-30 Thread P N Stenquist
On Nov 30, 2010, at 12:18 PM, Igor Roshchin wrote:

 
 Briefly: the 10-class 8GB TRanscend SDHC is back in stock at BH.
 I just decided to try (despite my liking of SanDisk cards) and placed
 an order for 3 of them.
 
 Igor

Right  you are. BH says my order for two cards has been filled.
Like you, I normally buy SanDisk, but this price is too good to pass up. In 
regard to failures, I've had one Transcend card and one Sandisk card fail. But 
the SanDisk class 6 cards seem faster than the Transcend class 6. 

Paul

 
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Re: What's the going rate?

2010-11-30 Thread P N Stenquist
I would estimate that $50 per shot would be the max for book usage. Very few 
pay more for a part-page photo. Many pay less. In any case, specify usage as 
first North American rights. That way you retain ownership and can sell them 
again if someone else sees them and wants to use them.
Paul


On Nov 30, 2010, at 5:01 PM, Walter Gilbert wrote:

 Hi all,
 
 I just got an email from the senior editor of a publishing house (Hachette 
 Book Group in NY) stating some interest in possibly using some of the photos 
 I took at the local political rallies at the end of October.  She wrote 
 asking for copies of three particular images, with the possibility of using 
 others and asked how much it would cost to use them in an upcoming book.  
 Given the fact that I'm a babe in the woods when it comes to this sort of 
 thing, I thought I'd pick the brains of those of you who've had some 
 experience in this arena.
 
 I've already put in a call to an attorney friend to see if he had any 
 guidance on dealing with this (he was in conference and is supposed to call 
 me back).  Now, I just need to know how to get a fair price out of my work.  
 They she said she's not certain that they'd use them, but would like to 
 consider them.  I certainly don't want to give them any reason not to use 
 them by overshooting on the price, but at the same time, I don't want to take 
 less than I can get from what appears to be a fairly large publishing house.
 
 So, what should I do?  I don't know if it makes any difference, but the shots 
 are being considered for a book being (ghost?) written by (for?) a newly 
 elected senator about the grassroots movement that got him elected.  Any 
 guidance would be greatly appreciated on this.
 
 Thanks!
 
 Walt
 
 
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Re: Mark's Platinum Printing Workshop Report

2010-11-29 Thread P N Stenquist
Well done. A good read.
Paul
On Nov 29, 2010, at 9:51 AM, Mark Roberts wrote:

 http://enticingthelight.com/2010/11/27/platinum-printing-workshop-at-the-george-eastman-house-a-report/
 
 Now also on TOP, albeit in a shorter, less idiosyncratically-written
 version:
 http://theonlinephotographer.typepad.com/the_online_photographer/2010/11/workshops-at-geh.html
 
 The TOP  article was supposed to come out last week and I asked
 Miserere to hold off the version on his web site until weekend. But
 the TOP article ran late -- those who know Mike J. won't be much
 surprised ;-)
 
 
 
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Re: White Balance on K-7

2010-11-29 Thread P N Stenquist

On Nov 29, 2010, at 10:39 AM, Igor Roshchin wrote:

 
 Hi All,
 
 While shooting an argentine tango performance over the weekend 
 I set the WB of my K-7 to Tungsten light.
 I was surprised to see that while ~80% of shots were with about the right
 color, some considerable number of shots had a distinctive.
 It was not as red as it would have been if I left the WB to be on Auto,
 but still yellow.
 
 All the shots were taken under the same condition: in the same room, 
 from the same point, with no light changing, just the couple moving.
 More over,- some series of shots were made with the the couple in place ,- 
 and some have the WB alright, and some - are yellow.
 
 Has anybody experienced anything of this sort?
 What could be the reason (besides some malfunction of the camera)?

What fills the frame affects white balance. If the dancers were blocking some 
of the light on some shots and more fully lit on others, you'll get some 
variation of color temp. Easy enough to correct during conversion.
Paul

 
 Igor
 
 (Sorry for the duplicated message, - the previous one had a corrupted 
 Subject/header)
 
 
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Re: PESO - In the Can

2010-11-29 Thread P N Stenquist
Thanks David. And thanks to all who had a look.
Paul


On Nov 29, 2010, at 10:00 AM, David J Brooks wrote:

 Made me laugh.
 
 Nice smile as always.
 
 DAVE
 
 On Sun, Nov 28, 2010 at 4:08 PM, paul stenquist pnstenqu...@comcast.net 
 wrote:
 http://photo.net/photodb/photo?photo_id=12016762
 
 k-5, DA* 16-50, ISO 4000, f4, 1/200th, 50mm
 
 
 
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Re: White Balance on K-7

2010-11-29 Thread P N Stenquist

On Nov 29, 2010, at 1:57 PM, Igor Roshchin wrote:

 
 Mon Nov 29 09:52:30 CST 2010
 P N Stenquist wrote:
 
 On Nov 29, 2010, at 10:39 AM, Igor Roshchin wrote:
 
 
 Hi All,
 
 While shooting an argentine tango performance over the weekend 
 I set the WB of my K-7 to Tungsten light.
 I was surprised to see that while ~80% of shots were with about the
 right
 color, some considerable number of shots had a distinctive.
 It was not as red as it would have been if I left the WB to be on
 Auto,
 but still yellow.
 
 All the shots were taken under the same condition: in the same room, 
 from the same point, with no light changing, just the couple moving.
 More over,- some series of shots were made with the the couple in
 place ,- 
 and some have the WB alright, and some - are yellow.
 
 Has anybody experienced anything of this sort?
 What could be the reason (besides some malfunction of the camera)?
 
 What fills the frame affects white balance. If the dancers were blocking
 some of the light on some shots and more fully lit on others, you'll get
 some variation of color temp. Easy enough to correct during conversion.
 Paul
 
 
 Paul, 
 
 Yes, that could do it in principle, but it doesn't make sense in the
 current situation. Since I _fixed_ the WB to a particular setting,
 very slight changes shouldn't affect the WB.
 
 To better illustrate what I observe, - let me show you this image:
 http://komkon.org/~igor/PHOTOS/Mixed-2010/WB-problem-2010-11-27.jpg
 
 No WB or exposure settings were changed in this sequence.
 These photos were not modified.
 
 Yes, one can correct the WB, but it is not how it should work, isn't it?
 
 Igor
 
You're right. Something is out of whack here. I never shoot anything expect AWB 
and RAW, so I can't tell you if my camera shares this problem. When I have 
time, I'll give it a try under some tungsten lighting.
Paul


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Re: PESO: this K-5 is incredible

2010-11-27 Thread P N Stenquist
Excellent shot.

