On Wed, 3 Dec 2003 11:40:46 -0600, Timothy A. Johnson [EMAIL PROTECTED]
said:
[John Williams's] movie scores almost always are immediately accessible, but also
bear
repeated listening, unlike some other popular composers. On the other
hand,
his concert works seem to require repeated
John Putnam wrote:
I was wondering how one finds out about Auditions. is there some kind
of publaction that lists them.
The International Musician. www.afm.org
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set your options at
class.
I know there are, particularly, a lot of adult amateurs on the horn
lists, so I hope many people will want to participate.
Hope to see lots of horn listers in March!
Greg Campbell
Graduate assistant, FSU horn studio
2004 Southeast Horn Workshop
http://southeasthornworkshop.org
Dave Tuttle wrote:
...I don't see what the big Bb deal is. Many times in a middle
school situation, your horn players are trumpet converts and the key
of the horn makes the transition easier. Obviously, an outstanding
player should be transitioned to a double horn anyway, so you're
going to have
Luke Zyla wrote:
Try the little spongy things that you can find in any hardware store.
Christopher Gongos wrote:
I recommend that you go to an audiologist and have proper earplugs made.
If you aren't ready to spend big bucks, try the ER-20 earplugs from
www.etymotic.com
They are $12 + shipping
[EMAIL PROTECTED] wrote:
Anyways, does anyone know where I can get some nice left and right
hand guards for my horn?
Go to a sporting goods store and find the wrapping used for tennis
racquet grips. Don't wrap it excessively tight. Replace it every few months.
Greg
jlmthompson wrote:
So the question would be IF the extra weight of a Megamoose does in
fact enhance the 'slotting' of tones without the loss of slurring ability
and it allows for louder dynamics without overblowing as suggested does the
DW booster when placed on an independent mpc do the same
C CC wrote:
There is a treatment called Annealing. Does it affect the perfomance
of mouthpiece much?
I was skeptical of the procedure at first. As I wrote on the list a few
days ago, I tried the same model of mouthpiece non-annealed and
annealed. I noticed a subtle difference in the resultant
David Jewell wrote about the pop tone:
I have always recommended against that particular test for
anyone other than a committed adult amateur/professional because it
usually causes needlessly stuck and jammed mouthpieces, given that
junior high kids especially can't seem to judge the amount of
Ky Hayes wrote:
I do know that the geyer is a smaller wrap,
The wrap of most Geyer-wrap horns is actually physically larger in
diameter than Kruspe-wrap horns. This measurement makes essentially no
difference to the person holding the horn, short or tall.
The bell throat of a Geyer horn is
[EMAIL PROTECTED] wrote:
what's a golf ball retriever? What does it look like? What does it do?
It's a telescoping rod with a golf ball-shaped cup at the end. You
normally use it to fish golf ball outs of the water.
Compared to a dog that can perform the same function, it certainly
reduces
[EMAIL PROTECTED] wrote:
I'm trying to decide on which horn I'll be purchasing in the near
future and was wondering what all of your opinions are on these
particular horns.
...snip...
I'm a senior in high school, and will be attending one of the major
southeastern universities next year to most
carson smith wrote:
Does anyone know what issue Dr. Robert Pyle's article can be found in?
Or any other articles on this subject? Thanks, Carson
The index to all the articles in The Horn Call can be found on the IHS's
website, www.hornsociety.org
Greg
jlmthompson wrote:
Here's my analogy. ... So why practice it when time spent juggling
a soccer ball could be better spent doing other things with the ball
for that time?
Your analogy is flawed in my opinion. This one
Scales : horn playing :: dribbling the ball around cones : soccer
is more like
[EMAIL PROTECTED] wrote:
For those that are familiar with www.hornexcerpts.org (if you're not,
you shoudl be!), is there a similar site for solos? If not, some
over-achieving doctoral student should make one... any takers?
hornexcerpts.org gets by as OK copyright-wise because it only gives
small
Carlberg Jones wrote:
Would it be better to oil through a male tube? There's much less
slide grease on its inside surface to wash into the rotors.
Only if you're sure that the inside of the tube isn't covered with
anything else (meatball sandwich, potato chips, bacterial culture...).
Greg
[EMAIL PROTECTED] wrote:
...I seek mouthpiece advice. Currently using a Schilke 30 mostly,
and a 31B when middle and low range stuff dominates I've ordered
a 30B as a compromise. Any other suggestions?
