Could you post a screenshot of that? I'd love to see what it looks like.
Thanks
Kim
On Thu, Jul 14, 2016 at 4:09 PM, Dr. Raphael D. Thöne <
raphael.tho...@drraphaeldthone.onmicrosoft.com> wrote:
> Finale 1.0 is running…… amazing!
>
>
> ___
> Finale
Hi all:
Dorico will be the name of the new music engraving software to be released
this Fall; it was put together by David Spreadbury and a group of coders
who had previously collaborated on Sibelius. Dorico was a three year
effort. The press release is @
Paul Bryan ( a J. Wanhal specialist and a former Duke University brass
professor, thinks all the high horn references that H.C. Robbins Landon
claimed for Haydn and Mozart, isn't true. Paul Bryan has written a
monograph on that subject.
Good luck,
Kim
On Wed, Jan 28, 2015 at 6:03 PM, Lawrence
It's such a thorny issue because in many baroque parts, the markings are so
inconsistent (sometimes they are clearly staccato markings, but in a set of
doublet-parts, where there are two copies of violin 1, the same bar will
have wedges / daggers. My editor has suggested to duplicate the markings
+
articulation marks above them
That's a older variant for trill
On Sat, May 17, 2014 at 6:25 PM, Peter Taylor pe...@euphonium.plus.comwrote:
Advice please. I'm doing a rush job (as always!) to prepare wind parts
from
a composer's printed manuscript, which is in concert pitch throughout
to
“stopped” which means the right hand completely closes the opening of the
bell of the horn.
Tim Johnson
Sent from Surface Pro
From: Kim Patrick Clow
Sent: Saturday, May 17, 2014 5:28 PM
To: finale@shsu.edu
+
articulation marks above them
That's a older variant
On Wed, Nov 20, 2013 at 10:04 PM, Craig Parmerlee cr...@parmerlee.comwrote:
There is absolutely no question that there is a body of potential
customers who would like to use computer notation, but the products have
such a steep learning curve that they give up. We all know people like
that.
They mentioned on their Twitter the servers were being moved. It should be
back up shortly.
Thanks.
Kim
On Fri, Nov 15, 2013 at 5:21 PM, Giovanni Andreani i...@giovanniandreani.eu
wrote:
Working fine here in Italy
Giovanni
Giovanni Andreani
www.giovanniandreani.eu
Hi
Good day:
I have discovered there are apparently two thematic indices for
Leopold Hoffmann's symphonies. One was done by a George Cook Kimball
for his dissertation in the mid 1980s, and was included in the Garland
series on the 18th century (general editor Barry S. Brook). But
apparently Alan
On Wed, Aug 1, 2012 at 3:18 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
YeahrobustI don't know of anyone using WordPerfect and didn't
know the company was still making it...
Well despite who you know (and their software choices): WordPerfect is
a mainstay in the legal profession,
Hi everyone:
A friend suggested that I do Youtube videos (instructional type), and
make some money that way. Since I already have about 115 videos of
music editions uploaded already I assumed, why not at least monetize
them and get started right away. But apparently if you have music, the
Youtube
On Mon, Apr 16, 2012 at 3:54 PM, Robert Patterson
rob...@robertgpatterson.com wrote:
In fairness, I don't think Henry ever had any intention of closing down
this list. I believe his frustration was directed at the Finale *program*!
That's how I read it as well. ;)
Thanks
Kim
On Mon, Apr 16, 2012 at 3:24 AM, Dennis Bathory-Kitsz
bath...@maltedmedia.com wrote:
As for Finale itself dying, I don't know and hope not. Nothing good enough has
come along to replace it for my work.
I wondered why you don't use Score? I know the gentleman who edited
and typeset the Charles
On 26 Oct 2011 at 9:56, David H. Bailey wrote
I'm just trying to point out potential pitfalls, and with the way most
computer users never back up their data, it's a serious potential
pitfall. Or not, since apparently you think all computer users are gods
of the backup and would never have a
http://www.tax.ny.gov/pdf/publications/sales/pub750.pdf
Hope this helps David.
