Re: Pentax Gallery Resignation

2007-09-30 Thread P. J. Alling
I couldn't even bring myself to make my comment...

Mark Roberts wrote:
 Cotty wrote:

   
 I used to have a GF years ago into obedience training.
 

 Nah... You're making it too easy, Cotty.



   


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Re: Pentax Gallery Resignation

2007-09-29 Thread Jack Davis
The judge's criteria.(?)
Same thing as having a print accepted into a juried exhibit. Not a
competition unless ultimately vying for ribbons again other accepted
work. 
Obviously not the case with the Pentax Gallery.  

Jack
--- William Robb [EMAIL PROTECTED] wrote:

 
 - Original Message - 
 From: Jack Davis 
 Subject: Re: Pentax Gallery Resignation
 
 
  No, just subjectively judged as good enough. Nothing to do with
 where
  it may fall in the balance of accepted or declined.
 
 Well then, good enough as compared to what?
 
 William Robb
 
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Re: Pentax Gallery Resignation

2007-09-29 Thread Cymen Vig
On 9/27/07, Scott Loveless [EMAIL PROTECTED] wrote:
 frank theriault wrote:
  I think my problem with the Pentax Gallery is that I don't know what
  the standard is.  How can I aim for a target if I can't see it?
 
 And it's a moving target, to boot.  You never know who may be voting on
 your photo at any given time.  Subjective is one thing.  Variably
 subjective is irritating at best.

Have you tried voting? It is a very poor interface for voting on photos.

- *HAVE* to vote up or down for each photo presented (can't vote on just 1 or 2)
- tiny thumbnails
- clicking thumbnail and get large image (have to scroll to get to close button)
- vote on 5 or 6 photos at a time

I would think an am I hot or not-type interface would be much
better. One image and you can vote on it or go to the next image. No
required voting, no tiny thumbnails, no huge images (okay, I am using
a small laptop with a 1280x800 screen but still).

I think the voting interface is a big cause for rejections.
Personally, when I see 6 photos there is not a chance I'm going to
want to vote on all 6. If other people are the same and they vote down
on images that don't grab them...

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Re: Pentax Gallery Resignation

2007-09-29 Thread William Robb

- Original Message - 
From: Jack Davis 
Subject: Re: Pentax Gallery Resignation


 The judge's criteria.(?)
 Same thing as having a print accepted into a juried exhibit. Not a
 competition unless ultimately vying for ribbons again other accepted
 work. 
 Obviously not the case with the Pentax Gallery.  

The judges criteria? 


Personally, I think you are dreaming, but we'll let it go at that.

William Robb

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Re: Pentax Gallery Resignation

2007-09-29 Thread Jack Davis
Yes, the judge's criteria..what else?  
Now, let's move on.(?)

Jack
--- William Robb [EMAIL PROTECTED] wrote:

 
 - Original Message - 
 From: Jack Davis 
 Subject: Re: Pentax Gallery Resignation
 
 
  The judge's criteria.(?)
  Same thing as having a print accepted into a juried exhibit. Not a
  competition unless ultimately vying for ribbons again other
 accepted
  work. 
  Obviously not the case with the Pentax Gallery.  
 
 The judges criteria? 
 
 
 Personally, I think you are dreaming, but we'll let it go at that.
 
 William Robb
 
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RE: Pentax Gallery Resignation

2007-09-28 Thread Bob W
 
 Gee thanks.  Now how do I get this arrow out of my butt?
 
 Ob.Trivia - did you know that archery targets are called 'butts'?
 Do you know why?
 

The French word for a goal is 'but'. To score a goal is marquer un
but. Butt is more or less directly derived from that word. That word
itself is derived from a word for the end of a barrel (butt) or tree
stump, which was used as the target in archery. It is all in the same
sense field as 'thick' and 'end' and the word 'buttock' is derived
from the same source and applied metaphor to one's glutes.

It's not just archery targets, of course. Rifle ranges are also called
butts. In cadets at school it was always rather fun to be in the butts
changing the targets and listening to the bullets zinging overhead.

--
 Bob
 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of John Francis
 Sent: 27 September 2007 23:10
 To: Pentax-Discuss Mail List
 Subject: Re: Pentax Gallery Resignation
 
 
 
 Gee thanks.  Now how do I get this arrow out of my butt?
 
 Ob.Trivia - did you know that archery targets are called 'butts'?
 Do you know why?
 
 
 As far as the Pentax Gallery goes - I didn't submit originally
 for a couple of reasons; my first attempt didn't work (because
 I was trying to submit a scanned image, and there was a bug in
 their validation code), and I never got round to writing a bio.
 
 Now, after hearing of all the various problems others are having,
 I doubt if I'll bother to submit anything (and I *still* haven't
 written a bio).
 
 
 On Thu, Sep 27, 2007 at 10:07:05PM +0100, Bob W wrote:
How can I aim for a target if I can't see it?
  
  You must follow the Way Of The Blind Archer, grasshopper. The
Blind
  Archer does not see the target. He allows the target to see him,
and
  to guide the arrow into his heart, as the heron's beak enters the
  stream. For are they not one, the archer, the target and the
arrow?
  Are they not avatars of each of us, and we of them? Your 
 hand must not
  know that it has released the bowstring, it must slip from you as
  melting snow slips from the bamboo leaf. Then surely the bow, the
  string, the arrow, the archer and the target are one. 
  
  Hope that helps.
  
  --
   Bob
   
  
   -Original Message-
   From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
   Behalf Of frank theriault
   Sent: 27 September 2007 21:29
   To: Pentax-Discuss Mail List
   Subject: Re: Pentax Gallery Resignation
   
   On 9/27/07, Mark Roberts [EMAIL PROTECTED] wrote:
   
Question: how subjective is this standard?
   
Same as all competitions: Very.
   
Personally, I quite like the Pentax Gallery kind of contest
  because,
unlike other contests, I get to aim repeatedly at the 
 same target
(acceptance into the Gallery, in this case). I may not 
   agree with their
choices, but teaching myself (or trying to teach myself!) to
  achieve
what they're after makes me push myself as a photographer.
   
I find that creating works that please someone else is 
 a lot more
demanding, tiring, frustrating and annoying than creating 
   things that
please just myself. But that's not necessarily a bad thing.
   
   I think my problem with the Pentax Gallery is that I 
 don't know what
   the standard is.  How can I aim for a target if I can't see it?
   
   There's no explanation as to the criteria to get past the 
 accepted
   artists' voting:  How many votes are required to be accepted or
   rejected?  What percentage of yes votes is required for
  acceptance?
and even then, it states clearly that those that get 
 past the first
   screening can be rejected outright by the Pentax Panel. 
  We don't
   know who those people are, and what they're looking for.
   
   It's all very closed door, which to me makes it something of a
   crap-shoot.  I'm not sure how submitting many photos and 
 having them
   all rejected makes me a better photographer.
   
   It rather just leaves me scratching my head, and thinking 
 that if I
   want feedback or reaction, this isn't the place for me.  Some
may
  find
   this sort of exercise very valuable, but I don't.
   
   I mean, hey, no hard feelings.  Pentax can run this thing any
way
  they
   want;  it's their contest.  However, if this is the way 
 they choose
  to
   run it, my choice is to not participate.
   
   cheers,
   frank
   
   
   
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Re: Pentax Gallery Resignation

2007-09-28 Thread Doug Franklin
William Robb wrote:

 There have been occassions when a dissenting opinion has
 triggered an outpouring of loathing and abuse at the
 transgressor, also.

Yes, it puzzles me greatly.  I just cannot imagine how deeply invested
in their views about someone else's photos these folks must be.

 There are or have been people on this list who are/were at least
 passingly familiar with judging pictures who rarely comment(ed)
 on photos for this reason.

Another thing could be people like me, who were trained to praise in
public and berate in private.  Criticism can go either way depending on
how strong it is. :-)  The bulk of my experience with criticizing other
people's work is more one-on-one, like software code and documentation
reviews.

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Re: Pentax Gallery Resignation

2007-09-28 Thread Brian Walters
Agreed - it is irritating, and the acceptance/rejection procedure is 
inconsistent.  Several people have resubmitted images that were previously 
declined and had them accepted.


Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/



Quoting frank theriault [EMAIL PROTECTED]:

 I'm glad for you, but I find that having every single photo that I
 submitted rejected (with no reasons, I might add, so I really
 don't
 know ~why~) doesn't do much for my enthusiasm...
 
 cheers,
 frank


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Re: Pentax Gallery Resignation

2007-09-28 Thread Jack Davis
Questioning kind peoples motives is a good thing. Ego allows blind
acceptance.

Jack
--- Tom C [EMAIL PROTECTED] wrote:

 ... especially kind people.
 
 Point taken and agreed.  That's one of the problems I constantly
 battle 
 against.  I like kind people.
 
 :-)
 
 1.  I don't want to think my images are good just because I pressed
 the 
 shutter or because I may have a personal attachment to the subject.
 2.  On the other hand, just because a preponderance of people seeing
 the 
 image say they like it, does not make it a good or successful image. 
 Those 
 people could be responding that way because they really like me, or
 they 
 could be reacting that way because they like the subject matter. 
 There's a 
 fair chance that most people viewing the image couldn't really tell
 you why 
 they like.
 3. Or, I may have a good image that just doesn't strike a chord with
 most 
 people.
 
 That's why I've ranted a little bit in the past on this.  Not every
 image 
 displayed is worthy of praise, yet it seems almost invariably the
 image is 
 praised... maybe it's kindness, maybe as a mistaken way of
 encouraging the 
 photographer to keep trying, I don't know.
 
 Could be I'm overanalyzing. :-)
 
 
 Tom C.
 
 
 From: Jack Davis [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Pentax Gallery Resignation
 Date: Thu, 27 Sep 2007 20:02:43 -0700 (PDT)
 
 ..especially kind people.
 
 Jack
 --- Tom C [EMAIL PROTECTED] wrote:
 
   From: Kenneth Waller [EMAIL PROTECTED]
   I've got a fair number of images accepted into the Gallery 
 several
   into
   the Premiere Gallery.
   I've handed out my Pentax gallery address to a lot of people 
 the
   response
   I get back from most of them is that are really impressed with
 the
   overall
   manner in which the images are presented.
  
   It's not bad, but most people love my photos when I show to them.
   Yippee!
   :-)  However, I'm pretty sure I could show them my rejects or
 images
   I don't
   like and they'd love them just as much.  Most non-serious
   photographers are
   not looking at an image or a site with a critical eye.
  
   Overall I find people to be too easily impressed.
  
   
   I couldn't have done that kind of presentat
  
   ion without having my own web
   site with its attending costs  maintenance.
   
   And yes, I'm getting more rejections now than early on.
   I can also say that I see a lot of images up for voting now that
 I
   would
   never think of submitting.  The images I saw posted in the
 gallery
   in the
   beginning are much better than what I see in the voting section
 now.
   
  
   That's what I'd expect.
  
   Tom C.
  
  
  
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Re: Pentax Gallery Resignation

2007-09-28 Thread William Robb

- Original Message - 
From: Jack Davis
Subject: Re: Pentax Gallery Resignation


I don't see this as a competition. I'm not hoping to win Best of
 Show, just a good enough nod.

If you are wanting to get a picture into a judged gallery, then what you are 
hjoping is that your picture will be enough better than the other pictures 
submitted to make the cut.
That, my obdurate friend, is, by definition, a competition.

William Robb 


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Re: Pentax Gallery Resignation

2007-09-28 Thread Tom C
We went to Crufts in London every year for 4 years...

The secret of longevity?

Tom C.

From: Cotty [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: pentax list PDML@pdml.net
Subject: Re: Pentax Gallery Resignation
Date: Fri, 28 Sep 2007 09:35:36 +0100

On 27/09/07, William Robb, discombobulated, unleashed:

 I've judged a few contests. They are pretty damned subjective.
 You wanna see really subjective judging, start hanging out at dog shows.

Oh boy. I used to have a GF years ago into obedience training. She had a
cross lab/collie called Sherpa - she was 16 and I was 18...ah, the
memories...I digress. We went to Crufts in London every year for 4 years
and that was a whole new word for me. I shot HP4 on a Fujica ST605n, I
have negs somewhere. I wish I had time to scan them

--


Cheers,
   Cotty



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Re: Pentax Gallery Resignation

2007-09-28 Thread Mark Roberts
Cotty wrote:

I used to have a GF years ago into obedience training.

