I have a piano score which uses \RemoveAllEmpyStaves to remove staves where
there is only activity in one staff. This works very nicely of course. I
generally use a Dynamics context for pedalling, using sustain on and off
events attached to spacer rests. This works perfectly of course also. Bu
tint
Hi Benjamin,
On Fri, Feb 9, 2018 at 7:43 PM, Benjamin Bloomfield wrote:
> I've been trying to figure out a way to force left-alignment
> (LyricText.self-alignment-X = -1) on just the lyrics associated with the
> first notes of every system, but I haven't been able to get it working.
> What I was
I've been trying to figure out a way to force left-alignment
(LyricText.self-alignment-X = -1) on just the lyrics associated with the
first notes of every system, but I haven't been able to get it working.
What I was trying was overriding LyricText.after-line-breaking with a
callback function to se
On 2/9/2018 11:16 AM, Daryls_Produce wrote:
Hi All:
Although "Document Browser" is checked under the tools pull down list, I
don't have the Document Browser.
Can anybody suggest what I should to to restore it?
Thanks,
Daryl's Roadside Honor System Vegetable Stand and Dairy Produce
If you a
On 2/9/2018 11:16 AM, Daryls_Produce wrote:
Hi All:
Although "Document Browser" is checked under the tools pull down list, I
don't have the Document Browser.
Thanks,
Daryl's Roadside Honor System Vegetable Stand and Dairy Produce
I'm sorry, what? Are you in Frescobaldi, is that what you me
Hi All:
Although "Document Browser" is checked under the tools pull down list, I
don't have the Document Browser.
Can anybody suggest what I should to to restore it?
Thanks,
Daryl's Roadside Honor System Vegetable Stand and Dairy Produce
--
Sent from: http://lilypond.1069038.n5.nabble.com/Use
2018-02-09 16:16 GMT+01:00 Andrew Bernard :
> Hi Robert,
>
> This perhaps. By no means unacceptable.
>
> ===
> \version "2.19.81"
>
> treble = {
> \clef treble
> \time 3/4
> <<
> {
> \voiceTwo
> f'4\rest \crossStaff { 4 } |
> }
> \new Voice
> {
> }
> >>
> }
Hi David,
You give most fantastic and beneficial value and support to the community
and application. Rest assured it is appreciated.
Andrew
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Hi Robert,
This perhaps. By no means unacceptable.
===
\version "2.19.81"
treble = {
\clef treble
\time 3/4
<<
{
\voiceTwo
f'4\rest \crossStaff { 4 } |
}
\new Voice
{
}
>>
}
bass = {
\clef bass
\time 3/4
<<
{
\voiceTwo
c2.
}
Hi Andrew,
Thanks for your replies.
I understand that what I want is, in LilyPond, impossible by regular means,
and/or unusual if realized by a weird trick, moving a note-head to the wrong
side of the stem. That would be rather ugly, I think.
Still, what I want to do is not my idea. To illustrat
Something like this perhaps. You can tune the slur shape better than my
rough example.
===
\version "2.19.81"
{
\time 2/4
\clef treble
<<
{
\voiceOne
\shape #'((0 . 0.5) (0 . 0.5) (4 . 1) (3 . -3)) Slur
4^( |
a') |
}
\new Voice
{
\voiceThree
Sorry Brian, it's late and I am dreaming. You cant start a slur on a spacer
rest, Apologies.
Andrew
On 10 February 2018 at 00:54, Andrew Bernard
wrote:
>
> You could also put spacer rests in the voice to start the slur on, but
> that is also a hack.
>
>
>
__
Hi Brian,
The way I do this is to shape the slur so that it extends past the A. This
is fake out, but you can use \shape to do it, or the more flexible \shapeII
function in the openlilylib library. Although this approach is a bit of a
kludge, it ends up faster than artificially putting the first c
I am just learning LilyPond, and to practice I’m engraving Dvořák’s Humoresque
No. 1 in E-flat Minor, which is in 2/4 time.
I’m stuck on the top staff in the attached image (measures 70 and 71).
It seems that there are three voices in the last beat of the second measure.
The phrasing slur nee
Am 09.02.2018 um 09:57 schrieb Johannes Roeßler:
Hi Andrew,
a 18th century cantata - I found (very few) links with google where you
can see "Tromba I mo" "Oboe I mo" and "Cornu I mo" - so its not a typo...
