Re: August 27 news

Hello Malte, I’m studying MusicXML and bumped into this particular duration problem. It looks like Finale handles that in its own way. I hadn’t thought that code like f64*64/85 would be a solution. Thanks for your clarifications, and a nice day! JM > Le 30 août 2018 à 14:03, Malte Meyn a

Re: Intervalic Chord Names

Hello Tom, Do I guess it right that you’d like tonality-relative numbers, i.e. V7 for A7 in D major? JM > Le 28 août 2018 à 16:27, Malte Meyn a écrit : > > > > Am 28.08.18 um 15:29 schrieb Tom Swan: >> Sorry for duplication but my previous try didn't seem to go through.) > > It came

Re: Proprietary Software term

Hello Johan, Do you know the *real* difference between theory and practice? In theory, they’re one and the same thing, but in practice, they’re quite different... JM > Le 22 août 2018 à 09:25, Johan Vromans a écrit : > > On Tue, 21 Aug 2018 12:21:08 -0700, Aaron Hill > wrote: > >> Patents

Re: obtenir partition à partir de tablature ?

Excellent, Pierre, merci! Je ne connaissais pas Pitch_squash_engraver. JM > Le 31 juil. 2018 à 17:04, Pierre Perol-Schneider > a écrit : > > Essaie : > > \version "2.18.2" > > %{ > Antisèche (uniquement pour ceux qui connaissent mal leur manche) : > 01234etc. > 1

Re: Terminology question

Thanks Simon & Torsten, it’s all clear now. A nice day! JM > Le 18 juil. 2018 à 12:47, Torsten Hämmerle a écrit > : > > Menu Jacques wrote >> Is the example realistic, with ligatures both above and below the staff? > > Yes, in polyphonic notation (stems in opposite direction), ligature

Re: Interactive PDF Link to Notes in Preview

>>> Sadly, I can not use Frescobaldi. Having upgraded to Mac OS 11.6 >>> (El Capitan) I find that I am unable to bypass the built-in >>> security feature that blocks unsigned applications. (no more >>> freeware!) I am able to continue using Lilypond, because (I >>> presume) it was already on

Re: general-align problem with 2.21.0

And thanks David! > Le 12 juil. 2018 à 08:11, David Kastrup a écrit : > > Werner LEMBERG writes: > /tmp/frescobaldi-_MMpyy/tmpsaOidZ/document.ly:9:68: error: wrong type for argument 1. Expecting duration, found "4." "Allegretto vivace"\smaller \general-align #Y #DOWN

Re: general-align problem with 2.21.0

Thanks, Malte & Werner! JM > Le 12 juil. 2018 à 07:55, Werner LEMBERG a écrit : > > >>> /tmp/frescobaldi-_MMpyy/tmpsaOidZ/document.ly:9:68: error: wrong type >>> for argument 1. Expecting duration, found "4." >>> "Allegretto vivace"\smaller \general-align #Y #DOWN \note >>>

Re: Chord \crossStaff question

Hello Rutger, Fine, your solution is cleaner than the one I had come to. I’ll make good use of that. Thanks, and a nice day! JM > Le 11 juil. 2018 à 09:35, Rutger Hofman a écrit : > > Hi Jacques, > > if you follow the instructions on cross-staff stems, you will arrive at > something like

Re: Two Frescobaldi suggestions

Hello Ben, Yes, I can use the MIDI player slide bar alright, but typing a number would be easier and more accurate if one often does that. JM > Le 9 juil. 2018 à 13:54, Ben a écrit : > > On 7/8/2018 3:52 PM, Urs Liska wrote: >> >> Am 8. Juli 2018 20:15:09 MESZ schrieb Menu Jacques >>

Re: \chords and markup text?

Same part of the doc as for your previous post. A nice day! JM > Le 30 juin 2018 à 08:42, Reilly Farrell a écrit : > > Hi All, > > Is there a simple way of modifying chord names in the \chords field with > markup text? More specifically, I'm looking for a way to print C7alt as a > chord

Re: chord names - C Delta 7 chord?

