Sorry, I should have been more specific/clear: the ladies’ role has 4 pull by
actions, plus a final allemande….for a total of 5.
Linda
On Jan 5, 2018, at 11:47 AM, Bill Olson via Callers
wrote:
> A really really GREAT dance by Dan Pearl! Yeah, the "end effects"
I have also found that it helps to point out that the ladies’ role has a total
of 5 pull by actions, while the gents’ role has 4.
Linda
On Jan 5, 2018, at 11:47 AM, Bill Olson via Callers
wrote:
> A really really GREAT dance by Dan Pearl! Yeah, the "end
In my records, I have this dance with a minor variation:
Finishing Touches by Ridge Kennedy
In Ridge’s dance, the A1 is N do si do and swing.
Cheers! Linda
On Dec 30, 2017, at 7:37 PM, Dugan Murphy via Callers
wrote:
> I wrote this dance yesterday, but I'm not
Hi, Jonathan!
Just went to your website to look for Champaign Cocktail. I am not seeing it.
Would you share it with us?
Thanks! Linda
On Dec 14, 2017, at 1:39 PM, Jonathan Sivier via Callers
wrote:
> It depends on what you consider to be a holiday theme.
Here are a few more!
Linda
On Dec 14, 2017, at 1:24 PM, Rich Sbardella via Callers
wrote:
> Does anyone have a couple of easy holiday themed contras to share?
> Thanks,
> Rich
> ___
> List Name: Callers mailing list
Tom’s dance is the perfect type dance to segue into the “spiral” dance! No
partner needed, and after doing the spiral in and out (led by you), you can
march them all over your room, or even into other available spaces.
My other go to dance is Galopede. The A1 can be a simple forward and back
vish
by Al Olson & Linda Leslie*
Four Face Four/Four Facing Four/Int
A1 ---
Forward and Back
Opposite allemande right once and three-quarters
Pull by this opposite to start:
A2 ---
Half hey for eight!
B1 ---
Same Opposite Balance and Swing
B2 ---
Ring BalanceCir
I don’t recognize the first one, Dugan.
However, the second dance I have in my files as “Together At Last” by Beau
Farmer; but also written by Erik Hoffman as “Down in the P.A.- P.A Patch”
Cheers! Linda
On Sep 27, 2017, at 6:36 PM, Dugan Murphy via Callers
You might want to look at the archives for this list. Many great dances have
been shared already here.
Good luck!
Linda
On Sep 23, 2017, at 11:10 AM, John Freeman via Callers
wrote:
> Hi All,
>
> I have been calling for almost 37 years, but have mostly been on
Here are a few for you, Maia. Hope the workshop is a lot of fun!
Linda
ps: I have not seen your dance before…
Back from Vermont
by David Zinkin
Contra/Improper/Int
A1 ---
Neighbor swing
Long lines forward and back
A2 ---
Star right three-quarters to long waves (P right, gents
I guess I misunderstood your rules! I thought you wished to avoid circle left
3/4, N swing, not all circles in the A1. Hope you find enough!
Linda
On Jun 29, 2017, at 7:13 PM, Kalia Kliban <kalia.kli...@gmail.com> wrote:
> On 6/29/2017 3:33 PM, Linda Leslie wrote:
>> Here
o si do
B2 ---
Partner Balance and Swing
(look left and slide left to a new couple)
Trip to Falmouth
by Linda Leslie
Contra/Becket-CW/Easy
A1 ---
Circle left three-quarters
This neighbor do si do once and a quarter (form a wave)
A2 ---
Wave Balance, walk forward and ne
I just joined by going to the following link:
http://lists.sharedweight.net/listinfo.cgi/organizers-sharedweight.net
Linda
On Jun 24, 2017, at 5:35 PM, April Blum via Callers
wrote:
> April Blum here. I will happily join the organizers group if you can point
Here is the dance, with notes, as listed on Michael Dyck’s comprehensive web
site:
http://www.ibiblio.org/contradance/index/
As Paul Wilde pointed out, the dance is Becket formation. I have never tried
calling it.