On Nov 27, 2010, at 12:14 PM, Ralf R. Radermacher wrote:

 Another one from the lock at Lanaye. One single hand-held shot, no
 tripod, no HDR, no plug-ins, no nothing. 
 
 http://www.fotocommunity.de/pc/pc/mypics/770012/display/23095897
 
 K-5, SMC-M 2/35 mm, f 4, 1/15 sec, ISO 1600
 
 As always...  :-)
 
 Ralf
 
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Re: PESO: another K5 sample

2010-11-27 Thread P N Stenquist
Nice photo. Well composed shot of a fun moment.
Much warmer color temp than neutral, but I like that. Where did you take the 
eyedropper reading. His grey sweater would probably work if you were aiming for 
neutral tonality.
Paul

On Nov 27, 2010, at 3:05 PM, Bob Sullivan wrote:

 Just the kids and Leo playing on the floor.
 ISO 6400 and color corrected using the eyedropper in Lightroom3.
 
 http://picasaweb.google.com/rf.sullivan/K5Samples#5544321147680826578
 
 Regards, Bob S.
 
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Re: OT: Recovering from Thanksgiving and Black Friday

2010-11-27 Thread P N Stenquist
Sounds like a great day. I'd love to see Driving Miss Daisy, but I doubt I'll 
be in NY any time soon. When I was working at a NY agency we frequently worked 
on Black Friday. I remember threading my way through the crowd at full speed 
from 53rd and Lex to the Port Authority at 42nd and 9th. I think the tourists 
look at high-speed on-foot commuters as rude, but we just wanted to get home!
Paul

On Nov 27, 2010, at 3:49 PM, Daniel J. Matyola wrote:

 I hope everyone here in the US had a great Thanksgiving, and is on the
 road to recovery.
 
 After a nice traditional meal at home (turkey and much, much more),
 with family and friends, we had a full Black Friday (The traditional
 start of Christmas shopping in the US).  My idea of shopping is going
 on line, or doing it the old-fashioned way -- by catalogs.
 
 Nevertheless, yesterday I found myself in the belly of the beast.
 
 In the morning, my wife and her friend hit  Flemington (a country town
 nearby with lots of factory outlets) for some quick bargains, while I
 did some yard work.  Then, we headed into the City.  On Black Friday.
 Insane.
 
 We took the train into The City, then walked from Penn Station the 25
 blocks or so to The Park.  Broadway was almost impassable at points,
 with shoppers, tourists and theater-goers. We had an early -- and
 hearty -- dinner at the Russian Tea Room (slightly to the left of
 Carnegie Hall, and just south of the park).  Then, since we had some
 time, we headed over to Fifth Avenue, which was even more festive, and
 every bit as crowded, as Broadway.  We stopped to enter the confusion
 and chaos of the busiest store in the City:  the flagship Apple Store
 at Fifth Avenue and 58th.
 (http://images.apple.com/retail/fifthavenue/gallery/images/photo1.jpg).
 If there is a recession, you couldn't tell from this place;  there
 was a line of people entering, and we could hardly move around on the
 main retail floor, below street level.
 
 We then walked south on Fifth Avenue, past all the expensive fashion
 and jewelry stores, to St Pat's and Rockefeller Center, which was also
 mobbed.  The tree was up but undecorated, the skaters were waltzing on
 the ice below the square, and shoppers and tourists bumped into one
 another every few inches.  Even before the lighting of the big tree,
 the decorations were sumptuous.
 
 Finally, we fought our way back to 45th and Broadway, to the Golden
 Theater, and the ultimate goal of the evening: Driving Miss Daisy,
 with Vanessa Redgrave and James Earl Jones.  It is a very good play,
 but that is quite besides the point.  Watching two of the greatest
 actors of our time playing against each other was an overwhelming
 experience, and everything we had hoped for.
 
 Finally, the hour and a quarter train ride home, to warm up and loosen
 up in the hot tub before collapsing in exhaustion.  Quite a day for
 three old fogies from Jersey and Baltimore.
 
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Re: interval shooting

2010-11-26 Thread P N Stenquist
Cool. I forgot that feature was available. Well done. I'll have to give it a 
try.
Paul

On Nov 26, 2010, at 10:04 AM, Christine Aguila wrote:

 The red buttonish thingy, I believe, is supposed to pop out when the turkey 
 is done.  If not that, it's the turkey version of the evil eye to keep turkey 
 germs away while the turkey is waiting to be bought, stuffed, and cooked.  
 Cheers, Christine
 
 
 - Original Message - From: eckinator eckina...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Thursday, November 25, 2010 4:12 PM
 Subject: Re: interval shooting
 
 
 Nice cutting technique =) What's that red buttonish thingy in the bird?
 Cheers
 Ecke
 
 2010/11/25 Christine  Aguila cagu...@earthlink.net:
 Nothing fancy, but I did try the interval shooting. Could be fun with the
 right subject. I wanted to do it when stuffing the bird, but I'm in a
 galley kitchen and didn't have the patience to finesse the camera angle with
 the tripod. Still, I like this feature.
 
 http://caguila.com/caguila/interval/index.html
 
 About an hourish to go, then it's off to the folks house with the bird.
 Cheers, Christine
 
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Re: HSM -- Restart?

2010-11-26 Thread P N Stenquist
HI Morris,
Make sure your manual/automatic switch isn't set wrong or in between the marks. 
If that's not it, focus manually a few times and see if the HSM comes back.
Paul

On Nov 26, 2010, at 9:55 AM, Morris Galloway wrote:

 Is there a 'kink' or 'trick' to getting the HSM to work again once it has 
 failed... other than a trip to C.R.I.S.?
 
 The Patient is a 16-50 DA*.
 
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Re: GESO: Birmingham Fire

2010-11-25 Thread P N Stenquist
Thanks David. I was hesitant to post pictures of a fire, because it's such a 
tragedy. But I found the fire department's response commendable, and there were 
no injuries, so all of the loss is monetary and cultural.

BTW, I found that the smoke made rendering somewhat difficult. Had to pump up 
contrast and exposure a bit to get decent results.

Paul
On Nov 24, 2010, at 5:16 PM, David J Brooks wrote:

 I like the framing in 1554
 
 Dave
 
 On Wed, Nov 24, 2010 at 5:05 PM, P N Stenquist pnstenqu...@comcast.net 
 wrote:
 A beautiful old house in Birmingham, Michigan was completely gutted by fire 
 earlier today. Four local towns sent equipment and water was pumped from a 
 number of hydrants, some almost half a mile away. By the time I arrived, the 
 flames had been doused, but a firefighter told me they were going to have to 
 pour water down through the roof for several hours more. The fire had 
 started in the basement and burned up through the house. I would guess the 
 house to be about 80 years old. It has three big fireplace chimneys, a slate 
 roof, and copper gutters and sits on a large corner lot. Kids' bikes could 
 be seen in the garage, along with taped boxes. The boxes had me wondering if 
 the family had recently moved in.
 
 http://photo.net/photodb/folder?folder_id=989146
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Re: Happy Thanksgiving PDML!