Nah... You're making it too easy, Cotty.



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Re: Pentax Gallery Resignation

2007-09-28 Thread frank theriault
On 9/27/07, Brian Walters [EMAIL PROTECTED] wrote:
snip
 And I'm a bit more enthusiastic about my photography - and that has to be a 
 good thing...

I'm glad for you, but I find that having every single photo that I
submitted rejected (with no reasons, I might add, so I really don't
know ~why~) doesn't do much for my enthusiasm...

cheers,
frank

-- 
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Re: Pentax Gallery Resignation

2007-09-28 Thread Jack Davis
I don't see this as a competition. I'm not hoping to win Best of
Show, just a good enough nod.
Best set your A alarm.

Jack
--- William Robb [EMAIL PROTECTED] wrote:

 
 - Original Message - 
 From: Jack Davis
 Subject: Re: Pentax Gallery Resignation
 
 
  Actually, I consider I'm just vying for a favorable subjective
 opinion
  from da 'judge'.
 
 You may get a favourable enough opinion, and still not win the 
 competition, in that if your picture didn't (doesn't) get published
 in the 
 gallery, and some else's does, then subjectively speaking, the other
 picture 
 was considered to be the better picture, given the often rather vague
 
 subjective criteria that is applied to artistic merit.
 
 Shit, I just used the A word.
 
 Sorry.
 
 William Robb
  
 
 
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Re: Pentax Gallery Resignation

2007-09-28 Thread frank theriault
On 9/28/07, Malcolm Smith [EMAIL PROTECTED] wrote:
 H
 Should you send a picture of something disagreeable - but what if that were
 then accepted?

 We all know you take great pictures anyway, so why worry.

I'm not worried.

;-)

cheers,
frank

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Re: Pentax Gallery Resignation

2007-09-28 Thread Tom C
From: Tom C
Subject: Re: Pentax Gallery Resignation



 
  Overall I find people to be too easily impressed.

I find people too reluctant to label crap as what it is.

William Robb

Different sides of the same coin?

I need to back up a step. The reality is that most non-photographer people 
look at images and have an initial reaction.  They're not doing it with a 
critical eye, in the same way that I can watch a movie for pure 
entertainment.

I have a friend that fanices himself in the movie business.  He pans some 
of my favorite movies over the directing, etc. I hate some of the ones he 
likes.  It's probaby the same forces at work.

Here, though, and other photo forums, where people generally fancy 
themselves knowledgeable regarding photography, I agree.  For my part, when 
I see crap over and over, I start ignoring it.  If I see a piece of dog s**t 
on the sidewalk I may kick it to the street, but after a while my shoe 
starts to stink, and I'm more likely simply to avoid it.

Tom C.



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Re: Pentax Gallery Resignation

2007-09-28 Thread Mark Roberts
Kenneth Waller wrote:

The reality is that most non-photographer people look at images and 
have an 
initial reaction.

The same holds true for a lot of photographer people.

And that's not *necessarily* a bad thing. The tendency to 
over-intellectualize and/or nit-pick can be just as unproductive as 
failure to observe carefully.

I remember in particular one photo of Frank's that absolutely knocked 
me out in the very first moment I saw it. A lot of other PDMLers felt 
the same way but there was a lot of overanalysis (IMHO) afterwards. 
WHen I see a shot that blows me away at first glance, I do enjoy 
thinking carefully about and analyzing it -- working out exactly *why* 
I like it gives me ideas I can apply to my own photos -- but I try to 
keep the memory of that first blink impression while doing so. 

That Frank picture is still one of my favorites :)



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Re: Pentax Gallery Resignation

2007-09-28 Thread Tom C
Certainly, they do.  But then the brain should probably get involved.



Tom C.

From: Kenneth Waller [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Pentax Gallery Resignation
Date: Fri, 28 Sep 2007 10:32:56 -0400

 The reality is that most non-photographer people look at images and have 
an
 initial reaction.

The same holds true for alot of photographer people.

Kenneth Waller
http://tinyurl.com/272u2f


- Original Message -
From: Tom C [EMAIL PROTECTED]
Subject: Re: Pentax Gallery Resignation


  From: Tom C
 Subject: Re: Pentax Gallery Resignation
 
 
 
  
   Overall I find people to be too easily impressed.
 
 I find people too reluctant to label crap as what it is.
 
 William Robb
 
  Different sides of the same coin?
 
  I need to back up a step. The reality is that most non-photographer 
people
  look at images and have an initial reaction.  They're not doing it with 
a
  critical eye, in the same way that I can watch a movie for pure
  entertainment.
 
  I have a friend that fanices himself in the movie business.  He pans
  some
  of my favorite movies over the directing, etc. I hate some of the ones 
he
  likes.  It's probaby the same forces at work.
 
  Here, though, and other photo forums, where people generally fancy
  themselves knowledgeable regarding photography, I agree.  For my part,
  when
  I see crap over and over, I start ignoring it.  If I see a piece of dog
  s**t
  on the sidewalk I may kick it to the street, but after a while my shoe
  starts to stink, and I'm more likely simply to avoid it.
 
  Tom C.


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Re: Pentax Gallery Resignation

2007-09-28 Thread pnstenquist
That's true to some extent. But on a list like this, which is largely a social 
community, one has to exercise some restraint. In the past, one member in 
particular, who is not here at present, critiqued in a very personal way, 
questioning not just the quality of the photo but the skills and dedication of 
the photographer. That can be a very bad situation, which it proved to be.
Paul
 -- Original message --
From: Kenneth Waller [EMAIL PROTECTED]
  I find people too reluctant to label crap as what it is.
 
 I agree.
 
 Kenneth Waller
 http://tinyurl.com/272u2f
 
 
 - Original Message - 
 From: William Robb [EMAIL PROTECTED]
 Subject: Re: Pentax Gallery Resignation
 
 
  
  - Original Message - 
  From: Tom C 
  Subject: Re: Pentax Gallery Resignation
  
  
  
  
  Overall I find people to be too easily impressed.
  
  I find people too reluctant to label crap as what it is.
  
  William Robb
 
 
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RE: Pentax Gallery Resignation

2007-09-28 Thread Malcolm Smith
Hi Frank, 

 I'm glad for you, but I find that having every single photo 
 that I submitted rejected (with no reasons, I might add, so I 
 really don't know ~why~) doesn't do much for my enthusiasm...
 
 cheers,
 frank
 
 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

Perhaps they disagree with Henri Cartier-Bresson?

Should you send a picture of something disagreeable - but what if that were
then accepted?

We all know you take great pictures anyway, so why worry.

Malcolm


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Re: Pentax Gallery Resignation

2007-09-28 Thread Norm Baugher
You obviously learned a lot from her...
Norm

Cotty wrote:
 Oh boy. I used to have a GF years ago into obedience training. 

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Re: Pentax Gallery Resignation

2007-09-28 Thread Kenneth Waller
The reality is that most non-photographer people look at images and have an 
initial reaction.

The same holds true for alot of photographer people.

Kenneth Waller
http://tinyurl.com/272u2f


- Original Message - 
From: Tom C [EMAIL PROTECTED]
Subject: Re: Pentax Gallery Resignation


 From: Tom C
Subject: Re: Pentax Gallery Resignation



 
  Overall I find people to be too easily impressed.

I find people too reluctant to label crap as what it is.

William Robb

 Different sides of the same coin?

 I need to back up a step. The reality is that most non-photographer people
 look at images and have an initial reaction.  They're not doing it with a
 critical eye, in the same way that I can watch a movie for pure
 entertainment.

 I have a friend that fanices himself in the movie business.  He pans 
 some
 of my favorite movies over the directing, etc. I hate some of the ones he
 likes.  It's probaby the same forces at work.

 Here, though, and other photo forums, where people generally fancy
 themselves knowledgeable regarding photography, I agree.  For my part, 
 when
 I see crap over and over, I start ignoring it.  If I see a piece of dog 
 s**t
 on the sidewalk I may kick it to the street, but after a while my shoe
 starts to stink, and I'm more likely simply to avoid it.

 Tom C.


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Re: Pentax Gallery Resignation

2007-09-28 Thread Kenneth Waller
 I find people too reluctant to label crap as what it is.

I agree.

Kenneth Waller
http://tinyurl.com/272u2f


- Original Message - 
From: William Robb [EMAIL PROTECTED]
Subject: Re: Pentax Gallery Resignation


 
 - Original Message - 
 From: Tom C 
 Subject: Re: Pentax Gallery Resignation
 
 
 
 
 Overall I find people to be too easily impressed.
 
 I find people too reluctant to label crap as what it is.
 
 William Robb


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Re: Pentax Gallery Resignation

2007-09-28 Thread Kenneth Waller
The standard is there to be seen, but you need to learn how, and then be 
willing to judge your own
 pictures against those of others.

Bingo !

Kenneth Waller
http://tinyurl.com/272u2f


- Original Message - 
From: William Robb [EMAIL PROTECTED]
Subject: Re: Pentax Gallery Resignation



 - Original Message - 
 From: frank theriault
 Subject: Re: Pentax Gallery Resignation




 I think my problem with the Pentax Gallery is that I don't know what
 the standard is.  How can I aim for a target if I can't see it?


 You can see what has been accepted can't you? The standard is there to be
 seen, but you need to learn how, and then be willing to judge your own
 pictures against those of others.

 William Robb


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Re: Pentax Gallery Resignation

2007-09-28 Thread Cotty
On 27/09/07, William Robb, discombobulated, unleashed:

I've judged a few contests. They are pretty damned subjective.
You wanna see really subjective judging, start hanging out at dog shows.

Oh boy. I used to have a GF years ago into obedience training. She had a
cross lab/collie called Sherpa - she was 16 and I was 18...ah, the
memories...I digress. We went to Crufts in London every year for 4 years
and that was a whole new word for me. I shot HP4 on a Fujica ST605n, I
have negs somewhere. I wish I had time to scan them

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Re: Pentax Gallery Resignation

2007-09-28 Thread mike wilson
 On 27/09/07, Mark Roberts, discombobulated, unleashed:
 
 
 I find that creating works that please someone else is a lot more 
 demanding, tiring, frustrating and annoying than creating things that 
 please just myself. 

You are not taking enough pictures of blonde, blue-eyed, baby girls.  From my 
experience, totally out of focus or completely misexposed are merely not very 
good.  All others are excellent or superb.  There appear to be no other 
categories.


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Re: Pentax Gallery Resignation

2007-09-28 Thread mike wilson
 On 27/09/07, Mark Roberts, discombobulated, unleashed:
 
 
 I find that creating works that please someone else is a lot more 
 demanding, tiring, frustrating and annoying than creating things that 
 please just myself. 

You are not taking enough pictures of blonde, blue-eyed baby girls.  From my 
experience, totally out of focus or completely misexposed are merely not very 
good.  All others are excellent or superb.  There appear to be no other 
categories.


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Re: Pentax Gallery Resignation

2007-09-28 Thread Cotty
On 28/09/07, Mark Roberts, discombobulated, unleashed:

Cotty wrote:

I used to have a GF years ago into obedience training.

Nah... You're making it too easy, Cotty.

She trained *me*   :-)

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RE: RE: Pentax Gallery Resignation

2007-09-28 Thread Bob W
 
 That's a funny reply and it's essentially correct. Any kind 
 of artistic 
 endeavor is just like real life: There's no definite target, no 
 step-by-step instructions that will guarantee success.
 

well, although I wrote it as a joke, the basic ideas and the image of
snow slipping from a bamboo leaf come from Zen In The Art Of Archery
by Eugen Herrigel. Some of us might think it's a lot of mystical
droppings from the rear of a bull, but it was a great influence on
Henri Cartier-Bresson, so maybe there's something in it.

http://www.amazon.co.uk/Zen-Art-Archery-Training-Become/dp/0140190740/
ref=sr_1_1/026-6533884-2100457?ie=UTF8s=booksqid=1191003104sr=8-1

--
 Bob
 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Mark Roberts
 Sent: 27 September 2007 23:05
 To: Pentax-Discuss Mail List
 Subject: Re: RE: Pentax Gallery Resignation
 
 Bob W wrote:
 
   How can I aim for a target if I can't see it?
 
