The name of my local dance community, chosen >30 years ago, is Tallahassee
Community Friends of Old-time Dance. Many dancers now prefer evenings made up
entirely of contras, narrowly defined, but some still prefer our traditional
mix of formations. When I advertise our dances on Facebook, I
For my definition, key elements of a contra include:
1) repetition of a fairly short sequence of moves (typically 64 beats)
2) Whole and minor sets, couples progressing to a new minor set every
repetition.
3) The concept of dancing as part of a set more than couples or
individuals doing their own
Colin,
I realize this isn’t the kind of answer you are looking for, but I’ll muddy the
waters a bit, and then draw a conclusion.
In the 1980s and 1990s I lived in Switzerland and was very active in
International, Swiss, and Scottish dance groups. (I eventually had two contra
groups running,
Hi Colin
Interesting question. I have similar questions looking at this from Australia.
I have started running workshops titled something like "Modern New England
Contra Dance". (This is not to alienate folk from other parts of the US, but
most of my exposure to contra has been in New England).
On 6/27/2018 3:43 PM, Tom Hinds via Callers wrote:
Since you need an answer quickly i’d say it’s a term in the folk dance world
and it’s possible that different folks will define it differently.
Personally I can see how a 4 X 4 could be a contra since it progresses in the
same way but not
Since you need an answer quickly i’d say it’s a term in the folk dance world
and it’s possible that different folks will define it differently.
Personally I can see how a 4 X 4 could be a contra since it progresses in the
same way but not other formations like squares and circles.
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http://www.contrafusion.co.uk for Dancing in Kent
-Original Message-----
From: Colin Hume
Sent: 27 June 2018 21:47
To: Callers List
Subject: [Callers] What is a contra?
I'm in Germany, and I'm speaking for the next fe
I'd differentiate between a singular contra dance - longways sets, duple
minor (some triple minor chestnuts in special cases e.g. The Young Widow),
jigs/reels typically (except exceptions as discussed). I would
characterise them choreographically as ideally linked figure to figure in a
continuous
I'm in Germany, and I'm speaking for the next few days at a Conference run by
the European Callers and Teachers Association.
Several of my sessions are about Contras, and speaking to the Contra
Coordinator as we drove to the hotel I realised we had very
different ideas about what a contra is.
Thank you Aahz for the thread.
My recollection is that "flow" has been used most often to refer to a
quality of the dance that makes it more intuitive for learners because the
figures leave the dancer in a position where the next figure is obvious or
natural. This is exemplified in the
On Wed, Feb 05, 2014, John Sweeney wrote:
>
> I am planning some workshops, for festivals here in the UK, with the title
> "Flow & Glide Contras: Dances with beautiful flow, connectivity and a
> smooth, satisfying glide." (Thanks to Sarah VanNorstrand and no doubt many
> others for the title!)
I usually simply say "it's aerobic, it's social, and I usually love the
music. Thanks, George Mercer
On Tue, Sep 24, 2013 at 4:09 PM, Mary Collins wrote:
> replying off list 'cause I can't get to there from here (work) sorry,
>
> addicted yes, I am. I have bilateral hip
replying off list 'cause I can't get to there from here (work) sorry,
addicted yes, I am. I have bilateral hip replacements and even when I
could not walk (pre-surgery) I could dance. the music and the rhythm of
the dance(walk) made it possible for me to move and exercise. It also
gives me the
On Mon, Sep 23, 2013, Mark Stowe wrote:
>
> Research suggests that we humans are happiest when we are succeeding at
> something that we can just barely accomplish.
There may be some truth to that, but it certainly isn't true for my
relationship with contra dancing and square dancing. I'm far
Social circle of dancers extending past dance time, after dance hangouts,
making friends.
On Sep 23, 2013 6:07 PM, "Mark Stowe" wrote:
> Research suggests that we humans are happiest when we are succeeding at
> something that we can just barely accomplish. I have been
Research suggests that we humans are happiest when we are succeeding at
something that we can just barely accomplish. I have been contradancing
for 38 years and I keep inventing and learning new flourishes, dips/ swing
move interjections, putting in extra spins, running between lines and
Jeanette asked:
> I am designing workshop for a dance weekend here in Australia and would
> like to crowd source some inspiration:
>
> Simply answer the question - what made you addicted to contra?
>
Interesting. I am not all that sure what you mean by "addicted." Here in
the USA that word has
On Mon, Sep 23, 2013, Jeanette Mill wrote:
>
> I am designing workshop for a dance weekend here in Australia and
> would like to crowd source some inspiration:
>
> Simply answer the question - what made you addicted to contra?
"I'm not addicted, I can stop any time I want to. I just don't want
Hi
I am designing workshop for a dance weekend here in Australia and would like to
crowd source some inspiration:
Simply answer the question - what made you addicted to contra?
Looking forward to your answers
Cheers
Jeanette
"The piano - 88 little mistakes waiting to happen." Peter Barnes.
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