less toxic paints and also sometimes used permanent markers, such as
Sharpie pens. He would then generally have an internegative made
using an optical printer.
There are probably quite a few people on this list who have
experimented with different methods and materials. ??
Marilyn Brakhage
On
Dreaming" (1988), "For Marilyn" (1992) and "Night Mulch and
Very" (2001). And there was the Ellipses series of so-called
"scratch and stain films" : ". . . " Reels One to Five (1998).
Marilyn Brakhage
On 25-Aug-15, at 12:08 PM, Tess Takahashi w
providing them. However, we also sometimes waive fees, depending on
circumstances. My concern in the matter of film stills is not making
money, but having the films reasonably well represented. I'm sure
others would feel likewise about their films.
Marilyn Brakhage
On 30-Sep-15
Well -- yes. That's probably true too.
Marilyn
On 30-Sep-15, at 8:58 PM, Chuck Kleinhans wrote:
However, you don’t have to spend much time in the experimental film
community to run into artists who have a vastly inflated opinion of
themselves, incredible insecurities, and just plain nutti
anything is ideologically regressive, and frankly
irresponsible" -- well, I guess you live in a different universe than
I do.
No more time for this conversation I'm afraid. Much too busy
(providing mostly free services).
Marilyn Brakhage
On 3-Oct-15, at 11:38 AM, Dave Tetzl
Some of Brakhage's animal studies might fit -- such as "The Domain of
the Moment" or "The Presence"
Marilyn Brakhage
On 7-Dec-15, at 8:37 AM, Marco Poloni wrote:
Dear Frameworkers,
I am writing you to ask if you could indicate me some films that are
connec
Brakhage films available in 35 mm (from Canyon):
Eye Myth
The Garden of Earthly Delights
The Dante Quartet
Nightmusic
Rage Net
Interpolations
Night Mulch and Very
Chinese Series
Marilyn Brakhage
On 27-Oct-11, at 2:15 PM, Christopher Harris wrote:
Hello all,
I'm looking for recommenda
me?
I realize this has little or no immediate relevance to anyone here
(probably), but it showed up in my email and I just thought some
frameworkers would possibly find it interesting as well:
http://gizmodo.com/5843117/scientists-reconstruct-video-clips-from
understanding the complexities
>>>> of 'thought,' and it's still very futuristic, but as we
>>>> conceivably
>>>> 'think' to each other, or project our thought/images, there would
>>>> have to be resultant changes in consci
er" (3 minutes, 1980), described as:
"A film photographed in Amsterdam but dedicated to capturing a quality
of mind engendered there -- not, certainly, alienation (as often in
travel) but rather some heightened sense of being other."
Marilyn Brakhage
On 10-Nov-11, at 9:41 AM,
George Kuchar's "Wild Night in El Reno" is a great one.
. . . And there are the four "Visions in Meditation" by Brakhage,
also; road trips through the States and eastern Canada.
Marilyn Brakhage
On 11-Nov-11, at 12:52 PM, Andy Ditzler wrote:
Hi Adam,
George
On the other hand, he has given some support to Bruce Baillie, I
believe.
On 29-Feb-12, at 9:03 AM, Francisco Torres wrote:
>
>
> George Lucas was a big admirer of Arthur Lipsett since his days at
> USC citing him as an influence yet when he made millions in 1977 he
> did not offer one pe
delete now!
Marilyn Brakhage
A Response to: “Brakhage’s sour grapes, or notes on experimental
cinema in the art world.”
Erika Balsom’s essay, her “notes on experimental cinema in the art
world,” explores the place of what she calls “experimental film”
within a museum context, and how to su
Thanks for the feedback. It would be interesting to hear more on the
subject from people around at the time -- as well as the latest
experiences other people are having.
Marilyn
On 4-Mar-12, at 2:45 PM, Chuck Kleinhans wrote:
I thought Marilyn Brakhage's response to the Erika Balsom essay
wn as it
should be.
Marilyn
On 4-Mar-12, at 6:31 PM, Myron Ort wrote:
all I know is how impressed I was with the Bruce Conner
retrospective in Los Angeles at MOCA a many few years ago. All of
his modes of working were well presented.
Bruce Conner!
Myron Ort
On Mar 4, 2012, at 6:19
rchive with the Berkeley Museum? I am a bit out of
touch, how many major museums in the country have such theaters
with well maintained projection equipment? What is the current
state of these museum film theaters generally?
Myron Ort
On Mar 4, 2012, at 11:30 PM, marilyn brakhage wrote
David,
I agree with you that some films definitely need to be seen in the
traditional cinematic context of dark theatre/auditorium and large
projection. (Though I don't think that 'big' is ALWAYS a necessary
cinematic experience. Some of my most profound aesthetic experiences
of films h
Well, yes. That is, I think we really do all "'get' the basic
political economy of art," as David put it, and as you reenforce
here. But Erika Balsom's essay was about the increasing integration
of these two worlds that you describe -- 'Art' and film. It was, in
part, about the current i
This really does seem a little too cynical. No one is suggesting any
such thing. I'm just trying to represent the work of someone who is
already well-known and presumably taken seriously. And I guess what
it takes is being clear about one's expectations and sticking to it.