2010-11-25 Thread P N Stenquist
Right back at you Christine. Just gonna convert some pics, then it's time to 
put the turkey on!
Paul


On Nov 25, 2010, at 10:32 AM, Christine Aguila wrote:

 Just wanted to wish everyone a Happy Thanksgiving.  I'm off to cook a bird, 
 listen to some music, and contemplate all I'm grateful for.
 
 I  know some of you don't celebrate Thanksgiving; no matter--I'm wishing 
 everyone a great day today!
 
 Big cheers, Christine from Chicago
 
 
 
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PESO - Thanksgiving Morn, K5 low light autofocus

2010-11-25 Thread P N Stenquist
Grace and Grandma study the ads that came with today's papers. ISO 4000, f4 @ 
1/15th, K5 with DA* 16-50 @ 50mm.

The room was quite dark, as the exposure and ISO indicate, but the K5 had no 
problem autofocusing on Grace's eye. That's bubble gum she's playing with. I 
was also able to focus on only slightly contrasty objects in the dark corners 
of the room. 

http://photo.net/photodb/photo?photo_id=12002754size=lg
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Re: Getting a K-5 for review; any requests?

2010-11-24 Thread P N Stenquist
The K-5 images are very sharp. I've found that they require much less 
sharpening in conversion than did those of k10, k20 or k7. 

Of course you'll find numerous sky is falling conversations about any  new 
camera on the lunatic fringe forums. A handful of jpegs can't prove or disprove 
anything. Too many variables. Ignore the opinions of others – including me – 
and take pictures. That's always the best way to go.
Paul 
On Nov 24, 2010, at 10:54 AM, Jaume Lahuerta wrote:

 - Mensaje original 
 
 De: Miserere miser...@gmail.com
 
 I convinced BH to lend me a K-5 for review and it should arrive
 tomorrow  (Monday). I won't have it as long as other cams I've tested
 (it's going back  on Dec 15th)  so I'm trying to streamline this review
 as much as  possible and keep out any superfluous fluff.
 
 If any of you guys have any  particular requests for things you'd like
 me to check that you think *must*  be included in a self-respecting
 review, I'd love to hear from  you.
 
 I am reading some 'the sky is falling' comments about the quality of the K-5 
 jpg-engine and a supposed too strong AA filter (whatever it means).
 So if you can comment on your impression about the quality of the in-camera 
 jpgs 
 and the ability to produce sharp images it will be greatly welcome.
 
 Regards,
 Jaume
 
 
 
 
 
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Re: PESO: Side lit in the Morning

2010-11-24 Thread P N Stenquist
Unusual and attractive. Brilliant color. At first glance, it could be mistaken 
for an aerial view of eroded terrain with some vegetation. 
Well done.
Paul
On Nov 24, 2010, at 4:35 PM, kwal...@peoplepc.com kwal...@peoplepc.com 
wrote:

 Its been awhile
 
 Taken in the Grand Staircase-Escalante National Monument, Utah
 
 http://photo.net/photodb/photo?photo_id=11999552
 
 K20D, 200mm/f4.0 ED Macro SMCP A* on Gitzo 3530LS tripod with Bogen 3275 head.
 1/20, f16, 400 ISO
 
 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller 
 
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GESO: Birmingham Fire

2010-11-24 Thread P N Stenquist
A beautiful old house in Birmingham, Michigan was completely gutted by fire 
earlier today. Four local towns sent equipment and water was pumped from a 
number of hydrants, some almost half a mile away. By the time I arrived, the 
flames had been doused, but a firefighter told me they were going to have to 
pour water down through the roof for several hours more. The fire had started 
in the basement and burned up through the house. I would guess the house to be 
about 80 years old. It has three big fireplace chimneys, a slate roof, and 
copper gutters and sits on a large corner lot. Kids' bikes could be seen in the 
garage, along with taped boxes. The boxes had me wondering if the family had 
recently moved in.

http://photo.net/photodb/folder?folder_id=989146
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Re: It's my Pentax lucky streak again

2010-11-16 Thread P N Stenquist

What made you aware of the stabilizer problem?

Paul


On Nov 16, 2010, at 10:04 AM, Ralf R. Radermacher wrote:

My dealer exchanged my first K-5 today because of a stabilizer  
problem.

Just tested the new one. The rear thumbwheel is erratic. Didn't need
much explanation, though. He has the same thumbwheel trouble with his
private K-7.

Fortunately he has enough K-5 in stock, so we should be fine for a few
more exchanges.

All of my Pentax DSLRs (DS, K10D, K-7) have been exchanged at least
once. With all due respect, Pentax, your Q.C. is a mess.

Ralf

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Audio : http://aporee.org/maps/projects/fotoralf
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Re: Interview with Kerrick James

2010-11-15 Thread P N Stenquist

Well done. A good read.
Paul
On Nov 15, 2010, at 12:01 AM, Miserere wrote:


Going live in a few minutes:

http://enticingthelight.com/2010/11/15/shedding-light-on-kerrick- 
james/


A nice mix of film and digital images if you don't feel like reading.

Enjoy!


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Re: peso - perfect pizza

2010-11-14 Thread P N Stenquist
Thanks Brian. The pizza is made in a wood fired oven and is pretty  
darn good.

Paul
On Nov 14, 2010, at 7:26 AM, Brian Walters wrote:


On Sat, 13 Nov 2010 21:36 -0500, paul stenquist
pnstenqu...@comcast.net wrote:

K-5 and DA* 60-250, ISO 3200

I've shot pics in this pizza place before. Always bounced flash off  
the

ceiling. With the K-5, I just went with the available light.

http://photo.net/photodb/photo?photo_id=11944334
--



The owners of the pizza place should talk to you about using that  
photo

in their advertising!

Great shot - a look of pure ecstasy.


Cheers

Brian

++
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Western Sydney Australia
http://lyons-ryan.org/southernlight/

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Re: PESO - Her Audience

2010-11-14 Thread P N Stenquist

I like it. Great legs and a nice moment.
Paul
On Nov 14, 2010, at 7:39 AM, frank theriault wrote:


After seeing the Erwitt exhibit I had the opportunity to walk around
my old neighbourhood and do a bit of street shooting.  Didn't get
much, but this one was fun:

http://knarfinthecity.blogspot.com/2010/11/her-audience.html

Hope you enjoy.  Comments always welcome.

cheers,
frank

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Re: peso - perfect pizza

2010-11-14 Thread P N Stenquist

Thanks Boris.
Grace's palate is very limited at the moment: pizza, chicken nuggets,  
hot dogs, macaroni and cheese, plain white rice, peanut butter,  
strawberries and apples. That's about it. But she does eat a lot of  
fruit, so I guess we should be thankful for that.

Paul
On Nov 14, 2010, at 9:38 AM, Boris Liberman wrote:


Well, Galia's gonna bake us something for coming Friday... ;-)

Lovely photo. Sometimes one has to take extreme measures, even take  
their (grand) child to pizza to make them eat ;-).


