Hi,
Dugan asked about waltz contra choreographies.
The music in the Allison Wonderland video is much faster than I
would use for a contra waltz. Many of the dancers seem to end up almost
running to keep up. The waltz at the beginning or end of an evening at a
contra dance is
Hi Angela,
“Hole in the Wall” isn’t a move. It is a dance from 1695.
The “Hole in the Wall Crossing” is not a new move. It is a stylised
version of a normal Cross Over.
You can see it here:
https://www.youtube.com/watch?time_continue=25=TUxbcJIOHNY
There are
Andea asked, "I would love to hear from those who have danced Morris or
other single gender sets in hands four whether they use numbered corners or
some other designation."
Most Cotswold Morris is six men - two lines of three. And, yes, we say
First Corners for the long right diagonal (what ECD
If "a picture is worth a thousand words" then a demo must be worth even
more. Of course you should do demos if they help.
Demonstration is one of the oldest ways of teaching contra dances. When
contra dances were first recorded in the 1650s, demonstration was generally
the ONLY way of teaching.
Dale said, "Don't teach advanced techniques to new dancers. Forget the buzz
step."
Sorry, but I must disagree most strongly.
In an average evening of contra dancing you will spend nearly thirty minutes
swinging (if the dances are in the Modern Urban Contra Dance style rather
than the older
I really, really don't like the term "giving weight". It is a technical
term that is too easily misunderstood. As soon as you mention giving weight
some people will start to lean or pull. I don't believe that leaning or
pulling have any place in contra dancing. All that leaning and pulling do
Rich asked for dances with one or zero swings. These are some of mine, many
aimed at beginners.
Duck! (by John Sweeney)
Contra; Improper; Double Progression
A1: Neighbour Dosido
Neighbour Two Hand Turn - open into a circle
A2: Circle Left; Circle Right
B1: Men Dosido
Ladies Dosido
Hi Rickey,
Some of your options depend on the skill levels of your dancers and their
willingness to explore related genres. There have been lots of great
suggestions already. Here are a few more.
Many of the Playford dances are great fun and can be danced with the kind of
energy that contra
I am going through some old English Dance & Song magazines and found this
from December 1964:
= = = = = = = = = = = = =
East Meets West
This dance has been in vogue for many years now and in response to repeated
requests, we reprint it here. It was composed, we understand, by Ralph Page
after a
Yes, the spiral is traditional! It is part of the Grand March which
goes back at least a couple of centuries.
I call a Grand March by leading it, with my wife. I wear a wireless head
mike so my hands are free.
We just start promenading around the dance-floor encouraging
What to call after a dance with a lot of clockwise movement:
I understand there are some Australian contras where they choreographed a
counter-clockwise swing. Of course you would have to be careful with that as
most people have never practised CCW swings. The CCW swing then provides
Hi Rich,
The dance was first published as "Branle de l'Official" in 1589 in
Orchésographie.
You can see the original wording, under "B. DE L'OFFICIAL." near the
bottom of the page at
http://www.graner.net/nicolas/arbeau/orcheso22.html
And there's the music, running down
I am in England. 90% of my bookings are for "Barn Dances" or "Ceilidhs".
The ones I run go under the name "Dancing for Fun" with a description of:
" Come and learn a wide range of wonderful dances, from 17th Century Jane
Austen style to 21st Century Ceilidh, including Square Dances, American
When I was at university all the college servants were called gyps.
According to my dictionary it may just as well have come from the name of a
short jacket (obsolete English gippo derived from the obsolete French word
jumeau).
We are unlikely to ever know the true derivation of the word gypsy in
Sorry, but in 1855, in the magazine Misch-Masch, Lewis Carroll defined Gyre
as follows:
"Gyre, verb (derived from GYAOUR or GIAOUR, 'a dog'). To scratch like a
dog."
So, nope, nothing to do with gyration!
And, I have always understood it to be pronounced with a hard "g" as in
"give". My
Pleas could you clarify how you intend to pronounce "gyre"?
I have been saying "gyre" with a hard "g" as in "give" or "gimble".
But if it is related to "gyrate" then maybe people are using a soft "g" and
making it sound like "jire".
Which do you use? Thanks.
By the way, I am still having
Hi Janet,
I agree entirely re "gypsy"!
But, please, not "Homo Sapien"!