Linda
Allen Ortep's First Contra Top
Becket Counter
of language to distinguish positions?
thanks! Linda Leslie
On Jun 17, 2017, at 12:31 PM, Linda S. Mrosko via Callers
<callers@lists.sharedweight.net> wrote:
> That Tony Parkes dance looks good, but I'd never be able to use it with this
> crowd. In years passed, I tried to teach them swi
Perhaps this is the one you mean? “Go like thunder” is a phrase sometimes
used for this square.
Have fun!
Linda
Forward Six & Back
A1 ---
1st old cpl lead out to the right
Circle up 4 with all your might.
Leave her there and on to the next
A2 ---
Circle up three
Steal that
This is a small variation on Becky Hill’s dance “Simplicity Swing”. The only
difference is the A2. In Becky’s dance, it is “circle Left 3/4, P swing”.
Linda
On Jun 2, 2017, at 1:54 PM, Isaac Banner via Callers
wrote:
> Hey all,
>
> Michael Karcher suggested
Hi, Jacqui,
I looked through some of my collection, and found that your dance “Starlet” is
the same as a dance by Melanie Axel-Lute, which she calls Show of Hands I. I am
not sure when she wrote it, but I first called it in 2012.
Line Up the Square is very similar to a dance by Bill Baritompa
You can fix that little challenge by making the A1 a neighbor give & take on
the left diagonal. As couples, dancers go forward on the left, and bring
neighbor straight back for a swing. In the gents' chain version, the ladies
would bring N back; in the ladies’ chain version, gents would bring N
A while back, we had the same sort of challenge at one of the local dances.
About a dozen of us from the dance community got together to problem solve. The
group decided that if one of us made sure that the challenged dancer had a
partner for each dance, that it would be good for the entire
Al Olson wrote a triplet. Here it is
Linda
Benefical Triplet
by Al Olson
Other/Triplet/Int
A1 ---
Partner across pull by the right, L diag pull by left
Across pull by R; L diag pull by L
A2 ---
across pull by R; L diag pull by L
Partner across Balance & Box the gnat
B1
I am with you on leaving out the allemande entirely, John. Works out so much
better for some groups to simply “face Partner, grand right & Left”.
Linda
On Feb 7, 2017, at 4:53 AM, John Sweeney via Callers
wrote:
> Meg said, "I have better luck teaching that to
It may be that the Organizers’ List for Shared Weight may have this kind of
data.
Linda
On Jan 30, 2017, at 12:51 PM, Ron Blechner via Callers
wrote:
> No, I haven't seen statistical analysis of this. Maybe it's worthwhile for
> this to be polled out to
Al Olson used the move in his dance “Leaving Home”. It was published in Give &
Take by Larry Jennings in 2004. Larry spent a number of years putting this book
together, so the dance was written well before this. I did not find the dance
in Zesty Contras, Larry’s fist book, published in 1988;
This dance is Ann Arbor Four by Al Olson.
Linda
On Nov 5, 2016, at 2:40 PM, Donna Hunt via Callers
wrote:
> Anyone know the Title and Author for this dance? Thanks!
>
> A1 Long Lines Fwd and Back
> Neighbor Allem Right 1x, Ladies Allem Left 1/2
>
> A2
“if you are now joining a line, please join the shortest set.”
I try to remember to ask dancers to acknowledge not only sound folks, but also
the organizers.
Linda
On Oct 31, 2016, at 10:28 AM, Ron Blechner via Callers
wrote:
> Hi Shared Weight,
>
> I'd like
Hi, Ron,
Here are some favorites of mine. I hope a few might be the type of square you
would like. Have fun!
warmly, Linda
On Oct 14, 2016, at 11:51 AM, Ron Blechner via Callers
wrote:
> Hi all,
>
> I'm looking to expand the number of contra-friendly Squares
This dance is virtually the same as Troxler’s on the Loose, by Chris Ricciotti.
The only difference in Chris’ dance is that the final move is a ladies chain.
Beth Parkes also wrote a dance that is mostly the same: Forgotten treasure. She
begins the dance with a N B, and ends it with a chain as
Thanks for mentioning the personal preference for Give & Take, Ron! The timing
does seem to vary. But Larry Jennings, originator of the move, actually
preferred two steps forward, two steps back with your Partner, and then a 12
count swing. Larry liked his dancing “Zesty”!