 You must follow the Way Of The Blind Archer, grasshopper. The Blind
 Archer does not see the target. He allows the target to see him,
and
 to guide the arrow into his heart, as the heron's beak enters the
 stream. For are they not one, the archer, the target and the arrow?
 Are they not avatars of each of us, and we of them? Your 
 hand must not
 know that it has released the bowstring, it must slip from you as
 melting snow slips from the bamboo leaf. Then surely the bow, the
 string, the arrow, the archer and the target are one. 
 
 Hope that helps.


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Re: Pentax Gallery Resignation

2007-09-28 Thread Cotty
On 28/09/07, Norm Baugher, discombobulated, unleashed:

You obviously learned a lot from her...

I certainly learned how to beg!

-- 


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Re: RE: Pentax Gallery Resignation

2007-09-28 Thread frank theriault
On 9/28/07, Bob W [EMAIL PROTECTED] wrote:
snip Some of us might think it's a lot of mystical
 droppings from the rear of a bull,snip

Bob,

You've got a way with words...

;-)

cheers,
frank

-- 
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Re: Pentax Gallery Resignation

2007-09-28 Thread Eactivist
In a message dated 9/28/2007 2:11:33 A.M.  Pacific Daylight Time, 
[EMAIL PROTECTED] writes:
You are not taking  enough pictures of blonde, blue-eyed, baby girls.  From 
my experience,  totally out of focus or completely misexposed are merely not 
very good.   All others are excellent or superb.  There appear to be no 
other  categories.

===
Tad cynical even for this list.

Marnie  aka Doe ;-)

-
Warning: I  am now filtering my email, so you may be censored.  




** See what's new at http://www.aol.com

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Re: Pentax Gallery Resignation

2007-09-28 Thread Scott Loveless
Tom C wrote:
 On 9/28/07, Bob W [EMAIL PROTECTED] wrote:
 snip Some of us might think it's a lot of mystical
 droppings from the rear of a bull,snip
 Bob,

 You've got a way with words...

 ;-)

 cheers,
 frank
 
 I saw the mystical droppings from the rear of a dog lying on the sidewalk 
 yesterday and almost took a picture of it because it looked like art.   Then 
 I decided it stunk.
 
 Tom C.
 
 
 
I always photograph shit with a telephoto lens.

-- 
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http://www.twosixteen.com/fivetoedsloth/

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Re: RE: Pentax Gallery Resignation

2007-09-28 Thread Tom C

On 9/28/07, Bob W [EMAIL PROTECTED] wrote:
snip Some of us might think it's a lot of mystical
  droppings from the rear of a bull,snip

Bob,

You've got a way with words...

;-)

cheers,
frank

I saw the mystical droppings from the rear of a dog lying on the sidewalk 
yesterday and almost took a picture of it because it looked like art.   Then 
I decided it stunk.

Tom C.



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Re: Pentax Gallery Resignation

2007-09-28 Thread Kenneth Waller
Yes Paul, I remember. Definitely not the way it should be done.
When a critique is requested, as in PESO etc, if I have a problem with the 
image, I try to state it as succinctly as possible with an eye towards 
improvement. It serves no objective end to go after the photographer 
personally.

Kenneth Waller
http://tinyurl.com/272u2f


- Original Message - 
From: [EMAIL PROTECTED]

Subject: Re: Pentax Gallery Resignation


 That's true to some extent. But on a list like this, which is largely a 
 social community, one has to exercise some restraint. In the past, one 
 member in particular, who is not here at present, critiqued in a very 
 personal way, questioning not just the quality of the photo but the skills 
 and dedication of the photographer. That can be a very bad situation, 
 which it proved to be.
 Paul
 -- Original message --
 From: Kenneth Waller [EMAIL PROTECTED]
  I find people too reluctant to label crap as what it is.

 I agree.

 Kenneth Waller
 http://tinyurl.com/272u2f


 - Original Message - 
 From: William Robb [EMAIL PROTECTED]
 Subject: Re: Pentax Gallery Resignation


 
  - Original Message - 
  From: Tom C
  Subject: Re: Pentax Gallery Resignation
 
 
 
 
  Overall I find people to be too easily impressed.
 
  I find people too reluctant to label crap as what it is.
 
  William Robb


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Re: Pentax Gallery Resignation

2007-09-28 Thread Jack Davis
No, just subjectively judged as good enough. Nothing to do with where
it may fall in the balance of accepted or declined.

Jack
--- William Robb [EMAIL PROTECTED] wrote:

 
 - Original Message - 
 From: Jack Davis
 Subject: Re: Pentax Gallery Resignation
 
 
 I don't see this as a competition. I'm not hoping to win Best of
  Show, just a good enough nod.
 
 If you are wanting to get a picture into a judged gallery, then what
 you are 
 hjoping is that your picture will be enough better than the other
 pictures 
 submitted to make the cut.
 That, my obdurate friend, is, by definition, a competition.
 
 William Robb 
 
 
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Luggage? GPS? Comic books? 
Check out fitting gifts for grads at Yahoo! Search
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Re: Pentax Gallery Resignation

2007-09-28 Thread John Francis
On Fri, Sep 28, 2007 at 03:01:38PM -0400, Scott Loveless wrote:
 Tom C wrote:
  On 9/28/07, Bob W [EMAIL PROTECTED] wrote:
  snip Some of us might think it's a lot of mystical
  droppings from the rear of a bull,snip
  Bob,
 
  You've got a way with words...
 
  ;-)
 
  cheers,
  frank
  
  I saw the mystical droppings from the rear of a dog lying on the sidewalk 
  yesterday and almost took a picture of it because it looked like art.   
  Then 
  I decided it stunk.
  
  Tom C.
  
  
  
 I always photograph shit with a telephoto lens.

Oh, I don't know - you're not *that* bad ...   :-)


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Re: Pentax Gallery Resignation

2007-09-28 Thread William Robb

- Original Message - 
From: Jack Davis 
Subject: Re: Pentax Gallery Resignation


 No, just subjectively judged as good enough. Nothing to do with where
 it may fall in the balance of accepted or declined.

Well then, good enough as compared to what?

William Robb

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RE: Pentax Gallery Resignation

2007-09-27 Thread Bob W
Cotty has always striven to be the least competitive person. If he
finds someone less competitive than himself, he works and works, and
trains and trains until he is less competitive than the other person.
He can't stand it if someone is less competitive than himself.

--
 Bob
 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Boris Liberman
 Sent: 27 September 2007 05:08
 To: Pentax-Discuss Mail List
 Subject: Re: Pentax Gallery Resignation
 
 Strange.
 
 I really thought that you were rather competitive person, Cotty. I
am 
 fairly competitive, but in photography I don't feel any 
 desire to prove 
 anything. So I don't really participate in competitions...
 
 Boris
 
 
 Cotty wrote:
  On 26/09/07, frank theriault, discombobulated, unleashed:
  
  so I'll continue shooting, with or
  without The PENTAX Photo Gallery.
  
  Hey Frank. Welcome to my life :-)
  
  I entered a photographic competition once. It was the first 
 and last time.
  
  Absolutely never again.
  
  I only ever make pics for one person: me. If someone else 
 likes them,
  too bad ;-)
  
  I suspect you are the same.
  
  I raise a  glass to you sir.
  
 
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread Cotty
On 27/09/07, Bob W, discombobulated, unleashed:

Cotty has always striven to be the least competitive person. If he
finds someone less competitive than himself, he works and works, and
trains and trains until he is less competitive than the other person.
He can't stand it if someone is less competitive than himself.

Also, I used to be indecisive, but now I'm not so sure.

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Re: Pentax Gallery Resignation

2007-09-27 Thread Cotty
On 27/09/07, Boris Liberman, discombobulated, unleashed:

I really thought that you were rather competitive person, Cotty. I am 
fairly competitive, but in photography I don't feel any desire to prove 
anything. So I don't really participate in competitions...

My competitive side extends solely to my professional life. Needs must.
Beyond that, I'm not a keen advocate of the 'I am better than you and I
would like it personally vindicated' philosophy.

Actually I see any photographic competition as utterly pointless. To
encourage creativity? Loada bollux! I can just about understand the need
for people to want to belong to something they believe in, or would like
to be a part of, but anything that by nature is exclusive does not get
my support or interest.

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Re: Pentax Gallery Resignation

2007-09-27 Thread mike wilson

 
 From: ann sanfedele [EMAIL PROTECTED]
 Date: 2007/09/27 Thu AM 03:24:42 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Pentax Gallery Resignation
 
 Gonz wrote:
 
 Oops that should have been family Leporidae.  I'm not sure whether
 Frank is a Rabbit or a Hare.
   
 
 wabbit
 
 ann

Variety:  scwewy.

 
 
 
 
 On 9/26/07, Gonz [EMAIL PROTECTED] wrote:
   
 
 Frank, didn't you read the fine print?  In Title 9, section 4,
 paragraph 110, Item b) : No work shall be accepted from the class
 Lepus and all its associated species and subspecies.
 
 
 =:)
 
 
 On 9/26/07, frank theriault [EMAIL PROTECTED] wrote:
 
 
 Copy of e-mail recently sent to The Pentax Gallery:
 
 Sirs/Mesdames,
 
 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.
 
 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.
 
 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.
 
 Thank you for the opportunity to submit my photos.
 
 regards,
 frank theriault
 
 cheers,
 frank
 
 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread Rebekah
Frank, I think your photographs are beautiful.  Screw the gallery.

rg2

On 9/27/07, mike wilson [EMAIL PROTECTED] wrote:

 
  From: ann sanfedele [EMAIL PROTECTED]
  Date: 2007/09/27 Thu AM 03:24:42 GMT
  To: Pentax-Discuss Mail List pdml@pdml.net
  Subject: Re: Pentax Gallery Resignation
 
  Gonz wrote:
 
  Oops that should have been family Leporidae.  I'm not sure whether
  Frank is a Rabbit or a Hare.
  
  
  wabbit
 
  ann

 Variety:  scwewy.

 
  
  
  
  On 9/26/07, Gonz [EMAIL PROTECTED] wrote:
  
  
  Frank, didn't you read the fine print?  In Title 9, section 4,
  paragraph 110, Item b) : No work shall be accepted from the class
  Lepus and all its associated species and subspecies.
  
  
  =:)
  
  
  On 9/26/07, frank theriault [EMAIL PROTECTED] wrote:
  
  
  Copy of e-mail recently sent to The Pentax Gallery:
  
  Sirs/Mesdames,
  
  I may be an accepted artist of the PENTAX Photo Gallery, however, my
  first 12 photos have been rejected.  As of the date of this e-mail,
  there are three pending.
  
  It is obvious that somewhere along the selection process, someone or
  some group feels that my photos are not up to the Pentax Photo Gallery
  standards.
  
  Accordingly, I will be deleting the three photos still pending.
  Please feel free remove me from your list of accepted artists.
  
  Thank you for the opportunity to submit my photos.
  
  regards,
  frank theriault
  
  cheers,
  frank
  
  --
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
  
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Re: Pentax Gallery Resignation

2007-09-27 Thread frank theriault
On 9/27/07, Cotty [EMAIL PROTECTED] wrote:

snip
 Actually I see any photographic competition as utterly pointless. snip

I agree 100%!

Funny thing is, I didn't see The Pentax Gallery as a competition.  I
thought that as long as the photos met a minimum standard, they were
in, and it would be a cool place from which to show photos.  I didn't
see it as grading or rating photos, merely accepting.

I think it's that misconception that pisses me off most.  I didn't
understand it as a competition at all, and clearly it is.  I know my
photos aren't all pretty or pleasing or spectacular, so really they
don't stand a chance against some that are in the gallery, but I have
to admit to feeling a bit stung when I saw some rather banal, ordinary
photos that got accepted, while mine all got the boot.  It may be that
these other photos were accepted early, when there were far fewer
voters, and the gallery needed photos, but it certainly points to a
glaring inconsitency in the acceptance procedure, IMHO.

Too bad, because had it been set up properly, it could have been fun.
Having everything rejected isn't fun at all...

cheers,
frank



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Re: Pentax Gallery Resignation

2007-09-27 Thread Jack Davis
No way it could be stated any better, Frank.
Their not having anticipating a volume crunch is, however, hard to
imagine. Could be they consider accepted artist voting a handy
explanation..if needed.
When 'proven' laudable work is summarily declined, incentive wanes.

