are evident here in the
Adelaide Hills, with nesting birds, early flowerings and new lambs.
empyre will take a break during August and will return in September.
Sue and Simon
SUE HAWKSLEY
independent dance artist
s...@articulateanimal.org.uk
http://www.articulateanimal.org.uk
Simon Biggs
si
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si...@littlepig.org.uk | @_simonbiggs_
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simon.bi...@unisa.edu.au | Professor of Art, University of South Australia
http
--empyre- soft-skinned space--
Virtual Embodiment
Welcome to the fourth and final week of the July 2014 discussion on –empyre–
soft-skinned space:
Moderated by Sue Hawksley (UK/AUS) and Simon Biggs (AUS/UK) with invited
discussants Susan Kozel (SE), Johannes
, BSc, MFA, PhD
grounded on a granite batholith
twitter: @neoscenes
http://tech-no-mad.net/blog/
++
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si
--empyre- soft-skinned space--
Welcome to the third week of the July discussion on –empyre– soft-skinned
space:
Moderated by Sue Hawksley (UK/AUS) and Simon Biggs (AUS/UK) with invited
discussants Susan Kozel (SE), Johannes Birringer (UK), Samantha Gorman (USA
/
++
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after the presence/present and virtual moments (and
Simon must then not understand your work at all, does he?)?
respectfully
Johannes Birringer
Simon Biggs
si...@littlepig.org.uk | @_simonbiggs_
http://www.littlepig.org.uk | http://amazon.com/author/simonbiggs
simon.bi
prison
system? Right away class enters - violently - into all of this, and class
media, etc. As far as memories go, what do we do with abject horror, mediated
or not?
- Alan
On Sun, 6 Jul 2014, Simon Biggs wrote:
--empyre- soft-skinned space--
==
email
--empyre- soft-skinned space--
Welcome to the second week of the July discussion on –empyre– soft-skinned
space:
Moderated by Sue Hawksley (UK/AUS) and Simon Biggs (AUS/UK) with invited
discussants Susan Kozel (SE), Johannes Birringer (UK), Samantha Gorman (USA
Hopkins. We hope they all remain engaged in the discussion as it
evolves throughout the month.
The announcement for next week will be issued shortly.
Simon Biggs
si...@littlepig.org.uk | @_simonbiggs_
http://www.littlepig.org.uk | http://amazon.com/author/simonbiggs
simon.bi...@unisa.edu.au
are it, how do you now address the kind of
questions about memory/subjectivity that I felt are driving the kind of
movement workshops Sue detailed? How would you
recognize a singular or modulated gesture that had not been maintained
already beforehand?
Simon Biggs
si...@littlepig.org.uk
. My
dispositif, a shambles.
regards
Johannes Birringer
Simon Biggs
si...@littlepig.org.uk | @_simonbiggs_
http://www.littlepig.org.uk | http://amazon.com/author/simonbiggs
simon.bi...@unisa.edu.au | Professor of Art, University of South Australia
http://www.unisanet.unisa.edu.au/staff
/overview_ascott.html
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si...@littlepig.org.uk
--empyre- soft-skinned spaceempyre- soft-skinned space--
Welcome to the first week of the July discussion on –empyre- soft-skinned
space:
Moderated by Sue Hawksley (UK/AUS) and Simon Biggs (AUS/UK) with invited
discussants Susan
--empyre- soft-skinned spaceempyre- soft-skinned space--
Welcome to the July discussion on –empyre- soft-skinned space:
Moderated by Sue Hawksley (UK/AUS) and Simon Biggs (AUS/UK) with invited
discussants Susan Kozel (SE), Johannes
@lists.cofa.unsw.edu.au
http://www.subtle.net/empyre
Simon Biggs
si...@littlepig.org.uk | @_simonbiggs_
http://www.littlepig.org.uk | http://amazon.com/author/simonbiggs
simon.bi...@unisa.edu.au | Professor of Art, University of South Australia
http://www.unisanet.unisa.edu.au/staff
@lists.cofa.unsw.edu.au
http://www.subtle.net/empyre
Simon Biggs
si...@littlepig.org.uk | @_simonbiggs_
http://www.littlepig.org.uk | http://amazon.com/author/simonbiggs
simon.bi...@unisa.edu.au | Professor of Art, University of South Australia
http://www.unisanet.unisa.edu.au/staff/homepage.asp?name
will return in
September with a new theme, shortly to be announced. As always, thanks to all
list members for your attention.