Hello Reilly, chExceptions is you friend, look for « Customizing chord names » in the LP Notation Reference. JM > Le 30 juin 2018 à 08:37, Reilly Farrell a écrit : > > Hi All, > > I'm looking for a solution for printing a C Delta 7 chord name (so that 7 > prints clearly after the delta

Re: Repeat question

Hello David, You’re right, there’s no point in my remark about the skip on the glissando stop! JM > Le 28 juin 2018 à 21:45, David Wright a écrit : > > On Thu 28 Jun 2018 at 14:10:10 (+0200), Jacques Menu Muzhic wrote: >> Just found an excellent example of the ‘look at what th

Re: Repeat question

of this in note.mod: A nice day! JM > Le 28 juin 2018 à 10:35, Jacques Menu Muzhic a écrit : > > Hello David, > > I downloaded the LilyPond Unofficial Test Suite at the time when the links to > in lilypond.org <http://lilypond.org/> were dead (I’d say 2.5 years ago),

Re: Repeat question

18, David Wright a écrit : > > [I haven't reattached the images.] > > On Tue 26 Jun 2018 at 18:22:00 (+0200), Jacques Menu Muzhic wrote: >> Hello David & Torsten, >> >> The snippet file in my OP is actually a shortened version of a file >> contained in the L

Re: Repeat question

Thanks Torsten! For completeness, here is the MusicXML data. It’s interesting to observe that MusicXML import is not done the same way by different tools, hence my post. JM -- http://www.musicxml.org/dtds/partwise.dtd;> Nested repeats, each with alternative

Re: Percussion and tab clefs question

Hello Joram & Torsten, Fine, so both are right, thanks for the information. The file I used is not musically relevant actually, since it’s only a unit test for clefs handling. A nice w-e! JM > Le 23 juin 2018 à 12:22, Torsten Hämmerle a écrit : > > Hello Jacques, > > Just a few additions

Re: change of volta number

Hello Joram, \set Score.repeatCommands is exactly what I was looking for actually. Thanks, and a nice day! JM > Le 22 juin 2018 à 23:33, Noeck a écrit : > > Dear Jacques, > >> It would be nice if such settings could be specified in the regular >> \repeat commands, as can be done in

Re: change of volta number

It would be nice if such settings could be specified in the regular \repeat commands, as can be done in MusicXML: 4 1 I dont have the skills to contribute to that, unfortunately. JM > Le 22 juin

Re: DrumStaff question

Thanks a lot Torsten for this exhaustive answer, most instructive! JM > Le 13 juin 2018 à 14:33, Torsten Hämmerle a écrit : > > Menu Jacques wrote >> A side question is (I’m no percussionist): how does one chose between >> DrumStaff and RythmicStaff? > > That's how I handle it resp. what I've

Re: naming a glyph

Can you supply a picture of what you’d like to obtain? JM > Le 22 mai 2018 à 16:55, James.Correa a écrit : > > Hi Freeman, > > If I understand you correct this might help you: > > http://lilypondblog.org/2014/04/using-special-characters-from-smufl-fonts/ >

Re: Intervals between various B pitches

Hello Malte and Simon, I must apologize for the subject of this post being off-topic for this list, but you guys here are the best experts I can contact for such a specific question. I’m programming a function computing the interval between two pitches, to display for example the inner

Re: 5/4 full measure rest

Hello Joram, Orm and Karim, Thanks, it’s clear now! JM > Le 16 mai 2018 à 10:35, Orm Finnendahl > a écrit : > > Am Mittwoch, den 16. Mai 2018 um 10:11:30 Uhr (+0200) schrieb Menu Jacques: >> Hello folks, >> >> What is the best way to write such a

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

Thanks Simon, I’ll have something quite interesting to read in the forthcoming time! JM > Le 7 mai 2018 à 20:08, Simon Albrecht <simon.albre...@mail.de> a écrit : > > On 07.05.2018 18:51, Jacques Menu Muzhic wrote: >> Would it be a reasonable approach to have LilyPo