Don't limit yourself to Schilke. Since getting mouthpieces on trial can
be painstaking,
[EMAIL PROTECTED] wrote:
I was listening to a performance of the Schumann Horn Konzerstueck
What kind of horn would the first horn, whose part goes up to at
least a high Z, play? A hornette? A picolo horn?
Most first horns on the Schumann seem touse a B-flat/high-F double
decsant horn. That
[EMAIL PROTECTED] wrote:
The ducks foot is an improvement as it moves the weight of the horn
to the strongest part of the hand. However, depending on your ducks
foot, adjustable or fixed, it's still a relatively small piece of
material covered by cork that has a tendency to dig into the first
[EMAIL PROTECTED] wrote:
I'd _hope_ you can quickly unattach it. If not, it'll be an easy way
to take out all the stands in front of your section, as well as
maybe a few low-flying bassoons.
[EMAIL PROTECTED] writes:
This is an interesting device. I see they also have an extension
for playing
[EMAIL PROTECTED] wrote:
Does anyone KNOW where you can get tuning slide locks?
If you just want something to keep your slides from pushing in too far,
go to the hardware store and get some thin black rubber O-rings. Get
ones that fit snugly over the legs of your tuning slides without sliding
Steve Freides wrote:
The piece is in concert A-minor and I find I much prefer the sound of
concert A below middle C as 1-2 to the more usual open fingering
because 1-2 is sharper. The same goes for the concert A an octave
higher when taken on the F horn, 1-2 is preferable...[snip]...
Am I
-playing fun.
Registration for the whole weekend is only $70 if you register by
January 22. Early registration may be completed online or by mail.
For more information, visit our web site:
http://www.southeasthornworkshop.org/
--
Greg Campbell, webmaster
2005 Southeast Horn Workshop
February 25-27
principal horn of the Pittsburgh Symphony
Jacek Muzyk
principal horn of the Buffalo Philharmonic
For more information visit:
http://www.southeasthornworkshop.org/
--
Greg Campbell, webmaster
2005 Southeast Horn Workshop
February 25-27, 2005 - North Carolina School of the Arts
http
Muzyk, principal horn of the Buffalo Philharmonic
For more information visit:
http://www.southeasthornworkshop.org/
--
Greg Campbell, webmaster
2005 Southeast Horn Workshop
February 25-27, 2005 - North Carolina School of the Arts
http://www.southeasthornworkshop.org
[EMAIL PROTECTED] wrote:
Now, KOPPRASCH NO. 1 (slurred), KOPPRASCH NO. 1 (tongued), KOPPRASCH NO. 1
(slurred in E), KOPPRASCH NO. 1 (tongued in E), KOPPRASCH NO. 1 (slurred in Eb),
KOPPRASCH NO. 1 (tongued in Eb), KOPPRASCH NO. 1 (slurred in D), KOPPRASCH
NO. 1 (tongued in D), KOPPRASCH NO. 1
Chris Tedesco wrote:
I saw that the John Williams horn concerto was published in a piano
reduction today at a music store! Looking at it, I don't think I'll
program on my recital anytime soon. Or anytime for that matter!
There's a reason it's written for Dale Clevenger.
I seem to remember
OK, let's try something not-so-weird...
Vaseline?
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The suspense is killing me on this one!
A good midwestern company might use...
corn syrup?
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William Foss wrote:
Dear List, I am testing my hypothesis that I can get my homework
turned in (ha ha).
Seriously, folks. (Correct me if I'm wrong William.)
This guy is just taking a course on statistics and needs a data set from
which to derive normal statistical information. I assume this
, and Gerry Wood)
Check it out at
http://www.southeasthornworkshop.org/
--
Greg Campbell, webmaster
2006 Southeast Horn Workshop
March 31-April 2, 2006 - Northwestern State University of Louisiana
http://www.southeasthornworkshop.org/
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Daniel Canarutto wrote:
I don't think I need this, but just out of curiosity I checked the
Merriam-Webster website, which gives also the (American English?)
prononciation of the words. Hup is actually there, so even if you are
not American you can follow Mr. Sanner's instructions...
