http://www.steenbeck.com/
The Steenbeck company in the Netherlands
cheers
els
On 23 Apr 2014, at 01:59, Roger Wilson wrote:
Hi folks,
I'm searching for a part for a friends Steenbeck and I am hoping someone here
may have a lead. I'm looking for 3 fuse holders for a ST928 Steenbeck. I
Any panel-mount fuse holder that will hold the appropriate fuse will work.
There’s nothing special about any of them.
On Apr 23, 2014, at 1:49 AM, Els van Riel m...@elsvanriel.be wrote:
http://www.steenbeck.com/
The Steenbeck company in the Netherlands
cheers
els
On 23 Apr 2014, at
15 of Rouzbeh Rashidi's experimental no-budget feature films (2008 - 2013)
can be watched online for free:
https://www.youtube.com/user/RouzbehRashidi/videos
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Hello,
I'm flying into Belfast next week to look at some archive - does anyone
know of a 16mm projector I could use for an afternoon to view it?
thanks
Leah
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The original fuse holder is made by Schurter, and what you show here is just
the carriage. The contacts on the part that is in the machine are bad,
which is why the contacts on the carriage are failing.
You have to replace the entire fuse holder assembly, not just the carriage.
My inclination is
PLEASE don't run archive material through a projector. Try calling the
guys at Yellow Moon and ask if they know someone in town with a flatbed
you could rent for an afternoon.
--scott
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Thanks folks!
I'm hoping to just get lucky and find the holders from an old table somewhere,
everything works fine on the table its just a couple of the fuse holders got
broken during a move. I will try Steenbeck but I've contacted them in the past
and I find they are not very helpful with
Dear Frameworkers,
I'm looking for some help in compiling a list of films that feature animals or
human-animal relationships on film. Rather than wildlife documentaries (with
some exceptions!) I'm more interested in the animal presence as an a kind of
distancing tactic that allows for
Hey Sarah,
Quick thoughts:
Grizzly man!
Turin horse...
Cave of Forgotten Dreams - scene at the very end with albino reptilians.
Gates of Heaven (on a pet cemetery)
Looking forward to that list myself,
Sonya
On Wed, Apr 23, 2014 at 11:05 AM, sarah browne sarahjbro...@yahoo.iewrote:
Dear
La bête lumineuse by Pierre Perrault
Bresson's Au hasard Balthazar
Rat Life and Diet in North America by Joyce Wieland
On Wed, Apr 23, 2014 at 4:05 PM, sarah browne sarahjbro...@yahoo.ie wrote:
Dear Frameworkers,
I'm looking for some help in compiling a list of films that feature
animals or
Hi Sarah! For some short experimental stuff-
+ Aaron Zeghers, Living on the Edge-- https://vimeo.com/51253890
+ Corinne Teed is an intermedia artist, mostly does print work but also
some video stuff. All involving animals usually. Check out Animal Chatz,
and Relationality-
An early documentary by Peter Friedman, I Talk to Animals. It is wonderful,
available from Strange Attractions.
Tom Whiteside Durham Cinematheque
From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of
sarah browne
Sent: Wednesday, April 23, 2014 11:05 AM
Dream of the Wild Horses / Le songe des chevaux sauvages (1960), Denys
Colomb Daunant
Rat Life and Diet in North America (1968), Joyce Wieland
On Wed, Apr 23, 2014 at 8:11 AM, Sonya Mladenova
sonya.mladen...@gmail.com wrote:
Hey Sarah,
Quick thoughts:
Grizzly man!
Turin horse...
Cave of
Crin Blanc, by Albert Lamorisse
https://www.youtube.com/watch?v=NTRML3X0lZ4
2014-04-23 17:28 GMT+02:00 Tom Whiteside tom.whites...@duke.edu:
An early documentary by Peter Friedman, “I Talk to Animals.” It is
wonderful, available from Strange Attractions.
