Re: [Gimp-user] opening CMYK psd

2011-09-22 Thread Øyvind Kolås
On Tue, Sep 20, 2011 at 8:35 PM, john Culleton j...@wexfordpress.com wrote:
 Scribus will import PSD and export e.g. png or tiff in RGB model.
 However once you are in Scribus you may find that most of what you need
 to do can be done in CMYK in that program. My rule is: if headed toward
 web presentation work in RGB, if headed for print work in CMYK.

If working with photographs, you should be converting to device
specific CMYK as late as possible in the process and keep things in
more device independent color spaces like RGB for as long as possible.
Similar to how you should not be saving intermediate copies to very
lossy JPG.

/Øyvind K.
-- 
«The future is already here. It's just not very evenly distributed»
                                                 -- William Gibson
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Re: [Gimp-user] Why is 16/32bpp taking so long?

2011-07-21 Thread Øyvind Kolås
On Thu, Jul 21, 2011 at 5:57 PM, artao for...@gimpusers.com wrote:
 Aha, I misread the GIMP 2.8 announcements. I guess I thought GEGL was 
 inherently high bit depth. So, several years then is fairly accurate?

GEGL itself is inherently high bitdepth, the current integration of
GEGL in GIMP however isn't complete and thus GIMP is still storing the
pixels in its own data structures which are 8bpc. Until that part of
the migration is done it doesn't matter that some code paths are using
GEGL for the processing.

/Øyvind K.
-- 
«The future is already here. It's just not very evenly distributed»
                                                 -- William Gibson
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Re: [Gimp-user] SPAM (was: Clipping Path)

2011-04-29 Thread Øyvind Kolås
On Fri, Apr 29, 2011 at 10:20 AM, shumicpi for...@gimpusers.com wrote:
...
         Clipping Path is the process of removing background from any image 
 and can place it any other background. And this technique is getting popular 
 day by day.Besides it is exploring new areas also.

 Reagards
 Shumi
 http://www.clippingpathindia.com

Please do not send spam/advertising for an indian outsourcing company
that provides services unrelated to GIMP and this mailinglist here. It
is undesired noise.

/Øyvind K.
-- 
«The future is already here. It's just not very evenly distributed»
                                                 -- William Gibson
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Re: [Gimp-user] Scaling / rotating images and focus

2011-01-26 Thread Øyvind Kolås
On Wed, Jan 26, 2011 at 10:14 AM, Jeremy Nell jeremyn...@gmail.com wrote:
 But that's besides the point.

 1.  If I've set the opacity of the layer, then the opacity of that layer
 should remain as is when I scale / rotate.
 2.  When I scale / rotate, the layer's position in the stack should remain
 in its place, rather than suddenly appear at the top of every layer when
 being rotated / scaled.

 Surely, this is a reasonable request?

It indeed is, and this should eventually solve itself as GEGL is more
properly integrated with the layer stack of GIMP and what is shown is
no longer a preview but the actual result. For now the preview is a
hack that provides better visual feedback than just a bounding box or
a wireframe grid.

/Øyvind K.
-- 
«The future is already here. It's just not very evenly distributed»
                                                 -- William Gibson
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Re: [Gimp-user] Is CMYK off the table for Gimp?

2008-06-30 Thread Øyvind Kolås
On Mon, Jun 30, 2008 at 1:55 AM, David Gowers [EMAIL PROTECTED] wrote:
 Hi John,

 On Mon, Jun 30, 2008 at 7:22 AM, John Culleton [EMAIL PROTECTED] wrote:
 A book by MIchael J. Hammel, _The Artist's Guide to Gimp Effects_,
 published in 2007, states that the next release of Gimp is
 scheduled to offer the CMYK color model.  But that seems not to have
 occurred, alsthough there is a CMYK preview mode.

 Is CMYK color model off the agenda for Gimp? It has been under
 discussion for years.Other Open Source products, such as Krita
 and Scribus, will work in that model. but they lack the capabilities
 of Gimp.  So is there any hope?

 CMYK is definitely ON the agenda. It is a long term thing. GEGL is
 currently being integrated. Once that is substantially completed (ie.
 GIMP supports varying colordepths (8bit, 16bit, float,..) and
 colorspaces (RGB, Yuv, LAB,..),  working at an acceptable speed),
 introducing CMYK support will be relatively simple.
 I would expect that there might be some limited/experimental CMYK
 support by 3.0, based on the current rate of integration.

Beware that in many instances people manipulating photographs in CMYK
mode in photoshop should probably have been working in RGB and
converting to CMYK in the end.

