Note that right and left diagonal relative to the the do-si-dos are just within
the foursome, not like the couple left diagonal. I should probably have edited
that out.
Martha
> On Jul 23, 2017, at 4:05 PM, Martha Wild via Callers
> <callers@lists.sharedweight.net> wrote:
>
Maybe I’m late in coming to this, but has anyone mentioned Pat Shaw’s
Margaret’s Waltz (contra to tune he wrote of same name)? Actually, maybe he
wrote it as a Sicilian Circle, but I’ve done it as a contra.
Martha
___
Callers mailing list
How about:
Treasure of the Sierra Madre James Hutson
Forgotten Treasure Beth Parkes
The Seagull Erik Weberg
Golden Chain Nick Hawes
Ocean View Reel Donna Hinds
Woven Wave Cary Ravitz
Ride the Wave to Love JoAnn Kopanny
Dancing Sailors Ed Shaw
Night Sail Rick Mohr
Smooth Sailing Becky Hill
> On
If you have to travel a long distance, LEAVE EARLY. So many things can go wrong
with traffic etc. on the way to a dance. Give yourself time to get there
without stressing and arriving at the last minute (or after the last minute).
Martha
> On Sep 16, 2017, at 6:01 AM, Mary Collins via
OK, I've got a few dances here (actually more than a few but I'll start with a
few) that I don't have attribution for. I'd appreciate any help, thanks!
Number 1
4 face 4
A1 Forward and back
Swing corner
A2 Heads right and left through
Sides right and left through
B1 Men star
Good point Erik. Also, if you travel, different groups can have vastly
different cultures. Some years ago I was asked to call a zesty contra in
another state. I assumed they would want to do a lot of zesty dances and
planned accordingly. The food was placed outside the dance floor in a long
Though it may seem like heresy to do it without the associated tune, Levi
Jackson Rag can be done to other thirty-two bar tunes if the band doesn't know
the required tune, and is good for 5 couples.
On May 3, 2015, at 12:53 PM, Kalia Kliban via Callers wrote:
> I just called a tiny dance last
I don't call squares often - it is a different feel than calling contras, and
for our contra dance, I would want to be better at it to do it regularly (of
course, if I did it I'd get more practice). But I do often call visiting
squares like the Grapevine Twist or Birdie in the Cage for barn
Duple Improper version:
A Piece O' Cake by Carol Kopp
On Jul 11, 2015, at 11:55 AM, Ron Blechner via Callers wrote:
> Instead of an odd progression, I'd just start the dance at the A2 and make it
> duple improper.
>
> N B+S (4,12)
> Hey (GL, PR, LL, NR) (16)
> Gents cross L (2)
> PS (14)
>
Hear, hear, Eric! My sentiments exactly.
And for a slightly different perspective: I danced a shadow dance at Glen Echo
some years back, and after swinging my shadow a few times, we both suddenly
realized we knew each other from way back (my how we change)! Every swing was
an opportunity to
The instructions for If I Was Dead and It Wouldn't Go to Waste can be found at
this link (page 9):
http://www.lloydshaw.org/Resources/adc/201303.pdf
On Sep 10, 2015, at 8:47 AM, Perry Shafran via Callers wrote:
> I think the full title is "If It Were Dead It Would Not Go to Waste".
>
It's a good time to call dances that might need extra space along the line -
for example, there are some dances with a ladies chain up and down as opposed
to across the set such as Saint Louis Cruise by Robert Cromartie.
On Oct 15, 2015, at 6:46 PM, Laur via Callers wrote:
> I think I meant
I can see from this discussion that there is definitely merit in giving this
move a different name, though I had never thought of it as a derogatory term
before. I rather like the idea suggested in a previous post of "eddy" because
it is short and to the point and sounds different from other
Since we are all operating on assumptions here about what might or might not be
offensive to the Roma people, I have sent a question to "Voice of Roma"
(www.voiceofroma.com/) asking for their opinion as to whether our using the
word gypsy for the past century plus as a name for a dance move
Gyre makes me chortle. Could work.
Martha
On Oct 29, 2015, at 12:16 PM, Amy Wimmer via Callers wrote:
> I LOVE that word as a replacement for "gypsy." It makes absolute sense and
> conveys the idea of the move perfectly.