K-5 proves to be a blast in your capable hands, Paul.

Boris


On 11/14/2010 4:36 AM, paul stenquist wrote:

K-5 and DA* 60-250, ISO 3200

I've shot pics in this pizza place before. Always bounced flash off
the ceiling. With the K-5, I just went with the available light.

http://photo.net/photodb/photo?photo_id=11944334



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peso - all together now

2010-11-13 Thread P N Stenquist

K-5, DA* 60-250, f6.3, 1/500th. ISO 400, flash in high synch mode

http://photo.net/photodb/photo?photo_id=11944332size=lg

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peso: eye contact

2010-11-12 Thread P N Stenquist
Underexposed this by about two stops because I inadvertently spun the  
shutter speed dial. Saw the display blinking but didn't want to pass  
up the shot. Pumped it up in conversion.


K-5 and DA* 60-250, ISO 1600, f4 @ 1/2500

http://photo.net/photodb/photo?photo_id=11940070

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Re: K-7 K-5 samples at iso 100

2010-11-11 Thread P N Stenquist


On Nov 11, 2010, at 9:16 AM, Bob Sullivan wrote:


Stig and Dario,

I'm unclear why the focus point is different between the pictures,


Since I started dialing in autofocus for all my cameras and lenses,  
I've noticed that no two cameras are alike. One or the other of yours  
-- or more likely both -- aren't center focusing. Given manufacturing  
tolerances, I doubt that any camera can focus with complete accuracy  
without fine adjustment.


Paul



but I do notice the purple fringe difference.
Side by side at 100% in Lightroom 3.2, the K-5 image is sharper.
I don't know If I did something or it's the camera.
Here is another side by side comparison at iso 100.

http://picasaweb.google.com/rf.sullivan/K5Samples#5538294079680649922
and
http://picasaweb.google.com/rf.sullivan/K5Samples#5538294128551463634

Regards,  Bob S.

On Thu, Nov 11, 2010 at 1:25 AM, SV Hovland pdml...@heime.org wrote:
The focus point is different in these two pictures so I am not sure  
different levels of purple fringing is related to the camera.


Stig Vidar Hovland


Fra: pdml-boun...@pdml.net [pdml-boun...@pdml.net] p#229; vegne av  
Dario Bonazza [dario.bona...@virgilio.it]

Sendt: 11. november 2010 08:11
Til: Pentax-Discuss Mail List
Emne: Re: K-7  K-5 samples at iso 100

.. and I see much thinner purple fringing in the K-5 picture. This  
could be

another newly-discovered plus.
Dario

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Re: K-7 K-5 samples at iso 100

2010-11-11 Thread P N Stenquist
My pics were all shot with AWB, and I assume that the difference in  
tonality was due to the way the camera handles that. In regard to the  
high ISO pics that included the tabletop, I can say with certainty  
that the K5 was more accurate. I always shoot with AWB, so I'd prefer  
to see how the camera handles that, although a comparison at the same  
setting or with manually adjusted white balance would be interesting.  
I generally set white balance during conversion, either to my taste or  
using a gray or white object in frame. In critical situations, I shoot  
a gray card or manually adjust prior to shooting.

Paul


On Nov 11, 2010, at 10:07 AM, CheekyGeek wrote:


Assuming that LR defaults were used to process both RAW files, it
would be interesting to see the old color chart photographed by both
cameras. I'm especially curious about the RED response. (Of course, it
must be remembered that the three channels are all monochrome through
different color filters). I'd also like to know the WB on each camera
(for optimal testing it should not be on automatic, but both set on
Daylight, for example.

We really aren't getting enough info about the camera settings or the
processing to eliminate the possible variables from being a factor.

Darren Addy
Kearney, Nebraska


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Re: K-7 K-5 samples at iso 100

2010-11-11 Thread P N Stenquist
I don't test, scientifically or otherwise. I provided a few pics  
because there was some interest here. Now I'm strictly in shooting mode.

Paul


On Nov 11, 2010, at 10:36 AM, CheekyGeek wrote:

On Thu, Nov 11, 2010 at 9:22 AM, P N Stenquist pnstenqu...@comcast.net 
 wrote:
My pics were all shot with AWB, and I assume that the difference in  
tonality

was due to the way the camera handles that.


That's my point. You can shoot and post-process any way that you like
(of course) but if we are going to be scientific about our
comparisons we would want to eliminate all of the variables that we
can between the two shots and assume nothing. (I always get in
trouble when I assume anything).
: )

Darren Addy
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Re: K-5 Price Slashed

2010-11-11 Thread P N Stenquist
Don't count on a big price reduction soon. BH sold out their first  
shipment already.

Paul

On Nov 11, 2010, at 11:18 AM, Jack Davis wrote:

I just checked the K-5 price at Amazon. Hurry and beat the rush,  
they dropped the price by $17.52!!!

Well, it may be the first pebble in a price landslide. ;)
Seriously, I do like the trend.

Jack




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Re: After bombs away

2010-11-11 Thread P N Stenquist


On Nov 11, 2010, at 3:36 PM, Eric Weir wrote:



On Nov 11, 2010, at 3:16 PM, P. J. Alling wrote:

Color had been around for a long time.  There were lot's of Color  
photographs shot by all sides during WWII.


Thanks, Paul. And Charles, too.



That's Peter. I'm Paul. No Mary.
Paul


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Decatur, GA  USA
eew...@bellsouth.net





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Re: PESO: My Auto Guy

2010-11-10 Thread P N Stenquist

I'm surprised he doesn't have the Helen Waite sign.

Actually, just charging for the bulb and not the labor is a good deal.  
Gotta cover the inventory cots, even if you're doing someone a favor.  
Most mechanics who remain in business for more than a couple of years  
are pretty honest. They have to be. I worked for a service industry  
trade mag many years ago. Met a lot of mechanics. A good group of guys  
for the most part.


Paul
On Nov 10, 2010, at 10:01 AM, David J Brooks wrote:

A lot of the smaller repair shops here were i am have signs like  
those.

I don't think they felt guilty. In 2008, i bought $1100 worth of truck
tires at a Firestone shop. He noticed one of my brake lights had burnt
out. I said might as well throw a bulb in while i'm here.
Charged me the $2.49 for it.
I thought after dropping $1100 that might not get on the bill, oh  
well.


Dave

On Tue, Nov 9, 2010 at 3:08 PM, Jack Davis jdavi...@yahoo.com wrote:
As I sat in this area waiting for my car, I got the feeling these  
signs were YELLING at me and were intended to intimidate. I think  
he's dealt with the public just a little too long. :(
I had the camera and flash in the car, so with the owner's  
permission took a couple shots. He thought it was funny when I told  
him what I intended to do with the shot. Actually a good guy.
Well, I didn't get yelled at and surprisingly my repair was free.  
Tried to force a @20 on him, but was no use. They put a new bolt  
and nut on the starter of my wife's 240SX. I wonder if it's  
possible they feel guilty about some past charges. Nah, auto  
mechanics with a conscience? Right!