Jack
--- frank theriault [EMAIL PROTECTED] wrote:

 On 9/27/07, Cotty [EMAIL PROTECTED] wrote:
 
 snip
  Actually I see any photographic competition as utterly pointless.
 snip
 
 I agree 100%!
 
 Funny thing is, I didn't see The Pentax Gallery as a competition.  I
 thought that as long as the photos met a minimum standard, they were
 in, and it would be a cool place from which to show photos.  I didn't
 see it as grading or rating photos, merely accepting.
 
 I think it's that misconception that pisses me off most.  I didn't
 understand it as a competition at all, and clearly it is.  I know my
 photos aren't all pretty or pleasing or spectacular, so really they
 don't stand a chance against some that are in the gallery, but I have
 to admit to feeling a bit stung when I saw some rather banal,
 ordinary
 photos that got accepted, while mine all got the boot.  It may be
 that
 these other photos were accepted early, when there were far fewer
 voters, and the gallery needed photos, but it certainly points to a
 glaring inconsitency in the acceptance procedure, IMHO.
 
 Too bad, because had it been set up properly, it could have been fun.
 Having everything rejected isn't fun at all...
 
 cheers,
 frank
 
 
 
 -- 
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
I can just about understand the need
for people to want to belong to something they believe in, or would like
to be a part of, but anything that by nature is exclusive does not get
my support or interest.

Cheers,
   Cotty


2000 people from the PDML will show up at your local pub tomorrow, blocking 
the door so you can't get in and quaff your thirst with a pint.  Then we'll 
see how you feel about exclusive. ;-)

Tom C.



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Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
What's *hard* to imagine about Pentax?

Tom C.


From: Jack Davis [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Pentax Gallery Resignation
Date: Thu, 27 Sep 2007 06:58:49 -0700 (PDT)

No way it could be stated any better, Frank.
Their not having anticipating a volume crunch is, however, hard to
imagine. Could be they consider accepted artist voting a handy
explanation..if needed.
When 'proven' laudable work is summarily declined, incentive wanes.

Jack
--- frank theriault [EMAIL PROTECTED] wrote:

  On 9/27/07, Cotty [EMAIL PROTECTED] wrote:
 
  snip
   Actually I see any photographic competition as utterly pointless.
  snip
 
  I agree 100%!
 
  Funny thing is, I didn't see The Pentax Gallery as a competition.  I
  thought that as long as the photos met a minimum standard, they were
  in, and it would be a cool place from which to show photos.  I didn't
  see it as grading or rating photos, merely accepting.
 
  I think it's that misconception that pisses me off most.  I didn't
  understand it as a competition at all, and clearly it is.  I know my
  photos aren't all pretty or pleasing or spectacular, so really they
  don't stand a chance against some that are in the gallery, but I have
  to admit to feeling a bit stung when I saw some rather banal,
  ordinary
  photos that got accepted, while mine all got the boot.  It may be
  that
  these other photos were accepted early, when there were far fewer
  voters, and the gallery needed photos, but it certainly points to a
  glaring inconsitency in the acceptance procedure, IMHO.
 
  Too bad, because had it been set up properly, it could have been fun.
  Having everything rejected isn't fun at all...
 
  cheers,
  frank
 
 
 
  --
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread cbwaters
Tom, what time is this meet... I have a production rehearsal at 7 PM 
EST...so with the travel time to the U.K it's going to tighten up my day 
considerably...


- Original Message - 
From: Tom C [EMAIL PROTECTED]
To: pdml@pdml.net
Sent: Thursday, September 27, 2007 9:55 AM
Subject: Re: Pentax Gallery Resignation


 I can just about understand the need
for people to want to belong to something they believe in, or would like
to be a part of, but anything that by nature is exclusive does not get
my support or interest.

Cheers,
   Cotty


 2000 people from the PDML will show up at your local pub tomorrow, 
 blocking
 the door so you can't get in and quaff your thirst with a pint.  Then 
 we'll
 see how you feel about exclusive. ;-)

 Tom C.



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 No virus found in this incoming message.
 Checked by AVG Free Edition.
 Version: 7.5.488 / Virus Database: 269.13.32/1032 - Release Date: 
 9/26/2007 8:20 PM

 


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Re: Pentax Gallery Resignation

2007-09-27 Thread Boris Liberman
Fascinating (in Mr Spock of Vulcan way)...

I tend to agree with you on most of the sentiments you expressed.

In fact, I kind of thought it would be competitive (the Pentax gallery 
thingie) from the start. Given the fact that the submitted work is 
filtered by someone else immediately implies that there are criteria to 
be met. And here we have it - the competition.

Boris

Cotty wrote:
 On 27/09/07, Boris Liberman, discombobulated, unleashed:
 
 I really thought that you were rather competitive person, Cotty. I am 
 fairly competitive, but in photography I don't feel any desire to prove 
 anything. So I don't really participate in competitions...
 
 My competitive side extends solely to my professional life. Needs must.
 Beyond that, I'm not a keen advocate of the 'I am better than you and I
 would like it personally vindicated' philosophy.
 
 Actually I see any photographic competition as utterly pointless. To
 encourage creativity? Loada bollux! I can just about understand the need
 for people to want to belong to something they believe in, or would like
 to be a part of, but anything that by nature is exclusive does not get
 my support or interest.
 


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Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
LOL Cory. :-)



Tom C.



From: cbwaters [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Pentax Gallery Resignation
Date: Thu, 27 Sep 2007 10:09:46 -0400

Tom, what time is this meet... I have a production rehearsal at 7 PM
EST...so with the travel time to the U.K it's going to tighten up my 
day
considerably...


- Original Message -
From: Tom C [EMAIL PROTECTED]
To: pdml@pdml.net
Sent: Thursday, September 27, 2007 9:55 AM
Subject: Re: Pentax Gallery Resignation


  I can just about understand the need
 for people to want to belong to something they believe in, or would like
 to be a part of, but anything that by nature is exclusive does not get
 my support or interest.
 
 Cheers,
Cotty
 
 
  2000 people from the PDML will show up at your local pub tomorrow,
  blocking
  the door so you can't get in and quaff your thirst with a pint.  Then
  we'll
  see how you feel about exclusive. ;-)
 
  Tom C.
 
 
 
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  follow the directions.
 
 
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  No virus found in this incoming message.
  Checked by AVG Free Edition.
  Version: 7.5.488 / Virus Database: 269.13.32/1032 - Release Date:
  9/26/2007 8:20 PM
 
 


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Re: Pentax Gallery Resignation

2007-09-27 Thread John Sessoms
From: ann sanfedele

 Gonz wrote:
 
 Oops that should have been family Leporidae.  I'm not sure whether
 Frank is a Rabbit or a Hare.
  

 wabbit

A wascally wabbit?

he-he-e-e-e

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Re: Pentax Gallery Resignation

2007-09-27 Thread Godfrey DiGiorgi
On Sep 27, 2007, at 12:09 AM, Cotty wrote:

 My competitive side extends solely to my professional life. Needs  
 must.
 Beyond that, I'm not a keen advocate of the 'I am better than you  
 and I
 would like it personally vindicated' philosophy.

 Actually I see any photographic competition as utterly pointless. To
 encourage creativity? Loada bollux! I can just about understand the  
 need
 for people to want to belong to something they believe in, or would  
 like
 to be a part of, but anything that by nature is exclusive does not get
 my support or interest.

I agree completely.

I enter photos into exhibition contests on a regular basis as a  
part of my professional business. It's a crap shoot ... anyone with  
any sense realizes that a competition of this sort is 100%  
subjective whimsy on the part of the juror committee.

Godfrey


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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Jack Davis
Subject: Re: Pentax Gallery Resignation


 No way it could be stated any better, Frank.
 Their not having anticipating a volume crunch is, however, hard to
 imagine. Could be they consider accepted artist voting a handy
 explanation..if needed.
 When 'proven' laudable work is summarily declined, incentive wanes.


 snip
  Actually I see any photographic competition as utterly pointless.
 snip

 I agree 100%!

 Funny thing is, I didn't see The Pentax Gallery as a competition.  I
 thought that as long as the photos met a minimum standard, they were
 in, and it would be a cool place from which to show photos.  I didn't
 see it as grading or rating photos, merely accepting.

 I think it's that misconception that pisses me off most.  I didn't
 understand it as a competition at all, and clearly it is.  I know my
 photos aren't all pretty or pleasing or spectacular, so really they
 don't stand a chance against some that are in the gallery, but I have
 to admit to feeling a bit stung when I saw some rather banal,
 ordinary
 photos that got accepted, while mine all got the boot.  It may be
 that
 these other photos were accepted early, when there were far fewer
 voters, and the gallery needed photos, but it certainly points to a
 glaring inconsitency in the acceptance procedure, IMHO.

 Too bad, because had it been set up properly, it could have been fun.
 Having everything rejected isn't fun at all...

It's unfortunate that you believe that getting your photos to meet a minimum 
standard isn't a competition. Any time someone puts up a bar that you need 
to clear to get a reward, it is a competition.
Just because you aren't competing with another person, doesn't mean you 
aren't competing, it just means that the rules of the competition are such 
that you are competing against a standard.
OTOH, I really do think the people running the gallery totally buggered up 
when they changed the acceptance procedure into a peer based popularity 
contest.

William Robb 


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Re: Pentax Gallery Resignation

2007-09-27 Thread John Sessoms
From: frank theriault

 n 9/27/07, Cotty [EMAIL PROTECTED] wrote:
 
 snip
  Actually I see any photographic competition as utterly pointless. snip
 
 I agree 100%!

Unless the prize for the winning photograph is worth having.

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Re: Pentax Gallery Resignation

2007-09-27 Thread Jack Davis
Well, Robb, I'm not surprised that it's being viewed as a competition.
If one chooses to consider the accepted image count as a 'score'
against which one is competing, then it's a competition. Your choice.

Jack
--- William Robb [EMAIL PROTECTED] wrote:

 
 - Original Message - 
 From: Jack Davis
 Subject: Re: Pentax Gallery Resignation
 
 
  No way it could be stated any better, Frank.
  Their not having anticipating a volume crunch is, however, hard to
  imagine. Could be they consider accepted artist voting a handy
  explanation..if needed.
  When 'proven' laudable work is summarily declined, incentive wanes.
 
 
  snip
   Actually I see any photographic competition as utterly
 pointless.
  snip
 
  I agree 100%!
 
  Funny thing is, I didn't see The Pentax Gallery as a competition. 
 I
  thought that as long as the photos met a minimum standard, they
 were
  in, and it would be a cool place from which to show photos.  I
 didn't
  see it as grading or rating photos, merely accepting.
 
  I think it's that misconception that pisses me off most.  I didn't
  understand it as a competition at all, and clearly it is.  I know
 my
  photos aren't all pretty or pleasing or spectacular, so really
 they
  don't stand a chance against some that are in the gallery, but I
 have
  to admit to feeling a bit stung when I saw some rather banal,
  ordinary
  photos that got accepted, while mine all got the boot.  It may be
  that
  these other photos were accepted early, when there were far fewer
  voters, and the gallery needed photos, but it certainly points
 to a
  glaring inconsitency in the acceptance procedure, IMHO.
 
  Too bad, because had it been set up properly, it could have been
 fun.
  Having everything rejected isn't fun at all...
 
 It's unfortunate that you believe that getting your photos to meet a
 minimum 
 standard isn't a competition. Any time someone puts up a bar that you
 need 
 to clear to get a reward, it is a competition.
 Just because you aren't competing with another person, doesn't mean
 you 
 aren't competing, it just means that the rules of the competition are
 such 
 that you are competing against a standard.
 OTOH, I really do think the people running the gallery totally
 buggered up 
 when they changed the acceptance procedure into a peer based
 popularity 
 contest.
 
 William Robb 
 
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread Cotty
On 27/09/07, Tom C, discombobulated, unleashed:

2000 people from the PDML will show up at your local pub tomorrow, blocking 
the door so you can't get in and quaff your thirst with a pint.  Then we'll 
see how you feel about exclusive. ;-)

Har!!

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Cheers,
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Re: Pentax Gallery Resignation

2007-09-27 Thread Cotty
On 27/09/07, William Robb, discombobulated, unleashed:

Just because you aren't competing with another person, doesn't mean you 
aren't competing, it just means that the rules of the competition are such 
that you are competing against a standard.

Question: how subjective is this standard?

