ualmusic.org/Fischinger
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> -- Forwarded message --
> From: Pip Chodorov
> To: Experimental Film Discussion List
> Cc:
> Date: Sat, 31 Jan 2015 23:46:10 +0100
> Subject: Re: [Frameworks] question regarding color preservation of early
> animati
Thanks so much, everyone, very helpful!
2015-02-01 3:23 GMT-05:00 Ingo Petzke :
> That's perhaps already been answered but OPUS 1 was restored by Filmmuseum
> Munich and they worked for years on it so it should be a serious result. If
> I remember correctly they based their efforts on both a fe
That's perhaps already been answered but OPUS 1 was restored by Filmmuseum
Munich and they worked for years on it so it should be a serious result. If I
remember correctly they based their efforts on both a few feet of coloured film
in a forgotten tin and on a colouring chart. Stockholm and Mosc
They're all on this DVD set, in color and very legible transfers; region 0
disk:
http://www.edition-filmmuseum.com/product_info.php/info/p70_Berlin--die-Sinfonie-der-Gro-stadt---Melodie-der-Welt.html
Michael Betancourt
Savannah, GA USA
michaelbetancourt.com
twitter.com/cinegraphic | vimeo.com/c
I don't know where the hand painted originals are or if any exist at all.
There must be an internegative at the Eye Institute (Amsterdam)
because I think the 16mm print originally in circulation in Paris
came from the Dutch Filmmuseum in the 1980s. New prints come from CVM
and were supervised b
Le Giornate del Cinema Muto festival showed restored 35mm prints of the
Ruttmann shorts in 2000, most of which were from the Munich Stadtmuseum and/or
Netherlands Filmmuseum (now Eye). Some were tinted/toned, others were directly
colored, and the 35mm preservations were done on color stock to r
Thank you, Pip, for the quick response!
No, I haven't seen or heard of the existence of Ruttmann's hand-painted
prints... Do you know where they are archived or where/how I might have a
chance to see them?
Also, aside from the bleed, can you tell me how similar these digital
versions are to the o
Some original hand-painted prints of Opus 1 were preserved, and 16mm
prints from these are still in circulation today.
When you see the 16mm prints projected you can see the hand-painted
color bleed beyond the edges of the white shapes (unlike in those
youtube videos). Later Moritz himself provi
Hello Frameworkers,
I have a question regarding color preservation of Walter Ruttmann's "Opus"
films, and was hoping you might be able to point me in the right direction
or share your insights with me. I am currently researching the use of color
(or lack thereof) in the early "absolute" animations