Linda
On Aug 20,
know how the event goes!
Linda
Que Guapo by Linda Leslie
Contra/Improper/Beginner
A1 ---
Circle left
Circle right
A2 ---
Right hand star
Left hand star
B1 ---
Partner do si do
Partner 2 hand Swing (face these neighbors)
B2 ---
Forward and Back
Twos arch, Ones Duck
Leaving out the long lines, and moving things around a bit, your dance is very
similar to the following, by Orace Johnson.
Cheers, Linda
Midwest Folklore
Contra/Becket
A1 ---
Circle left three-quarters
Neighbor do si do
A2 ---
Neighbor Balance and Swing
B1 ---
Circle left
An FYI…..Jacob also calls this dance “Fox Hollow Fancy”. In the RPDLW syllabus
from 2005….Jacob states that both titles are valid.
Linda
On Jun 30, 2016, at 6:13 PM, Bob Isaacs via Callers
wrote:
> Hi Luke:
>
> You may be thinking of:
>
> Grand Square
I check their dance web page to make sure that I am listed. Many dances have
their schedules up several months at a time, so it is usually easy to check. It
there is no web page or FB page for the dance, then I definitely email them a
week or so before.
Linda
On May 8, 2016, at 3:18 PM, Don
d." The 1s are facing down, the 2s facing up during
> all of A1. Did I misunderstand your question?
> Regards,
>
> Bree
>
>
>
> -Original Message-
> From: Linda Leslie
> Sent: Mar 17, 2016 1:40 PM
> To: Bree Kalb
> Cc: "callers@lists.sh
Hi, Bree!
That is a very novel way to get into a short wave Balance! and not al tall
gimmicky, in my view. I watched the video…thanks for including the link. I have
two questions for you:
It seems the dance is double progression, correct?
For the single do si do: the dancers stay back to back
The first dance below is Lost in the Stars by Tom Hinds
Linda
On Feb 7, 2016, at 9:23 PM, Donna Hunt via Callers
wrote:
> Andy:
> Here are a few that I have. Haven't called them in awhile, but I think I'll
> dig them out again, as they can be fun. Thanks for
Many interesting questions! Unless I am mistaken, and the list no longer is
active: I believe there is a Shared Weight Organizers list. These questions
would be great to post to that group, too.
Linda
On Dec 14, 2015, at 9:04 PM, Kalia Kliban via Callers
wrote:
g
A2 ---
(8) Circle Left 3/4
(8) Partner swing
B1 ---
Ring Balance
Ladies cross by the right
Ring Balance
Gents cross by the right
B2 ---
Ring Balance
Petronella twirl
Ring Balance
California Twirl
Fun with Alex
by Linda Leslie
Contra/Becket-CW/Int
A1 ---
Long lines
Thanks, Erik for summarizing. It is very helpful to have the list below. I have
one other suggestion to add for consideration for those who wish to make a
change in terms. Gyre can be found in Carol’s “Jabberwocky" and Yeats’ "The
Second Coming". It has the advantage of being one syllable,
I believe it was written by Roger Diggle….
Linda
On Oct 17, 2015, at 4:32 PM, Louie.cromartie via Callers
wrote:
> Just curious. Robert doesn't recall writing (or calling) a dance called Saint
> Louis Cruise. Perhaps it was created by someone else.
> -Louie
Thanks, Jim! This is a great idea, and I agree with you that interactions with
one’s shadow might be used as a teachable moment. Your insight is appreciated.
Linda
On Oct 10, 2015, at 7:31 PM, James Saxe via Callers
wrote:
> Back in September, we discussed a
Amy Larkin is masterful at this! She also is an incredible dancer, so she
really understands what needs to happen. Heavenly!
Linda
On Oct 6, 2015, at 11:47 AM, Don Veino via Callers
wrote:
> I experienced a wonderful spontaneous rolling start recently.
>
> We
Hi Maia!
I don't have this exact dance, but one that is quite similar by Scott
Higgs. I have noted it below. I have added a few others, as requested.
