I'm using Lilypond version 2.19.25 on a mac running Yosemite, and I'm trying to
use the font family Iowan Old Style. In addition to the regular styles (roman,
bold, italic, bolditalic, etc.) this family comes with Black and BlackItalic
styles. in my small example below, the markup gets
Why would you want to use odd values here?
I was just playing with values. If only even numbers are supposed to
be used since they are the only sensible choices, then why not have
all values doubled internally anyway ?
W/o a documentation I can't judge whether that's intended, but it
is at
In a review on languages in the Communications of the ACM a long
time ago, each language was described by a caption and a short
paragraph. Sample captions:
APL : I can read hieroglyphs too.
Prolog : If Prolog is the answer, then what was the question?
LOL! Can you give a
Hi. I'm curious if there's a way to re-use a variable containing
chords entered in \chordmode to create strumming patterns with
Pitch_squash_engraver and \improvisationOn. I like only having to
enter the chords once, so if I change something, I only need to do it
in one place, and I also would
Michael Gerdau wrote Tuesday, August 25, 2015 3:27 PM
\override Rest.voiced-position = 0
Yes, first available in 2.19.15, courtesy of Keith O'Hara.
Yet to be documented in the NR, I believe.
I have used Peter's example code and tried various parameter to
voiced-position (see
Joel Ebel jbe...@mybox.org writes:
Hi. I'm curious if there's a way to re-use a variable containing
chords entered in \chordmode to create strumming patterns with
Pitch_squash_engraver and \improvisationOn. I like only having to
enter the chords once, so if I change something, I only need to
Very many thanks, Simon
Bill
On 15-08-25 08:18 AM, Simon Albrecht wrote:
Am 25.08.2015 um 02:51 schrieb William Marchant:
Thanks to Simon and Abraham. I found the quoted reference on my own,
but I need something which can be applied to several single bars
throughout the music. It is the
- Original Message -
From: Michael Gerdau m...@qata.de
To: lilypond-user@gnu.org
Sent: Tuesday, August 25, 2015 3:27 PM
Subject: Re: vertical spacing of rests
\override Rest.voiced-position = 0
Yes, first available in 2.19.15, courtesy of Keith O'Hara.
Yet to be documented in the
Michael Gerdau m...@qata.de writes:
\override Rest.voiced-position = 0
Yes, first available in 2.19.15, courtesy of Keith O'Hara.
Yet to be documented in the NR, I believe.
I have used Peter's example code and tried various parameter to
voiced-position (see attached). It is my impression
Thanks David. That looks like a solution for me.
Bill
On 15-08-24 10:13 PM, David Nalesnik wrote:
On Mon, Aug 24, 2015 at 7:51 PM, William Marchant
wmarch...@eastlink.ca mailto:wmarch...@eastlink.ca wrote:
Thanks to Simon and Abraham. I found the quoted reference on my
own, but I
Is there a way of using \repeat volta 2 and similar when using
the \parallelMusic command? The following does not work:
\version 2.18.0
\parallelMusic #'(Vone Vtwo) {
%bar 1
\repeat volta 2 { d''1 |
\repeat volta 2 { f'1 |
%bar 2
c''1 } |
e'1 } |
}
\score {
\new Staff
chordRoot =
#(define-music-function (m) (ly:music?) (event-chord-reduce m))
That works perfectly!
I don't like the name. Once we come up with a nice bike shed color, we
probably should provide that function in LilyPond proper and document it
along with Pitch_squash_engraver.
I agree that
Peter Selinger wrote Tuesday, August 25, 2015 2:28 PM
I think using
\override Rest.voiced-position = 0
in the voice in which you have rests might do the trick for you.
Trevor
This shows that I should read my emails in the correct order. Thanks
for the tip about voiced-position.
David Sumbler da...@aeolia.co.uk writes:
Is there a way of using \repeat volta 2 and similar when using
the \parallelMusic command? The following does not work:
\version 2.18.0
\parallelMusic #'(Vone Vtwo) {
%bar 1
\repeat volta 2 { d''1 |
\repeat volta 2 { f'1 |
%bar 2
Hello Michæl,
In the APL course I took years ago, the teacher said: « Exercice for the next
two weeks : find out what this sample program (25 symbols altogether) does.