> -Amy
>
> On Oct 29, 2015, at 9:23 AM, bill fischer via Callers
>
Levi Jackson can be done perfectly well to other tunes, though of course it is
best with it's own tune. Ragtime Annie (A and B parts only) is a nice
compromise that some bands know.
Martha
On Nov 1, 2015, at 4:17 AM, Bree Kalb via Callers wrote:
> Levi Jackson Rag is a favorite of mine but not
All, I have received the following response from a representative from the
Voice of Roma. This seems to be a pretty definitive response to whether the
term is insulting or not to the Roma people.
Martha
Begin forwarded message:
> From: Carol Silverman
> Subject: Re:
All, This is Josefins Waltz. Chris Peoples provided me with a copy. It is a
very beautiful and fairly easy waltz to play (not many eighth notes). If you
get a chance, play through it, and see what you think. We could add it to our
repertoire and try it this week - thoughts from other fiddlers?
Sorry, about sending it to you all. I was sending that file to a BCC list of
Community Band members, and so I usually send it to myself in the “To” area -
and the computer defaulted to me via Callers instead of my e-mail. The other
list did get it as a BCC. But if some of you are also
The first is very close to Bill Olson’s “Perihelion” except for slightly
different A1. Probably easier than that one though.
> On Dec 9, 2015, at 1:04 PM, jill allen via Callers
> wrote:
>
> Here's something new:
>
> Signs of Life
> duple improper contra
>
Hear, hear, John. I agree with you. I’ve heard this move called "petronella
turn" at least since the late 80s and, as you do, just call it as such, and
teach where necessary, without a reference to the original dance. Why bother?
Most dancers don’t know the original dance - now if I were
n.
>
> -- Alan
>
> On 12/17/15 7:42 AM, Martha Wild via Callers wrote:
>> Hear, hear, John. I agree with you. I’ve heard this move called "petronella
>> turn" at least since the late 80s and, as you do, just call it as such, and
>> teach where necessary,
;gypsy" the dance move with the slang for wandering people?
>>
>> Regardless of its origin, its current use is relevant.
>>
>> Ron
>>
>> On Jan 21, 2016 12:15 PM, "Martha Wild via Callers"
>> <callers@lists.sharedweight.net <mailto
There’s a really neat oddball one by Erik Hoffman called “The Millennium Bug”.
Not sure what book of his it is in, though.
There’s another traditional one called “Pride of the Pingle” for four couples
+1. Line up as for a reel of four couples, doesn’t really matter if it is
proper or not. The
Call a dance written by someone else:
Pretty much always, is my guess. If I note down a dance at a festival and I
like it, I call it, and try to get all attributions for announcement. Maybe if
there was a caller who stipulate that no one was to call their dances without
express permission or
I have a version of it though I’m not sure where it came from. It’s more of a
play party dance, and rarely goes along with the music.
El Capitan
2 lines facing, can be 4 or 5 couples, 1 extra person with a handkerchief to
wave (El Capitan).
Music plays.
Person who is El Capitan yells
How about “mimsy” then - kind of like Jets and Rubies, it has a similar feel to
the word it replaces.
Martha
> On Jan 25, 2016, at 3:53 PM, Jonathan Sivier via Callers
> wrote:
>
> That's what made me think of it. In some earlier message someone mentioned
>
Well, I have changed my opinion.
I decided to talk to Martha Barnette and Grant Barrett at Away With Words about
the g-word controversy, figuring that if anyone could shed light on the origins
of the words and the ethical use of language it would be them.
They said that the origin is NOT the
At one nighters I start with non-contra dances and if there is time work up to
Family Contra which is a good one for easy progression, and then to this one:
Ellen’s Green Jig by Roy Dommett (doesn’t matter if it’s proper or improper)
A1 Do-si-do neighbor
Ones do-si-do
A2 Ones balance
> This is one I wrote that I’ve called a couple of times and people liked it.
> It is unequal in that the ones swing, but you can easily alternate between
> ones and twos if the dancers are more experienced. If you look at the link it
> will make the move clear, in case my explanation doesn’t
After having some serious delays at weddings (like 5 hours between when we were
supposed to be on and when we actually went on) I now (either as a caller or
with one of my bands) charge at least $100-$150 per band/caller person, but
include the caveat that a half hour delay is free, but every
Agreed. Once around is hard enough to get done in 8 counts sometimes.