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

. > Le 7 mai 2018 à 18:18, Urs Liska <li...@openlilylib.org> a écrit : > > > > Am 07.05.2018 um 18:13 schrieb Jacques Menu Muzhic: >> Hello Urs, >> >> With the LP code: >> >> { >> c'8 [ d' e' f' ] >> } >> >> what

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

Hello Urs, With the LP code: { c'8 [ d' e' f' ] } what is the difficulty for producing markups in the MusicXML output? JM > Le 6 mai 2018 à 12:20, Urs Liska <li...@openlilylib.org> a écrit : > > > > Am 6. Mai 2018 12:08:39 MESZ schrieb Jacques Menu Muzhic >

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

pleted successfully in 0.8". > Le 6 mai 2018 à 11:58, Urs Liska <li...@openlilylib.org> a écrit : > > > > Am 06.05.2018 um 11:43 schrieb Jacques Menu Muzhic: >> Hello Urs, >> >> musicsml2ly and Finale 2014 behave as expected, but MuseScore 2.2.

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

The « bug » seems to have been introduced since MuseScore 2.2.x: 2.1.0 behaves as expected. JM > Le 6 mai 2018 à 11:51, Martin Tarenskeen a écrit : > > > > On Sun, 6 May 2018, Urs Liska wrote: > >> Attached you'll find a simple nobeam.ly and the file nobeam.xml,

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

> Am 06.05.2018 um 10:11 schrieb Jacques Menu Muzhic: >> Hello Urs, >> >> I’m doing tests with MusicXML, could you send me an example where MuseScore >> doesn’t show any beams after exporting from LilyPond? > > Attached you'll find a simple nobeam.ly and the

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

Hello Urs, I’m doing tests with MusicXML, could you send me an example where MuseScore doesn’t show any beams after exporting from LilyPond? Thanks! JM > Le 5 mai 2018 à 11:50, li...@openlilylib.org a écrit : > > Hi Torsten, > > 5. Mai 2018 11:44, "Torsten Hämmerle"

Re: Need someone testing XML file in Finale and Sibelius (and Dorico)

Hello, Not sure whether this helps: removing: continue from the file, MuseScore 2.2.1 produces: Finale 2014 produces: and musicxml2ly produces: musicxml2ly: Reading MusicXML from O5beamWithoutBeamNumberContinue.xml_inter.xml ... musicxml2ly: Converting to

Re: Intervals enharmony question

Hello Hans, Sorry for not knowing, what does GHB mean in our context? JM > Le 4 mai 2018 à 14:51, Hans Åberg a écrit : > >> >> On 4 May 2018, at 12:00, Wols Lists wrote: >> >> On 30/04/18 22:46, Torsten Hämmerle wrote: >>> Hans Åberg-2 wrote

Re: Intervals enharmony question

Hello, A friend of ours hired a pianist and a violin player, both skilled professionals, for his 50th birthday. The pianist took scores from his bag, placed them on the piano, and they played. A the beginning of a new piece, the violin player had the previous one still in mind, and played the

Re: Intervals enharmony question

rle <torsten.haemme...@web.de> a écrit : > > Jacques Menu Muzhic wrote >> Going a bit further, I bumped into this case. >> >> Since the note at some interval from another one keeps its pitch name in >> its different « variants », how about Db’s seconds? >> &g

Re: Intervals enharmony question

uses triple flats though, must have missed something… JM > Le 30 avr. 2018 à 15:50, Hans Åberg <haber...@telia.com> a écrit : > > >> On 29 Apr 2018, at 22:17, Jacques Menu Muzhic <imj-muz...@bluewin.ch> wrote: >> >> OK, now everything is clear, it

Re: measures between the staffs

Hello Ben, Download the PDF’s and search in there, much more pleasant btw. JM > Le 30 avr. 2018 à 15:26, Ben a écrit : > > On 4/30/2018 5:58 AM, Bernhard Kleine wrote: >> Hi, >> >> I have the following piece and I want the measure bar inbetween the >> sstaffs,

Re: Intervals enharmony question

Salut Torsten, OK, now everything is clear, it’s precisely on jazz chords I’m working. Thanks! JM > Le 29 avr. 2018 à 19:50, Torsten Hämmerle <torsten.haemme...@web.de> a écrit : > > Jacques Menu Muzhic wrote >> Do I get it right that this is key-independent too for th