"Homo Sapiens" is the singular. The "s" on the end does not
indicate plural. You can't take it off to make it singular.
The plural is "Homines Sapientes".
It hurts when I hear
Hi Luke,
I suspect you will have timing problems in a Double Contra because
of the extra time it takes for the people at the ends of the lines.
I have a couple of dances with a DosiAll and the other challenge is
getting them all to start at the same time. I solve this with a
Next time you see this couple at a dance, call for Rifleman Formation!
Maybe they will stay to see what it is.
Yes, before the relatively recent introduction of the term "Becket
Formation" that formation was known as "Rifleman Formation", after the
English country dance The Rifleman. Yes, we
Hi Ron,
Try Dopeca:
http://www.contrafusion.co.uk/Dances/Dopeca.html
Happy dancing,
John
John Sweeney, Dancer, England j...@modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
Michael Fuerst wrote, "'Balance and spin' has the same number of syllables
as 'Petronella' and avoids unnecessary jargon"
Hmmm... well if someone says "Petronella" I know that I am balancing forward
and back and then spinning clockwise while moving one place to my right to
the place of the person
I use The Horse's Branle for small groups
http://www.webfeet.org/eceilidh/dances/horses-branle.html
Happy dancing,
John
John Sweeney, Dancer, England j...@modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
Here's a few with a difference;
Cumberland Contra is here:
http://www.contrafusion.co.uk/Dances/CumberlandContra.html
The Slithy Dance is at:
http://www.contrafusion.co.uk/Dances/SlithyDance.html
Note: You can change the Two Hand Turn in B1 into a Swing; you can teach B2
as a Whole Set
Thanks to Donna for noticing my deliberate mistake! I thought I had fixed
the direction of the Lasso... I have reworded A1, hopefully to avoid
confusion!
The Alabama Rang Tang and the Mountain Dosido were both originally known in
their communities as just "Dosido" (spelt anyway you like, but
Hi Maia,
First you have to decide whether you are running a business or
enjoying a hobby.
I do both and the rates are completely different. As a hobby I
charge whatever the gig can afford, going as low as zero. But that has to be
stuff that you want to do for fun,
When I teach a Dolphin hey with lots of people who don't know the concept I
get the active couple to link together (leader lets hands trail behind
back, trailer hooks on) and dance a hey for three without the active couple
trading places (this is also known as a Shetland Reel). Once they
When teaching a Dolphin Hey to people who are not familiar with the concept
I get the leading person to put their hands behind them and the trailing
person to hold those hands, then I get them to dance the hey for three
without the active couple trading places with each other. Once they
Of course contra dancers like swinging, so you could try incorporating this
version into a contra dance:
https://www.youtube.com/watch?v=ZfqC8uVfCUo
In “Cowboy Dances” (1939) there was also a version with half a two-hand turn
(but they called it a swing!) every time you met someone.
I would always include in the notation the fact that the balances for a Box
Circulate are MUCH more satisfying if they are Forward & Back - that sets
you up with the right momentum to cross the set.
I really wish callers would specify the direction of every balance; for
instance if the next move
I completely agree with the others who have responded. The world needs more
dances with fewer swings. I love swinging but I love other moves as well.
If a dance has something like "Partner Balance & Swing, Circle Left 3/4,
Neighbour Swing" then my immediate reaction is that that is half the
Hi Luke,
It depends on the skill levels in the hall. If I have a lot of first
timers or perpetual beginners I use a very simple dance like
http://contrafusion.co.uk/Dances/ChainnHey.html
For teaching I would much rather do the chain there and back to give
more practice; the
Hi Luke,
I use Chain 'n' Hey http://contrafusion.co.uk/Dances/ChainnHey.html a
lot with groups where at least some of the people know what they are doing.
No, I don't generally draw imaginary lines on the floor for ordinary heys (yes,
for a Lichfield Hey!), but I often demonstrate and
Hi Tavi,
I do teach the twirls in a Ladies' Chain, occasionally at a regular
dance, but more often in style and technique workshops at festivals.
If anyone wants some pointers on how to teach good twirl technique
then please see my article at
Hi all,
I was at a workshop recently where someone asked me if I liked "the
Ralph Page style" of contra dance. They claimed that they had been told
that he wanted dances to be slower and calmer.
Is there a "Ralph Page style"? If so what is it?
