Re: FS - 645 and lenses

2010-08-10 Thread Gasha


I own similar kit with 35/55/200 lens + 120/220 inserts.
So only 120 macro missing.

I would like to get only these 120 macro lens :)

Gasha

eckinator wrote:

2010/8/9 Godfrey DiGiorgi gdigio...@gmail.com:

Not sure why you don't want to deal with Ebay.

I offered my two lens Pentax 645 kit to KEH.com and they offered me a
total of $260 for everything. I put the same gear up for sale on Ebay
and netted $950 after expenses. $700 is worth a little bit of effort
IMO.


I very much agree. Of course you win and lose some but you can
influence that by letting your listing run out at the right time of
day of week and by offering a detailed and well illustrated
description and so on. I've so far never sold anything at a large loss
and almost everything went at a profit, once even huge - picked up a
Novoflex bellows and lens and slide duplicator/hood bellows to go on
front, all for Minolta/Sony AF and all for € 74,22 just because it was
a steal, listed it again and came out with € 396.71 so all other
losses I ever made in the bay were covered for... I'd love to take
that kit off your hands but have no way of paying for it at this time
and don't see myself in a position to own a 645D any time soon so I
tend to agree eBay is your best option.
Good luck selling
Ecke




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Re: FS - 645 and lenses

2010-08-09 Thread Godfrey DiGiorgi
On Sun, Aug 8, 2010 at 2:59 PM, Scott Loveless sdlovel...@gmail.com wrote:
 Thanks, guys.  I really don't want to sell it, but I kinda need the
 cash.  If it doesn't generate any interest within the next couple days
 it's going to KEH.  Or maybe eBay.  Probably KEH, because I just don't
 want to deal with eBay.

Not sure why you don't want to deal with Ebay.

I offered my two lens Pentax 645 kit to KEH.com and they offered me a
total of $260 for everything. I put the same gear up for sale on Ebay
and netted $950 after expenses. $700 is worth a little bit of effort
IMO.

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Re: FS - 645 and lenses

2010-08-09 Thread eckinator
2010/8/9 Godfrey DiGiorgi gdigio...@gmail.com:

 Not sure why you don't want to deal with Ebay.

 I offered my two lens Pentax 645 kit to KEH.com and they offered me a
 total of $260 for everything. I put the same gear up for sale on Ebay
 and netted $950 after expenses. $700 is worth a little bit of effort
 IMO.

I very much agree. Of course you win and lose some but you can
influence that by letting your listing run out at the right time of
day of week and by offering a detailed and well illustrated
description and so on. I've so far never sold anything at a large loss
and almost everything went at a profit, once even huge - picked up a
Novoflex bellows and lens and slide duplicator/hood bellows to go on
front, all for Minolta/Sony AF and all for € 74,22 just because it was
a steal, listed it again and came out with € 396.71 so all other
losses I ever made in the bay were covered for... I'd love to take
that kit off your hands but have no way of paying for it at this time
and don't see myself in a position to own a 645D any time soon so I
tend to agree eBay is your best option.
Good luck selling
Ecke

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Re: FS - 645 and lenses

2010-08-09 Thread Ann Sanfedele

eckinator wrote:


2010/8/9 Godfrey DiGiorgi gdigio...@gmail.com:
 


Not sure why you don't want to deal with Ebay.

I offered my two lens Pentax 645 kit to KEH.com and they offered me a
total of $260 for everything. I put the same gear up for sale on Ebay
and netted $950 after expenses. $700 is worth a little bit of effort
IMO.
   



I very much agree. Of course you win and lose some but you can
influence that by letting your listing run out at the right time of
day of week and by offering a detailed and well illustrated
description and so on. I've so far never sold anything at a large loss
and almost everything went at a profit, once even huge - picked up a
Novoflex bellows and lens and slide duplicator/hood bellows to go on
front, all for Minolta/Sony AF and all for € 74,22 just because it was
a steal, listed it again and came out with € 396.71 so all other
losses I ever made in the bay were covered for... I'd love to take
that kit off your hands but have no way of paying for it at this time
and don't see myself in a position to own a 645D any time soon so I
tend to agree eBay is your best option.
Good luck selling
Ecke

 

Despite the annoyances these days, I agree with the guys the work is 
ultimately worth it if you have something of real value.


Or craigs list if someone cash and carries...   but thats more of a 
hassle and you don't get feedback  points or so much protection

(not that you need it if someone comes and pays you cash)

ann




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Re: FS - 645 and lenses

2010-08-09 Thread David Parsons
Just be sure that you don't meet anyone alone handling that amount of
cash.  There have been a couple cases in the town next to mine where
several people were mugged for a couple hundred when they responded to
a TV for sale.

On Mon, Aug 9, 2010 at 1:43 PM, Ann Sanfedele ann...@nyc.rr.com wrote:
 eckinator wrote:

 2010/8/9 Godfrey DiGiorgi gdigio...@gmail.com:


 Not sure why you don't want to deal with Ebay.

 I offered my two lens Pentax 645 kit to KEH.com and they offered me a
 total of $260 for everything. I put the same gear up for sale on Ebay
 and netted $950 after expenses. $700 is worth a little bit of effort
 IMO.


 I very much agree. Of course you win and lose some but you can
 influence that by letting your listing run out at the right time of
 day of week and by offering a detailed and well illustrated
 description and so on. I've so far never sold anything at a large loss
 and almost everything went at a profit, once even huge - picked up a
 Novoflex bellows and lens and slide duplicator/hood bellows to go on
 front, all for Minolta/Sony AF and all for € 74,22 just because it was
 a steal, listed it again and came out with € 396.71 so all other
 losses I ever made in the bay were covered for... I'd love to take
 that kit off your hands but have no way of paying for it at this time
 and don't see myself in a position to own a 645D any time soon so I
 tend to agree eBay is your best option.
 Good luck selling
 Ecke



 Despite the annoyances these days, I agree with the guys the work is
 ultimately worth it if you have something of real value.

 Or craigs list if someone cash and carries...   but thats more of a hassle
 and you don't get feedback  points or so much protection
 (not that you need it if someone comes and pays you cash)

 ann




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Re: FS - 645 and lenses

2010-08-09 Thread eckinator
2010/8/9 David Parsons parsons.da...@gmail.com:

 Just be sure that you don't meet anyone alone handling that amount of
 cash.  There have been a couple cases in the town next to mine where
 several people were mugged for a couple hundred when they responded to
 a TV for sale.

Ouch. I guess PayPal is your friend even for pick-up sales. BTW does
anyone have any experience with Google Checkout?
Cheers
Ecke

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Re: FS - 645 and lenses

2010-08-08 Thread Steven Desjardins
Wow.  That's quite a deal with 4 lenses.

On Sat, Aug 7, 2010 at 4:00 PM, Scott Loveless sdlovel...@gmail.com wrote:
 Hi gang.  I need to sell my 645 kit.  Included are the manual focus
 body with front and rear caps, 120 and 220 film magazines with
 holders, A200/4, A120/4 Macro (best lens ever, IMHO), A45/2.8 with
 45-125 hood, A35/3.5 with case.  The A35 has the original front cap,
 the 200 and 120 have newer Pentax caps and the 45 has a generic cap.
 All four have original rear caps.  Also included are a #1 extension
 tube, an extra rear lens cap and one of those big D-shaped eyepieces.
 $600US plus shipping for all of it.

 Thanks!

 --
 Scott Loveless
 http://www.twosixteen.com/fivetoedsloth/
    __o
  _'\,_
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Re: FS - 645 and lenses

2010-08-08 Thread Godfrey DiGiorgi
I had the money, I'd buy the whole kit then hunt up a 645D body in a
heartbeat. That would be a splendid kit and would start a new line of
work.

On Sun, Aug 8, 2010 at 7:55 AM, Steven Desjardins drd1...@gmail.com wrote:
 Wow.  That's quite a deal with 4 lenses.

 On Sat, Aug 7, 2010 at 4:00 PM, Scott Loveless sdlovel...@gmail.com wrote:
 Hi gang.  I need to sell my 645 kit.  Included are the manual focus
 body with front and rear caps, 120 and 220 film magazines with
 holders, A200/4, A120/4 Macro (best lens ever, IMHO), A45/2.8 with
 45-125 hood, A35/3.5 with case.  The A35 has the original front cap,
 the 200 and 120 have newer Pentax caps and the 45 has a generic cap.
 All four have original rear caps.  Also included are a #1 extension
 tube, an extra rear lens cap and one of those big D-shaped eyepieces.
 $600US plus shipping for all of it.

 Thanks!

 --
 Scott Loveless
 http://www.twosixteen.com/fivetoedsloth/
    __o
  _'\,_
  (*)/  (*)

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Re: FS - 645 and lenses

2010-08-08 Thread Adam Maas
If I wasn't already invested in my Mamiya 645 stuff, I'd be digging up
cash right now. That's a steal for a kit that good. If you have any
interest in shooting MF, snap it up now.

-Adam

On Sun, Aug 8, 2010 at 11:01 AM, Godfrey DiGiorgi gdigio...@gmail.com wrote:
 I had the money, I'd buy the whole kit then hunt up a 645D body in a
 heartbeat. That would be a splendid kit and would start a new line of
 work.

 On Sun, Aug 8, 2010 at 7:55 AM, Steven Desjardins drd1...@gmail.com wrote:
 Wow.  That's quite a deal with 4 lenses.

 On Sat, Aug 7, 2010 at 4:00 PM, Scott Loveless sdlovel...@gmail.com wrote:
 Hi gang.  I need to sell my 645 kit.  Included are the manual focus
 body with front and rear caps, 120 and 220 film magazines with
 holders, A200/4, A120/4 Macro (best lens ever, IMHO), A45/2.8 with
 45-125 hood, A35/3.5 with case.  The A35 has the original front cap,
 the 200 and 120 have newer Pentax caps and the 45 has a generic cap.
 All four have original rear caps.  Also included are a #1 extension
 tube, an extra rear lens cap and one of those big D-shaped eyepieces.
 $600US plus shipping for all of it.

 Thanks!

 --
 Scott Loveless
 http://www.twosixteen.com/fivetoedsloth/
    __o
  _'\,_
  (*)/  (*)

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Re: FS - 645 and lenses

2010-08-08 Thread Doug Brewer
Yep. Wish I had the bucks to grab this.

Doug Brewer
dougbrewer.posterous.com

On Aug 8, 2010, at 10:55 AM, Steven Desjardins drd1...@gmail.com wrote:

 Wow.  That's quite a deal with 4 lenses.
 
 On Sat, Aug 7, 2010 at 4:00 PM, Scott Loveless sdlovel...@gmail.com wrote:
 Hi gang.  I need to sell my 645 kit.  Included are the manual focus
 body with front and rear caps, 120 and 220 film magazines with
 holders, A200/4, A120/4 Macro (best lens ever, IMHO), A45/2.8 with
 45-125 hood, A35/3.5 with case.  The A35 has the original front cap,
 the 200 and 120 have newer Pentax caps and the 45 has a generic cap.
 All four have original rear caps.  Also included are a #1 extension
 tube, an extra rear lens cap and one of those big D-shaped eyepieces.
 $600US plus shipping for all of it.
 
 Thanks!
 
 --
 Scott Loveless
 http://www.twosixteen.com/fivetoedsloth/
__o
  _'\,_
  (*)/  (*)
 
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Re: FS - 645 and lenses

2010-08-08 Thread Scott Loveless
Thanks, guys.  I really don't want to sell it, but I kinda need the
cash.  If it doesn't generate any interest within the next couple days
it's going to KEH.  Or maybe eBay.  Probably KEH, because I just don't
want to deal with eBay.

On 8/8/10, Doug Brewer d...@alphoto.com wrote:
 Yep. Wish I had the bucks to grab this.


  Doug Brewer
  dougbrewer.posterous.com


  On Aug 8, 2010, at 10:55 AM, Steven Desjardins drd1...@gmail.com wrote:

   Wow.  That's quite a deal with 4 lenses.
  
   On Sat, Aug 7, 2010 at 4:00 PM, Scott Loveless sdlovel...@gmail.com 
 wrote:
   Hi gang.  I need to sell my 645 kit.  Included are the manual focus
   body with front and rear caps, 120 and 220 film magazines with
   holders, A200/4, A120/4 Macro (best lens ever, IMHO), A45/2.8 with
   45-125 hood, A35/3.5 with case.  The A35 has the original front cap,
   the 200 and 120 have newer Pentax caps and the 45 has a generic cap.
   All four have original rear caps.  Also included are a #1 extension
   tube, an extra rear lens cap and one of those big D-shaped eyepieces.
   $600US plus shipping for all of it.
  
   Thanks!
  
   --
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   http://www.twosixteen.com/fivetoedsloth/
  __o
_'\,_
(*)/  (*)
  
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Re: PESO - 645 Seagulls

2009-12-17 Thread Boris Liberman
Brian, you evoked some rather grim associations also related to the 
WWII. So one may say, you've hit the bull's eye with this viewer...


Boris


On 12/10/2009 1:21 PM, Brian Walters wrote:

G'day all

Another one from my trip to Western Australia.

At Geraldton there is a memorial to the sailors who were lost off the WA
coast when the HMAS Sydney II was sunk in WW2.  It's a particularly
beautiful memorial and it's focal pint is a silver dome with 645 silver
seagulls - one for each sailor lost.

The memorial is even more significant now than in the past - the wreck
of the Sydney (and the Kormoran, the German raider that sank her) was
located in 2008, about 100 km off the coast at a depth of 2,468 metres.


http://www.blognow.com.au/PESO/186421/645_Seagulls.html



Cheers

Brian

++
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Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/



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Re: PESO - 645 Seagulls

2009-12-17 Thread eactivist


In a message dated 12/10/2009 3:21:38 A.M.  Pacific Standard Time, 
supera1...@fastmail.fm writes:
G'day  all

Another one from my trip to Western Australia.

At Geraldton  there is a memorial to the sailors who were lost off the WA
coast when the  HMAS Sydney II was sunk in WW2.  It's a particularly
beautiful memorial  and it's focal pint is a silver dome with 645 silver
seagulls - one for each  sailor lost.

The memorial is even more significant now than in the past -  the wreck
of the Sydney (and the Kormoran, the German raider that sank her)  was
located in 2008, about 100 km off the coast at a depth of 2,468  metres.


http://www.blognow.com.au/PESO/186421/645_Seagulls.html



Cheers

Brian

=
Very  cool shot.

Marnie aka Doe :-) Nice memorial  too.

-
We can't solve  problems by using the same kind of thinking we used when we 
created them. Albert  Einstein  


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Re: PESO - 645 Seagulls

2009-12-17 Thread Brian Walters
Hi Boris

On Thu, 17 Dec 2009 20:29 +0200, Boris Liberman bori...@gmail.com
wrote:
 Brian, you evoked some rather grim associations also related to the 
 WWII. So one may say, you've hit the bull's eye with this viewer...
 

Thanks - it was an unexpectedly emotional experience for my wife and me.
 We had an excellent guide to show up around and explain the
significance of the various parts of the memorial.

Finding the Sydney had become the 'holy grail' of marine archeology in
Australia.  I think most people had come to the conclusion that it would
remain lost forever so, when it was finally located, it received an
amazing amount of publicity.



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/

 Boris
 
 
 On 12/10/2009 1:21 PM, Brian Walters wrote:
  G'day all
 
  Another one from my trip to Western Australia.
 
  At Geraldton there is a memorial to the sailors who were lost off the WA
  coast when the HMAS Sydney II was sunk in WW2.  It's a particularly
  beautiful memorial and it's focal pint is a silver dome with 645 silver
  seagulls - one for each sailor lost.
 
  The memorial is even more significant now than in the past - the wreck
  of the Sydney (and the Kormoran, the German raider that sank her) was
  located in 2008, about 100 km off the coast at a depth of 2,468 metres.
 
 
  http://www.blognow.com.au/PESO/186421/645_Seagulls.html
 
 

-- 


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Re: PESO - 645 Seagulls

2009-12-13 Thread Brian Walters
Thanks, Rick.  Also Jack and Dave.

Comments appreciated.


Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/

On Thu, 10 Dec 2009 09:28 -0800, Rick Womer rwomer1...@yahoo.com
wrote:
 I like this.  The silhouetting works well, and you chose an angle that
 gives a sense of motion.
 
 Rick
 
 http://photo.net/photos/RickW
 
 
 --- On Thu, 12/10/09, Brian Walters supera1...@fastmail.fm wrote:
 
  From: Brian Walters supera1...@fastmail.fm
  Subject: PESO - 645 Seagulls
  To: Pentax-Discuss Mail List pdml@pdml.net
  Date: Thursday, December 10, 2009, 6:21 AM
  G'day all
  
  Another one from my trip to Western Australia.
  