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Re: Pentax Gallery Resignation

2007-09-27 Thread Cotty
On 27/09/07, cbwaters, discombobulated, unleashed:

Tom, what time is this meet... I have a production rehearsal at 7 PM 
EST...so with the travel time to the U.K it's going to tighten up my day 
considerably...

Ceeb I think you'd like it over here. Ever been? We could show you a
pretty nice stadium for starters

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Re: Pentax Gallery Resignation

2007-09-27 Thread Jack Davis
Actually, I consider I'm just vying for a favorable subjective opinion
from da 'judge'.

Jack
--- Cotty [EMAIL PROTECTED] wrote:

 On 27/09/07, William Robb, discombobulated, unleashed:
 
 Just because you aren't competing with another person, doesn't mean
 you 
 aren't competing, it just means that the rules of the competition
 are such 
 that you are competing against a standard.
 
 Question: how subjective is this standard?
 
 -- 
 
 
 Cheers,
   Cotty
 
 
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 ||=|http://www.cottysnaps.com
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Re: Pentax Gallery Resignation

2007-09-27 Thread Kenneth Waller
 2000 people from the PDML will show up at your local pub tomorrow, 
 blocking
 the door so you can't get in and quaff your thirst with a pint.

 Tom C.

You buying ?


Kenneth Waller
http://tinyurl.com/272u2f


- Original Message - 
From: Tom C [EMAIL PROTECTED]
Subject: Re: Pentax Gallery Resignation


 I can just about understand the need
for people to want to belong to something they believe in, or would like
to be a part of, but anything that by nature is exclusive does not get
my support or interest.

Cheers,
   Cotty


 2000 people from the PDML will show up at your local pub tomorrow, 
 blocking
 the door so you can't get in and quaff your thirst with a pint.  Then 
 we'll
 see how you feel about exclusive. ;-)

 Tom C.


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Re: Pentax Gallery Resignation

2007-09-27 Thread pnstenquist
It's a personal competition, but you're not competing against others. For the 
accepted image count to be a score, everyone would have to make the same number 
of submissions. I recall one PDML member saying he was submitting between five 
and ten shots every day. That obviously will skew the curve. Which is fine, but 
that's why it's not a mine vs. yours competition. At least that's what I think. 
And in the end, none of it matters a hoot:-).
Paul
 -- Original message --
From: Jack Davis [EMAIL PROTECTED]
 Well, Robb, I'm not surprised that it's being viewed as a competition.
 If one chooses to consider the accepted image count as a 'score'
 against which one is competing, then it's a competition. Your choice.
 
 Jack
 --- William Robb [EMAIL PROTECTED] wrote:
 
  
  - Original Message - 
  From: Jack Davis
  Subject: Re: Pentax Gallery Resignation
  
  
   No way it could be stated any better, Frank.
   Their not having anticipating a volume crunch is, however, hard to
   imagine. Could be they consider accepted artist voting a handy
   explanation..if needed.
   When 'proven' laudable work is summarily declined, incentive wanes.
  
  
   snip
Actually I see any photographic competition as utterly
  pointless.
   snip
  
   I agree 100%!
  
   Funny thing is, I didn't see The Pentax Gallery as a competition. 
  I
   thought that as long as the photos met a minimum standard, they
  were
   in, and it would be a cool place from which to show photos.  I
  didn't
   see it as grading or rating photos, merely accepting.
  
   I think it's that misconception that pisses me off most.  I didn't
   understand it as a competition at all, and clearly it is.  I know
  my
   photos aren't all pretty or pleasing or spectacular, so really
  they
   don't stand a chance against some that are in the gallery, but I
  have
   to admit to feeling a bit stung when I saw some rather banal,
   ordinary
   photos that got accepted, while mine all got the boot.  It may be
   that
   these other photos were accepted early, when there were far fewer
   voters, and the gallery needed photos, but it certainly points
  to a
   glaring inconsitency in the acceptance procedure, IMHO.
  
   Too bad, because had it been set up properly, it could have been
  fun.
   Having everything rejected isn't fun at all...
  
  It's unfortunate that you believe that getting your photos to meet a
  minimum 
  standard isn't a competition. Any time someone puts up a bar that you
  need 
  to clear to get a reward, it is a competition.
  Just because you aren't competing with another person, doesn't mean
  you 
  aren't competing, it just means that the rules of the competition are
  such 
  that you are competing against a standard.
  OTOH, I really do think the people running the gallery totally
  buggered up 
  when they changed the acceptance procedure into a peer based
  popularity 
  contest.
  
  William Robb 
  
  
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Re: Pentax Gallery Resignation

2007-09-27 Thread Mark Roberts
Cotty wrote:

On 27/09/07, William Robb, discombobulated, unleashed:

Just because you aren't competing with another person, doesn't 
mean you aren't competing, it just means that the rules of the 
competition are such that you are competing against a standard.

Question: how subjective is this standard?

Same as all competitions: Very.

Personally, I quite like the Pentax Gallery kind of contest because, 
unlike other contests, I get to aim repeatedly at the same target 
(acceptance into the Gallery, in this case). I may not agree with their 
choices, but teaching myself (or trying to teach myself!) to achieve 
what they're after makes me push myself as a photographer. 

I find that creating works that please someone else is a lot more 
demanding, tiring, frustrating and annoying than creating things that 
please just myself. But that's not necessarily a bad thing.




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Re: Pentax Gallery Resignation

2007-09-27 Thread Jack Davis
..or a holler!! ;)


Jack
--- [EMAIL PROTECTED] wrote:

 It's a personal competition, but you're not competing against others.
 For the accepted image count to be a score, everyone would have to
 make the same number of submissions. I recall one PDML member saying
 he was submitting between five and ten shots every day. That
 obviously will skew the curve. Which is fine, but that's why it's not
 a mine vs. yours competition. At least that's what I think. And in
 the end, none of it matters a hoot:-).
 Paul
  -- Original message --
 From: Jack Davis [EMAIL PROTECTED]
  Well, Robb, I'm not surprised that it's being viewed as a
 competition.
  If one chooses to consider the accepted image count as a 'score'
  against which one is competing, then it's a competition. Your
 choice.
  
  Jack
  --- William Robb [EMAIL PROTECTED] wrote:
  
   
   - Original Message - 
   From: Jack Davis
   Subject: Re: Pentax Gallery Resignation
   
   
No way it could be stated any better, Frank.
Their not having anticipating a volume crunch is, however, hard
 to
imagine. Could be they consider accepted artist voting a
 handy
explanation..if needed.
When 'proven' laudable work is summarily declined, incentive
 wanes.
   
   
snip
 Actually I see any photographic competition as utterly
   pointless.
snip
   
I agree 100%!
   
Funny thing is, I didn't see The Pentax Gallery as a
 competition. 
   I
thought that as long as the photos met a minimum standard,
 they
   were
in, and it would be a cool place from which to show photos.  I
   didn't
see it as grading or rating photos, merely accepting.
   
I think it's that misconception that pisses me off most.  I
 didn't
understand it as a competition at all, and clearly it is.  I
 know
   my
photos aren't all pretty or pleasing or spectacular, so really
   they
don't stand a chance against some that are in the gallery, but
 I
   have
to admit to feeling a bit stung when I saw some rather banal,
ordinary
photos that got accepted, while mine all got the boot.  It may
 be
that
these other photos were accepted early, when there were far
 fewer
voters, and the gallery needed photos, but it certainly
 points
   to a
glaring inconsitency in the acceptance procedure, IMHO.
   
Too bad, because had it been set up properly, it could have
 been
   fun.
Having everything rejected isn't fun at all...
   
   It's unfortunate that you believe that getting your photos to
 meet a
   minimum 
   standard isn't a competition. Any time someone puts up a bar that
 you
   need 
   to clear to get a reward, it is a competition.
   Just because you aren't competing with another person, doesn't
 mean
   you 
   aren't competing, it just means that the rules of the competition
 are
   such 
   that you are competing against a standard.
   OTOH, I really do think the people running the gallery totally
   buggered up 
   when they changed the acceptance procedure into a peer based
   popularity 
   contest.
   
   William Robb 
   
   
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 above
   and follow the directions.
   
  
  
  
 
 


  
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Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
I agree.  If acceptance is left purely to a judging panel, then we can 
expect the regular subjectivity.  If it's based on a general vote of others, 
then it's also suspect, as the general public doesn't know hooey about good 
photography.

I'd like to know the qualifications of the judges, myself.  It is totally 
possible photos are being judged by people with no other particular 
qualifications than that they work for Pentax, which is totally within their 
bailiwick, just not reassuring.

If the gallery is designed to be a high-quality gallery, then all images 
should clearly be outstanding.  If it's not designed to be that, then the 
result will be something less. (Stating the obvious).

Tom C.


From: [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Pentax Gallery Resignation
Date: Thu, 27 Sep 2007 19:45:35 +

It's a personal competition, but you're not competing against others. For 
the accepted image count to be a score, everyone would have to make the 
same number of submissions. I recall one PDML member saying he was 
submitting between five and ten shots every day. That obviously will skew 
the curve. Which is fine, but that's why it's not a mine vs. yours 
competition. At least that's what I think. And in the end, none of it 
matters a hoot:-).
Paul
  -- Original message --
From: Jack Davis [EMAIL PROTECTED]
  Well, Robb, I'm not surprised that it's being viewed as a competition.
  If one chooses to consider the accepted image count as a 'score'
  against which one is competing, then it's a competition. Your choice.
 
  Jack
  --- William Robb [EMAIL PROTECTED] wrote:
 
  
   - Original Message -
   From: Jack Davis
   Subject: Re: Pentax Gallery Resignation
  
  
No way it could be stated any better, Frank.
Their not having anticipating a volume crunch is, however, hard to
imagine. Could be they consider accepted artist voting a handy
explanation..if needed.
When 'proven' laudable work is summarily declined, incentive wanes.
   
  
snip
 Actually I see any photographic competition as utterly
   pointless.
snip
   
I agree 100%!
   
Funny thing is, I didn't see The Pentax Gallery as a competition.
   I
thought that as long as the photos met a minimum standard, they
   were
in, and it would be a cool place from which to show photos.  I
   didn't
see it as grading or rating photos, merely accepting.
   
I think it's that misconception that pisses me off most.  I didn't
understand it as a competition at all, and clearly it is.  I know
   my
photos aren't all pretty or pleasing or spectacular, so really
   they
don't stand a chance against some that are in the gallery, but I
   have
to admit to feeling a bit stung when I saw some rather banal,
ordinary
photos that got accepted, while mine all got the boot.  It may be
that
these other photos were accepted early, when there were far fewer
voters, and the gallery needed photos, but it certainly points
   to a
glaring inconsitency in the acceptance procedure, IMHO.
   
Too bad, because had it been set up properly, it could have been
   fun.
Having everything rejected isn't fun at all...
  
   It's unfortunate that you believe that getting your photos to meet a
   minimum
   standard isn't a competition. Any time someone puts up a bar that you
   need
   to clear to get a reward, it is a competition.
   Just because you aren't competing with another person, doesn't mean
   you
   aren't competing, it just means that the rules of the competition are
   such
   that you are competing against a standard.
   OTOH, I really do think the people running the gallery totally
   buggered up
   when they changed the acceptance procedure into a peer based
   popularity
   contest.
  
   William Robb
  
  
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   to UNSUBSCRIBE from the PDML, please visit the link directly above
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Re: Pentax Gallery Resignation

2007-09-27 Thread Jack Davis
You're right, it isn't. You might look at it from the standpoint of a
vocal 'artist' who looks for applause when she stops singing.
Approval can be intoxicating.

Jack
--- Mark Roberts [EMAIL PROTECTED] wrote:

 Cotty wrote:
 
 On 27/09/07, William Robb, discombobulated, unleashed:
 
 Just because you aren't competing with another person, doesn't 
 mean you aren't competing, it just means that the rules of the 
 competition are such that you are competing against a standard.
 
 Question: how subjective is this standard?
 
 Same as all competitions: Very.
 
 Personally, I quite like the Pentax Gallery kind of contest because, 
 unlike other contests, I get to aim repeatedly at the same target 
 (acceptance into the Gallery, in this case). I may not agree with
 their 
 choices, but teaching myself (or trying to teach myself!) to achieve 
 what they're after makes me push myself as a photographer. 
 