Simon Biggs
si...@littlepig.org.uk
http://www.littlepig.org.uk @SimonBiggsUK http://amazon.com/author/simonbiggs
s.bi...@ed.ac.uk Edinburgh College of Art, University
@lists.cofa.unsw.edu.au
http://www.subtle.net/empyre
Simon Biggs
si...@littlepig.org.uk
http://www.littlepig.org.uk @SimonBiggsUK http://amazon.com/author/simonbiggs
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.ed.ac.uk/schools-departments/edinburgh-college-art/school-of-art
line so it is more specific
than Re: Contents of empyre digest...
--empyre- soft-skinned space--
Today's Topics:
1. empyre: Resistance is futile, ISEA, Sydney 2013 - week 4
(Simon Biggs
...But that’s another subject...
Carol-Ann
le 26/07/13 11:52 Simon Biggs si...@littlepig.org.uk wrote:
--empyre- soft-skinned space--
I want to pick up on Sue's comments about the ubiquity of, and entanglement
of ourselves with, technology and Johannes
of agency?
- the challenges and opportunities associated with big data?
- urbanism, activism and the socially disruptive potential of technology?
Looking forward to another week's discussion...
moderator:
Simon Biggs
si...@littlepig.org.uk
http://www.littlepig.org.uk @SimonBiggsUK http://amazon.com
in the
nineteenth century buildings. The weekly electronic update has just been sent
to all the artists in their cottages spread across the landscape and the
wombats are out of their burrows.
Simon Biggs
si...@littlepig.org.uk
http://www.littlepig.org.uk @SimonBiggsUK http://amazon.com/author
@lists.cofa.unsw.edu.au
http://www.subtle.net/empyre
Simon Biggs
si...@littlepig.org.uk
http://www.littlepig.org.uk @SimonBiggsUK http://amazon.com/author/simonbiggs
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.ed.ac.uk/schools-departments/edinburgh-college-art
http://www.subtle.net/empyre
Simon Biggs
si...@littlepig.org.uk
http://www.littlepig.org.uk @SimonBiggsUK http://amazon.com/author/simonbiggs
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.ed.ac.uk/schools-departments/edinburgh-college-art/school-of-art/staff/staff
,
Christina
On 7/2/2013 8:13 AM, Simon Biggs wrote:
--empyre- soft-skinned space--
Hi Terry
Some very interesting and nuanced ideas here. Where is thought? Where is
mind? Where is the voice in our heads we often characterise as thinking?
What other forms
--empyre- soft-skinned space--Hi all
Welcome to the June on -empyre-soft-skinned space: empyre moderators Renate
Ferro (US), Timothy Murray (US), Simon Biggs (UK), and Patrick Lichty (US)
According to my records (probably inaccurate) I subscribed to empyre
of participation.
best
Simon
Simon Biggs
si...@littlepig.org.uk
http://www.littlepig.org.uk @SimonBiggsUK http://amazon.com/author/simonbiggs
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.ed.ac.uk/schools-departments/edinburgh-college-art/school-of-art/staff/staff?person_id
[mailto:empyre-boun...@lists.cofa.unsw.edu.au] On Behalf Of Simon Biggs
Sent: 27 January 2013 16:51
To: soft_skinned_space
Subject: [-empyre-] empyre January 2013 wrap
As we approach the end of the month of January we bring the month's theme on
research and practice in relation
] On Behalf Of Simon Biggs
Sent: 28 January 2013 09:37
To: soft_skinned_space
Subject: Re: [-empyre-] empyre January 2013 wrap: International Art English
IAE (on closer inspection) seems to stand for International Art English.
Language functions to establish difference and exclusivity. Being
research and creative practice remains open, active and disputed. Given that as
artists and researchers we wouldn't want it any other way we can assume we
agree this is generally a good thing.