Re: Intervals enharmony question

Hello Lukas, Thanks for your answer. In fact, it not the interval name, but the note such as B double flat that concerns me currently. Do I get it right that this is key-independent too for the diminished fifth of E flat? JM > Le 29 avr. 2018 à 18:41, Lukas-Fabian Moser a

Re: Large set of parts

Excellent, Werner! JM > Le 27 avr. 2018 à 20:17, Werner LEMBERG a écrit : > > >>> Guiness Book claim for worst tongue-twister: >>> >>> "The sixth sick sheikh's sixth sick sheep's sixth sheep's sick" >>> >>> Say it several times fast for full effect. >> >> The worst German one

Re: Spacer Rests Global Confusion

Hello R., A variable is nothing more than a name for a value, a piece of text in the case of Lily. Using it with a backslash ahead of its name leads to this value being inserted at this point in the Lily code. It’s the same as in all programming languages, there no implied magic at at all

Re: special tempo marks: note value = note value = bpm?

Hello Reilly, > Le 23 avr. 2018 à 19:34, Reilly Farrell <reillycfarr...@gmail.com> a écrit : > > Issue resolved - thank you both! You’re welcome, even though I still don’t know what you wer after… ;) JM > > On Sun, Apr 15, 2018 at 11:42 PM, Jacques Menu Muzhic &

Re: Consistent vertical alignment of annotations, disable time signiture

Ooops, that was in Oslo, Norway, not Sweden... > Le 18 avr. 2018 à 21:47, Jacques Menu Muzhic <imj-muz...@bluewin.ch> a écrit : > > In compiler technology, ‘object code’ refers to the code generated by a > compiler, containing the same semantical information as the ’source

Re: Consistent vertical alignment of annotations, disable time signiture

In compiler technology, ‘object code’ refers to the code generated by a compiler, containing the same semantical information as the ’source code’ that has been compiled, but in a form better suited for the task at hand. Quite often, the goal is execution by a physical or virtual processor.

Re: temporarily disable Dot_column_engraver?

Hello Fox, << { *2.^"Not OK" 1. } \\ prevents your code from compiling on 2.19.80. JM > Le 18 avr. 2018 à 13:22, foxfanfare a écrit : > > This post is old, but I can't find the solution for this specific problem. > In a general way, I wonder how it is possible to

Re: special tempo marks: note value = note value = bpm?

Hello Reilly, Can you post a drawing of what you’re after? JM > Le 16 avr. 2018 à 00:18, Reilly Farrell a écrit : > > Hi All, > > I'm working on compiling excerpts that undergo changes in time signature > while keeping the beat constant. My hope is to find a way

Re: Harmony presentation question

Hello Joram, > Le 13 avr. 2018 à 19:31, Noeck a écrit : > > Hi, > > what is in the musicxml? One or two chord tracks? Two tracks. > What is your goal? I wondered if moving all chords to a single staff was was the trouble. > > If there are two intentionally in xml,

Re: Tremolo repeats and groups of notes

Hello Marco, None of your examples compile with 2.19.80, which complains about spurious expression in \score messages. How did you copy/paste the code into your post? You can also attach the files to the message. JM > Le 12 avr. 2018 à 07:13, Marco Bagolin a écrit :

Re: Scordatura question

Hello all, Thanks for the pointers and explanations. I thought there might be a specific way to indicate a scordatura, and it turns out there are many possible ways, including providing a second scores with the actual pitches or a staff fragment showing the various string pitches vertically:

Re: Cross-staff chords question

Thanks, Simon! JM > Le 7 avr. 2018 à 15:03, Simon Albrecht <simon.albre...@mail.de> a écrit : > > On 07.04.2018 11:39, Jacques Menu Muzhic wrote: >> When a hand doesn’t play, is it best for the keyboard player to read rests >> or should skips be used instead? > &