Cheers! Linda
Appetizer,The
by Scott Higgs
Contra/Improper/Easy
A1 ---
Neighbor Balance and Swing
A2 ---
Long lines forward and
Thanks for the compliment, Bree! If folks would like to look at other easy
dances (including Do Si Three), I have a list of some that I have put together;
you can see them at www.lindalesliecaller.website
As for the circle/spiral…..I learned it from someone a long time ago (I don’t
remember
What a great idea, Alan! I hope you are able to continue this as a successful
annual event!
Whenever I find folks are reluctant to join in dances (weddings, parties,
etc.,), I find a surefire solution is to begin with a no-partner circle. I hold
hands with the “volunteer” dancers, and snake
Here is another take on what to do when the floor is less than ideal….this from
our Swing/Salsa friends. I share this only to show that some folks think that
the dancers need to make adjustments, too….I don’t have the expertise to
endorse any of the recommendations. But it does make for
t "global
> terminology" is and an example of choreography that is called with such
> terminology. The concept is one I have not heard of before.
>
> Perry
>
> From: Linda Leslie via Callers <callers@lists.sharedweight.net>
> To: Andrea Nettleton <twir
Thanks for reviewing these thoughts, Ron. I am in full agreement with all of
your points!
Linda Leslie
On May 29, 2015, at 11:43 AM, Ron Blechner via Callers
<callers@lists.sharedweight.net> wrote:
> For reference, my own thoughts on the terms, and a general FAQ about gender
>
This is a variation of a dance called “Feet in Flight”. In my notes, I have the
variation that you have below in the B1 as having been called by Chrissy
Fowler. I don’t know if Chrissy actually came up with the variation, but she
was the first caller I heard call it this way. The original dance
Very close to Dancing with Amy, by Bill Olson.
Linda
On Apr 29, 2015, at 8:25 PM, Perry Shafran via Callers
wrote:
> Since folks generally check here to see whether dance compositions have
> already been written, I thought I might as well. Tentatively calling
cking - but i just needed the community tonight. don't be offended :-D”
I don’t think these two things are mutually exclusive: dancers can get their
needs met, and still help the band/caller have their needs met.
Linda Leslie
On Apr 23, 2015, at 8:57 AM, Perry Shafran via Callers
<
HI, Luke!
I looked up Bill’s web site, and found that he wrote 20 Below in Feb, 2003.
Coincidentally enough, I came up with The Winter Storm that very same month and
year…..I was on the ferry to Martha’s Vineyard to call a dance over there, and
there was a cold, windy, snowy storm….but not
, it keeps track of previous programs as
well. Will Loving did a fantastic job with this program…... If you would like
to chat with me offline, I would be glad let you know more.
Linda Leslie
On Jul 28, 2014, at 3:18 PM, tallygal007 via Callers
<callers@lists.sharedweight.net> wrote:
>
The Dixie Gal by Robert Cromartie (verified in Give & Take), is quite a
different dance from that shared by Vicki Herndon. Here it is:
The Dixie Gal
by Robert Cromartie
A1 ---
(8) Long lines, forward and back
(8) Men allemande Left 1-1/2
A2 ---
(16) Partner balance and swing
B1
I have the non-alternating version of this dance as “Hillsboro Jig” by Bill
Thomas. There might be some interesting discussion about whether or not making
it alternating is a “new dance” worthy of a new name/choreographer.
LInda Leslie
On Jul 22, 2014, at 10:31 PM, Erik Hoffman via Callers
Hi, Ben!
Back in 2008, I wrote the following dance, similar, but not the same:
Greenfield Storm
A1 Give and Take Neighbor to gent's side for a swing
(straight across first time, on left diagonal thereafter)
A2 (face straight across with partner across) Long lines forward and back
Ladies
Hi, Maia!
I have some answers for you (see below); however, I don’t have #1 or #3. I
also don’t know what dance #2 is specifically, but have mentioned a very
similar dance.
Hope this helps!
warmly, Linda
#2: I don’t have this dance, but there is one very much like it: Joel’s in the
Kitchen
I also have this in my collection under the name/author mentioned by
Chris Page; but I also have it as "32 Seconds" by Tom Calwell. I don't
know who wrote it first.