  At Geraldton there is a memorial to the sailors who were
  lost off the WA
  coast when the HMAS Sydney II was sunk in WW2.  It's a
  particularly
  beautiful memorial and it's focal pint is a silver dome
  with 645 silver
  seagulls - one for each sailor lost.
  
  The memorial is even more significant now than in the past
  - the wreck
  of the Sydney (and the Kormoran, the German raider that
  sank her) was
  located in 2008, about 100 km off the coast at a depth of
  2,468 metres.
  
  
  http://www.blognow.com.au/PESO/186421/645_Seagulls.html
  
  
-- 


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Re: PESO - 645 Seagulls

2009-12-10 Thread Jack Davis
Impressive shot!

Jack

--- On Thu, 12/10/09, Brian Walters supera1...@fastmail.fm wrote:

 From: Brian Walters supera1...@fastmail.fm
 Subject: PESO - 645 Seagulls
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Thursday, December 10, 2009, 3:21 AM
 G'day all
 
 Another one from my trip to Western Australia.
 
 At Geraldton there is a memorial to the sailors who were
 lost off the WA
 coast when the HMAS Sydney II was sunk in WW2.  It's a
 particularly
 beautiful memorial and it's focal pint is a silver dome
 with 645 silver
 seagulls - one for each sailor lost.
 
 The memorial is even more significant now than in the past
 - the wreck
 of the Sydney (and the Kormoran, the German raider that
 sank her) was
 located in 2008, about 100 km off the coast at a depth of
 2,468 metres.
 
 
 http://www.blognow.com.au/PESO/186421/645_Seagulls.html
 
 
 
 Cheers
 
 Brian
 
 ++
 Brian Walters
 Western Sydney Australia
 http://members.westnet.com.au/brianwal/SL/
 -- 
 
 
 -- 
 http://www.fastmail.fm - mmm... Fastmail...
 
 
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Re: PESO - 645 Seagulls

2009-12-10 Thread David J Brooks
Very nice. The blue sky back ground works well here.

For a second i thought you might have been in Geraldton Ontario, but
the biggest boat in the local lake would fit in a truck bed:-)

Dave

On Thu, Dec 10, 2009 at 6:21 AM, Brian Walters supera1...@fastmail.fm wrote:
 G'day all

 Another one from my trip to Western Australia.

 At Geraldton there is a memorial to the sailors who were lost off the WA
 coast when the HMAS Sydney II was sunk in WW2.  It's a particularly
 beautiful memorial and it's focal pint is a silver dome with 645 silver
 seagulls - one for each sailor lost.

 The memorial is even more significant now than in the past - the wreck
 of the Sydney (and the Kormoran, the German raider that sank her) was
 located in 2008, about 100 km off the coast at a depth of 2,468 metres.


 http://www.blognow.com.au/PESO/186421/645_Seagulls.html



 Cheers

 Brian

 ++
 Brian Walters
 Western Sydney Australia
 http://members.westnet.com.au/brianwal/SL/
 --


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Re: PESO - 645 Seagulls

2009-12-10 Thread Rick Womer
I like this.  The silhouetting works well, and you chose an angle that gives a 
sense of motion.

Rick

http://photo.net/photos/RickW


--- On Thu, 12/10/09, Brian Walters supera1...@fastmail.fm wrote:

 From: Brian Walters supera1...@fastmail.fm
 Subject: PESO - 645 Seagulls
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Thursday, December 10, 2009, 6:21 AM
 G'day all
 
 Another one from my trip to Western Australia.
 
 At Geraldton there is a memorial to the sailors who were
 lost off the WA
 coast when the HMAS Sydney II was sunk in WW2.  It's a
 particularly
 beautiful memorial and it's focal pint is a silver dome
 with 645 silver
 seagulls - one for each sailor lost.
 
 The memorial is even more significant now than in the past
 - the wreck
 of the Sydney (and the Kormoran, the German raider that
 sank her) was
 located in 2008, about 100 km off the coast at a depth of
 2,468 metres.
 
 
 http://www.blognow.com.au/PESO/186421/645_Seagulls.html
 
 
 
 Cheers
 
 Brian
 
 ++
 Brian Walters
 Western Sydney Australia
 http://members.westnet.com.au/brianwal/SL/
 -- 
 
 
 -- 
 http://www.fastmail.fm - mmm... Fastmail...
 
 
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Re: PESO - 645 Seagulls

2009-12-10 Thread frank theriault
On Thu, Dec 10, 2009 at 6:21 AM, Brian Walters supera1...@fastmail.fm wrote:
 G'day all

 Another one from my trip to Western Australia.

 At Geraldton there is a memorial to the sailors who were lost off the WA
 coast when the HMAS Sydney II was sunk in WW2.  It's a particularly
 beautiful memorial and it's focal pint is a silver dome with 645 silver
 seagulls - one for each sailor lost.

 The memorial is even more significant now than in the past - the wreck
 of the Sydney (and the Kormoran, the German raider that sank her) was
 located in 2008, about 100 km off the coast at a depth of 2,468 metres.


 http://www.blognow.com.au/PESO/186421/645_Seagulls.html

And here I was thinking it was seagulls taken with a medium format camera...

Very interesting photo of what sounds like a moving memorial.

cheers,
frank

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Re: PENTAX 645 Digital at Photo Imaging Expo 2009 in Japan

2009-03-27 Thread William Robb


- Original Message - 
From: Roman Melihhov 
Subject: PENTAX 645 Digital at Photo Imaging Expo 2009 in Japan




http://www.pentax.jp/english/news/2009/200905.html
^^^ I' d seen many announcements recently but still waiting for my DA* 
60-250mm SDM to get in stock...


I have a feeling this is going to be a very long wait.

William Robb

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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread Mark Roberts
[EMAIL PROTECTED] wrote:
 http://www.dpreview.com/news/0807/08070901Hasselblad.asp
 
 Pentax 645D where are you? :D

The 645D was nailed to its perch but now it's pining for the fjords, 
so to speak.


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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread P. J. Alling
Apparently hiding under the bed...

On the other hand the formula Megapixels = Megapirce seems to hold here. 


[EMAIL PROTECTED] wrote:
 http://www.dpreview.com/news/0807/08070901Hasselblad.asp

 Pentax 645D where are you? :D

 .t


   


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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread Steve Desjardins
Yeah.  I think the $40K price tag leaves a bit of room for other models.
 (What is the emoticon for overwhelming sarcasm?)

 P. J. Alling [EMAIL PROTECTED] 7/10/2008 8:36 AM 
Apparently hiding under the bed...

On the other hand the formula Megapixels = Megapirce seems to hold
here. 


[EMAIL PROTECTED] wrote:
 http://www.dpreview.com/news/0807/08070901Hasselblad.asp 

 Pentax 645D where are you? :D

 .t


   


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You get further with a kind word and a gun, than with a kind word
alone.
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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread P. J. Alling
Don't know, but I suppose it would help if I could spell price...

Steve Desjardins wrote:
 Yeah.  I think the $40K price tag leaves a bit of room for other models.
  (What is the emoticon for overwhelming sarcasm?)

   
 P. J. Alling [EMAIL PROTECTED] 7/10/2008 8:36 AM 
 
 Apparently hiding under the bed...

 On the other hand the formula Megapixels = Megapirce seems to hold
 here. 


 [EMAIL PROTECTED] wrote:
   
 http://www.dpreview.com/news/0807/08070901Hasselblad.asp 

 Pentax 645D where are you? :D

 .t


   
 


   


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You get further with a kind word and a gun, than with a kind word alone.
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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread Adam Maas
Remember, they sell a couple dozen of these a month. Small production
runs means huge prices.

-Adam

On Thu, Jul 10, 2008 at 9:14 AM, Steve Desjardins [EMAIL PROTECTED] wrote:
 Yeah.  I think the $40K price tag leaves a bit of room for other models.
  (What is the emoticon for overwhelming sarcasm?)

 P. J. Alling [EMAIL PROTECTED] 7/10/2008 8:36 AM 
 Apparently hiding under the bed...

 On the other hand the formula Megapixels = Megapirce seems to hold
 here.


 [EMAIL PROTECTED] wrote:
 http://www.dpreview.com/news/0807/08070901Hasselblad.asp

 Pentax 645D where are you? :D

 .t





 --
 You get further with a kind word and a gun, than with a kind word
 alone.
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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread P. J. Alling
It seems on a per photo basis, (even a good size commercial operation), 
would never amortize one of these over their useful lifetime.  For most 
studios on a cost per shot basis it's would be less expensive using 
film.  (Ok, so that's not even back of the envelope calculations but 
that's what my gut tells me). 

Adam Maas wrote:
 Remember, they sell a couple dozen of these a month. Small production
 runs means huge prices.

 -Adam

 On Thu, Jul 10, 2008 at 9:14 AM, Steve Desjardins [EMAIL PROTECTED] wrote:
   
 Yeah.  I think the $40K price tag leaves a bit of room for other models.
  (What is the emoticon for overwhelming sarcasm?)

 
 P. J. Alling [EMAIL PROTECTED] 7/10/2008 8:36 AM 
   
 Apparently hiding under the bed...

 On the other hand the formula Megapixels = Megapirce seems to hold
 here.


 [EMAIL PROTECTED] wrote:
 
 http://www.dpreview.com/news/0807/08070901Hasselblad.asp

 Pentax 645D where are you? :D

 .t



   
 --
 You get further with a kind word and a gun, than with a kind word
 alone.
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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread Fernando
I suppose they rent it, right?

On 7/10/08, P. J. Alling [EMAIL PROTECTED] wrote:
 It seems on a per photo basis, (even a good size commercial operation),
 would never amortize one of these over their useful lifetime.  For most
 studios on a cost per shot basis it's would be less expensive using
 film.  (Ok, so that's not even back of the envelope calculations but
 that's what my gut tells me).

 Adam Maas wrote:
  Remember, they sell a couple dozen of these a month. Small production
  runs means huge prices.
 
  -Adam
 
  On Thu, Jul 10, 2008 at 9:14 AM, Steve Desjardins [EMAIL PROTECTED] wrote:
 
  Yeah.  I think the $40K price tag leaves a bit of room for other models.
   (What is the emoticon for overwhelming sarcasm?)
 
 
  P. J. Alling [EMAIL PROTECTED] 7/10/2008 8:36 AM 
 
  Apparently hiding under the bed...
 
  On the other hand the formula Megapixels = Megapirce seems to hold
  here.
 
 
  [EMAIL PROTECTED] wrote:
 
  http://www.dpreview.com/news/0807/08070901Hasselblad.asp
 
  Pentax 645D where are you? :D
 
  .t
 
 
 
 
  --
  You get further with a kind word and a gun, than with a kind word
  alone.
 --Al Capone.
 
 
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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread Adam Maas
Most do.

-Adam

On Thu, Jul 10, 2008 at 11:02 AM, Fernando [EMAIL PROTECTED] wrote:
 I suppose they rent it, right?

 On 7/10/08, P. J. Alling [EMAIL PROTECTED] wrote:
 It seems on a per photo basis, (even a good size commercial operation),
 would never amortize one of these over their useful lifetime.  For most
 studios on a cost per shot basis it's would be less expensive using
 film.  (Ok, so that's not even back of the envelope calculations but
 that's what my gut tells me).

 Adam Maas wrote:
  Remember, they sell a couple dozen of these a month. Small production
  runs means huge prices.
 
  -Adam
 
  On Thu, Jul 10, 2008 at 9:14 AM, Steve Desjardins [EMAIL PROTECTED] 
  wrote:
 
  Yeah.  I think the $40K price tag leaves a bit of room for other models.
   (What is the emoticon for overwhelming sarcasm?)
 
 
  P. J. Alling [EMAIL PROTECTED] 7/10/2008 8:36 AM 
 
  Apparently hiding under the bed...
 
  On the other hand the formula Megapixels = Megapirce seems to hold
  here.
 
 
  [EMAIL PROTECTED] wrote:
 
  http://www.dpreview.com/news/0807/08070901Hasselblad.asp
 
  Pentax 645D where are you? :D
 
  .t
 
 
 
 
  --
  You get further with a kind word and a gun, than with a kind word
  alone.
 --Al Capone.
 
 
  --
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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread P. J. Alling
If you rent it sometimes you don't have it when you need it.  But that's 
a possibility.

Fernando wrote:
 I suppose they rent it, right?

 On 7/10/08, P. J. Alling [EMAIL PROTECTED] wrote:
   
 It seems on a per photo basis, (even a good size commercial operation),
 would never amortize one of these over their useful lifetime.  For most
 studios on a cost per shot basis it's would be less expensive using
 film.  (Ok, so that's not even back of the envelope calculations but
 that's what my gut tells me).

 Adam Maas wrote:
 
 Remember, they sell a couple dozen of these a month. Small production
 runs means huge prices.

 -Adam

 On Thu, Jul 10, 2008 at 9:14 AM, Steve Desjardins [EMAIL PROTECTED] wrote:

   
 Yeah.  I think the $40K price tag leaves a bit of room for other models.
  (What is the emoticon for overwhelming sarcasm?)


 
 P. J. Alling [EMAIL PROTECTED] 7/10/2008 8:36 AM 

   
 Apparently hiding under the bed...

 On the other hand the formula Megapixels = Megapirce seems to hold
 here.


 [EMAIL PROTECTED] wrote:

 
 http://www.dpreview.com/news/0807/08070901Hasselblad.asp

 Pentax 645D where are you? :D

 .t




   
 --
 You get further with a kind word and a gun, than with a kind word
 alone.
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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread pnstenquist
High-end commercial shooters can justify 40K for a camera. Some of the best 
gross that much in a couple days of shooting. And Hassy doesn't expect high 
volume, so that market alone probably absorbs much of their production. Then 
there are the ridiculously rich hobbyists who have to have the latest and 
greatest and for whom money is no object.
 -- Original message --
From: P. J. Alling [EMAIL PROTECTED]
 If you rent it sometimes you don't have it when you need it.  But that's 
 a possibility.
 
 Fernando wrote:
  I suppose they rent it, right?
 
  On 7/10/08, P. J. Alling [EMAIL PROTECTED] wrote:

  It seems on a per photo basis, (even a good size commercial operation),
  would never amortize one of these over their useful lifetime.  For most
  studios on a cost per shot basis it's would be less expensive using
  film.  (Ok, so that's not even back of the envelope calculations but
  that's what my gut tells me).
 
  Adam Maas wrote:
  
  Remember, they sell a couple dozen of these a month. Small production
  runs means huge prices.
 
  -Adam
 
  On Thu, Jul 10, 2008 at 9:14 AM, Steve Desjardins [EMAIL PROTECTED] 
 wrote:
 

  Yeah.  I think the $40K price tag leaves a bit of room for other models.
   (What is the emoticon for overwhelming sarcasm?)
 
 
  
  P. J. Alling [EMAIL PROTECTED] 7/10/2008 8:36 AM 
 

  Apparently hiding under the bed...
 
  On the other hand the formula Megapixels = Megapirce seems to hold
  here.
 
 
  [EMAIL PROTECTED] wrote:
 
  
  http://www.dpreview.com/news/0807/08070901Hasselblad.asp
 
  Pentax 645D where are you? :D
 
  .t
 
 
 
 

  --
  You get further with a kind word and a gun, than with a kind word
  alone.
 --Al Capone.
 
 
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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread P. J. Alling
What about Mid level commercial shooters, I guess they do with out.  
(I'm glad I'm out of that game, I couldn't survive).

[EMAIL PROTECTED] wrote:
 High-end commercial shooters can justify 40K for a camera. Some of the best 
 gross that much in a couple days of shooting. And Hassy doesn't expect high 
 volume, so that market alone probably absorbs much of their production. Then 
 there are the ridiculously rich hobbyists who have to have the latest and 
 greatest and for whom money is no object.
  -- Original message --
 From: P. J. Alling [EMAIL PROTECTED]
   
 If you rent it sometimes you don't have it when you need it.  But that's 
 a possibility.

 Fernando wrote:
 
 I suppose they rent it, right?

 On 7/10/08, P. J. Alling [EMAIL PROTECTED] wrote:
   
   
 It seems on a per photo basis, (even a good size commercial operation),
 would never amortize one of these over their useful lifetime.  For most
 studios on a cost per shot basis it's would be less expensive using
 film.  (Ok, so that's not even back of the envelope calculations but
 that's what my gut tells me).

 Adam Maas wrote:
 
 
 Remember, they sell a couple dozen of these a month. Small production
 runs means huge prices.