Many thanks to all for this month's enlightening and engaging discussion.
best
Simon
Simon Biggs
si
only if embedded
practitioners make it an agenda and work together to bring about change.
Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
simonbiggsuk
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.ed.ac.uk/schools-departments
if hypothetical Phd candidate would submit
a score of instructions for the examiners to carry out, along the lines of
Clifford Owens's Anthology? I think it could work. The Phd project and Viva
need a good curator, though.
Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk
forum
empyre@lists.cofa.unsw.edu.au
http://www.subtle.net/empyre
Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
simonbiggsuk
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.ed.ac.uk/schools-departments/edinburgh-college-art
available?
Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
simonbiggsuk
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.ed.ac.uk/schools-departments/edinburgh-college-art/school-of-art/staff/staff?person_id=182cw_xml=profile.php
http
Vicki
Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
simonbiggsuk
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.ed.ac.uk/schools-departments/edinburgh-college-art/school-of-art/staff/staff?person_id=182cw_xml=profile.php
http
!)
Regards All
Mike
Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
simonbiggsuk
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.ed.ac.uk/schools-departments/edinburgh-college-art/school-of-art/staff/staff?person_id
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Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
simonbiggsuk
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.ed.ac.uk/schools-departments/edinburgh
’. The project's main objective was
to understand the value of artists employing noise (disturbances) in the
formulation of interfaces (i.e. films, videos, photographs, sculptures, etc.)
and its implications for the observer’s interpretation.
Simon Biggs
si...@littlepig.org.uk http
, astronomy, pure
maths, anthropology, philosophy or creative practice. Happily it is still
possible to spend tax payers money on useless inquiry.
best
Simon
Sent from a mobile device, thus the brevity.
Simon Biggs
si...@littlepig.org.uk
s.bi...@ed.ac.uk
http://www.littlepig.org.uk
On 18 Jan 2013
@lists.cofa.unsw.edu.au
http://www.subtle.net/empyre
Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
simonbiggsuk
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.eca.ac.uk/circle/ http://www.elmcip.net/
http://www.movingtargets.org.uk
there. Why are we
surprised?
best
Simon
Sent from a mobile device, thus the brevity.
Simon Biggs
si...@littlepig.org.uk
s.bi...@ed.ac.uk
http://www.littlepig.org.uk
On 27 Nov 2012, at 16:45, Nicky Donald nicky.don...@gmail.com wrote:
Hi Simon
l agree the status and prospects
the universities, we will get nothing substantial from
them. A great loss, I'd say.
in solidarity, Brian
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http
and they might choose to disrupt you for various reasons, none may seem
valid to you.
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si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype
you mean by
NA needs to get some Heidegger.
?
thanks
pedro
On Mon, Oct 1, 2012 at 6:30 PM, Simon Biggs si...@littlepig.org.uk wrote:
The affected eye we need to be conscious of, which drives the currents in
our shallow waters, is not that of the robot or drone but the panoptic
correspondents
on the subject who have been posting and publishing around the Net on The New
Aesthetic.
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processes are enabled. Or can be.
Best,
Simon Taylor
www.squarewhiteworld.com
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Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
simonbiggsuk
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.eca.ac.uk/circle/ http
like empyre. It's great to know we are part of a community of people who,
including all the members of the list, sustain their engagement in this way.
I know Renate has something to say so I'll keep this short and pass over to her.
Many thanks to everyone.
best
Simon
Simon Biggs
si
of display.
Scott
On 18/07/12 6:54 AM, Simon Biggs si...@littlepig.org.uk wrote:
Video needs to step out of the frame, like sculpture needed to step off the
plinth 50 years ago. The thing is, from the beginning, video (art) stepped
out of the frame (Vostell, Jonas, et al). Ironically
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si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
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s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.eca.ac.uk/circle/ http
in the emerging field of urban communication
has pioneered new ways of understanding the social impact of large video
screens situated in public space. He teaches in the School of Culture and
Communication at the University of Melbourne.
Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk
forum
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Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
simonbiggsuk
s.bi
, the 2012 FutureEverything
exhibition, in Manchester. His new book, Community without Community in Digital
Culture (Palgrave MacMillan, 2012), will be out later this year.
Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
simonbiggsuk
s.bi...@ed.ac.uk Edinburgh
...
and the question is: what technologies are charachteristic of this new
augmented space?
1-Sensors (Simon Biggs wrote: “Kinect literally works like that, turning
everything into a screen” and we can also think about the large use of
microsoft Kinect for new screens like the Ubi’s 3d screen
Marco is one of our MSc students and doing very interesting stuff too!
Sent from a mobile device, thus the brevity.
Simon Biggs
si...@littlepig.org.uk
s.bi...@ed.ac.uk
http://www.littlepig.org.uk
On 9 Jul 2012, at 23:01, Clough, Patricia pclo...@gc.cuny.edu wrote:
Thanks for these sites
the moving image camera. We have come a way since then. But let's
try to avoid Virilio...
best
Simon
On 6 Jul 2012, at 18:18, Rob Myers wrote:
On 07/06/2012 02:16 PM, Simon Biggs wrote:
With the death of Flash it's not just the vector based screen on its way
out (that's been on the way out ever
film/art world, began to really understand the
different places that the screen/lens could exist?
Does this tie in to your point, Simon, about ontologies?
Cheers
M
On 7 Jul 2012, at 10:50, Simon Biggs wrote:
I know Flash isn't needed. I use Java and Processing and they support vector
the brevity.
Simon Biggs
si...@littlepig.org.uk
s.bi...@ed.ac.uk
http://www.littlepig.org.uk
On 7 Jul 2012, at 11:58, Sean Cubitt sean.cub...@unimelb.edu.au wrote:
I'd like to make a small plea for retaining attention to the specifics of
screen types. Rosalind Krauss made her claim that medium
Some BMW and Mercedes models have HUD. Pretty soon a Vauxhall will too. Volvo
have a car that drives itself, although it's not road-legal. Just sit back and
close your eyes...
Best. Simon
Sent from a mobile device, thus the brevity.
Simon Biggs
si...@littlepig.org.uk
s.bi...@ed.ac.uk
http
wrote:
On Jul 7, 2012, at 5:50 AM, Simon Biggs wrote:
I think the current debate, about types of screens, is off piste from the
original theme, which was to do with agency. Yes, different types of screens
will have different affects and effects. But the key point was that we have
moved
So many screens that are not screens. I think I'm starting to connect the dots,
which can be such a struggle. Perhaps this is the disappearing screen we
started with?
Best
Simon
Sent from a mobile device, thus the brevity.
Simon Biggs
si...@littlepig.org.uk
s.bi...@ed.ac.uk
http
What have you got in that baguette?
Sent from a mobile device, thus the brevity.
Simon Biggs
si...@littlepig.org.uk
s.bi...@ed.ac.uk
http://www.littlepig.org.uk
On 7 Jul 2012, at 19:10, Rob Myers r...@robmyers.org wrote:
On 07/07/2012 03:46 PM, Ian Bogost wrote:
On Jul 7, 2012, at 5:50 AM
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si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
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http://www.eca.ac.uk
S
From: Simon Biggs si...@littlepig.org.uk
Reply-To: soft_skinned_space empyre@lists.cofa.unsw.edu.au
Date: Friday, 6 July 2012 08:59
To: soft_skinned_space empyre@lists.cofa.unsw.edu.au
Subject: [-empyre-] screens
The x-ray isn't a screen per se - although it is often displayed upon one
for emails to moderate. I
apologise and wonder if we should (ironically) change the subject header.
Perhaps sreens or sceens or srceens? Best. Simon
Sent from a mobile device, thus the brevity.
Simon Biggs
si...@littlepig.org.uk
s.bi...@ed.ac.uk
http://www.littlepig.org.uk
On 6 Jul 2012, at 20:39
, thus the brevity.
Simon Biggs
si...@littlepig.org.uk
s.bi...@ed.ac.uk
http://www.littlepig.org.uk
On 6 Jul 2012, at 23:27, Johannes Birringer johannes.birrin...@brunel.ac.uk
wrote:
well isn't it good to find out that screens and screening are suspicious
after all,
i had wondered about
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things are better than smooth things--this is just aesthetic
ideology run mad.
