[Videolib] ABC, Yahoo, Facebook fair use lawsuit

[Deg Farrelly]

http://www.mediapost.com/publications/article/289740/abc-yahoo-battle-father-who-streamed-sons-birth.html?utm_source=newsletter_medium=email_content=headline_campaign=98366


deg farrelly
Arizona State University Libraries
deg.farre...@asu.edu<mailto:deg.farre...@asu.edu>
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Free online video library

[Deg Farrelly]

Reported in this week’s Library Journal

http://blogs.slj.com/neverendingsearch/2016/11/13/universityvideos-org-search-transcripts-and-automatic-clipping/


deg farrelly
Arizona State University Libraries
deg.farre...@asu.edu<mailto:deg.farre...@asu.edu>
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] funding streaming media (in academic libraries)

[Deg Farrelly]

Friday

I believe the data collected in Jane Hutchison Surdi and my 2015 national 
survey (Academic Library Streaming Video Revisited) presents the most 
comprehensive picture of practices across all institution sizes and types.  
This was a follow-up to our similar 2013 survey.

Because attachments do not work in discussion lists I am sending you separately 
screen shots of our 2016 ALA Annual Conference presentation of our data.  But 
will summarize it here.

Question:  What is your Library’s primary funding source for streaming video  
(Comparison of 2013 and 2015 data, first )

Aggregated across all responses of libraries that stream video, N=210 responses
Response options with no responses eliminated

2015 response / 2013 response


The library does not fund streaming video   1.1%/
From a general acquisitions fund41.5%   /
Separate video acquisitions fund18.0%   /   49% 
Separate streaming video acquisitions fund  8.2%/   13.8%
Electronic resources fund   19.7%   /   7.1%
Distance Learning budget1.1%/
End of Year funds   0.5%/   
Technology fee  2.2%/
Other   7.7%/   14.3%


These figures suggest that streaming video acquisitions funding is normalizing, 
less funding from separate video lines, more integration of funding within 
general acquisitions or electronic resources funds


Filtering 2015 results by 2 year, Associate degree granting institutions on the 
same question, N=24 response  (2013 data not included)


From a general acquisitions fund25.0%
Separate video acquisitions fund16.7%
Separate streaming video acquisitions fund  4.2%
Electronic resources fund   41.7% 
Other   12.5%  


We also asked if institutional streaming video funding came from outside the 
Library.  Those responses from 2015 data

Aggregated, N=181 responses

Yes, Instead of Library funding 3.3%(N=6)
Yes, In addition to Library funding 18.8 %  (N=34)
No  77.9%   (N=141)



Same question, limited to Associate degree granting institutions

Aggregated, N=24 responses

Yes, Instead of Library funding 4.2%  (N=1)
Yes, In addition to Library funding 37.5% (N=9)
No  58.3%   (N=14)


So Associate degree institutions are more likely to receive streaming funding 
from outside the library….



Hope you find this information useful

-deg farrelly

Arizona State University Libraries
deg.farre...@asu.edu
602.332.3103








>From: "'Friday Valentine'" <friday.valent...@chemeketa.edu>
>Subject: [Videolib] funding streaming media (in academic libraries)
>
>
>Greetings all,
>
>I've been asked to do some research on how other academic libraries fund
>their streaming media collections (both video and audio).
>
>Are you collections...
>
>   - Paid for through library funds only?
>   - Departments/Disciplines cost share (or do
>   departments/programs/disciplines purchase outright specific titles?)
>   - Shared costs with IT? Distance Ed? Academic Technology?
>   - Supported with Friends/Foundation/Grant money?
>   - Other ideas
>
>In the spirit of full disclosure, I am trying to prove the need/good for
>centralized shared funding and purchasing.
>
>Thanks in advance for your reponse(s).
>
>Friday V.
>-- 
>*(Ms.) Friday Valentine, MLS*
>Digital Assets Curator/Chemeketa Learning Cloud
><https://urldefense.proofpoint.com/v2/url?u=http-3A__learningcloud.chemeketa.edu=CwICAg=AGbYxfJbXK67KfXyGqyv2Ejiz41FqQuZFk4A-1IxfAU=CbEnv8y9rDoyO9zsIVI1SIBnSElNztJcbFPewtU7UsI=vUUKdA6UAh4UKZ6NYxhlV1fBlMj6PFNZorDpmdQXfRM=Zc5nOgs8GbfiNVFFTrFGkZeRaZR01OAaHieDgDYur5I=>
>Chemeketa Community College, Salem, Oregon
>503.399.5168, Bldg. 9, Rm. 211
>friday.valent...@chemeketa.edu
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Disaster Recovery info

[Deg Farrelly]

This may interest members of this list, and their colleagues


From the Smithsonian CULTURAL RESCUE 
INITIATIVE
Respond to an Emergency
The ERS: Emergency Response and Salvage 
app
 out­lines critical stages of disaster response and provides prac­tical salvage 
tips for nine types of objects, from photo­graphs to textiles to furniture. 
Available free of charge for Apple, Android, and BlackBerry devices. Based on 
the original Wheel (see next entry). (Foundation of the American Institute for 
Conservation)
Emergency Response and Salvage 
Wheel,
 a slide chart that contains action steps on one side and salvage steps on the 
other. Also available in 
Spanish.
 (Foundation of the American Institute for Conservation)
A 10-minute video, “Water Segment from the Field Guide to Emergency 
Response,”
 demonstrates how to rescue soaked photographs, books, documents, and other 
valued items.  (Foundation of the American Institute for Conservation)
What To Do If Collections Get 
Wet
 (for collecting institutions). Covers first actions, how to air dry 
collections, freezing materials, dealing with mold and smoke and soot, and 
dealing with other contamination. Includes a response video. (Library of 
Congress)
Salvage Procedures for Wet 
Items.
 Covers archaeological artifacts, photographs and transparencies, scrapbooks, 
textiles, wood, and more. (Minnesota Historical Society)
Conserve O 
Grams.
 Short, focused leaflets about caring for museum objects. See Section 21 on 
Disaster Response and Recovery, especially the “Salvage at a Glance” series. 
(Museum Management Program, National Park Service, Department of the Interior)
Records Emergency 
Information.
 How to prepare for, respond to, and recover from emergencies affecting 
governmental and cultural property records. (National Archives and Records 
Administration)
Records Recovery 
Vendors.
 Contact information for companies experienced in recovering collection 
materials. Note caveats and disclaimers. (National Archives and Records 
Administration)
Disaster 

[Videolib] The time has come the Walrus said...

[Deg Farrelly]

September 1 marked my 40th anniversary as a professional media librarian.

August 8 marked my 25th anniversary at Arizona State University Libraries.

This seems as good a time as any to announce my retirement, effective December 
30, 2016.

I've enjoyed being part of this passionate and vocal cadre of film/video/media 
professionals and have learned much in this forum.

I'll still be around thru the rest if this year, I've 3 journal articles coming 
out soon, and even after retirement you can expect me to lurk here, a bit.

I'm looking forward to seeing many of you at the National Media Market this 
week, and elsewhere whenever our paths may cross.

deg farrelly
ASU Libraries
Arizona State University
602.332.3103


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Who will be in Baltimore?

[Deg Farrelly]

Just curious for a show of hands…. Who is attending the National Media Market 
in Baltimore (in less than 3 weeks!) ?

-deg

deg farrelly
Arizona State University Libraries
deg.farre...@asu.edu
602.332.3103



VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] supplemental materials

[Deg Farrelly]

Rhonda

I generally prefer to hold on to the supplemental materials, even if never 
used…. Like Barb, we dust the cabinet every now and then.  But I consider them 
part of the bibliographic entity that has value for the occasional users….

And, if/when we withdraw a title, the supplemental material with it.

-deg 


deg farrelly

Arizona State University Libraries

deg.farre...@asu.edu

602.332.3103









On 10/5/16, 12:28 PM, "videolib-boun...@lists.berkeley.edu on behalf of 
videolib-requ...@lists.berkeley.edu" <videolib-boun...@lists.berkeley.edu on 
behalf of videolib-requ...@lists.berkeley.edu> wrote:

>Good morning/afternoon everyone,
>I am in a weeding phase for my media materialsI'm looking at guides, 
>booklets, inserts and the like.  I know these items are sometimes interesting, 
>often including essays or photos of the film, etc. but nobody ever checks them 
>out!  Do you guys keep them forever, do you toss them when cataloging?  A 
>couple of items actually come with hardcover books that can stand alone, and I 
>would consider appropriate for our general collection, but many are small 
>little pamphlet like items that sit around forever, unnoticed, untouched even 
>though they are included prominently in the catalog record...
>
>And, of course, then there are the small liner notes on CDs that don't fit 
>inside the jewel case.not that anyone checks out our CDs anymore either
>
>Anyone with a similar scenario?
>Rhonda
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Publishing opportunity - collaboration opportunity

[Deg Farrelly]

Here is an opportunity for publishing that could be a real benefit to the 
community.

There is a lack of information on workflow and collection development decisions 
for streaming video… A CLIPP publication could address these and other media 
issues.  Another example…. Digitization /licensing to support course 
reserves/instruction.

For your consideration.

-deg farrelly


Subject: CLIPP Publications Call for Proposals

The ACRL/CLS CLIPP (College Library Information on Policy and Practice)
Committee invites you to submit a preliminary proposal for its CLIPP
publication series. We welcome proposals on any topic that is relevant for
small and midsized academic libraries. The CLIPP series allows library staff
to share information on practices and procedures they have implemented to
address common issues or concerns. Each CLIPP follows a set structure of three
parts (literature review, survey results, and sample documents), and should
both describe library best practices and provide useful, specific examples
that libraries can refer to when developing similar policies and procedures of
their own.



Authors of a CLIPP publication are aided throughout by the CLIPP Committee and
an assigned editor. CLIPP authors receive 10% of the royalties on the net
revenues from their publication. For your reference, please find author
instructions and more information about the CLIPP program at
https://urldefense.proofpoint.com/v2/url?u=http-3A__bit.ly_2bjTTDP=CwIFaQ=AGbYxfJbXK67KfXyGqyv2Ejiz41FqQuZFk4A-1IxfAU=CbEnv8y9rDoyO9zsIVI1SIBnSElNztJcbFPewtU7UsI=FZRR3cXiXBKUwYPGS-yx3DzxQY13tSSIoaZ5tRJN29s=ByOie8RpoY1uIdWmnxufhxIrqlBvDdn9IjHcTCZG4uk=
 .



CLIPP proposals are accepted throughout the year. The next Preliminary
Proposal Deadline is September 23, 2016. The CLIPP Committee will send out
notifications regarding this round of submissions by October 3, 2016.



For questions or to submit a proposal, please contact:



Diana Symons

CLIPP Committee Chair

Email: dsym...@csbsju.edu<mailto:dsym...@csbsju.edu><mailto:dsym...@csbsju.edu>

Social Sciences Librarian

College of Saint Benedict/Saint John's University


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Surveys for Users of Library Video Collections?

[Deg Farrelly]

Meghann 

All good questions.

I would start with looking at the Kaltura “State of Video in Education 2016” 

You might also want to talk to Elisabeth Leonard at SAGE who has conducted some 
research on user expectations.

In general, this is an area that is sadly lacking in the professional lit.

I think you might find focus groups more beneficial than surveys, unless you 
can get such a large response that the data is crunchable.

-deg


deg farrelly

Arizona State University Libraries

deg.farre...@asu.edu

602.332.3103








On 7/28/16, 12:29 PM, "videolib-boun...@lists.berkeley.edu on behalf of 
videolib-requ...@lists.berkeley.edu" <videolib-boun...@lists.berkeley.edu on 
behalf of videolib-requ...@lists.berkeley.edu> wrote:

>Message: 2
>Date: Thu, 28 Jul 2016 09:54:16 -0400
>From: Meghann Matwichuk <mtw...@udel.edu>
>Subject: [Videolib] Surveys for Users of Library Video Collections?
>To: videolib <videolib@lists.berkeley.edu>
>Message-ID:
>   <caj-gr0ekhzx+y3wjm16peyadc+d25qhmjhogm7du_xjuej9...@mail.gmail.com>
>Content-Type: text/plain; charset="utf-8"
>
>Hi All,
>
>A question for the group out of curiosity.  For those of you who have or
>who routinely survey the users of your video collections, what kinds of
>questions do you pose?  I'm thinking along the lines of:
>
>* What would you like to see more of / what do you value about the
>collection
>* Would you like longer loan periods if it meant high use items could be
>less accessible
>* How do you find out about collection materials
>* Do you know about our streaming / browsing guide / on-site viewing room /
>etc. resources
>
>If there are other sorts of questions you've posed that have elicited
>interesting / useful responses, I'm all ears!
>
>Thanks in advance,
>
>-- 
>
>Meghann Matwichuk, M.S.
>Associate Librarian
>Coordinator, Film & Video Collection
>Morris Library, University of Delaware
>181 S. College Ave.
>Newark, DE 19717
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] FW: [Webinar] Impact of Recent Lawsuits on Video Accessibility Requirements

[Deg Farrelly]

Of potential interest to many on this list.


deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu<mailto:deg.farre...@asu.edu>
602.332.3103

From: 3Play Media <market...@3playmedia.com<mailto:market...@3playmedia.com>>
Reply-To: "market...@3playmedia.com<mailto:market...@3playmedia.com>" 
<market...@3playmedia.com<mailto:market...@3playmedia.com>>
Date: Tuesday, July 26, 2016 at 11:11 AM
To: "d...@asu.edu<mailto:d...@asu.edu>" <d...@asu.edu<mailto:d...@asu.edu>>
Subject: [Webinar] Impact of Recent Lawsuits on Video Accessibility Requirements

Forward to a Friend<http://pages.3playmedia.com/v/SD0O370Uf060JUU0400zZbc>
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VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] So Long, VCR. We Hardly Knew You

[Deg Farrelly]

Chris Lewis, Jane Hutchison, and I have been working on a database of video 
titles for which we have conducted searches for duplication under Section 108.

We presented the project at ALA in Orlando last month, and will be presenting 
on the project at the National Media Market in October.

The database is openly available for others to view now.  
http://section108video.com

We envision this as a crowd-sourced database, and are looking for a couple 
participants to beta test.  Preferably we would like to invite in someone who 
has already conducted searches and would be willing to enter their data into 
the database, or someone who is ready to start and would use the database as 
their record keeping.

There are still a few details to be worked out on the db, so beta testers will 
really benefit the project.