 -Adam

 On Thu, Jul 10, 2008 at 9:14 AM, Steve Desjardins [EMAIL PROTECTED] 
   
 wrote:
 
   
   
 Yeah.  I think the $40K price tag leaves a bit of room for other models.
  (What is the emoticon for overwhelming sarcasm?)


 
 
 P. J. Alling [EMAIL PROTECTED] 7/10/2008 8:36 AM 

   
   
 Apparently hiding under the bed...

 On the other hand the formula Megapixels = Megapirce seems to hold
 here.


 [EMAIL PROTECTED] wrote:

 
 
 http://www.dpreview.com/news/0807/08070901Hasselblad.asp

 Pentax 645D where are you? :D

 .t




   
   
 --
 You get further with a kind word and a gun, than with a kind word
 alone.
--Al Capone.


 --
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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread Fernando
My guess: full frame and occassionally rent a MF digital, or an old
hassy and a phase one digital back (owned or rented)

On 7/10/08, P. J. Alling [EMAIL PROTECTED] wrote:
 What about Mid level commercial shooters, I guess they do with out.
 (I'm glad I'm out of that game, I couldn't survive).

 [EMAIL PROTECTED] wrote:
  High-end commercial shooters can justify 40K for a camera. Some of the best 
  gross that much in a couple days of shooting. And Hassy doesn't expect high 
  volume, so that market alone probably absorbs much of their production. 
  Then there are the ridiculously rich hobbyists who have to have the latest 
  and greatest and for whom money is no object.
   -- Original message --
  From: P. J. Alling [EMAIL PROTECTED]
 
  If you rent it sometimes you don't have it when you need it.  But that's
  a possibility.
 
  Fernando wrote:
 
  I suppose they rent it, right?
 
  On 7/10/08, P. J. Alling [EMAIL PROTECTED] wrote:
 
 
  It seems on a per photo basis, (even a good size commercial operation),
  would never amortize one of these over their useful lifetime.  For most
  studios on a cost per shot basis it's would be less expensive using
  film.  (Ok, so that's not even back of the envelope calculations but
  that's what my gut tells me).
 
  Adam Maas wrote:
 
 
  Remember, they sell a couple dozen of these a month. Small production
  runs means huge prices.
 
  -Adam
 
  On Thu, Jul 10, 2008 at 9:14 AM, Steve Desjardins [EMAIL PROTECTED]
 
  wrote:
 
 
 
  Yeah.  I think the $40K price tag leaves a bit of room for other 
  models.
   (What is the emoticon for overwhelming sarcasm?)
 
 
 
 
  P. J. Alling [EMAIL PROTECTED] 7/10/2008 8:36 AM 
 
 
 
  Apparently hiding under the bed...
 
  On the other hand the formula Megapixels = Megapirce seems to hold
  here.
 
 
  [EMAIL PROTECTED] wrote:
 
 
 
  http://www.dpreview.com/news/0807/08070901Hasselblad.asp
 
  Pentax 645D where are you? :D
 
  .t
 
 
 
 
 
 
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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread pnstenquist
Mid level commercial photographers do just fine with Canon and Nikon. And if 
they get a job that really justifies medium format digital, they can rent 
equipment. But a mid level shooter who works for $2000 a day or so generally 
doesn't get work that justifies MF expenditure. Some, of course, shoot MF or 
large format film at that level.
Paul
 -- Original message --
From: P. J. Alling [EMAIL PROTECTED]
 What about Mid level commercial shooters, I guess they do with out.  
 (I'm glad I'm out of that game, I couldn't survive).
 
 [EMAIL PROTECTED] wrote:
  High-end commercial shooters can justify 40K for a camera. Some of the best 
 gross that much in a couple days of shooting. And Hassy doesn't expect high 
 volume, so that market alone probably absorbs much of their production. Then 
 there are the ridiculously rich hobbyists who have to have the latest and 
 greatest and for whom money is no object.
   -- Original message --
  From: P. J. Alling [EMAIL PROTECTED]

  If you rent it sometimes you don't have it when you need it.  But that's 
  a possibility.
 
  Fernando wrote:
  
  I suppose they rent it, right?
 
  On 7/10/08, P. J. Alling [EMAIL PROTECTED] wrote:


  It seems on a per photo basis, (even a good size commercial operation),
  would never amortize one of these over their useful lifetime.  For most
  studios on a cost per shot basis it's would be less expensive using
  film.  (Ok, so that's not even back of the envelope calculations but
  that's what my gut tells me).
 
  Adam Maas wrote:
  
  
  Remember, they sell a couple dozen of these a month. Small production
  runs means huge prices.
 
  -Adam
 
  On Thu, Jul 10, 2008 at 9:14 AM, Steve Desjardins [EMAIL PROTECTED] 

  wrote:
  


  Yeah.  I think the $40K price tag leaves a bit of room for other 
  models.
   (What is the emoticon for overwhelming sarcasm?)
 
 
  
  
  P. J. Alling [EMAIL PROTECTED] 7/10/2008 8:36 AM 
 


  Apparently hiding under the bed...
 
  On the other hand the formula Megapixels = Megapirce seems to hold
  here.
 
 
  [EMAIL PROTECTED] wrote:
 
  
  
  http://www.dpreview.com/news/0807/08070901Hasselblad.asp
 
  Pentax 645D where are you? :D
 
  .t
 
 
 
 


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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread Mark Roberts
[EMAIL PROTECTED] wrote:
 Mid level commercial photographers do just fine with Canon and Nikon. And if 
 they get a job that really justifies medium format digital, they can rent 
 equipment. But a mid level shooter who works for $2000 a day or so generally 
 doesn't get work that justifies MF expenditure. Some, of course, shoot MF or 
 large format film at that level.

I'm assuming the Hassy is for the big-name commercial guys who have $25k 
day rates?


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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread pnstenquist
I would think so. But I bet that quite a few wealthy hobbyists buy them as well.
 -- Original message --
From: Mark Roberts [EMAIL PROTECTED]
 [EMAIL PROTECTED] wrote:
  Mid level commercial photographers do just fine with Canon and Nikon. And 
  if 
 they get a job that really justifies medium format digital, they can rent 
 equipment. But a mid level shooter who works for $2000 a day or so generally 
 doesn't get work that justifies MF expenditure. Some, of course, shoot MF or 
 large format film at that level.
 
 I'm assuming the Hassy is for the big-name commercial guys who have $25k 
 day rates?
 
 
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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread Kevin Waterson
This one time, at band camp, [EMAIL PROTECTED] wrote:

 I would think so. But I bet that quite a few wealthy hobbyists buy them as 
 well.

/de-lurk

I have been to several Hasselblad function where we get to test drive new
blads. My experience here in Sydney is that the most common users are
wedding photographers.

Their is a good showing of design/print houses and a few of the wealthy
hobbists, but I find mostly it is the crowd of wedding photogs who want,
or demand, the highest possible resolution.

Im not sure how or when, 35mm became a pro level camera for weddings,
but now that there is more glass available for the blads, many of wedding
photogs seem to moving back into MF.

Just my observations
Kevin

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Re: OT: 645 format 50 Mpix from Hassie

2008-07-10 Thread Mark Roberts
Kevin Waterson wrote:
 This one time, at band camp, [EMAIL PROTECTED] wrote:
 
 I would think so. But I bet that quite a few wealthy hobbyists buy them as 
 well.
 
 /de-lurk
 
 I have been to several Hasselblad function where we get to test drive new
 blads. My experience here in Sydney is that the most common users are
 wedding photographers.

If you're a wedding photographer who charges $5000-$10,000 (or more) per 
gig and whose clients are millionaires, you probably *need* a $40,000 
camera. Not for the image quality, necessarily, but as part of *your* 
image, with which you have to market yourself to that kind of customer.

Not a big deal for those guys - the camera will pay for itself fairly 
quickly and its depreciation written of as a business expense.

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Re: Pentax 645 system site???

2008-05-23 Thread Mark Roberts
Paul Stenquist wrote:
 The medium format discussion on photo.net has some 645 and 6x7  
 commentary.

Have a look at http://medfmt.8k.com/
It's by the guy who does the Third-Party Lens Megasite, with all the 
quirkiness of that site included. And it's still hosted on a free web 
hosting service, so it disappears and reappears at various intervals...

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Re: Pentax 645 system site???

2008-05-22 Thread Paul Stenquist
The medium format discussion on photo.net has some 645 and 6x7  
commentary.
Paul
On May 22, 2008, at 8:45 PM, Stan Halpin wrote:

 Scott - from an earlier discussion of this question...

 I thought I had some discussions of 645 lenses etc. stashed away but
 haven't found anything yet. If I find them I will forward to you to
 help you get started on your project...

 Begin forwarded message:

 Resent-From: [EMAIL PROTECTED]
 From: Pedro Oliveira [EMAIL PROTECTED]
 Date: December 17, 2005 3:25:17 PM CST
 To: [EMAIL PROTECTED]
 Subject: RE: Pentax 645 system site???
 Reply-To: [EMAIL PROTECTED]


 Another link: http://www.chrysis.net/photo/pentax/pentax645n.htm

 Take care.

 Pedro Oliveira

 -Mensagem original-
 De: Sylwester Pietrzyk [mailto:[EMAIL PROTECTED]
 Enviada: sábado, 17 de Dezembro de 2005 11:38
 Para: [EMAIL PROTECTED]
 Assunto: Re: Pentax 645 system site???

 On 2005-12-17, at 01:10, Pedro Oliveira wrote:

 The only site I found concerning the Pentax 645 is this one:

 http://www.kcat.zaq.ne.jp/p645/index.html

 The only problem is that it is...in Japanese. But you can find
 interesting information there.

 Hope it helps.

 Thanks! Seems to be the most complete 645 site so far :-) In links to
 other pages I found one site of Japanese photographer who regularly
 uses 645. Especially interesting is overview of his works during past
 5 years:
 http://babelfish.altavista.com/babelfish/trurl_pagecontent?
 lp=ja_entrurl=http%3a%2f%2fwww.takeuchitoshinobu.jp%2fhisory%
 2findex.htm
 In 2005 we find: The CANON calendar spreading/displaying LANDSCAPE
 ground for The CANON salon - isn't that ironic and fun? ;-)


 --
 Best regards
 Sylwek






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Re: Pentax 645 Digital

2008-01-06 Thread Adam Maas
At PMA 2006 it was a mockup, completely non-functional. PMA 2007 had a
working prototype, but it's not a priority since the Hoya merger and
when or if a production model will arrive is unknown.

-Adam

On 1/6/08, Timber [EMAIL PROTECTED] wrote:
 I just made some search and found out that 2006's PMA there was a Pentax
 645 Digital:
 http://www.pma-show.com/2006/digital_camera/pentax_review/010_pentax_645_digital_medium_format_camera.html

 Did this camera came to retail or it was only a prototype? Maybe this
 year's PMA we will get a newer version of this?

 Also there's a news item a year ago:
 http://www.engadget.com/2007/02/21/pentax-busts-out-hasselbladian-31-6-megapixel-645-digital/
 It says the P645D gets 31 Mpix sensor same as in Hasselblad H3D-31 O.o

 Anyone know anything about it?

 .t

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Re: Pentax 645 Digital

2008-01-06 Thread Brian Walters
The 645D was first mooted about 3-4 years ago.  It was apparently being 
actively developed for a while but it kept being deferred.  However, whenever 
it looks as if it has finally been canceled, it seems to pop up in rumors again.

I doubt we'll ever see it go to market.



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/



Quoting Timber [EMAIL PROTECTED]:

 I just made some search and found out that 2006's PMA there was a
 Pentax 
 645 Digital:
 http://www.pma-show.com/2006/digital_camera/pentax_review/010_pentax_645_digital_medium_format_camera.html
 
 Did this camera came to retail or it was only a prototype? Maybe
 this 
 year's PMA we will get a newer version of this?
 
 Also there's a news item a year ago:
 http://www.engadget.com/2007/02/21/pentax-busts-out-hasselbladian-31-6-megapixel-645-digital/
 It says the P645D gets 31 Mpix sensor same as in Hasselblad H3D-31
 O.o
 
 Anyone know anything about it?
 
 ..t


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Re: Pentax 645 Digital

2008-01-06 Thread P. J. Alling
IIRC it was reported as a working prototype.  There were rumors of 
it's demise after the Hoya takeover.  Some still hold out hope, I think 
it would be a marketing disaster.

Timber wrote:
 I just made some search and found out that 2006's PMA there was a Pentax 
 645 Digital:
 http://www.pma-show.com/2006/digital_camera/pentax_review/010_pentax_645_digital_medium_format_camera.html

 Did this camera came to retail or it was only a prototype? Maybe this 
 year's PMA we will get a newer version of this?

 Also there's a news item a year ago:
 http://www.engadget.com/2007/02/21/pentax-busts-out-hasselbladian-31-6-megapixel-645-digital/
 It says the P645D gets 31 Mpix sensor same as in Hasselblad H3D-31 O.o

 Anyone know anything about it?

 .t

   


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Re: Designation 645 on Lens EG SMC FA (645) 200 f4

2007-11-29 Thread Brian Walters
Hi Charles

Quoting Charles Wilson [EMAIL PROTECTED]:

 Can anyone tell me what the designation (645) means after a lens. 
 Will this 
 lens fit on my digital ist D.
 


Those lenses are designed for the Pentax 645 medium format system.

As far as I know they will fit the K mount cameras with an adapter.  Others 
will probably know more about it.


Cheers

Brian

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Re: Designation 645 on Lens EG SMC FA (645) 200 f4

2007-11-29 Thread Peter Jordan
There is a 645 to k adaptor, but they seem to be significantly rarer 
than hen's teeth.

Peter

David Savage wrote:
 645 = 6 x 4.5cm negative/transparency.

 Cheers,

 Dave

 On Nov 29, 2007 8:11 PM, Charles Wilson [EMAIL PROTECTED] wrote:
   
 Can anyone tell me what the designation (645) means after a lens.  Will this
 lens fit on my digital ist D.

 Regards


 Charles Wilson
 Sydney Australia
 

   


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Re: Designation 645 on Lens EG SMC FA (645) 200 f4

2007-11-29 Thread David Savage
645 = 6 x 4.5cm negative/transparency.

Cheers,

Dave

On Nov 29, 2007 8:11 PM, Charles Wilson [EMAIL PROTECTED] wrote:
 Can anyone tell me what the designation (645) means after a lens.  Will this
 lens fit on my digital ist D.

 Regards


 Charles Wilson
 Sydney Australia

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Re: Designation 645 on Lens EG SMC FA (645) 200 f4

2007-11-29 Thread P. J. Alling
With an adapter.  645 is the designation for one of Pentax's two lines 
of medium format SLRs.  The lens will work much like an M43 mount lens 
on K mount cameras.

Charles Wilson wrote:
 Can anyone tell me what the designation (645) means after a lens.  Will this 
 lens fit on my digital ist D.

 Regards


 Charles Wilson
 Sydney Australia 



   


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Re: Designation 645 on Lens EG SMC FA (645) 200 f4

2007-11-29 Thread P. J. Alling
That should be M42 mount lens, of course.

P. J. Alling wrote:
 With an adapter.  645 is the designation for one of Pentax's two lines 
 of medium format SLRs.  The lens will work much like an M43 mount lens 
 on K mount cameras.

 Charles Wilson wrote:
   
 Can anyone tell me what the designation (645) means after a lens.  Will this 
 lens fit on my digital ist D.

 Regards


 Charles Wilson
 Sydney Australia 



   
 


   


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Re: Designation 645 on Lens EG SMC FA (645) 200 f4

2007-11-29 Thread Bob Sullivan
Charles,

Pentax makes a variety of film format cameras.
The *ist D is a 35mm film format camera, even though no film is involved.
It uses Pentax K mount, 35mm format lenses. (think 24mm x 36mm film)
In a pinch, with a $10 adapter, the Pentax screwmount 35mm format
lenses can be mounted.

Pentax also makes a 645 camera and a 67 format camera. (think 120 or 220 film)
These are much bigger film cameras with bigger lenses.
Exposed film is nominally 6cm x 4.5cm or 6cm x 7 cm.
You can buy adaptors for $100-200 (if you can find them) to mount
these on K mount cameras.

So, such lenses are not an easy fit for a camera like your *ist D.

Regards, Bob S.


On Nov 29, 2007 5:11 AM, Charles Wilson [EMAIL PROTECTED] wrote:
 Can anyone tell me what the designation (645) means after a lens.  Will this
 lens fit on my digital ist D.

 Regards


 Charles Wilson
 Sydney Australia



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Re: Designation 645 on Lens EG SMC FA (645) 200 f4

2007-11-29 Thread Bob Blakely
I have one. They're more expensive than golden goose eggs too.