 I find that creating works that please someone else is a lot more 
 demanding, tiring, frustrating and annoying than creating things that
 
 please just myself. But that's not necessarily a bad thing.
 
 
 
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread frank theriault
On 9/27/07, Mark Roberts [EMAIL PROTECTED] wrote:

 Question: how subjective is this standard?

 Same as all competitions: Very.

 Personally, I quite like the Pentax Gallery kind of contest because,
 unlike other contests, I get to aim repeatedly at the same target
 (acceptance into the Gallery, in this case). I may not agree with their
 choices, but teaching myself (or trying to teach myself!) to achieve
 what they're after makes me push myself as a photographer.

 I find that creating works that please someone else is a lot more
 demanding, tiring, frustrating and annoying than creating things that
 please just myself. But that's not necessarily a bad thing.

I think my problem with the Pentax Gallery is that I don't know what
the standard is.  How can I aim for a target if I can't see it?

There's no explanation as to the criteria to get past the accepted
artists' voting:  How many votes are required to be accepted or
rejected?  What percentage of yes votes is required for acceptance?
 and even then, it states clearly that those that get past the first
screening can be rejected outright by the Pentax Panel.  We don't
know who those people are, and what they're looking for.

It's all very closed door, which to me makes it something of a
crap-shoot.  I'm not sure how submitting many photos and having them
all rejected makes me a better photographer.

It rather just leaves me scratching my head, and thinking that if I
want feedback or reaction, this isn't the place for me.  Some may find
this sort of exercise very valuable, but I don't.

I mean, hey, no hard feelings.  Pentax can run this thing any way they
want;  it's their contest.  However, if this is the way they choose to
run it, my choice is to not participate.

cheers,
frank



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Re: Pentax Gallery Resignation

2007-09-27 Thread Scott Loveless
frank theriault wrote:
 I think my problem with the Pentax Gallery is that I don't know what
 the standard is.  How can I aim for a target if I can't see it?
 
And it's a moving target, to boot.  You never know who may be voting on 
your photo at any given time.  Subjective is one thing.  Variably 
subjective is irritating at best.

-- 
Scott Loveless
http://www.twosixteen.com/fivetoedsloth/

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Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
Subjective is one thing.  Variably subjective is irritating at best.

--
Scott Loveless
http://www.twosixteen.com/fivetoedsloth/


... said the married man...

Tom C.



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Re: Pentax Gallery Resignation

2007-09-27 Thread graywolf
Pooka

Gonz wrote:
 Oops that should have been family Leporidae.  I'm not sure whether
 Frank is a Rabbit or a Hare.
 
 
 
 
 On 9/26/07, Gonz [EMAIL PROTECTED] wrote:
 Frank, didn't you read the fine print?  In Title 9, section 4,
 paragraph 110, Item b) : No work shall be accepted from the class
 Lepus and all its associated species and subspecies.


 =:)


 On 9/26/07, frank theriault [EMAIL PROTECTED] wrote:
 Copy of e-mail recently sent to The Pentax Gallery:

 Sirs/Mesdames,

 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.

 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.

 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.

 Thank you for the opportunity to submit my photos.

 regards,
 frank theriault

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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RE: Pentax Gallery Resignation

2007-09-27 Thread Bob W
  How can I aim for a target if I can't see it?

You must follow the Way Of The Blind Archer, grasshopper. The Blind
Archer does not see the target. He allows the target to see him, and
to guide the arrow into his heart, as the heron's beak enters the
stream. For are they not one, the archer, the target and the arrow?
Are they not avatars of each of us, and we of them? Your hand must not
know that it has released the bowstring, it must slip from you as
melting snow slips from the bamboo leaf. Then surely the bow, the
string, the arrow, the archer and the target are one. 

Hope that helps.

--
 Bob
 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of frank theriault
 Sent: 27 September 2007 21:29
 To: Pentax-Discuss Mail List
 Subject: Re: Pentax Gallery Resignation
 
 On 9/27/07, Mark Roberts [EMAIL PROTECTED] wrote:
 
  Question: how subjective is this standard?
 
  Same as all competitions: Very.
 
  Personally, I quite like the Pentax Gallery kind of contest
because,
  unlike other contests, I get to aim repeatedly at the same target
  (acceptance into the Gallery, in this case). I may not 
 agree with their
  choices, but teaching myself (or trying to teach myself!) to
achieve
  what they're after makes me push myself as a photographer.
 
  I find that creating works that please someone else is a lot more
  demanding, tiring, frustrating and annoying than creating 
 things that
  please just myself. But that's not necessarily a bad thing.
 
 I think my problem with the Pentax Gallery is that I don't know what
 the standard is.  How can I aim for a target if I can't see it?
 
 There's no explanation as to the criteria to get past the accepted
 artists' voting:  How many votes are required to be accepted or
 rejected?  What percentage of yes votes is required for
acceptance?
  and even then, it states clearly that those that get past the first
 screening can be rejected outright by the Pentax Panel.  We don't
 know who those people are, and what they're looking for.
 
 It's all very closed door, which to me makes it something of a
 crap-shoot.  I'm not sure how submitting many photos and having them
 all rejected makes me a better photographer.
 
 It rather just leaves me scratching my head, and thinking that if I
 want feedback or reaction, this isn't the place for me.  Some may
find
 this sort of exercise very valuable, but I don't.
 
 I mean, hey, no hard feelings.  Pentax can run this thing any way
they
 want;  it's their contest.  However, if this is the way they choose
to
 run it, my choice is to not participate.
 
 cheers,
 frank
 
 
 
 -- 
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
 -- 
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RE: Pentax Gallery Resignation

2007-09-27 Thread Tom C
USE THE FORCE, FRANK.



Tom C.

From: Bob W [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: 'Pentax-Discuss Mail List' pdml@pdml.net
Subject: RE: Pentax Gallery Resignation
Date: Thu, 27 Sep 2007 22:07:05 +0100

   How can I aim for a target if I can't see it?

You must follow the Way Of The Blind Archer, grasshopper. The Blind
Archer does not see the target. He allows the target to see him, and
to guide the arrow into his heart, as the heron's beak enters the
stream. For are they not one, the archer, the target and the arrow?
Are they not avatars of each of us, and we of them? Your hand must not
know that it has released the bowstring, it must slip from you as
melting snow slips from the bamboo leaf. Then surely the bow, the
string, the arrow, the archer and the target are one.

Hope that helps.

--
  Bob


  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
  Behalf Of frank theriault
  Sent: 27 September 2007 21:29
  To: Pentax-Discuss Mail List
  Subject: Re: Pentax Gallery Resignation
 
  On 9/27/07, Mark Roberts [EMAIL PROTECTED] wrote:
 
   Question: how subjective is this standard?
  
   Same as all competitions: Very.
  
   Personally, I quite like the Pentax Gallery kind of contest
because,
   unlike other contests, I get to aim repeatedly at the same target
   (acceptance into the Gallery, in this case). I may not
  agree with their
   choices, but teaching myself (or trying to teach myself!) to
achieve
   what they're after makes me push myself as a photographer.
  
   I find that creating works that please someone else is a lot more
   demanding, tiring, frustrating and annoying than creating
  things that
   please just myself. But that's not necessarily a bad thing.
 
  I think my problem with the Pentax Gallery is that I don't know what
  the standard is.  How can I aim for a target if I can't see it?
 
  There's no explanation as to the criteria to get past the accepted
  artists' voting:  How many votes are required to be accepted or
  rejected?  What percentage of yes votes is required for
acceptance?
   and even then, it states clearly that those that get past the first
  screening can be rejected outright by the Pentax Panel.  We don't
  know who those people are, and what they're looking for.
 
  It's all very closed door, which to me makes it something of a
  crap-shoot.  I'm not sure how submitting many photos and having them
  all rejected makes me a better photographer.
 
  It rather just leaves me scratching my head, and thinking that if I
  want feedback or reaction, this isn't the place for me.  Some may
find
  this sort of exercise very valuable, but I don't.
 
  I mean, hey, no hard feelings.  Pentax can run this thing any way
they
  want;  it's their contest.  However, if this is the way they choose
to
  run it, my choice is to not participate.
 
  cheers,
  frank
 
 
 
  --
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread frank theriault
On 9/27/07, graywolf [EMAIL PROTECTED] wrote:
 Pooka

Just like Harvey...

:-)

cheers,
frank

-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: Pentax Gallery Resignation

2007-09-27 Thread John Francis


Gee thanks.  Now how do I get this arrow out of my butt?

Ob.Trivia - did you know that archery targets are called 'butts'?
Do you know why?


As far as the Pentax Gallery goes - I didn't submit originally
for a couple of reasons; my first attempt didn't work (because
I was trying to submit a scanned image, and there was a bug in
their validation code), and I never got round to writing a bio.

Now, after hearing of all the various problems others are having,
I doubt if I'll bother to submit anything (and I *still* haven't
written a bio).


On Thu, Sep 27, 2007 at 10:07:05PM +0100, Bob W wrote:
   How can I aim for a target if I can't see it?
 
 You must follow the Way Of The Blind Archer, grasshopper. The Blind
 Archer does not see the target. He allows the target to see him, and
 to guide the arrow into his heart, as the heron's beak enters the
 stream. For are they not one, the archer, the target and the arrow?
 Are they not avatars of each of us, and we of them? Your hand must not
 know that it has released the bowstring, it must slip from you as
 melting snow slips from the bamboo leaf. Then surely the bow, the
 string, the arrow, the archer and the target are one. 
 
 Hope that helps.
 
 --
  Bob
  
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
  Behalf Of frank theriault
  Sent: 27 September 2007 21:29
  To: Pentax-Discuss Mail List
  Subject: Re: Pentax Gallery Resignation
  
  On 9/27/07, Mark Roberts [EMAIL PROTECTED] wrote:
  
   Question: how subjective is this standard?
  
   Same as all competitions: Very.
  
   Personally, I quite like the Pentax Gallery kind of contest
 because,
   unlike other contests, I get to aim repeatedly at the same target
   (acceptance into the Gallery, in this case). I may not 
  agree with their
   choices, but teaching myself (or trying to teach myself!) to
 achieve
   what they're after makes me push myself as a photographer.
  
   I find that creating works that please someone else is a lot more
   demanding, tiring, frustrating and annoying than creating 
  things that
   please just myself. But that's not necessarily a bad thing.
  
  I think my problem with the Pentax Gallery is that I don't know what
  the standard is.  How can I aim for a target if I can't see it?
  
  There's no explanation as to the criteria to get past the accepted
  artists' voting:  How many votes are required to be accepted or
  rejected?  What percentage of yes votes is required for
 acceptance?
   and even then, it states clearly that those that get past the first
  screening can be rejected outright by the Pentax Panel.  We don't
  know who those people are, and what they're looking for.
  
  It's all very closed door, which to me makes it something of a
  crap-shoot.  I'm not sure how submitting many photos and having them
  all rejected makes me a better photographer.
  
  It rather just leaves me scratching my head, and thinking that if I
  want feedback or reaction, this isn't the place for me.  Some may
 find
  this sort of exercise very valuable, but I don't.
  
  I mean, hey, no hard feelings.  Pentax can run this thing any way
 they
  want;  it's their contest.  However, if this is the way they choose
 to
  run it, my choice is to not participate.
  
  cheers,
  frank
  
  
  
  -- 
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
  
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Re: Pentax Gallery Resignation

2007-09-27 Thread Cotty
On 27/09/07, Mark Roberts, discombobulated, unleashed:

Personally, I quite like the Pentax Gallery kind of contest because, 
unlike other contests, I get to aim repeatedly at the same target 
(acceptance into the Gallery, in this case). I may not agree with their 
choices, but teaching myself (or trying to teach myself!) to achieve 
what they're after makes me push myself as a photographer. 

I find that creating works that please someone else is a lot more 
demanding, tiring, frustrating and annoying than creating things that 
please just myself. But that's not necessarily a bad thing.

Points taken!

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Re: Pentax Gallery Resignation

2007-09-27 Thread Cotty
On 27/09/07, frank theriault, discombobulated, unleashed:

I think my problem with the Pentax Gallery is that I don't know what
the standard is.  How can I aim for a target if I can't see it?

There's no explanation as to the criteria to get past the accepted
artists' voting:  How many votes are required to be accepted or
rejected?  What percentage of yes votes is required for acceptance?
 and even then, it states clearly that those that get past the first
screening can be rejected outright by the Pentax Panel.  We don't
know who those people are, and what they're looking for.