If you are interested in participating please contact me directly (not on the 
list) and we will go from there.

Thank you.


deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu
602.332.3103








On Fri, Jul 22, 2016 at 12:50 PM, Meghann Matwichuk <mtw...@udel.edu> wrote:

>>Would any of you be willing to share some of your procedures
>>for working with creating replacement copies for OOP VHS?  Are you doing
>>this on a request-by-request basis, or going through VHS in your collection
>>methodically to do so?  
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Publications on streaming video (Was - Re: The Work of the People Videos)

[Deg Farrelly]

Nell…. Great list.  But how could you leave out my chapter in “Rethinking 
Collection Development and Management”?!

Rethinking collection development and management / Becky Albitz, Christine 
Avery, and Diane Zabel, editors. Santa Barbara, California : Libraries 
Unlimited, [2014]




“Streaming video”, pp. 215-232


https://library.lib.asu.edu/record=b6571657~S3


Also, in the next issue of Journal of Digital Media Management:  "Issues in 
Academic Library Streaming Video”



-deg

deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu
602.332.3103







>Date: Wed, 13 Jul 2016 15:36:08 -0400
>From: Nell J Chenault <njche...@vcu.edu>
>Subject: Re: [Videolib] The Work of the People Videos
>
>
>Newish book by  Erika Day Peterson (Media Librarian) and Cheryl Duncan
>(Acquisitions), James Madison University
>*Creating a Streaming Video Collection for Your Library*.  Rowman &
>Littlefield, 2014.
>Still relevant.
>Mary Laskowski's *Guide to Video Acquisitions in Libraries*, ALA ALCTS. 2011
>
>Other core books:
>Ciara Healy's *Current Trends in Academic Media Collections and Services*.
>John Hopkins UP, 2010.
>
>Gary Handman's *Video Collection Development in Multi-Type Libraries*.
>(1994 & 2002, each edition covers different topics).  A bit dated, but
>covers many core issues and history of the market.
>
>older books by Sally Mason-Robins, Stein/Brown, and Jim (James) Scholtz for
>practical issues for physical media center issues, collection management (I
>recently used one of Jim's old books for est. stacks weight for legacy
>media format collections)
>
>Articles:
>Rebecca Schroeder , Julie Williamsen. *S**treaming Video: The Collaborative
>Convergence of Technical Services, Collection Development, and Information
>Technology in the Academic Library
><http://www.tandfonline.com/doi/abs/10.1080/01462679.2011.554128>. **Collection
>Management*  <http://www.tandfonline.com/toc/wcol20/36/2>,Vol. 36,
>Iss. 2, 2011.
>Has a decent literature review and great charts and description of purchase
>models.
>
>*Library Journal* often covers this topic.  See recent
>On Demand: Academic Streaming Media.  by Matt Enis.  Oct. 22, 2015 issue
>
>There have been some issues of journals devoted to media concerns.
>Library Trends, 58 (3) <https://www.ideals.illinois.edu/handle/2142/16664>
>Current Trends in Academic Media Collections and Services Issue.  Winter
>2010
>
>To stay up to date, I often watch online presentations.
>
>And, I endorse Barb's suggestion of at least once attending NMM and
>participating with ALA VRT, ALA ACRL ARTS, CCUMC, OLAC, or another media
>focused group. You will meet many of these authors or presentors, who are
>always willing to help you if you reach out to them individually.
>
>Nell
>
>Nell Chenault
>Film and Performing Arts
>VCU Libraries
>(804) 828-2070 |  njche...@vcu.edu
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Correction

[Deg Farrelly]

That is Survey of Academic Library Streaming Video Revisited, 2015.

And the co-researcher is Jane Hutchison Surdi.  Credit where credit is due.

-deg


deg farrelly

Media Librarian

Arizona State University

deg.farre...@asu.edu

602.332.3103









On 6/30/16, 12:34 PM, "videolib-boun...@lists.berkeley.edu on behalf of 
videolib-requ...@lists.berkeley.edu" <videolib-boun...@lists.berkeley.edu on 
behalf of videolib-requ...@lists.berkeley.edu> wrote:

>Furthermore, data from our survey Academic Library Streaming Video shows that
>
>49.7% of institutions that provide streaming video have a local hosting 
>solution
>
>34.9% have a solution provided by an institution IT unit
>23.3 % have a solution provided by the library
>
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Homegrown video streaming service

[Deg Farrelly]

Yes

deg farrelly
Arizona State University Libraries

Furthermore, data from our survey Academic Library Streaming Video shows that

49.7% of institutions that provide streaming video have a local hosting solution

34.9% have a solution provided by an institution IT unit
23.3 % have a solution provided by the library


Date: Monday, June 27, 2016 at 9:12 PM
To: "videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu>" 
<videolib@lists.berkeley.edu<mailto:videolib@lists.berkeley.edu>>
Subject: [Videolib] homegrown video streaming service

Hello, Colleagues,

I would like to ask for a show of hands among members of this list. Please 
answer YES if your institution has a video streaming service that meets these 
three conditions:

a) you purchase videos individually as downloads;

b) you host the downloaded files on a server that is controlled locally (i.e., 
by the library itself or the parent institution);

c) you stream the content to end-users who authenticate themselves with a 
locally administered login/password system.

Please respond to me privately at: 
kent.underw...@nyu.edu<mailto:kent.underw...@nyu.edu><mailto:kent.underw...@nyu.edu>

Thanks!

Kent Underwood
Music Librarian/Head of the Avery Fisher Center for Music and Media
New York University
Bobst Library, 70 Washington Square South, #207
New York, NY 10012
kent.underw...@nyu.edu<mailto:kent.underw...@nyu.edu><mailto:kent.underw...@nyu.edu>
212-998-2523



VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] DVD release of From Caligari to Hitler: German Cinema in the Age of the Masses

[Deg Farrelly]

Information I have been able to locate does not indicate a US release.

Anyone have more information?

Not looking for PPR or streaming, only the DVD

Thanx.

-deg


deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu<mailto:deg.farre...@asu.edu>
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] sad news

[Deg Farrelly]

Becky

Sad news indeed.  I hope you are able to not see this transition as a personal 
insult, tho after 34 years it must feel like one.

Wishing you great success in whatever new position is able to take advantage of 
your deep knowledge and commitment.


deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu
602.332.3103








On 6/21/16, 12:38 PM, "videolib-boun...@lists.berkeley.edu on behalf of 
videolib-requ...@lists.berkeley.edu" <videolib-boun...@lists.berkeley.edu on 
behalf of videolib-requ...@lists.berkeley.edu> wrote:

>Hello, all,
>
>I am sad to report that as of August 19, I'm being laid off after 34 ? years 
>at the Aurora Public Library, due to declining revenues and elimination of my 
>job.  I am one of 21 such cuts, 11 full time and 10 part time.  I hope to 
>continue to follow this list while I'm unemployed, and when I find a new job.  
>I just want to say thank you to all of you.  I have learned so much from 
>everyone on this list now, and in the past.  I tell everyone about my friends 
>on this list, even though I may have met only a few of you in person when ALA 
>happened to be in Chicago.  So, and here's a shameless plug, if anyone knows 
>of any reference librarian openings in the western suburbs of Chicago. . . or 
>a similar type of job in a non library setting - I'm your girl!
>
>Becky Tatar
>Periodicals/Audiovisuals
>Aurora Public Library
>101 S. River Street
>Aurora, IL   60506
>Phone: 630-264-4116
>FAX: 630-896-3209
>blt...@aurorapubliclibrary.org
>www.aurorapubliclibrary.org
>
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Video poised to command 80% of internet traffic

[Deg Farrelly]

FYI – Cisco’s annual report on internet traffic

http://www.mediapost.com/publications/article/278287/video-poised-to-command-80-of-traffic.html


-deg


deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu<mailto:deg.farre...@asu.edu>
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Hearings on revisions to Section 108

[Deg Farrelly]

This week the Federal Register announced hearing on revisions to Section 108.

These hearings are by appointment and are closed.  So there will not be an 
opportunity for participants to hear what others are saying.

Requests to be heard must be received by 11:5p p.m. Eastern on July 17, 2016

Full details including links to the specific revisions/questions can be found 
here:

https://www.federalregister.gov/articles/2016/06/07/2016-13426/section-108-draft-revision-of-the-library-and-archives-exceptions-in-us-copyright-law


There was much discussion of these hearings at the Kraemer Copyright Symposium. 
 It is believed that a key focus of the revisions will address mass 
digitization.



deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu<mailto:deg.farre...@asu.edu>
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Kraemer Copyright Symposium

[Deg Farrelly]

I believe Jessica may be conflating Kraemer with the Kernochan Seminar held at 
Columbia University in February of 2013.


deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu
602.332.3103







On 6/10/16, 8:51 AM, "videolib-boun...@lists.berkeley.edu on behalf of 
videolib-requ...@lists.berkeley.edu" <videolib-boun...@lists.berkeley.edu on 
behalf of videolib-requ...@lists.berkeley.edu> wrote:

>Jessica and all,
>
>Just to clarify, Kraemer Copyright Conference (formerly the UCCS Copyright 
>Conference) is and has always been in Colorado Springs.  That's the one that 
>folks are talking about now. :)
>
>Eric
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Library Journal publishes article on VHS duplication for preservation

[Deg Farrelly]

In the hard copy of Library Journal this week, or available online here:

http://lj.libraryjournal.com/2016/06/technology/please-rewind-preservation/#_

(Not sure if the link works for non subscribers)

Includes references to presentation Chris Lewis, Jane Hutchison Surdi, and I 
will be making at ALA about our crowd-sourced database of video titles that 
meet the  due diligence requirement for Section 108

-deg


deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu<mailto:deg.farre...@asu.edu>
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Nonprofit exemption

[Deg Farrelly]

Attending the Kraemer Copyright Symposium in Colorado Springs.  (Kenneth Crewes 
and Kevin Smith making great presentations among others...)

At a session yesterday, delivered by IP lawyers, the notion of the non-profit 
exemption for use of non-literary and music works was raised.

Quite honestly, this is one exemption I don't recall hearing about before.  
Sarah McClesky commented similarly.

Worth looking into furtherthis may be an exemption that allows student 
groups and other campus activities to screen documentary works without securing 
public performance rights!

deg farrelly

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Primary Research Group survey on Library Video

[Deg Farrelly]

FYI

31 responses, mostly smaller institutions.  2 responses from ASU… no idea how 
they controlled on duplicate responses.

I doubt the data will be very accurate or representative.  Jane Hutchison Surdi 
and my 2013 survey had 10 times the number of responses, our 2015 survey had 8 
times the responses.

Jane and my survey results will be presented at ALA Annual in Orlando at the 
end of June.  Those who took our survey have already received the data summary.

deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu<mailto:deg.farre...@asu.edu>
602.332.3103


From: "Jim Moses  " 
<jmo...@primaryresearch.com<mailto:jmo...@primaryresearch.com>>
Subject: [cjc-l] Primary Research Group has published the Survey of Academic
Library Video Content Provision Practices, ISBN 978-157440-390-9

Primary Research Group has published the Survey of Academic Library Video
Content Provision Practices, ISBN 978-157440-390-9

The study looks at how 31 academic libraries provide video content to
traditional and online classes and other academic and scholarly purposes.  The
study examines the use of traditional and streamed video, the digitization of
existing college video collections (commercial and proprietary), and use of
gratis video from YouTube and other sources. The report helps its end users to
answer questions such as: how much are libraries spending on streamed video?
Traditional video?  How many libraries are making use of video archives of
classes, lectures, special events and speakers and what are they doing with
this video?  What kind of licensing models are libraries using for streamed
video: pay per view, in perpetuity licensing? Fixed term?  What is the role of
consortia in purchasing? How happy are librarians and their patrons with the
video delivery infrastructure at their institutions?  How much are libraries
spending on licenses to convert their existing tradition video assets to
digital formats?

Just a few of the report’s many findings are that:

Institutions with less than 3,000 enrollment were most likely to say
infrastructure was underdeveloped (38%). Overall, the research institutions
were the most satisfied,

Most libraries (58%) felt they should spend more on streaming video in the
future, while a small number (6%) felt they should spend less.

Forty-eight per cent of respondents make available for educational purposes
video archives of events, programs or courses such as lectures or performances
given at the college, or tapes of college courses themselves. This was more
common among public institutions (62%) than private (20%).

21% of video content licenses were accounted for by flat fee in perpetuity
license. Community colleges did not report any flat fee, in perpetuity
licensing.

Data is broken out by size and type of institution, by tuition level and for
public and private colleges.

To obtain a table of contents, excerpt, the questionnaire and full
participants list, visit the product page for this report at:

http://www.primaryresearch.com/view_product.php?report_id=599

Or visit our main home page at www.PrimaryResearch.com; call us at 212-736-
23156 or contact us by fax at 212-12-9097.


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Mad Men Auction

[Deg Farrelly]

In case you want to own a bit of television history:

http://www.mediapost.com/publications/article/276540/hundreds-of-mad-men-props-up-for-grabs-in-online.html?utm_source=newsletter_medium=email_content=headline_campaign=93215


deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu<mailto:deg.farre...@asu.edu>
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Use data for Films on Demand

[Deg Farrelly]

I pulled 2015 use data for ASU’s subscription to Films on Demand today.  I 
found the data to be very interesting so thought that readers of VideoLib might 
find it interesting too.

Our total use of Films on Demand for 2015 (Jan 1-Dec 31) was 811,196 views. 
That is roughly a 26% increase over our 2014 use of 642,949

Of the more than 25,000 titles in Films on Demand ASU used 6856 titles, or 
slightly more than 25% of what is available.  Of course much of that use is a 
“long tail”, titles that received only 1 or a couple uses.

But 2670 titles received more than 4 views, the customary trigger for PDA 
licensing.

If we had to license everything that was used more than 4 times in 2015 our 
total cost for Films on Demand would have been $400,500 !

Our cost for Films on Demand is far less than $.10 per view.

For the record, ASU Libraries conducted the first PDA model for streaming 
video, working with the incomparable Diane Bilelo.  That pilot project was 
documented in the journal article :

farrelly, d. (2008). Use-determined Streaming Video Acquisition: The Arizona 
Model for FMG On Demand. College & University Media Review, 14(1), 65-78.

It ultimately led to the development of the FoD subscription model.