Linda
On Apr 12, 2014, at 12:27 PM, Jerome Grisanti wrote:
I recently thought of a dance that I presume has been written
Happy to give you the dance! I have Tika Tika Timing as being written
by Dean Snipes...and not sure who wrote the dance first..
Linda
Old Time Elixir #2
Linda Leslie
Type: Contra
Formation: Becket-CW
Level: Easy
Music: Ross’ Reel, Frenchies
A1 ---
Circle left three-quarters
Neighbor
:08 PM, Luke Donforth wrote:
Linda, if you would share "Boiling Mud" and "Happy as a Cold Pig in
Warm
Mud" I'd appreciate it. Thank you.
I guess I'll have to write a dance the next time I'm trying to get
my car
out of mud season trouble.
On Sun, Mar 9, 2014 at 2
Are you referring to "Boiling Mud", Luke? The only other dance I know
about with "Mud" in the title is "Happy as a Cold Pig in Warm Mud".
I can share these two dances, if you wish.
warmly, Linda
On Mar 8, 2014, at 2:22 PM, Luke Donforth wrote:
Hello all,
I vaguely remember the existence of
Dear Chris,
It is a tribute to this group that we want to try and do the right
thing, and spending some time figuring this out certainly seems worth
the effort.
Another perspective might also include the history of the number/
content of posts, not just the gaff that was committed
Dear Maia,
In the grand web of serendipity, I actually did write almost this
dance about 14 or so years ago when the daughter of good friends was
born. I named it "Maya's Mixer". The only difference is that there is
an alamo ring balance after the P allemande Right. This makes for more
essage-
From: callers-boun...@sharedweight.net [mailto:callers-boun...@sharedweight.net
] On Behalf Of Linda Leslie
Sent: Wednesday, February 19, 2014 10:52 AM
To: Caller's discussion list
Subject: Re: [Callers] Height diffferential
As a dancer who often role switches, I have noted that &quo
As a dancer who often role switches, I have noted that "leaning" can
have some dramatic consequences for my right arm when I dance the
gent's role. I tend to avoid using this word, but do like "relax",
"connection", and other concepts that might get to a better swing
experience. I would
Dear George,
I am so glad that you brought up this issue. I have noticed it, too,
and also see that the whacking has become a prelude to a balance
(yikes!) for some dancers. It will be interesting to hear from callers
how we might approach this challenge. For me, although I have no
The author would be me, Don! Except that for the B2, the original
dance has the women do an allemande left just 1/2, then a long Partner
swing. Certainly the allemande left 1 and 1/2 also works!
warmly, Linda
On Oct 20, 2013, at 2:44 PM, Don Veino wrote:
I got this one from a local caller
It has been mentioned in previous posts what a great weekend this
event is for callers. I hope to see many of you in attendance in
January!
A few years ago, Chrissy Fowler and I gathered some of our calling and
tune books into a collection that was used for a "silent auction"
held
Bill Olson states:
I consider Ted Sannella to be one of my primary mentors and back in
the early days I did sound and often played in the band for his 4th
Friday dance in North Whitefield, ME, so I got to see him close up..
Ted ALWAYS used cards but I KNEW he new the dances he called from
John's dance is on YouTube, and can be seen at this link:
http://dancevideos.childgrove.org/contra/contra-modern/319-alternating-current-by-john-coffman-duple-improper
The caller does a great job with the timing!
Linda
On Oct 7, 2013, at 2:29 PM, Rickey Holt wrote:
Hi all,
I need help with 2
Folks on the list may find an article in CDSS News by Mary Wesley to
be very helpful. She offers a great way for new callers to improve and
have places to call:
Here is the link:
http://www.cdss.org/tl_files/cdss/newsletter_archives/news/CDSS_News_fall_2013_spreading_our_wings.pdf
Linda
On
Another solution to the short arms problem, Bill, might be to have the
couples face differently: women (or those dancing this role) face
out, and men face in for the forward and back.