It's all very closed door, which to me makes it something of a
crap-shoot.  I'm not sure how submitting many photos and having them
all rejected makes me a better photographer.

It rather just leaves me scratching my head, and thinking that if I
want feedback or reaction, this isn't the place for me.  Some may find
this sort of exercise very valuable, but I don't.

I mean, hey, no hard feelings.  Pentax can run this thing any way they
want;  it's their contest.  However, if this is the way they choose to
run it, my choice is to not participate.

Hey Frank, let's start our own gallery pages :-

Avante-garde??? You ain't seen nothin yet baby!!

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Re: RE: Pentax Gallery Resignation

2007-09-27 Thread Mark Roberts
Bob W wrote:

  How can I aim for a target if I can't see it?

You must follow the Way Of The Blind Archer, grasshopper. The Blind
Archer does not see the target. He allows the target to see him, and
to guide the arrow into his heart, as the heron's beak enters the
stream. For are they not one, the archer, the target and the arrow?
Are they not avatars of each of us, and we of them? Your hand must not
know that it has released the bowstring, it must slip from you as
melting snow slips from the bamboo leaf. Then surely the bow, the
string, the arrow, the archer and the target are one. 

Hope that helps.

That's a funny reply and it's essentially correct. Any kind of artistic 
endeavor is just like real life: There's no definite target, no 
step-by-step instructions that will guarantee success.


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RE: Pentax Gallery Resignation

2007-09-27 Thread Jack Davis
Mercy that's deep.

Jack
--- Bob W [EMAIL PROTECTED] wrote:

   How can I aim for a target if I can't see it?
 
 You must follow the Way Of The Blind Archer, grasshopper. The Blind
 Archer does not see the target. He allows the target to see him, and
 to guide the arrow into his heart, as the heron's beak enters the
 stream. For are they not one, the archer, the target and the arrow?
 Are they not avatars of each of us, and we of them? Your hand must
 not
 know that it has released the bowstring, it must slip from you as
 melting snow slips from the bamboo leaf. Then surely the bow, the
 string, the arrow, the archer and the target are one. 
 
 Hope that helps.
 
 --
  Bob
  
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
  Behalf Of frank theriault
  Sent: 27 September 2007 21:29
  To: Pentax-Discuss Mail List
  Subject: Re: Pentax Gallery Resignation
  
  On 9/27/07, Mark Roberts [EMAIL PROTECTED] wrote:
  
   Question: how subjective is this standard?
  
   Same as all competitions: Very.
  
   Personally, I quite like the Pentax Gallery kind of contest
 because,
   unlike other contests, I get to aim repeatedly at the same target
   (acceptance into the Gallery, in this case). I may not 
  agree with their
   choices, but teaching myself (or trying to teach myself!) to
 achieve
   what they're after makes me push myself as a photographer.
  
   I find that creating works that please someone else is a lot more
   demanding, tiring, frustrating and annoying than creating 
  things that
   please just myself. But that's not necessarily a bad thing.
  
  I think my problem with the Pentax Gallery is that I don't know
 what
  the standard is.  How can I aim for a target if I can't see it?
  
  There's no explanation as to the criteria to get past the accepted
  artists' voting:  How many votes are required to be accepted or
  rejected?  What percentage of yes votes is required for
 acceptance?
   and even then, it states clearly that those that get past the
 first
  screening can be rejected outright by the Pentax Panel.  We don't
  know who those people are, and what they're looking for.
  
  It's all very closed door, which to me makes it something of a
  crap-shoot.  I'm not sure how submitting many photos and having
 them
  all rejected makes me a better photographer.
  
  It rather just leaves me scratching my head, and thinking that if I
  want feedback or reaction, this isn't the place for me.  Some may
 find
  this sort of exercise very valuable, but I don't.
  
  I mean, hey, no hard feelings.  Pentax can run this thing any way
 they
  want;  it's their contest.  However, if this is the way they choose
 to
  run it, my choice is to not participate.
  
  cheers,
  frank
  
  
  
  -- 
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
  
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Re: Pentax Gallery Resignation

2007-09-27 Thread Kenneth Waller
Subjective is one thing.  Variably subjective is irritating at best.

Every photo contest I've ever entered had variable subjectivity IMO

Kenneth Waller
http://tinyurl.com/272u2f

- Original Message - 
From: Scott Loveless [EMAIL PROTECTED]
Subject: Re: Pentax Gallery Resignation


 frank theriault wrote:
 I think my problem with the Pentax Gallery is that I don't know what
 the standard is.  How can I aim for a target if I can't see it?

 And it's a moving target, to boot.  You never know who may be voting on
 your photo at any given time.  Subjective is one thing.  Variably
 subjective is irritating at best.

 -- 
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 http://www.twosixteen.com/fivetoedsloth/

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Re: Pentax Gallery Resignation

2007-09-27 Thread Kenneth Waller
...after hearing of all the various problems others are having, I doubt if 
I'll bother to submit anything (and I *still* haven't written a bio).

I've got a fair number of images accepted into the Gallery  several into 
the Premiere Gallery.
I've handed out my Pentax gallery address to a lot of people  the response 
I get back from most of them is that are really impressed with the overall 
manner in which the images are presented.

I couldn't have done that kind of presentation without having my own web 
site with its attending costs  maintenance.

And yes, I'm getting more rejections now than early on.
I can also say that I see a lot of images up for voting now that I would 
never think of submitting.  The images I saw posted in the gallery in the 
beginning are much better than what I see in the voting section now.

my $.02 worth.

Kenneth Waller
http://tinyurl.com/272u2f


- Original Message - 
From: John Francis [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Thursday, September 27, 2007 6:09 PM
Subject: Re: Pentax Gallery Resignation




 Gee thanks.  Now how do I get this arrow out of my butt?

 Ob.Trivia - did you know that archery targets are called 'butts'?
Do you know why?


 As far as the Pentax Gallery goes - I didn't submit originally
 for a couple of reasons; my first attempt didn't work (because
 I was trying to submit a scanned image, and there was a bug in
 their validation code), and I never got round to writing a bio.

 Now, after hearing of all the various problems others are having,
 I doubt if I'll bother to submit anything (and I *still* haven't
 written a bio).


 On Thu, Sep 27, 2007 at 10:07:05PM +0100, Bob W wrote:
   How can I aim for a target if I can't see it?

 You must follow the Way Of The Blind Archer, grasshopper. The Blind
 Archer does not see the target. He allows the target to see him, and
 to guide the arrow into his heart, as the heron's beak enters the
 stream. For are they not one, the archer, the target and the arrow?
 Are they not avatars of each of us, and we of them? Your hand must not
 know that it has released the bowstring, it must slip from you as
 melting snow slips from the bamboo leaf. Then surely the bow, the
 string, the arrow, the archer and the target are one.

 Hope that helps.

 --
  Bob


  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
  Behalf Of frank theriault
  Sent: 27 September 2007 21:29
  To: Pentax-Discuss Mail List
  Subject: Re: Pentax Gallery Resignation
 
  On 9/27/07, Mark Roberts [EMAIL PROTECTED] wrote:
 
   Question: how subjective is this standard?
  
   Same as all competitions: Very.
  
   Personally, I quite like the Pentax Gallery kind of contest
 because,
   unlike other contests, I get to aim repeatedly at the same target
   (acceptance into the Gallery, in this case). I may not
  agree with their
   choices, but teaching myself (or trying to teach myself!) to
 achieve
   what they're after makes me push myself as a photographer.
  
   I find that creating works that please someone else is a lot more
   demanding, tiring, frustrating and annoying than creating
  things that
   please just myself. But that's not necessarily a bad thing.
 
  I think my problem with the Pentax Gallery is that I don't know what
  the standard is.  How can I aim for a target if I can't see it?
 
  There's no explanation as to the criteria to get past the accepted
  artists' voting:  How many votes are required to be accepted or
  rejected?  What percentage of yes votes is required for
 acceptance?
   and even then, it states clearly that those that get past the first
  screening can be rejected outright by the Pentax Panel.  We don't
  know who those people are, and what they're looking for.
 
  It's all very closed door, which to me makes it something of a
  crap-shoot.  I'm not sure how submitting many photos and having them
  all rejected makes me a better photographer.
 
  It rather just leaves me scratching my head, and thinking that if I
  want feedback or reaction, this isn't the place for me.  Some may
 find
  this sort of exercise very valuable, but I don't.
 
  I mean, hey, no hard feelings.  Pentax can run this thing any way
 they
  want;  it's their contest.  However, if this is the way they choose
 to
  run it, my choice is to not participate.
 
  cheers,
  frank
 
 
 
  -- 
  Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
From: Kenneth Waller [EMAIL PROTECTED]
I've got a fair number of images accepted into the Gallery  several into
the Premiere Gallery.
I've handed out my Pentax gallery address to a lot of people  the response
I get back from most of them is that are really impressed with the overall
manner in which the images are presented.

It's not bad, but most people love my photos when I show to them. Yippee! 
:-)  However, I'm pretty sure I could show them my rejects or images I don't 
like and they'd love them just as much.  Most non-serious photographers are 
not looking at an image or a site with a critical eye.

Overall I find people to be too easily impressed.


I couldn't have done that kind of presentat

ion without having my own web
site with its attending costs  maintenance.

And yes, I'm getting more rejections now than early on.
I can also say that I see a lot of images up for voting now that I would
never think of submitting.  The images I saw posted in the gallery in the
beginning are much better than what I see in the voting section now.


That's what I'd expect.

Tom C.



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Re: Pentax Gallery Resignation

2007-09-27 Thread David Savage
On 9/28/07, frank theriault [EMAIL PROTECTED] wrote:
 crap-shoot.

Going off topic.

This phrase always brings to mind Mambo t-shirts  the artwork of Reg Mombassa.

Carry on.

Cheers,

Dave (I don't think non-Aussies will get the connection)

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Re: Pentax Gallery Resignation

2007-09-27 Thread Jack Davis
..especially kind people.

Jack
--- Tom C [EMAIL PROTECTED] wrote:

 From: Kenneth Waller [EMAIL PROTECTED]
 I've got a fair number of images accepted into the Gallery  several
 into
 the Premiere Gallery.
 I've handed out my Pentax gallery address to a lot of people  the
 response
 I get back from most of them is that are really impressed with the
 overall
 manner in which the images are presented.
 
 It's not bad, but most people love my photos when I show to them.
 Yippee! 
 :-)  However, I'm pretty sure I could show them my rejects or images
 I don't 
 like and they'd love them just as much.  Most non-serious
 photographers are 
 not looking at an image or a site with a critical eye.
 
 Overall I find people to be too easily impressed.
 
 
 I couldn't have done that kind of presentat
 
 ion without having my own web
 site with its attending costs  maintenance.
 
 And yes, I'm getting more rejections now than early on.
 I can also say that I see a lot of images up for voting now that I
 would
 never think of submitting.  The images I saw posted in the gallery
 in the
 beginning are much better than what I see in the voting section now.
 
 
 That's what I'd expect.
 
 Tom C.
 
 
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread Brian Walters

I agree with Mark on this.

For all of its faults, the Pentax Gallery has given my photography a bit more 
focus (pun not intended).  I'm not necessarily taking photos specifically aimed 
at being accepted (because most aren't) but I find I'm taking more care about 
composition and lighting and looking for other possibilities in a subject that 
I may have not noticed previously.  

And I'm a bit more enthusiastic about my photography - and that has to be a 
good thing...



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/


Quoting Mark Roberts [EMAIL PROTECTED]:

 Personally, I quite like the Pentax Gallery kind of contest
 because, 
 unlike other contests, I get to aim repeatedly at the same target 
 (acceptance into the Gallery, in this case). I may not agree with
 their 
 choices, but teaching myself (or trying to teach myself!) to
 achieve 
 what they're after makes me push myself as a photographer. 


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Re: Pentax Gallery Resignation

2007-09-27 Thread Tom C
... especially kind people.

Point taken and agreed.  That's one of the problems I constantly battle 
against.  I like kind people.