Tom Whiteside
I DO NOT KNOW WHAT IT IS I AM LIKE by Bill Viola, 89 mins, 1986
These three Cecelia Condit titles:
WHY NOT A SPARROW, 13 mins, 2003
ALL ABOUT A GIRL, 5.5 mins, 2004
LITTLE SPIRITS, 9 mins, 2005
ZOO by Robinson Devor, 80 mins, 2007
Many George Kuchar titles, perhaps beginning with early WEATHER
Many of Jim Trainor's works THE BATS
http://www.youtube.com/watch?v=aDizcCTUGdw
MOSCHOPS https://vimeo.com/76912422 HARMONY
http://www.youtube.com/watch?v=eUlE5iTSGSQ
Steve Reinke's BEAVER SKULL MAGICK
http://www.myrectumisnotagrave.com/vidleos/BeaverSkullMagick.html
On Wed, Apr 23, 2014 at
*Electrocuting an Elephant* (1903). In which Thomas Edison, one of the
first and truly an experimental filmmaker, does just that to the poor
creature to demonstrate the superiority of his DC electrical current to
his competitor, Nikola Tesla's, AC. Surely one of the stranger and sadder
cases of
-- Forwarded message --
From: Light Industry informat...@lightindustry.org
Date: Wed, Apr 23, 2014 at 11:37 AM
Subject: Brian Frye: The Waste Books
To: h...@edhalter.com
Brian Frye: The Waste Books
Tuesday, April 29, 2014 at 7:30pm
Light Industry
155 Freeman Street
Brooklyn,
Books, that may be helpful:
http://nypl.bibliocommons.com/item/show/15611713052907_animals_in_film
http://nypl.bibliocommons.com/item/show/11993112052907_animals_on_screen_and_radio
http://nypl.bibliocommons.com/item/show/15551762052907_animal_actors
Samuel Fuller: White Dog
Georges Franju: Blood of the Beasts
Hollis Frampton: Summer Solstice
Peter Kubelka: Unsere Afrikareise
I second the Jim Trainor suggestion; many of his films, actually.
Stan Brakhage:
Nightcats
Cat's Cradle
Sirius Remembered
Mothlight
Pasht
The Animals of Eden and After
Oh, that reminded me of Blood of the Beasts. :(
http://nypl.bibliocommons.com/item/show/17221432052907_your_closest_neighbors
http://nypl.bibliocommons.com/item/show/17595176052907_keep_em_flying
Elizabeth
From: Cláudia Faria claudiapiresfa...@gmail.com
To: sarah browne
Elegia (Zoltan Huszarik, 1965, Hungary, warning: animal death)
Gibralter (Margaret Salmon, 2013, UK)
Birds at Sunrise (Joyce Wieland, 1986, Canada)
Una Furtiva Lagrima (Carlo Vogele, 2012, US)
Proxyhawks (Jack Darcus, 1971, Canada)
Phase IV (Saul Bass, 1974, US)
Kes (Ken Loach, 1969, UK)
Compound
One Species Removed by Jennifer Montgomery
On Wed, Apr 23, 2014 at 12:16 PM, Herb Shellenberger he...@ihphilly.orgwrote:
Elegia (Zoltan Huszarik, 1965, Hungary, warning: animal death)
Gibralter (Margaret Salmon, 2013, UK)
Birds at Sunrise (Joyce Wieland, 1986, Canada)
Una Furtiva
Bruce Baillie, Valentin de las Sierras 1967
From: sarah browne
Sent: Wednesday, April 23, 2014 9:05 AM
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks] animals and human-animal relationships on film
Dear Frameworkers,
I'm looking for some help in compiling a list of films that
Hi, Sarah! Ha, I'd argue that the animal presence as a kind of distancing
tactic that allows for reflection on inter-human behaviours (ethics,
empathy, violence) is pretty much the project of all animal-focused
natural history films (from Disney's Beaver Valley to BBC/Discovery's
Lion Battlefield
Many films by Rebecca Meyers - Night Light and Leaping, Lions and Tigers
and Bears, Murmurations, among others.
http://theworldviewed.com/files/2011/04/Meyers-EMS-booklet.pdf
On Wed, Apr 23, 2014 at 12:24 PM, Tara Nelson brendamere...@gmail.comwrote:
One Species Removed by Jennifer Montgomery
The Hart of London by Jack Chambers
On Wed, Apr 23, 2014 at 4:05 PM, sarah browne sarahjbro...@yahoo.ie wrote:
Dear Frameworkers,
I'm looking for some help in compiling a list of films that feature
animals or human-animal relationships on film. Rather than wildlife
documentaries (with some
Dear Sarah,
I saw your post on frameworks, I am an experimental fillmmaker- videoartist
from Israel and i do have some animals especially insects related films. I can
send you links to my works if you want.