FYI, 67-645-K mount works too, but you have to play the same game as with 
SMCK on K10D (crippled KA2 mount).

Regards,
Bob...
-
Note: No trees were killed in the sending of this message,
but a large number of electrons were terribly inconvenienced.

From: Peter Jordan [EMAIL PROTECTED]


 There is a 645 to k adaptor, but they seem to be significantly rarer
 than hen's teeth.

 David Savage wrote:
 645 = 6 x 4.5cm negative/transparency.

 On Nov 29, 2007 8:11 PM, Charles Wilson [EMAIL PROTECTED] wrote:

 Can anyone tell me what the designation (645) means after a lens.  Will 
 this
 lens fit on my digital ist D.


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Re: The 645

2007-09-13 Thread Gasha

It is worth to use it, viewfinder especially!

I'm now back to film, because i dropped my K100D and now shutter button 
does not fire 95% of time... :(

Gasha

Godfrey DiGiorgi wrote:
  ...
 yet. My kit is the 645 plus three 120 magazines, 45/2.8 and 75/2.8  
 lenses, case, strap, remote cable, and other accessories. Lovely  
 stuff... Really do have to take it out for a shoot one of these days.
..
 
 Godfrey
 

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Re: The 645

2007-09-13 Thread Godfrey DiGiorgi
The P645 viewfinder is good, but I expect that of any professional  
medium format SLR.

I was at a talk last night given by Charles Anselmo, who has an  
exhibition of his work at the Aftermodern gallery in San Francisco at  
present (http://www.aftermodern.com/c_anselmo.php).

His primary camera is the Pentax 645. He captures with transparency  
film and scans with an older Imacon Flextight, prints with an Epson  
9600 for up to 40x60 inch prints. Very nice quality prints ... I'm  
going to stop in to visit the exhibition tomorrow.

Inspires me to maybe do some work with the 645 soon. :-)

Godfrey

On Sep 13, 2007, at 7:31 AM, Gasha wrote:

 It is worth to use it, viewfinder especially!

 I'm now back to film, because i dropped my K100D and now shutter  
 button
 does not fire 95% of time... :(

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Re: The 645 (and Mamiya)

2007-09-04 Thread Rick Womer
When I was in high school I shot with the yearbook's
Mamiya 1000 DTL, and my wife got a DSX 500 for a
college graduation present (I used it a lot more than
she did!).

The cameras handled well and were unusual in having
both spot and averaging metering.  The glass seemed
good (I still have 50/2 and 35/3.5 lenses). They
weren't very durable, though.

Rick

--- Glen Tortorella [EMAIL PROTECTED] wrote:

 Hi Adam,
 
 I see you mention your Mamiya, but I forgot to ask:
 have you ever  
 tried Mamiya's 35mm cameras?  Overall, what do you
 think of them?   
 The ZM, which I believe was their last 35mm, looks
 interesting.  I  
 gather it might be tough to find one in nice
 condition, as black  
 camera bodies tend to get pretty scuffed up.
 
 Glen
 
 On Sep 1, 2007, at 10:13 AM, Adam Maas wrote:
 
  The handling of the 645N and 645NII are superb
 (Better than my  
  Mamiya's,
  Although I do like the Mamiya 645AFDII even more),
 the original 645 is
  IMHO compromised by the use of the ME Super
 2-button interface (I'm  
  not
  a big fan) but still handles well overall. Build
 is plastic-covered
  metal, which is the norm for 645-format SLR's.
 
  645's are the weight of a pro 35mm SLR, and only
 somewhat bulkier.
  They're very handholdable, I regularly handhold
 down to 1/60th with my
  old M645, and have tried the 645 Super at 1/30th
 (roll is still in the
  camera, so we'll see). The Pentax 645's are every
 bit as  
  handholdable as
  my Mamiya's.
 
  You aren't into tripod-only territory with either
 of the Pentax MF
  SLR's. Only the Mamiya RB  RZ's are truly
 tripod-bound (Although it's
  probably a good idea with a Bronica GS as well)
 
  -Adam
 
  Glen Tortorella wrote:
  Thank you for your thoughts, Adam.  Medium format
 is an intriguing
  option.  I will continue to ponder the matter. 
 How do you like
  handling the 645 (i.e. the feel of it)?  Is it
 more of a tripod
  only type of camera, or may one take good
 hand-held shots with it?
  Does the design include any plastic (like the top
 plate on my Super
  Program) or is it all metal?
 
  Regards,
  Glen
 
  On Aug 31, 2007, at 8:59 PM, Adam Maas wrote:
 
  Glen Tortorella wrote:
  Hi all,
 
  I went to a somewhat local camera shop today
 to buy film.  In one
  of the used cases sat a Pentax 645.  It looked
 like it was in nice
  shape, and it came with a lens...I am not sure
 which one, though.
  Anyway, they are asking $560 for it.  I have
 had at least some
  interest in the medium format domain ever since
 I saw my friend's
  Hasselblad back in 1997.  Since it seems like
 an expensive  
  pursuit, I
  have held out on buying a medium format setup. 
 Any comments,  
  folks?
  I know little about this type of photography,
 and I would  
  appreciate
  any comments--either about the features of the
 645 itself, or about
  medium format photography (i.e. associated
 issues and things to  
  keep
  in mind).
 
  Thanks,
  Glen
 
  Nice kit, a bit pricey, unless it's an N or
 NII(AF body).
 
  I'm a fan of the 645 format. It's big enough to
 get a really  
  noticable
  quality boost over 35mm, but the camera's aren't
 any heavier than a
  35mm
  pro AF body like an F5 or EOS 1v.
 
  I actually just picked up a Mamiya 645 Super kit
 today, for $800cdn
  off
  a friend. Got the 45/2.8, 80/2.8, 150/3.5, the
 body, AE prism N,
  Winder
  N, a standard prism, 2 backs and 3 inserts
 (2x120, 1x220). Quite a
  good
  price, and it replaces my older M645 which is
 back in the shop (I  
  also
  own a 55/2.8 N and another 80/2.8 along with a
 prism for my older
  645).
 
  The Pentax units have several features built-in
 that are
  accessories on
  the Mamiya and Bronica 645's (Metering prisms,
 winders, backs).
  This is
  generally a plus for the metering and winding,
 but the individual
  backs
  are a bonus (that's one reason I upgraded to a
 Super from my M645,
  some
  Mamiya bodies, including the M645, have
 integrated backs like the
  P645,
  the others being increased reliability and the
 price was right).
 
  -Adam
 
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Re: The 645 (and Mamiya)

2007-09-02 Thread Brian Walters
No, can't help there.  The 1000 DTL is the only one I've used.



Cheers

Brian

++
Brian Walters
Western Sydney, Australia
http://members.westnet.com.au/brianwal/SL/
http://www.pentaxphotogallery.com/brianwalters


Quoting Glen Tortorella [EMAIL PROTECTED]:

 Thank you for your input, Brian.  Do you have any comments on, or 
 
 experience with, the newer Mamiya 35mm cameras?
 
 Glen
 
 On Sep 1, 2007, at 6:52 PM, Brian Walters wrote:
 
  Well, others probably have much more experience here but I
 thought  
  I might mention that I have a 1000DTL (an old M42 mount camera) 
 
  that is built like a tank and, in my admittedly limited use of
 it,  
  seems to be very reliable.  There is no evidence of the shutter 
 
  tapering at the high speeds (can't say the same for my two  
  Spotmatics :-(   ) and it does have a spot meter option.
 
  Cheers
 
  Brian
 

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Re: The 645 (and Mamiya)

2007-09-02 Thread Glen Tortorella
Thanks, Brian.  Too bad...I would like some more feedback--specific  
feedback, that is--on the Mamiya Z Series.

Glen

On Sep 2, 2007, at 3:20 AM, Brian Walters wrote:

 No, can't help there.  The 1000 DTL is the only one I've used.



 Cheers

 Brian

 ++
 Brian Walters
 Western Sydney, Australia
 http://members.westnet.com.au/brianwal/SL/
 http://www.pentaxphotogallery.com/brianwalters


 Quoting Glen Tortorella [EMAIL PROTECTED]:

 Thank you for your input, Brian.  Do you have any comments on, or

 experience with, the newer Mamiya 35mm cameras?

 Glen

 On Sep 1, 2007, at 6:52 PM, Brian Walters wrote:

 Well, others probably have much more experience here but I
 thought
 I might mention that I have a 1000DTL (an old M42 mount camera)

 that is built like a tank and, in my admittedly limited use of
 it,
 seems to be very reliable.  There is no evidence of the shutter

 tapering at the high speeds (can't say the same for my two
 Spotmatics :-(   ) and it does have a spot meter option.

 Cheers

 Brian


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Re: The 645

2007-09-02 Thread John Sessoms
From:
Glen Tortorella
 Hi Steve,

 I just searched at KEH for the outfit you have mentioned.  The 
 outfit price is $394 in EX and $514 in EX+.  When they makes these 
 designations, they mean that both the camera and lens are in this 
 condition?  If so, this camera and lens stand to be in better shape 
 than yours, as your body was a BGN condition?...

 Before I forget: does KEH include the little things in their 
 outfits--lens caps, manual, etc.--or is it purely body and lens?
Both lens and body should be in the indicated condition. The little 
things will depend on what the ad says.

Look at the 645 camera bodies and you'll see one listed as requires 
insert, while the others list the insert that's included.

Looking at the lens ads, if lens caps are included, the ad will say 
Blah Blah Blah (77) WITH CAPS.

Exceptions are New, New Demo and LN - they are either as packaged by 
manufacturer or includes original box and instructions and any 
manufacturer provided accessories. The ad won't specifically say it has 
got the lens caps and/or accessories.

If you still have questions, just do what I do - call them up and ask. 
They'll take orders over the telephone, so if it is what you want, you 
can order it right then and there.

One thing about KEH though ... I have ordered BGN items from them 
several times. Every time, when the item arrived, the condition to my 
eyes should have been EX by their standards. They seem to rate 
conditions very conservatively.

YMMV

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Re: The 645

2007-09-02 Thread Glen Tortorella
Thanks, John :-)  It is great to hear they are conservative with  
their condition ratings.  Everyone on the lis seems to agree.

Glen

On Sep 2, 2007, at 10:50 AM, John Sessoms wrote:

 From:
 Glen Tortorella
 Hi Steve,

 I just searched at KEH for the outfit you have mentioned.  The
 outfit price is $394 in EX and $514 in EX+.  When they makes these
 designations, they mean that both the camera and lens are in this
 condition?  If so, this camera and lens stand to be in better shape
 than yours, as your body was a BGN condition?...

 Before I forget: does KEH include the little things in their
 outfits--lens caps, manual, etc.--or is it purely body and lens?
 Both lens and body should be in the indicated condition. The little
 things will depend on what the ad says.

 Look at the 645 camera bodies and you'll see one listed as requires
 insert, while the others list the insert that's included.

 Looking at the lens ads, if lens caps are included, the ad will say
 Blah Blah Blah (77) WITH CAPS.

 Exceptions are New, New Demo and LN - they are either as packaged by
 manufacturer or includes original box and instructions and any
 manufacturer provided accessories. The ad won't specifically say  
 it has
 got the lens caps and/or accessories.

 If you still have questions, just do what I do - call them up and ask.
 They'll take orders over the telephone, so if it is what you want, you
 can order it right then and there.

 One thing about KEH though ... I have ordered BGN items from them
 several times. Every time, when the item arrived, the condition to my
 eyes should have been EX by their standards. They seem to rate
 conditions very conservatively.

 YMMV

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Re: The 645

2007-09-01 Thread Glen Tortorella
Thank you for your thoughts, Adam.  Medium format is an intriguing  
option.  I will continue to ponder the matter.  How do you like  
handling the 645 (i.e. the feel of it)?  Is it more of a tripod  
only type of camera, or may one take good hand-held shots with it?   
Does the design include any plastic (like the top plate on my Super  
Program) or is it all metal?

Regards,
Glen

On Aug 31, 2007, at 8:59 PM, Adam Maas wrote:

 Glen Tortorella wrote:
 Hi all,

 I went to a somewhat local camera shop today to buy film.  In one
 of the used cases sat a Pentax 645.  It looked like it was in nice
 shape, and it came with a lens...I am not sure which one, though.
 Anyway, they are asking $560 for it.  I have had at least some
 interest in the medium format domain ever since I saw my friend's
 Hasselblad back in 1997.  Since it seems like an expensive pursuit, I
 have held out on buying a medium format setup.  Any comments, folks?
 I know little about this type of photography, and I would appreciate
 any comments--either about the features of the 645 itself, or about
 medium format photography (i.e. associated issues and things to keep
 in mind).

 Thanks,
 Glen


 Nice kit, a bit pricey, unless it's an N or NII(AF body).

 I'm a fan of the 645 format. It's big enough to get a really noticable
 quality boost over 35mm, but the camera's aren't any heavier than a  
 35mm
 pro AF body like an F5 or EOS 1v.

 I actually just picked up a Mamiya 645 Super kit today, for $800cdn  
 off
 a friend. Got the 45/2.8, 80/2.8, 150/3.5, the body, AE prism N,  
 Winder
 N, a standard prism, 2 backs and 3 inserts (2x120, 1x220). Quite a  
 good
 price, and it replaces my older M645 which is back in the shop (I also
 own a 55/2.8 N and another 80/2.8 along with a prism for my older  
 645).

 The Pentax units have several features built-in that are  
 accessories on
 the Mamiya and Bronica 645's (Metering prisms, winders, backs).  
 This is
 generally a plus for the metering and winding, but the individual  
 backs
 are a bonus (that's one reason I upgraded to a Super from my M645,  
 some
 Mamiya bodies, including the M645, have integrated backs like the  
 P645,
 the others being increased reliability and the price was right).

 -Adam

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Re: The 645

2007-09-01 Thread Adam Maas
The handling of the 645N and 645NII are superb (Better than my Mamiya's, 
Although I do like the Mamiya 645AFDII even more), the original 645 is 
IMHO compromised by the use of the ME Super 2-button interface (I'm not 
a big fan) but still handles well overall. Build is plastic-covered 
metal, which is the norm for 645-format SLR's.

645's are the weight of a pro 35mm SLR, and only somewhat bulkier. 
They're very handholdable, I regularly handhold down to 1/60th with my 
old M645, and have tried the 645 Super at 1/30th (roll is still in the 
camera, so we'll see). The Pentax 645's are every bit as handholdable as 
my Mamiya's.

You aren't into tripod-only territory with either of the Pentax MF 
SLR's. Only the Mamiya RB  RZ's are truly tripod-bound (Although it's 
probably a good idea with a Bronica GS as well)

-Adam

Glen Tortorella wrote:
 Thank you for your thoughts, Adam.  Medium format is an intriguing  
 option.  I will continue to ponder the matter.  How do you like  
 handling the 645 (i.e. the feel of it)?  Is it more of a tripod  
 only type of camera, or may one take good hand-held shots with it?   
 Does the design include any plastic (like the top plate on my Super  
 Program) or is it all metal?
 
 Regards,
 Glen
 
 On Aug 31, 2007, at 8:59 PM, Adam Maas wrote:
 
 Glen Tortorella wrote:
 Hi all,

 I went to a somewhat local camera shop today to buy film.  In one
 of the used cases sat a Pentax 645.  It looked like it was in nice
 shape, and it came with a lens...I am not sure which one, though.
 Anyway, they are asking $560 for it.  I have had at least some
 interest in the medium format domain ever since I saw my friend's
 Hasselblad back in 1997.  Since it seems like an expensive pursuit, I
 have held out on buying a medium format setup.  Any comments, folks?
 I know little about this type of photography, and I would appreciate
 any comments--either about the features of the 645 itself, or about
 medium format photography (i.e. associated issues and things to keep
 in mind).

 Thanks,
 Glen

 Nice kit, a bit pricey, unless it's an N or NII(AF body).

 I'm a fan of the 645 format. It's big enough to get a really noticable
 quality boost over 35mm, but the camera's aren't any heavier than a  
 35mm
 pro AF body like an F5 or EOS 1v.

 I actually just picked up a Mamiya 645 Super kit today, for $800cdn  
 off
 a friend. Got the 45/2.8, 80/2.8, 150/3.5, the body, AE prism N,  
 Winder
 N, a standard prism, 2 backs and 3 inserts (2x120, 1x220). Quite a  
 good
 price, and it replaces my older M645 which is back in the shop (I also
 own a 55/2.8 N and another 80/2.8 along with a prism for my older  
 645).

