[lace] Re: London

2003-10-14 Thread Ilske und Peter Thomsen
Hello Everybody,
Just to let you know I am back, save and sain. We wer so lucky no one drop
of rain no snowflake but lots of sun and two days very stormy and icecold
wind. It was warvellous. Tel you later about lace, painting walking and so
on.
Greetings
Ilske from HAmburg in Germany 

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Re: [lace] Symbols for elements

2003-10-14 Thread Ilske und Peter Thomsen
Dear Dina,
As far as I know only the sun and the moon are symbols between lots of
animals and the human beeing itself.
When we travelled Canada I bought a little booklet about this Indian Art
with the title Looking at Indian Art of the Northwest Coast from Hilary
Stewart. perhaps you could find this one. Eveything is wonderfull explained
in it.
Greetings Ilske

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[lace] Ally Pally Globe

2003-10-14 Thread Jean Peach
I managed to get to Ally Pally last Thursday by train and coach.
Had a lovely day, only snag so many vendors, not enough time to take
stock what they had.  It was nice to see the Polish Lacemaker at
the Lace Circle Stand, plus there was Polish lace to see as well.
Even bought a couple of Polish lace bobbins.  I did not buy any books
have too many already. I looked for Angela's book, Batsford did not
have it, I might have been tempted.  What is nice about Ally Pally
is all the other crafts that are there.  I loved the machine made
dresses from Australia, oh the copes that were made for the
Archbishop of Canterbury for the Millennium.  I often think that you
can get ideas for lace from other crafts.

Oh I saw Twelfth Night at The Globe with my grandson, there was lots
of lace on most of the costumes, plus Blackwork.  There is also an
exhibition there that you pay to go and see of clothes that have been
used in previous productions, yes with hand made lace too.




-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
Annette Gill
Sent: 12 October 2003 20:18
To: Arachne
Subject: [lace] Ally Pally


Did anyone go to The Knitting and Stitching Show at Ally Pally this weekend?
I came away loaded down with lace books - it was my first chance since I
started lacemaking this summer to see a decent range of lace books.  I got
the
first of the Tonderknipplinger pattern books but I haven't worked out yet
whether it's more difficult than Bucks Point.  I've just started Bucks and
am
already on the lookout for other point ground laces I can attempt - that's
the
style I really love.  (I wish I could say I like Honiton, since I'm from the
West Country, but the motif-type laces don't appeal.)  I found a second-hand
book on Downton lace - has anyone tried that?  Are there any other point
ground laces that aren't too difficult?

Having spent a fortune at Ally Pally, I dread to think what I'll spend next
Sunday at the Tonbridge lace fair.  And then Birmingham next month...

Regards,
Annette, London

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[lace] Tamara's lace

2003-10-14 Thread Helene Gannac
Tamara,

Just went into your new website. YOur lac is gorgeous. Who cares too much about
the fine points of technique when one can be as creative as that! Leave the
technique to people liek me who can only copy, not invent!!!

Keep putting those pictures in, will you? i.e. keep making new lace :-)



=
Helene, the froggy from Melbourne


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[lace] Re: Ally Pally

2003-10-14 Thread Brenda Paternoster
On Monday, October 13, 2003, at 07:59 PM, lace-digest wrote:

Did anyone go to The Knitting and Stitching Show at Ally Pally this 
weekend?
Yes, I went on Sunday - and spent a fortune on a huge amount of new threads.
  I'd hoped to find one or two but I've just added about 40 to the 
Addendum2 list.

I haven't tried using any of them yet, but the one I'm most interested in 
using is the hemp which I guess will work up similar to linen and I've got 
ideas beginning to go around my head for a project mixing it with Vuorelma 
linen which is of a very similar size.

I also ordered a sample folder of Japanese threads.  When it arrives I will 
think about ordering some of the silk wrapped stainless steel thread.  
There were a couple of knitted garments on display and they didn't feel as 
stiff as I expected, but I've no idea how it would handle for BL, or any 
other technique.

