Dear Frameworkers,
Apologies for cross-posting and self-promotion, but I hope that my first
book will be of interest to you. *Please ask your host library to purchase
the book as it is currently available only in hardcover. Alternatively, for
those who want to purchase a personal copy, please use
Looking for information . . . writings . . . practices . . . thoughts . . .
In film practice, certain artists such as Frampton, Sharits, Conrad, Lawder and
others (even myself) sometimes built film rhythms based on the 24 fps rate,
choosing shots or images of specific frame lengths (1, 2, 4, 8,
I have given it some thought and so far what I have noticed is that digital
projection is very different from film projection, so even ''24 fps'' mean
very different things in each. You discussed the reasons why in your OP so
I will not go over them again, what I think is that there is nothing in
d
I agree with the above comments. Interestingly, I recently needed to
re-create a super 8 look for a film being shot on the Alexa. I argued for
actual Super 8, as that is the best way to achieve the look, but was not
able to convince them. Anyway, I shot the sequence at 18fps and then
transferred
Hello Mr. Withers,
I am very interested in the topic of perception and frame rates in film vs.
video. My own work has involved research on the technical differences
between moving image formats, and the effect of those differences on the
human perceptual mechanism.
I began conducting research on
McLuhan's "hot" and "cool" media from the 60s.
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< DV > Gregory Gutenko
\/
On Aug 8, 2016, at 2:05 PM, Tara Nelson
mailto:brendamere...@gmail.com>> wrote:
Hello Mr. Withers,
I am very interested in the topic of perception and frame rates in film vs.
video. My own work has inv
Hi everyone! Does anybody know a place in Russia to get film and related
stuff?
Thank you!
xoxo
--
Ignacio Tamarit
Lumiton Museo Usina Audiovisual
Cabral 2354, Munro, Vicente López.
Tel.: 4721-9255.
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