 The Pentax units have several features built-in that are  
 accessories on
 the Mamiya and Bronica 645's (Metering prisms, winders, backs).  
 This is
 generally a plus for the metering and winding, but the individual  
 backs
 are a bonus (that's one reason I upgraded to a Super from my M645,  
 some
 Mamiya bodies, including the M645, have integrated backs like the  
 P645,
 the others being increased reliability and the price was right).

 -Adam

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Re: The 645

2007-09-01 Thread Glen Tortorella
Thank you for the detailed responses, Adam.  The 645 series sounds  
like it would be an excellent choice for me.  I think I would tend  
toward the original 645, as it can be had for less money and it is a  
manual focus camera.  With the various questions I have asked, you  
have been very helpful.  You are an asset to the list :-)

Regards,
Glen

On Sep 1, 2007, at 10:13 AM, Adam Maas wrote:

 The handling of the 645N and 645NII are superb (Better than my  
 Mamiya's,
 Although I do like the Mamiya 645AFDII even more), the original 645 is
 IMHO compromised by the use of the ME Super 2-button interface (I'm  
 not
 a big fan) but still handles well overall. Build is plastic-covered
 metal, which is the norm for 645-format SLR's.

 645's are the weight of a pro 35mm SLR, and only somewhat bulkier.
 They're very handholdable, I regularly handhold down to 1/60th with my
 old M645, and have tried the 645 Super at 1/30th (roll is still in the
 camera, so we'll see). The Pentax 645's are every bit as  
 handholdable as
 my Mamiya's.

 You aren't into tripod-only territory with either of the Pentax MF
 SLR's. Only the Mamiya RB  RZ's are truly tripod-bound (Although it's
 probably a good idea with a Bronica GS as well)

 -Adam

 Glen Tortorella wrote:
 Thank you for your thoughts, Adam.  Medium format is an intriguing
 option.  I will continue to ponder the matter.  How do you like
 handling the 645 (i.e. the feel of it)?  Is it more of a tripod
 only type of camera, or may one take good hand-held shots with it?
 Does the design include any plastic (like the top plate on my Super
 Program) or is it all metal?

 Regards,
 Glen

 On Aug 31, 2007, at 8:59 PM, Adam Maas wrote:

 Glen Tortorella wrote:
 Hi all,

 I went to a somewhat local camera shop today to buy film.  In one
 of the used cases sat a Pentax 645.  It looked like it was in nice
 shape, and it came with a lens...I am not sure which one, though.
 Anyway, they are asking $560 for it.  I have had at least some
 interest in the medium format domain ever since I saw my friend's
 Hasselblad back in 1997.  Since it seems like an expensive  
 pursuit, I
 have held out on buying a medium format setup.  Any comments,  
 folks?
 I know little about this type of photography, and I would  
 appreciate
 any comments--either about the features of the 645 itself, or about
 medium format photography (i.e. associated issues and things to  
 keep
 in mind).

 Thanks,
 Glen

 Nice kit, a bit pricey, unless it's an N or NII(AF body).

 I'm a fan of the 645 format. It's big enough to get a really  
 noticable
 quality boost over 35mm, but the camera's aren't any heavier than a
 35mm
 pro AF body like an F5 or EOS 1v.

 I actually just picked up a Mamiya 645 Super kit today, for $800cdn
 off
 a friend. Got the 45/2.8, 80/2.8, 150/3.5, the body, AE prism N,
 Winder
 N, a standard prism, 2 backs and 3 inserts (2x120, 1x220). Quite a
 good
 price, and it replaces my older M645 which is back in the shop (I  
 also
 own a 55/2.8 N and another 80/2.8 along with a prism for my older
 645).

 The Pentax units have several features built-in that are
 accessories on
 the Mamiya and Bronica 645's (Metering prisms, winders, backs).
 This is
 generally a plus for the metering and winding, but the individual
 backs
 are a bonus (that's one reason I upgraded to a Super from my M645,
 some
 Mamiya bodies, including the M645, have integrated backs like the
 P645,
 the others being increased reliability and the price was right).

 -Adam

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Re: The 645 (and Mamiya)

2007-09-01 Thread Glen Tortorella
Hi Adam,

I see you mention your Mamiya, but I forgot to ask: have you ever  
tried Mamiya's 35mm cameras?  Overall, what do you think of them?   
The ZM, which I believe was their last 35mm, looks interesting.  I  
gather it might be tough to find one in nice condition, as black  
camera bodies tend to get pretty scuffed up.

Glen

On Sep 1, 2007, at 10:13 AM, Adam Maas wrote:

 The handling of the 645N and 645NII are superb (Better than my  
 Mamiya's,
 Although I do like the Mamiya 645AFDII even more), the original 645 is
 IMHO compromised by the use of the ME Super 2-button interface (I'm  
 not
 a big fan) but still handles well overall. Build is plastic-covered
 metal, which is the norm for 645-format SLR's.

 645's are the weight of a pro 35mm SLR, and only somewhat bulkier.
 They're very handholdable, I regularly handhold down to 1/60th with my
 old M645, and have tried the 645 Super at 1/30th (roll is still in the
 camera, so we'll see). The Pentax 645's are every bit as  
 handholdable as
 my Mamiya's.

 You aren't into tripod-only territory with either of the Pentax MF
 SLR's. Only the Mamiya RB  RZ's are truly tripod-bound (Although it's
 probably a good idea with a Bronica GS as well)

 -Adam

 Glen Tortorella wrote:
 Thank you for your thoughts, Adam.  Medium format is an intriguing
 option.  I will continue to ponder the matter.  How do you like
 handling the 645 (i.e. the feel of it)?  Is it more of a tripod
 only type of camera, or may one take good hand-held shots with it?
 Does the design include any plastic (like the top plate on my Super
 Program) or is it all metal?

 Regards,
 Glen

 On Aug 31, 2007, at 8:59 PM, Adam Maas wrote:

 Glen Tortorella wrote:
 Hi all,

 I went to a somewhat local camera shop today to buy film.  In one
 of the used cases sat a Pentax 645.  It looked like it was in nice
 shape, and it came with a lens...I am not sure which one, though.
 Anyway, they are asking $560 for it.  I have had at least some
 interest in the medium format domain ever since I saw my friend's
 Hasselblad back in 1997.  Since it seems like an expensive  
 pursuit, I
 have held out on buying a medium format setup.  Any comments,  
 folks?
 I know little about this type of photography, and I would  
 appreciate
 any comments--either about the features of the 645 itself, or about
 medium format photography (i.e. associated issues and things to  
 keep
 in mind).

 Thanks,
 Glen

 Nice kit, a bit pricey, unless it's an N or NII(AF body).

 I'm a fan of the 645 format. It's big enough to get a really  
 noticable
 quality boost over 35mm, but the camera's aren't any heavier than a
 35mm
 pro AF body like an F5 or EOS 1v.

 I actually just picked up a Mamiya 645 Super kit today, for $800cdn
 off
 a friend. Got the 45/2.8, 80/2.8, 150/3.5, the body, AE prism N,
 Winder
 N, a standard prism, 2 backs and 3 inserts (2x120, 1x220). Quite a
 good
 price, and it replaces my older M645 which is back in the shop (I  
 also
 own a 55/2.8 N and another 80/2.8 along with a prism for my older
 645).

 The Pentax units have several features built-in that are
 accessories on
 the Mamiya and Bronica 645's (Metering prisms, winders, backs).
 This is
 generally a plus for the metering and winding, but the individual
 backs
 are a bonus (that's one reason I upgraded to a Super from my M645,
 some
 Mamiya bodies, including the M645, have integrated backs like the
 P645,
 the others being increased reliability and the price was right).

 -Adam

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RE: The 645 (and Mamiya)

2007-09-01 Thread J. C. O'Connell
I can say one thing, the earlier M42 Mamiya bodies were crude
bricks compared to Pentax Spotmatics.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Glen Tortorella
Sent: Saturday, September 01, 2007 2:06 PM
To: Pentax-Discuss Mail List
Subject: Re: The 645 (and Mamiya)


Hi Adam,

I see you mention your Mamiya, but I forgot to ask: have you ever  
tried Mamiya's 35mm cameras?  Overall, what do you think of them?   
The ZM, which I believe was their last 35mm, looks interesting.  I  
gather it might be tough to find one in nice condition, as black  
camera bodies tend to get pretty scuffed up.

Glen

On Sep 1, 2007, at 10:13 AM, Adam Maas wrote:

 The handling of the 645N and 645NII are superb (Better than my
 Mamiya's,
 Although I do like the Mamiya 645AFDII even more), the original 645 is
 IMHO compromised by the use of the ME Super 2-button interface (I'm  
 not
 a big fan) but still handles well overall. Build is plastic-covered
 metal, which is the norm for 645-format SLR's.

 645's are the weight of a pro 35mm SLR, and only somewhat bulkier. 
 They're very handholdable, I regularly handhold down to 1/60th with my

 old M645, and have tried the 645 Super at 1/30th (roll is still in the

 camera, so we'll see). The Pentax 645's are every bit as
 handholdable as
 my Mamiya's.

 You aren't into tripod-only territory with either of the Pentax MF 
 SLR's. Only the Mamiya RB  RZ's are truly tripod-bound (Although it's

 probably a good idea with a Bronica GS as well)

 -Adam

 Glen Tortorella wrote:
 Thank you for your thoughts, Adam.  Medium format is an intriguing 
 option.  I will continue to ponder the matter.  How do you like 
 handling the 645 (i.e. the feel of it)?  Is it more of a tripod 
 only type of camera, or may one take good hand-held shots with it? 
 Does the design include any plastic (like the top plate on my Super
 Program) or is it all metal?

 Regards,
 Glen

 On Aug 31, 2007, at 8:59 PM, Adam Maas wrote:

 Glen Tortorella wrote:
 Hi all,

 I went to a somewhat local camera shop today to buy film.  In one

 of the used cases sat a Pentax 645.  It looked like it was in nice 
 shape, and it came with a lens...I am not sure which one, though. 
 Anyway, they are asking $560 for it.  I have had at least some 
 interest in the medium format domain ever since I saw my friend's 
 Hasselblad back in 1997.  Since it seems like an expensive
 pursuit, I
 have held out on buying a medium format setup.  Any comments,  
 folks?
 I know little about this type of photography, and I would  
 appreciate
 any comments--either about the features of the 645 itself, or about
 medium format photography (i.e. associated issues and things to  
 keep
 in mind).

 Thanks,
 Glen

 Nice kit, a bit pricey, unless it's an N or NII(AF body).

 I'm a fan of the 645 format. It's big enough to get a really
 noticable
 quality boost over 35mm, but the camera's aren't any heavier than a
 35mm
 pro AF body like an F5 or EOS 1v.

 I actually just picked up a Mamiya 645 Super kit today, for $800cdn 
 off a friend. Got the 45/2.8, 80/2.8, 150/3.5, the body, AE prism N,
 Winder
 N, a standard prism, 2 backs and 3 inserts (2x120, 1x220). Quite a
 good
 price, and it replaces my older M645 which is back in the shop (I  
 also
 own a 55/2.8 N and another 80/2.8 along with a prism for my older
 645).

 The Pentax units have several features built-in that are accessories

 on the Mamiya and Bronica 645's (Metering prisms, winders, backs).
 This is
 generally a plus for the metering and winding, but the individual
 backs
 are a bonus (that's one reason I upgraded to a Super from my M645,
 some
 Mamiya bodies, including the M645, have integrated backs like the
 P645,
 the others being increased reliability and the price was right).

 -Adam

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Re: The 645 (and Mamiya)

2007-09-01 Thread P. J. Alling
Mamiya seems to have changed lens mounts on their 35mm cameras the way 
you're supposed to change tooth brushes, and the earlier lenses were 
often completely incompatible. Good luck find lenses for the later 
bayonet mount cameras, though when you do find them they are inexpensive.

The shutter mechanisms seem to need more care than equivalent age Pentax 
cameras as well.

Glen Tortorella wrote:
 Hi Adam,

 I see you mention your Mamiya, but I forgot to ask: have you ever  
 tried Mamiya's 35mm cameras?  Overall, what do you think of them?   
 The ZM, which I believe was their last 35mm, looks interesting.  I  
 gather it might be tough to find one in nice condition, as black  
 camera bodies tend to get pretty scuffed up.

 Glen

 On Sep 1, 2007, at 10:13 AM, Adam Maas wrote:

   
 The handling of the 645N and 645NII are superb (Better than my  
 Mamiya's,
 Although I do like the Mamiya 645AFDII even more), the original 645 is
 IMHO compromised by the use of the ME Super 2-button interface (I'm  
 not
 a big fan) but still handles well overall. Build is plastic-covered
 metal, which is the norm for 645-format SLR's.

 645's are the weight of a pro 35mm SLR, and only somewhat bulkier.
 They're very handholdable, I regularly handhold down to 1/60th with my
 old M645, and have tried the 645 Super at 1/30th (roll is still in the
 camera, so we'll see). The Pentax 645's are every bit as  
 handholdable as
 my Mamiya's.

 You aren't into tripod-only territory with either of the Pentax MF
 SLR's. Only the Mamiya RB  RZ's are truly tripod-bound (Although it's
 probably a good idea with a Bronica GS as well)

 -Adam

 Glen Tortorella wrote:
 
 Thank you for your thoughts, Adam.  Medium format is an intriguing
 option.  I will continue to ponder the matter.  How do you like
 handling the 645 (i.e. the feel of it)?  Is it more of a tripod
 only type of camera, or may one take good hand-held shots with it?
 Does the design include any plastic (like the top plate on my Super
 Program) or is it all metal?

 Regards,
 Glen

 On Aug 31, 2007, at 8:59 PM, Adam Maas wrote:

   
 Glen Tortorella wrote:
 
 Hi all,

 I went to a somewhat local camera shop today to buy film.  In one
 of the used cases sat a Pentax 645.  It looked like it was in nice
 shape, and it came with a lens...I am not sure which one, though.
 Anyway, they are asking $560 for it.  I have had at least some
 interest in the medium format domain ever since I saw my friend's
 Hasselblad back in 1997.  Since it seems like an expensive  
 pursuit, I
 have held out on buying a medium format setup.  Any comments,  
 folks?
 I know little about this type of photography, and I would  
 appreciate
 any comments--either about the features of the 645 itself, or about
 medium format photography (i.e. associated issues and things to  
 keep
 in mind).

 Thanks,
 Glen

   
 Nice kit, a bit pricey, unless it's an N or NII(AF body).

 I'm a fan of the 645 format. It's big enough to get a really  
 noticable
 quality boost over 35mm, but the camera's aren't any heavier than a
 35mm
 pro AF body like an F5 or EOS 1v.

 I actually just picked up a Mamiya 645 Super kit today, for $800cdn
 off
 a friend. Got the 45/2.8, 80/2.8, 150/3.5, the body, AE prism N,
 Winder
 N, a standard prism, 2 backs and 3 inserts (2x120, 1x220). Quite a
 good
 price, and it replaces my older M645 which is back in the shop (I  
 also
 own a 55/2.8 N and another 80/2.8 along with a prism for my older
 645).

 The Pentax units have several features built-in that are
 accessories on
 the Mamiya and Bronica 645's (Metering prisms, winders, backs).
 This is
 generally a plus for the metering and winding, but the individual
 backs
 are a bonus (that's one reason I upgraded to a Super from my M645,
 some
 Mamiya bodies, including the M645, have integrated backs like the
 P645,
 the others being increased reliability and the price was right).

 -Adam

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Re: The 645 (and Mamiya)

2007-09-01 Thread William Robb

- Original Message - 
From: Glen Tortorella
Subject: Re: The 645 (and Mamiya)


 Hi Adam,

 I see you mention your Mamiya, but I forgot to ask: have you ever
 tried Mamiya's 35mm cameras?  Overall, what do you think of them?
 The ZM, which I believe was their last 35mm, looks interesting.  I
 gather it might be tough to find one in nice condition, as black
 camera bodies tend to get pretty scuffed up.

Mamiya 35mm was a failed project. The lenses were at best only ok, and the 
camera bodies were, at best, really bad. If you are into self abuse, then 
35mm Mamiya cameras might be for you.
I'll take a nice spanking from a middle aged lady first.

William Robb 


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Re: The 645

2007-09-01 Thread Steve Desjardins
I bought a 645 and a 75 mm f2.8 lens for about $500 a few years ago from
KEH (before film really started to go away.  I checked KEH and you can
do better now.  My 645 body was a bargain one and it's in great
condition.  (Bargain is a rating level for KEH)  I wouldn't hesitate
to buy one in this condition.  I did get an excellent lens.  My
dealings with KEH have been very good.