Best regards
Chen Sheinberg
נשלח מה-iPhone שלי
ב-23 באפר 2014, בשעה 16:05, sarah
Horse (Andy Warhol) uses the mere presence of a horse (along with costumes
and other elements, but primarily the horse) to visually denote the film's
status as a Western - possibly a distancing tactic in the way you suggest,
since inter-human violence (instigated from offscreen) certainly is a
I'm surprised no one has mention cat videos on YouTube. While cliché´d and
derivative for the most part, some of them are quite clearly artist-designed:
try the ones of the Japanese cat Maru. It's clear that the person shooting
is very talented, and designs interesting and intriguing props
The Ax Fight, and other films by Asch and Chagnon
http://en.wikipedia.org/wiki/The_Ax_Fight
Que Viva Mexico https://archive.org/details/QuevivaMexico
At NYPL; these are ethnographic films that do have a sense of experimental
filmmaking: Magic Rites: Divination by Animal Tracks
Herding Cattle
Yahoo! 35/16/8mm processing. New and old film stock. Film out service.
http://www.niagaracustomlab.com/
A treasured resource here in Toronto, Canada!
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A friend from my days of yearly attendance at UFVA, Mark Von Schlemmer, is an
animal-rights/vegan-diet activist and has made several
pro-animal/anti-slaughter films you can find on his YouTube channel:
https://www.youtube.com/user/vonSchlemmer
From the individual videos, YouTube will lead you
Not too aesthetically experimental, but quite interesting and poignant
nonetheless, are naturalist's Joe Hutto's filmed experiences living with animal
communities: MY LIFE AS A TURKEY, and the latest TOUCHING THE WILD: LIVING WITH
THE MULE DEER OF DEADMAN GULCH. Both are episodes of PBS's
thanks a ton, herb - this is perfect
-lj
On Tue, Apr 22, 2014 at 5:32 PM, Herb Shellenberger he...@ihphilly.orgwrote:
www.subzin.com
*Herb Shellenberger*
*Programs Office Manager*
[image: cid:image001.jpg@01CE5258.78B1F010]
3701 CHESTNUT STREET | PHILADELPHIA, PA 19104
phone:
anybody else get this?
it says I bounced too many times and have to reconfirm my membership on the
list?
What does 'bounced' mean?
Kristie Reinders, B.F.A.
Director of Cinematography, Electric Visions
Curator and Head Projectionist, Electric Mural Project
The Mission, San Francisco,
But with our students it actually is speed that's killing creativity, as they
become more and more acclimated to working fast--digital cameras, digital
editing systems, etc. Ah, it's just terrible--so much junk.
Shoot slow, edit slow, experience slow. ;]
Tim
From:
Classes are only 13 weeks. :)
On Wed, Apr 23, 2014 at 12:05 PM, Tim Halloran televis...@hotmail.comwrote:
But with our students it actually is speed that's killing creativity, as
they become more and more acclimated to working fast--digital cameras,
digital editing systems, etc. Ah, it's
I got one too
Sent from my iPhone
On Apr 23, 2014, at 12:05 PM, k. a.r. a_r...@hotmail.com wrote:
anybody else get this?
it says I bounced too many times and have to reconfirm my membership on the
list?
What does 'bounced' mean?
Kristie Reinders, B.F.A.
Director of
bounced means that the frameworks mail server couldn't deliver list
messages to you.
Both of you are using older Microsoft domain names, are they
force-migrating you to something newer?
On Wed, Apr 23, 2014 at 12:08 PM, Jon Behrens bolex...@msn.com wrote:
I got one too
Sent from my iPhone
Of course. Well stated.
Tim
Date: Wed, 23 Apr 2014 15:39:10 -0400
From: jkne...@colgate.edu
To: frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] query for those who teach filmmaking
Tim,
I would hold their first projects to one minute in length. Talk to them up
front
Tim,
I would hold their first projects to one minute in length. Talk to them up
front about each frame being precious. Hold them responsible for what
they shoot. Talk to them about light, color, motion (the camera moving and
what is being shot as moving). Keep it extraordinarily essential.
Damn you kids, get off my lawn!!