To date, ASU has had 3,380,900+ views in Films On Demand.


deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu<mailto:deg.farre...@asu.edu>
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Print video player in upcoming issue of Forbes

[Deg Farrelly]

I think (supposing here) that the idea is to float the idea of the technology.  
Applications for content and advertising could abound.

NY Times just announced plans to launch 6 new video series, declaring that the 
future is in media.

In the movie Minority Report Tom Cruise’s character is seen reading a newspaper 
with an imbedded video.  And he throws a cereal box with an animated front 
cover.

Who knows where such a technology could lead.



>
>Might be interesting if it was value-added to an article, but do they really 
>think readers want to watch a video ad, in a print magazine?
>Will it autoplay the ad while I?m trying to read an article? Kind of like the 
>online experience?
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Print video player in upcoming issue of Forbes

[Deg Farrelly]

http://www.mediapost.com/publications/article/274762/forbes-features-print-ad-with-video-player.html?utm_source=newsletter_medium=email_content=headline_campaign=92567

Would love to see it….


deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu<mailto:deg.farre...@asu.edu>
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Bicycle Thieves?

[Deg Farrelly]

Alexander Street provides streaming access to the Criterion Collection, 
including Bicycle Thieves as well.



The Alexander Street videos are in HiDef and are available in packages and as 
individual titles, and also available in a PDA model.


deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu
602.332.3103



VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] SCOTUS rejects Authors Guild appeal of Google Books

[Deg Farrelly]

FYI

http://arstechnica.com/tech-policy/2016/04/fair-use-prevails-as-supreme-court-rejects-google-books-copyright-case/

-deg

deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu<mailto:deg.farre...@asu.edu>
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Kevin Smith on the new GSU ruling

[Deg Farrelly]

Hate to bring this up since it always launched a firestorm of discussion on 
this list.

But Kevin Smith from Duke University provides his detailed commentary of the 
new ruling in the Georgia State University e-reserves case here:

http://blogs.library.duke.edu/scholcomm/2016/04/01/fgo-latest-gsuruling-odd-victory-libraries/

"Now, using the new fair use analysis directed by the Court of
Appeals, Judge Evans has handed the publishers yet another loss.”


deg farrelly
Media Librarian
Arizona State University
deg.farre...@asu.edu<mailto:deg.farre...@asu.edu>
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] PS: Help identifying an older title on FGM

[Deg Farrelly]

I left out a key element…. The professor says the film was made by Germans in 
the 1930s or 1940s

Thanx again

-deg





On 4/1/16, 6:46 PM, "Deg Farrelly" <deg.farre...@asu.edu> wrote:

>A faculty member is seeking a video she used to use many years ago.  
>
>It is a video on female genital mutilation, also called female circumcision or 
>infibulation.
>
>She remembers it as being a German film showing scene after scene of the 
>operation…
>
>I think it might be one of these (since we had them all on VHS when she taught 
>at ASU’s West campus.
>
>Rites
>https://library.lib.asu.edu/record=b6169860~S3
>
> 
>Warrior Marks
>https://library.lib.asu.edu/record=b2721589~S3
>
> 
>Fire Eyes
>https://library.lib.asu.edu/record=b6170197~S3
>
> 
>Female Circumcision : Human Rites
>https://library.lib.asu.edu/record=b5405312~S3
>
>
>
>I’ve asked her to confirm that none of these are the film she seeks.
>
>But just in case, do any other titles come to the collective mind?
>
>This is not about finding newer titles, only about identifying an older title.
>
>Thank you all for your hive memory.
>
>deg farrelly
>
>Media Librarian
>
>Arizona State University
>
>deg.farre...@asu.edu
>
>602.332.3103
>
>
>
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Help identifying an older title on FGM

[Deg Farrelly]

A faculty member is seeking a video she used to use many years ago.  

It is a video on female genital mutilation, also called female circumcision or 
infibulation.

She remembers it as being a German film showing scene after scene of the 
operation…

I think it might be one of these (since we had them all on VHS when she taught 
at ASU’s West campus.

Rites
https://library.lib.asu.edu/record=b6169860~S3

 
Warrior Marks
https://library.lib.asu.edu/record=b2721589~S3

 
Fire Eyes
https://library.lib.asu.edu/record=b6170197~S3

 
Female Circumcision : Human Rites
https://library.lib.asu.edu/record=b5405312~S3



I’ve asked her to confirm that none of these are the film she seeks.

But just in case, do any other titles come to the collective mind?

This is not about finding newer titles, only about identifying an older title.

Thank you all for your hive memory.

deg farrelly

Media Librarian

Arizona State University

deg.farre...@asu.edu

602.332.3103





default.vnd.ms-officetheme
Description: default.vnd.ms-officetheme
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] video acquisition models

[Deg Farrelly]

Jo Ann

Interesting…tho your note may be the equivalent of including in an email “Let 
me know if you did not receive this message”  :)

Since this is a discussion list of librarians responsible for media, the 
audience for your question might better be Colllib or the ACQnet discussion 
lists.

The research that Jane Hutchison Surdi and I conducted last spring shows that 
only 30% of academic libraries have a media librarian, so the subject 
librarian/acquisitions unit is most likely now the dominant model.  (Raw 
results of the survey sent to respondents already, Jane and I continue to 
attempt to crunch the data in preparation for our session at ALA Annual).


deg farrelly

Media Librarian / Streaming Video Administrator

Arizona State University

deg.farre...@asu.edu

602.332.3103









On 3/17/16, 12:34 PM, "videolib-boun...@lists.berkeley.edu on behalf of 
videolib-requ...@lists.berkeley.edu" <videolib-boun...@lists.berkeley.edu on 
behalf of videolib-requ...@lists.berkeley.edu> wrote:

>Just curious if there are any universities out there where there is no media 
>librarian and acquisition of films (DVD & streaming) is done by subject 
>liaisons. Wondering how this works for you. How does a group of people keep up 
>to date with a fast changing and diverse industry as opposed to one person who 
>specializes in film and is familiar with the copyright law as it applies to 
>film and with the various "license" permutations from vendors for DVDs as well 
>as streaming. Happy to hear from supporters as well as detractors of this 
>model.
>
>Thanks!
>
>Jo Ann
>
>Jo Ann Reynolds
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Native Son

[Deg Farrelly]

I wholeheartedly disagree.

There are 2 issues here:  obtaining a video to meet a faculty member's need and 
applying section 108 to make a copy of that video.

After diligently looking, it's been determined that the only sources for this 
video are used VHS.

If the library purchases a video for its collection, even if it is used, it is 
a legally acquired copy.  Most of us, I'd wager, have done that at some 
point

The law provides for the legal duplication of a legally acquired copy.

Since the video, now in the library's collection is VHS, and cannot be replaced 
with a new copy in any format, the library can apply Section 108 to make up to 
3 copies.

The argument is not that VHS is obsolete, but that the format is deteriorating.

The law does not require tracking down the copyright holder(s) and asking for 
permission.

Painting this question as a matter of librarians or faculty wanting everything 
is a broad overstatement.

Is this unusual?  Yes.  Is this a blatant attempt to cheat a system?  Hardly.

The law lays out specific protections for libraries and too many librarians for 
whatever purpose are too timid in asserting the rights that law has provided.

deg farrelly, Media Librarian/streaming Video Administrator
Arizona State University Libraries
 

> Actually not. 108 is for replacement copies already in a collection and
> Lorraine's school never had a copy. The idea that one would purchase a used
> VHS the supposedly "dead" format for the express purpose of making a DVD is
> not what the law says.
> 
> In general this just goes to the issue that not every film ever made is
> going to be available and sometimes instructors will have to find something
> else
> 



> I have a faculty that wants to screen Native Son, 1986 w/ Oprah Winfrey. 
> As far as I can see ONLY a VHS exists.  My first Q is, if we do not have 
> players in the classroom, and I am not seeing any copy of this on DVD, are 
> we SOL? 
> 
> My only other option is to purchase the VHS and have her screen in the 
> library (we do have VHS players).  In terms of Fair Use checklist, if we 
> have a VHS, that is my only option, correct?   
> 
> Btw, all the VHS copies are used; which could be fine. 
> 
> Your advice is appreciated.   

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Fox News headed to court in copyright matter

[Deg Farrelly]

This has been floating around for a while, but trial this week should prove 
interesting.

Copyright, Fair Use, and Social Media

http://www.diyphotography.net/fox-news-headed-to-trial-over-use-of-sharing-of-911-images-on-facebook/

deg farrelly
Arizona State University Libraries
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] UnSlut

[Deg Farrelly]

Emily

I thought UnSlut was being distributed through Tugg Films.

deg farrelly
Arizona State University Libraries


> From: Emily Lindin <em...@unslutproject.com>
> 
> Hi Video Librarians,
> 
> I am looking forward to meeting all the librarians coming along to ALA
> Midwinter this year. I am pleased to be launching my film "UnSlut: A
> Documentary Film" on Kanopy, as well as my new book, "UnSlut: A Diary and
> Memoir" at the Houghton Mifflin booth.
> 
> I hope you can all come along to Kanopy's Exclusive Filmmaker Panel where I
> will be talking about my new film, and the damaging and often fatal
> consequences of 'slut' shaming and sexual bullying. I have been screening
> UnSlut at colleges across the North America and have been overwhelmed and
> excited by the huge response I'm receiving from students around the world.
> 
> The panel will be taking place on Saturday 9 January at 3pm, Room 204AB.
> RSVP to eve...@kanopystreaming.com.
> 
> I will be joined on the panel by Lacey Schwartz, director and subject of
> "Little White Lies," and Colin Goddard, survivor of the Virginia Tech
> shooting who will be talking about his film "Living for 32".
> 
> I hope to see you tomorrow in Boston.
> 
> Kind regards,
> 
> Emily
> 
> Emily Lindin
> The UnSlut Project <http://www.unslutproject.com>
> (424) 255-8075
> @UnSlutProject <http://www.twitter.com/unslutproject>

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Promised Land

[Deg Farrelly]

Jeremy,

It does!  But in terms of 108, is this information discoverable in a 
"reasonable" search?  (Note that 108 does not require an exhaustive search nor 
does it require tracking down the copyright holder)

How would a librarian discover this information?

Of course one of the reasonable search tactics is to post a question to 
VideoLib, and in this case the results are good.  But apart from that approach, 
would someone be otherwise able to find the necessary information for what I 
assume is a manufacture in demand process.

deg farrelly
Arizona State University Libraries


> Date: Thu, 7 Jan 2016 21:25:00 +
> From: Jeremy Wilcox <jeremy.wil...@pearson.com>
> Subject: Re: [Videolib] Promised Land
> 
> 
> Watching this one with interest, as we (BBC/BBC Active) are the
> ultimate educational rights holder for this series.
> 
> Incidentally, a DVD copy would be available for this title. If it
> couldn't be supplied through one of our US distributors for whatever
> reason, we could supply it directly at our standard non-theatric
> pricing.
> 
> Does that make the 108 issue redundant in this case?
> 
> 

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Promised Land

[Deg Farrelly]

This raises an interesting question

If a due diligence search for a replacement copy under Section  108 pf US 
copyright does not return a hard copy available for purchase, but instead only 
return a streaming copy, available only for term license

Can the library proceed with a copy made under provisions of Section 108. 

I have my own opinion, but will would like to hear what other librarians think.

-deg farrelly
Arizona State University Libraries

> Kanopy has it.

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Availability of "Sex, Censorship..."

[Deg Farrelly]

"Pricey" is a relative term, of course.

But $680 for 4 films fir 3 years comes down to $170 per title for 3 years, or 
less than $60 per year per title.

That is significantly less than the $150 per year that Kanopy charges for term 
licenses.

deg farrelly
Arizona State University Libraries


> I see it on The Films Media Group site but is a little pricey.
> 
> http://www.films.com/ecSearch.aspx?q=sex++censorship+

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Authors Guild seeks to take Google Books to Supreme Court

[Deg Farrelly]

FYI

http://www.mediapost.com/publications/article/265856/authors-guild-wants-to-take-google-to-supreme-cour.html?utm_source=newsletter_medium=email_content=headline_campaign=89133


deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] An outrageous pricing model

[Deg Farrelly]

I received today a email from a video distributor with the following details 
for streaming their content:  (I am removed any reference to the distributor’s 
name

---
Giving students online access to (our) videos is as easy as 1-2-3.

1. Determine the video(s) you or your department will need for the year, how 
many students need to view, and whether learners will access the videos via our 
LMS or yours*.

2. Find your pricing on the chart below


# of Users


1st Video


Addt'l Videos


1-50


$395


$100 each


51-100


$595


$150 each


101-150


$895


$200 each


151-200


$1,100


$250 each


Call if you need pricing for more than 200 users.

For example, say your department needs to stream 3 videos for various courses 
to be offered throughout the year, and expects to need access for anywhere from 
80-100 students.
You would pick User Level 2 (51-100) and your price would be $895 ($595 for the 
first title, $150 each for the 2nd and 3rd titles.) This equates to $2.98 per 
student per video.
Note: This type of subscription would give you 100 logins; each login would 
have unlimited access to all three videos. (You would not have 100 logins for 
each video separately. For that type of usage, please ask us about 
"pay-per-view".)

3. Call or email us with your order! We'll quickly get you set up on our 
platform, or send you a file for each video chosen.

—

I wrote back to the vendor and gave them a blunt statement that this model is 
unacceptable, unscalable, and far out strips even the most expensive of 
streaming licenses out there.

What say the rest of you?  Did you receive the same “offer”?

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] No more DVDs?

[Deg Farrelly]

Apologies for being late to this conversationŠ I have been traveling,
attending and presenting at the Charleston Conference, and presenting a
webinar on issues in streaming video for ALCTS on Wednesday.

I have been reading the responses to Jonathan¹s original question and
largely concur with the comments from several about streaming replacing
DVD only when there is a perpetual license for the digital file.  I
personally do not require that file to be on our own servers; but I am
very mindful that if hosting is provided by the distributor, we do not
have the protections provided by dark archives like Portico provides for
digital journals.

I personally have never understood the rationale for charging double the
price of a DVD for a streaming file, and certainly disagree with charging
the price of a DVD for only a term license.  Especially with the library
takes on the effort and expense of generating the digital file from a hard
copy, and/or hosting the file on their own servers.  This has always
struck me unfair price increases.

