...@verizon.net]
11/15/2012
Forever is a long time, especially near the end. -Woody Allen
- Receiving the following content -
From: Platonist Guitar Cowboy
Receiver: everything-list
Time: 2012-11-14, 12:42:32
Subject: Re: Re: Leibniz's pre-composed harmonic orchestral performance
Hi Roger
-
*From:* Platonist Guitar Cowboy multiplecit...@gmail.com
*Receiver:* everything-list everything-list@googlegroups.com
*Time:* 2012-11-14, 12:42:32
*Subject:* Re: Re: Leibniz's pre-composed harmonic orchestral performance
Hi Roger,
The definition of harmony you cite above
distortions and dissonances.
Roger Clough, rclo...@verizon.net
11/9/2012
Forever is a long time, especially near the end. -Woody Allen
- Receiving the following content -
From: Russell Standish
Receiver: everything-list
Time: 2012-11-08, 19:23:50
Subject: Re: Leibniz's pre-composed
Forever is a long time, especially near the end. -Woody Allen
- Receiving the following content -
From: Russell Standish
Receiver: everything-list
Time: 2012-11-08, 19:23:50
Subject: Re: Leibniz's pre-composed harmonic orchestral performance
On Thu, Nov 08, 2012 at 05:59:15AM
Hi Russell Standish
Yes, the orchestra with the supreme monad as
composer/conductor playing a pleasing orchestra
composition (not 12-tone !) that he dug up out of his
a priori files works fine.
I think Leibniz's harmony is the traditional one:
har穖o穘y
[hahr-muh-nee]
noun, plural
Hi Roger,
Harmony is also, as part of several music theory traditions, the management
of dissonance, without which you can't have harmony.
Did Leibniz treat dissonance specifically or suggest say, that well
placed dissonance leads to a more satisfying harmony of the piece as a
whole?
12-Tone
On Thu, Nov 08, 2012 at 05:59:15AM -0500, Roger Clough wrote:
Hi Russell Standish
Yes, the orchestra with the supreme monad as
composer/conductor playing a pleasing orchestra
composition (not 12-tone !) that he dug up out of his
a priori files works fine.
That is what is incompatible with
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