Thanks for all the suggestions. I ended up creating a solution of my own --
making the bars 12/8 with cut-time as the alternate display time signature,
then adding the 6s as articulations. Still not 100% elegant, but it works!
Neal Gittleman
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>create (2x) tuplets -- 1 dotted half : half
(with bracket and number hidden)
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create (2x) tuplets -- 1 dotted half : half
add slash as articulation
add "6" as articulation (centred, avoids stafflines, above note /
stem side according to your prefs)
copy-paste as needed
far less kludging and far easier / quicker to set up, and the aug dot
will position itself properly (n
On Tue, June 5, 2012 6:32 pm, Aaron Sherber wrote:
> 2. Cursor back
Yeah, that's what I meant in mine, not backspace. Exactly the same procedure
as I use.
Dennis
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On 6/5/2012 5:18 PM, Neal Gittleman wrote:
> Cut time, and the composer's notation in each bar is as follows: two dotted
> half notes with eighth-note slash for repeated notes and a 6 above each note,
> yielding 12 sextuplet eighths in each bar.
A couple of things come to mind. The first, if pl
your filters might have some things unchecked (cmd-opt-sh-f on mac or
via the edit menu as of 2010 [or possibly earlier])
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>check to see you have "Match Note On/Note Off" checked in MIDI
>Setup. This is often the reason notes stick.
thanks, but i can't find this in mac OS MIDI setup or in finale MIDI
device setup, where do i find this? sorry, i need full details, i
don't use midi at all generally.
>Also, if you
On Tue, June 5, 2012 5:18 pm, Neal Gittleman wrote:
> Cut time, and the composer's notation in each bar is as follows: two dotted
> half notes with eighth-note slash for repeated notes and a 6 above each note,
> yielding 12 sextuplet eighths in each bar.
>
> What I've been doing is this…
> e
Greetings…
I'm working on something now that has me going through all sorts of
contortions, and before I continue contorting, maybe someone can point me in a
better direction. Here's the situation…
Cut time, and the composer's notation in each bar is as follows: two dotted
half notes with ei
On 06.06.2012 06:21, SN jef chippewa wrote:
> trying out a new (but borrowed) MIDI keyboard and a couple of things
> not working right. i am not terribly familiar with MIDI input, so if
> anyone has any ideas? it is a USB evolution eKeys (37) that i
> plugged in, piddled with a few settings until
Ah just noticed who question was from..
I'm clearly telling you stuff you already know..
Steve P.
On 5 Jun 2012, at 16:13, Aaron Sherber wrote:
> Hi all,
>
> I have a score with a cutaway staff. At the end of one system is a
> cautionary key sig change. In the cutaway staff, the last couple o
On Tue, June 5, 2012 4:21 pm, SN jef chippewa wrote:
> 1) there seem to be notes stuck sometimes and other times certain
> notes don't play.
This has plagued my friend David with Finale for several versions (he has 2011
now). He thought it was his old Proteus keyboard, so bought another on eBay.
S
I have seen this type of problem multiple times over the years, in multiple
FinWin versions, in extracted and in linked parts, and it always related to
multimeasure rests.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT r
On 6/5/2012 11:39 AM, John Blane wrote:
> Assuming your staff style is set to not display key sigs, apply it to the
> next measure to hide the cautionary key sig.
Ah, that's very interesting. The cautionary sig is at the end of a
system, and this cutaway staff is completely hidden in the next sy
>I just select everything, then Break Multimeasure Rests, then Create
>Multimeasure Rests.
this is clearer now. you need to either use the "update MM rests"
function or wait to manage/generate parts until all music is entered.
i think what is happening is that the MM rests are being created,
if i am right about the keyboard being wonky, any suggestions for a
simple small keyboard for entry that has an octave transposing
function? i don't need anything but straight ahead note input.
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trying out a new (but borrowed) MIDI keyboard and a couple of things
not working right. i am not terribly familiar with MIDI input, so if
anyone has any ideas? it is a USB evolution eKeys (37) that i
plugged in, piddled with a few settings until i got it to work :-)
1) there seem to be notes
I get you now.. when I saw who message was from I realised that I was telling
you nothing new..
In this case an opaque box is probably the most elegant solution.
In the notation app I used before Finale (and after very early Finale use..)
you could right click on anything and hide it.
For that m
can't tell from the image, but if the next measure of the hidden
thingy is also hidden, set that staff to allow "Independent Elements:
Key Signatures" and extend the key sig to the next measure for ONLY
that voice.
NB this will affect any future changes of key sigs, if you only
select one ins
Il 05/06/2012 18.43, Girard Bowe ha scritto:
> I use linked parts, and this sometimes happens. I just select everything,
> then Break Multimeasure Rests, then Create Multimeasure Rests. This has
> always fixed "missing" measures. I don't know if this will work in extracted
> parts.
>
> BTW, linked
I use linked parts, and this sometimes happens. I just select everything,
then Break Multimeasure Rests, then Create Multimeasure Rests. This has
always fixed "missing" measures. I don't know if this will work in extracted
parts.