> On Jul 19, 2016, at 2:16 PM, Chris Page via Callers
> wrote:
>
> As a general comment, I actively dislike dances that try and squeeze
> circle left 1 & 1/4 into eight beats.
>
> One dance I
I have it as Holiday Haze by Cheri Glaser - is that correct, or is it Daze?
Martha
> On Jul 21, 2016, at 4:46 PM, Lisa Greenleaf via Callers
> wrote:
>
>
>> On Jul 21, 2016, at 7:41 PM, Vicki Morrison wrote:
>>
>> But is "Cheri" the
What is it with people and every dance having to have a neighbor swing? I
personally dislike dance programs where every dance has a neighbor swing.
Sometimes I’d like to pay attention to the partner I’m dancing with and not
everyone else. Sometimes interesting choreography is available when you
Hey, I’m an experienced dancer, and I actually like the continuous flow of a
“full” ladies chain. And having done it from the man’s side, it’s kind of fun
there, too, to sidestep and then swoop the women’s role around or if the dance
and partner permit, twirling them under. It’s a flowy move, I
Hi, Harry Brauser is a dancer and former caller who has moved back to San
Diego. He called me when he got here and I screwed up and erased his phone
number from my phone before I had a chance to write it down. Does anyone have
his phone number? He used to call in Maine and Boston.
Martha Wild
I don’t dislike squares. But I hesitate to call them unless there are only four
or maybe 8 couples left at the end of the dance for a number of reasons - one
being the large teaching to dancing ratio in general as mentioned below,
another being the fact that you can have two - seven people who
One of the reasons I wrote “Hot Cross Bunny” was because I love the transition
of swinging, facing up, and going proper down the outside, but I don’t like the
wait to be active. So it’s a double-progression dance, and usually everyone
gets their chance to be active. In a crowd that won’t be
Wednesday’s at Amherst Ron Blechner
Saturday Night Line Joseph Pimentel
Saturday Night Reel Herbie Gaudreau
> On Nov 4, 2016, at 10:26 AM, Karin Neils via Callers
> wrote:
>
> Monday Jim Hemphill
>
I wrote this one (after some discussions with Chris Page about disorientation
at the finish of an earlier version), and it works pretty well.
Diving Ducks Redux 4 face 4
A1 Lines forward and back
Dip and dive around the square*
A2 Continue the dip and dive
Women
Note that the Scottish “Gay Gordons” dance, which has been a standard there for
I don’t know how long, features a promenade where couples walk forward then
turn and continue backward, then come back forward and turn and continue
backing up again. Doing four instead of two in line would seem a
To Ron,
>
>
> Personally, I find Dublin Bay in a contra dance an exercise of "why aren't we
> just going down the hall?" It just feels gimmicky to me. But I enjoy the
> dance Dublin Bay - so it's not a criticism on the figure, but its use.
>
I don’t feel this way at all about this figure. I
Gene Murrow is giving a caller’s workshop, details below, on Monday evening.
This is open to ECD and contra caller’s if you are interested and can attend.
I’ve put the details below:
"The caller's workshop with Gene Murrow will be at Casa de Las Campanas at
18655 W Bernardo Drive in Rancho
I’d like to add another point to Neal’s reasoning:
As a 5 foot 1 inch woman dancer (and a caller), I can also add that the female
of the human species is known to generally be smaller than the male. This is
such a signature difference that on Voyager they included a graven image of the
human
As one other caller mentioned - what I do as a caller is avoid looking at that
dancer AT ALL. That confuses me, and I will miscall if I get to caught up in
what is happening there. What I do is look ASAP for the dancers who are doing
the moves smoothly and well, and I call to them, making sure
Hi, all. Actually, I think the transition from the petronella to the ladies
chain is a good one. There are certain moves in dancing, that I’ve heard called
“poise points,” where one purposefully switches direction, and it can be very
satisfying. For me, the spin to the right feels like the
Note that on The Ricochet Hey per the link, the women only ricochet on the
second half - so it is a regular half hey with the men passing left shoulders,
then a half hey with the women ricochet.
Martha
> On May 11, 2017, at 6:52 AM, Michael Dyck via Callers
>
So, a while back I was working with a band and they played a tune that was sort
of new for them, and the A part was fine, but the B part was unusual anyway,
and hard to know where the count was, in particular because they were
unfamiliar with it, and I tried to count and call so the dancers
Kalia, Don’t know if any of these will suit. It’s for new callers, not
necessarily new dancers, so the first may be too family dance oriented.