Thanks
Kim
On Tue, Sep 27, 2011 at 1:34 PM, David W. Fenton
lists.fin...@dfenton.com wrote:
I know many on the list play in groups that have made CDs that they
will sell at concerts/gigs. I'm wondering if anybody
Well, that's why God made tax accountants.
But you're welcome anyway.
Kim
On Tue, Sep 27, 2011 at 8:14 PM, David W. Fenton
lists.fin...@dfenton.com wrote:
On 27 Sep 2011 at 14:46, Kim Patrick Clow wrote:
http://www.tax.ny.gov/pdf/publications/sales/pub750.pdf
Hope this helps David
Good day all:
A non tech savy friend of mine started using music engraving many years ago
in the United Kingdom on the Acorn system, which eventually went out of
business.
He has *hundreds of files* now that he can't open. There was a PC software
application that was an Acorn emulator, but the
files)...
I've never tried it so I'm not sure how well it imports. Good luck.
Steve
9/2/11 2:46 PM, Kim Patrick Clow telem...@gmail.com wrote:
Good day all:
A non tech savy friend of mine started using music engraving many years
ago
in the United Kingdom on the Acorn system, which
:
At 11:25 AM -0400 9/1/11, Kim Patrick Clow wrote:
Good day kind Finale users!
I have a question about an Ordonez symphony source. There is a squiggly
line
above two notes, almost like a tie, but it's not.
It's used several times and my editor and publisher is stumped by it (and
he's
is that the harmony changes between them, or that the
same chord is redistributed in a way leaving only this part repeating the
same note. I might guess that the moving parts have these two beats
slurred.
Klaus
From: Kim Patrick Clow telem...@gmail.com
To: finale
Good day kind Finale users!
I have a question about an Ordonez symphony source. There is a squiggly line
above two notes, almost like a tie, but it's not.
It's used several times and my editor and publisher is stumped by it (and
he's a violinist).
Any guesses?
A screen shot is viewable @
On Wed, May 25, 2011 at 10:09 AM, Fiskum, Steve fisk...@jspaluch.com wrote:
Thanks John for taking the reigns. These horses were getting out of control.
Actually you were getting way out of control with the personal insults
and puns on list participants last names.
And then whined about
...huh? I think you've got the wrong guy.
Have a pint.
Cheers,
Steve
5/25/11 12:55 PM, Kim Patrick Clow telem...@gmail.com wrote:
On Wed, May 25, 2011 at 10:09 AM, Fiskum, Steve fisk...@jspaluch.com wrote:
Thanks John for taking the reigns. These horses were getting out of control.
Actually
On Wed, May 25, 2011 at 2:42 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
I think no one care about what you have to say. Consumer Reports.highest
rated. They could have argued as you do but did not. They see the facts. Your
arguments are old and tired. Yet you continue.
On Wed, May 25, 2011 at 3:26 PM, David W. Fenton
lists.fin...@dfenton.com wrote:
On 24 May 2011 at 10:59, Kim Patrick Clow wrote:
The Mac is slightly lighter,
Slightly? It weighs only 2/3s what the Acer does, 4.5 lbs. vs. over
6. That's a HUGE difference.
Yeah, 1.5 lbs. OOoo how WILL I lift
On Wed, May 25, 2011 at 3:36 PM, David W. Fenton
lists.fin...@dfenton.com wrote:
On 25 May 2011 at 14:06, Kim Patrick Clow wrote:
Anyone who is intellectually honest has to recognize the superiority
of Apple's hardware and software. It just isn't an issue that's
disputable.
That's a No True
On Wed, May 25, 2011 at 4:22 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
Sigh.where is the facts to support this? There is absolutely NO PROOF
of this. Period. Apple simply took the great selling App Store they had for
their iOS devices and brought it to the Mac. Yes, they are a
On Wed, May 25, 2011 at 4:54 PM, David W. Fenton
lists.fin...@dfenton.com wrote:
On 25 May 2011 at 13:22, Eric Dannewitz wrote:
And Macs do not have viruses. Ever. They have had a couple of malware
and trojans, but not a virus.