How
online at
http://www.southeasthornworkshop.org/
--
Greg Campbell, webmaster
2006 Southeast Horn Workshop
March 31-April 2, 2006 - Northwestern State University of Louisiana
http://www.southeasthornworkshop.org/
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WIlliam Botte wrote:
A young oboist in the local high school band was required to play a bell
front F marching horn. She was annoyed to discover that the notes she
was playing sounded lower than read. Her remarks, Who dreamed up this
stupid system!,
I guess she'd never gotten to play the
Steve Freides wrote:
What is the difference between a piston valve and a Vienna valve?
Until this point, I had assumed they were the same thing.
Vienna horn pistons actually slide through the tubing in which the air
travels through the valve. Regular (trumpet) pistons operate
perpendicular
Bear Woodson wrote:
How LOW can I write Half-Step and Whole- Step Trills, and get CLEAR,
FAST Trills in good intonation?
For half-step trills: As low as you want, as long as the fingering for
the trill involves nothing more than wiggling the second finger. That
means the following trills in
Nicholas Hartman Hartman wrote:
...particularly the MB5 because It is my impression that
this particular modelis the only one that can fit through carry on
frames on airlines.
Maximum carry-on dimensions vary by airline. There was an article about
this in April 2006 International Musician.
Michael Thurman wrote:
Are there collections, or individual digital recordings of
accompaniments for rehearsal purposes of standard horn repertoire
(solos)?
Quick, free, but lacking greatest quality:
http://www.hornmidi.com/
Very good. expensive:
http://www.absentsoloists.com/
[EMAIL PROTECTED] wrote:
I just had all four wisdom teeth taken out yesterday morning. ...
My question is how long should I lay off the horn?
This question has been addressed on the list numerous times. You might
check out the archives:
http://www.mail-archive.com/horn@music.memphis.edu/
Fred Baucom wrote:
Here in the U.S. in the latter part of 2002, the musicians union
(AFM) here worked out an arrangement with the U.S. Dept. of
Transportation, so that now you should be able to declare you are
carrying a musical instrument and security and flight personnel are
supposed to honor
Ellen Manthe wrote:
I would guess she means blocking as in beta-blocking.
Ellen Manthe
On 7/5/06 10:43 AM, milton [EMAIL PROTECTED] wrote:
What do you mean by blocking? I am interested in your work.
No. From what I can tell, it's about articulation blocking and similar
physical and mental
John Mason wrote:
In an article published the The Horn Call (May, 1998),
he argues convincingly that, in his words, valves were
invented to make brass instruments chromatic and that
the idea that the valves were invented as a mere
crook changing devices is a myth.
The article is online:
Corenut wrote:
there is a lyre mount whose screw constantly undoes itself, THERE is
a case for use of pliers on a horn - tighten it up so it won't undo
with a bit of blue Loctite.. WHY on a thing this small when it's
NEVER going to be used for marching, is there a lyre mount?!!
Save yourself
Chris Tedesco wrote:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=320007528549category=16215
Never seen anything like this before.
Looks quite similar to the case sold with the Pizka-Classic horn.
http://www.pizka.de/PizClasHr.htm
(look near the bottom of the page)
Greg
Matt James wrote:
3. use of the BREATHING GYM!!! helped me in my endeavours.
Here's a question:
Can someone recommend a reputable dealer to buy this from? I ordered it
last *December* from www.focus-on-excellence.com (since that was the
site recommended by a list member around that time) and
Dan McCartney wrote:
I'm wondering if any on this list have had the misfortune of having to
travel with horn by air in the last couple days. Are the airline
security people allowing instruments to be carried on (sans valve oil,
I suppose)?
I just got back from a vacation that involved some
[EMAIL PROTECTED] wrote:
Did someone just compare the Gliere horn concerto to the Tchaikovsky
Piano concerto??
Eldon said this:
[EMAIL PROTECTED] wrote:
The Gliere is a wonderful work and is only one of a handful of cocnerto
that can stand toe to toe with a Rachmaninoff or Tchiakowsky Piano
Daniel B. Hrdy wrote:
Does anyone know when professional orchestras started hiring
assistant principals, and under what circumstances?
Anton Horner had a regular assistant first horn in the Philadelphia
Orchestra as early as 1909.
(Source: Lee Bracegirdle. The New York school: Its
Mathew James wrote:
*(Need to put an adaptation here to fill either ensemble or
unaccompanied by a russian composer... ideas?)
