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!important; } Nice touch that 4/.q. bracketing. I'm still scratching my head
over playing 5 against 4 in triplets at speed! Precision meet Impr
As to your points.
>new notation
Not really a con, since that's the whole point.
>is not intuitive and needs to be explained,
Maybe, but only once at most.
> does not show conductor subdivisions
That's easy enough to show in parts that aren't sustaining. If all the
parts are sustaining, it's
>No one ever explained it to me, and I got it right away. ymmv
sure, but you intuited it, it wasn't a logical extension of the
notation. it isn't something one can "figure out", but can deduce,
that is what i meant. and i don't think either of us would accept
the idea that the norms of (this
>i think it *does* require explanation
No one ever explained it to me, and I got it right away. ymmv
Crumb only uses it to fill whole "bars" (though sometimes without barlines,
as you see).
>in your ex1 why is the end of the 1st measure in the upper piano not
a dotted 8th?
While not relevant to
i think it *does* require explanation, it is certainly not
self-evident. but you can get away with not explaining it in a
legend because there is a surrounding context within which the
musician can deduce its sense. but imagine the symbol in a
non-metered and solistic situation, e.g., variou
> On 20 Dec 2016, at 15:35, Dennis Bathory-Kitsz
> wrote:
>
> On Tue, December 20, 2016 10:33 am, SN jef chippewa wrote:
>>
>>> I¹m attracted by the idea of a symbol that would fill *any* bar.
>>
>> like a whole rest? :P
>
> A whole note with a short right-pointing arrow, since that's alread
> On 20 Dec 2016, at 15:33, SN jef chippewa
> wrote:
>
>>
>> I¹m attracted by the idea of a symbol that would fill *any* bar.
>
> like a whole rest? :P
Ho hum.. that’d do for half the cases. :-)
___
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Finale@shsu.edu
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For anyone who is interested in the notation, here are a couple examples.
https://www.dropbox.com/s/e67walobznq1ygl/Crumb-DayOfComet.tiff?dl=0
https://www.dropbox.com/s/0nz3afpyiyx1y4m/Crumb-ZeitgeistEx2.tiff?dl=0
He also uses it extensively in the "Musica Apocalypitca" movement of Star
Child. I
On Tue, December 20, 2016 10:33 am, SN jef chippewa wrote:
>
>>I¹m attracted by the idea of a symbol that would fill *any* bar.
>
> like a whole rest? :P
A whole note with a short right-pointing arrow, since that's already used for
continuation?
___
Fi
>I¹m attracted by the idea of a symbol that would fill *any* bar.
like a whole rest? :P
--
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http://newmusicnotation.com/fonts.html
shirling & neueweise | http://newmusicnotation.com
new music notation + arts management + translati
> The general assumption, I believe, is that Crumb invented it. One
> interesting aspect of it is that it shows up in his scores without
> explanation, leaving the musicians to figure it out.
Along with a lot of other things.. I’ve seen theses explaining some of them!
I’ve never seen it anywhere
The general assumption, I believe, is that Crumb invented it. One
interesting aspect of it is that it shows up in his scores without
explanation, leaving the musicians to figure it out.
Raymond Horton
Composer, Arranger
Minister of Music, Edwardsville (IN) United Methodist Church
Retired Bass Trom
ah, ok problem solved. but that brings up another question, of
graphic confusion accis-dots. plus the fact that the information for
one thing (duration) is now spread in several places and
simultaneously requires different types of on-the-fly mental calcs
(adding and dividing).
i'm not sure
Alignment is not an issue. The noteheads continue to align exactly as they
do now. You just have to make more room for accidentals on the left.
So you think Crumb invented it?
On Tue, Dec 20, 2016 at 8:46 AM, SN jef chippewa <
shirl...@newmusicnotation.com> wrote:
>
> i would never use this nota
i would never use this notation and would strongly discourage anyone
who asked me from using it :-)
crumb "invented" a lot of things. so did a lot of other composers.
some ideas are good. some ain't.
since we write out the full note values in other measures, there is
no reason to do anythin
One of the notation innovations that George Crumb uses is a
left-augmentation-dot to create a single note value that fills a 5/4 bar.
That is, a whole note with an augmentation dot on both the left and the
right. I suppose the logic is that the one on the right adds a half and the
one on the left t
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