Re: Cross-staff chords question

Hello Andrew, When a hand doesn’t play, is it best for the keyboard player to read rests or should skips be used instead? JM > Le 7 avr. 2018 à 11:11, Andrew Bernard a écrit : > > Hi JM, > > Speaking as a keyboard player myself, it's not just a matter of presenting

Re: Cross-staff chords question

Hello Rutger, Malte and Andrew, I overlooked \crossStaff and didn’t get the Span_stem_engraver should be used, sorry for that and for not removing the extraneous music in my last post. Thanks for your help, and a nice day! JM > Le 7 avr. 2018 à 11:11, Andrew Bernard

Re: Articulation sign in Haydn

Hello Lukas-Fabian, I use LilyDev 4 (Debian 8), on which LilyPond builds seamlessly off the shelf. It’s easy to copy your user configuration files to this version of Linux. HTH! JM > Le 5 avr. 2018 à 22:24, Karlin High a écrit : > > On 4/5/2018 1:48 PM, Lukas-Fabian

Re: Key Signature name in Markup

Hello Harm, Great, as usual! Thanks! JM > Le 2 avr. 2018 à 16:48, Thomas Morley a écrit : > > Hi, > > 2018-04-02 6:32 GMT+02:00 brob2684 : >> Hi Harm, >> >> I hadn't really thought about no key signature as being an issue, but I can >>

Re: an open question

; aside for a while, but it is still on my agenda and hopefully it develops > further soon. > > So if anyone is interested in joining this challenge you may contact via the > list or private mail. > > Jan-Peter > > > Am 24.03.2018 um 17:47 schrieb Jacques Menu Muzhic: &

Re: an open question

Hello, Joe, what do mean exactly by pure data? Jan-Peter, I’m interested in the MusicXML export from LP, can you tell us more? A nice day! JM > Le 24 mars 2018 à 06:48, Jan-Peter Voigt a écrit : > > Hello Joe, > > this is touching a subject I have been working on last

Re: Centered full-measure rest in 3/4?

Hello Torsten, Thanks for this quite interesting example of Lily’s capabilities! JM > Le 7 mars 2018 à 21:14, Torsten Hämmerle a écrit : > > Hi Karen, > > We all know that your client's preferred solution is against the rules, but, > if she wants it that way, this

Re: Simple midi player

Hello Nathan, Frescobaldi/SimpleSynth provides this, what’s the advantage of using vim/a pdf reader? JM > Le 5 mars 2018 à 03:10, Nathan Sprangers a > écrit : > > Hello all, > > Can anyone suggest a simple midi player that can begin or cue playback from a >

Re: Change the shape of treble clef

> Le 8 févr. 2018 à 07:39, klose a écrit : > > Hi Andrew, > > Thank you for your reply but it looks like the ink is dead? Intended pun, given the post subject? JM ___ lilypond-user mailing list lilypond-user@gnu.org

Re: duration longer than meter?

Hello Vivyan, You’ll be better off with: \version "2.19.58" lower = \relative c { \clef bass \time 3/4 e2 4 } { \lower } JM > Le 3 févr. 2018 à 19:08, Vivyan a écrit : > > I need these notes to fit within the same meter? How can I stop lilypond

Re: Grace notes & Co, style question

BTW, this could be added to the LPNR it seems. JM > Le 24 janv. 2018 à 07:21, Jacques Menu Muzhic <imj-muz...@bluewin.ch> a écrit > : > > Hello Joram, > > Thanks for the clarification! > > JM > >> Le 23 janv. 2018 à 21:42, Noeck <noeck.m

Re: bug in \repeat percent?