Linda
On Sep 27, 2013, at 10:59 AM, Bill Olson wrote:
The Wheel, circle mixer by Gene Hubert
A1
Number 8 is Get Me Going by Lisa Greenleaf
Number 1 is essentially the same dance, with the exception of the
ladies' gypsy. Not sure that this would qualify as a different dance/
different name. When I call dances with very slight variations like
this, I usually say something like "slight
Number 4 is Rollin' & Tumblin' by Cis Hinkle
However, I have the ladies doing an allemande left once and a half
Linda
*??NAME 3: IMPROPER*
N Bal & Sw
LL F, G roll L away with half sashay
LL F, L roll G away with half sashay
L in for Al L 1.5
P Swing
Thanks to Woody, Colin, Jeff, Don, Kalia, and Jim for the responses to
my original query.
Of particular note is this portion from Woody, who wrote:
From my perspective, as a caller, I am really reluctant to make a
calling commitment a year in advance for a nearby community dance. Six
Kalia wrote:
The way we book here is on a quarterly basis. The programmers (each
venue has their own) request the available dates from callers and
musicians partway through the previous quarter, and then assemble
the next quarter's program from who's available. There's a sort of
limbo
Dear Sam,
A quick look at the link seems to reveal that Give & Take is missing.
This is a move for 4 dancers. As couples, dancers move forward, and
give the outside (free hand) to the opposite person. Depending on the
dance, one of them moves back, drawing the opposite dancer into a
I have a slightly different version to share; but have heard the same
explanation for the title.
Linda
"Hickman's Hey"
by unknown
Contra/Improper/Int
A1 ---
(8) Down the hall four in line (1's between the 2's)
(8) (all face the center) Half hey, 1's pass right shoulders to start*
A2
Also the following:
Zombies of Sugar Hill by Gene Hubert
Devil's Nightmare by Tom HInds
Devils' Backbone by William Watson
The Devil's Becket by Becky Hill
All Hallow's Eve by Chris Ricciotti
Have fun! Linda
On Aug 9, 2013, at 2:31 PM, Betsey Mullen wrote:
I'm looking for some
Also, my congrats and wishes for a successful dance!
The dancers in Denmark also decided, a few decades ago, to call their
contra/square dances with English terminology. The teaching is done in
Danish, but the calls in English. And the explanation for this that I
was given was so that
phrase as the title), preferred that the first part of this move only
take 4 beats of music: 2 beats forward, another 2 beats to back up,
and then a 12 beat swing. Makes for a longer/zestier swing, which
Larry loved!
Linda
On Jul 9, 2013, at 7:22 PM, Kalia Kliban wrote:
On 7/9/2013 3:42 PM, Lind
mly, Linda
Giant Robot Dance
by Linda Leslie
Contra/Becket-CW/Dbl-Prog/Easy
A1 ---
Circle left three-quarters
Pass through
Next Neighbor do si do
A2 ---
Same Neighbor B & S
B1 ---
Long lines forward and back
NEXT neighbor swing
B2 ---
Give & Take to the Gen
Rick has a very complete web page which includes all of his dances,
and some great commentary!
http://rickmohr.net/Contra/Dances.asp#Introduction
Joseph's last name is spelled: Pimentel
Jack: would you please clarify? In the dance below, the allemandes in
the B1 are each 1/2, correct? And
In recent weeks, I have begun to notice that some posts lack the usual
supportive comments and suggestions that I have come to enjoy on this
list. Instead, there seems to be more than a hint of "I'm right, you
must be wrong" or "how could you possibly think that..?", and
other
For some dancers, the joy of a dance may be in figuring out the end
effects for themselves. There are great *aha* moments that are
possible when dancers see for themselves how the dance "works".
Perhaps your workshop, Jack, might put this idea to use.what about
presenting dances, and
straight across: half right and left through
B2(across) star left
star right
* note that you end with your left hand free ready for the initial
allemande left
On Jun 5, 2013, at 9:01 PM, Aahz Maruch wrote:
On Wed, Jun 05, 2013, Linda Leslie wrote:
On Jun 5, 2013, at 5:51
I
started collecting a few years ago. It is always handy to have Becket
dances that do NOT begin with "Circle left 3/4 to un-Becket?" You
will
find that Becket dances can start in a great variety of ways. "Tenth
Year in Tommerup" by Linda Leslie is a good example (starts with
JIm:
The first dance I recall ever having a Mad Robin is "Silver
Anniversary Reel" by Jim Kitch. I don't know when he wrote it, but I
first called it in 1997.