A bit of human interest(?)

Comments?

Jack

http://photolightimages.com/aspupload/detail.asp?ID=542




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peso - jack @ 13, k-5 @ ISO 5000

2010-11-10 Thread P N Stenquist
Jack, the dog my daughter rescued from a dumpster about a dozen years  
ago, is now about 13 and his health is failing. Snapped a pic of him  
last night as he was resting on the carpet. The light is just dim  
tungsten from an adjacent room. K-5 with DA* 16-50, ISO 5000, f4.5 @  
1/30th.


I did my usual conversion on this one: some adjustment of exposure,  
midrange values, black point, color temp, etc. A bit of sharpening as  
well. Cropped to about 80% of frame.


Paul

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Re: peso - jack @ 13, k-5 @ ISO 5000

2010-11-10 Thread P N Stenquist

But I didn't include a URL:
http://photo.net/photodb/photo?photo_id=11929650size=lg

On Nov 10, 2010, at 3:07 PM, P N Stenquist wrote:

Jack, the dog my daughter rescued from a dumpster about a dozen  
years ago, is now about 13 and his health is failing. Snapped a pic  
of him last night as he was resting on the carpet. The light is just  
dim tungsten from an adjacent room. K-5 with DA* 16-50, ISO 5000,  
f4.5 @ 1/30th.


I did my usual conversion on this one: some adjustment of exposure,  
midrange values, black point, color temp, etc. A bit of sharpening  
as well. Cropped to about 80% of frame.


Paul

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Re: peso - jack @ 13, k-5 @ ISO 5000

2010-11-10 Thread P N Stenquist


On Nov 10, 2010, at 3:51 PM, Larry Colen wrote:



On Nov 10, 2010, at 12:09 PM, P N Stenquist wrote:


But I didn't include a URL:
http://photo.net/photodb/photo?photo_id=11929650size=lg

On Nov 10, 2010, at 3:07 PM, P N Stenquist wrote:

Jack, the dog my daughter rescued from a dumpster about a dozen  
years ago, is now about 13 and his health is failing. Snapped a  
pic of him last night as he was resting on the carpet. The light  
is just dim tungsten from an adjacent room. K-5 with DA* 16-50,  
ISO 5000, f4.5 @ 1/30th.


Was that a typo?  Looks more like ISO 500 than ISO 5000.


No typo, it's ISO 5000.





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Re: PESO - In the Petit Palais, Paris

2010-11-10 Thread P N Stenquist

Very nice. An intriguing composition.
Paul

On Nov 10, 2010, at 5:09 PM, Bob W wrote:


Chris found the perfect place for you today...



Nice one, Rick.  Lately I've been wanting a romantic weekend in  
Paris with

my

husband.  Nice composition here.  Cheers, Christine



It's cold and wet, but still enjoyable.

http://photo.net/photodb/photo?photo_id=11923313size=lg




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Re: Flaneurs

2010-11-10 Thread P N Stenquist
Wonderful. Makes me want to visit again. I like them all, but great to  
see Notre Dame all cleaned up and without the scaffolding.

Paul
On Nov 10, 2010, at 5:00 PM, Bob W wrote:

Doctor, I've just spent the day in Paris with an American called  
Rick, what

could it mean?

Bon chic, bon genre:
http://www.web-options.com/Flaneurs/

Cheers,
Ingrid


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Re: K-5, K-7, side-by-side at ISO 6400

2010-11-09 Thread P N Stenquist


On Nov 9, 2010, at 9:52 AM, Charles Robinson wrote:


On Nov 9, 2010, at 8:34, Boris Liberman wrote:


No, it does not make K-7 junk. After all, it is a piece of gear  
that works as per its design and specifications. It is just that  
the sensor of K7 is really lagging in certain qualities that I  
happen to value.


In short, I am not happy about K-7. I kind of used it because it  
had no real alternative up until the K-5 came out. The difference  
between K-7 and K-5 as illustrated by Paul and others (in visible  
image quality, Charles, not in measurement) is so significant that  
it leads to me to totally write off the former from my list, in a  
manner of speaking.


I hope I clarified things for you somewhat.



I guess I can see that... I find it fascinating how differently the  
camera is perceived based upon so many variables.  For me (all-green  
images from something being broken notwithstanding) the K7 is a  
marvelous camera and a great step up from the K10D.  Weird.


All the same, the K5 looks great.  I'll probably buy one in 2 years  
(or whatever follows it) when the price is a bit less  
stratospheric!  Frankly, I'd have a hard time selling a new camera  
to The Wife after just getting a new camera.  :-)


-Charles


The K-7 offered huge advantages in use over the K20 or K10 because the  
exposure is very accurate. That's priceless. In good light, the images  
are fine. Although I have to admit that with my car photography for  
magazines, I had to clip the highlight level to about 247 to avoid  
printing highlights that looked like blank paper. But the results were  
still quite nice.

Paul




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Re: PESO - Sad Eyes

2010-11-09 Thread P N Stenquist
A lot of good things going on here. The concept, the color, the shadow  
of the twig. Very nice.

Paul

On Nov 9, 2010, at 8:53 AM, Daniel J. Matyola wrote:


Great color, wonderful title, impressive find.


Dan

On Tue, Nov 9, 2010 at 6:57 AM, frank theriault
knarftheria...@gmail.com wrote:

http://knarfdummyblog.blogspot.com/2010/11/sad-leaf.html

Hope you enjoy.  Comments welcome.

*istD, Tamron SP 90mm f2.5, Manfrotto monopod.

cheers,
frank

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Re: Film for landscape and for portraits

2010-11-09 Thread P N Stenquist
For color portraits, I used Portra 400 or Portra 160 in the natural  
tonality versions with my 6x7. In BW, I used a lot of Plus-X, although  
that is now extinct.

On Nov 9, 2010, at 3:25 PM, Adam Montoya wrote:


On Tue, Nov 9, 2010 at 5:32 AM, Jens p...@planfoto.dk wrote:

I have just ordered 10 roll og slidefilm for my new 67.
I've read that Fuji Astia is specially good for skin tones.
Will it do well for landscapes as well?
I will scan all my 6x7 images.
Maybe color negs were the better choise.
Which colour film would you use for
1) Portraits
2) Landscape



Since you are going to scan, I'd try some Ektar 100.  I have had good
luck with it in 35mm.  Here is a sample scan:
http://www.mountainfort.com/People/Angela/10652967_ykUXQ#741211272_JmNud-A-LB
.