Steve

 Glen Tortorella [EMAIL PROTECTED] 9/1/2007 1:11 PM 
Thank you for the detailed responses, Adam.  The 645 series sounds  
like it would be an excellent choice for me.  I think I would tend  
toward the original 645, as it can be had for less money and it is a  
manual focus camera.  With the various questions I have asked, you  
have been very helpful.  You are an asset to the list :-)

Regards,
Glen

On Sep 1, 2007, at 10:13 AM, Adam Maas wrote:

 The handling of the 645N and 645NII are superb (Better than my  
 Mamiya's,
 Although I do like the Mamiya 645AFDII even more), the original 645
is
 IMHO compromised by the use of the ME Super 2-button interface (I'm 

 not
 a big fan) but still handles well overall. Build is plastic-covered
 metal, which is the norm for 645-format SLR's.

 645's are the weight of a pro 35mm SLR, and only somewhat bulkier.
 They're very handholdable, I regularly handhold down to 1/60th with
my
 old M645, and have tried the 645 Super at 1/30th (roll is still in
the
 camera, so we'll see). The Pentax 645's are every bit as  
 handholdable as
 my Mamiya's.

 You aren't into tripod-only territory with either of the Pentax MF
 SLR's. Only the Mamiya RB  RZ's are truly tripod-bound (Although
it's
 probably a good idea with a Bronica GS as well)

 -Adam

 Glen Tortorella wrote:
 Thank you for your thoughts, Adam.  Medium format is an intriguing
 option.  I will continue to ponder the matter.  How do you like
 handling the 645 (i.e. the feel of it)?  Is it more of a tripod
 only type of camera, or may one take good hand-held shots with it?
 Does the design include any plastic (like the top plate on my Super
 Program) or is it all metal?

 Regards,
 Glen

 On Aug 31, 2007, at 8:59 PM, Adam Maas wrote:

 Glen Tortorella wrote:
 Hi all,

 I went to a somewhat local camera shop today to buy film.  In
one
 of the used cases sat a Pentax 645.  It looked like it was in
nice
 shape, and it came with a lens...I am not sure which one, though.
 Anyway, they are asking $560 for it.  I have had at least some
 interest in the medium format domain ever since I saw my friend's
 Hasselblad back in 1997.  Since it seems like an expensive  
 pursuit, I
 have held out on buying a medium format setup.  Any comments,  
 folks?
 I know little about this type of photography, and I would  
 appreciate
 any comments--either about the features of the 645 itself, or
about
 medium format photography (i.e. associated issues and things to 

 keep
 in mind).

 Thanks,
 Glen

 Nice kit, a bit pricey, unless it's an N or NII(AF body).

 I'm a fan of the 645 format. It's big enough to get a really  
 noticable
 quality boost over 35mm, but the camera's aren't any heavier than
a
 35mm
 pro AF body like an F5 or EOS 1v.

 I actually just picked up a Mamiya 645 Super kit today, for
$800cdn
 off
 a friend. Got the 45/2.8, 80/2.8, 150/3.5, the body, AE prism N,
 Winder
 N, a standard prism, 2 backs and 3 inserts (2x120, 1x220). Quite a
 good
 price, and it replaces my older M645 which is back in the shop (I 

 also
 own a 55/2.8 N and another 80/2.8 along with a prism for my older
 645).

 The Pentax units have several features built-in that are
 accessories on
 the Mamiya and Bronica 645's (Metering prisms, winders, backs).
 This is
 generally a plus for the metering and winding, but the individual
 backs
 are a bonus (that's one reason I upgraded to a Super from my M645,
 some
 Mamiya bodies, including the M645, have integrated backs like the
 P645,
 the others being increased reliability and the price was right).

 -Adam

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Re: The 645

2007-09-01 Thread Godfrey DiGiorgi
On Sep 1, 2007, at 7:09 AM, Glen Tortorella wrote:

 ... How do you like
 handling the 645 (i.e. the feel of it)?  Is it more of a tripod
 only type of camera, or may one take good hand-held shots with  
 it? ...

Adam's contributed on this already, but I have to say that one of the  
reasons I like the 645 so much is that it handles beautifully hand- 
held. Better than a lot of 35mm SLRs. It has a nice big grip and the  
mirror/shutter is very very smooth.

However, that said, I tend to use the 645 on a tripod most of the  
time anyway. I like that they put tripod mounts on both side and  
bottom ... I fitted mine with a pair of Really Right Stuff tripod  
adapters so I can go from portrait to landscape orientation in a second.

Godfrey

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RE: The 645 (and Mamiya)

2007-09-01 Thread J. C. O'Connell
I cant speak for all the Mamiya 35mm lens series, but the SX
(M42) series 35mm lenses are all optically superb but mechanically
lame. They make good users on a budget if you dont mind the
inferior feel they have compared to the takumars. The bodies
of that era were all really bad clunkers as I posted earlier.
I have a bunch of the SX lenses that take fantastic film images but
onc caveat is you cant use them easily on digital because they
lack manual aperture modes...
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
William Robb
Sent: Saturday, September 01, 2007 2:55 PM
To: Pentax-Discuss Mail List
Subject: Re: The 645 (and Mamiya)



- Original Message - 
From: Glen Tortorella
Subject: Re: The 645 (and Mamiya)


 Hi Adam,

 I see you mention your Mamiya, but I forgot to ask: have you ever 
 tried Mamiya's 35mm cameras?  Overall, what do you think of them? The 
 ZM, which I believe was their last 35mm, looks interesting.  I gather 
 it might be tough to find one in nice condition, as black camera 
 bodies tend to get pretty scuffed up.

Mamiya 35mm was a failed project. The lenses were at best only ok, and
the 
camera bodies were, at best, really bad. If you are into self abuse,
then 
35mm Mamiya cameras might be for you.
I'll take a nice spanking from a middle aged lady first.

William Robb 


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Re: The 645

2007-09-01 Thread Glen Tortorella
Thank you, Godfrey, et. al. :-)

Glen

On Sep 1, 2007, at 3:59 PM, Godfrey DiGiorgi wrote:

 On Sep 1, 2007, at 7:09 AM, Glen Tortorella wrote:

 ... How do you like
 handling the 645 (i.e. the feel of it)?  Is it more of a tripod
 only type of camera, or may one take good hand-held shots with
 it? ...

 Adam's contributed on this already, but I have to say that one of the
 reasons I like the 645 so much is that it handles beautifully hand-
 held. Better than a lot of 35mm SLRs. It has a nice big grip and the
 mirror/shutter is very very smooth.

 However, that said, I tend to use the 645 on a tripod most of the
 time anyway. I like that they put tripod mounts on both side and
 bottom ... I fitted mine with a pair of Really Right Stuff tripod
 adapters so I can go from portrait to landscape orientation in a  
 second.

 Godfrey

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Re: The 645

2007-09-01 Thread John Sessoms
From:
Steve Desjardins
 I bought a 645 and a 75 mm f2.8 lens for about $500 a few years ago from
 KEH (before film really started to go away.  I checked KEH and you can
 do better now.  My 645 body was a bargain one and it's in great
 condition.  (Bargain is a rating level for KEH)  I wouldn't hesitate
 to buy one in this condition.  I did get an excellent lens.  My
 dealings with KEH have been very good.

I can second that.

KEH's ratings are very, very conservative. What KEH calls Bargain, 
most others would call Very Good. In fact, I've received items KEH 
rated Bargain that they could have legitimately rated Excellent by 
their own published standards.

Their Bargain really IS a bargain.



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Re: The 645

2007-09-01 Thread Glen Tortorella
Hi Steve,

I just searched at KEH for the outfit you have mentioned.  The  
outfit price is $394 in EX and $514 in EX+.  When they makes these  
designations, they mean that both the camera and lens are in this  
condition?  If so, this camera and lens stand to be in better shape  
than yours, as your body was a BGN condition?...

Before I forget: does KEH include the little things in their  
outfits--lens caps, manual, etc.--or is it purely body and lens?

Thanks,
Glen

On Sep 1, 2007, at 3:48 PM, Steve Desjardins wrote:

 I bought a 645 and a 75 mm f2.8 lens for about $500 a few years ago  
 from
 KEH (before film really started to go away.  I checked KEH and you can
 do better now.  My 645 body was a bargain one and it's in great
 condition.  (Bargain is a rating level for KEH)  I wouldn't hesitate
 to buy one in this condition.  I did get an excellent lens.  My
 dealings with KEH have been very good.

 Steve

 Glen Tortorella [EMAIL PROTECTED] 9/1/2007 1:11 PM 
 Thank you for the detailed responses, Adam.  The 645 series sounds
 like it would be an excellent choice for me.  I think I would tend
 toward the original 645, as it can be had for less money and it is a
 manual focus camera.  With the various questions I have asked, you
 have been very helpful.  You are an asset to the list :-)

 Regards,
 Glen

 On Sep 1, 2007, at 10:13 AM, Adam Maas wrote:

 The handling of the 645N and 645NII are superb (Better than my
 Mamiya's,
 Although I do like the Mamiya 645AFDII even more), the original 645
 is
 IMHO compromised by the use of the ME Super 2-button interface (I'm

 not
 a big fan) but still handles well overall. Build is plastic-covered
 metal, which is the norm for 645-format SLR's.

 645's are the weight of a pro 35mm SLR, and only somewhat bulkier.
 They're very handholdable, I regularly handhold down to 1/60th with
 my
 old M645, and have tried the 645 Super at 1/30th (roll is still in
 the
 camera, so we'll see). The Pentax 645's are every bit as
 handholdable as
 my Mamiya's.

 You aren't into tripod-only territory with either of the Pentax MF
 SLR's. Only the Mamiya RB  RZ's are truly tripod-bound (Although
 it's
 probably a good idea with a Bronica GS as well)

 -Adam

 Glen Tortorella wrote:
 Thank you for your thoughts, Adam.  Medium format is an intriguing
 option.  I will continue to ponder the matter.  How do you like
 handling the 645 (i.e. the feel of it)?  Is it more of a tripod
 only type of camera, or may one take good hand-held shots with it?
 Does the design include any plastic (like the top plate on my Super
 Program) or is it all metal?

 Regards,
 Glen

 On Aug 31, 2007, at 8:59 PM, Adam Maas wrote:

 Glen Tortorella wrote:
 Hi all,

 I went to a somewhat local camera shop today to buy film.  In
 one
 of the used cases sat a Pentax 645.  It looked like it was in
 nice
 shape, and it came with a lens...I am not sure which one, though.
 Anyway, they are asking $560 for it.  I have had at least some
 interest in the medium format domain ever since I saw my friend's
 Hasselblad back in 1997.  Since it seems like an expensive
 pursuit, I
 have held out on buying a medium format setup.  Any comments,
 folks?
 I know little about this type of photography, and I would
 appreciate
 any comments--either about the features of the 645 itself, or
 about
 medium format photography (i.e. associated issues and things to

 keep
 in mind).

 Thanks,
 Glen

 Nice kit, a bit pricey, unless it's an N or NII(AF body).

 I'm a fan of the 645 format. It's big enough to get a really
 noticable
 quality boost over 35mm, but the camera's aren't any heavier than
 a
 35mm
 pro AF body like an F5 or EOS 1v.

 I actually just picked up a Mamiya 645 Super kit today, for
 $800cdn
 off
 a friend. Got the 45/2.8, 80/2.8, 150/3.5, the body, AE prism N,
 Winder
 N, a standard prism, 2 backs and 3 inserts (2x120, 1x220). Quite a
 good
 price, and it replaces my older M645 which is back in the shop (I

 also
 own a 55/2.8 N and another 80/2.8 along with a prism for my older
 645).

 The Pentax units have several features built-in that are
 accessories on
 the Mamiya and Bronica 645's (Metering prisms, winders, backs).
 This is
 generally a plus for the metering and winding, but the individual
 backs
 are a bonus (that's one reason I upgraded to a Super from my M645,
 some
 Mamiya bodies, including the M645, have integrated backs like the
 P645,
 the others being increased reliability and the price was right).

 -Adam

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Re: The 645

2007-09-01 Thread Godfrey DiGiorgi
Usually they rate the package as a whole when you buy an outfit.  
They usually also list whether it includes caps, manual, etc. I  
always want them to include caps, or I buy them separately at the  
same time, but manuals are often a different matter entirely. An EXC  
rating from them means practically new condition. I've bought many a  
BARGAIN rated item and thought they'd sent the wrong one.. !

If you have any questions, call them before ordering. They're good to  
deal with.

Godfrey


On Sep 1, 2007, at 1:32 PM, Glen Tortorella wrote:

 I just searched at KEH for the outfit you have mentioned.  The
 outfit price is $394 in EX and $514 in EX+.  When they makes these
 designations, they mean that both the camera and lens are in this
 condition?  If so, this camera and lens stand to be in better shape
 than yours, as your body was a BGN condition?...

 Before I forget: does KEH include the little things in their
 outfits--lens caps, manual, etc.--or is it purely body and lens?


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Re: The 645 (and Mamiya)

2007-09-01 Thread Brian Walters
Well, others probably have much more experience here but I thought I might 
mention that I have a 1000DTL (an old M42 mount camera) that is built like a 
tank and, in my admittedly limited use of it, seems to be very reliable.  There 
is no evidence of the shutter tapering at the high speeds (can't say the same 
for my two Spotmatics :-(   ) and it does have a spot meter option.

Cheers

Brian

++
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Western Sydney, Australia
http://members.westnet.com.au/brianwal/SL/
http://www.pentaxphotogallery.com/brianwalters







Quoting Glen Tortorella [EMAIL PROTECTED]:

 Hi Adam,
 
 I see you mention your Mamiya, but I forgot to ask: have you ever 
 
 tried Mamiya's 35mm cameras?  Overall, what do you think of them?  
 
 The ZM, which I believe was their last 35mm, looks interesting.  I 
 
 gather it might be tough to find one in nice condition, as black  
 camera bodies tend to get pretty scuffed up.
 
 Glen
 


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Re: The 645 (and Mamiya)

2007-09-01 Thread Glen Tortorella
Thank you for your input, Brian.  Do you have any comments on, or  
experience with, the newer Mamiya 35mm cameras?

Glen

On Sep 1, 2007, at 6:52 PM, Brian Walters wrote:

 Well, others probably have much more experience here but I thought  
 I might mention that I have a 1000DTL (an old M42 mount camera)  
 that is built like a tank and, in my admittedly limited use of it,  
 seems to be very reliable.  There is no evidence of the shutter  
 tapering at the high speeds (can't say the same for my two  
 Spotmatics :-(   ) and it does have a spot meter option.

 Cheers

 Brian

 ++
 Brian Walters
 Western Sydney, Australia
 http://members.westnet.com.au/brianwal/SL/
 http://www.pentaxphotogallery.com/brianwalters







 Quoting Glen Tortorella [EMAIL PROTECTED]:

 Hi Adam,

 I see you mention your Mamiya, but I forgot to ask: have you ever

 tried Mamiya's 35mm cameras?  Overall, what do you think of them?

 The ZM, which I believe was their last 35mm, looks interesting.  I

 gather it might be tough to find one in nice condition, as black
 camera bodies tend to get pretty scuffed up.

 Glen



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Re: The 645

2007-09-01 Thread Adam Maas
Godfrey DiGiorgi wrote:
 
 However, that said, I tend to use the 645 on a tripod most of the  
 time anyway. I like that they put tripod mounts on both side and  
 bottom ... I fitted mine with a pair of Really Right Stuff tripod  
 adapters so I can go from portrait to landscape orientation in a second.
 
 Godfrey
 

The dual tripod mounts is one feature I really wish my Mamiya had. 
Instead I get a hotshoe mounted on the side of the camera (kinda silly 
setup).

-Adam


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Re: The 645 (and Mamiya)

2007-09-01 Thread Adam Maas
The Mamiya 35mm stuff is a little odd. Mamiya never actually wanted to 
get into the 35mm market and were forced to by their US distributor. And 
thus their 35mm line never really gelled. There were a few good items, 
but by and large it was yet another low-end japanese SLR line a la Ricoh 
, Konica or Chinon.

I've little interest in Mamiya's 35mm stuff. The only mamiya kit other 
than the 645 stuff that really interests me is the MF Rangefinders. I'd 
love a Mamiya 6 or 7.

-Adam


Glen Tortorella wrote:
 Hi Adam,
 
 I see you mention your Mamiya, but I forgot to ask: have you ever  
 tried Mamiya's 35mm cameras?  Overall, what do you think of them?   
 The ZM, which I believe was their last 35mm, looks interesting.  I  
 gather it might be tough to find one in nice condition, as black  
 camera bodies tend to get pretty scuffed up.
 
