Is it really true that the clef in a part can't be unlinked from the clef in
the score? There's a legitimate need for this, e.g., a bassoon or trombone
staff shared by 2 parts, both of which in the score are in tenor clef (to
save space), but the lower voice in the part should be in bass clef
All of them require workarounds.
The 8va thing I would to with an octave transposing staff style (in the
part).
For different clefs on a shared staff, you could try changing the
instrument of the part only. That, or using a transposing staff style that
imposes the clef you want.
Many times I
Don't you gentleman think that clefs should absolutely not be linked as a
rule, preferably intelligently linked or linked until changed in part. So
many times I've used different clef in the score for many reasons, and changed
them in part. Main reason I have put in case submission to Coda is
You can override the clef changes in cues with a transposition staff
style. It won't actually transpose, but it will use Set to Clef. Other
clef issues can probably be resolved this way, but perhaps not all of them.
Dejan Badnjar wrote:
Don't you gentleman think that clefs should absolutely
: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Robert Patterson
Sent: August 18, 2006 12:24 PM
To: finale@shsu.edu
Subject: Re: [Finale] Clefs in linked parts
You can override the clef changes in cues with a transposition staff
style. It won't actually transpose, but it will use Set to Clef
Tyler Turner wrote:
Use a staff
style to set the staff in the score to use a chromatic
transposition, set to clef.
This works in many cases, but there is one where it is dicey, and that's
a partial-meas cue where the clef changes in the score. Consider a
cello part in bass clef where the
]
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Robert Patterson
Sent: August 18, 2006 1:52 PM
To: finale@shsu.edu
Subject: Re: [Finale] Clefs in linked parts
Tyler Turner wrote:
Use a staff
style to set the staff in the score to use a chromatic
transposition
--- Robert Patterson [EMAIL PROTECTED]
wrote:
Tyler Turner wrote:
Use a staff
style to set the staff in the score to use a
chromatic
transposition, set to clef.
This works in many cases, but there is one where it
is dicey, and that's
a partial-meas cue where the clef
Dejan Badnjar wrote:
Robert, you're absolutely right. I am officially giving up on linked parts
until next time. Separate files are safest for now.
It's your work, of course. I've managed to work around the issues so
far, so please don't think I am following your lead, at least in all cases.
--- Dejan Badnjar [EMAIL PROTECTED] wrote:
Robert, you're absolutely right. I am officially
giving up on linked parts
until next time. Separate files are safest for now.
If by separate parts you mean 2 files, a score file
and then a copy of the score file that is used for all
of the parts,
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