Perhaps you're unfamiliar with the vernacular use of the term
On Wed, May 25, 2011 at 5:11 PM, Steve Parker st...@pinkrat.co.uk wrote:
And yet, there are unix viruses too. The oldest trojans were unix based.
Macs these days are not virus-free because of lower market share but because
of inherent UNIX security.
I wish I could disable some of it, but a
On Wed, May 25, 2011 at 5:08 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
Jesus..you are giving a link to a site that is referring to OS 6? And the
second link doesn't say ANYTHING relevant. So System 6 is your proof? That
was what, 1990? 20 years ago? Really?
Hey you're the one that
On Tue, May 24, 2011 at 1:44 AM, Eric Dannewitz ericd...@jazz-sax.com wrote:
I think it's funny when old people get upset. You are like what, 60,
and you are using childish references, Glenn beck pictures, and
O'Reily references that maybe two other people get? And ass
references? Really?
I
On Tue, May 24, 2011 at 3:47 AM, Eric Dannewitz ericd...@jazz-sax.com wrote:
Sigh.that doesn't mean anything. That simply means How many things are
on the net that are visiting sites that report the traffic to quantcast. It
doesn't distinguish between say a computer used in a
On Tue, May 24, 2011 at 8:15 AM, David W. Fenton
lists.fin...@dfenton.com wrote:
Prove it! I am certain that if I compared your $300 PC laptop to the
cheapest Mac laptop, your cheapo PC will come up way short on
important features/components. Those may not matter to you (i.e., you
may not
I need to purchase a new desktop computer. I am running Finale 2010 Windows
at the present and will likely upgrade to 2012 when it comes out. I engrave
full orchestrations and want to be able to play any and all of the sounds.
I also want something that I will not outgrow in a few years.
On Mon, May 23, 2011 at 3:22 PM, Chuck Israels cisra...@comcast.net wrote:
That's what I think too. I have a 27 iMac, and it is satisfying and trouble
free. A little extra RAM can help. (Full disclosure - I've always used Macs
and have little experience with Windows. Still, I am confident
On Mon, May 23, 2011 at 3:50 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
Though I don't see how a $300 laptop is going to be able to grow for a few
years. Nor how it will handle playing back good quality sounds (NOT the
Finale Software synth sounds, but more like the Garritan sounds)
On Mon, May 23, 2011 at 4:33 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
There is a lot to consider here. Bigger screen doesn't mean better. You want
a good, high resolution screen. Not just a bigger screen. It could be 19 but
with a crappy display resolution.
Blu Ray DVD? So now we are
On Mon, May 23, 2011 at 4:53 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
But that's no a real good point. You then have several boat anchors (ie old
hardware) around, plus you have all the migration problems of getting your
old files and software to new machines.
Yeah, that's incredibly
iBut you're not getting the same thing for $300 that you would if you
pad $800 for a Mac -- if you configured a Windows PC with comparable
specifications as the $800 Mac, it will cost about $800, too (and in
many cases, it will cost MORE)./i
Not in this case, really. I'm way ahead of you on this
On Mon, May 23, 2011 at 5:57 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
Sent from my iSomething
On May 23, 2011, at 2:10 PM, Kim Patrick Clow telem...@gmail.com wrote:
Right, so Apple's limited warranty isn't any better than a standard
PC, and like them-- you can buy an extended
On Mon, May 23, 2011 at 6:05 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
Whatever he is eating/smoking I want some. I haven't seen anything
remotely close to what you'd get with a stock MacBook.
Old link, but still pertinent:
On Mon, May 23, 2011 at 6:36 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
Sure it's not clown pie? That link is really old.they mention PowerBooks?
But it's more recent than any of your links, Oh wait, you haven't
provided anything other than your personal stories, and that great
On Mon, May 23, 2011 at 10:42 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
Really? You can't use Google? Or check CNet? Check Amazon (3 of the top 5 are
Apple Laptops, 5 of the top 10 are iMacs)? Or even check Consumer Reports?