  Are there any other point
ground laces that aren't too difficult?
All point ground laces are of a similar type based on the net ground and 
working angle of more than 45 degrees.  They all have a similar level of 
difficulty, with regular/geometric/simpler patterns through to elaborate 
floral designs.  IMO the thing which makes PG 'harder' than, say, torchon 
is the fact that PG is usually worked at a small scale with fine thread.  
Try enlarging the pattern a bit so that you can more easily see what you 
are doing, and adjust the thread accordingly, but don't use crochet/tatting 
cotton as the double spinning means that it won't look right with all the 
twists that PG lace requires.  10 wraps of thread should equal the distance 
between two footedge pinholes

Having spent a fortune at Ally Pally, I dread to think what I'll spend next
Sunday at the Tonbridge lace fair.
I'll be at Tonbridge too - manning the Lace Guild stand, so please come and 
say hello to me.

Brenda

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[lace] Re: Symbols for Elements

2003-10-14 Thread Brenda Paternoster
On Monday, October 13, 2003, at 07:59 PM, Dina wrote:

My lace class is making a group entry for the Lace Guild's Myth  Mystery
competition and our piece is a freestanding totem pole.
Can any of our Canadian spiders tell me if the First Nations use symbols 
for
earth, air, fire and water which would be used on totem poles and if so 
what
they are, as I've looked on the net but can't find anything (maybe I'm
looking in the wrong places) and our local UK library is not into things
Canadian.

Dina

Back in 1995 The Lace Guild/John Bull Trophy exhibition's theme was 'The 
Elements and around that time I found a 2nd hand book by Adrian Frutiger 
Signs  Symbols.  This is what he has to say about Pre-Columbian American 
scripts:
The examples of the script cultures of the new World so far discovered are 
few in comparison to those of 'old Europe' and about 4,000 years less 
ancient.
From the Incas, only the preliminary stages of script formation are known 
in the form of knotted strings, whereas teh Aztecs and the Mayas from the 
region of present-day Mexico have left fascinating examples of scripts.
The autonomous culture of Central America was suddenly and cruelly 
interrupted in the course of its development by the conquests of the 
Spanish colonists.  At this time the script was half way between the 
pictorial and the phoetic.

That, plus three pages on Aztec and Maya scripts are the only references to 
the Americas in a book of 660 pages.

However, it seems that most ideas of earth, wind, fire, and water as the 
elements goes back to ancient Greece; and there are two sets of symbols, as 
used in mediaeval Britain:
fire:	triangle with horizontal base
water:	inverted triangle with horizontal side at top
air:		like fire with horizontal dividing line
earth:	like water with horizontal dividing line
world:	two superimposed triangles (star of David)

fire:	circle
water:	circle divided in half horizontally
air:		circle with small square in the middle
earth:	circle divided into four by horizontal  perpendicular lines 
(upright cross)
world:	circle with small cross on top  (upside down version of female)

Sorry it's not really related to Canadian First Nations.
Brenda
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[lace] Ithaca - long

2003-10-14 Thread Jane Viking Swanson
Hi All,  Sumac and I are back from Ithaca!  We had a fabulous time!!  Tamara
won't get home for a few days but the rest of us will try to make up for her
silence.  I had so much fun!  It was great to meet more arachnes and other
lace makers and to see the ones I've met before again.

I took a class in Needlelace and learned so much.  Because I've practiced a
lot on Battenberg my tension was pretty good on many of the Brussels
variations.  The teacher, Gretchen Allgeier, was very good at explaining the
different tension needed in them.  And I have Peas in my Pea Stitch
That's one I've tried numerous times and have always ended up with a snarl
of thread.  I had many Eureka moments - one when I realized we were going to
cover the cordonet with three more threads *and* buttonhole stitch.  That
looks much better and gives you a little leeway if the cordonet (of two
threads) is a little crooked G.  It's so great having a teacher!!  Many of
the NL books I have do not have complete directions and, of course, all the
hints can't fit into one book.