Currently GEGL is a powerful engine for processing in three
dimensionsal color spaces, most operations are performed in linear
light RGB by converting the pixels when needed (and avoiding to do
copies when possible). This works fine for RGB, R'G'B', CIE Lab,
Y'CbCr, HSV and other color spaces that are three dimensional /
tri-stimulus.
CMYK is not one of these as it is fourdimensional and a roundtrip CMYK
- RGB - CMYK isn't lossless no matter what precision your components
have.

The only way it is advisable to use GEGL with CMYK in it's current
state would only be for conversion to CMYK space as the final step. I
think this is sufficient for professional quality work for 98% or more
of potential users. The use cases involving actual processing or
compositing in a CMYK color model I'll say are outside the scope of
GEGL for now and would have be performed by processing the individual
color plates as grey scale layers. Even for pre-press this might be
enough since proper compositing in CMYK will probably involve knowing
how the ink spreads in the paper and physically interacts with the
light being reflected.

I am happy with GEGLs current limited focus on three-dimensional (plus
alpha) color models, this might be expanded with something resembling
spot colors, for z-buffers from 3d renders for use in compositing, as
well as native support for multi-spectral pixels if I find the need.
Native CMYK compositing and processing is something I consider to be
of little benefit to most and of minimal interest to myself, thus I am
unlikely to spend much time on it.

/Øyvind K.
-- 
«The future is already here. It's just not very evenly distributed»
 -- William Gibson
http://pippin.gimp.org/ http://ffii.org/
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Re: [Gimp-user] resize image, loss of quality / successive saves

2008-01-17 Thread Øyvind Kolås
On Jan 17, 2008 7:15 PM, Owen [EMAIL PROTECTED] wrote:
 Eventually, successive saves in jpg will cause a degradation of quality, 
 that's why it is best to work in xcf

To be pedantic; and perhaps clarify slightly. Successive save to JPEG
is completely OK, successive save/load cycles are not. GIMP does not
degrade the currently edited image by doing a save to JPEG, thus if
all the work in scaling down and saving to JPEG is done in a single
session without opening any of the saved JPEGs you are not losing any
quality
at each save step.

/Øyvind K.

-- 
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Re: [Gimp-user] de-mosaic ?

2007-11-24 Thread Øyvind Kolås
On Nov 22, 2007 5:19 AM, David Gowers [EMAIL PROTECTED] wrote:
 On Nov 22, 2007 11:43 AM, Elwin Estle [EMAIL PROTECTED] wrote:
  Does filtersenhancedespeckle maybe do what you want?
 
  Here is the relevant doc page.
 
  http://docs.gimp.org/en/plug-in-despeckle.html

 That might work as a workaround. Demosaicing is a specific algorityhm
 though -- GEGL implements a demosaicing op, for example. Richard,  if
 you were willing to use the gegl commandline, you could demosaic those
 pages quickly.

The demosaicing operation implemented in GEGL is the nearest neighbour
equivalenet of demosicing, thus not really suitable for real work. It
is alos highly doubtful that you want to (bayer) demosaic something
coming from a scanner, since
there isn't a good reason for the scanner to provide a bayer pattern
in the first place.

/Øyvind K.
-- 
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 -- William Gibson
http://pippin.gimp.org/http://ffii.org/
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Re: [Gimp-user] plugins for photographers

2006-12-14 Thread Øyvind Kolås
On 12/13/06, Luca de Alfaro [EMAIL PROTECTED] wrote:
 Ok, I made two plugins (available from the repository):

 - colortemp: converts the color temperature of an image.  You can specify
 the source temperature in K, or as the temperatue at which a black-body
 color best matches the selected foreground color.

 - whitebalance: converts the foreground color to either neutral gray, or to
 a specified background color.  This is similar to grey-point, the difference
 being that the color transformation can be performed in the linear, rather
 than in the gamma-corrected, color space, and so may work better for
 removing color casts.

Another plug-in to do combined adjustments of whitebalance, levels and
saturation can be found at
http://pippin.gimp.org/plug-ins/color_correct/ I haven't touched the
code of the plug-in in a long time, and the user interface have a few
rough edges, but it provides live preview in the image, as well as the
ability to do an initial automatic whitebalance / white balance based
on a picked neutral grey, as well as adjusting the blackpoint.

/Øyvind K.

-- 
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Re: [Gimp-user] Opening PDF and PS files

2006-11-03 Thread Øyvind Kolås

On 11/3/06, David Gowers [EMAIL PROTECTED] wrote:

  Do you look at the image at a zoom level of 100%?
 Yes, you are correct - when I zoom to 100%, the fonts are smooth - now I
how it should be rendered when you zoom in or out. Gimp renders the document
at a given scale, and does not re-render it at any time -- it's not a
vector-based viewer but an pixel-based image editor.