The evidence is out there.plain as day. They make
On Mon, May 23, 2011 at 11:11 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
Actually, no. But Clow(n) land seems to be really holding you tight.
Not so tight as things apparently over in Eric Dumbshitz land.
Look, the fact is that a cheap laptop isn't going to hack it. Even David
Fenton
On Tue, May 24, 2011 at 12:31 AM, Eric ericd...@jazz-sax.com wrote:
Man, you are a moron huh? I mean, you are using Glenn beck and Bill
O'Reilly? What purpose does bringing these people into this
discussion?
Are you? I mean, it's one thing to have a debate about a platform and
your personal
On Tue, May 24, 2011 at 12:43 AM, Eric Dannewitz ericd...@jazz-sax.com wrote:
Oh, but you spent lots of money on a niche product. You could have
bought 2 or more $300 laptops that could do all what you want.
The iMac is really nice. The displays are nice. And it is nearly
silent. A 27 iMac
Hi everyone:
A friend wrote me about an issue, and hopefully the collective wisdom
of the list could offer a solution:
I have a new Win7 64bit laptop and I just tried to install Finale 2009
on it. The installer barks back at me:
MakeMusic requires that your system has 256MB of RAM in order
Good day:
Someone here in New York has asked me about an edition of Delalande's
Symphonies pour la soupir du Roi, and have said they can't locate a
modern edition.
Could anyone help with some leads, or even where the original source(s) are?
Thank you kindly,
Kim
Ogden, UT 84408-2901
Voice: 801-626-7458
Fax: 801-626-7045
wkot...@weber.edu
http://library.weber.edu/cm/wkotter
On 2/8/2011 at 12:02 PM, in message
AANLkTikJ8x_iCfdVV9wV0zrnHOhAr3XK5p74=tub4...@mail.gmail.com, Kim Patrick
Clow telem...@gmail.com wrote:
Good day:
Someone here in New
wrote:
Kim Patrick Clow écrit:
I removed the italics, because after your comment, I realize that
typically in my own editions, I use italics for editorial additions.
I initially use them because in the sources, dynamics are written in
an italic script. I guess that's bad on my part.
Here's
Good day:
In several sources I am working on, instead of the usual 'f I have 'fort'
Is it considered legitimate to use italic bold if I am trying to duplicate
what the source has or just use simple italics? It's definitely easier
bolded, and plus the standard dynamic fonts are bold.
Thanks
Kim
I removed the italics, because after your comment, I realize that
typically in my own editions, I use italics for editorial additions.
I initially use them because in the sources, dynamics are written in
an italic script. I guess that's bad on my part.
Here's a screen shot of what I have now:
...@gmail.com wrote:
Curious, why do you have the repeat sign on the other side of the time
signature?
On Jan 9, 2011, at 3:25 PM, Kim Patrick Clow telem...@gmail.com wrote:
I removed the italics, because after your comment, I realize that
typically in my own editions, I use italics
I know you were asking about horns, but a flute/recorder friend of
mine mentioned in passing that the Barenreiter edition of Handel's
Water Music has the flute part( (in the G major suite) in the
original French violin clef and it was for a flute tuned to G. She
hated the fact she was having to
Hi everyone:
I am editing a Johann Samuel Endler symphony for Trumpet in F (the
orchestral part in Endler's hand is in C major, but a large F
written by Clarino.
There are two horns, timpani, oboe solo concertante, violin solo
concertante, 1/2 violins, and basso continuo (no violas).
The
Good day:
Does anyone know where Percy Faith's arrangements are archived? I was
curious in particular about one song Delicado which apparently he
arranged and recorded twice.
Thanks much
Kim
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Send it to me Dennis.
On Sun, Oct 3, 2010 at 2:48 PM, dc den...@free.fr wrote:
Could anyone convert one Sibelius 6 file to 5 (or to xml)?