:-)

1.  I don't want to think my images are good just because I pressed the 
shutter or because I may have a personal attachment to the subject.
2.  On the other hand, just because a preponderance of people seeing the 
image say they like it, does not make it a good or successful image.  Those 
people could be responding that way because they really like me, or they 
could be reacting that way because they like the subject matter.  There's a 
fair chance that most people viewing the image couldn't really tell you why 
they like.
3. Or, I may have a good image that just doesn't strike a chord with most 
people.

That's why I've ranted a little bit in the past on this.  Not every image 
displayed is worthy of praise, yet it seems almost invariably the image is 
praised... maybe it's kindness, maybe as a mistaken way of encouraging the 
photographer to keep trying, I don't know.

Could be I'm overanalyzing. :-)


Tom C.


From: Jack Davis [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Pentax Gallery Resignation
Date: Thu, 27 Sep 2007 20:02:43 -0700 (PDT)

..especially kind people.

Jack
--- Tom C [EMAIL PROTECTED] wrote:

  From: Kenneth Waller [EMAIL PROTECTED]
  I've got a fair number of images accepted into the Gallery  several
  into
  the Premiere Gallery.
  I've handed out my Pentax gallery address to a lot of people  the
  response
  I get back from most of them is that are really impressed with the
  overall
  manner in which the images are presented.
 
  It's not bad, but most people love my photos when I show to them.
  Yippee!
  :-)  However, I'm pretty sure I could show them my rejects or images
  I don't
  like and they'd love them just as much.  Most non-serious
  photographers are
  not looking at an image or a site with a critical eye.
 
  Overall I find people to be too easily impressed.
 
  
  I couldn't have done that kind of presentat
 
  ion without having my own web
  site with its attending costs  maintenance.
  
  And yes, I'm getting more rejections now than early on.
  I can also say that I see a lot of images up for voting now that I
  would
  never think of submitting.  The images I saw posted in the gallery
  in the
  beginning are much better than what I see in the voting section now.
  
 
  That's what I'd expect.
 
  Tom C.
 
 
 
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Re: Pentax Gallery Resignation

2007-09-27 Thread Doug Franklin
Tom C wrote:

 1.  I don't want to think my images are good just because I pressed the 
 shutter or because I may have a personal attachment to the subject.
 2.  On the other hand, just because a preponderance of people seeing the 
 image say they like it, does not make it a good or successful image.  Those 
 people could be responding that way because they really like me, or they 
 could be reacting that way because they like the subject matter.  There's a 
 fair chance that most people viewing the image couldn't really tell you why 
 they like.
 3. Or, I may have a good image that just doesn't strike a chord with most 
 people.

If you're talking about image displayed on the PDML, I'd guess that at
least some of it is the self selection effect.  Basically, people who
think well of the image are far more likely to post about it.

-- 
Thanks,
DougF (KG4LMZ)

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Re: Pentax Gallery Resignation

2007-09-27 Thread Kenneth Waller
 It's not bad, but most people love my photos when I show to them. Yippee!
 :-)

My point is a lot more people are getting to see my images because of the 
gallery.

Kenneth Waller
http://tinyurl.com/272u2f

- Original Message - 
From: Tom C [EMAIL PROTECTED]
Subject: Re: Pentax Gallery Resignation


 From: Kenneth Waller [EMAIL PROTECTED]
I've got a fair number of images accepted into the Gallery  several into
the Premiere Gallery.
I've handed out my Pentax gallery address to a lot of people  the 
response
I get back from most of them is that are really impressed with the overall
manner in which the images are presented.

 It's not bad, but most people love my photos when I show to them. Yippee!
 :-)  However, I'm pretty sure I could show them my rejects or images I 
 don't
 like and they'd love them just as much.  Most non-serious photographers 
 are
 not looking at an image or a site with a critical eye.

 Overall I find people to be too easily impressed.


I couldn't have done that kind of presentat

 ion without having my own web
site with its attending costs  maintenance.

And yes, I'm getting more rejections now than early on.
I can also say that I see a lot of images up for voting now that I would
never think of submitting.  The images I saw posted in the gallery in the
beginning are much better than what I see in the voting section now.


 That's what I'd expect.

 Tom C.



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Re: Pentax Gallery Resignation

2007-09-27 Thread Scott Loveless
William Robb wrote:
 
 I find people too reluctant to label crap as what it is.
 
 William Robb
 
Good to have you back, Bill.  :)

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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Doug Franklin
Subject: Re: Pentax Gallery Resignation



 If you're talking about image displayed on the PDML, I'd guess that at
 least some of it is the self selection effect.  Basically, people who
 think well of the image are far more likely to post about it.


There have been occassions when a dissenting opinion has triggered an 
outpouring of loathing and abuse at the transgressor, also. There are or 
have been people on this list who are/were at least passingly familiar with 
judging pictures who rarely comment(ed) on photos for this reason.

William Robb 


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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: frank theriault
Subject: Re: Pentax Gallery Resignation




 I think my problem with the Pentax Gallery is that I don't know what
 the standard is.  How can I aim for a target if I can't see it?


You can see what has been accepted can't you? The standard is there to be 
seen, but you need to learn how, and then be willing to judge your own 
pictures against those of others.

William Robb 


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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Jack Davis
Subject: Re: Pentax Gallery Resignation


 Actually, I consider I'm just vying for a favorable subjective opinion
 from da 'judge'.

You may get a favourable enough opinion, and still not win the 
competition, in that if your picture didn't (doesn't) get published in the 
gallery, and some else's does, then subjectively speaking, the other picture 
was considered to be the better picture, given the often rather vague 
subjective criteria that is applied to artistic merit.

Shit, I just used the A word.

Sorry.

William Robb
 


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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: [EMAIL PROTECTED]

Subject: Re: Pentax Gallery Resignation


 It's a personal competition, but you're not competing against others. For
 the accepted image count to be a score, everyone would have to make the
 same number of submissions. I recall one PDML member saying he was
 submitting between five and ten shots every day. That obviously will skew
 the curve. Which is fine, but that's why it's not a mine vs. yours
 competition. At least that's what I think. And in the end, none of it
 matters a hoot:-).

Bullshit, it just proves some are more equal than others, no matter what the
old adage says. Some may consider it very important.
As an example, I don't have breeding rights on Jester, so I have nothing to
gain by his getting his championship other than bragging rights that I own a
peer recognized dog and a warm feeling someplace other than my pants, but I
still intend to show him to championship
A breeder may have several dogs in a show, this doesn't change that it is a 
competition.
Really, does the gallery differ in principle from this?

William Robb



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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Bob W 
Subject: RE: Pentax Gallery Resignation


  How can I aim for a target if I can't see it?
 
 You must follow the Way Of The Blind Archer, grasshopper. The Blind
 Archer does not see the target. He allows the target to see him, and
 to guide the arrow into his heart, as the heron's beak enters the
 stream. For are they not one, the archer, the target and the arrow?
 Are they not avatars of each of us, and we of them? Your hand must not
 know that it has released the bowstring, it must slip from you as
 melting snow slips from the bamboo leaf. Then surely the bow, the
 string, the arrow, the archer and the target are one. 

Bob, that was beautiful.

William Robb

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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Tom C 
Subject: Re: Pentax Gallery Resignation



 
 Overall I find people to be too easily impressed.

I find people too reluctant to label crap as what it is.

William Robb

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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Jack Davis 
Subject: Re: Pentax Gallery Resignation


 Well, Robb, I'm not surprised that it's being viewed as a competition.
 If one chooses to consider the accepted image count as a 'score'
 against which one is competing, then it's a competition. Your choice.

I think we are on the same side of the fence on this one, Davis.

William Robb

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Re: Pentax Gallery Resignation

2007-09-27 Thread William Robb

- Original Message - 
From: Cotty
Subject: Re: Pentax Gallery Resignation


 On 27/09/07, William Robb, discombobulated, unleashed:

Just because you aren't competing with another person, doesn't mean you
aren't competing, it just means that the rules of the competition are such
that you are competing against a standard.

 Question: how subjective is this standard?

I've judged a few contests. They are pretty damned subjective.
You wanna see really subjective judging, start hanging out at dog shows.

William Robb


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RE: Pentax Gallery Resignation

2007-09-26 Thread Tom C
At the risk of sounding insensitive... you can't resign from an entity you 
were not a part of.

I hope this cheers you up and provides added incentive to continue. ;-)


Tom C.

From: frank theriault [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List PDML@pdml.net
Subject: Pentax Gallery Resignation
Date: Wed, 26 Sep 2007 12:54:15 -0400

Copy of e-mail recently sent to The Pentax Gallery:

Sirs/Mesdames,

I may be an accepted artist of the PENTAX Photo Gallery, however, my
first 12 photos have been rejected.  As of the date of this e-mail,
there are three pending.

It is obvious that somewhere along the selection process, someone or
some group feels that my photos are not up to the Pentax Photo Gallery
standards.

Accordingly, I will be deleting the three photos still pending.
Please feel free remove me from your list of accepted artists.

Thank you for the opportunity to submit my photos.

regards,
frank theriault

cheers,
frank

--
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: Pentax Gallery Resignation

2007-09-26 Thread P. J. Alling
Frank they simply don't understand you the way we do.

frank theriault wrote:
 Copy of e-mail recently sent to The Pentax Gallery:

 Sirs/Mesdames,

 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.

 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.

 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.

 Thank you for the opportunity to submit my photos.

 regards,
 frank theriault

 cheers,
 frank

   


-- 
Remember, it’s pillage then burn.


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Re: Pentax Gallery Resignation

2007-09-26 Thread pnstenquist
A couple things are working against you here, and neither reflects in a 
negative way on your photography. One: You waited too long. Based on 
observation, I'd say the gallery is getting a lot of submissions now and 
accepting very few. BW street shots seem to be a small minority of the accepted 
submissions. Take it with a grain of salt. You're an excellent photographer.
Paul
 -- Original message --
From: frank theriault [EMAIL PROTECTED]
 Copy of e-mail recently sent to The Pentax Gallery:
 
 Sirs/Mesdames,
 
 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.
 
 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.
 
 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.
 
 Thank you for the opportunity to submit my photos.
 
 regards,
 frank theriault
 
 cheers,
 frank
 
 -- 
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson
 
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Re: Pentax Gallery Resignation

2007-09-26 Thread frank theriault
On 9/26/07, Tom C [EMAIL PROTECTED] wrote:
 At the risk of sounding insensitive... you can't resign from an entity you
 were not a part of.

 I hope this cheers you up and provides added incentive to continue. ;-)

Actually, I was a part of it in some manner.

I could vote on photos, and in fact I was exhorted to do so.  It's
from that exhortation that I was told that I was an accepted artist
of the PENTAX Photo Gallery.  On that basis (so they told me) I could
vote.

In fact, it was when I read that line I decided to resign.  It seems
rather paradoxical to call me an accepted artist and then reject
every piece of work I submit.  Perhaps they should have waited until
one of my submissions was accepted before calling me an accepted
artist.

BTW, I'm not in need of cheering up.  I find this whole thing amusing.
 If by continue you mean continuing submission of photos to The
Gallery, that seems rather futile.  I'm fine with how things are
going photographically these days, so I'll continue shooting, with or
without The PENTAX Photo Gallery.

;-)

-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: Pentax Gallery Resignation

2007-09-26 Thread Boris Liberman
Frank, here is what I think:

1. You're an excellent photographer. You really are.
2. You were somewhat late jumping on the Pentax photo gallery train. I 
for one realize that with the grand amount of submitted photographs my 
chances to have my work accepted are very small. I was lucky enough to 
submit some of my photos when there were only few photographs and 
photographers in the gallery. And some of my work got accepted.

Having said that, I think you should really not dwell much in this 
specific project. I realize it would be cool to be on display on Pentax 
Gallery, but if you're not there it *really* does not make you any less 
a photographer than you actually are.

Cheer up!

Boris


frank theriault wrote:
 Copy of e-mail recently sent to The Pentax Gallery:
 
 Sirs/Mesdames,
 
 I may be an accepted artist of the PENTAX Photo Gallery, however, my
 first 12 photos have been rejected.  As of the date of this e-mail,
 there are three pending.
 
 It is obvious that somewhere along the selection process, someone or
 some group feels that my photos are not up to the Pentax Photo Gallery
 standards.
 
 Accordingly, I will be deleting the three photos still pending.
 Please feel free remove me from your list of accepted artists.
 
 Thank you for the opportunity to submit my photos.
 
 regards,
 frank theriault
 
 cheers,
 frank
 


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