If he wanted the music
Hi all,
I have been to contra dances and festivals all over America and
everywhere I have danced everyone automatically uses a wrist-lock star
(unless the caller has specified hands-across because of the subsequent
choreography).
But I am constantly challenged in England by people
Hi Read,
Yes, you shouldn't pull away from the centre, but then I never
recommend that in any move. But you can pull forwards around the circle. I
always teach that you are pulling the person behind you, who is pulling the
person behind them, who is pulling the person behind them, who
Hi Neal,
Thanks. But I don't understand what Ralph's smoother style was. To
me, modern contra dancing is beautifully smooth. Larry Jennings defines the
style in Zesty Contras as "zesty, purposeful, extroverted, smooth,
meticulously phrased, strongly connected, vigorous, New England,
Hi Ron,
Here are some figures that might fit your needs. But you also need
some breaks/choruses that contra dancers will find easy; you dont have to
use ones shown with the figures.
Chippenham Square by Colin Hume
http://colinhume.com/insts.htm#ChippenhamSquare
Geezy Peezy by Larry
Thanks to all those who contributed. Here is a summary of the key points
that were made. It is clear that the wrist lock star is indeed the standard
across the USA, with only a few areas using hands across.
Summary
Names: Wrist Star, Box Star, Wrist-Grip Star, Wrist-Lock Star, Pack-saddle
David said, " I would rather have a lump star moving promptly than a
beautiful wrist star three steps late".
Absolutely!
Which is why I always teach the dancers to move their feet first and worry
about their hands once they are moving.
Happy dancing,
John
John Sweeney, Dancer, England
Yes, Dean Snipes.
Sent off-list.
Happy dancing,
John
John Sweeney, Dancer, England j...@modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
Hi Erik,
It all depends on how you, or the group you are working with, define
ECD. The definition of country dancing in England is much wider. We'll
dance anything the caller calls as long as it is fun.
You can find some 50 year old dances at
Instead of Ladies Dosido 1 & 1/2 I always teach Ladies Dosido then Pass
Through (by the Right Shoulder). That makes it clearer as to where they are
heading (especially if they like spinning their Dosidos!).
Happy dancing,
John
John Sweeney, Dancer, England j...@modernjive.com 01233 625 362
Richard Hopkins asked, "What is 'slice'? And is it different from 'yearn'?"
I think most people use Slice and Yearn to mean the same thing:
As a couple move forward diagonally to face the next couple (default is
usually to the left); high-five them with your spare hands (not the one you
are
Cara asked, "Is there something wrong with Lead and Follow?
Not sure if I have posted this on here before; my apologies if you read it
all before.
My beliefs, understandings, opinions - some points:
1) Contra is not intrinsically a lead/follow dance style; calling the roles
"leader" &
Yes, but…
Variations in local styling can be very unsatisfying unless:
1) visiting dancers are prepared to accept the local styling
2) if the caller sees problems then they explain what the local styling is and
ask visitors to respect it
At my contra dances I always ask visiting callers
Meg said, "I have better luck teaching that to beginners if I teach the grand
right and left first and *then* add the allemande left, rather than teach it in
the sequence it's presented in the dance."
The same advice was given by Lloyd Shaw in "Cowboy Dances" in 1939:
"It is so simple that it
Hi Meg,
Or you may have seen the Grand Chain, sorry Grand Right & Left
for you Americans, without the Allemande in other dance styles. English
ceilidh dances don’t bother with the Allemande. And of course it occurred in
1650 dances as well. The earliest record I know of is in
"Corner" does not appear to be well defined from the ending position of that
Dosido - normally for a Corner the Lady would look Right.
In Give & Take it specifies Dosido 1 & 1/4 which makes it clearer - the
person now beside you who you did not Dosido, i.e. the one on your left is
the one you
Hi all,
My categories are a little different:
Dances I want to try once I am calling for a group that can handle them
Dances for beginners
My current set of favourite dances which I will use for most gigs
Dances to fall back on when something doesn't work
Chestnuts and other traditional
Hi All,
Ladies' Chain to Allemande Left is actually the original version of
the Ladies' Chain! I believe that the Courtesy Turn was added sometime late
in the 19th century, or maybe in the first half of the 20th century.