Many thanks,
Dennis
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On Thu, Jun 24, 2010 at 4:25 AM, Johannes Gebauer
li...@musikmanufaktur.com wrote:
A few years ago I managed to find a proper distributor. Since then our sales
have multiplied. We first sold only those two CDs while working on a third
(which was only a second volume, so no more popular than
On Wed, Jun 23, 2010 at 2:13 PM, Dennis Bathory-Kitsz
bath...@maltedmedia.com wrote:
It took me several years to recoup the costs (as I say, it's an
electroacoustic CD with a small audience). I gave away half of them to radio
stations, etc., in hopes of scoring royalties. Never happened even
On Wed, Jun 23, 2010 at 3:44 PM, Dennis Bathory-Kitsz
bath...@maltedmedia.com wrote:
Maybe, like Albany, the composers pay? Most of the small labels are vanity
operations -- or artist funded, where the composer or performers have to
apply for grants or raise money from family.
I understand
On Wed, Jun 23, 2010 at 4:06 PM, David W. Fenton
lists.fin...@dfenton.com wrote:
I know an early
music orchestra that apparently had to help cover the recording costs
for a CD they did with Chandos too. I wondered why didn't the ensemble
just do their own recording and save all that expense
On Wed, Jun 23, 2010 at 4:08 PM, Johannes Gebauer
li...@musikmanufaktur.com wrote:
Am 23.06.2010 um 21:56 schrieb Kim Patrick Clow telem...@gmail.com:
I think CPO and the German ensembles get a lot
more state support in terms of grants and funding versus their
counterparts in the U.K
On Wed, Jun 23, 2010 at 4:22 PM, David W. Fenton
lists.fin...@dfenton.com wrote:
I haven't bought a physical CD in a record store for 5 years or
more.
I always enjoyed browsing in a store. And sadly, J and R's in New York
is the last place for doing that in terms of classical music CDs.
On Wed, Jun 23, 2010 at 4:32 PM, David W. Fenton
lists.fin...@dfenton.com wrote:
Then do you have some explanation of why musical organizations think
it's worth their while to invest all that money in paying the
commercial labels to produce/distribute their recordings?
My guess is maybe
I had some friends that were even offering their own music as ring
tones, but they didn't make much at all.
Merv Griffin made unbelievable amounts in royalties from the ringtone
theme to Jeopardy!.
Thanks,
Kim
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Evangeline Rimbach edited this for A-R Editions.
Easily ordered online.
Hope this helps.
Kim
On Mon, Jun 14, 2010 at 11:13 AM, George Brooke gbro...@hohlc.org wrote:
Not exactly a Finale topic, but once again I turn to the knowledgeable (and
generous) people of the list for assistance.
Sure thing ;)
On Mon, Jun 14, 2010 at 12:14 PM, George Brooke gbro...@hohlc.org wrote:
Thank you for your help. That's what I'm looking for!
George
-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of
Kim Patrick Clow
Sent: Monday, June 14
Good day:
Some friends were asking me when did keyboard recitative stop in
opera? Although I'm not all that familiar with the romantic period, I
offered as a suggestion that they ended with Rossini? I've seen Norma
in a live performance, and the recitatives seemed to be completely
orchestrated. I
Hi all:
I have a question about a manuscript source:
http://i39.tinypic.com/2rcn2ip.jpg
This is from a sinfonia by Christoph Graupner and you see
staves are Trumpet 1, 2, Timpani, Violin 1, Violin 2, Viola, Continuo
I'm not exactly sure what the expression under the first violin means
ottava
Hi all:
I have a 1st / 2nd ending at the end of a movement. I know typically
those bars have the same number. (bar 8 in my case)
But the next section starts off with a pick-up beat. Would that be Bar
no 8 too? Next full bar then 9?
Or would the pick-up bar start at 9 with next full measure as
Hi everyone:
I have a question about a Rondeau that I'm currently editing.
Here is a screenshot of the movement: http://i42.tinypic.com/68xwz9.jpg
The first section makes sense, but Graupner starts the next section
with a repeat bar. But that section really doesn't get played again.