If, on the oth
I don't know much of her story either, though yes, she apparently had
art world connections. She seems to work mainly in film, but is
represented by a gallery. Some people on the list must be familiar
with her work? . . . However beautiful or interesting her films may
be, there are certa
That would be Brakhage's "Reflections On Black," 1955 -- and then in
the early 60's, of course, parts of "Dog Star Man."
Marilyn Brakhage
On 5-Jun-12, at 10:47 AM, Gene Youngblood wrote:
>
> Scratching:
> Kenneth Anger, Fireworks 1947
> at least one o
Series" and "Chinese Series." . . . And of course, "23rd Psalm
Branch," perhaps his most "political" film, does have significant
abstract passages.
Marilyn Brakhage
On 6-Oct-13, at 7:59 PM, Kelly Sears wrote:
Dear frameworkers,
I would love to pick your
ed in this exhibition is "I. . . Dreaming".
Others of his: "Untitled (For Marilyn)," "From: First Hymn to the
Night, Novalis," and "Night Mulch and Very."
Marilyn Brakhage
On 14-Nov-13, at 9:42 AM, Shelly Silver wrote:
dear collective knowledge base fo
Variations on a Cellophane Wrapper by David Rimmer
MB
On 7-Jan-14, at 2:33 AM, Insa Langhorst wrote:
Dear Frameworkers,
I would like to build a list of video art and films which look at
aspects, concepts and realities of work. One piece I came across
recently is Johan van der Keuken's Te
licly about Turner's importance to him. Also spoke of
wanting to go to Petworth -- but never got there.
Marilyn Brakhage
On 27-Feb-14, at 12:55 AM, Chuck Kleinhans wrote:
Moire evidence for Brakhage. About 15 years ago he had a show at
the University of Oregon. Part of his l
Film and
Painting." (And there are probably more examples elsewhere.)
Marilyn Brakhage
On 27-Feb-14, at 2:26 AM, marilyn brakhage wrote:
More evidence for Brakhage, if needed, on our book shelves at home;
especially the two volume set, The Paintings of JMW Turner by Martin
Butlin and
"We Mammals Pushy" by Rick Raxlen
MB
On 23-Apr-14, at 8:05 AM, sarah browne wrote:
Dear Frameworkers,
I'm looking for some help in compiling a list of films that feature
animals or human-animal relationships on film. Rather than wildlife
documentaries (with some exceptions!) I'm more inte
I'd add Stan Brakhage's "Nightmare Series" as an especially good example,
though of course "dream" imagery/various manifestations of thought process in
various states, and hypnagogic imagery, is integral to much of his work.
Marilyn Brakhage
From: "Fr
Possibly Brakhage's Blue Moses (1960) might fit what you're looking for, or in
another way, Made Manifest (1980)
Marilyn Brakhage
From: "John Powers"
To: frameworks@jonasmekasfilms.com
Sent: Tuesday, October 29, 2019 10:53:42 AM
Subject: [Frameworks] The Parti
ilogy, with
"The Dead" and "Burial Path" (in part, I believe, in consideration of
a late illness of Stan's friend, the literary critic, Donald
Sutherland).
Marilyn Brakhage
On 18-Mar-17, at 8:43 AM, Margaret Rorison wrote:
Dear Film Friends,
I am curious about fil
Brakhage has an essay about MacLaine in his book, Film At Wit's End,
available from https://www.mcphersonco.com/
Marilyn Brakhage
On 5-Jul-17, at 3:45 PM, Christian Bruno wrote:
Hello Gene,
Along with talking to Lawrence Jordan, he should also talk to Brecht
Andersch: he was the p
Obviously there are medium specific differences between painting on film (being
of small size and time-based) and painting on a large, single canvas. But
"abstract expressionism" can cover a fairly wide range of application, I think
-- not simply and only referring to the broad, gestural strokes
for a
longer one (54 minutes), "The Governor" (Governor Lamm of Colorado). Also,
"Sirius Remembered" (mentioned below) is a reflection on the decaying corpse of
the family dog. But for some live animal portraits you might want to look at
"The Domain of the Moment."
insidious ways
and we need to be vigilant about the effects of any dominating agenda of any
particular group of people, and the increasingly narrowing notions about what
is and is not acceptable and open for discussion, let alone viewing, in our
academic institutions. I think these are real, no
the MassArt situation if I had been
there. It is just that I was embarrassed to be thinking ill of MassArt from
having heard and accepted one side of the story. Now I am neutral. I always did
admire Switzerland for not having been in a foreign war since 1515.
Fred Camper
Chicago
On 4/1
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