Prior to that the "Chaine des Dames" was always danced as
Hi All,
These two proved popular at Eastbourne International Folk Festival.
I would be interested in any comments on them, and on whether the Double
Gypsy I have used is common.
Rogue's March has the same first half as Devil's Dream, but without
the awkward hand change at the end
d
Summer 2017)
-----Original Message-
From: Callers [mailto:callers-boun...@lists.sharedweight.net] On Behalf Of John
Sweeney via Callers
Sent: Saturday, May 6, 2017 8:18 AM
To: callers@lists.sharedweight.net
Subject: [Callers] Two New Dances
Hi All,
These two proved popular at Eastbo
Hi Frederick,
You'll find lots of dances at:
http://contrafusion.co.uk/Dances.html
http://contrafusion.co.uk/DancesEDS.html
If you call the Weevil, the most helpful things you can do are:
Make sure everyone knows that there are seven positions and the "threes"
must face the gaps
Hi Deborah,
The move for two couples is also known as a California Show Basket,
an Appalachian Big Set/Square dance move.
I have the full Swing Like Thunder as:
First Couple out to the Right : Circle Up Four
Take Hands Across: Men take hands; Ladies take hands below
Ladies Bow:
There is a very good example of the rollaway into a Docey-Doe, that Tony
mentions, in https://www.youtube.com/watch?v=zfZZdB2MyKs at 5:16
Then you can see it danced three times in the next dance sequence. Especially
check out the one at 6:44 with a lady doing a double spin!
Happy dancing,
John
Hi Linda,
Re your Box ‘n’ Swat: I have a somewhat similar dance in my files:
Circle Mixers Are Fun (by Tony Parkes)
A1) Into the Middle & Back x 2
A2) Partner Right Hand: Balance & Box the Gnat; Partner Dosido
B1) Partner Left Hand: Balance & Swat the Flea; Partner Seesaw
Hi Linda,
Do you try to teach them a Ballroom Hold Swing? I.e. a standard contra
swing? I never use that for one night stands.
For first-timers I always teach them to put their right forearms
together, gently hook their hand around their partner’s elbow, with the thumb
below
Jim said:
"I think there's more to it than using up a bit of energy. John had also shown
the dancers (not merely told/lectured them) that he had something to offer that
was fun. I think that could have done at least a little toward making them
willing to attend to whatever he was about to
Hi Kalia,
I see you have loads of responses already! Here are a few easy ones
from my files that I believe meet your criteria:
Bases Loaded (by Jim Saxe, Lydee Scudder, and Tom Thoreau)
Contra; Becket (CW)
Start by turning the circle of four 1/8 AC so
that you face another couple on
Important note: This is NOT about whether or not modern callers should use
the term. Please don't raise that question in response to this note. This is
a historical analysis of the gypsy.
If you are interested please look at http://contrafusion.co.uk/Gypsy.html
where you will find all these
Hi Don,
As has been said, you really need to find out what they think they
mean and what they are hoping for. As an example:
Irish people dancing Waves of Tory:
https://www.youtube.com/watch?v=JsDw57nqUrk
English people dancing Waves of Tory:
https://www.youtube.com/watch?v=b1qtN-kw6Mg
Hi Luke,
I call a Grand March by leading it, with my wife. I wear a wireless head
mike so my hands are free.
We just start promenading around the dance-floor encouraging everyone to
follow us.
For the stationary Arbor/Tunnel, once I have got couples making arches I
drop
Hi Rich,
I call them:
* As the first dance when there are lots of beginners. Quite often they will
dance with each other, so doing a dance with only a Neighbour Swing means that
they get to learn to swing with lots of other people before doing a Partner
Swing dance together.
Hi all,
Karen and I like to get some winter sunshine (temperature
averaging at least mid-sixties) with lots of dancing (ECD, contra, square,
etc.) on our USA vacations in January or February, taking in a dance
festival if we can.
Any recommendations as to the best
Hi Colin,
I think there at least three definitions:
1) Average American understanding today:
>From https://en.wikipedia.org/wiki/Contra_dance
Many modern contra dances have these characteristics:
longways for as many as will
first couples improper, or Becket formation
Hi,
I don’t know that dance. But I have another dance with that move
in my file.
I learnt it as a “Petronella Pivot”.