Arguments are made that the streaming version receives greater use and is
more flexible, but even some of that is debatable.  A DVD shown in class
(perhaps the only practical way to use a hard copy film) may be seen by 30
students simultaneously (plus or minus those who skip class or fall
asleep).  That the film is linked in a course shell is not indication that
the video is being seen by any more students in that class.  In fact it
may be seen less as data suggests that student viewing of a linked
streaming video has a very high drop-off rate and few students watch the
entire film.  Additionally, when we have to generate and host the digital
file ourselves, we frequently are unable to provide captioning, which
makes the stream LESS flexible than the DVD.

I appreciate the distributors that sell the streaming rights at the same
price as the DVD (even more so when they also provide a volume discount).
And I especially appreciate those who do do AND provide the digital file,
and the caption file as well.  I will purchase the DVD with the stream it
the two are packaged very reasonably.  I like the extra protection
afforded by our ownership of the physical artifact.

I will not, the extent that I am able, enter into term licenses for
individual titles, except in the rare circumstance that that is the only
way to obtain access to an essential title.

One of the key take-away points I picked up at the Charleston Conference
is the difference between term licensing individual titles (no matter what
approach is used) and in-perpetuity/Life of File licensing:

Term Licenses = Providing a Service, content when it is needed

In-Perpetuity = Collection Development

(Thank you to Michael Arthur at the University of Alabama for that insight.

I recognize that I represent a VERY large university with different
budgeting issues than other institutions, and that your mileage may vary.

-deg


deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Charleston session

[Deg Farrelly]

Ill be there!

let's grab a cup of coffee and have a good gab fest in Charleston!

deg farrelly
> 
> Greetings everyone,
> 
> In light of Jonathan Miller's query to the listserv and the many very 
> interesting responses, I wanted to put in a shameless plug for a paper 
> session I and my colleagues will be participating in this Thursday at 
> Charleston. While it is largely about streaming media collection development 
> policies we will also touch upon issues of when to purchase physical v 
> digital and question what streaming media means in relation to traditional 
> library values. Here's a link to our full abstract: http://sched.co/4BaB .
> 
> Hope some of you can make it!
> Best,
> -lisa H.
> 
> Music & Media Librarian
> Howard-Tilton Memorial Library
> Tulane University
> 504.314.7822
> @lkHMusLibrarian
> www.facebook.com/TulaneMusicAndMediaCenter<http://www.facebook.com/TulaneMusicAndMediaCenter>
> http://www.library.tulane.edu/libraries/mmc

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Employment Opportunity at ASU Libraries - Digital Library Software Engineer

[Deg Farrelly]

Passing this along for a colleague… in case you or anyone you know might be 
interested.

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103

From: Tammy Allgood <tammy.allg...@asu.edu<mailto:tammy.allg...@asu.edu>>
Date: Monday, November 2, 2015 at 1:24 PM
To: "DL.ORG.LIB.ICS" 
<dl.org.lib@exchange.asu.edu<mailto:dl.org.lib@exchange.asu.edu>>
Subject: Employment Opportunity at ASU Libraries - Digital Library Software 
Engineer

Please forward this to anyone you respect and think might be interested. Thanks!


Come join the rapidly expanding Discovery Services team at ASU Libraries! U.S. 
News & World Report recently ranked ASU as the #1 most innovative school in the 
country and our library system aims to do the same.

Contribute to the development of software infrastructure for a rapidly 
expanding suite of information and discovery services through systems design, 
implementation, and maintenance of applications that enable the discovery, and 
dissemination of information and digital resources of ASU Libraries as well as 
external systems.

Minimum Qualifications:

Bachelor's degree in Computer Science or closely related field AND two (2) 
years previous experience in software applications development; OR, Any 
equivalent combination of experience and/or education from which comparable 
knowledge, skills and abilities have been achieved.

Desired Qualifications:

  *   Evidence of a Master’s degree in information science, library science, 
information systems or related field
  *   Experience with Python, Ruby, or Java programming languages
  *   Experience with PHP
  *   Experience with search/indexing technology (e.g., Apache Solr)
  *   Experience with Unix or Linux server platforms, related software, and 
basic system administration utilities
  *   Experience in applying best practices to and planning technical projects
  *   Experience with team collaboration tools and version control systems
  *   Experience with Drupal
  *   Experience of three or more years developing and implementing complex web 
applications using MVC frameworks such as Django or Rails
  *   Experience in participating in and contributing to open source software 
development projects
  *   Demonstrated knowledge of library applications, technology, and standards
  *   Experience participating in relevant library open source efforts
  *   Experience working with the RDF data model, semantic web design 
principles, and related standards
  *   Experience with catalog discovery layers and discovery services such as 
VuFind, Blacklight, Summon, etc.
  *   Demonstrated knowledge of Marc21 coding of bibliographic records
  *   Experience  with Single Sign On (SSO), shibboleth, and/or other standard 
authentication protocols
  *   Experience with multimedia and/or data visualizations
  *   Demonstrated knowledge of security best practices, including OWASP
  *   Evidence of effective verbal and written communication skills
  *   Experience in problem-solving and prioritizing projects
  *   Demonstrated knowledge of library policies and practice, metadata 
standards and the scholarly communication framework
  *   Experience in adapting emerging technologies to new domains
  *   Experience in learning new technical skills quickly
  *   Experience in meeting deadlines
  *   Experience in offering customer service

Though it states on the description that "ASU does not pay for travel expenses 
associated with interviews." Interviews can be conducted remotely for those 
interested outside of Arizona.

https://sjobs.brassring.com/tgwebhost/jobdetails.aspx?jobId=2152666=25620=5494=mail

Tammy Allgood Wolf
Manager of Discovery Services
Informatics and Cyberinfrastructure Services
ASU Libraries
Arizona State University
480-965-1797

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Article on Streaming Video in latest issue of Library Journal

[Deg Farrelly]

There is a long and detailed article on Streaming Video in the academy in
the latest issue of Library Journal.

In case you have not seen it:
http://lj.libraryjournal.com/2015/10/books-media/on-demand-academic-media/#
_

There is an error in the reference to Jane Hutchison and my survey (we did
not conduct the 2010 survey as indicated) but otherwise I think the
article is spot on!


-deg

deg farrelly, Streaming Video Administrator
ASU Libraries




VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] 9th Circuit rules that Fair Use review must precede DMCA takedowns

[Deg Farrelly]

A win for fair use, for now.

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103


Text of Law360 article follows below.

https://www.law360.com/articles/702339

Copyright holders cannot shirk their duty to consider—in good faith
and prior to sending a takedown notification—whether allegedly
infringing material constitutes fair use, a use which the DMCA plainly
contemplates as authorized by the law,” the appeals court wrote. “That
this step imposes responsibility on copyright holders is not a reason
for us to reject it.

Full text of the opinion (9 pages; PDF) in Lenz vs. Universal Music is
available here:

https://www.scribd.com/doc/280946517/Opinion-From-United-States-Court-of-Appeals-9th-Circuit-Lenz-vs-Universal-Music






Fair Use Review Must Precede DMCA Takedowns: 9th Circ.

Share us 
on:<http://twitter.com/share?text=Fair%20Use%20Review%20Must%20Precede%20DMCA%20Takedowns:%209th%20Circ.=http://www.law360.com/appellate/articles/702339>
 
<http://www.facebook.com/share.php?u=http://www.law360.com/appellate/articles/702339>
  
<http://www.linkedin.com/shareArticle?mini=true=http://www.law360.com/appellate/articles/702339=The+Ninth+Circuit+ruled+Monday+in+a+closely+watched+suit+known+as+the+%26ldquo%3Bdancing+baby+case%2C%26rdquo%3B+finding+copyright+owners+must+consider+the+fair+use+doctrine+before+sending+Digital+Millennium+Copyright+Act+takedown+notices+to+online+hosts+like+YouTube.=Fair+Use+Review+Must+Precede+DMCA+Takedowns%3A+9th+Circ.=Law360>
  <https://www.law360.com/articles/702339/share?section=appellate> By Bill 
Donahue

Law360, New York (September 14, 2015, 11:44 AM ET) -- The Ninth Circuit ruled 
Monday in a closely watched suit known as the “dancing baby case,” finding 
copyright owners must consider the fair use doctrine before sending Digital 
Millennium Copyright Act takedown notices to online hosts like YouTube.

Siding with Stephanie Lenz and rights group Electronic Frontier 
Foundation<https://www.law360.com/companies/electronic-frontier-foundation>, 
the appeals court said copyright owners like Universal Music 
Group<https://www.law360.com/companies/universal-music-group-inc> can only send 
takedown notices if they’ve come a good faith conclusion that the targeted 
upload is not a protected fair use of the copyrighted work.

If they have not, they can be held liable for damages under the DMCA's Section 
512(f) — a provision that bars improper use of the takedown procedure but has 
barely been enforced by the courts.

“Copyright holders cannot shirk their duty to consider — in good faith and 
prior to sending a takedown notification — whether allegedly infringing 
material constitutes fair use, a use which the DMCA plainly contemplates as 
authorized by the law,” the appeals court wrote. “That this step imposes 
responsibility on copyright holders is not a reason for us to reject it.”

Lenz sued in 2007 after UMG sent a takedown notice to YouTube over a 30-second 
clip she posted of her son dancing to Prince’s “Let’s Go Crazy.” She claimed 
the video was legal fair use and that the label had thus violated Section 
512(f) in its takedown notice by knowingly misrepresenting the video was an 
unauthorized use of a copyrighted work.

The case was closely watched from both sides. Lenz and EFF said a win would 
provide a needed counterbalance to overly aggressive takedown notices from 
large media companies. Universal and other media firms, on the other hand, said 
the DMCA’s takedown system already overburdens them and the system can't 
function as designed if they're required to look into fair use each time they 
send a notice.

Though the court said Monday that companies like Universal need to consider 
fair use, it also noted that it was “mindful of pressing crush of voluminous 
infringing content that copyright holders face in a digital age” and that the 
process for checking for fair use “need not be searching or intensive.”

“We note, without passing judgment, that the implementation of computer 
algorithms appears to be a valid and good faith middle ground for processing a 
plethora of content while still meeting the DMCA’s requirements to somehow 
consider fair use,” the court wrote.

When a company doesn’t meet those requirements, the court said, an aggrieved 
party can pursue a claim that the copyright owner violated Section 512(f) by 
“knowingly misrepresenting” that it had a good faith belief that the work was 
infringing.

The court also ruled that a litigant like Lenz can recover nominal damages when 
such a claim is successful — another point of contention in the case. The panel 
left to a jury, however, the question of whether she actually deserved damages 
or attorneys fees.

“Today’s ruling sends a strong message that copyright law does not authorize 
thoughtless censorship of lawful speech,” said Corynne McSherry, the EFF's 
legal director who argued on

[Videolib] Distributor catalogs

[Deg Farrelly]

Is anyone holding on to any print catalogs from film distributors from the
days before video?  That would be the very early 1970¹s

Pyramid, Films Inc, Carousel, McGraw-Hill, etc.

If so could you please contact me off list for some questions/assistance?

Thank you.

-deg

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103





VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] One time screening rights?

[Deg Farrelly]

ASU is nearly identical to what Barb does at Minnesota.  This may be a
matter of institutional size, with smaller institution libraries more
likely to cover the cost.

I have tentatively proposed that the ASU Libraries take on this
responsibility for all.

We have a policy page posting information on PPR:
https://lib.asu.edu/policies/publicperformance


deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103



On 8/24/15, 12:42 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:


If we can purchase a DVD with PPR for them, we will.
If it's a rental, usually not.  I'll point them to the correct resource
for arranging the rental (Swank, Criterion, Sony, etc), and advise
student groups to check on funding from Student Activities.
That said, the Library has occasionally partnered with a group if they
don't have funding and it makes sense for us to do so.

Barb Bergman | Media Services  Interlibrary Loan Librarian | Minnesota
State University, Mankato | (507) 389-5945 |
barbara.berg...@mnsu.edumailto:barbara.berg...@mnsu.edu



VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Copyright question: American Playhouse Films

[Deg Farrelly]

I am going to take a contrarian point of view hereŠ..

Whether or not the video has been posted with the permission of the
copyright holder, the fact is that it has been posted on a publicly
available website, and is discoverable by anyone with moderate Internet
searching skills.

It is my opinion (I am ready for the slings and arrows) that the professor
could reasonably post a link to the YouTube-hosted file.  Such a link
should include information indicating that the legality of the stream is
uncertain and that there is no guarantee that it will continue to remain
available.

That is not the same as the Library cataloging it and making it accessible.

Questionable?  Yes.  ³Iffy²?  Yes.  But it¹s the public discoverability,
availability and accessibility that is the foundation of my opinion.

Alternatively, the professor could just put in the BB shell directions for
students to search for ³raisin in the sun² and ³glover² in Google

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103




On 8/18/15, 4:05 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:

We have instructors at my university who would like to have their
distance-education students watch the American Playhouse version of A
Raisin in the Sun (1989) that is currently available through YouTube.
This version was directed by Bill Duke and features Danny Glover and
Esther Rolle.  Do American Playhouse films require public performance
rights?  The URL would be posted on a web course through Blackboard.



Lowell Lybarger


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] noise canceling headphones in your library?

[Deg Farrelly]

Deb

We do not loan noise canceling headphones, but we do hand out on request,
disposable ear plugs.

This started when the library was undergoing renovation, so we had buckets
of the plugs out for the public.  Now we just make them available.

No need to sanitize anything, they are all individually wrapped, in sets
of 2.

Widely availableŠ less than $.10 a set.

http://www.bosssafety.com/p-11882-moldex-mellows-foam-earplugs.aspx

Also can be acquired in custom printed boxes for promotional use.

-deg

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103



On 8/18/15, 12:39 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:

Hi-


Does anyone circulate noise canceling headphones in their library?  We
are doing what we can go keep noise levels down on two floors, but
sometimes this is impossible.  I know of the sanitation issues and
expense of such phones, but I'm curious to hear your pros and cons.

Thanks!

Debra

Debra H. Mandel


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Happy Birthday copyright lawsuit has sudden new evidence

[Deg Farrelly]

From 
https://www.techdirt.com/articles/20150727/16042931768/happy-birthday-copyr
ight-bombshell-new-evidence-warner-music-previously-hid-shows-song-is-publi
c-domain.shtml

 
³Last minute evidence that completely turns a legal case on its head
doesn't come about all that often -- despite what you see in Hollywood
movies and TV shows. The discovery process in a lawsuit generally reveals
most of the evidence revealed to everyone pretty early on. And yet... in
the high profile lawsuit over the copyright status
https://www.techdirt.com/articles/20130613/11165823451/filmmaker-finally-a
ims-to-get-court-to-admit-that-happy-birthday-is-public-domain.shtml of
the song Happy Birthday, the plaintiffs Good Morning to You
Productions (who are making a documentary about the song and are arguing
that the song is in the public domain) have popped up with a last minute
filing, saying they have just come across evidence that the song is
absolutely in the public domain
http://www.hollywoodreporter.com/thr-esq/happy-birthday-lawsuit-smoking-gu
n-811144?utm_source=dlvr.itutm_medium=twitter.