Buyanovsky Pieces for solo horn. (pub. McCoy)
Greg
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[EMAIL PROTECTED] wrote:
When I descend on a g scale from space above staff, I feel like I
would like to reposition my lips around the d. Should this be done,
or do you need to play through it with air?
Different teachers have different opinions on this.
In Randy Gardner's book _Mastering
Wendell Rider wrote:
For those of you who wanted to know what a buzzy buzz is, or for that
matter, isn't. Go to my website (below) and click on the Buzzy Buzz
link under Videos on the left side of the home page.
Awesome Wendell!
Thanks!
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[EMAIL PROTECTED] wrote:
There are, of course, two camps: those who believe it absolutely
will improve the instrument (or at least certain instruments in
certain conditions), and those who believe it is only a treatment
for the wallet.
I know someone who had his horn cryogenically frozen.
Bill Gross wrote:
Yes, but what Kopprasch etude would be ideal for him to use to
improve this technique?
Hans Pizka wrote:
Hello Joyce, you should practise alpacca-wrestling to improve your
technique so the alpacca gets the shots easier quicker.
No. 1, of course.
[EMAIL PROTECTED] wrote:
At least I put NHR on the subject line.
I don't care what you put in the subject line. If a forum of horn
players might not find it helpful, interesting, or amusing, DON'T POST
IT TO THE FORUM.
Period.
Now back to your regularly scheduled programming.
[EMAIL PROTECTED] wrote:
Which country?
Don't stop there! What city?
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[EMAIL PROTECTED] wrote:
Does anyone really believe that some one with Hans experience and
expertise has problems reading music with many flats or sharps?
... As an reason for transposing, this is the most lame of the lot.
I think you have confused the words not easy with too difficult.
RM Williams Publishing IS still in business, but the owner has had some
very unfortunate technical issues preventing her from being able to
print new parts. She is working very hard to rectify the situation as
quickly as possible.
Greg Campbell
(webmaster, RM Williams Publishing)
Melvin
Bo Gusman wrote:
Google is your friend.
http://www.clarionins.com/
While I can't say I'd particularly trust Google to make an *informed*
decision on buying insurance, I know a lot of folks who are very
satisfied with Clarion.
Greg
___
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[EMAIL PROTECTED] wrote:
When cold weather gets here things get harder to do with the lips.
Does anyone have any ideas on how to combat that - food, drink,
herbs, etudes, anything.
As far as helping chapped lips, I've had luck with Aquaphor. It comes in
a medium-sized tube or a huge tub--no
Ryan P. Baldwin wrote:
Does anyone know how many people generally particpate in the event?
usually lots. (don't let that discourage you though)
Of the following repetoire list, what do you recommend?
Whatever best represents your playing. A great Gliere will advance to
the second round; a
hans wrote:
I just wonder, what kind of basic musical education were
received by many players ? It seems, nobody had talked to
them in school about this important matter.
It is so simple: You have c1 on the first ledger line below
staff and c2 c3 above, one octave apart each other, but
also
Valerie WELLS wrote:
Hmmm (Excuse me while I put my dusty nurse's hat back on for a
moment.) This product may be good for the horn, but I'm not sure this
stuff is good for the hornist. Kerosene, even very pure kerosene, is
quite volatile I have concerns about inhaling fumes of a
joey horn guy wrote:
If a tree falls on an 8D in the forest, and no horn jocks are around
to hear it, does it's sound have more 'core' than a Geyer?
fish
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Anna Henry wrote:
This may have been discussed at some previous time, but here it is
again. I'm getting my wisdom teeth extracted on Monday. ... What
have your experiences been?
Yes, this has been discussed at length. In a nutshell:
1. Take it easy.
2. Don't play if it's painful to play.
Adams, Natalie L wrote:
... I don't normally have endurance problems, ... This summer I've
been doing a little over an hour a day, and the first few weeks I
felt great by the end of the day. This past week, however, my lips
are killing me
You are more than likely practicing at a different
[EMAIL PROTECTED] wrote:
Hans's advice is invaluable. You must suspend the valve section.
Then prevent other moving around and bumping into things or the case.
Make sure the latches cannot come undone easily, and wrap it with a
luggage strap.
If anyone could put photos online showing how to
Steve Burg wrote:
I have a new student, a girl in 7th grade. This student learned on a
double horn and was taught to play everything on the B-flat side of
the horn
Do I leave well enough alone Or Do I insist that she change to using
the F side as well.