 Glen
 

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Re: The 645

2007-08-31 Thread Godfrey DiGiorgi
Whew, that's a huge topic to try to approach. I've loved working with  
medium format cameras since my grandfather loaned me his 1949  
Rolleiflex TLR in late 1967. Can't seem to feel right without one in  
the closet, even if I only use it rarely.

Simple things first: the Pentax 645s are very very nice. I got  
interested in them last year and was given a loaner which I used a  
bit, loved it. Found a very nice two lens kit for a ridiculous price  
and couldn't help myself from buying it, but haven't actually used it  
yet. My kit is the 645 plus three 120 magazines, 45/2.8 and 75/2.8  
lenses, case, strap, remote cable, and other accessories. Lovely  
stuff... Really do have to take it out for a shoot one of these days.

There are many sources of information on the web regarding the Pentax  
645 line. They made three versions ... the original manual focus  
model from about 1984 to 1997, I think, and then the AF models 645N  
and 645N II from 1998 to about 2004. Accurate dates ?  ... look at  
the Pentax website's timelines to get them. You can probably get the  
user manuals for all three from there too.

I would check Ebay and KEH.com for pricing before buying one. I've  
seen several decent looking two-lens kits on Ebay sell for pricing in  
the $400-500 range, and you can probably put together the same thing  
from KEH.com for around the same money if you're savvy about it.

Godfrey

On Aug 31, 2007, at 11:42 AM, Glen Tortorella wrote:

 Hi all,

 I went to a somewhat local camera shop today to buy film.  In one
 of the used cases sat a Pentax 645.  It looked like it was in nice
 shape, and it came with a lens...I am not sure which one, though.
 Anyway, they are asking $560 for it.  I have had at least some
 interest in the medium format domain ever since I saw my friend's
 Hasselblad back in 1997.  Since it seems like an expensive pursuit, I
 have held out on buying a medium format setup.  Any comments, folks?
 I know little about this type of photography, and I would appreciate
 any comments--either about the features of the 645 itself, or about
 medium format photography (i.e. associated issues and things to keep
 in mind).

 Thanks,
 Glen

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Re: The 645

2007-08-31 Thread pnstenquist
Good camera, but unless it's a long lens or a zoom, it's overpriced. Check out 
ebay.
Paul
 -- Original message --
From: Glen Tortorella [EMAIL PROTECTED]
 Hi all,
 
 I went to a somewhat local camera shop today to buy film.  In one  
 of the used cases sat a Pentax 645.  It looked like it was in nice  
 shape, and it came with a lens...I am not sure which one, though.   
 Anyway, they are asking $560 for it.  I have had at least some  
 interest in the medium format domain ever since I saw my friend's  
 Hasselblad back in 1997.  Since it seems like an expensive pursuit, I  
 have held out on buying a medium format setup.  Any comments, folks?   
 I know little about this type of photography, and I would appreciate  
 any comments--either about the features of the 645 itself, or about  
 medium format photography (i.e. associated issues and things to keep  
 in mind).
 
 Thanks,
 Glen
 
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Re: The 645

2007-08-31 Thread Glen Tortorella
Thank you very much, Godfrey.  I agree that this is a huge topic to  
approach.  With all of the different formats these days, and  
available hardware and software for each, it is difficult to  
summarize any of them in nutshell-like manner.  I have (and will)  
check eBay and KEH.  I will continue to ponder this matter.  For now,  
I look forward to enjoying my new (to me) Super Program.  I just  
loaded the body with a roll of 100 speed Fuji Acros BW print film.   
I await the arrival of the lens...although, if I want to begin a bit  
early, I could always try it out with one of my other lenses.

Glen

On Aug 31, 2007, at 3:39 PM, Godfrey DiGiorgi wrote:

 Whew, that's a huge topic to try to approach. I've loved working with
 medium format cameras since my grandfather loaned me his 1949
 Rolleiflex TLR in late 1967. Can't seem to feel right without one in
 the closet, even if I only use it rarely.

 Simple things first: the Pentax 645s are very very nice. I got
 interested in them last year and was given a loaner which I used a
 bit, loved it. Found a very nice two lens kit for a ridiculous price
 and couldn't help myself from buying it, but haven't actually used it
 yet. My kit is the 645 plus three 120 magazines, 45/2.8 and 75/2.8
 lenses, case, strap, remote cable, and other accessories. Lovely
 stuff... Really do have to take it out for a shoot one of these days.

 There are many sources of information on the web regarding the Pentax
 645 line. They made three versions ... the original manual focus
 model from about 1984 to 1997, I think, and then the AF models 645N
 and 645N II from 1998 to about 2004. Accurate dates ?  ... look at
 the Pentax website's timelines to get them. You can probably get the
 user manuals for all three from there too.

 I would check Ebay and KEH.com for pricing before buying one. I've
 seen several decent looking two-lens kits on Ebay sell for pricing in
 the $400-500 range, and you can probably put together the same thing
 from KEH.com for around the same money if you're savvy about it.

 Godfrey

 On Aug 31, 2007, at 11:42 AM, Glen Tortorella wrote:

 Hi all,

 I went to a somewhat local camera shop today to buy film.  In one
 of the used cases sat a Pentax 645.  It looked like it was in nice
 shape, and it came with a lens...I am not sure which one, though.
 Anyway, they are asking $560 for it.  I have had at least some
 interest in the medium format domain ever since I saw my friend's
 Hasselblad back in 1997.  Since it seems like an expensive pursuit, I
 have held out on buying a medium format setup.  Any comments, folks?
 I know little about this type of photography, and I would appreciate
 any comments--either about the features of the 645 itself, or about
 medium format photography (i.e. associated issues and things to keep
 in mind).

 Thanks,
 Glen

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Re: The 645

2007-08-31 Thread Glen Tortorella
Thank you, Paul.  Yes, it does look like a very nice camera--with  
many different features and modes.

Glen

On Aug 31, 2007, at 4:13 PM, [EMAIL PROTECTED] wrote:

 Good camera, but unless it's a long lens or a zoom, it's  
 overpriced. Check out ebay.
 Paul
  -- Original message --
 From: Glen Tortorella [EMAIL PROTECTED]
 Hi all,

 I went to a somewhat local camera shop today to buy film.  In one
 of the used cases sat a Pentax 645.  It looked like it was in nice
 shape, and it came with a lens...I am not sure which one, though.
 Anyway, they are asking $560 for it.  I have had at least some
 interest in the medium format domain ever since I saw my friend's
 Hasselblad back in 1997.  Since it seems like an expensive pursuit, I
 have held out on buying a medium format setup.  Any comments, folks?
 I know little about this type of photography, and I would appreciate
 any comments--either about the features of the 645 itself, or about
 medium format photography (i.e. associated issues and things to keep
 in mind).

 Thanks,
 Glen

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Re: The 645

2007-08-31 Thread Mark Roberts
Glen Tortorella wrote:

I went to a somewhat local camera shop today to buy film.  In one  
of the used cases sat a Pentax 645.  It looked like it was in nice  
shape, and it came with a lens...I am not sure which one, though.   
Anyway, they are asking $560 for it.

That's a reasonable price for a dealer, I think. You can do a bit 
better on eBay, but then you have to deal with eBay ;-)

I have a 645 - the original, manual focus version - and love it. If you 
do your own BW darkroom printing, you'll swear off fiddly little 35mm 
negatives forever after working with medium format negs. I know I did.

The camera's pretty much indestructible. Reasonable weight for what it 
is. Good assortment of lenses available. I have the 45mm f/2.8, 75mm 
f/2.8 and 200mm f/4. All very good but the 200 is amazingly sharp. This 
kit roughly corresponds to a 28/50/135 kit on 35mm film and it's really 
nice to go out shooting with just three primes. (I'm still hankering 
after a 35mm f/3.5, though...)

You can use Pentax 67 lenses on it if you can find the proper adapter. 
Trouble is, you can't find the proper adapter.



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Re: The 645

2007-08-31 Thread Glen Tortorella
With regard to price, this is exactly what I was thinking, Mark.  I  
have seen similar 645 setups go for $400-$500 on eBay...but you are  
right, I would then have to deal with eBay.  Things are always a bit  
more expensive at camera shops.  It is nice, though, to be able to  
hold and inspect the camera with one's own hands.  Some shops gouge,  
but, however, if the price is only a tad higher than eBay, it may be  
worth it to buy at a shop.

Glen

On Aug 31, 2007, at 5:05 PM, Mark Roberts wrote:

 Glen Tortorella wrote:

 I went to a somewhat local camera shop today to buy film.  In one
 of the used cases sat a Pentax 645.  It looked like it was in nice
 shape, and it came with a lens...I am not sure which one, though.
 Anyway, they are asking $560 for it.

 That's a reasonable price for a dealer, I think. You can do a bit
 better on eBay, but then you have to deal with eBay ;-)

 I have a 645 - the original, manual focus version - and love it. If  
 you
 do your own BW darkroom printing, you'll swear off fiddly little 35mm
 negatives forever after working with medium format negs. I know I did.

 The camera's pretty much indestructible. Reasonable weight for what it
 is. Good assortment of lenses available. I have the 45mm f/2.8, 75mm
 f/2.8 and 200mm f/4. All very good but the 200 is amazingly sharp.  
 This
 kit roughly corresponds to a 28/50/135 kit on 35mm film and it's  
 really
 nice to go out shooting with just three primes. (I'm still hankering
 after a 35mm f/3.5, though...)

 You can use Pentax 67 lenses on it if you can find the proper adapter.
 Trouble is, you can't find the proper adapter.



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Re: The 645

2007-08-31 Thread Adam Maas
Glen Tortorella wrote:
 Hi all,
 
 I went to a somewhat local camera shop today to buy film.  In one  
 of the used cases sat a Pentax 645.  It looked like it was in nice  
 shape, and it came with a lens...I am not sure which one, though.   
 Anyway, they are asking $560 for it.  I have had at least some  
 interest in the medium format domain ever since I saw my friend's  
 Hasselblad back in 1997.  Since it seems like an expensive pursuit, I  
 have held out on buying a medium format setup.  Any comments, folks?   
 I know little about this type of photography, and I would appreciate  
 any comments--either about the features of the 645 itself, or about  
 medium format photography (i.e. associated issues and things to keep  
 in mind).
 
 Thanks,
 Glen
 

Nice kit, a bit pricey, unless it's an N or NII(AF body).

I'm a fan of the 645 format. It's big enough to get a really noticable 
quality boost over 35mm, but the camera's aren't any heavier than a 35mm 
pro AF body like an F5 or EOS 1v.

I actually just picked up a Mamiya 645 Super kit today, for $800cdn off 
a friend. Got the 45/2.8, 80/2.8, 150/3.5, the body, AE prism N, Winder 
N, a standard prism, 2 backs and 3 inserts (2x120, 1x220). Quite a good 
price, and it replaces my older M645 which is back in the shop (I also 
own a 55/2.8 N and another 80/2.8 along with a prism for my older 645).

The Pentax units have several features built-in that are accessories on 
the Mamiya and Bronica 645's (Metering prisms, winders, backs). This is 
generally a plus for the metering and winding, but the individual backs 
are a bonus (that's one reason I upgraded to a Super from my M645, some 
Mamiya bodies, including the M645, have integrated backs like the P645, 
the others being increased reliability and the price was right).

-Adam

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Re: Pentax 645 vs. those other guys

2007-03-06 Thread William Robb

- Original Message - 
From: Scott Loveless 
Subject: Pentax 645 vs. those other guys


A couple of days ago I was about two seconds away from plunking down
 the cash for a 645 and three lenses - 45, 75, and 150.  Then I started
 thinking about landscape photography and the zone system.  My thoughts
 (the horror) led me to consider the possibility of having 5
 interchangeable backs for N-2, N-1, N, N+1 and N+2.  In an effort to
 keep the expenditure about the same, plus a little more for the extra
 backs, I'd be looking at a Mamiya M645-Super or a Bronica 6x6 or 645.
 Anyone have any experience with these systems they could share?
 What do you think about having the extra backs to accomodate zone
 system exposure?  Or am I smoking crack?

Yer smoking crack.
Buy a view camera.

William Robb

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Re: Pentax 645 vs. those other guys

2007-03-06 Thread Godfrey DiGiorgi

On Mar 6, 2007, at 9:18 AM, William Robb wrote:

 A couple of days ago I was about two seconds away from plunking down
 the cash for a 645 and three lenses - 45, 75, and 150.  Then I  
 started
 thinking about landscape photography and the zone system.  My  
 thoughts
 (the horror) led me to consider the possibility of having 5
 interchangeable backs for N-2, N-1, N, N+1 and N+2.  In an effort to
 keep the expenditure about the same, plus a little more for the extra
 backs, I'd be looking at a Mamiya M645-Super or a Bronica 6x6 or 645.
 Anyone have any experience with these systems they could share?
 What do you think about having the extra backs to accomodate zone
 system exposure?  Or am I smoking crack?

 Yer smoking crack.
 Buy a view camera.

I'd have to agree with Bill on this. Carrying five interchangeable  
backs with my Hasselblad 500 (and there's no substantive difference  
in size or weight between the Hassy and the Pentax 645) would disable  
me from ever getting out into the landscape to do photography...

Shoot on Ilford XP2 Super and bracket. Saves a huge amount of time  
and effort, massive amount of weight to carry, and has so much more  
latitude that you hardly need to bracket so much. Excellent grain and  
acutance too. Drop them off for C41 processing, forget about all that  
time in the darkroom swishing film around in chemistry...

G


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Re: Pentax 645 vs. those other guys

2007-03-06 Thread Scott Loveless
On 3/6/07, William Robb [EMAIL PROTECTED] wrote:

 - Original Message -
 From: Scott Loveless
 Subject: Pentax 645 vs. those other guys


 A couple of days ago I was about two seconds away from plunking down
  the cash for a 645 and three lenses - 45, 75, and 150.  Then I started
  thinking about landscape photography and the zone system.  My thoughts
  (the horror) led me to consider the possibility of having 5
  interchangeable backs for N-2, N-1, N, N+1 and N+2.  In an effort to
  keep the expenditure about the same, plus a little more for the extra
  backs, I'd be looking at a Mamiya M645-Super or a Bronica 6x6 or 645.
  Anyone have any experience with these systems they could share?
  What do you think about having the extra backs to accomodate zone
  system exposure?  Or am I smoking crack?

 Yer smoking crack.
 Buy a view camera.

I see now that used Sinar F cameras really aren't that expensive.
God, you suck.

-- 
Scott Loveless
http://www.twosixteen.com
Shoot more film!

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Re: Pentax 645 vs. those other guys

2007-03-06 Thread Scott Loveless
On 3/6/07, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:

 On Mar 6, 2007, at 9:18 AM, William Robb wrote:

  A couple of days ago I was about two seconds away from plunking down
  the cash for a 645 and three lenses - 45, 75, and 150.  Then I
  started
  thinking about landscape photography and the zone system.  My
  thoughts
  (the horror) led me to consider the possibility of having 5
  interchangeable backs for N-2, N-1, N, N+1 and N+2.  In an effort to
  keep the expenditure about the same, plus a little more for the extra
  backs, I'd be looking at a Mamiya M645-Super or a Bronica 6x6 or 645.
  Anyone have any experience with these systems they could share?
  What do you think about having the extra backs to accomodate zone
  system exposure?  Or am I smoking crack?
 
  Yer smoking crack.
  Buy a view camera.

 I'd have to agree with Bill on this. Carrying five interchangeable
 backs with my Hasselblad 500 (and there's no substantive difference
 in size or weight between the Hassy and the Pentax 645) would disable
 me from ever getting out into the landscape to do photography...

I don't see how that would be any heavier than packing a view camera
and 8 or 10 film holders along.  Or were you implying that I'm smoking
crack..

 Shoot on Ilford XP2 Super and bracket. Saves a huge amount of time
 and effort, massive amount of weight to carry, and has so much more
 latitude that you hardly need to bracket so much. Excellent grain and
 acutance too. Drop them off for C41 processing, forget about all that
 time in the darkroom swishing film around in chemistry...

I like XP2.  Good stuff.  But I also enjoy the darkroom very much.
I'll die with Dektol in my veins, thank you very much.  g

You're probably right, though.  All those backs are most likely more
extra weight than I'd enjoy carrying for more than a mile or so.

-- 
Scott Loveless
http://www.twosixteen.com
Shoot more film!

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Re: Pentax 645 vs. those other guys

2007-03-06 Thread Godfrey DiGiorgi

On Mar 6, 2007, at 10:24 AM, Scott Loveless wrote:

 I don't see how that would be any heavier than packing a view camera
 and 8 or 10 film holders along.  Or were you implying that I'm smoking
 crack..

lol

Note that when I tried out 4x5 and 8x10 view camera work, it lasted  
about 10 weeks before I sold all the equipment and said No Way! Too  
much bother and junk to haul around. Not my style.