I also got a copy of Angela's book on Romanian Point Lace!!  A VERY kind
arachne gave up the last copy Holly Van Sciver had on Saturday (she was
about to buy it) G.  The book is fantastic!!  The history is very
interesting and it is neat to see the arachne list thanked in the beginning
and individual arachnes thanked in the text G.  The stitches are amazing!!
Lots and lots of variations I've not seen in the NL and B'berg books
(antique and new) that I have.  The patterns are lovely and the different
cords add a lovely touch to the designs.
Holly's DH Gerry was a little surprised at the interest in that book until
I explained that we arachnes have been hearing about it since conception so
we're anxious to see it G.

Pompi Parry's talk on Normandy Blonde and Polychrome de Courseulles was very
interesting on Saturday night.  Sumac and I missed Pat Read's talk on
Milanese on Saturday afternoon.  We had gone for a quick visit to Border's
Bookstore nearby to look at the magazines and suddenly it was 1:00pm and
we'd missed the start of the talk : (  I did visit that classroom (among
others) and the pieces of lace Pat Read had brought were breathtaking.  What
sticks in my mind is the dragon done in white and in colors...lovely!

The lace exhibited on Saturday in the sales room was also quite wonderful.
One of my favorites was a bookmark done by Cathy Belleville.  It had an
exquisite Great Blue Heron looking up at a
full moon.  And there was also a piece of the Olive branch design
we looked at on the 'net a few months ago.  Very special to see
that in person!

I've just been working more on my Needlelace.  My class piece is  nearly
done and my Fiberarts group meets on Thursday so I hope to have it finished
to show them.  Of course, they'll also be interested in seeing a
work-in-progress so I'd better start a new piece right away VBG.

Now I'd better get back to real life.  But eating, drinking and sleeping
lace for three days is so much more fun!!

Jane in Vermont who is thrilled with Peas in her Pea Stitch G
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Re: [lace] Hamilton Lace

2003-10-14 Thread Tune
Hi Adele and Everyone,
An excellent article on Hamilton Lace is Lace-making in Hamilton by Jessie
H. Lochhead, M.A. published by Hamilton Handbooks and Hamilton Public
Libraries and Museum Committee in 1971. According to the article the lace
could represent the coarsest torchon or the finest Vaenciennes with endless
variations between
Vibeke Ervo very kindly gave me the article.
Best wishes and keep bobbin' along from Avril in Denmark, where it has been
the most beautiful Autumn day, with a touch of our first ground frost this
morning, then glorious sunshine and a wonderful spectacle of Autumn colours.

-- 
And on the 8th day, God created golf courses and lacemakers

Avril Bayne
Denmark 


 
 Lately I have been reading my copy of Mrs. Lowes' Chats on Old Lace
 and Needlework and she has this comment: Scotch lace can hardly be
 said to exist. At one time a coarse kind of network lace called
 Hamilton lace was made, and considerable money was obtained by it,
 but it never had a fashion, and deservedly so.

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[lace] Ithaca - long

2003-10-14 Thread Aurelia L. Loveman
Dear Jane --  Wonderful piece you wrote about Ithaca. Almost consoles us
forlorn types who couldn't get to go. What is VBG? I tried and tried. The
best I could do is: Very Bad Girl.

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[lace] Re: Ally Pally

2003-10-14 Thread Annette Gill
I'm glad I'm not the only who can't control my credit card when I'm at Ally
Pally!  The Textile Gallery alone is worth the price of admission - there
are always so many gorgeous things there, to look at and to buyand to get
ideas from.  I was fascinated by the display of dolls, and inevitably bought
a book and pattern to try cloth-doll making myself.

I walked straight past the hemp stall, not realising there might be
possibilities for lacemaking with it.  I did get some silk thread from
Jacqui Carey which I will try lacing with.  Thanks for the tip about not
using crochet/tatting thread for PG - I wouldn't have known it wouldn't look
right.  Incidentally, I've found your book very useful for learning about
threads.  When I joined the Lace Guild on Saturday, I was given a free back
issue of the magazine and found a review of your book in it.  I was
astonished to read that the reviewer thought it would only be of interest to
teachers - I'm a near beginner and have already found it very useful in
selecting thread equivalents, and working out how thick and thread and gimp
to use for the pricking I had, based on distance between footside holes.
And the information about the different types of threads at the beginning
was mostly new to me.  So, thanks for a very useful book!