The da capo
On Sat, Apr 3, 2010 at 5:31 PM, David W. Fenton
lists.fin...@dfenton.com wrote:
Really? I think it's a perfectly readable MS -- surely one could
conduct from it! Sure, it needs modernization of certain notational
conventions (like the repeats, but also the # where we'd use
naturals), but I
Good day:
I recently upgraded from MS Office 2000 to 2007. I use Word to
create my edition's critical reports, which routinely include
screenshots of the manuscripts. I insert these as tiffs. with a
caption under the tiff that's generated within a text box, which I
manually tweek its position by
On Fri, Apr 2, 2010 at 2:56 PM, David W. Fenton
lists.fin...@dfenton.com wrote:
One thing that could help is embeding your fonts. This makes the file
uneditable, but also insures the same fonts are used on the target PC
as on yours. It doesn't fix the graphics in place, but it will mean
On Wed, Mar 24, 2010 at 2:36 PM, John Howell john.how...@vt.edu wrote:
I certainly hope not! This is a discussion list. A blog is a monologue.
John
Livejournal is a blogging website, that allows for individual blogs,
and communities as well, some of which are EXTREMELY active on a wide
Hi alI:
About a year ago, I showed a copy of one of my Graupner editions to
my former supervisior (Ph.D. in musicology from Columbia)-- where I
duplicated the autograph score (i.e. no written out repeats of the A
section, and Da Capos under each section). He has no idea how to read
the movement,
Good day:
Hi all:
I am working on some 18th century manuscripts, many times I will see
poco F or poco piano or poco forte. The default text setting in
some music engraving applications is for italic (e.g. Sibelius); but
aren't italics traditionally seen as editorial additions, wouldn't
having
Good day:
I'm quite behind the times: I just discovered that H.C. Robbins-Landon
passed away last November. I was a big fan of his Haydn 5 vol
biography that was huge. I remember there were a lot of musical
examples provided in those books. My question is: back in the 1970s
when the Haydn
Hi everyone:
About two months ago, a conductor who I have as a friend on Facebook
said he needed a score to a concerto in a hurry ( I assume for a
concert project) and could anyone help him? I wrote to him that I had
the file, and if he was agreeable to the fee of 100.00 USD, I'd send
it to him.
On Sun, Feb 21, 2010 at 2:17 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
Look, he and you had an agreement. Written (email). Go and post on his
facebook page, and if you don't hear anything, take him to small
claims court.
Just because he is a conductor doesn't mean he can screw you out
On Sun, Feb 21, 2010 at 3:08 PM, Dennis Bathory-Kitsz
bath...@maltedmedia.com wrote:
Kim,
Assume the best. There may be an issue with his email account, or other things
may have come up (even anti-spam measures).
I always assume the best Dennis, trust me. But I really doubt there's
any issue
Who is the music by?
On Thu, Feb 4, 2010 at 6:34 PM, Richard Huggins huggin...@yahoo.com wrote:
I've engraved a collection of piano compositions for a lady and she's asked
me about selling PDFs of them on the 'Net. I'm looking for suggested sites
to do this. I'm aware of Kagi as a
Hi everyone:
I'm curious, can music editions be ported to these new electronic book
formats? If so, what's involved?
Thank you kindly.
Km
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I wonder how do you get the music into a Kindle though? Is there
specific software other than say, PDF?
On Wed, Jan 27, 2010 at 4:41 PM, Lawrence Yates
yateslawre...@googlemail.com wrote:
Did a gig last year and the soloist did just that.
Cheers,
Lawrence
\
On Thu, Oct 29, 2009 at 4:49 PM, dhbailey
dhbai...@davidbaileymusicstudio.com wrote:
And on the Sibelius list there is no discussion at all of Finale can do
xyz, why can't Sibelius do it? and no discussion of Finale did abc in its
last upgrade, I wonder when Sibelius will do it? The
Gerhard Torges gh.nos...@gmx.de wrote:
Unfortunately, the server's location are not of much importance.
Any web site must comply to the law in every country it can be accessed.