Tim
http://www.ecologywithoutnature.blogspot.com
On Jun 26, 2012, at 6:34 PM, Ian Bogost ian.bog...@lcc.gatech.edu wrote:
On Jun 26, 2012, at 3:01 AM, Simon Biggs wrote:
But Kosuth's chair engaged
on toasters. I won't hold my breath.
Good luck with your conceptual art.
Ian
On Jun 27, 2012, at 3:59 AM, Simon Biggs wrote:
Hi Ian
Maybe I'm a little old, but 10 to 15 years seems, in terms of human thought,
extremely recent. I have read some OOO texts though, during that short
we assume there is some kind of
residual and irreducible thinginess in things? A toaster can be an octopus -
and whatever it might be, from moment to moment, it is rarely a toaster.
best
Simon
On 27 Jun 2012, at 00:34, Ian Bogost wrote:
On Jun 26, 2012, at 3:01 AM, Simon Biggs wrote
:-)
Wishing you well.
marc
..on Thu, Feb 09, 2012 at 03:18:06PM +, Simon Biggs wrote:
Much contemporary computer based art work has a cargo-cult like
quality due to
such illiteracy. This can be interesting but usually in spite of itself.
Indeed, also one of the fruits
. We hope this month's discussion, where
we saw SOPA debated and shelved and the international agreement of ACTA, was of
interest and relevance.
Simon Biggs, Penny Travlou and Smita Kheria
Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
simonbiggsuk
s.bi
concerning artists' practices with new media. Smita is
an associate of SCRIPT: the AHRC Research Centre for Studies in Intellectual
Property and Technology and is Supervising editor (Intellectual Property) for
SCRIPT-ed, the journal of Law, Technology Society.
best
Simon
Simon Biggs
si
communities. She is Co-Investigator on the ELMCIP project
(www.elmcip.net).
best
Simon
Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
simonbiggsuk
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.eca.ac.uk/circle/ http://www.elmcip.net
such a position has no social power, no political
power and no relevancy what so ever.
Best,
On 12.01.2012 18:12, Simon Biggs wrote:
This question of who pays for the writers to write isn't very
different as to who pays for artists. Many net artists receive no
payment for their work
being near the top of the list, that shoot down the
idea of open book production.
adam
looking forward to the rest of the discussion
tiziana terranova
Il 09/01/12 12.07, Simon Biggs ha scritto:
Welcome to all empyre subscribers and, especially, this months
moderators
- or are we discussing
both (my preferred option)?
best
Simon
On 12 Jan 2012, at 16:26, adam wrote:
On 01/12/2012 05:02 PM, Simon Biggs wrote:
I'm an academic and an artist and totally champion the open book. Knowledge
is made best when it is made shared.
There is a conflation often
12.07, Simon Biggs ha scritto:
Welcome to all empyre subscribers and, especially, this months moderators
and discussants, Penny Travlou, Smita Kheria, Tiziana Terranova, Dmytri
Kleiner, Adam Hyde, Salvatore Iaconesi, Joss Hands and Marc Garrett. We have
the collective responsibility
technologies, including deadSwap, Thimbl and R15N and is the
author of the Telekommunist Manifesto. He lives in Berlin and his url is
http://dmytri.info
Simon Biggs is an artist, writer and curator. His work focuses on interactive
systems, new media and digital poetics (http://www.littlepig.org.uk). He
@lists.cofa.unsw.edu.au
http://www.subtle.net/empyre
Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype:
simonbiggsuk
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.eca.ac.uk/circle/ http://www.elmcip.net/
http://www.movingtargets.co.uk
doing. Admittance fee:
7.50 euros.
Yours, Geert
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Simon Biggs
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simonbiggsuk
s.bi
/
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Simon Biggs
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Simon Biggs
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s.bi...@ed.ac.uk Edinburgh College of Art University of Edinburgh
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Simon Biggs
si...@littlepig.org.uk www.littlepig.org.uk @SimonBiggsUK skype: simonbiggsuk
s.bi...@ed.ac.uk Edinburgh College of Art University of Edinburgh
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, but which has been brought to the
forefront by history.
Davin
On Wed, Sep 21, 2011 at 10:06 AM, Simon Biggs si...@littlepig.org.uk wrote:
Water quality and machine guns aside, I had been under the impression that
ISEA was not so much collapsing under its own weight but being built
communicate via list serve.