This argument has been going on ever since the Sony Porta-pak video
system became available in the late 60s. Lower cost and instant
gratification has supposedly killed creativity. But of course, now
there is an entire historical catalog of long form video art
Forget this story telling stuff. That is something else.
For a class or assignments defined by an experimental' rubric, sure. But for
any general motion-picture production class story is essential, though not,
of course in a Bob McKee Hollywood formula kind of way. Which is to say that
You, sir, are obviously neither an educator nor an artist. ;]
Tim
Date: Wed, 23 Apr 2014 13:02:39 -0700
To: frameworks@jonasmekasfilms.com
From: aa...@digitalartsguild.com
Subject: Re: [Frameworks] query for those who teach filmmaking
Damn you kids, get off my lawn!!
This argument
On 4/23/2014 4:21 PM, Tim Halloran wrote:
You, sir, are obviously neither an educator nor an artist. ;]
There is just about never a reason for an ad hominem attack such as this
one.
Fred Camper
Chicago
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Lol.
Alright, was just kidding around, but apologies to any delicate flowers who
took offense.
Tim
Date: Wed, 23 Apr 2014 16:30:37 -0500
From: f...@fredcamper.com
To: frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] query for those who teach filmmaking
On 4/23/2014 4:21
There are a number of screen recording products, like Bulent Screen Recorder
for PC, that promise to capture anything that appears on your screen. Is that
true? Anything? No exceptions?___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
But you _can_ reject the technology. Not at all times, nor throughout the
whole program. But, just because oil painting exists does not mean that
art students shouldn't learn how to make frescos.
--scott
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Camtasia is the gold standard for screen capture. I use it
professionally on a daily basis. It *does* capture absolutely
everything, picture and sound.
The main issue with screen capture software is the cursor. It is on a
different plane overlaid on the rest of the desktop. Some software
It's true, professors with tenure can ignore the changing times.
There's no accountability and no consequences, so tenured professors
can be rigid, inflexible, and anachronistic, and get away with it.
But of course, that is doing the students a disservice. There's a
huge disconnect between
Then again, with all the dross out in the world, some people/students
should never be allowed to make a film/video.
Peter
(Perth)
On 24/04/2014 8:12 am, Aaron F. Ross aa...@digitalartsguild.com wrote:
It's true, professors with tenure can ignore the changing times.
There's no accountability and
As a tenured professor who has spent the entire day meeting with students about
their work, writing page-long evaluations of same, assisting with the
preparation of a student film festival - and the entire week researching
digital filmmaking technology and contemporary French cinema (to name
I use this a lot:
iShowU
https://itunes.apple.com/us/app/ishowu-hd-pro/id449093286?mt=12
and its pretty easy to get for free if you are open to thievery
On Wed, Apr 23, 2014 at 7:59 PM, Aaron F. Ross
aa...@digitalartsguild.comwrote:
Camtasia is the gold standard for screen capture. I use it
Frameworkers,Michael Glawogger, the remarkable independent documentarian (who made Megacities, Workingman's Death, and Whore's Glory--and many other films), is dead at 54, apparently of malaria--he was shooting material for a new project in Liberia. A wonderful filmmaker, in the prime of life--a
Late to the conversation, please forgive.
When I was teaching (an associates degree program), I taught as I had
learned.
Tell a story visually in three minutes. Edit in camera, no retakes, if
there is a mistake, so be it, it is after all only an exercise.
Yes it is a pain if you are parallel
As of tonight I am going to have to not receive any more films. I need to
sort out the works received as of April 24th. thanks to the many who have
sent me links to their work. I have collected more than 75 titles and I
need to view these films and make some decisions
To those who have expressed
Kathy high. Animal attraction
Sent from my phone
On Apr 23, 2014, at 9:18 PM, Ruth Hayes randomr...@comcast.net wrote:
Here's a sampling of animation featuring animals in some way: Wendy Tilby
and Amanda Forbis' When the Day Breaks, Caroline Leaf's The Owl Who Married a
Goose, my
Xserve
On Wednesday, April 23, 2014, chris bravo iamdir...@gmail.com wrote:
I use this a lot:
iShowUssszstsxtzzy
https://itunes.apple.com/us/app/ishowu-hd-pro/id449093286?mt=12
and its pretty easy to get for free if you are open to thievery
On Wed, Apr 23, 2014 at 7:59 PM, Aaron F. Ross
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