Don't tell that to the Russian hackers that post movies, software,
games, music, and porn routinely :-)
Thanks
Kim
Michael Good goodli...@recordare.com wrote:
information is just two clicks removed from their home page and is
also available at the US Copyright Office site at
http://www.copyright.gov/onlinesp/. Do none of these contact paths
work for your editor?
Thanks for that Mr. Good. Well he wrote
On Mon, Oct 26, 2009 at 7:35 PM, David W. Fenton
lists.fin...@dfenton.com wrote:
These absolutely lovely editions [by Dennis Collins] are so inexpensive that
it seems
criminal to me for anyone to not buy them if they want to use them.
The editions Dennis produces are works of art I think.
://bc16661.wordpress.com/ and his
email contact is bc16661 @ gmail. com
Thanks for any help.
Kim Patrick Clow
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On Sun, Oct 25, 2009 at 5:52 PM, Carl Dershem ders...@cox.net wrote:
Of course, they are now chasing the site's owners through multiple hosts,
but if you make the site harder to find, it suts down on the pirate's
business.
Well E-mails from the site are bouncing now, and it looks like an
illegally. Please let me know if that's OK.
John
At 5:34 PM -0400 10/25/09, Kim Patrick Clow wrote:
Good day:
My editor Brian Clark recently discovered that one of his editions
just appeared on cpdl.org. He's having a hard time though getting any
action because the website seems
on public domain than here in the United States?
I'm curious because I'd like to do an edition myself and base it on
the Paetzold, since it's the closest thing we have to the original
unfortunately. But would that be legal?
Thanks,
Kim
--
Kim Patrick Clow
Just be yourself! Everyone else is taken
On Sun, Sep 27, 2009 at 1:38 PM, David W. Fenton
lists.fin...@dfenton.com wrote:
But it *has* been done -- some of the Editions Fuzeau facsimiles are
of early printed editions, and the facsimile text is lightly edited
(with suitable notes in the extensive commmentaries).
My guess is that out
the signature to 2 flats in light of modern notation practices?
David McDonald
MacMusic, Inc.
macmusic...@cox.net
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Kim Patrick Clow
Just be yourself! Everyone
On Fri, Sep 25, 2009 at 5:45 PM, David McDonald macmusic...@cox.net wrote:
For all you early music history buffs:
I'm editing/adapting a Vivaldi concerto for my string ensemble Concerto in
G minor for 2 Cellos and Strings RV 531
Why is it G minor but the key signature is 1 flat?
They were
There's a fascinating reading of the Bach Brandenburg 3rd from 1953 on
the DG-Archiv label with the Konzertgruppe der Schola Cantorum
Basiliensis Conducted by: August Wenzinge. I am not sure if these are
period instruments though. EMI Recordings has released some recordings
dating from the 1920s
On Wed, Sep 23, 2009 at 4:01 PM, Ray Horton rayhor...@insightbb.com wrote:
That recording is very interesting, Kim. An Archiv 45 single! I think the
recorder is much closer to the mic than the trumpet (and everybody else, for
that matter) - it has an unusual presence.
It's funny you
On Tue, Sep 22, 2009 at 1:57 PM, Barbara Touburg btoub...@wanadoo.nl wrote:
On Youtube there are clips of the Brandenburg concertos by the Freiburg
Baroque. In this clip
http://www.youtube.com/watch?v=6jtk4ETAx8g
the trumpet player moves his right hand fingers in a special way. What does
he
On Tue, Sep 22, 2009 at 1:57 PM, Barbara Touburg btoub...@wanadoo.nl wrote:
the trumpet player moves his right hand fingers in a special way. What does
he to? Are there tiny holes in the tube?
Barbara
Er...
Yes, those holes affect the pitch.
Thanks ;)
Kim
On Tue, Sep 22, 2009 at 3:06 PM, Howard Weiner h.wei...@online.de wrote:
Unfortunately, the extra security that the vent holes
provide also make it possible for trumpeters to play louder than they
otherwise could on the old trumpets. In recent years, a number of European
trumpet players,
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