Hello bb, According to the LPNR, \repeat percent is meant for patterns shorter than a measure or occupying one or two measures. Maybe this explains that? JM > Le 24 janv. 2018 à 16:31, bb a écrit : > > \version "2.19.80" > > \layout { \context { > \Score

Re: Grace notes & Co, style question

Hello Joram, Thanks for the clarification! JM > Le 23 janv. 2018 à 21:42, Noeck a écrit : > > Hi Jacques, > > in your 8 bars, you have only 4 different outcomes of your 8 different > inputs, combinations of (slashed/unslashed) and (slurred/unslurred). I > would just

Re: Lead sheet with variables

Hello JH, music = \relative c'’ { … } > Le 23 janv. 2018 à 16:23, JH Austin a écrit : > > I tried to modify the Lead Sheet example by using a variable: > --- > \version "2.19.40" > > \music = \relative c'' { >a4 e c8 e r4 >b2 c4( d) > } > \score {

Re: Transposing in the Input file

Hello Kale, According to my experience, your best bet is to be able to edit the result of the scan in Audiveris before producing the MusicXML. I don’t know Audiveris: is that at all possible, as it is in PhotoScore Ultimate? JM > Le 14 janv. 2018 à 14:59, Kale Good a

Re: Changing the ossia staff distance to another staff

Hello Kieren, Brilliant! This not only helps, it’s a lesson on the fine usage of LilyPond’s possibilities. Thanks so much! JM > Le 12 janv. 2018 à 18:08, Kieren MacMillan a > écrit : > > Hi Jacques, > >> whichever values I choose for basic-distance and

Re: Changing the ossia staff distance to another staff

Hello Ben, Thanks for the link, I had missed that post! There seems to be an interference with the PianoStaff though, since whichever values I choose for basic-distance and minimum-distance in default-staff-staff-spacing, and contrary to the earlier post you indicated, the score comes out the

Re: Changing the car or cdr of a pair

Hello David and Malte, Thanks for the alternatives, I now have what I needed! JM > Le 25 déc. 2017 à 20:21, Malte Meyn a écrit : > > > > Am 25.12.2017 um 19:01 schrieb David Kastrup: >> David Kastrup writes: >>> \once \override

Re: Vintage Jazz Chords post in 2011 - Howto get it to display on Fresco?

Hello Daryls, Your code sample doesn’t contain music, in fact, only chords display specifications. You can take ideas from the example below. lilyjazz can be found at https://github.com/OpenLilyPondFonts/lilyjazz . It should be accessible to

Re: Hammer-on and pull-off

7 à 09:54, Noeck <noeck.marb...@gmx.de> a écrit : > > > > Am 23.12.2017 um 08:52 schrieb Jacques Menu Muzhic: >> Going along you lines, the H and P can be centered between the two notes, >> see below. > > Shifting by adding " " is not so nice, you are righ

Re: Hammer-on and pull-off

Hello Joram, Thanks for this example. Going along you lines, the H and P can be centered between the two notes, see below. JM — \version "2.19.80" music = \relative { a2 c (^" P" b )( ^" H" c ) \glissando d1 } << \new Staff \with { \omit TextScript } \music \new TabStaff \with {

Re: accedentals

Hello Vivyan, > Le 17 déc. 2017 à 15:57, Vivyan a écrit : > > I'm not sure why my accidentals arn't working? We’re neither, since we haven’t got the least idea of what you’re attempting to do. JM ___ lilypond-user

Re: Slur on the last note of a staff

Thanks Urs, This fails to compile with 2.19.80, though: Starting lilypond 2.19.80 [Untitled]... Processing `/var/folders/jc/xrpy67_x6_vcjfzpzds_9_6mgn/T/frescobaldi-5ev0ysh2/tmp2gdtg16j/document.ly' Parsing...

Re: DrumStaff vs Staff for instrument name

Thanks David, I’ll use \with {} for that. JM > Le 13 déc. 2017 à 13:10, David Kastrup a écrit : > > David Kastrup > writes: > >> Caagr98 writes: >> >>> In `engraver-init.ly` (line 111 on my version), there is a line saying

Re: DrumVoice vs non-existent RhythmicVoice

Fine, thanks a lot! JM > Le 13 déc. 2017 à 10:34, Caagr98 a écrit : > > A DrumVoice has different musical content than a Voice (uses the `drum-type` > NoteEvent property rather than `pitch`, generating different midi output, > etc). However, a RhythmicStaff only changes

Re: DrumStaff vs Staff for instrument name

Hello Caagr98, Thanks for the explaination, and a nice day! JM > Le 13 déc. 2017 à 10:13, Caagr98 a écrit : > > In `engraver-init.ly` (line 111 on my version), there is a line saying > `\alias "Staff"`. That line makes the DrumStaff context listen to `\set > Staff.*` as

Re: Volta Alternatives (music theory)

Hello Joe, You talk of a third repetition, but show 1, 2, and 5... Sorry, no idea what you’re after! JM > Le 24 nov. 2017 à 21:14, Joe Davenport a écrit : > > Hello, > > Another basic question to fill the vaults... I like to work with alternative > endings for

Re: notes from guitar tab ?