 You're probably right, though.  All those backs are most likely more
 extra weight than I'd enjoy carrying for more than a mile or so.

My Hassy days with the 903SWC and 500CM were good. I would hardly  
ever carry both at the same time, and hardly ever carry more than one  
lens and two backs. The 903SWC and two backs, good tripod was a  
fantastic setup. More than two backs is just unwieldy to work  
with ... it takes time to darkslide and swap the backs, the scene  
changes in between and so does the light.

I have enjoyed very much using the loaner Pentax 645 with the 35mm  
and 45mm lenses. Coming up on time to return it to its owner soon. I  
have had three more people offer to sell me a 645 body/45/two 120  
film magazine kit for ridiculously low prices. I still hesitate as I  
know I will use it very infrequently, need a better 120 format film  
scanner, and I need a second K10D body more. Sigh.

Godfrey


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Re: Pentax 645 vs. those other guys

2007-03-06 Thread Adam Maas
Scott Loveless wrote:
 On 3/6/07, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
 On Mar 6, 2007, at 9:18 AM, William Robb wrote:

 A couple of days ago I was about two seconds away from plunking down
 the cash for a 645 and three lenses - 45, 75, and 150.  Then I
 started
 thinking about landscape photography and the zone system.  My
 thoughts
 (the horror) led me to consider the possibility of having 5
 interchangeable backs for N-2, N-1, N, N+1 and N+2.  In an effort to
 keep the expenditure about the same, plus a little more for the extra
 backs, I'd be looking at a Mamiya M645-Super or a Bronica 6x6 or 645.
 Anyone have any experience with these systems they could share?
 What do you think about having the extra backs to accomodate zone
 system exposure?  Or am I smoking crack?
 Yer smoking crack.
 Buy a view camera.
 I'd have to agree with Bill on this. Carrying five interchangeable
 backs with my Hasselblad 500 (and there's no substantive difference
 in size or weight between the Hassy and the Pentax 645) would disable
 me from ever getting out into the landscape to do photography...
 
 I don't see how that would be any heavier than packing a view camera
 and 8 or 10 film holders along.  Or were you implying that I'm smoking
 crack..

Shoot with Quickoads/Readyloads. 1 holder, 1 4x5 field camera, box of 
film. Notably lighter than a MF SLR and 5 backs.

 
 Shoot on Ilford XP2 Super and bracket. Saves a huge amount of time
 and effort, massive amount of weight to carry, and has so much more
 latitude that you hardly need to bracket so much. Excellent grain and
 acutance too. Drop them off for C41 processing, forget about all that
 time in the darkroom swishing film around in chemistry...
 
 I like XP2.  Good stuff.  But I also enjoy the darkroom very much.
 I'll die with Dektol in my veins, thank you very much.  g
 
 You're probably right, though.  All those backs are most likely more
 extra weight than I'd enjoy carrying for more than a mile or so.
 

-Adam

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Re: Pentax 645 vs. those other guys

2007-03-06 Thread William Robb

- Original Message - 
From: Scott Loveless
Subject: Re: Pentax 645 vs. those other guys




 I see now that used Sinar F cameras really aren't that expensive.
 God, you suck.


If you want a nice landscape camera, look at a Tachihara or one of the other 
wood field cameras. They don't have all the movements of a monorail, but 
most of that is lost in the field anyway.

William Robb 


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Re: Pentax 645 vs. those other guys

2007-03-06 Thread Scott Loveless
On 3/6/07, William Robb [EMAIL PROTECTED] wrote:

 - Original Message -
 From: Scott Loveless
 Subject: Re: Pentax 645 vs. those other guys



 
  I see now that used Sinar F cameras really aren't that expensive.
  God, you suck.
 

 If you want a nice landscape camera, look at a Tachihara or one of the other
 wood field cameras. They don't have all the movements of a monorail, but
 most of that is lost in the field anyway.

I currently have a Crown Graphic, of which I've stripped all the
extras off.  No rangefinder, no viewfinder, no flash bracket, got rid
of the cable that runs to the shutter release on the body, etc.  I was
shooting polaroid film with it for a while.  When I get a darkroom put
together that will accomodate 4x5 it may come out of it's case again.

The medium format rig I'm envisioning is a compromise.  In an effort
to slim down my kit, I think that a 645 rig may be a decent solution.
Almost small enough for a walk around camera, suitable for a studio,
and almost big enough for landscapes.

While we're on the subject, two of the lenses I've chosen are the
75/2.8 and 150/3.5.  But an 80-160/4.5 would pretty much cover those
focal lengths with a bit of reduction in speed.  Anyone have any
issues with either of these lenses?

-- 
Scott Loveless
http://www.twosixteen.com
Shoot more film!

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Re: Pentax 645 vs. those other guys

2007-03-06 Thread Brendan MacRae
If you have access to a MF film scanner you can
bracket and take the best sky, land, and
foreground/background and put them together by
blending channels in Photoshop.

No extra backs or anything needed. Except a sturdy
tripod...but you'll have that anyway.

-Brendan
--- Adam Maas [EMAIL PROTECTED] wrote:

 Scott Loveless wrote:
  On 3/6/07, Godfrey DiGiorgi [EMAIL PROTECTED]
 wrote:
  On Mar 6, 2007, at 9:18 AM, William Robb wrote:
 
  A couple of days ago I was about two seconds
 away from plunking down
  the cash for a 645 and three lenses - 45, 75,
 and 150.  Then I
  started
  thinking about landscape photography and the
 zone system.  My
  thoughts
  (the horror) led me to consider the possibility
 of having 5
  interchangeable backs for N-2, N-1, N, N+1 and
 N+2.  In an effort to
  keep the expenditure about the same, plus a
 little more for the extra
  backs, I'd be looking at a Mamiya M645-Super or
 a Bronica 6x6 or 645.
  Anyone have any experience with these systems
 they could share?
  What do you think about having the extra backs
 to accomodate zone
  system exposure?  Or am I smoking crack?
  Yer smoking crack.
  Buy a view camera.
  I'd have to agree with Bill on this. Carrying
 five interchangeable
  backs with my Hasselblad 500 (and there's no
 substantive difference
  in size or weight between the Hassy and the
 Pentax 645) would disable
  me from ever getting out into the landscape to do
 photography...
  
  I don't see how that would be any heavier than
 packing a view camera
  and 8 or 10 film holders along.  Or were you
 implying that I'm smoking
  crack..
 
 Shoot with Quickoads/Readyloads. 1 holder, 1 4x5
 field camera, box of 
 film. Notably lighter than a MF SLR and 5 backs.
 
  
  Shoot on Ilford XP2 Super and bracket. Saves a
 huge amount of time
  and effort, massive amount of weight to carry,
 and has so much more
  latitude that you hardly need to bracket so much.
 Excellent grain and
  acutance too. Drop them off for C41 processing,
 forget about all that
  time in the darkroom swishing film around in
 chemistry...
  
  I like XP2.  Good stuff.  But I also enjoy the
 darkroom very much.
  I'll die with Dektol in my veins, thank you very
 much.  g
  
  You're probably right, though.  All those backs
 are most likely more
  extra weight than I'd enjoy carrying for more than
 a mile or so.
  
 
 -Adam
 
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 



 

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Re: Pentax 645 vs. those other guys

2007-03-06 Thread Doug Brewer
Scott Loveless wrote:
 A couple of days ago I was about two seconds away from plunking down
 the cash for a 645 and three lenses - 45, 75, and 150.  Then I started
 thinking about landscape photography and the zone system.  My thoughts
 (the horror) led me to consider the possibility of having 5
 interchangeable backs for N-2, N-1, N, N+1 and N+2.  In an effort to
 keep the expenditure about the same, plus a little more for the extra
 backs, I'd be looking at a Mamiya M645-Super or a Bronica 6x6 or 645.
 Anyone have any experience with these systems they could share?
 What do you think about having the extra backs to accomodate zone
 system exposure?  Or am I smoking crack?
 
 Thanks!
 

I just think you're smoking crack.

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Re: Pentax 645 vs. those other guys

2007-03-06 Thread Doug Franklin

 God, you suck.

No, he /enables/. ;-)

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RE: Pentax 645 + Carl Ziess Jena lenses?

2007-02-25 Thread Jens Bladt
Ralf, judging from your website, you are a Kiev user, rather than a Pentacon
Six user right?
RegardsP


Jens Bladt
http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af
Ralf R. Radermacher
Sendt: 24. februar 2007 20:07
Til: Pentax-Discuss Mail List
Emne: Re: Pentax 645 + Carl Ziess Jena lenses?


Jens Bladt [EMAIL PROTECTED] wrote:

 Have any of you guys experiences with this?
 I'm thinking about getting a 645 body for my excellent Pentacon Six lenses
 (CZ Jena and Schneider-Kreuznach).

Not with the Pentax 645 but I had a Mamiya 645 Pro for a time and used
my Zeiss Jena lenses on it with an adaptor supplied by...

http://www.baierfoto.de/#english

They also have one for the Pentax 645. Works fine if you don't mind the
loss of the auto diaphragm. I eventually sold the 645 because I'm more
comfortable with the square 6x6 format.

I'm still using my P6 lenses, especially the 4/300 mm lens, with a
P6-PK adaptor on the K10D.

Ralf

--
Ralf R. Radermacher  -  DL9KCG  -  Köln/Cologne, Germany
private homepage: http://www.fotoralf.de
manual cameras and photo galleries - updated Jan. 10, 2005
Contarex - Kiev 60 - Horizon 202 - P6 mount lenses

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Re: Pentax 645 + Carl Ziess Jena lenses?

2007-02-25 Thread Ralf R. Radermacher
Jens Bladt [EMAIL PROTECTED] wrote:

 Ralf, judging from your website, you are a Kiev user, rather than a Pentacon
 Six user right?

Correct. For the reasons explained there I'm using the Zeiss/Pentacon
lenses on a modified Kiev 60 (MLU, Rollei screen, mirror box flocking
etc.).

Ralf

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private homepage: http://www.fotoralf.de
manual cameras and photo galleries - updated Jan. 10, 2005
Contarex - Kiev 60 - Horizon 202 - P6 mount lenses

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Re: Pentax 645 + Carl Ziess Jena lenses?

2007-02-24 Thread Adam Maas
Should be doable. I know adaptors are available for Mamiya M645's, and 
the Pentax isn't all that different in register.

-Adam


Jens Bladt wrote:
 Have any of you guys experiences with this?
 I'm thinking about getting a 645 body for my excellent Pentacon Six lenses
 (CZ Jena and Schneider-Kreuznach).
 Regards
 
 Jens Bladt
 
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Re: Pentax 645 + Carl Ziess Jena lenses?

2007-02-24 Thread Scott Loveless
There are adapters available.  This is the first one I found after a
quick google search.  Ebay item number 170028746628.

http://cgi.ebay.com/Pentacon-Kiev-88CM-Lens-to-Pentax-645-Body-Adapter-NEW_W0QQitemZ170028746628QQihZ007QQcategoryZ30059QQcmdZViewItem


On 2/24/07, Jens Bladt [EMAIL PROTECTED] wrote:
 Have any of you guys experiences with this?
 I'm thinking about getting a 645 body for my excellent Pentacon Six lenses
 (CZ Jena and Schneider-Kreuznach).
 Regards

 Jens Bladt

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-- 
Scott Loveless
http://www.twosixteen.com
Shoot more film!

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Re: Pentax 645 + Carl Ziess Jena lenses?

2007-02-24 Thread Ralf R. Radermacher
Jens Bladt [EMAIL PROTECTED] wrote:

 Have any of you guys experiences with this?
 I'm thinking about getting a 645 body for my excellent Pentacon Six lenses
 (CZ Jena and Schneider-Kreuznach).

Not with the Pentax 645 but I had a Mamiya 645 Pro for a time and used
my Zeiss Jena lenses on it with an adaptor supplied by...

http://www.baierfoto.de/#english

They also have one for the Pentax 645. Works fine if you don't mind the
loss of the auto diaphragm. I eventually sold the 645 because I'm more
comfortable with the square 6x6 format.

I'm still using my P6 lenses, especially the 4/300 mm lens, with a
P6-PK adaptor on the K10D. 

Ralf

-- 
Ralf R. Radermacher  -  DL9KCG  -  Köln/Cologne, Germany
private homepage: http://www.fotoralf.de
manual cameras and photo galleries - updated Jan. 10, 2005
Contarex - Kiev 60 - Horizon 202 - P6 mount lenses

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RE: Pentax 645 + Carl Ziess Jena lenses?

2007-02-24 Thread Jens Bladt
Thanks Ralf, Scott and Adam.
Sounds great. The 645 bodies are quite affordable now, and I stille use
medium format for grouo portraits, aerial photography, landscape and such.
Best regards

Jens Bladt
Nytårkort / Greeting Card:
http://www.jensbladt.dk/godtnytaar2007/lydshow.html

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af
Ralf R. Radermacher
Sendt: 24. februar 2007 20:07
Til: Pentax-Discuss Mail List
Emne: Re: Pentax 645 + Carl Ziess Jena lenses?


Jens Bladt [EMAIL PROTECTED] wrote:

 Have any of you guys experiences with this?
 I'm thinking about getting a 645 body for my excellent Pentacon Six lenses
 (CZ Jena and Schneider-Kreuznach).

Not with the Pentax 645 but I had a Mamiya 645 Pro for a time and used
my Zeiss Jena lenses on it with an adaptor supplied by...

http://www.baierfoto.de/#english

They also have one for the Pentax 645. Works fine if you don't mind the
loss of the auto diaphragm. I eventually sold the 645 because I'm more
comfortable with the square 6x6 format.

I'm still using my P6 lenses, especially the 4/300 mm lens, with a
P6-PK adaptor on the K10D.

Ralf

--
Ralf R. Radermacher  -  DL9KCG  -  Köln/Cologne, Germany
private homepage: http://www.fotoralf.de
manual cameras and photo galleries - updated Jan. 10, 2005
Contarex - Kiev 60 - Horizon 202 - P6 mount lenses

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RE: Pentax 645 + Carl Ziess Jena lenses?

2007-02-24 Thread Jens Bladt
Ralf - actually, I do have a Pentax K-adapter for my P6 lenses, but I have
never used it.
The Sonnor 300mm lens is one, I don't have. It must be huge! I have the
180mm Sonnar, which weighs a ton, but it's an excellent lens. My best one
must be the Schnieder-Kreuznach 2.8/80mm Xenotar, which is absolutely
brilliant! It is said to be one of the finest 80mm MF lenses ever made!

I got the rather rahr 2.8/80mm Tessar not so long ago, but I never tried it
:-) I just think this silver lens looks so good :-)

Thanks for the link to Baier Foto. I didn't know about this!

Scott - thanks for the ebay link as well!
Regards

Jens Bladt
Nytårkort / Greeting Card:
http://www.jensbladt.dk/godtnytaar2007/lydshow.html

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af
Ralf R. Radermacher
Sendt: 24. februar 2007 20:07
Til: Pentax-Discuss Mail List
Emne: Re: Pentax 645 + Carl Ziess Jena lenses?


Jens Bladt [EMAIL PROTECTED] wrote:

 Have any of you guys experiences with this?
 I'm thinking about getting a 645 body for my excellent Pentacon Six lenses
 (CZ Jena and Schneider-Kreuznach).

Not with the Pentax 645 but I had a Mamiya 645 Pro for a time and used
my Zeiss Jena lenses on it with an adaptor supplied by...

http://www.baierfoto.de/#english

They also have one for the Pentax 645. Works fine if you don't mind the
loss of the auto diaphragm. I eventually sold the 645 because I'm more
comfortable with the square 6x6 format.

I'm still using my P6 lenses, especially the 4/300 mm lens, with a
P6-PK adaptor on the K10D.

Ralf

--
Ralf R. Radermacher  -  DL9KCG  -  Köln/Cologne, Germany
private homepage: http://www.fotoralf.de
manual cameras and photo galleries - updated Jan. 10, 2005
Contarex - Kiev 60 - Horizon 202 - P6 mount lenses

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Re: Pentax 645 + Carl Ziess Jena lenses?

2007-02-24 Thread Mishka
sonnar 300/4 usually goes for $300. for twice that much you can get
p645 300/4 ED IF, which is in a totally different league!

best,
mishka

On 2/24/07, Jens Bladt [EMAIL PROTECTED] wrote:
 Ralf - actually, I do have a Pentax K-adapter for my P6 lenses, but I have
 never used it.
 The Sonnor 300mm lens is one, I don't have. It must be huge! I have the

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