The main obstacle probably is, in
Loren Mayhew wrote:
The TE cases probably won't fit on smaller planes. The MB7 compact
case should fit. I recently traveled on a smaller plane with my full size
MB7 case and they allowed me to carry it on but it did not fit in overhead
(it very nearly fit though).
Has anyone seen or
Bill Gross wrote:
The group I am with just started work on the Mother Goose Suite. We need
help with the notation Otez les sourdines.
ôtez = [you] remove or take away
remove the mutes
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John Dutton wrote:
Principal Horns of CSO:
Dutschke (1891-1895)
Ketz (1895-1896)
De Mare, L (1896-1922)
Hoss, W (22-23)
Frank, W (23-27)
?
Farkas (36-41)
Helen Kotas (41-47)
Farkas (48-60)
Leuba (60-62)
Brouk (62-63)
Van Norman (63-65)
Brouk (65-66)
Clevenger (66-)
You're missing Pellegrino
I have a question about Jan Koetsier's Divertimento No. 2 for wind quintet:
In the fourth movement, the horn starts with a printed F on the bottom
of the bass staff. Is this old or new notation?
Old notation is a 5th below the bassoon, sounds fine, but it seems
strange that Koetsier would
Mathew James wrote:
Hey list,
I was wondering if anyone knows how easily accessible the orchestral parts
are to the Villanelle?
My small-town community orchestra handled it fine when I performed it in
high school. There are multiple orchestrations out there since the
original Dukas
the DVDs, should be near the
top of every horn student's list of things to buy.
Thank you Wendell for this great new resource!
Sincerely,
Greg Campbell
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hans wrote:
Auditions will start Nov. 29th will take place. Info :
[EMAIL PROTECTED]
make sure to remove the first u from that address. Qatar, not Quatar.
see also:
www.qatar-national-symphony-orchestra.qa
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hans wrote:
If you get access to the originals from the libraries if
you edit them (make clear text), you would allow free public
circulation ? Would you do this as a public service. I
doubt.
It may seem doubtful, but there are certainly a few websites doing
exactly this:
Luke Zyla wrote:
I am sitting here practicing the original notation part to the
Introduction to Act III of the Opera Lohengrin. It starts in G horn
in the first measure and switches to E horn on the third beat of
measure 2. Later to G, back to E, then D and later A-flat horn.
I am wondering
Steve Freides wrote:
My son ... got a plastic Berp at his teacher's request, but his
teacher said the berp he wants my son to use is made of metal.
The BERP folks discontinued the metal ones several years ago. The
plastic versions were the new, improved model. The idea was that the
plastic
M. Elizabeth Fleming wrote:
Prior to orchestra rehearsal today, I was approached by a conducting
student with a question in regards to a particular notation in the
Ravel orchestration of /Pictures at an Exhibition/:
In the first movement, meaning Gnomus, there is an indication in
the second
Jerry Houston wrote:
Greg Campbell wrote:
I guess old notation bass clef is wrong height since it's written an
octave too low.
They're both wrong, aren't they? One by 4 notes, the other by 5?
right!
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Ellen Manthe wrote:
I believe that you can get them free of charge from one of the internet
music services. I saw them once and should have downloaded them but didn't.
Now I will think about this constantly until I again have time to search for
them again. There are orchestra parts for most of
Eric Egle wrote:
Does anyone know of any online resources that have information and
(hopefully) sound files of demonstrated extended horn techniques?
I don't think there's any such online resource. Douglas Hill has a book
called _Extended Techniques for the Horn_. It includes a CD with
Tom Spillman wrote:
Right after the surgery, I went down the hall to the office of my
prosthodontist who installed immediate dentures, so I was not without
teeth for any extended period of time.
My healing has proceeded well. I can now eat better than I could in
years. I even ate a handful
Steve Freides wrote:
I have, sometimes but not all the time, seen a single string bass
player in concert band performances. Is this part written in by band
music composers?
It seems to be in style currently for band composers to include parts
for string bass and piano. While the pianist will
Steven Slaff wrote:
Is it appropriate (or common practice) to send a cover letter along
with a resume when answering symphony audition notices? I know that
in other fields a cover letter is often considered necessary, but I'm
not sure if it is expected for symphony auditions!