And, here's the real kicker: they discovered this bit of evidence after
two questionable things happened. (1) Warner/Chappell Music (who claims to
hold the copyright for the publishing, if it exists) suddenly found a
bunch of relevant documents that it was supposed to hand over in discovery
last year, but didn't until just a few weeks ago, and (2) a rather
important bit of information in one of those new documents was somewhat
bizarrely blurred out. This led the plaintiffs go searching for the
original, and discover that it undermines Warner Music's arguments, to the
point of showing that the company was almost certainly misleading the
court. Furthermore, it definitively shows that the work was and is in the
public domain. ³
 
This has been such an interesting example of how murky copyright can be,
even for things published before 1923 (which is our usual cutoff for
assuming things are in the public domain). This is a really important
copyright case for this reason, and it looks like we¹ll get more
information this week, since there was a hearing scheduled for tomorrow
(from 
http://arstechnica.com/apple/2015/07/filmmakers-fighting-happy-birthday-cop
yright-find-their-smoking-gun/)
 
Also, important library note: the critical 1922 edition was found in the
University of Pittsburgh archives. Bam!


deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Last call to complete the Survey...

[Deg Farrelly]

Randal

Several responses from Michigan institutions, but not one from Eastern
Michigan.

-deg

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103



On 7/13/15 12:38 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:


Deg, since you collect institutional info, can you tell me if eastern
Michigan has responded. I think we have but I forgetten!

Randal Baier


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] voter suppression

[Deg Farrelly]

Thanx Chris!  Great suggestions.

-deg

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103



On 6/17/15 12:40 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:


Better late than never, eh?

Murder, spies  voting lies : the Clint Curtis story
So goes the nation : a true story of how elections are won and lost
Uncounted : the new math of American elections


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] libraries and streaming video

[Deg Farrelly]

There was a post today on MediaPost about TiVo's new search tools.  It included 
a quote from Mashable that interested me, so I dropped the reporter a note.

His response included this:I never stopped to think that academic 
libraries would keep any streaming video. What an interesting thing!

Isn't it though?

-deg

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Media Circulation Best Practices

[Deg Farrelly]

Lowell

Thanx for a great question.

At ASU Libraries the loan period for our videos (changed from 3 days many
years ago) is one week, no renewals.  This applies to all borrowers,
students, faculty, staff, and local community. IF a faculty member asks
for a longer loan period it is provided, provided there are no holds,
bookings, etc. on them.  And a patron may bring the videos back in and
borrow again, provided there are no holds or bookings on them.  Videos on
course reserve have different loan periods, 4 hours, overnight, one week,
etc.

I know that some libraries still do not allow students to borrow videos,
or allow videos out of the building, or allow only faculty to borrow, or,
or, or.

Might I suggest that you turn the question around and instead of asking if
loan periods should be extended, ask what is the rationale for having a
different loan period or a shorter loan period for media.  Do all media
need such a restriction?

I think video loan periods are a hold-over from the days when films, and
then videos, were expensive.  25 years ago the standard loan (or rental
for 16mm) was 3 daysŠ.. One day to pick it up/one day to show/one day to
return.   This is a legacy approach that may not hold up anymore.

There are workarounds for irreplaceable titles, titles needed for
instructionŠ. 

Why is an important question to ask.

-deg


P.S.   Have you completed the survey:  Academic Library Streaming Video
Revisited?  Https://surveymonkey.com/r/ALSVR

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103





On 6/11/15 12:39 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:


This is an open-ended question about loan periods for optical media (DVD,
Blu-ray, and CD audio) for undergraduates.  My library will migrate to a
new Library Management System next year (ALMA) and some of my colleagues
want to extend the loan period for optical media for undergraduates.  Can
anyone suggest relevant studies or documents that discuss best practices
for media circulation, focused on loan and renewal periods and not just
preservation or security?  Alternatively, what is the policy at your
institution?

Many thanks,  Lowell

Lowell Lybarger, PhD, MLIS
305 West Q St.
Arkansas Tech University
Russellville, AR 72801
(479) 964-0584
http://library.atu.edu/about/personnel/lybarger.php



VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] what is a good word for obsolete media?

[Deg Farrelly]

Analog

Archaic

I'm Still Not Dead  (a reference to an old National Lampoon running joke)

Not Dead Fred   (Spamalot)


deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103



On 6/8/15 12:39 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:

rom: Maureen Tripp maureen_tr...@emerson.edu
Subject: [Videolib] what is a good word for obsolete media?
To: videolib@lists.berkeley.edu videolib@lists.berkeley.edu
Message-ID: 53115075cbb74f4eb945b0b351f08...@lightning.emerson.edu
Content-Type: text/plain; charset=us-ascii

and I know they are not really obsolete.  But formats for which playback
equipment isn't always available?  Like 16mm film, vhs tapes, etc.?
I've been calling them heritage media, but wondered if there are other,
more widely used, terms?
thanks--
M.T.



VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Turning to the collective wisdom - videos on voter suppression

[Deg Farrelly]

I have a faculty member looking for videos on efforts that might be described 
as War or Attack on voting rights.

We have already identified The Dawn, Counting on Democracy, and No Umbrella, 
plus a couple Bill Moyers programs.  And we have Gerrymandering.

Other suggestions will be greatly appreciated.

Thank you.

-deg

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Film and cinematic arts librarian position

[Deg Farrelly]

FYI

Reposting for the benefit of the list.  I have no affiliation with this 
position or institution.

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103




The University of Richmond is currently searching for a Film/Cinematic Arts
Librarian. Please share with qualified candidates.

https://richmond.csod.com/ats/careersite/JobDetails.aspx?id=603

Film/Cinematic Arts Librarian - 500420

SUMMARY:

Provide leadership within the Library, working collaboratively across campus,
with the local community, and with national and international partners to
create and support traditional and cutting edge services designed to meet the
current and emergent needs of students, faculty, and staff. Work with all
faculty and students, the Film/Cinematic Arts Librarian will foster successful
adoption and application of research, teaching, and learning through film and
media. Serve as liaison to the University's Film Studies Program. Collaborate
with all faculty to select, manage and develop film collections to support this
area and other areas as assigned. The Film/Cinematic Arts Librarian will be a
change agent, partner, and resource person for all library staff involved in
facilitating faculty and student projects related to and incorporating film and
the cinematic arts and will be expected to conduct regular scans of the campus
environment to identify emerging areas of interest. Manage the University
Libraries film collections, both digital and analog, and recommend strategic
priorities for the physical and digital development of the film collection.
Ongoing contributions to the program's longstanding tradition of bringing film
and video artists as well as scholars of film and media to campus is integral
to the position, as will be programming screenings and organizing special
events.

Professional librarians hold faculty status. Faculty status allows both voice
and vote in University faculty meetings, eligibility to serve on faculty
committees, to serve as a student advisor, and to participate in the Program
for Enhancing Teaching Effectiveness (PETE); and it acknowledges that those
individuals play an active role in the intellectual activities of the
University. Faculty status does not carry with it eligibility for tenure or
sabbatical, nor does it automatically carry with it faculty rank (Professor,
Associate, Assistant Professor, or Instructor), since faculty rank is in a
specific academic department, nor does it carry eligibility for other benefits
normally assigned to full-time teaching faculty.

RESPONSIBILITIES:

  *   Create instructional resources and tutorials, provide instruction, and
offer research and consultation appointments to students in liaison areas and
to other members of the campus and community as required, using pedagogical
best practices and current instructional technologies.
  *   Coordinate the selecting, ordering, promoting, and presentation of
programs in the International Film Series, ChinaFest and African Film Weekend.
Provide public introductions for selected films.
  *   Collaborate with liaisons and appropriate divisions within the library to
create, coordinate and manage best practices for film, audio and image
collection maintenance, growth and preservation.
  *   Create and maintain research guides and web content that demonstrates
knowledge and understanding of critical information literacy practices for
students and faculty in liaison areas.
  *   Maintain knowledge of the legal landscape and licensing for digital media
especially in the area of streaming and performance rights. Participate in
university wide development and implementation of policies related to digital
rights management, copyright and intellectual property standards.
  *   Conduct environmental scans of all campus departments in order to
identify current and emerging scholarly projects, areas of inquiry, and
pedagogical trends related to film and media studies. Align resources as
appropriate to support these departments.
  *   Supervise and evaluate Media Scheduling Manager/Student Assistant
Supervisor.

QUALIFICATIONS:

  *   Specialized knowledge of film history and digital media.
  *   Experience representing a library to external stakeholders and engaging
in consortia and community projects or programs.
  *   Strong leadership skills, including keen analytical and conceptual
abilities and demonstrated ability to lead organizational change, inspire
innovation, and delegate responsibility appropriately.
  *   Strong interpersonal and public communication skills including ability to
serve as an advocate and spokesperson for the University of Richmond libraries.
  *   Demonstrated engagement in reference and instructional services, user
experience, and assessment of services.
  *   Evidence of implementation of emerging trends in higher education in the
areas of reference, instruction, access, assessment

[Videolib] Video Data Bank - free streams

[Deg Farrelly]

FYI

-deg

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103

You’re invited to tune in to VDB TV!
View this email in your 
browserhttp://us1.campaign-archive2.com/?u=b98f4d33871d6bcbe25c8dea3id=6505d88d1de=11640007f2



[https://gallery.mailchimp.com/b98f4d33871d6bcbe25c8dea3/images/b2f94e26-7f6a-4b1c-b9b7-8dac13276f24.jpg]

[https://gallery.mailchimp.com/b98f4d33871d6bcbe25c8dea3/images/84c59fdb-d5ec-4fcf-acf0-ca89274ac2db.jpg]http://vdb.us1.list-manage.com/track/click?u=b98f4d33871d6bcbe25c8dea3id=4a2c107c06e=11640007f2


You’re invited! Tune in to VDB TV, a rotating series of groundbreaking programs 
presenting essential video art, streaming free for the first time to the 
general public on the Video Data Bank website. From early media pioneers, to 
sensational contemporary artists, VDB TV provides unprecedented access to the 
culturally significant VDB archive of over 6,000 video art titles. VDB TV is 
curated by prominent programmers and moving image art specialists from around 
the world, bringing you an astounding range of moving image art!





CURRENT PROGRAM

The Feminist Origins:
Video Data Bank’s On Art and Artists Interview Collection

VDB TV launches with a program devoted to the feminist origins of VDB’s 
historical On Art and Artists interview collection.

[https://gallery.mailchimp.com/b98f4d33871d6bcbe25c8dea3/images/7f59c70f-0318-4340-8510-8980df063d49.jpg]http://vdb.us1.list-manage.com/track/click?u=b98f4d33871d6bcbe25c8dea3id=779c75b47fe=11640007f2

In April 1974, Video Data Bank co-founders Lyn Blumenthal and Kate Horsfield 
conducted their first taped interview, an in-depth conversation with art 
historian and curator Marcia Tucker. During the remainder of that year, 
Blumenthal and Horsfield interviewed four more notable art world women: Lucy 
Lippard, Agnes Martin, Joan Mitchell, and Ree Morton. Seen together, these five 
interviews mark a seminal moment in the history of 20th Century art, a moment 
in which women artists were increasingly being asked to define and position 
their practice within the growing feminist movement. In this program, each 
interviewee personally defines her experience as an artist, and discusses the 
influence of feminism on her own life.



Keep coming back to VDB TV for more exciting programming! Upcoming highlights 
include a radical selection from the Videofreex Archive, and an exciting 
program of contemporary video art works curated by Brooklyn Rail film editors 
Rachael A. Rakes and Leo Goldsmith.



NEA SUPPORT

In conjunction with the launch of VDB TV, we are pleased to announce that Video 
Data Bank has been awarded a grant from the National Endowment for the Arts to 
support the project.
VDB Executive Director Abina Manning says, “All of us at VDB are thrilled to be 
recipients of an NEA award for VDB TV. We’ve long desired to make more of the 
collection available to the general public, but only while also ensuring that 
included artists’ are fairly compensated for their work. NEA support is finally 
allowing us to fulfill that goal, and we’re excited to create some amazing 
programming for audiences interested in moving image art!”

[https://gallery.mailchimp.com/b98f4d33871d6bcbe25c8dea3/images/dbd40061-8f39-4454-b044-a48fcda8a5db.jpg]VDB
 TV is supported in part by a Media Arts award from the National Endowment for 
the Arts. To find out more about how NEA grants impact individuals and 
communities, visit 
www.arts.govhttp://vdb.us1.list-manage1.com/track/click?u=b98f4d33871d6bcbe25c8dea3id=b9276916bae=11640007f2.





Copyright © 2015 Video Data Bank, All rights reserved.
You are receiving this email because you have provided Video Data Bank with 
your contact information in the past. If you no longer wish to receive VDB 
updates or promotions, you can unsubscribe at any time.

Our mailing address is:
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112 S. Michigan Ave.
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Add us to your address 
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VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Streaming storage question

[Deg Farrelly]

Lisa

Individual file size will vary, of course.  But ours run anywhere from
about 750 MB to 2 GB.  Some files at high resolution run higher.

-deg

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103



Date: Mon, 11 May 2015 17:05:48 +
From: Hooper, Lisa K lhoop...@tulane.edu
Subject: [Videolib] Streaming storage question
To: videolib@lists.berkeley.edu videolib@lists.berkeley.edu

Greetings everyone,

For those of you that have begun purchasing life of file for streaming
video - what is the average storage need per file?

Thanks!
-lisa

Music  Media Librarian
Howard-Tilton Memorial Library
Tulane University
504.314.7822
www.facebook.com/TulaneMusicAndMediaCenterhttp://www.facebook.com/TulaneM
usicAndMediaCenter
http://musicmediacentertulane.tumblr.com/
http://bamboulanola.tumblr.com/


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Website accommodations for disabled users

[Deg Farrelly]

Jeff et al

I suspect that the issue of accessibility, particularly captioning and/or
subtitles is going to heat up, given the lawsuit against MIT and Yale.