See you at Tonbridge,

Regards,
Annette in London


- Original Message -
From: Brenda Paternoster [EMAIL PROTECTED]


 ...I haven't tried using any of them yet, but the one I'm most interested
in
 using is the hemp which I guess will work up similar to linen and I've got
 ideas beginning to go around my head for a project mixing it with Vuorelma
 linen which is of a very similar size.

 I also ordered a sample folder of Japanese threads.  When it arrives I
will
 think about ordering some of the silk wrapped stainless steel thread.
 There were a couple of knitted garments on display and they didn't feel as
 stiff as I expected, but I've no idea how it would handle for BL, or any
 other technique.

Are there any other point
  ground laces that aren't too difficult?

 All point ground laces are of a similar type based on the net ground and
 working angle of more than 45 degrees.  They all have a similar level of
 difficulty, with regular/geometric/simpler patterns through to elaborate
 floral designs.  IMO the thing which makes PG 'harder' than, say, torchon
 is the fact that PG is usually worked at a small scale with fine thread.
 Try enlarging the pattern a bit so that you can more easily see what you
 are doing, and adjust the thread accordingly, but don't use
crochet/tatting
 cotton as the double spinning means that it won't look right with all the
 twists that PG lace requires.  10 wraps of thread should equal the
distance
 between two footedge pinholes

  Having spent a fortune at Ally Pally, I dread to think what I'll spend
next
  Sunday at the Tonbridge lace fair.
 
 I'll be at Tonbridge too - manning the Lace Guild stand, so please come
and
 say hello to me.

 Brenda

 http://www.argonet.co.uk/users/paternoster/
 Supporting the [EMAIL PROTECTED] campaign

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[lace] PG lace

2003-10-14 Thread Annette Gill
 Dear Annette,
 ...
 I've also done some Downton lace - again, not difficult, although
 traditionally, like Chantilly, the headside is worked on the opposite side
to
 Bucks.  But watch the Downton patterns carefully, as they occasionally
have a
 little Torchon technique or two thrown in!!

 Regards, Ruth Budge (Sydney, Australia)

I'm intrigued to hear of an English lace being worked with the headside on
the right, as on the Continent.  I suppose there wouldn't be a problem with
reversing the pricking and doing it the way I'm used to?  (the photocopier
at work can reverse images)  Or would that make life difficult in some
obscure way I'm not aware of?  Would the lace police come in the middle of
the night to take me away? :)

Regards,
Annette, London

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Re: [lace] PG lace

2003-10-14 Thread Ruth Budge
I'm intrigued to hear of an English lace being worked with the headside on
the right, as on the Continent. I suppose there wouldn't be a problem with
reversing the pricking and doing it the way I'm used to? (the photocopier
at work can reverse images) Or would that make life difficult in some
obscure way I'm not aware of? Would the lace police come in the middle of
the night to take me away? :)

Regards,
Annette, London

Annette - the only problem might be if you were trying to follow the working
diagram, which will also show the footside on the left.  I tried Downton when I
was very new to lacemaking, and found it easier to turn the pricking round and
work as shown in the working diagram till I knew what I was doing.  

On the other hand, maybe the lace police might take you to Dorchester, then
you'd get there sooner!!

Bertha Kemp, in her book Downton Lace, describes a method of hanging numerous
bobbins together off a pin behind the start of the work, then separating them
to work the first row of pinholes, rather in the style of some of the
Continental laces, such as Flanders, so I'm speculating that the custom of
Downton lace having the footside on the left started because the original
lacemakers were taught or influenced by continental lacemakers.

Regards, Ruth Budge 

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[lace-chat] Secret Pal Thanks

2003-10-14 Thread Anne Nicholas
Hi Brenda,
I am sorry to post this to chat and not to you personally but I do not have
an e-mail address for you !!

Many thanks for my parcel that arrived today. My new and very special bear
has joined the other that you sent me and they look very good together.

Thank you so much for being my secret pal. I have looked forward to
receiving your parcel every month and have never been disappointed !!

Perhaps you could send me your e-mail address and I could then write to you
at length.

Many, many thanks once again,
   Anne

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