-Adam

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K-7 vs. K-5 at ISO 200

2010-11-09 Thread P N Stenquist
I posted two pairs of comparison pics. Some disclaimers. On the K-5  
fireplug pic I had the exposure comp set at -0.3, and the meter chose  
1/250th at f5.6 rather than the 1/200th @ f5.6 that the K-7 meter  
chose. Exposure comp on the K-7 was at zero. For the house pics, the  
cameras were both set to zero exposure comp, but the K-5 still chose  
to expose it slightly less. None of the exposures are the least bit  
problematic. I was thinking last weekend that I might use +0.3 as a  
standard exposure comp on the k-5. Time will tell. For now I'm leaving  
it at zero.


The color difference is clear. The K-7 pics are warmer. That, of  
course, can be adjusted to personal taste in conversion. I think the  
k-5 color is a wee bit more accurate, but it would take more careful  
testing to be sure. When I shoot something that's color sensitive, I  
use a gray card to set color temp, so it's pretty much irrelevant to me.


 In terms of quality, they're all just fine IMO. The K-7 pic of the  
house appears to be slightly sharper at the focal point, which was the  
front door, but the k-5 pic of the fireplug appears to be slightly  
sharper at the focal point which was the hex on the fireplug cap. The  
K-7 performed admirably, as it has for the past 23,700 frames I've  
shot with it. I'm keeping it, although I do love the K-5 a bit more.


No real challenges here in regard to highlights and shadows, but  
that's true of most of the pics I shoot. Still happy to have the  
extended DR of the K-5, but it's obviously not needed all of the time.


Paul

And the url is http://photo.net/photodb/folder?folder_id=968481

Click once to open and again to get a larger size.

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Re: K-5, K-7, side-by-side at ISO 6400

2010-11-09 Thread P N Stenquist


On Nov 9, 2010, at 4:31 PM, CheekyGeek wrote:


That K-7 image looks like my old K200D at ISO 1600.
(Which would make it a 2 stop improvement) but still an unfortunate
amount of noise, in my book.
Those who think the K-7 image looks GOOD have to be K-7 owners.
: )

I'd rather see a comparison between the K-x at 6400 and the K5 at 6400
and see how much improvement an extra $1000 makes.

Noise is only a small part of it. You also get better exposure  
control, weather sealing, better build quality, better write speed,  
better battery life and you don't get lumped in with people who buy  
red cameras:-).

Paul

Darren Addy
Kearney, Nebraska

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Re: K-5, K-7, side-by-side at ISO 6400

2010-11-09 Thread P N Stenquist


On Nov 9, 2010, at 5:00 PM, Steven Desjardins wrote:


Sure, but I'd like to see the K5, Kr, and Kx compared as well.  I
mean, my K7 has all that other stuff and it's a terrible camera.


My K-7 is a very good camera, not perfect, but very good. I wouldn't  
trade it for  Kx.

Paul


On Tue, Nov 9, 2010 at 4:53 PM, P N Stenquist  
pnstenqu...@comcast.net wrote:


On Nov 9, 2010, at 4:31 PM, CheekyGeek wrote:


That K-7 image looks like my old K200D at ISO 1600.
(Which would make it a 2 stop improvement) but still an unfortunate
amount of noise, in my book.
Those who think the K-7 image looks GOOD have to be K-7 owners.
: )

I'd rather see a comparison between the K-x at 6400 and the K5 at  
6400

and see how much improvement an extra $1000 makes.

Noise is only a small part of it. You also get better exposure  
control,
weather sealing, better build quality, better write speed, better  
battery

life and you don't get lumped in with people who buy red cameras:-).
Paul


Darren Addy
Kearney, Nebraska

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Re: K-5, K-7, side-by-side at ISO 6400

2010-11-09 Thread P N Stenquist


On Nov 9, 2010, at 5:27 PM, Charles Robinson wrote:


On Nov 9, 2010, at 16:15, P N Stenquist wrote:



On Nov 9, 2010, at 5:00 PM, Steven Desjardins wrote:


Sure, but I'd like to see the K5, Kr, and Kx compared as well.  I
mean, my K7 has all that other stuff and it's a terrible camera.


My K-7 is a very good camera, not perfect, but very good. I  
wouldn't trade it for  Kx.

Paul


I concur.  My dad has a Kx and it's interesting to handle and use  
but... I wouldn't trade my K7 for it, even with the lauded low-light  
capabilities of the Kx.


But I'd also never try to shoot the K7 at 6400.  That would and does  
look like crap.


It's okay in BW for subjects where grain is a nice touch. Got good  
results with it shooting some club performance pics. But color is a no- 
go.

Paul


-Charles

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Re: Peso - how long?

2010-11-08 Thread P N Stenquist

Thanks Dan.
She was talking to her father in Scotland. That's a delicate issue  
around here given our previous legal battles with him, but we  
encourage her to stay in touch. It's hard to get her to spend more  
than a couple minutes talking to him. I doubt that she understands  
much of what he says. He has a very thick accent.

Paul

On Nov 8, 2010, at 10:57 AM, Daniel J. Matyola wrote:


Another stunning portrait, Paul

Dan
http://www.pentaxphotogallery.com/danieljmatyola

On Sun, Nov 7, 2010 at 8:55 PM, paul stenquist pnstenqu...@comcast.net 
 wrote:

Before she wants one of her own?
http://photo.net/photodb/photo?photo_id=11915816

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K-5, K-7, side-by-side at ISO 6400

2010-11-08 Thread P N Stenquist
Boris asked me to provide a direct comparison. So here it is. One pic  
each of the same scene from each camera, shot off a tripod with the  
DA* 16-50 at f5.6, 1/60th. (Both meters agreed on that exposure.) The  
FOV varies slightly, because I turned the zoom ring a bit when  
removing the lens from camera one. The K-7 pic is 22mm, the K-5 is  
21mm. In addition to one shot from each, I've combined the two images  
for direct viewing of both at once. I've sized the jpegs slightly  
larger than my normal web pics for better detail viewing. Both are  
raws, converted with the default settings of my ACR softwre.


The scene is a cluttered part of my basement, with illuminated ( and  
dusty:-) foreground objects and deep shadows in the background. In the  
shadows are some white surfaces that readily show noise. There's also  
a hot highlight in the background -- a light reflected in a mirror.  
Ugly pics, but telling examples. Note that the K-5 renders colors  
warmer and, as Boris suggested earlier, the unprocessed pic appears to  
have less contrast.


K-7 image:
http://photo.net/photodb/photo?photo_id=11920154size=lg

K-5 image
http://photo.net/photodb/photo?photo_id=11920153size=lg

Both together:
http://photo.net/photodb/photo?photo_id=11920155size=lg

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Re: K-5, K-7, side-by-side at ISO 6400

2010-11-08 Thread P N Stenquist


On Nov 8, 2010, at 5:58 PM, Larry Colen wrote:



On Nov 8, 2010, at 2:51 PM, Steven Desjardins wrote:


That noise right at the top is most telling to me.  At least I found
it the easiest to see scrolling up and down on my Mac,  My reaction:
the K5 shot is clearly better but the K7 shot is OK.  I'm surprise  
the

difference is not more extreme, given what I've been reading.