All of the following are Becket formation
My variant of Balance the Star #2 by the McLain Family (at least that’s the
title I have for it). I changed
Also, you can just change many right and left throughs into promenade across if
you want to make a dance easier for beginners.
Martha
On Mar 27, 2015, at 8:54 AM, Cheryl Joyal via Callers wrote:
> The courtesy turn is the hard part. Sometimes Teaching hat first works as
> they practice the
Michael,
If I were writing these dances, I'd probably give them all the same name and
call them #1, #2, and #3, because they have the same overall sense and theme -
easier for me to keep track of them. If different people had written them at
different times, they could probably call them
I’ve got a gypsy star dance (I actually call it “Star Wrong” and not just
because of the g-word, but because if you say “gypsy star” everybody starts to
gypsy and NOT star, so I gave up on that confusing terminology). Haven’t seen
another dance like it. The move from mad robin into the star
Ding, Dong, the Witch Is Dead <>Duple improper
October 24, 2000
A1Women do-si-do (or gypsy or allemande right as well)
Women swing (unisex style or Galway swing)
A2Men allemande right 1 ½
Oh, yes, I remember that rule. If I was asked by someone I really didn’t want
to dance with, and I declined to dance with them, I would sit out the next
dance in order not to hurt their feelings and I had to act as if I was tired or
I wanted to sit it out, all the time wishing that I'd avoided
Oh, yeah, that obsessing over the two things that went wrong. It will get
better. A few things to take notice of: you can’t please all of the people all
of the time. Even if you call an evening with no obvious errors, someone will
come up and say they didn’t like a particular dance because it
Yeah - there’s the dancer response I just commented on in my previous comment -
some people think it’s fun when it gets chaotic!
Martha
> On Nov 6, 2017, at 9:28 AM, John W Gintell via Callers
> wrote:
>
> This is what is important - it is why we go to
And about switching to another dance when there is trouble with one:
Sometimes, this is necessary. Sometimes, you have misjudged the difficulty
level of the dance for the dancers, or the dance doesn’t work as written down
(oops). Hopefully you notice that before teaching or during, but things
One dance I do call occasionally is Eric Hoffman’s Last Swing of Summer. I like
it because there's a couple do-si-do 1 1/2 times with your partner, so I always
comment to people that as long as they are aware of their neighbors, they have
16 counts with their partner and they should use the
I agree with Bill. Calling a neighbor swing only dance first, like Ted
Sanella’s Holiday Jig, can help train those beginners that are dancing
together.
Martha
> On May 15, 2018, at 6:40 AM, billinhi--- via Callers
> wrote:
>
> I agree with John Sweeney, but
Dan,
Here’s a dance by JoAnn Koppany called Ride the Wave to Love with two partner
swings. Ignore the shorthand at the bottom - that’s my own for dance planning
purposes and comes along with the Caller’s Companion printout page. It’s a nice
dance, I’ve danced it and enjoyed it. And yes, no
Actually, I have rarely ever experienced Hull’s Victory done correctly and on
time.
Martha
> On Feb 2, 2018, at 11:58 AM, Yoyo Zhou via Callers
> wrote:
>
> On Thu, Feb 1, 2018 at 7:26 AM, Rick Mohr via Callers
>
Chris Page has Vector Analysis - there’s a nerdy title for you. And a good
dance.
Martha
> On Feb 7, 2018, at 6:58 AM, Ron Blechner via Callers
> wrote:
>
> Hey callers,
>
> I'm looking for dances with nerdy inspirations to add a few more choices to
> an
Ron,
Well, I have one inspired by the mating of Tetrahymena (a ciliated protozoan
like a Paramecium) called Tetrahymena Twirl, and it’s kind of nerdy. Three
person (one a couple unit) hey. I consider it intermediate - it’s a little
weird in teaching but dances easily once it starts. It’s
Just make sure that if it is a wedding, you have some sort of clause that adds
money for every half hour you are delayed by the hirers from performing! Too
many weddings have asked us to start incredibly late with no additional payment.