GIMPs failure to display the image smoothly is because it takes a
shortcut when zooming out of an image, it just uses one of the values
from one of the image pixels occupying a single display pixel instead
of averaging all that are contributing.
This has been done for speed/ease of implementation, at some point in
the future this will change.

/Øyvind K.
--
«The future is already here. It's just not very evenly distributed»
-- William Gibson
http://pippin.gimp.org/http://ffii.org/
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Re: [Gimp-user] adjustment layer

2006-09-29 Thread Øyvind Kolås

On 9/29/06, Donncha O Caoimh [EMAIL PROTECTED] wrote:

Hi Daniel,

Adjustment layers do sound like a great idea but they're not a part of
the GIMP. I found a script-fu plugin that does something similar, but is
limited because it only allows the user to apply specific functions:
http://www.deviantart.com/deviation/1473128/

I find that copying the current layer to a new one and practising on
that, or using a large undo buffer helps a lot. There's also the
anti-erase function of the Erase tool that looks like it restores part
of the layer below the one you're working on.


Current GIMP does not have adjustment layers, but some things can be
simulated by clever use of layer modes. The anti-erase functionality
brings back previously erased content on the current layer.

When it comes to development towards supporting such capabilities
there are plans for such functionality and experiments with
technologies that might lead to it are in progress[1].

/Øyvind K.

1: http://pippin.gimp.org/gegl/gallery/

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Re: [Gimp-user] Color Printing

2006-09-27 Thread Øyvind Kolås

On 9/27/06, John R. Culleton [EMAIL PROTECTED] wrote:

Photoshop and the free programs TeX, Scribus, Inkscape, Krita
etc. can work in the CMYK color model. Gimp only works in RGB.
CMYK has a more limited range of colors than RGB. Printers, both --
desktop and four color commercial work in CMYK.

This is the major hangup with using Gimp as a Photoshop
replacement. Apparently adding the additional color model would be
a huge undertaking.


Color management support is improved in the latest development
versions of GIMP, this is not the same as editing in CMYK mode, but it
should be the thing more than 90% of the people asking for CMYK needs,
even though they think it is not.

It is sufficient to do the conversion to CMYK when exporting from GIMP
to file/the printer to achieve correct colors if you have a color
correction profile for your display as well as your printer. This is a
separate issue from being able to work with the image in CMYK mode.
Manipulating a photograph in CMYK mode is in most cases mostly
pointless since the source of the data is the RGB model and the human
visual system operates in RGB as well. The separation needed for CMYK
varies between printers whilst sRGB is a standard color space for
image exchange.

/Øyvind K.

--
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Re: [Gimp-user] Lanczos interpolation method

2005-10-13 Thread Øyvind Kolås
On 10/11/05, Harish Narayanan [EMAIL PROTECTED] wrote:
 cedric GEMY wrote:

  Testing 2.3, i can there is new  interpolation method called Lanczos.
  It is described as being better than cubic. Does anyboy know simply :)
  how it works with the picture ?

 Actually, on a more generic level, is there some place (other than the
 source) where one can look up algorithm details pertaining to things
 like this and filters? If yes, awesome, if not, awesome, that will be a
 most informative documentation project to embark on.

Comparisons of different interpolation methods (in this case not for
scaling, but resampling for transformations like rotation.)

http://www.path.unimelb.edu.au/~dersch/interpolator/interpolator.html

/pippin

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Re: [Gimp-user] PNG and transparency

2005-03-16 Thread Øyvind Kolås
On Wed, 16 Mar 2005 09:08:35 +0100, Johannes Reese [EMAIL PROTECTED] wrote:
while with
 others all I can reach is substituting the selected area by the background
 color. How can I force those files to delete to transparency?

You must make sure the image is in RGB mode (the titlebar should
indicate this). If it's not the menu item Image/Mode/RGB . Next you
must make sure that the background layer has an alpha channel, if it
hasn't you can add one with the menu item Layer/Transparency/Add
alpha channel.

/pippin

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Re: [Gimp-user] Photoshop's accented edge effect?

2004-12-08 Thread Øyvind Kolås
On Mon, 06 Dec 2004 10:17:14 +0800, bear [EMAIL PROTECTED] wrote:
 
 The accent edge effect is at
 http://learn.tsinghua.edu.cn/homepage/2003216147/edge.jpg
 The original image is at
 http://learn.tsinghua.edu.cn/homepage/2003216147/orig.jpg

Would it be possible to get access to a PNG version of the original image,
due to the noise introduced in the jpeg compression it is very hard to
evaluate what effect is intended.

/pippin

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