Next week Jane Hutchison and I will launch a revised version of our survey
on streaming video in academic libraries.

The revised survey includes a new section on captioning in streaming
videos.  Just as our 2013 survey established baseline data on streaming
video in general, we hope this new survey will do the same on
captioning/subtitle data.

We will post an invitation to complete the surge with a link to the survey
next week.

-deg

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103

 


Hi, Videolib ? Here at Kino Lorber, we?re currently discussing website
alterations to accommodate the needs of disabled users. I would love to
hear
any knowledge you can share about features on your library sites that have
proven useful in accessing films and videos. If there are reports with
data
that can be shared, I?d especially love to have access to those.

Thanks in advance for any assistance you can provide ? I look forward to
seeing members of the VRT at our co-sponsored event at ALA this summer!

Cheers,

Jeff
Jeff Tamblyn
Director of Educational Sales and Distribution
Kino Lorber EDU


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Unsub

[Deg Farrelly]

Michael

In case no one else repliedŠ. Unsubscribing from VideoLib is a
self-service action:


To subscribe or unsubscribe via the World Wide Web, visit

https://calmail.berkeley.edu/manage/list/listinfo/videolib@lists.berkeley.
edu



deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103



On 4/15/15 1:01 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:

Message: 8
Date: Wed, 15 Apr 2015 12:28:31 -0500
From: Michael Rozner mroz...@elm-usa.com
Subject: Re: [Videolib] Man and a Woman undubbed
To: videolib@lists.berkeley.edu videolib@lists.berkeley.edu
Message-ID: 6c94c865-8a6d-4a47-9923-5598d5a0f...@elm-usa.com
Content-Type: text/plain; charset=utf-8

Please remove me.


Michael Rozner


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] reformatting permission request

[Deg Farrelly]

Dennis

In this case, the due diligence required by Section 108 is being followed.
 The person contacted the original distributorŠthat is part of the
reasonable effort.

-deg

deg farrelly
Media Librarian/Streaming Video Administrator
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103



Danette, by an odd coincidence, I just got a call from a person this
afternoon whose neighbor badly scratched one of the discs of our PHANTOM
OF
THE OPERA that went out-of-print about six years ago. He was so sad, I
found one in the closet and sent it off to him for free.

In most cases, when someone has bought an institutional video from us
(doesn't matter how long ago) and it's damaged, we almost always just
charge the home video price of $20 to $25 for a replacement and it's
usually a much better master by then.

So good things can actually happen if you call the rights holder. The
worst
that can happen is the rights holder wants to charge you $500 which
actually confirms that you can make a copy of your video.

I gotta say, your scholarly communications officer has a skewed version of
many rights holders.


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] 60 Minutes Archive

[Deg Farrelly]

I was running through some old, deleted VideoLib digests looking for
something else when I came across Chris McNevins' post and Barb Bergman's
response.

Just in case other list members have not heard, the 60 Minutes collection
is now distributed by Alexander Street Press.  My understanding is that
they have every episode (minus a few that were involved in litigation,
etc.)

So if you are looking to replace 60 Minutes tapesŠ.

Sorry, I don't know details about availability of single titles.

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103




On 1/16/15 12:02 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:

Yes, I just had to find out how to purchase a recent program (one that
that's online, but that's another story...). Here's what I received:

60 minutes is licensed by CBS News.  Email
foot...@cbsnews.commailto:foot...@cbsnews.com.
Response came from -- Montas, Maria mont...@cbsnews.com

Barb Bergman | Media Services  Interlibrary Loan Librarian | Minnesota
State University, Mankato | (507) 389-5945
|barbara.berg...@mnsu.edumailto:barbara.berg...@mnsu.edu

From: videolib-boun...@lists.berkeley.edu
[mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Chris McNevins
Sent: Wednesday, January 14, 2015 9:02 AM
To: videolib@lists.berkeley.edu
Subject: [Videolib] 60 Minutes Archives

Hi Folks,

Does anyone have contact info for CBS News/60 Minutes Archives?  We're
looking to replace the following DVD:

The music of Auschwitz
Author: John 
Tiffinhttp://uconn.worldcat.org/search?q=au%3ATiffin%2C+John.qt=hot_auth
or; CBS 
News.http://uconn.worldcat.org/search?q=au%3ACBS+News.qt=hot_author;
Carousel 
Films.http://uconn.worldcat.org/search?q=au%3ACarousel+Films.qt=hot_auth
or
Publisher: New York : Carousel Film  Video, [200-?]
Note: Originally produced on the television program 60 minutes: c1978
Edition/Format: [cid:image001.png@01D0317C.AE40EA60]  DVD video : English
Database: WorldCat
Summary: A former inmate of the concentration camp, Auschwitz, reflects
on the music made there during World War II. She discusses how the music
provided comfort to newly arrived detainees, entertainment to German
soldiers, and, after liberation, entertainment to liberating troops.

Any info would be greatly appreciated.  Please contact me off list.

Cheers!

Chris McNevins


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Bushmen ad nauseum

[Deg Farrelly]

Dennis

Once again you have laid out clear and articulate statements from a film
distributor/preservationist point of view.

I appreciate your efforts, and welcome the intellectual challenge you
provide us all.

You have given me fresh food for thoughtŠ and I am going to look closely
at the sections of the copyright law that you reference.

But in the meantime, I think it is imperative that we keep in mind that
when I (or librarians of my ilk) talk about Section 108 duplication (with
or without streaming in the mix) we are talking about titles that have
been legally acquired in the first place, and researched for replacement
without success.  Titles purchased for the express purpose of curricular
and research support.

I welcome filmmakers, restorers, preservationists to step forward and say
We've restored this titleŠ  I will happily purchase a clear, clean copy
to replace my cr@ppy VHS (Umatic? Laserdisc?) copy.  You already know the
extent to which I have supported commercial restoration.  (Not enough I
fear)

Recently I was all set to preserve my laserdisc copy of the 1936 version
of Show Boat, when I discovered that it had been re-released.  MUCH
happier to have the DVD than a dubbed copy.  More recently I noticed our
copy of This is the Army was lousy (and probably not a kosher copy to
begin with) So I ordered a new copy.

Librarians are NOT out to rip off publishers, as some would claim.  And in
the absence of a clear legal ruling on media duplication and streaming we
(some of us anyway) are going to continue to exercise the rights as we ahd
our legal counsels have interpreted the law.

Please give Walter a big hello from me, and express my appreciation of his
research and efforts.

-deg




On 3/16/15 7:10 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:

I'm having lunch with Forsberg tomorrow so I'll have to beat him up ...


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Local cataloging practice question

[Deg Farrelly]

Question about your cataloging policy:

If you have invoked US Copyright Law Section 108 to make a copy of a video in 
your collection, do you provide a catalog record for the copy/ies?

If so, does the catalog record contain a reference to Section 108?

Thanx.

Feel free to respond off list if you wish.

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Bushmen of the Kalahari

[Deg Farrelly]

Sarah

US Copyright Law, Section 108 grants libraries rights to make digital
copies of works they own that are lost, stolen, damaged, deteriorating, or
in an obsolete format, provided they are unable to find an unused copy at
a reasonable price after a reasonable search.

Research by Forsberg and Piils demonstrates that VHS (while not obsolete
by the LC definition) is a deteriorating format.

If you have been unable to locate a new copy in the marketplace you do not
need permission.  You should feel comfortable envying Section 108 to make
up to three (3) digital copies.  The law does not preclude streaming as
the format of a digital copy.

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103




I'm trying to figure out if I can stream the John Marshall film made for
National Geographic television, Bushmen of the Kalahari (narrated by
Leslie Nielsen). 1974. I don't think it was ever released on DVD.

Any clues?

Thanks!

Sarah E. McCleskey
Head of Access Services, Film and Media
112 Axinn Library
123 Hofstra University
Hempstead, NY 11549
516-463-5076
sarah.e.mccles...@hofstra.edu

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Message: 3
Date: Mon, 16 Mar 2015 12:33:41 -0500
From: Jeanne Little jeanne.lit...@uni.edu
Subject: Re: [Videolib] Bushmen of the Kalahari
To: videolib@lists.berkeley.edu
Message-ID:
   calghjpmt5wduii8iilhbrpxt9t_fdq7u6l+fwgt6-_bcc7m...@mail.gmail.com
Content-Type: text/plain; charset=utf-8

Try David Pierson at dpier...@ngs.org for permissions, which you will
need,
since it is still under copyright. It has been a bit since I contacted
him,
so fingers crossed he is still available...

Jeanne Little


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] US distributor/availability of The Square?

[Deg Farrelly]

Looking for a DVD copy in Region 0 or 1 of Noujaim's The Square  
http://www.kaleidoscopehomeentertainment.com/content/detail3.asp?ID=275title=The-Square

Not listed on Amazon.  I have written Kaleidoscope Home Entertainment twice.

Any leads from the list?

Thanx in advance.

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Yale has become the first institution in the country to actively collect VHS tapes,

[Deg Farrelly]

Yale has become the first institution in the country to actively collect
VHS tapes,Š

http://yaledailynews.com/blog/2015/03/03/library-acquires-2700-vhs-tapes/

PUHleez!  What a bunch of hyperbole.  Interesting enough about the 2700
VHS tapes acquiredŠ. But the statement of being the first is a gross
overstatement.

I have added a comment to the pageŠ. Perhaps other VideoLib readers will
feel inclined to add additional notes.

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Are you digitizing DVDs for Streaming Course Reserve?

[Deg Farrelly]

IF your library provides streaming for course reserves, by digitizing hard copy 
videos in your collection….

Please contact me off list.

I would like to discuss with you, in confidence, your policies and procedures.

Thank you.

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Availability of Streaming for English Only in America

[Deg Farrelly]

I am posting below my sig a question to VideoLib on behalf of  Jennifer Foster 
who has unsubscribed from the discussion list, but has an information need….

Please direct replies to Jennifer directly ( fost...@uhv.edu ) and not to me.

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103


I am transitioning out of the media librarian role, so have unsubscribed to 
videolib. But I find that I need a question answered if anyone knows anything 
of use. Films for the Humanities has discontinued the film English Only in 
America?, produced by Anne Diack, edited by Jill Huxley, apparently for the 
BBC. I have an instructor who uses this video every semester and I can no 
longer acquire streaming rights for it. Would you mind forwarding my request to 
the listserv to see if anyone knows of anyplace I might acquire streaming 
rights for it? We own the DVD.

I have looked at FFH, British Universities Film  Video Council, IMDb, and 
pursued a number of paths off a general Google search in addition to looking at 
the physical DVD to see if it give me a clue.  I am interested to know if 
anyone picked up distribution? People can reply off-list directly to me. Many 
thanks…jen

Jennifer Foster
Electronic Services Librarian
Victoria College/University of Houston-Victoria Library
361.570.4195
http://vcuhvlibrary.uhv.eduhttp://vcuhvlibrary.uhv.edu/
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] In the Land of the Headhunters

[Deg Farrelly]

A nice article about Milestone Film's digitally remastered release of the 
restored version of Curtis' documentary in today's NYTimes

http://www.nytimes.com/2015/02/22/movies/homevideo/in-the-land-of-the-head-hunters-a-recreated-artifact-of-ancient-ways.html?emc=edit_fm_20150220nl=moviesnlid=69257852_r=0

Nicely done Dennis!

-deg farrelly
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Harvard and M.I.T. sued over lack of captions

[Deg Farrelly]

I don't think I've seen this NYTimes article mentioned here yet.

http://nyti.ms/1J16Jmm

This is a lawsuit worth watching… and may have profound implications for both 
library collections and producers/distributors.

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Fair use and media resources event during Fair Use Week, Wed Feb 25

[Deg Farrelly]

http://www.districtdispatch.org/2015/02/tweet-questions-fair-use-media-resources/

From the website announcement:

Next week is Fair Use Weekhttp://www.arl.org/component/events/event/148 so 
let’s celebrate with a copyright tweetchat on Twitter. On February 25th from 
3:00 to 4:00 p.m. (Eastern), legal expert Brandon Butler will be our primary 
“chatter” on fair use.

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] To retain VHS or Not

[Deg Farrelly]

I agree with Chris on this matter.

When replacing within Section 108, I think it is wise to retain the
original analog copy.  If there is roomŠ to do so.  In our case, we also
take it out of circulationŠ it is an archive copy.

Remember that copyright allows 3 digital copies within Section 108.  In my
opinion, those ideally should be:  A high rez master file, a DVD version,
and a streaming file.

At present, our in-house capability is limited to producing a medium
quality copy.  Playable, but not ideal.  Outsource companies can do
better.  Once we have an idea of the volume of content that is eligible
for Section 108 preservation, the production of high quality archival
masters and useful copies would make a great National Endowment for the
Humanities projectŠ and something that could lead possibly to the video
equivalent of Portico.

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103





On 1/27/15 2:04 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:

I think it's good form to keep the original VHS as evidence if you are
invoking Section 108 to justify making a copy of a deteriorating original.
I don't think this is required by law though given that Section 108
preservation copies can also be made to replace lost or stolen recordings.


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Chicago ALA Midwinter?

[Deg Farrelly]

Wasn't planning to attending ALA Midwinter this year, but a sudden change of 
plans….

Mom, who lives in Chicago western burbs (and is 101!) has been quite ill.  Out 
of ICU now and in a nursing facility for a couple weeks.  So I am making a 
quick visit that overlaps with ALA Midwinter.

Who else is going?

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Old VHS tapes

[Deg Farrelly]

Rhonda, a good question!

If we replace the VHS with a purchased DVD or an in-perpetuity streaming
file, we remove the VHS from the collection and discard it.  (By law we
are not permitted to give it away or to sell it)

If the title is in a subscription collection, we retain the VHS.

If we have made a copy within Section 108 provisions, we retain the VHS
but no longer make it available for use.  The VHS is archived.

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103







On 1/14/15 9:07 AM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:

Hi all,
We are , like many of you, replacing old VHS tape content with DVDs or
streaming when possible. What are you doing with the VHS tape?  Keeping
it or discarding it?  Or putting it on a digital master for safekeeping?
Thanks,
Rhonda

Rhonda Rosen| Circulation Services Librarian
William H. Hannon Library | Loyola Marymount University
One LMU Drive, MS 8200 | Los Angeles, CA 90045-2659
rhonda.ro...@lmu.edumailto:rhonda.ro...@lmu.edu
310/338-4584tel:310%2F338-4584|
http://library.lmu.edu



VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] videolib Digest, Vol 86, Issue 12

[Deg Farrelly]

Arizona law prohibits the sale or giving away of items purchased with
state funds.