Helo Aiki, Can you be more explicit? JM > Le 23 nov. 2017 à 08:42, aikizen a écrit : > > hi, > i would like retrive notes from guitar tab with lilypond. > and if not possible how can i do ? > > best regard, > aiki. > > ___ >

Re: [OT] Grammatic gender

Hello, It’s funny that spoken french sometimes uses regional gender adaptations, such as ‘une homme’ (a man), ‘une avion’ (an airplane), or ‘un poire’ (a pear). This tends to denote the speaker as old or from the countryside. JM > Le 15 nov. 2017 à 02:13, Andrew Bernard

Re: Tuplets curved brackets?

Hello David, \single it not the solution, but \temporary…\undo is. Thanks for your help! JM > Le 14 nov. 2017 à 13:42, David Kastrup <d...@gnu.org> a écrit : > > Jacques Menu Muzhic <imj-muz...@bluewin.ch> writes: > >> Hello Ben, >> >> How can

Re: Tuplets curved brackets?

Hello Ben, How can one undo the effect of tupletBracketToSlur to use it on a per-tuplet basis? Prefixing it with \once is not a solution I’ve seen. Below, I’d like the third triplet to use square brackets again: { a a \tuplet 3/2 { a8 a a } a4 | %! \tupletBracketToSlur % HERE OK a a

Re: Tuplets curved brackets?

Hello Ben, Yes, that’s the solution I was looking for, thanks so much! JM > Le 14 nov. 2017 à 12:25, Ben a écrit : > > On 11/14/2017 5:02 AM, Menu Jacques wrote: >> Hello folks, >> >> MusicXML has the notion of curved tuplets brackets: >> >> > start"/>

Re: Looking for advice on "looping" through all keys

Hello Patrick, This is done by generating LP code outside of LilyPond itself with a bash script, may it be useful to you? http://lilypondblog.org/2013/09/automatic-generation-of-scales-in-various-modes-for-all-21-pitches/

Re: Creating orchestral score

Hello Daniel, Maybe you have \score blocks or the like in the .ly files you include? JM > Le 5 nov. 2017 à 02:33, Daniel Mehdizadeh a écrit : > > I've been trying to figure out how to creat parts and use them to compile an > orchestral score. I've finally made some sense

Re: a possible enhancement

Hello Don, Can you supply an example showing how the output score should look? JM > Le 22 oct. 2017 à 09:35, Don Gingrich a écrit : > > I use Lilypond mostly for song sheets with a melody, > lyrics and guitar chords. On occasion I use Linux tools > to generate an

Re: Lilypond extension to Carnatic Music

Hello Arulmani,If I understand your request correctly, you’d like the output from LilyPond to contain lines with notes symbols but no staves and lyrics text in an adequate font.If it is the case, maybe what has been done for Jianpu can help you. In this notation, notes are represented by numbers,

Re: Need assistance hammering a Hymn template together

Hello br. bruno, You can control where a rest shows up with say b\rest JM > Le 16 oct. 2017 à 18:55, David Kastrup a écrit : > > Bruno Boyko > writes: > >> Hello all: >> >> I am reworking our Office Books (public

Re: Mac terminal question

Hello Craig, You can create a script (text) file like this one, make it executable and accessible in your PATH: ### user@lilydev: ~/bin > cat CompileAllLilyPondFiles #!/bin/bash USAGE="==> Usage: $0 sourceFolder destFolder" if [ $# -ne 4 ]; then echo "$USAGE"

Re: command line usage on mac

Hello Craig, You can either add the path to the lilypond executable in your environment: PATH=/Applications/LilyPond.app/Contents/Resources/bin:"${PATH}" or define an alias: alias lilypond=/Applications/LilyPond.app/Contents/Resources/bin/lilypond This can be placed in

Re: Note heads possibilites?