Looking at the (fanfold paper?)  under the cocacola clock, and the  
other objects on the counter really show the difference.


It's true: the K-7 is not horrible at 6400. I've said that before, and  
I've sot with it at that ISO. But the K-5 is close to noise free. Look  
also at the side of the freezer -- the white object to the far right  
-- and the ceiling tiles above. Note also the way the highlight in the  
mirror has pretty much burned out in the K-7 pic, but has a bit of  
tonality in the K-5 pic. This is very evident in a 100% look at the  
full-size image.




Granted Boris doesn't spend as much time shooting in light as  
represented by the upper right corner of the frame as I do, but  
that's where my interest lies.  The results might be different if he  
was just shooting that corner of the room and exposed accordingly.


However, since I'm broke, I might as well not be able to afford a  
645D as a K-5.





On Mon, Nov 8, 2010 at 5:25 PM, P N Stenquist pnstenqu...@comcast.net 
 wrote:



K-7 image:
http://photo.net/photodb/photo?photo_id=11920154size=lg

K-5 image
http://photo.net/photodb/photo?photo_id=11920153size=lg

Both together:
http://photo.net/photodb/photo?photo_id=11920155size=lg

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Re: K-5, K-7, side-by-side at ISO 6400

2010-11-08 Thread P N Stenquist


On Nov 8, 2010, at 6:15 PM, Ralf R. Radermacher wrote:


P N Stenquist pnstenqu...@comcast.net wrote:


Boris asked me to provide a direct comparison. So here it is.


The tabletop looks horribly grainy.

Yes, it was  solid color:-). Seriously, the tonality of the tabletop  
is near perfect in the k-5 pic and too blue/green in the k-7 pic. Both  
were shot with AWB and rendered with default settings, so I would  
assume the AWB of the k-5, at least in this instance, is improved. The  
lighting is from 5500K fluorescent bulbs.

Paul


Ralf

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Re: k-5 autofocus fine adjustment

2010-11-07 Thread P N Stenquist
I checked manual focus with the 85/1.8 wide open. I achieved good  
focus on a majority of shots at a target. My eyes are a limiting  
factor here. I'm old:-). But if the screen is off, it would be by a  
very small amount.

Paul


On Nov 7, 2010, at 6:50 AM, Boris Liberman wrote:


On 11/7/2010 1:34 PM, paul stenquist wrote:

I'm going to check the screen for manual focus. I'll let you know.
Paul


Thanks, Paul!

I think it will prove beneficial for you as well, as even the best  
electronics may require an occasional human intervention...


Boris

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Re: k-5 autofocus fine adjustment

2010-11-07 Thread P N Stenquist
Yes. I'll send it to you as a high res jpeg. I made my own. I just  
shoot it at a 45 degree angle. Target on the floor. Camera on a  
tripod. There are even better devices available that utilize a scale  
thats on a 45 degree angle and a vertical target. I might build  
something like that. But the target on the floor works.

Paul
On Nov 7, 2010, at 7:03 AM, David J Brooks wrote:

On Sat, Nov 6, 2010 at 9:42 PM, paul stenquist pnstenqu...@comcast.net 
 wrote:
I adjusted the camera for all six of my autofocus lenses this  
morning. i did it with the target I've used before.


Is this available somewhere.??

Dave






Paul
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Re: On K-5 dynamic range. Somewhat tangential question.

2010-11-07 Thread P N Stenquist


On Nov 7, 2010, at 7:31 PM, Adam Maas wrote:


Paul,

if you adjust the files for maximum dynamic range, the K-5 will have
more dynamic range and less contrast than the K-7. Neither file will
be usable in that state. As a practical matter more dynamic range
moves the choice about what to blow from exposure to post.

-Adam


That makes sense. I don't think about the technology when I convert  
pics or process them further after conversion. But I know what I want,  
and choices are a good thing. I was happy with the K-7 files for the  
most part, and, while it's early, I'm even more pleased with those  
from the K-5. If I can wring the pic I want out of the RAW, I'm happy.

Paul


On Sun, Nov 7, 2010 at 3:01 PM, paul stenquist pnstenqu...@comcast.net 
 wrote:
I see no real difference in contrast levels between K-5 and K-7 raw  
files. And how flat or contrasty the final image might be can be  
controlled completely in conversion. It's not an issue. I shot most  
of yesterday's images in shade with no flash fill, so they were  
inherently somewhat flatter than what I might generally produce.  
However, when the sun stepped in, contrast levels were quite high.  
For example:

http://photo.net/photodb/photo?photo_id=11910635
On Nov 7, 2010, at 2:31 PM, Jack Davis wrote:

Don't know if the lack of contrast you reference is so significant  
as to be obvious in casually examining prints, but I have noted,  
in what relatively few K-5 images I've viewed, contrast has  
appeared somewhat low and the image, of course, a bit flat.(?)


Jack

--- On Sun, 11/7/10, Adam Maas a...@mawz.ca wrote:


From: Adam Maas a...@mawz.ca
Subject: Re: On K-5 dynamic range. Somewhat tangential question.
To: Pentax-Discuss Mail List pdml@pdml.net
Date: Sunday, November 7, 2010, 10:18 AM
On Sun, Nov 7, 2010 at 12:46 PM,
Boris Liberman bori...@gmail.com
wrote:

Hmmm, so a camera with so many bits of RAW can do what

then?  Discern

2^so many shades, right?


Exactly.


And the dynamic range is about when it goes
to saturation either to pure black and pure white.


Pure white and indistinguishable from noise (not pure
black). The
noise floor determines the actual dynamic range's low end.


Ok, so tell me
then, the wise people of PDML, is there a way looking

at the same

picture shot with K-7 and K-5 to  tell them apart? Or

better yet, how

do I /see/ that one camera has wider DR than the other

and that more

BPS in RAW are more beneficial than less BPS in RAW in

real life. And

how all that translates to actual print?


The bit depth of the RAW files shows up in subtle
gradations of colour
and in shadow noise. You get more subtle colour/tone
resolution and
less shadow noise with a higher bit depth ADC than with
less (the
shadow noise improvement is due to exactly how ADC's work
with linear
imaging sensors, you lose luminance resolution at low
luminance
values. Digital delivers superb resolution of bright tones
and poor
resolution of dark tones). In the real world, shadow noise
is the
easiest to see, especially on a camera which can shoot in
both 12 and
14 bit modes like many Nikons.

More dynamic range allows you to make less trade offs in
exposure at
shooting time. The more DR you have, the more you can hold
detail in
both the highlights and the shadows at the same time. The
downside is
the self-same image will be lower contrast when rendered
and you
usually have to make those trade offs in post instead.