You’ll find the dance, “A Glimpse of Beauty “, at
http://charleyharvey.com/dances.html
Happy dancing,
Since so many people enjoy the contrary circling in The Wheel, you might
enjoy this one as well:
Suicide Square
http://www.ceilidhcalling.co.uk/danceviewpage.php?view=1=9
It is extremely chaotic! You can reduce the chaos slightly by getting the
band to stop randomly during the circling, at
Hi Amy,
No, no, that’s not what See-Saw means!
You can see a See-Saw being performed just after 31 seconds into:
https://archive.org/details/square_dancing
No, just kidding.
Dosido and Seesaw mean lots of different things (I have a contra
let
go of the pointy hands works much better than “gents on the left, ladies on the
right” for ending correctly.
Read Weaver
Jamaica Plain, MA
http://lcfd.org
On Jul 24, 2018, at 12:00 PM, John Sweeney via Callers
mailto:callers@lists.sharedweight.net> > wrote:
Your ne
Hi Rachel,
Some of the moves that have been mentioned are actually English
country dance moves that have been used in squares.
Grand Square:
1648: http://sca.uwaterloo.ca/~praetzel/sca/lansdowne.html
And a few years later in Playford’s Hunsdon House. This is, of course, a
Here’s another easy one – my version of J & L, using ideas picked from other
callers:
Jefferson & Liberty #27
Contra; Improper
A1: Circle Left; Star Right
A2: Star Left; Circle Right – finish where you started
B1: #1s Dance Down the Outside (6), Turn around (2)
#1s Dance Back
Hi Luke,
I called it tonight. We had low numbers so I tested it during
the interval with some volunteers as a Four Couple Dance. At the end of the
Partner Swing we just faced back to the same line. Or changed it from Head
Lines to Side Lines if we wanted different people to go
Hi Maia,
Just take any dance with a Right & Left Through and change it to
a Half Promenade.
Happy dancing,
John
John Sweeney, Dancer, England
Hi Luke,
I call for two or three weddings a year. There are as many
non-weddings as weddings in barns. Some of the barns are terrible!
The weddings tend to be in the better quality barns.
I think a number of old barns have been refurbished to
om being a square dance. Is there a reason
to run it as a "contra" rather than a "square"? Or do you find the distinction
doesn't really matter?
On Thu, Aug 23, 2018 at 8:19 AM John Sweeney via Callers
mailto:callers@lists.sharedweight.net> > wrote:
I took Luke’s Dou
I took Luke's Double Contra and, since I often work with small groups, made
it into a Four Couple Dance:
Luke's Tunnel (by John Sweeney/Luke Donforth)
Four Couples; Longways; Becket
Start in Side Lines; Number the positions as in a Square Dance
A1: Neighbour Balance & Box the Gnat - keep
Hi Lorraine,
As has been said, if you really want to do contras the you need
to have a program which teaches basic concepts and builds on them.
Family Contra is a great dance for teaching the concept of progression:
A Box the Gnat finishes with you facing the person you did it with. So
everyone has to turn 90 degrees to face their neighbour for A2.
On another point. It is not a Square Through! (Sorry, just checked Callerlab:
Square Thru!)
A Square Thru finishes with your back to the last person
Larry Jenning's words from Give-and-Take (just in case there is anyone out
there who doesn't have, or can't find their copy!):
= = = = = = = = = = = = = = = = = =
GIVE-AND-TAKE: General definition adopted by some callers and composers: The
"swingers", a man and a woman facing across the set,
Hi Rich,
If you have a great dance that you want to call but it has a circle,
and you have called too many circles, then why not just rechoreograph it to
remove the circle?
For example you can replace
Neighbour Swing; Circle Left 3/4; Partner Swing
with
Neighbour Swing;
Hi Luke,
I am not sure why you are calling it a Half Figure Eight. Unless I
have misunderstood something, you just have the ladies crossing the set, going
around each other instead of straight across, while the men move out of the
way. Since the active dancers don't go around a
Hi Jeanette,
For star holds see:
http://lists.sharedweight.net/pipermail/callers-sharedweight.net/2016-October/001950.html
Embellishments are best achieved in a microsecond by a good
leader initiating the embellishment and a good follower following it.
Angela’s point about managing your weight is really important.
I hate the term “give weight”!
I really don’t want your weight, in swings or allemandes or anything else.