A guy says two weeks later: « It does this and that… but it took me two and a
half hours to find out! »
And teacher answers: «
On Tue, Aug 25, 2015 at 9:53 PM, David Kastrup d...@gnu.org wrote:
The following appears to work here. Of course it begs the question
whether we should provide a context definition like that, possibly with
a better name, in LilyPond by default.
Excellent! That does work, which is good because
On Tue, 25 Aug 2015 09:23:12 +1000
Andrew Bernard andrew.bern...@gmail.com wrote:
Unless you enjoy writing Scheme as much as I do!
I programmed quite a lot in lisp and APL, but never quite liked it.
From a practical point of view: every linux system comes with Perl and
Python. If you're lucky
That was the general idea. I posted some instructions about how to add the
utility to a lilypond installation for people but in a new thread. It was
actually one of the main reasons I did it in Scheme - there would be a
guaranteed known execution environment installed if the user is using
Blöchl Bernhard b_120902342...@telecolumbus.net writes:
I sent that post on Monday August 24th at about 17:00 UTC. It never
appeared on the list for reasons I do not know. For another trial I
send that mail again.
I cannot tell you the reason
#'( -5 -10 -15 -20)
does not work. But I
Blöchl Bernhard b_120902342...@telecolumbus.net writes:
with
That even works with \version 2.12.3.
I just reference to the original code under question. It obviously
used lilypond
\version 2.12.3
But it's a bad idea to tack on a version header referring to a version
with which the file
with
That even works with \version 2.12.3.
I just reference to the original code under question. It obviously used
lilypond
\version 2.12.3
Regards
Am 25.08.2015 09:13, schrieb David Kastrup:
Blöchl Bernhard b_120902342...@telecolumbus.net writes:
I sent that post on Monday August 24th at
On Tue, 25 Aug 2015 15:29:56 +1000
Andrew Bernard andrew.bern...@gmail.com wrote:
quicksort=: (($:@(#[), (=#[), $:@(#[)) ({~ ?@#)) ^: (1#)
It's hard to believe that people only complained about Perl being line
noise...
-- Johan
___
lilypond-user
Johan Vromans jvrom...@squirrel.nl writes:
On Tue, 25 Aug 2015 09:23:12 +1000
Andrew Bernard andrew.bern...@gmail.com wrote:
Unless you enjoy writing Scheme as much as I do!
I programmed quite a lot in lisp and APL, but never quite liked it.
From a practical point of view: every linux
Andrew Bernard andrew.bern...@gmail.com writes:
lilypond-user-bounces+andrew.bernard=gmail@gnu.org on behalf of
d...@gnu.org wrote:
If all else fails, the lilypond binary itself can serve as a GUILE
interpreter.
That was the general idea. I posted some instructions about how to add
the
I sent that post on Monday August 24th at about 17:00 UTC. It never
appeared on the list for reasons I do not know. For another trial I send
that mail again.
I cannot tell you the reason
#'( -5 -10 -15 -20)
does not work. But I can tell you how I do it:
I am not sure I understand. Is having a symlink:
flatten-ly - /home/username/bin/lilypond-wrapper.guile
not correct? The convert-ly utility is set up as:
convert-ly - /home/username/bin/lilypond-wrapper.python
Andrew
On 25/08/2015 18:11, David Kastrup d...@gnu.org wrote:
It's not just
Am 25.08.2015 um 10:11 schrieb David Kastrup:
Andrew Bernard andrew.bern...@gmail.com writes:
lilypond-user-bounces+andrew.bernard=gmail@gnu.org on behalf of
d...@gnu.org wrote:
If all else fails, the lilypond binary itself can serve as a GUILE
interpreter.
That was the general idea.