-Adam

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Re: DxO results for K-5

2010-11-06 Thread P N Stenquist


On Nov 6, 2010, at 9:15 AM, Adam Maas wrote:


On Fri, Nov 5, 2010 at 2:20 PM, Larry Colen l...@red4est.com wrote:


On Nov 5, 2010, at 9:43 AM, Miserere wrote:


On 5 November 2010 12:29, Jaume Lahuerta jlah...@yahoo.com wrote:


wrong link last one


Woops! Let's try again:

http://tinyurl.com/2vy7qjv




What I find amazing is how the Kx seems to outperform the Kr.  And  
at high ISO even outperforms the K5 in dynamic range.


If you lose a stop of dynamic range and a stop of SNR for every  
stop of ISO, why not just shoot at the base ISO and underexpose?



--
Larry Colen l...@red4est.com sent from i4est



One reason I don't put all that much stock in DxO's tests is the
variance in performance of cameras with known-identical imaging
chains.

Although the Kx and Kr results are very close. I figured it was just  
normal margin of error for their testing, and it would seem to be a  
reasonable margin of error.

Paul


-Adam

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Re: Geso My wedding album

2010-11-06 Thread P N Stenquist
Well done! If the hired-gun photographer blew it completely, they'd  
still be left with lots of memories.

Paul
On Nov 6, 2010, at 3:03 PM, Mark Roberts wrote:


David J Brooks wrote:


My PJ type shots from Erin and James' wedding last weekend.

http://www.caughtinmotion.com/2010-erinandjames/album/index.html

WARNING; GRATUITOUS NUDITY ON PAGE FIVE, REGIMENTAL SCOTSMAN.

YOU ARE FOR WARNED.


Excellent, Dave. Any party that brings out the fire department has to
be a good one!

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Re: K5 birthday at ISO 1600

2010-11-06 Thread P N Stenquist

Well, happy birthday to her. Fun pics. Good memories.
Paul
On Nov 6, 2010, at 4:53 PM, Bob Sullivan wrote:


Actual birthday is today.  Happy birthday to Darrel too.  Bob S.

On Sat, Nov 6, 2010 at 3:47 PM, Christine  Aguila cagu...@earthlink.net 
 wrote:
wow!  more impressive high iso shots.  And send a big happy  
birthday to
Rachel.  Today is Darrel's birthday, though he's several hundred  
years older

than your lovely daughter.  Cheers, Christine



- Original Message - From: Bob Sullivan rf.sulli...@gmail.com 


To: PDML pdml@pdml.net
Sent: Saturday, November 06, 2010 2:24 PM
Subject: K5 birthday at ISO 1600



Here are some shots from last night's celebration.
http://picasaweb.google.com/rf.sullivan/ 
K5Samples#5536503030601713330

ISO 1600 31mm f2.5 @ 1/50 to 1/100th with minor tweaks in LR3.2
Regards,  Bob S.

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Re: K10D-K-5 size

2010-11-06 Thread P N Stenquist
It's smaller. It would be too small for me without the grip, but with  
the trip it's excellent. It's shaped better than previous Pentax DSLRs  
-- more of a built in grip that is properly proportioned. The same as  
the K-7 if you've tried that.

Paul
On Nov 6, 2010, at 4:28 PM, David J Brooks wrote:


Is it bigger, smaller, the same.??

I found the istD to small, but the K10D just right.

Go for it guys

Dave

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Re: K-5 'miracle'

2010-11-06 Thread P N Stenquist


On Nov 6, 2010, at 5:36 PM, Mark Roberts wrote:


Miserere wrote:


On 6 November 2010 16:47, Jaume Lahuerta jlah...@yahoo.com wrote:
This fortunate Spanish K-5 owner tried to recover a picture where  
the flash

didn't fire when it was supposed to do (it wasn't charged).


They challenged the camera for fun and were surprised by the  
results:

http://www.pentaxeros.com/forum/index.php?topic=37916.0


¡Coño!

:-o

But for the record, DxO Mark is still worthless.


Here's an interesting piece that seems to say the same thing, albeit
more diplomatically :)
http://falklumo.blogspot.com/2009/12/lumolabs-sensors-of-nikon-d700-d5000.html
This guy seems to know what he's talking about.

He does appear knowledgeable, although his analysis is obfuscated to  
the point where it's difficult to judge the accuracy of his  
conclusions. In any case, they seem to be more or less  in line with  
DxO.




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K-5 autofocus observations

2010-11-06 Thread P N Stenquist
The sun warmed things up a bit this afternoon so Grace and I went to  
the park. I shot a number of action pics. The K-5 seemed to be able to  
lock in good focus on 7 to 8 tries out of 10. That's considerably  
better than the K-7, which was somewhat better than the K20D. It  
didn't nail every shot perfectly -- some included pretty violent  
motion right at the camera -- but it never left me in the lurch. It  
always locked in. Results for spot and continuous were similar.  
Perhaps a slightly higher percentage of misses with continuous. But  
operator error comes into play here as well, and the sample is still  
relatively small. But I'm pleased.


The first eight pics in this folder are from today. All are action,  
except the one of Grace sitting on the rail.  A noteworthy  
achievement: she tried to sled down the astroturf hill standing up.  
First time. Almost made it.


http://photo.net/photodb/folder?folder_id=643396

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Re: K-5 autofocus observations

2010-11-06 Thread P N Stenquist

Thanks Stan.
I always preselect the focus point. Top point, with the camera in a  
vertical position on all of these. Most are in the S mode. A couple  
were in C mode. Didn't have much trouble locking in in S mode, so I  
stuck with it for the most part, but wanted to try continuous as well.  
Of course continuous will allow the shutter to fire even if it's not  
locked in. (That's the way I have it set in custom functions. Might  
change that.)

Paul

On Nov 6, 2010, at 6:57 PM, Stan Halpin wrote:


Nice!

What AF setting? Are you pre-selecting the focal point?

stan

On Nov 6, 2010, at 5:51 PM, P N Stenquist wrote:

The sun warmed things up a bit this afternoon so Grace and I went  
to the park. I shot a number of action pics. The K-5 seemed to be  
able to lock in good focus on 7 to 8 tries out of 10. That's  
considerably better than the K-7, which was somewhat better than  
the K20D. It didn't nail every shot perfectly -- some included  
pretty violent motion right at the camera -- but it never left me  
in the lurch. It always locked in. Results for spot and continuous  
were similar. Perhaps a slightly higher percentage of misses with  
continuous. But operator error comes into play here as well, and  
the sample is still relatively small. But I'm pleased.


The first eight pics in this folder are from today. All are action,  
except the one of Grace sitting on the rail.  A noteworthy  
achievement: she tried to sled down the astroturf hill standing up.  
First time. Almost made it.


http://photo.net/photodb/folder?folder_id=643396

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