Hello Malte, Excellent, thanks! JM > Le 7 oct. 2017 à 00:04, Malte Meyn a écrit : > > > > Am 06.10.2017 um 23:18 schrieb Menu Jacques: >> Hello folks, >> MusicXML is rather rich in terms of note heads, basically: >> slash, triangle, diamond, square, cross, x, >>

Re: TimeSignature.style question

Hello Malte, Thanks for your help! JM > Le 5 oct. 2017 à 19:24, Malte Meyn a écrit : > > > > Am 05.10.2017 um 13:29 schrieb Menu Jacques: >> Hello folks, >> I’ve found that: >> \once \override TimeSignature.style = #'single-digit >> has no effect in the example

Re: Cowell cluster notation

Hello Ryan, I don’t have otf fonts in Resources/share/lilypond/current/fonts/ : menu@macbookprojm:/Applications > ll Lilypond.app/Contents/Resources/share/fonts ls: Lilypond.app/Contents/Resources/share/fonts: No such file or directory menu@macbookprojm:/Applications > but in

Re: How can I make a 7.9+.9- chord?

Hello gumblex, As a dirty hack, you can fool LilyPond by using a minor tenth and forcing it to be displayed as an augmented ninth. HTH! JM %%% \version "2.19" \header { title = "Test Jazz" } % correct markup for "b" and "#" (use symbols from current font...)

Re: Help with chord dictionaries

Hello Shamus, Using: subtitle = \markup { \override #'(font-family . sans) { \center-column { C9 \fret-diagram-terse #"x;3;2;3;3;x;" } " " \center-column { "B7#9" \fret-diagram-terse #"x;2;1;2;3;x;" } " "

Re: \chordmode problem?

Salut Klaus, OK, thanks, now I understand! Jazz musicians would be disappointed though, hence the use of custom chord names in that case. JM > Le 12 sept. 2017 à 17:17, Klaus Blum a écrit : > > Salut Jacques, > > > Menu Jacques wrote >> What does ‘lyd’ mean BTW? > >

Re: coloring notes according harmonic function

Hello Rita, I tried your code, but commands such as \egyoszlop are unknown to off-the-shelf Lily. Where can they be found? JM > Le 7 sept. 2017 à 19:02, Rita Composer a écrit : > > Dear Experts, > > Still colouring/shape-ing > > So we have 3 voices and we would

Re: Tables with borders (chords structure)

Hello Sylvain, You might use something like the following, but I don’t think it’s possible to have boxes around the measures. iRealPro is much used in jazz jams, but it won’t provide boxes either, see attached PNG. HTH! JM %% LilyPond file generated by Denemo version

Re: \transposition question

; a écrit : > > On 01.09.2017 12:09, Jacques Menu Muzhic wrote: >> Hello Simon, >> >> The 7 semitones are there anyways, since the markup is mandatory… > > Of course it is, else you’d never know if it’s horns in F or in F# (yes, > there is such a thing). But in addition you ha

Re: \transposition question

Hello Simon, The 7 semitones are there anyways, since the markup is mandatory… JM > Le 1 sept. 2017 à 10:23, Simon Albrecht <simon.albre...@mail.de> a écrit : > > On 01.09.2017 09:35, Jacques Menu Muzhic wrote: >> But then, why is the markup present in MusicXML

Re: \transposition question

Hello David, Simon and Greg, My quite strange question arose from reading the description of MusicXML’s : The transposition is represented by chromatic steps (required) and three optional elements: diatonic pitch steps, octave changes, and doubling an octave down. The diatonic element

Re: Suppress empty lines?

Hello Bernhard, Maybe a frenched score is what you’re after? Search for 'Hiding staves‘ in the LPNR. JM > Le 31 août 2017 à 20:54, Bernhard Kleine a écrit : > > The fugue from Bach's Magnificat starts with Basso, the Tenor, Alto, > Sopran II and I. How can I get rid

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