Joei
Hi Johannes,
What MS, what context? I don't know of 'mo' in any tonic sol fa.
A
Hi Robert,
It would be unusual to glue stems together as you are suggesting, if I
understand what you want correctly. To use the crossStaff construct the
stems have to be in the same direction. No negotiation. :-)
If you really wanted to insist, there are examples of how to move
individual noteh
Dear all,
I' ve been trying to connect, in a pianoscore, a top note in the lower staff
with a chord in the upper staff.
I tried the methods given in the documentation and those given in the previous
discussion on this list, a few days ago, on this topic.
They don't work for me because the stem
> Just out of curiosity - shouldn't it be "tromba prim*a*/second*a*"
> in Italian (1ma/2da)?
Indeed.
> Or is it a case of "modo russico" ;)
Hehe, I think you are right :-)
Werner
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Thanks a lot !
I confirm that I.mo stands for 'Primo' and 2.do stands for Secundo.
Have a nice day,
Rémy
> Message du 09/02/18 11:48
> De : "Johannes Roeßler"
> A : "Remy CLAVERIE" , lilypond-user@gnu.org
> Copie à :
> Objet : Re: Tromba "mo"
>
>
> sure, but maybe we should
sure, but maybe we shouldn't double our efforts - I'm nearly finnished with the
edition and will provide it on IMSLP...
Its Johann Ernst Bachs Cantata "Ein feste Burg"
http://bach.joei.de/2018/02/09/ein-feste-burg/
cheers, Joei
I am also interested by the fasimile of this cantata. Could you
*facepalm* - yep, thats it... thx all!
Uh, oh, this means `Tromba primo', `first Tromba', so please forget what
I talked about solmisation :-)
Werner
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Andrew Bernard writes:
> Hi Karlin and Klose,
>
> You get a lot more than just a treble clef, although that's what the OP was
> asking. You get a very refined and subtle complete font. Cadence is very
> subtle.
>
> I tend to think of Abraham's work as what is called payware in the flight
> sim wo
Just out of curiosity - shouldn't it be "tromba prim*a*/second*a*" in Italian
(1ma/2da)?
I'd be interested in the link, too.
Or is it a case of "modo russico" ;)
Cheerio,
Torsten
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Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
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l
Hi Johannes,
I am also interested by the fasimile of this cantata. Could you send us the web
link ?
Thanks a lot,
Rémy
> Message du 09/02/18 09:58
> De : "Johannes Roeßler"
> A : "Andrew Bernard" , lilypond-user@gnu.org
> Copie à :
> Objet : Re: Tromba "mo"
>
>
Hi Andre
>>> I've got a manuscript with two "Trombas" - in "mo" and "do".
Obviously, the other one is `II do' – Tromba secondo :-)
Werner
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> a 18th century cantata - I found (very few) links with google where
> you can see "Tromba I mo" "Oboe I mo" and "Cornu I mo" - so its not a
> typo...
Uh, oh, this means `Tromba primo', `first Tromba', so please forget what
I talked about solmisation :-)
Werner
___
> What MS, what context? I don't know of 'mo' in any tonic sol fa.
`mo' is a term from (German?) `relative solmisation', cf.
https://de.wikipedia.org/wiki/Solmisation#Relative_Solmisation
However, I have never seen this in any score...
>> I've got a manuscript with two "Trombas" - in "mo" an
Hi Andrew,
a 18th century cantata - I found (very few) links with google where you can see "Tromba I mo"
"Oboe I mo" and "Cornu I mo" - so its not a typo...
Joei
Hi Johannes,
What MS, what context? I don't know of 'mo' in any tonic sol fa.
Andrew
On 9 February 2018 at 19:40, Johannes Roeß
Hi Johannes,
What MS, what context? I don't know of 'mo' in any tonic sol fa.
Andrew
On 9 February 2018 at 19:40, Johannes Roeßler wrote:
>
> I've got a manuscript with two "Trombas" - in "mo" and "do". While "do"
> sounds like the "do" from Solmization,
> I've no idea regarding the "mo" or
Hi,
my apologies for being slightly off topic - but hoping for some musical
knowledge here ;)
I've got a manuscript with two "Trombas" - in "mo" and "do". While "do" sounds like the
"do" from Solmization,
I've no idea regarding the "mo" or should that be like a darker toned "mi" - so
mi-flat?
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