I am happy, though, to counterbalance your mass in order to stop centrifugal
force pulling us apart. It is dancing,
I picked up a Square Dance break from somewhere that was called the Dixie
Chain Break:
Dixie Chain Break:
Heads Hey for Four with hands Ladies lead with Right Hand
Sides the same
Heads and Sides do simultaneous Heys when four are in the middle they do a
Hands Across Star (Ladies Star, Pull
Hi Ken,
How about:
1) (Balance Forward & Back) Men Orbit CW Half Way WHILE Ladies Allemande Left
Half; Neighbour Swing
2) Travelling Gypsy Meltdown: Lock Eyes and the Man starts Orbiting CW with the
Lady following, Gypsying around each other to the other side and melting
My belief:
For the actual dance there is only one Leader: that is the caller.
All the dancers are Followers, following the caller’s Lead.
Any suggestion that one role has a leading responsibility is misleading and
does disservice to all the dancers in the other role.
Historically
Hi Don,
Alan said most of it already.
You could potentially use any of Gate, Wheel, Wheel Around,
Assisted Cast, Hand Cast, Hand Cast Off, Turn as a Couple!
From Zesty Contras:
Hand Cast Off: Often shortened to “hand cast”, even though it is
Hi Don,
I think that the default definition now is that the pivot point
is at the joined hands, but diverse choreography means that it can be anywhere
in order to achieve the desired effect.
For example in Bob Isaacs’ March of the Triplets, the second pair
of
Hi Austin,
I’ve always found balances in lines to be fun. Yes, it is a different
feeling from a Wave Balance, but so is a standard Petronella Balance. The
whole line spinning together is great as well.
I can’t agree that the “ideal” Wave Balance is Right/Left. That is
only
Hi Bill,
I first saw it in The Balanced Diet by Sue Rosen.
Here's one I wrote after seeing that:
http://contrafusion.co.uk/Dances/SlithyDance.html
I find it better to Balance Right & Left rather than Forward & Back
(as in a four person Petronella); it sets the momentum up
Hi all,
Has anyone had any success at getting new people along to
dances by using Twitter or Instagram?
If so, please do you have any advice on:
How to get started?
What sort of material to post?
Who to Follow to see some successful usage?
Hi Don,
I get confused when Americans use Sashay in a dance.
Do you mean Sashay as in Roll Away with a Half Sashay – where it
just means step to the side?
Or do you mean Sashay as in the dictionary: “walk in an
ostentatious yet casual manner,
Hi Don,
I find that the key word is the one that Maia used: “Slide”.
I teach it as slide in front/behind, step forwards/backwards,
slide back to where you started.
And, very important, I call it as “Slide (to the side)” for the
first few times
Hi Judy,
I like Alamo Triad from Give-and-Take.
Hands Six from the top. #1s Improper, #2s and #3s Becket, now
hold hands in a circle of six - #1s keep your backs to the band.
It is Double Progression, so you don't spend so long out at
the end. It
For loads more, get ready to groan:
http://www.jokes4us.com/miscellaneousjokes/dancingjokes.html
Happy dancing,
John
John Sweeney, Dancer, England
Hi Rick,
Here are a few ideas:
http://contrafusion.co.uk/Dances/DiversDelight.html
http://contrafusion.co.uk/Dances/FourJollySheepskins.html
http://contrafusion.co.uk/Dances/PlainHamburger.html
http://contrafusion.co.uk/Dances/WaltzCountryDance.html
If someone tells me to rotate then I will turn on the spot :-)
The move is called Box Circulate. It doesn't make sense to me to use
"rotate" instead of "circulate".
When you are calling then using instructions such as Men Cross, Ladies Turn
(or just Circulate once they have got it) is obviously
Bottoms Up (Author unknown)
Five Couples; Longways; Proper
A1:Top Two Men Arch; #1 Lady leads Thread the Needle
A2:Top Two Ladies Arch; #1 Man leads Thread the Needle
B1: Circle Left; Circle Right [OR Partner Swing; Long Lines – gives
recovery time if they are late]
Hi Don,
You could try http://contrafusion.co.uk/Dances/HeyDown.html
For a more contra feel change B2 to Neighbour Swing; Long Lines
Go Forward & Back.
You could do http://contrafusion.co.uk/Dances/TheDolphinsF8.html
as a Shetland Reel: #1 Man
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