Christopher Smith wrote:
I have to agree with Chuck. What were they thinking? Any tiny flaws in
the mics or A/D conversion is completely obliterated by the mp3
encoding, which introduces WAY more audio skewing than any of these
machines ever originally showed.
Are you talking about the
On 8-May-08, at 5:12 AM, dhbailey wrote:
Christopher Smith wrote:
I have to agree with Chuck. What were they thinking? Any tiny
flaws in the mics or A/D conversion is completely obliterated by
the mp3 encoding, which introduces WAY more audio skewing than any
of these machines ever
On May 8, 2008, at 2:12 AM, dhbailey wrote:
Christopher Smith wrote:
I have to agree with Chuck. What were they thinking? Any tiny flaws
in the mics or A/D conversion is completely obliterated by the mp3
encoding, which introduces WAY more audio skewing than any of these
machines ever
Haven't been reading this thread until today, so someone may have
already posted this link, but I thought this site:
http://www.wingfieldaudio.com/portable-recorder-sound-samples.html
Very helpful.
Dick H
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It's hard for me to get the information I'd like to have about the
subtle differences among these machines when the playback files have
been compressed to this extent.
I don't find the differences among the results to be significant for
simple snapshot recording needs. (I hear differences
I have to agree with Chuck. What were they thinking? Any tiny flaws
in the mics or A/D conversion is completely obliterated by the mp3
encoding, which introduces WAY more audio skewing than any of these
machines ever originally showed.
Christopher
On May 7, 2008, at 8:01 PM, Chuck
On 04.05.2008 [EMAIL PROTECTED] wrote:
...and speaking of moveable clefs, the only place outside of Finale that
I've seen a French violin clef that puts the g' on the bottom line of
the staff is in Dover's edition of Die Kunst der Fuge. Has anyone else
here had practical experience with it?
On Sun, May 4, 2008 at 2:38 PM, [EMAIL PROTECTED] wrote:
...and speaking of moveable clefs, the only place outside of Finale that
I've seen a French violin clef that puts the g' on the bottom line of
the staff is in Dover's edition of Die Kunst der Fuge. Has anyone else
here had practical
On May 4, 2008, at 2:38 PM, [EMAIL PROTECTED] wrote:
the only place outside of Finale that
I've seen a French violin clef that puts the g' on the bottom line of
the staff is in Dover's edition of Die Kunst der Fuge. Has anyone
else
here had practical experience with it?
Every recorder
At 11:05 AM +0200 5/5/08, dc wrote:
John Howell écrit:
And for a lot of us (who don't see it all THAT
often), it's harder to read than one of the C
clefs, because it looks like it should be
regular treble clef, while with the C clefs we
know we're in trouble and have to solve the
puzzle!
At 11:45 PM -0700 5/2/08, Bruce Hunter wrote:
Sorry, I'm the one who was not clear. Actually I hadn't meant to
suggest anything, just reporting what a reproduction of the original
score indicated.
Andrew Stiller has reminded me that recorders aren't transposing
instruments. I guess, like the
Hi John,
Thank you for the lucid explanation and history review. I do read the
various clefs and various notations for non-Eurocentric instruments
that, in reality is more a form of tablature than notation as we think
of it, so learning new fingering charts is not an issue.
Yes, I regard
Yes, this gets to be a fun exercise for the little grey cells. I work
for a band director who, on occasion decides that a given bass line
needs to be done on either an Eb contra-alto clarinet or Eb tuba. Read
the F clef as if it were a G clef, decide what octave is where on the
notation, add
...and speaking of moveable clefs, the only place outside of Finale that
I've seen a French violin clef that puts the g' on the bottom line of
the staff is in Dover's edition of Die Kunst der Fuge. Has anyone else
here had practical experience with it?
ajr
At 1:38 PM -0500 5/4/08, [EMAIL PROTECTED] wrote:
...and speaking of moveable clefs, the only place outside of Finale that
I've seen a French violin clef that puts the g' on the bottom line of
the staff is in Dover's edition of Die Kunst der Fuge. Has anyone else
here had practical experience
Sorry, I'm the one who was not clear. Actually I hadn't meant to suggest
anything, just reporting what a reproduction of the original score
indicated.
Andrew Stiller has reminded me that recorders aren't transposing
instruments. I guess, like the bass clef instruments that don't
transpose.
Bruce Hunter wrote:
Sorry, I'm the one who was not clear. Actually I hadn't meant to suggest
anything, just reporting what a reproduction of the original score
indicated.
Andrew Stiller has reminded me that recorders aren't transposing
instruments. I guess, like the bass clef instruments
--- dhbailey [EMAIL PROTECTED]
wrote:
Speaking as a person for whom recorder was my first
woodwind (I started
on trumpet and played that and euphonium only before
learning recorder),
it took me all of a week or so to learn alto
recorder as a separate
instrument. It's not hard at all.
At 1:11 PM +0200 5/2/08, Johannes Gebauer wrote:
I have sort of lost touch with this discussion,
but I remember that there are theories that Bach
wrote the 4th Brandenburg concerto for recorder
instruments not in F but in G. Can anyone here
shed some light on this for me? Would such
I have sort of lost touch with this discussion, but I remember that
there are theories that Bach wrote the 4th Brandenburg concerto for
recorder instruments not in F but in G. Can anyone here shed some light
on this for me? Would such instruments have been built for a pitch of
415 Hz?
Hi,
If you write to me off list, I can email you a PDF of an article that
discusses this very issue.
Gutten tag
Kim
On 5/2/08, Johannes Gebauer [EMAIL PROTECTED] wrote:
I have sort of lost touch with this discussion, but I remember that there
are theories that Bach wrote the 4th Brandenburg
My facsimile copy of the score shows the fiauti d'echo lines to be
written in the old French violin G clef (G clef indicating that the
_bottom_ line of the staff is G), and the key signature to be the same
as all the other instruments, G.
Bruce Hunter
Johannes Gebauer wrote:
I have sort of
On May 2, 2008, at 11:15 AM, Bruce Hunter wrote:
My facsimile copy of the score shows the fiauti d'echo lines to be
written in the old French violin G clef (G clef indicating that the
_bottom_ line of the staff is G), and the key signature to be the same
as all the other instruments, G.
On 02.05.2008 Bruce Hunter wrote:
My facsimile copy of the score shows the fiauti d'echo lines to be written in
the old French violin G clef (G clef indicating that the _bottom_ line of the staff is
G), and the key signature to be the same as all the other instruments, G.
Bruce Hunter
I am
I think alto recorders in in g , while the rule in the 16th and
early 17th centuries, had pretty much disappeared by the beginning of
the 18th c. except possibly in the Stadtpfeifereien, which were
also in many others ways archaic. In any case, Ulrich Prinz, in his
useful book: Johann
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