LInda
On Jun 1, 2013, at 6:31 PM, James Saxe wrote:
On Jun 1, 2013, at 9:55 AM, Jonathan Sivier quoted me (Jim
Saxe) as asking:
I've usually seen the spelling as "Mescolanza".
Linda
On May 15, 2013, at 9:47 AM, Mark Jones wrote:
On Wed, May 15, 2013 at 9:01 AM, Liz and Bill
wrote:
Hi Bob,
A nice challenge! Please clarify the following re " a contra
formation." Is 4 facing 4 a
Here is the dance as I have it in my collection. I have called it
several times...lots of fun!
Linda
Fruit Punch
by Diane Silver
Contra/Becket-CW progression
A1 ---
Slice on the left, and return straight back
(8) Women allemande Right 1-1/2
A2 ---
(16) Neighbor balance and
?1 is a very slight variation on The Equal Turn by Tom Hinds. In Tom's
dance the B1/ B2 is:
B1 Circle left 3/4, pass thru, Women allemande left 1 1/2
B2 P B & S
Linda
On Mar 11, 2013, at 10:29 PM, Yoyo Zhou wrote:
Dear callers,
Like many of you, I've collected a few dances whose titles and
Yes, the dance the Paul has shared is by Robert Cromartie.
I often will change the A1 of a Becket dance from circle left 3/4
pass thru, new N swing
TO (at the end of the B2 P swing) Look on the left diagonal and find
the next Ns, Circle L 3/4, N swing
I find the circle and pass thru to take
Waves of Tory comes to mind. See it at:
http://www.youtube.com/watch?v=-t4nfz2QDrU
Linda
On Mar 4, 2013, at 9:03 PM, Sue Robishaw wrote:
Hi,
Recently I ran across the barndance in the Disney cartoon "The
Martins & the Coys" segment of the "Make Mine Music" series (about
4:50
into
I believe that there is something missing, Martha. The B1 ends with
your partner next to you, to the Balanced Square through would have to
be with your neighbor across. But then the dancers don't progress.
Perhaps in the B2 there is a chain and then just one Balanced square
through?
Linda
Although it is a very different dance, I wrote a dance which starts in
this way. It was written in November 2008, to celebrate the wedding of
very close friends of mine. Here it is.
Linda
The Fabulous Couple
by Linda Leslie
Contra/Becket-CW/Int
A1 Pass through to an ocean wave
Balance
I have a lot of success with Another Nice Combination by Tom Hinds.
The original starts with a gypsy and swing, but I find a Balance &
swing more to my liking. Because your shadow is the person outside of
the minor set, it is a great way to have folks experience the
movement, but to see
Dear Chip,
A similar dance was written by me, for very much the same reason. I
wrote it in 1991. Independently, David Smukler wrote the same dance a
few years later. Here it is for you:
Corner Triplet
by Linda Leslie Proper
A1 (The lady will be on the left of her partner) Actives down
And this is another example of independently written dances...I also
came up with this dance in 1998. I have called it "Old Time Elixir #2.
Linda
On Jan 26, 2013, at 11:52 PM, Kenny Greer wrote:
I've got it as:
Tica Tica Timing
Written right off Dean's card if I remember correctly. It's
I have this one by Al Olson, but it is for three facing three, rather
than duple formation. Is this the type of dance you had in mind, Tom?
Linda
Four Corners
Al Olson
Type: Other
Formation: Three face three
Level: Int-Adv
A1 ---
Centers turn all your corners (usual corners for A1)
A2
And thanks, Dave, for adding such good points to the discussion!
I might add that Dave was one of the first Board members of BIDA
(Boston Intergenerational Dance Advocates), a group that has done an
amazing job of promoting various community aspects at their monthly
dance. I encourage folks
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