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103



On 1/14/15 2:00 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:

Hi Deg


What??? (By law we are not permitted to give it away or to sell it).


Unless it was a promotional copy, which usually are cds, at least by my
experience, under rights of first sale, you go right ahead and sell it.
Never heard of time and staff intensive (and inefficient though fun)
booksales or B-Logistics? http://www.blogistics.com/ Or do you have some
university-specific policy?


Elizabeth



VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Replacing VHS with DVD

[Deg Farrelly]

That catarchive.com is able to do so, provide permission to duplicate or
sell new DVD copies is terrific.  I have some catarchive titles I need to
replace.

But the reality is that for many titles by many producers and/or
distributors, that is not possible.  So the Catarchive approach is not the
only efficient and civilized approach.

US Copyright provides specific recourse for libraries NOT able to find new
copies of the titles in their VHS (or 3/4 or beta, orŠ.) collections

-deg


On 1/13/15 2:01 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:


Our extensive archive of arts, documentary and performance footage. --
catarchive.com -- was only available on VHS for the first thirty years,
and is now available only on DVD. When we are asked by a library if they
can transfer their old VHS to DVD we say yesand if you want us to
sell you a DVD from our master, we can do that too. That seems to me the
only efficient and civilized way to meet the challenge of one technology
obsoleting another.
Stephan Chodorov
Creative Arts Television


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Authors Guild v. Hathi Trust suit ended

[Deg Farrelly]

Apologies for cross-posting.  In case you have not heard this news elsewhere.  
While the suit is about the digitization of books it may have precedent setting 
impact for future media efforts….

http://www.mediapost.com/publications/article/241461/authors-guild-ends-battle-with-hathitrust-over-dig.html#reply?utm_source=newsletterutm_medium=emailutm_content=commentutm_campaign=79271

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Forsberg's research on VHS deterioration published

[Deg Farrelly]

Apologies for cross-posting

From my perspective, exciting news…. Walter Forsberg and Erik Piil's research 
on VHS tape deterioration has been published!

Forsberg along with Howard Besser presented on his research at the 2013 
National Media Market in the session Video at Risk:  Strategies for Preserving 
Commercial Video Collections in Research Libraries. But now the research in 
all it's fine detail is available.

Since deterioration is one of the factors that libraries can use to invoke 
duplication provisions of Section 108 of copyright law, this research is a 
critical addition to the professional literature.


Citation:

Forsberg, W.  Piil, E.  (2014).  Tune in, turn on, drop out.  In S. Hastings 
(Ed.) Annual Review of Cultural Heritage
 Informatics (pp.213-242).  Lanham:  Rowman  Littlefield Publishers.

Abstract from the publication:

Analog videotape, an imperfect moving image technology format since its 
introduction, is reaching the end of its life cycle. However, large quantities 
of out-of-print and irreplaceable VHS titles still comprise significant 
portions of library and archival collections and circulations. Given the need 
to preserve this content, this study investigates the use of the dropout; 
metric (counts of disruptions in the video signal) for determining whether 
libraries and archives can invoke their rights of reproduc- tion under the 
United States Copyright Act. Videotape technology and deterioration problems 
are explained and prior deterioration studies are reviewed. Dropout tests of 
four pairs of commercially produced VHS titles are conducted and relationships 
between videotape deterioration as measured by dropout counts, circulation 
statistics, and manufacturing quality control standards are evaluated. Offering 
noninvasive evidence of videotape deterioration, quantified dropout counts 
appear to provide libraries and archives with an objective measure to meet the 
vague deterioration; standard of the Copyright Act.



Enjoy!

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] New audio preservation service

[Deg Farrelly]

FYI

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103



From: Julie Martin [mailto:jmar...@nedcc.org]
Sent: Thursday, November 20, 2014 1:13 PM
To: ul...@lists.ala.orgmailto:ul...@lists.ala.org
Subject: New Hope for Early Grooved Audio - IRENE Audio Preservation at NEDCC
Now Available

NEW HOPE FOR EARLY AUDIO:
IRENE Audio Preservation now available at NEDCC!
The new IRENE Audio Preservation service at the nonprofit Northeast Document
Conservation Center (NEDCC) is the culmination of a decade of research and
development at the Lawrence Berkeley National Laboratory and the Library of
Congress.

The IRENE technology uses a non-contact approach, which eliminates the
possibility of damage caused by mechanical contact of a stylus on fragile
media. The process creates ultra-high resolution images of the audio groove
structures in either 2D or 3D, and the resulting image files are then processed
through software that translates them into an audio file.

NEDCC CURRENTLY WORKS WITH THE FOLLOWING FORMATS:
Wax cylinders, lacquer discs (acetate discs), aluminum transcription discs,
shellac discs, tin foils, and other rare formats (e.g., Dictabelt,
Voice-O-Graph, etc.), and can handle rare, fragile, or damaged media.
LEARN MORE:
About NEDCC IRENE:
https://www.nedcc.org/audio-preservation/about

About the History of the of the IRENE IMLS Grant Project at NEDCC:
https://www.nedcc.org/audio-preservation/history

QUESTIONS about NEDCC's IRENE Audio Preservation Service?
Contact:  Mason Vander Lugt, 
ml...@nedcc.orgmailto:ml...@nedcc.orgmailto:ml...@nedcc.org

NORTHEAST DOCUMENT CONSERVATION CENTER
Andover, MA  - nedcc.org

JOIN THE NEDCC E-List for Updates on new IRENE projects and other preservation
news you can use:
https://www.nedcc.org/contact/sign-up-for-news

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Public Knowledge advocates for consumer right to duplicate purchased DVDs, etc.

[Deg Farrelly]

FYI

http://www.mediapost.com/publications/article/237505/copyright-office-urged-to-okay-dvd-copying-by-cons.html#reply?utm_source=newsletterutm_medium=emailutm_content=commentutm_campaign=77559

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] DVD Circulation figures

[Deg Farrelly]

I recently saw this statement in a video distributor's promotional literature 
that took me for surprise:

on average more than ~45% of DVDs acquired by the libraries are checked out 
less than 4 times over the course of their lifetime

That seemed remarkably inaccurate to me.  So decided to check our own data for 
comparison.  To test I looked at the data for DVDs added to the ASU Libraries 
collections before July 1, 2009.  So the N in the data means that the DVDs have 
been available at minimum 5 years.

ASU Libraries has 2 major video collections.  Use data breaks down as follows:

Collection 1
3283 DVDs
# borrowed 5 times or more:  2710
% borrowed 5 times or more:  82.5 %

Collection 2
2997 DVDs
# borrowed 5 times or more: 1904
% borrowed 5 times or more:  63.5 %

Aggregated
6280  DVDs
# circulated 5 times or more:  4614
% borrowed 5 times or more:  73.5 %


Related data:

Average number of loans per item:
Collection 1:  27
Collection 2:  14
Aggregated:  21


And I toss in here the data for DVDs never borrowed… for comparison to the same 
data for monographs in college/university libraries that show a non-circ rate 
of 40-60%

Number of DVDs / Percentage NEVER borrowed
Collection 1:  170 / 5.2%
Collection 2:  287 / 9.6%
Aggregated:  457 / 7.3%


The original statement was not cited so I don't know where the source of the 
data.  It is possible that it reflects a closed collection in which only 
faculty are allowed to borrow videos, or the videos can be used only in the 
Library/library classroom….  OR it is possible that the collection from which 
the base data was collected is a collection that does not match the 
curriculum/interest/ or need of the faculty/students.

As I indicated in the start of the message, the statement surprised me…. How 
might my data and/or the quoted figure compare to your experiences.



VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] HBO to launch stand alone online service

[Deg Farrelly]

FYI

http://www.mediapost.com/publications/article/236266/hbo-will-launch-stand-alone-online-service-next-ye.html?utm_source=newsletterutm_medium=emailutm_content=headlineutm_campaign=76996

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] videolib Digest, Vol 82, Issue 69

[Deg Farrelly]

jessica

Say what you will.  But do NOT speak for me and/or what I will or will not 
confirm.

deg farrelly


On Sep 30, 2014, at 11:24 PM, videolib-requ...@lists.berkeley.edu 
videolib-requ...@lists.berkeley.edu wrote:

 Sorry but you are mixing copyright laws again. The Teach Act does
 specifically and explicitly exempt dramatic works, musicals and audiovisual
 works and say that only reasonable and limited portions may be used.  Deg
 and Michael will confirm ...

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] What the copyright law does and does not sayŠ.. (was: Re: Libraries that stream their own titles)

[Deg Farrelly]

I have stayed out of this discussion (For good reason)…. But I will contribute 
here to correct a misstatement:


On 9/30/14 2:15 PM, 
videolib-requ...@lists.berkeley.edumailto:videolib-requ...@lists.berkeley.edu
 
videolib-requ...@lists.berkeley.edumailto:videolib-requ...@lists.berkeley.edu
 wrote:

Face to Face is again VERY explicit and says it covers films shown in a
physical classroom with the instructor present.


The law does NOT say a PHYSICAL classroom, nor WITH THE INSTRUCTOR PRESENT.

When in doubt, read the law:


Notwithstanding the provisions of section 106 
http://www.law.cornell.edu/uscode/text/17/106, the following are not 
infringements of copyright:
(1) performance or display of a work by instructors or pupils in the course of 
face-to-face teaching activities of a nonprofit educational institution, in a 
classroom or similar place devoted to instruction, unless, in the case of a 
motion picture or other audiovisual work, the performance, or the display of 
individual images, is given by means of a copy that was not lawfully made under 
this title, and that the person responsible for the performance knew or had 
reason to believe was not lawfully made;
(2) except with respect to a work produced or marketed primarily for 
performance or display as part of mediated instructional activities transmitted 
via digital networks, or a performance or display that is given by means of a 
copy or phonorecord that is not lawfully made and acquired under this title, 
and the transmitting government body or accredited nonprofit educational 
institution knew or had reason to believe was not lawfully made and acquired, 
the performance of a nondramatic literary or musical work or reasonable and 
limited portions of any other work, or display of a work in an amount 
comparable to that which is typically displayed in the course of a live 
classroom session, by or in the course of a transmission, if—(A) the 
performance or display is made by, at the direction of, or under the actual 
supervision of an instructor as an integral part of a class session offered as 
a regular part of the systematic mediated instructional activities of a 
governmental body or an accredited nonprofit educational institution;
(B) the performance or display is directly related and of material assistance 
to the teaching content of the transmission;
(C) the transmission is made solely for, and, to the extent technologically 
feasible, the reception of such transmission is limited to—(i) students 
officially enrolled in the course for which the transmission is made; or
(ii) officers or employees of governmental bodies as a part of their official 
duties or employment; and

(D) the transmitting body or institution—(i) institutes policies regarding 
copyright, provides informational materials to faculty, students, and relevant 
staff members that accurately describe, and promote compliance with, the laws 
of the United States relating to copyright, and provides notice to students 
that materials used in connection with the course may be subject to copyright 
protection; and
(ii) in the case of digital transmissions—(I) applies technological measures 
that reasonably prevent—(aa) retention of the work in accessible form by 
recipients of the transmission from the transmitting body or institution for 
longer than the class session; and
(bb) unauthorized further dissemination of the work in accessible form by such 
recipients to others; and

(II) does not engage in conduct that could reasonably be expected to interfere 
with technological measures used by copyright owners to prevent such retention 
or unauthorized further dissemination;


I have highlighted in bold portions of the law, but that may not transfer to 
the list.  So let me repeat a few key phrases here – with some additional 
comment

In a classroom or similar place devoted to instruction – Given that 
instruction now routinely occurs online, in LMS shells, and asynchronously it 
could well be argued that online is a similar place devoted to instruction

at the direction of, or under the actual supervision of an instructor as an 
integral part of a class session offered as a regular part of the systematic 
mediated instructional activities - This is not a requirement that the 
professor be present, but that the professor supervises or directs the 
activity.  And of course, the rest of it….

in an amount comparable to that which is typically displayed in the course of 
a live classroom session  -  Live classroom sessions would typically include 
an entire work, thus it would appear that an entire work can be used.


The law ALSO makes frequent reference to digital networks and transmission 
--- an indication that the use of Blackboard and other tools for streaming are 
included in Section 110.


deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103

VIDEOLIB is intended to encourage the broad and lively

Re: [Videolib] videolib Digest, Vol 82, Issue 65

[Deg Farrelly]

IF it's routine!

Pour me a Johnny Walker Black, on ice.

-deg


On 9/30/14 3:49 PM, videolib-requ...@lists.berkeley.edu
videolib-requ...@lists.berkeley.edu wrote:

deg,

That means we can have that class at Max's Tavern! ;-)


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] European Union court advances library digitization

[Deg Farrelly]

FYI

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103


September 11, 2014, 6:19 AM - European libraries may digitize books
and make them available at electronic reading points without first
gaining consent of the copyright holder, the highest European Union
court ruled Thursday.

The right of libraries to communicate, by dedicated terminals, the
works they hold in their collections would risk being rendered largely
meaningless, or indeed ineffective, if they did not have an ancillary
right to digitize the works in question, the court said.

Even if the rights holder offers a library the possibility of
licensing his works on appropriate terms, the library can use the
exception to publish works on electronic terminals, the court ruled.
Otherwise, the library could not realize its core mission or promote
the public interest in promoting research and private study, it said.

However, libraries cannot permit visitors to use the terminals to
print out the works or store them on a USB stick, the CJEU said. By
doing so, the visitor reproduces the work by making a new copy. This
copying is not covered by the exception, particularly since the copies
are made by individuals and not by the library itself, it said.

http://www.itworld.com/it-management/435674/libraries-may-digitize-books-without-permission-eu-top-court-rules

See also some caveats in IP Watch:

http://www.ip-watch.org/2014/09/11/libraries-may-be-permitted-to-digitise-books-without-copyright-owners-consent-eu-high-court-rules/
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] 26 Hard-To-Find Movies That Remind Us Why VHS, DVD, And LaserDisc Still Matter

[Deg Farrelly]

From Buzzfeed:

http://www.buzzfeed.com/alisonwillmore/dvd-vhs-and-laser-disc-forever#2791jmi

With a specific reference to our friend Milestone!