Sent from my iPad
On Sep 16, 2011, at 6:36 PM, Simon Biggs si...@littlepig.org.uk wrote:
Great. I'm flying in tomorrow. I think I'll cancel.
best
Simon
On 16 Sep 2011, at 16:04, Nicholas Knouf wrote:
Hello -empyre-,
I'd like to add another layer
of humanity. (
http://wakeupdream.blogspot.com/2011/07/kosmic-alignment-principal-of-global.h
tml)
Simon Biggs | si...@littlepig.org.uk | www.littlepig.org.uk
my new work email address from August 1 2011 is s.bi...@ed.ac.uk
s.bi...@eca.ac.uk | Edinburgh College of Art
www.eca.ac.uk/circle
identity and offers some kind
of process for collective learning and engagement with each other. Perhaps
the Republic of Letters of the 18th cy. was its most extensive
materialisation?
Michel
On Thu, Jul 28, 2011 at 5:25 PM, Simon Biggs si...@littlepig.org.uk wrote:
Perhaps the term
) and The Strickland Distribution (Glasgow).
http://www.constantvzw.org
http://www.strickdistro.org
The July edition of empyre Reclaiming creativity as agent of change is
co-moderated by Simon Biggs (UK/Aus) and Magnus Lawrie (UK).
Simon Biggs | si...@littlepig.org.uk | www.littlepig.org.uk
s.bi
is being widened in
the UK. This seems to be in contrast to the Danish situation.
In regard to melting away, perhaps motley self-institution is best made
homeless?
Best wishes,
Magnus
On Tue, Jul 19, 2011 at 11:09:33AM +0100, Simon Biggs wrote:
The jester worked up close and dirty
://julianoliver.com
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Simon Biggs | si
, Julian Oliver jul...@julianoliver.com wrote:
The Critical Engineer takes black-box technology and infrastructure as
something that must be pared back, cracked open and or re-purposed before both
the object and its engineering effects upon the user can be fully understood.
Simon Biggs | si
@lists.cofa.unsw.edu.au
http://www.subtle.net/empyre
Simon Biggs | si...@littlepig.org.uk | www.littlepig.org.uk
s.bi...@eca.ac.uk | Edinburgh College of Art
www.eca.ac.uk/circle | www.elmcip.net | www.movingtargets.net
Edinburgh College of Art (eca) is a charity registered in Scotland, number
SC009201
creative digital writing practices.
The July edition of empyre Reclaiming creativity as agent of change is
co-moderated by Simon Biggs (UK/Aus) and Magnus Lawrie (UK).
Simon Biggs | si...@littlepig.org.uk | www.littlepig.org.uk
s.bi...@eca.ac.uk | Edinburgh College of Art
www.eca.ac.uk/circle
there
isn't one...
Best
Simon
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Simon Biggs | si...@littlepig.org.uk | www.littlepig.org.uk
s.bi...@eca.ac.uk | Edinburgh College of Art
www.eca.ac.uk/circle
@lists.cofa.unsw.edu.au
http://www.subtle.net/empyre
Simon Biggs | si...@littlepig.org.uk | www.littlepig.org.uk
s.bi...@eca.ac.uk | Edinburgh College of Art
www.eca.ac.uk/circle | www.elmcip.net | www.movingtargets.net
Edinburgh College of Art (eca) is a charity registered in Scotland, number
-moderated by Simon Biggs (UK/Aus) and Magnus Lawrie (UK).
Simon Biggs | si...@littlepig.org.uk | www.littlepig.org.uk
s.bi...@eca.ac.uk | Edinburgh College of Art
www.eca.ac.uk/circle | www.elmcip.net | www.movingtargets.net
Edinburgh College of Art (eca) is a charity registered in Scotland
Simon Biggs | si...@littlepig.org.uk | www.littlepig.org.uk
s.bi...@eca.ac.uk | Edinburgh College of Art
www.eca.ac.uk/circle | www.elmcip.net | www.movingtargets.net
Edinburgh College of Art (eca) is a charity registered in Scotland, number
SC009201
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