Might as well.
joey horn guy wrote:
I have a yellow brass horn (gold brass leadpipe) with no lacquer and
frankly I'm tired of cleaning it (and my hands) so often.
I've heard that having a horn lacquered can alter it's playing
characteristics. Have there been any studies done on this? What can
I expect will
hans wrote:
How can we vote for past elections. Look at the ballot
find out why I asked that The error comes TWICE. Did
you receive the same ballot for the 2007 elections with the
recent horn call Vol.XXXVIII, No.2, February 2008, which
must be mailed back not later than April 15th, 2007 )
[EMAIL PROTECTED] wrote:
I can stop notes down to c# just below the staff. But further down is
trouble. Is it just me, or is everybody allowed to stick in mute at that point?
Stopped notes lower than that get difficult for a lot of people. The
size of your hand affects the difficulty.
John Roberts-James wrote:
On my recent posting to the list, my item
is blitzed by various numbers, as below.
But the posting immediately following mine is beautiful and neat, no
interjected numbers at all.
What am I doing wrong? How should I format my submissions for correct
showing in the
Mathew James wrote:
I was wondering if anyone knows where to get the music for a piece called
happy blues. I don't remember the composers name.
Zsolt Nagy.
www.rmwpublishing.com
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Steven Slaff wrote:
Yes, it was at the 2003 IHS conference in Indiana - an incredible
performance too! I have no idea where you get it from though.
On Saturday, April 12, 2008 1:25 PM, Greg Campbell
[EMAIL PROTECTED] wrote:
Zsolt Nagy.
www.rmwpublishing.com
^
Ahem
[EMAIL PROTECTED] wrote:
Does anybody have any other hints or ideas about other things that I
might try.
One thing that helps me, especially in slow tempos, is to stop counting
beats and only count measures.
So instead of:
Five - 2 - 3 - 4, Six - 2 - 3 - 4, etc.
Just count
Fi - i - i -
Tim Kecherson wrote:
As I was playing a solo, my third valve slide on the F horn slipped
out and fell with a clatter to the stage floor. I kept playing,
though my mind was racing. I couldn't get the slide again until the
end of that section.
Yep. Alternate fingerings are your friend. At
joey horn guy wrote:
Does anyone know the differences between the MB6, MB7 and MB8?
MB-6: 22 x 14 x 9 in.
MB-7: 22 x 14 x 8.5 in.
MB-7C: 20 x 14 x 8 in.
MB-8: 24 x 14 x 6.5 in.
All these cases will hold 1 straight mute and 1 stop mute and have
modest room for music on the case itself.
[EMAIL PROTECTED] wrote:
Just bring your horn oil bottles w/ only a very small amount of oil
in them. I don't remember how much, but the airlines allow small
amounts of liquids ... something like less than 2 onces.
All liquid containers through US airport security checkpoints must be in
3 oz
[EMAIL PROTECTED] wrote:
It consists of CD's of a conductor conducting a virtual orchestra
on a large screen TV. It comes with the complete horn parts so a
complete (and live) horn section can play long with the CD.
And to answer another part of Steve's question... the conductor is a
nobody.
Dawn McCandless wrote:
Even though the players for this test were both professionals, who
played the mystery horn? Was it the same person that played the
Reynold's when they knew which horn it was? Or, did the professional
people switch around?
Both pros played all the horns.
The format
! Students can participate in solo
and quartet competitions, and mock orchestral auditions.
For more information, visit:
www.southeasthornworkshop.org
For information about exhibiting at the Southeast Horn Workshop, visit:
www.southeasthornworkshop.org/exhibitors
--
Greg Campbell, webmaster
Carlberg Jones wrote:
Don't thing clefs. Don't think intervals.
Think in the key. You've got to know your horn very well to do this, but
it's no more difficult than playing a part in F.
I think this is also the way I transpose most of the time. Horn parts
are just movable-Do solfege. When
Steve Freides wrote:
The first trumpet was a paid ringer, a college student. This year,
there are three trumpeters, again the first/principal being a paid
ringer college student. The new kid on the block is assistant
principal, and my son still playing second.
He wants to know exactly what
Jeremy Ristow wrote:
I was wondering if there were any private teachers out there that had
to drop a student due to non-payment and have had to take the matter
to small claims court. What was your experience with that? What are
the pros and cons of taking that sort of action? Thanks.
I know a
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