Thanks to all for the advice. Worked like a charm!
On 7/4/10 1:00 PM, "finale-requ...@shsu.edu"
wrote:
> From: Christopher Smith
> Reply-To:
> Date: Sat, 3 Jul 2010 17:34:29 -0400
> To:
> Subject: Re: [Finale] Layout Question
>
> Under Plugins>Scoring a
Earlier versions of Finale may not have this plugin (I'm on 2004, which
doesn't), but I've been using Jari's JW Score System Divider plugin for
years and I'm very happy with it. Is the one that ships with Finale the
same?
-Lee
>
> Blake Richardson wrote:
> > I'm working with Finale 2009 on a Mac
Blake Richardson wrote:
I'm working with Finale 2009 on a Mac and I'd like to break a system with
hash marks, like in the following example:
http://gallery.me.com/btr1701/100039
(Click on the thumbnail and it will enlarge.)
Probably a simple question and I've looked through the online manual.
Under Plugins>Scoring and Arranging> run the Score System Dividers
plugin. Do this ONLY once the layout is completely done and nudged,
and they WILL appear on linked parts, so you may have to hide them
all except in the score, unless you have a separate file for linked
parts.
Christopher
Score system divider plug-in
On Jul 3, 2010, at 1:56 PM, Blake Richardson wrote:
> I'm working with Finale 2009 on a Mac and I'd like to break a system with
> hash marks, like in the following example:
>
> http://gallery.me.com/btr1701/100039
>
> (Click on the thumbnail and it will enlarge.)
>
I'm working with Finale 2009 on a Mac and I'd like to break a system with
hash marks, like in the following example:
http://gallery.me.com/btr1701/100039
(Click on the thumbnail and it will enlarge.)
Probably a simple question and I've looked through the online manual. I'm
sure the process is d
At 8:47 AM -0400 6/03/04, Giz Bowe wrote:
Jonathan's is probably the easiest solution suggested.
Yes, that is a great idea.
I was unaware of the convention of writing everything straight
through on some big band charts. Of course, the big band I play with
only plays music before 1950!
It's based
Jonathan's is probably the easiest solution suggested. I've already
completed the chart I was working on (Cold Blood's Valdez in the Country).
In my score, I did indent the coda measure, and put the coda sign to the
left of it. All I had to do with my parts was drag the coda staff to the
right,
d W. Fenton <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Thursday, June 03, 2004 3:45 AM
Subject: Re: [Finale] Layout question
On 2 Jun 2004 at 10:18, Bob Florence wrote:
I have never used the DS al CODA feature. It is so easy to just copy
and paste.
And what about when you then
>
To: <[EMAIL PROTECTED]>
Sent: Thursday, June 03, 2004 3:45 AM
Subject: Re: [Finale] Layout question
> On 2 Jun 2004 at 10:18, Bob Florence wrote:
>
> > I have never used the DS al CODA feature. It is so easy to just copy
> > and paste.
>
> And what about when you
tim-cates wrote:
large text repeats can also add to rehearsal time in the studio which
costs money - D.S.,D.C. et.al. also has a tendency to create page noise
in close microphone environments which will add time in post-production
(not nearly as bad in the digital age, but still an issue) -top l
On 02.06.2004 21:57 Uhr, David W. Fenton wrote
>> Unless you use mirrors.
>
> Are those usable in current versions of Finale? I gave up on them
> long ago, myself.
>
I use them all the time. The prime use at least for me is for doubling
parts, which do occur often in the kind of music I edit. E
On 2 Jun 2004 at 21:31, Johannes Gebauer wrote:
> On 02.06.2004 19:45 Uhr, David W. Fenton wrote
>
> >> I have never used the DS al CODA feature. It is so easy to just
> >> copy and paste.
> >
> > And what about when you then have to make changes to that music
> > after you've entered it? You ha
Giz,
How about using a staff style? Make a copy the score for extract purposes, then add a
measure before you go to Coda. Create a staff style to make this a totally 'blank'
measure. Force the system to start at this point and place in your coda sign/text
accordingly. Force the key and time and
large text repeats can also add to rehearsal time in the studio which
costs money - D.S.,D.C. et.al. also has a tendency to create page noise
in close microphone environments which will add time in post-production
(not nearly as bad in the digital age, but still an issue) -top left to
bottom ri
On 02 Jun 2004, at 03:19 PM, David W. Fenton wrote:
They would sightread successfully with less effort with the repeats
*not* written out.
I disagree. In fact, missed or flubbed jumpers are the number one
thing that goes wrong when sightreading. Bob Florence has decades of
experience as an arra
On 02.06.2004 19:45 Uhr, David W. Fenton wrote
>> I have never used the DS al CODA feature. It is so easy to just copy
>> and paste.
>
> And what about when you then have to make changes to that music after
> you've entered it? You have to make it in two places.
Unless you use mirrors.
(I do ag
On 2 Jun 2004 at 11:01, Bob Florence wrote:
> "David W. Fenton" wrote:
> >
> > On 2 Jun 2004 at 10:18, Bob Florence wrote:
> >
> > > I have never used the DS al CODA feature. It is so easy to just
> > > copy and paste.
> >
> > And what about when you then have to make changes to that music
> >
At 9:30 AM -0700 6/02/04, Brad Beyenhof wrote:
Christopher BJ Smith wrote, in part:
But there is probably no alternative to dragging the right side of
the staff left on every part to indent it once it is extracted.
Well, technically, there is. I perform this by going to Page Layout >
Systems > E
Also:
Never underestimate the benefit of having a foolproof roadmap. All
other things being equal, from a sightreading perspective it is far,
far preferable to have a part that reads straight through from
beginning to end than it is to have a part with jumpers (D.C., D.S.,
etc).
- Darcy
-
I guess the problem of music looking the same doesn't matter here in Los
Angeles. We are the sightreading capitol of the world :-)
BF
"David W. Fenton" wrote:
>
> On 2 Jun 2004 at 10:18, Bob Florence wrote:
>
> > I have never used the DS al CODA feature. It is so easy to just copy
> > and paste
On 2 Jun 2004 at 10:18, Bob Florence wrote:
> I have never used the DS al CODA feature. It is so easy to just copy
> and paste.
And what about when you then have to make changes to that music after
you've entered it? You have to make it in two places.
Secondly, you're losing important informati
I have never used the DS al CODA feature. It is so easy to just copy and paste.
BF
Christopher BJ Smith wrote:
>
> At 11:10 AM -0400 6/02/04, Giz Bowe wrote:
> >I'm doing arrangements for a soul band horn section. What I want to
> >do is have the coda section start a new system -- no problem, ju
Christopher BJ Smith wrote, in part:
> But there is probably no alternative to dragging the right side of
> the staff left on every part to indent it once it is extracted.
Well, technically, there is. I perform this by going to Page Layout >
Systems > Edit Margins, clicking on the system I want
At 11:10 AM -0400 6/02/04, Giz Bowe wrote:
I'm doing arrangements for a soul band horn section. What I want to
do is have the coda section start a new system -- no problem, just
check "begin new system" in the measure dialogue box. What I also
want to do, however, is indent that line, and place
Giz Bowe wrote:
> I'm doing arrangements for a soul band horn section. What I
> want to do is have the coda section start a new system -- no
> problem, just check "begin new system" in the measure dialogue
> box. What I also want to do, however, is indent that line, and
> place the coda symbol to
I'm doing arrangements for a soul band horn section. What I want to do is
have the coda section start a new system -- no problem, just check "begin
new system" in the measure dialogue box. What I also want to do, however,
is indent that line, and place the coda symbol to the left, even with the
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