Actually John..
SPEBSQSA is no longer the name.. This has been completely renamed.. The
Barbershop Harmony Society (BHS for short) ;-).
BHS
Steve Currington
-Original Message-
From: John Howell [mailto:[EMAIL PROTECTED]
Sent: Friday, 4 August 2006 8:59 a.m.
To: finale@shsu.edu
the orginal name. or
They have a lotta stuff preprinted with the old name and keep using it.
Steve Currington
Wellington, New Zealand
-Original Message-
From: dhbailey [mailto:[EMAIL PROTECTED]
Sent: Saturday, 5 August 2006 1:33 p.m.
To: finale@shsu.edu
Subject: Re: [Finale] Fwd: Announcement
ware.(also virtually all the high schools here now also
use Sibelius)I am the odd one that is using Finale.
Steve Currington
Wellington, New Zealand
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the help PDF but I find that it is often less help than
just playing around. In fact sometimes really unhelpful..
Steve
A-NO-NE Music on Wednesday, August 23, 2006 1:14 AM wrote:
Steve Currington / 2006/08/22 / 06:36 AM wrote:
What is the best way of doing a splayed or split 8th note stems?
Do you
:07 AM wrote:
This is a very creative work around. But you are correct, I hope
there is an easier way.
Dean
On Aug 22, 2006, at 6:14 AM, A-NO-NE Music wrote:
Steve Currington / 2006/08/22 / 06:36 AM wrote:
What is the best way of doing a splayed or split 8th note stems?
Do you mean
on Wednesday, August 23, 2006 10:22 AM said:
Steve Currington wrote:
Hmm Maybe this is a good future enhancement request.
MM - A note cluster tool please!!
Quite a lot of contemporary music uses clusters.
Pardon me, but there already _is_ a note cluster tool; it's part of
the special tools
Darcy
Maybe you are spelling the word favour wrong and it doesn't understand
the US spelling ;-)
Maybe it just speaks English. snigger
Steve
-
Darcy James Argue Wednesday, August 23, 2006 5:32 PM wrote:
I've tried to modify my iKey 2.2.2 shortcuts for Favor Flats and
Favor Sharps --
/06 +1200, Steve Currington wrote:
My original issue was tight cluster of a Aflat Bflat and Bnat It is
damn hard to do a single layer CHORD with Bflat and Bnat together. ala
the need for the cluster I guess I could respell Bnat at Cflat but
that is confusing.
Yes. I've lost part of this thread
where I feel that
Finale has become a better product for my working style and work
habits. But I am not holding my breath I am afraid.
Steve Currington
Mature Student Composer
Wellington, New Zealand
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Hey Offer a Sibelius course too.. The students wil love you grin
S.
-Original Message-
From: Darcy James Argue [mailto:[EMAIL PROTECTED]
Sent: Wed 8/08/2007 4:39 a.m.
To: finale@SHSU.EDU
Cc:
Subject: Re: [Finale] Student Use (was
and work habits..
Might not t suit everyone and that is fine.
Steve Currington
Old and Feeble Mature student g
-Original Message-
From: John Howell [mailto:[EMAIL PROTECTED]
Sent: Tue 7/08/2007 12:49 p.m.
To: finale@shsu.edu
Cc:
Subject
I suggest considering a widescreen LCD with pivot capability. Then you can
pivot the screen to portrait and see a full page of the score on screen with
much better clarity.
I have a 20 wide screen with pivot andf would not give it away for anything
now that I have become accustomed to it.
have done it and it is a breeze What's more.. it works grin
Steve Currington
Composition/Musicology Student
New Zealand School of Music
Wellington, New Zealand
email:
[EMAIL PROTECTED]
[EMAIL PROTECTED]
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to Sibelius second, after about 18 months or
more of solely using Finale and to be honest a I am really glad I did.
Steve Currington
Wellington, New Zealand
Adam Golding composed the following.
Can anyone fluent in both Finale 2008 and Sibelius 5 comment on which
is actually faster
they do
things.
Steve Currington wrote:
I can't answer based on current experiences or should I say products
but I think the answer is .. it depends on how you work and your
mental processes - some of which can be modified and some is inherent
in ones personality or inbred work habits
dhbailey composed the following.
Robert Patterson wrote:
Well, I wouldn't go so far as to say it is a stupid question. But it
is a question that whose answer is very individual.
The only reason I chime in here is to mention that if you are not
making full use of 3rd-party
and experience at the time. What is stupid to some
is important to others. Just like normal questions in life I
guess.
Steve
Steve Currington composed the following.
Yep. agree whole heartedly. And in trying give both a fair
hearing.. ala rather than saying Oh bugger
Christopher Smith composed the following.
On Feb 19, 2008, at 7:23 PM, Adam Golding wrote:
yeah i indeed tried the macro route for awhile--setting things up on
finale with autohotkey and whatnot--mind you, i could never find an
easy way to enter smartshapes from the keyboard--i
Christopher Smith composed the following.
On Feb 19, 2008, at 5:33 PM, dhbailey wrote:
And here all my teachers told me there were no stupid questions. :-(
That's what I say to MY students. There are no stupid questions.
Only stupid students.
8-)
Christopher
Hmm and
http://ow.ly/XzdX
Steve Currington
de Composer
Wellington, New Zealand
Web:http://www.singers.org.nz
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keypad?
Steve Currington
Wellington, New Zealand
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[mailto:[EMAIL PROTECTED]
Sent: Sunday, May 28, 2006 1:14 PM
To: finale@shsu.edu
Subject: Re: [Finale] External Numeric keypad - FinWin
At 11:32 AM 5/28/06 +1200, Steve Currington wrote:
Is this a
known issue? Is there a fix? or have I bought the wrong keypad?
I have a Kensington USB numerica. Same
Hi.
I am a relatively new Finale User and to be honest have not read the manual
cover to cover. I also find that locating some info can be hard in the manual.
Anyway my question
Is there any way that one can copy a part - say Violin 1 in layer 1
And paste in as the second part in a divisi
Carl Dershem wrote:
.---.-.-...
If you're trying to he authentic, do what he did. He probably had a
reason.
If you're trying to be played right the first time, bass clef is the
first clef for trombonists, and the one they read without a seond
thought (with fewer
teh bass trombs. and they vary nowadays.. In teh odl days
it was a G trom but nowadays with they vary more.
Steve
-Original Message-
From: dhbailey [mailto:[EMAIL PROTECTED]
Sent: Tuesday, 20 June 2006 9:21 p.m.
To: finale@shsu.edu
Subject: Re: [Finale] trombones
Steve Currington wrote
Of course British Brass Bands also don't have the strange additions to the
brass band ala the wind section that American bands have. Aznd that strange
bass the Sousa ;-)
And when we talk British Brass we are actually only pigeon holing it it as this
British style of brass band is worldwide.
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