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Good Copyright listserv

[Deg Farrelly]

Digital Copyright

To subscribe to the digest, e-mail:
digital-copyright-digest-subscr...@lists.umuc.edu

-deg 

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103



Message: 1
Date: Thu, 7 Aug 2014 13:11:29 -0500
From: Moshiri, Farhad mosh...@uiwtx.edu
Subject: [Videolib] Good Copyright listserv


Can you recommend a good general listserv for discussions on copyright issues? 
Thanks.

Farhad Moshiri, MLS
Post-Masters Advanced Study Certificate
Audiovisual   Music Librarian
University of the Incarnate Word
4301 Broadway - CPO 297
San Antonio, TX 78209
(210) 829-3842

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Your reactions to streaming terms?

[Deg Farrelly]

I know what I have already said (to our licensing agent to pass along to the 
filmmaker).  But I am curious as to my professional colleagues' take on these 
terms to stream an independent self-distributed documentary film.

I am not interested in launching a discussion on the cost of producing a 
documentary film, etc.   I put this out only to address the licensing terms.


The licensing agreement for the streaming rights are limited to in-class 
viewing of the film by the professor teaching the film and their students, or 
by faculty who are considering teaching the film in other courses.

Technical Note: All uploads to the server must be performed in the 4x3 aspect 
ratio NOT wide-screen 16x9. Any ratio other than 4x3 will be considered 
alteration of the film.
Rates:

2-year streaming = $259 for institutions that already have the DVD
$518 for institutions that do not have the DVD, and therefore need a DVD to 
perform the secure upload.

Permanent classroom streaming rights are available at a flat fee of 4x the 
institutional DVD rate, which is $1,036. For institutions that already have the 
DVD, that is discounted to 3x the institutional rate, which is $777.00.

Use of the film for online and long-distance teaching requires an additional 
$100 fee for the 2-year rate; if permanent classroom streaming rights are 
purchased it is a one-time $100 fee.


To show my hand, I have recommended that we walk away and not license the video.

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] name for Tech Services unit

[Deg Farrelly]

Chris

At ASU Libraries, the unit that handles Acquisitions, processing and cataloging 
is called BAMS  -  Bibliographic and Metadata Services

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103



From: Chris McNevins chris.mcnev...@lib.uconn.edu
Subject: [Videolib] OFF TOPIC QUESTION


Hi Folks,

This has nothing to do with films and video.  It?s a library organization 
question.

My library has re-org?ed yet again and my ?team? is trying to come up with a 
title that succinctly describes the following activities that occur within:  
Acquisitions, Cataloging, Metadata, Physical Processing, Binding and 
Conservation.  Generically this would be called Technical Processing Unit but 
it?s not sexy enough and the fear is that people would get it confused with IT. 
 I suggested Physical Processing Services but the catalogers in the group don?t 
like ?processing? in the title.  The head of this unit is fond of acronyms?this 
unit was previously called RATs (Resources Access Team)  Whatever we come up 
with will end up in ?Services? rather than Unit or Department or Team as its 
designation (ex. Financial Services)

My own thought on this is: Acquisitions  Processing, Cataloging  Metadata 
Services--AP  CM Services for short--but it is a mouthful. I?ve also thought 
of CAMP, i.e. Cataloging, Acquisitions, Metadata  Processing, but I think the 
powers that be would prefer ?Cataloging  Metadata? grouped together as they 
are related.

So guys, have a field day with this?if you come up with something catchy I?ll 
pass the suggestion along.

Chris McNevins

___
Christine Slominski McNevins | ACQUISITIONS COORDINATOR
UNIVERSITY OF CONNECTICUT | HOMER BABBIDGE LIBRARY
369 Fairfield Way Unit 1005AM | Storrs, CT 06269-1005 USA
PH: 860-486-3842 | FX: 860-486-6017 | EMAIL: 
chris.mcnev...@lib.uconn.edumailto:chris.mcnev...@lib.uconn.edu

[cid:image001.png@01CFB0A7.BB6D4040]



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End of videolib Digest, Vol 81, Issue 9
***
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Lannan Foundation videos

[Deg Farrelly]

Thanx Nell

Many (most?) of the Lannan Foundation videos are freely available on their web 
site: 
http://lannan.org

one of the many openly accesible collections listed on my libguide:

http://libguides.asu.edu/streamingvideo

-deg


---
 
 Message: 1
 Date: Fri, 25 Jul 2014 14:30:43 -0400
 From: Nell J Chenault njche...@vcu.edu
 Subject: Re: [Videolib] Copyright searches for videotape
 To: videolib@lists.berkeley.edu
 Message-ID:
caog_sswt2+li0mkkc1rudf+t8wwppoo3ubypuos544ibsaw...@mail.gmail.com
 Content-Type: text/plain; charset=utf-8
 
 Below are some useful list from discussion of weeding and conversion
 assessment, Aug. 2011
 
 On Behalf Of Chris Lewis
 Sent: Tuesday, August 16, 2011 1:19 PM
 To: videolib@lists.berkeley.edu
 Subject: Re: [Videolib] VHS ONLY updates?
 
 Just back from vacation but yes I started a wiki called Classics not on
 DVD. It's far from perfect and hard to keep up to date but here it is:
 http://classicsnotondvd.wikispaces.com/;
 ___
 
 Gary Handman's UCB VHS Only list:  see attachment
 
 
 
 
 It may go without saying, but...I'd definitely focus on non-fiction film 
 first
 (maybe exclusively).
 
 When approaching feature (i.e. non-fiction), start with foreign language films
 first.
 
 Distributors that are no longer in business:
 
   Films Incorporated
   Time-Life Film and Video
   Coronet Films (mostly)
   Carousel Films
   CRM Films
   National Latino Communications Center (NLCC)
   Drift Distribution
   International Film Bureau
   International Media Resource Exchange (IMRE)
 
 University of California Center for Media and Independent Learning (note:
 some titles in this catalog are still distributed by Berkeley Media LLC)
 
 Likely to be Out of Distribution
 
 PBS Home Video/PBS Video:  films with release dates before 2000
 Annenberg/CPB Project pre-2000 CPB
 New Yorker Film and Video (feature films)
 
 Anything distributed by a non-profit organizations, or academic institutions
 (e.g American Mathematical Assn.) pre-2000
 
 Available for re-purchase on VHS only (and therefor not eligible for Section
 108 copying)
 
 Roland Films on Art (many titles in this catalog only available on VHS)
 Lannan Foundation Video Library (available on VHS only)
 
 _
 
 Nell Chenault
 VCU Libraries
 
 
 
 On Fri, Jul 25, 2014 at 1:13 PM, Nell J Chenault njche...@vcu.edu wrote:
 
 Gary Handman (UCB) and Chris Lewis (AU) shared lists of titles which they
 found to be out of print ... a few years ago.  I will try to find in the
 archives later today and post ... off to a meeting.
 
 Caveat:  some may have come back into distribution during the last few
 years.
 
 Nell Chenault
 VCU Libraries
 
 
 On Thu, Jul 24, 2014 at 12:37 PM, Brown, Karen E kebr...@albany.edu
 wrote:
 
 Dear colleagues:
 
 The University at Albany, SUNY, is in the process of weeding VHS
 materials held in our general collection, all of which was commercially
 produced. Regarding those titles for which a more current format is not
 available we will need to obtain copyright clearance before we consider
 reformatting.
 
 We are wondering if there are other educational institutions that have
 worked through a project such as this that have ?video copyright searching?
 documentation tools or data that they would be willing to share to assist
 us.
 
 Thank you in advance for your input and advice.
 
 Best,
 
 Karen E.K. Brown
 
 Head, Preservation Department
 
 University at Albany Libraries
 
 1400 Washington Ave, Room SL 310
 
 Albany, NY 1
 
 Tel. (518) 437 3923
 
 
 
 
 
 
 
 
 
 VIDEOLIB is intended to encourage the broad and lively discussion of
 issues relating to the selection, evaluation, acquisition,bibliographic
 control, preservation, and use of current and evolving video formats in
 libraries and related institutions. It is hoped that the list will serve as
 an effective working tool for video librarians, as well as a channel of
 communication between libraries,educational institutions, and video
 producers and distributors.
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 End of videolib Digest, Vol 80, Issue 54
 

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video 

Re: [Videolib] Copyright Searches for videotape

[Deg Farrelly]

I am late to this now lengthy conversation, in which many others have already 
participated.  But permit me to make several statements of fact, not opinion, 
related to the issue at hand.

First and foremost, in response to Karen's original question and subject line.  
 Contrary to what others on this list may claim, by US Copyright Law, Section 
108, a copyright search is NOT required in order duplicate a title in a 
library's video collection.  What * is * required is a * reasonable search * 
for a * new * copy at a * reasonable * price.
(in other words, due diligence).

A VHS tape, for which a NEW VHS copy is available, does not meet the 
requirements of the law.
 
Other conditions must be met.  The original item in the library must be a 
legally acquired copy, it must meet one of these conditions:  lost, damaged, 
stolen, deteriorating, or in an obsolete format.
 
Read the law here:  http://www.copyright.gov/title17/92chap1.html#108

The law does not define the term reasonable.  The law does define obsolete:

For purposes of this subsection, a format shall be considered obsolete if the 
machine or device necessary to render perceptible a work stored in that format 
is no longer 
manufactured or is no longer reasonably available in the commercial 
marketplace.

By the terms of the law, VHS is therefore, not an obsolete format.  

It can be argued, however, based on the detailed research conducted my Walter 
Forsberg for the Video at Risk Project (and reported at a National Media 
Market session November 4, 2013) that VHS is a * deteriorating * format.  (I 
understand that a peer reviewed article on Walter's research is forthcoming 
later this year.)  

Also note that the law permits making three (3) copies of the item being 
duplicated.  

And while some argue that a copy made within the terms of Section 108 may not 
leave the library, the law also includes a clause that states that NOTHING in 
the law trumps rights under Section 107 (commonly called Fair Use). 

(f) Nothing in this section--... (4) in any way affects the right of fair use 
as provided by section 107... 

 Thus a library can argue that it is fair use for a copy made within Section 
108 provisions, of a video legally acquired for use in classrooms or general 
circulation outside the library, to continued to be used in this manner. 

I am not going to engage in a back and forth p%ssing match with others on 
this list on these points...  

-deg

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103




--

Date: Thu, 24 Jul 2014 16:37:28 +
From: Brown, Karen E kebr...@albany.edu
Subject: [Videolib] Copyright searches for videotape

Dear colleagues:
The University at Albany, SUNY, is in the process of weeding VHS materials held 
in our general collection, all of which was commercially produced. Regarding 
those titles for which a more current format is not available we will need to 
obtain copyright clearance before we consider reformatting.
We are wondering if there are other educational institutions that have worked 
through a project such as this that have video copyright searching 
documentation tools or data that they would be willing to share to assist us.
Thank you in advance for your input and advice.
Best,
Karen E.K. Brown
Head, Preservation Department
University at Albany Libraries
1400 Washington Ave, Room SL 310
Albany, NY 1
Tel. (518) 437 3923

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Films Media Group question

[Deg Farrelly]

ASU Libraries does both.  

We load records for all the titles, plus we provide a direct link into the FoD 
interface from a link on the libraries homepage (http://lib.asu.edu) under a 
section of most used resources.

I also maintain a Libguide that lists all of our licensed streaming video 
products and provides information on openly accessible collections on the 
Internet, and options for feature films:  
http://libguides.asu.edu/streamingvideo

deg farrelly
ShareStream Administrator/Media Librarian
Arizona State University Libraries
Tempe, AZ  85287-1006
602.332.3103




Message: 2
Date: Mon, 7 Jul 2014 19:22:45 +
From: Bogage, Alan abog...@carrollcc.edu
Subject: [Videolib] Films Media Group question

For those of you who license the Master Academic Collection from FMG, do you 
dump all of the MARC into your catalog or provide access through the FMG 
catalog?  Or both?

Alan Bogage
Senior Director of Library, Media, and Distance Learning
Carroll Community College
1601 Washington Rd.
Westminster, MD 21157
410-386-8339
www.carrollcc.eduhttp://www.carrollcc.edu/


VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Attending ALA? ShareStream reception, Saturday

[Deg Farrelly]

If you're attending the ALA conference in Las Vegas this weekend: 

Please join ShareStream at a reception @ the world famous Piero's Restaurant 
(across from the convention center) made famous by its role in the Movie Casino.

355 Convention Center Dr
Saturday June 27th at 5:00pm - 6:30pm PDT

An RSVP will be appreciated:  gayr...@sharestream.com

(co-hosted By deg farrelly of Arizona State University) 
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Who's going to ALA?

[Deg Farrelly]

I've seen Anthony's posts about VRT activities at ALA but I've been 
wondering who is actually going to be in Las Vegas next weekend?

I know some of our corporate partners will be there:  Criterion USA, Alexander 
Street Press, Films Media Group, Kanopy, ProQuest. who else?

Booth numbers if you are exhibiting?

Looking forward to touching base with you all


-deg farrelly

VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Amazon's publisher disputes now include Warner pre-order DVDs

[Deg Farrelly]

FYI

http://bits.blogs.nytimes.com/2014/06/10/amazon-stops-taking-advance-orders-for-lego-other-warner-videos/?_php=true_type=blogsemc=edit_tu_20140611nl=technologynlid=69257852_r=0

deg farrelly, ShareStream Administrator/Media Librarian
Arizona State University Libraries
Hayden Library C1H1
P.O. Box 871006
Tempe, Arizona  85287-1006
Phone:  602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

Re: [Videolib] Sidewalk

[Deg Farrelly]

Thank you to Jessica for the information on Sidewalk, and to the several
others who replied to me off list (who I have thanked personally)

-deg

deg farrelly, ShareStream Administrator/Media Librarian
Arizona State University Libraries
Hayden Library C1H1
P.O. Box 871006
Tempe, Arizona  85287-1006
Phone:  602.332.3103




VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

[Videolib] Distributor for Sidewalk?

[Deg Farrelly]

Looking for legal copy of the documentary Sidewalk by Barry Alexander Brown, 
bases on the book by Mitchell Duneier.

It is available on YouTube, but I would like to acquire a copy for the 
collection.

Any leads?

Thank you.

-deg

deg farrelly, ShareStream Administrator/Media Librarian
Arizona State University Libraries
Hayden Library C1H1
P.O. Box 871006
Tempe, Arizona  85287-1006
Phone:  602.332.3103
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.