Am 25.08.2015 um 11:12 schrieb Andrew Bernard:
I am not sure I understand. Is having a symlink:
flatten-ly - /home/username/bin/lilypond-wrapper.guile
not correct? The convert-ly utility is set up as:
convert-ly - /home/username/bin/lilypond-wrapper.python
I think that David meant
Den 2015-08-23 00:01, skrev Peter Selinger:
Hello again,
this is a true newbie question. I am trying to engrave two polyphonic
voices on a single staff. Since the two voices have all their rests in
common, I only want to typeset each rest once, so I use spacer rests
in the second voice. Still
Andrew Bernard andrew.bern...@gmail.com writes:
On 25/08/2015 18:11, David Kastrup d...@gnu.org wrote:
It's not just that. It's also that the lilypond executable is pretty
sure to know the search paths of LilyPond. You cannot really get them
reliably without calling LilyPond, and if you
Hello,
with my current project I wanted to avoid making too many manual
adjustments on LyricText.self-alignment-X, and so I made an essay at
having this done automatically depending on the width of the syllable.
It’s not a very sophisticated approach – a really intelligent solution
is still
I'm sure this is documented somewhere and I just can't seem to find
it. How do I get a new staff to immediately follow a previous staff in
the same vertical space. In this simple example, I'd like the TabStaff
to end, and the RhythmicStaff to immediately follow in the same
vertical space, rather
Am 26.08.2015 um 00:04 schrieb Simon Albrecht:
Hello,
with my current project I wanted to avoid making too many manual
adjustments on LyricText.self-alignment-X, and so I made an essay at
having this done automatically depending on the width of the syllable.
It’s not a very sophisticated
Phil Holmes wrote:
- Original Message -
From: Michael Gerdau m...@qata.de
To: lilypond-user@gnu.org
Sent: Tuesday, August 25, 2015 3:27 PM
Subject: Re: vertical spacing of rests
\override Rest.voiced-position = 0
Yes, first available in 2.19.15, courtesy of Keith O'Hara.
Am 25.08.2015 um 02:51 schrieb William Marchant:
Thanks to Simon and Abraham. I found the quoted reference on my own,
but I need something which can be applied to several single bars
throughout the music. It is the lyrics which are distorting just a
few bars. I had hoped there would be a
On Tue, 25 Aug 2015, Andrew Bernard wrote:
If you want to put flatten-ly into your lilypond installation, copy it to the
lilypond installation bin directory, and make a symbolic link to
the lilypond guile wrapper in your bin directory where the other lilypond tools
are.
For example:
$ cp
That cannot work as you overwrite your setting
\set Staff.stringTunings = \stringTuning e,, a,, d, g,
with
\set Staff.stringTunings = #bass-tuning
#bass-tuning is preset in the list in lilypond you got shortly with
another mail.
Correct use is
\new TabStaff {
\set Staff.stringTunings =
Simon,
On Tue, Aug 25, 2015 at 5:40 PM, Simon Albrecht simon.albre...@mail.de
wrote:
Am 26.08.2015 um 00:04 schrieb Simon Albrecht:
Hello,
with my current project I wanted to avoid making too many manual
adjustments on LyricText.self-alignment-X, and so I made an essay at having
this done
70147pers...@telia.com wrote:
Hello,
There might be another aspect of positioning (common) rests from
different voices. This is beside all the technical solutions presented
earlier in this thread. All these work more or less fine for half rests
as well as full rests. But when it comes to
Trevor Daniels wrote:
selin...@mathstat.dal.ca (Peter Selinger) writes:
this is a true newbie question. I am trying to engrave two polyphonic
voices on a single staff. Since the two voices have all their rests in
common, I only want to typeset each rest once, so I use spacer rests
in
The closest I've been able to get so far is to instantiate the
TabStaff and the RhythmicStaff inside the ChordNames in parallel with
the chords I want to make. I still don't get the TabStaff and the
RhythmicStaff on the same line, but if I insert a \break (commented
out below) in between them,
Hi David (et al.),
This is one of my biggest pet peeves.
It was part of the GSoC lyric work that never got completed.
My sponsorship offer for a fix remains open! =)
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email:
Joel Ebel jbe...@mybox.org writes:
I'm sure this is documented somewhere and I just can't seem to find
it. How do I get a new staff to immediately follow a previous staff in
the same vertical space. In this simple example, I'd like the TabStaff
to end, and the RhythmicStaff to immediately
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