Martha
> On Feb 23, 2018, at 3:10 PM, Mary Collins via
after that
> time, they agree to pay me $100 per hour, in cash, in advance. I’ve never had
> to invoke the overtime clause, possibly because it’s spelled out clearly up
> front.
>
> Jim
>
>> On Feb 23, 2018, at 6:20 PM, Martha Wild via Callers
>> <callers@l
John already mentioned Family Contra, which is my favorite because the
progression happens so easily, and it is so obvious that you are facing new
people. In addition, it has no obvious differences in gender role - doesn’t
matter who dances on which side, so great with piles of kids and parents
What do you do if you have dancers who are becoming frail, but do not seem to
acknowledge it, and that you are concerned might fall and hurt themselves (or
others) at an English country dance or contra? Particularly dancers who have
danced for a long time and given much to the community, but
I don’t think right shoulder round is going to make the grade. It’s
descriptive, certainly, but it is long and unwieldy and can’t be easily
shortened to anything recognizable as you eliminate calls in the dance. So, I’m
sorry, but I’m not going to be using it.
Martha
> On Mar 13, 2018, at
Usually from 2-4 hours, I’d say. I plan in alternatives for harder dances, and
I also provide suggestions to the band for what sorts of tunes are needed,
smooth, bouncy, marchy, where the balances are. I always pre-program.
Occasionally I have to change something on the fly, but not usually an
Interesting discussion on the Portland Country Dance Community Facebook page.
Lots of great suggestions. A lot of people really don’t like “right shoulder
round” (I’m one of them). I tried one of their suggestions last night - Kipsey
- and it worked amazingly well. Easy to say, particularly
I don’t see that if you substitute a term that ends with a long e it should be
nixed just for that reason. OK, maybe kipsy might be considered just a
euphemism. But "Look-see", as described by Susan Michaels, has the virtue of
involving the fact that you are looking at the other person, and
Yeah, except we keep trying different terms here in San Diego, as well as
having callers who havent changed it, so there is no one word to put on the map
here yet.
> On Mar 14, 2018, at 12:10 PM, Linda S. Mrosko via Callers
> wrote:
>
> Perhaps someone, not
I’ve got these in my database:
Hickman’s Hey, Dan Pearl
Two Way Street, Bob Isaacs & Lisa Greenleaf
Whoops Jamboree, Camy Kaynor
Ants Marching, Ron Blechner
Brimmer and May Reel, Dan Pearl
California Cloverleaf, Margo Gunsenhauser
Four Cubed Contra, Martha Wild
Lady Madonna, Martha Wild
Tag,
I’ve called to a techno contra once - but the person who put the techno tracks
together was smart, contra savvy, and mindful of phrasing, and used pieces that
had good 8 count beats, and made the transitions work so that they were at
proper junctions and could sync people up again. It was
Hear, hear! My sentiments exactly! How on earth are you supposed to “give
weight” (in the proper way, just a tiny bit so you are both part of a unit) and
get around each other with a flat, palm to palm contact? The only way that
works is that people bend their wrists so that they have some
Do Play Party dances like:
The Bingo dance: To the tune of the Bingo song - if you remember that from
childhood….
Kids are in two lines facing each other. They start by singing and clapping to
the beat:
Part 1) There was an old dog, sat on the back porch, and Bingo was his name oh
There was
Another thing that can be done, if you don’t want to just choose dances based
on their names, is play with the names of the dances you do choose. Nice
Tomb-ination. Monday Nightmare in Ballard. Be creative.
Martha
> On Sep 10, 2019, at 4:12 PM, Erik Hoffman via Callers
> wrote:
>
> Since
Here’s one of mine with a couple of variations. <>
Gateway to Julian #3 <>
Becket
September 9, 2015
A1Slide left and circle left ¾
Swing your neighbor
A2Women chain
I hate "right shoulder round". It has the problem of using the term right in
it. That makes it easy for people to confuse with a right allemande or a right
shoulder do-si-do as you are calling it. Or right and left through. People
often hear the first syllable you say to get direction, and that
Well, at least I’ve got a full car-pool going up to English Country tonight! 4
of us.
Martha
> On Oct 7, 2019, at 4:21 PM, Richard Hopkins via Callers
> wrote:
>
> I share the concern about driving a lot to get to dance events.
>
> FWIW: The Concord Scout House is 0.6 miles from the
80 matches
Mail list logo