BTW, linked parts is probably my favorite upgrade improvement. I don
On 6/5/2012 12:40 PM, Steve Parker wrote:
> In document preferences you can turn off courtesy key sig announcements.
Right, but I don't want to turn them off globally, or even for this
measure in all staves -- just in this single stave, since at this point
in the score it's hidden.
> Actually o
Assuming your staff style is set to not display key sigs, apply it to the next
measure to hide the cautionary key sig.
On Jun 5, 2012, at 10:13 AM, Aaron Sherber wrote:
> Hi all,
>
> I have a score with a cutaway staff. At the end of one system is a
> cautionary key sig change. In the cutaway
In document preferences you can turn off courtesy key sig announcements.
I've not found a sensible way to achieve both kinds in the same piece.
Actually opaque boxes is my preferred way of dealing with all manner of things..
Steve P.
On 5 Jun 2012, at 16:13, Aaron Sherber wrote:
> Hi all,
>
Hi all,
I have a score with a cutaway staff. At the end of one system is a
cautionary key sig change. In the cutaway staff, the last couple of
measures are hidden with a staf style. However, the key sig change still
displays:
https://www.dropbox.com/s/kxjgcosucjzlia0/cutaway.PNG
I'm guess
Have you tried to remove optimization and eventually re-optimize?
Giovanni Andreani
On 5 Jun 2012, at 15:16, Marcello Noia wrote:
> Driving me crazy...
> I extracted all parts and each one jumps from bar 121 to bar 132 (that
> is the last one of the piece)
> What happened to the bars in the ga
Sorry, I was talking not about "extracted parts" but the parts generated as
"linked parts".
I would echo David's suggestion that you use the linked parts facility - it
is amazingly easy to do and would take seconds to learn.
Of course this doesn't address your current problem which baffles me.
P
Hello,
If you highlight mm. 121 and 132 with the selection tool, then
right/control+click and choose Multimeasure Rests > Break, do the missing
measures appear? If so, it would be a good idea to regenerate the linked parts
in the score, then re-extract them. I've seen this type of thing happen
Driving me crazy...
I extracted all parts and each one jumps from bar 121 to bar 132 (that
is the last one of the piece)
What happened to the bars in the gap? The main score is complete.
Il 05/06/2012 12:00, David H. Bailey ha scritto:
> On 6/5/2012 4:34 AM, Marcello Noia wrote:
>> I made a bigba
possibly earlier in jazz-influenced pieces
Importado de China, fue introducido en Europa con
las orquestas de jazz, como accesorio de la
batería.
[introduced to EURorchs as drumset acessory]
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At 9:53 PM +1000 5/6/12, Graeme Gerrard wrote:
>Probably in a piece by Edgard Varèse
Bravo GG ;-) Nice try! I would have thought 'An American in Paris' 1928
raglan
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Probably in a piece by Edgard Varèse - if Ionisation is not an "orchestral"
piece for you, then maybe Amériques or Arcana?
On 04/06/2012, at 1:57 AM, Robert Patterson wrote:
> A question came up at a rehearsal the other day. Does anyone know what
> piece has the first use of a woodblock in an o
>I will have to study the f**king manual about that
i strongly encourage you to do so. for many things linked parts are
great. there are glitches that have never (in 6 versions) been
cleared up but it really is an important tool.
also you might want to check that "auto-update" for MM res
Select all with the selection tool, then Utilities menu>Multimeasure
Rests...Create.
For the next time, just make sure you have Created rests for ALL the parts
before extraction. They are supposed to extract exactly the way the linked
parts are, so you can set them up quite a bit before extract
I will have to study the f**king manual about that, cause I'm still addicted
to the standard way main score > extract parts and did not get deep in that
matter (mainly because I did not need too much part generation since
years until today :-( )
Thanks for help
Il 05/06/2012 12:00, David H. Baile
On 6/5/2012 4:34 AM, Marcello Noia wrote:
> I made a bigband score using the Finale template in Jazz font.
> When I extract the parts, all of them at the same position sort out with a
> multimeasure rest of 36 bars until the end of the piece when they should
> all have notes instead.
> I cannot und
Thanks, will try that.
Another problem: in Finale 2006 I could decide where to put the
instrument name
in extracted parts, here it seems I can only decide if to insert it or
not. What am I missing?
Il 05/06/2012 11:55, Lawrence Yates ha scritto:
> I never had Finale 2011 but I had this problem
I never had Finale 2011 but I had this problem with 2012 when I first used
it.
If you extracted the parts and then changed the score you may need to
re-extract to update them.
Cheers,
Lawrence
--
Lawrenceyates.co.uk
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I made a bigband score using the Finale template in Jazz font.
When I extract the parts, all of them at the same position sort out with a
multimeasure rest of 36 bars until the end of the piece when they should
all have notes instead.
I cannot understand where the problem could be.
Thanks for hint
> Does hitting the conductor on the head count?
>
>Only if it produces a sound -- but nobody would ever know that because
>nobody ever listens to conductors.
>--
>David H. Bailey
>dhbai...@davidbaileymusicstudio.com
Maybe because wood is an insulator, not a conductor.
Michael Lawlor
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