Hi,
Sometimes in vocal+ukulele music I want to indicate that a
particular chord uses an alternate fingering. I'd like to add
an asterisk and a footnote with fret diagram for these cases.
But the obvious
\chordmode { d^"*" }
fails with "error:
> "bob" == bobroff@centrum is writes:
bob> For different output in score vs part you can use tags.
bob>
http://lilypond.org/doc/v2.18/Documentation/notation/different-editions-from-one-source.html
You can also create a 'global' music to put in parallel with each
part. E.g.,
\version
> "darkijah" == darkijah writes:
darkijah> If anyone knows how to make a whole lyrics line into one
darkijah> specific colors, please do share! :) Lots of ideas, but I am
darkijah> new and do not have a programmers mind! :
Just set whatever colour you want ...
\version "2.22.0"
>>>>> "Peter" == Peter Chubb writes:
>>>>> "Ralph" == Ralph Palmer writes:
Ralph> I've gone slightly crazy on a couple of occasions, trying to
Ralph> figure out how to change a volta number, either to a different
Ralph> number(s) or t
= #'((volta #f) (volta "2.") end-repeat)
r2.
\set Score.repeatCommands = #'((volta #f) end-repeat (volta "4."))
g'4 a' b' |
\set Score.repeatCommands = #'((volta #f))
c'2.
}
\score {
\test
}
--
Dr Peter Chubbhttps://trustworthy.systems/
Trustworthy Systems GroupCSE, UNSW
> "Ahanu" == Ahanu Banerjee writes:
Ahanu> Can anyone provide a simple way to make a tempo marking like
Ahanu> this: "♩= 텞 " ?
Something like this?
\version "2.22.0"
\score {
\new Staff { \time 3/4 r2.^
\markup {
\note {2.} #UP
Thanks that looks pretty much like what I want.
I felt sure that someone would have done it already!
--
Peter C
t;this is a verse"
"it really could be worse"
--
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e c' {
\repeat volta 2 {
\partial 4 f4
c4 d e f |
c4 d e
}
\repeat volta 2 {
f4 |
c4 d e % f
}
f4 |
}
\score { \unfoldRepeats \rightHand }
--
Peter ChubbTel: +61 2 9490 5852 http://ts.data61.csiro.au/
Trustworthy Systems GroupCSIRO's Data61
>>>>> "Noeck" == Noeck writes:
Noeck> Hi, you are looking for \with-url (it is a bit hidden under the
Noeck> section “Graphic”):
Thanks! I was searching through the "text" section and missed this.
--
Dr Peter Chubb Tel: +61 2 9490 5852
> "Ming" == Ming Tsang writes:
Ming> Peter, I did reply all and I got mail
Ming> delivery fail on your rmail address.
You probably included HTML, which causes my spam daemon to reject it.
Ming> Thank you for the
Ming> answer. One question: how can I just want to show
}
\addlyrics {
\override LyricText.self-alignment-X = #LEFT
a bb cc dd
aa bb cc dd
bb cc dd
a bb cc dd
}
}
>>
\new Staff {
\relative c' { c d e f c d e f c d e f c d e f }
}
>>
}
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Peter Chubb Tel: +61 2 9490 5852 http://ts.data61.csiro.au/
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> "David" == David Wright writes:
David> On Wed 25 Oct 2017 at 13:34:04 (-0700), Flaming Hakama by
David> Elaine wrote:
>> I was hoping for something more organic to lilypond, that is text-
>> and command line-based.
>>
>> Does anyone have any suggestions for a
> "David" == David Kastrup writes:
David> pe...@chubb.wattle.id.au writes:
>>
>> It'd be fairly easy to write a music function that does this, but I
>> wanted to ask first if there was one already existing I could use.
David> \shiftDurations #1 #0 { music ... }
Thanks David!
Cynthia == Cynthia Karl pck...@mac.com writes:
Cynthia Maybe you can answer a question about \articulate: if I
Cynthia generate a pdf file for the score containing the \midi block,
Cynthia why doesn't the pdf file reflect what is in the midi file?
Cynthia For example, the pdf file generated by my
Davide == Davide Liessi davide.lie...@gmail.com writes:
Davide Dear Peter, Il 24/02/15 06.48, Peter Chubb ha scritto:
I had a brainstorm -- the problem is SkipMusic which isn't handled
anywhere. But we can use a SkipEvent instead, and it all works!!!
Davide Alas it does not: I get the same
Davide == Davide Liessi davide.lie...@gmail.com writes:
Davide Dear Peter, Il 04/02/15 09.46, Peter Chubb ha scritto:
Looks like the code that was added to do agogic accents (aka swing)
expands MultiMeasureRestMusic and throws away any articulation
events (like the end of the trill spanner
Davide == Davide Liessi davide.lie...@gmail.com writes:
Davide Dear Peter, Il 04/02/15 09.46, Peter Chubb ha scritto:
Looks like the code that was added to do agogic accents (aka swing)
expands MultiMeasureRestMusic and throws away any articulation
events (like the end of the trill spanner
accents (aka swing)
expands MultiMeasureRestMusic and throws away any articulation events
(like the end of the trill spanner) on the way.
The fix is probably to add the ariculations in at the end of
ac:unFoldMusic when expanding MultiMeasureRestMusic.
--
Dr Peter Chubb
seems to work.
This used to work, but it's possible that changes in Lily have made it
stop working.
Last time it worked, \tempo rit wasn't available, so the syntax was:
a^rit.
or similar.
--
Dr Peter Chubb peter.chubb AT nicta.com.au
http
Patrick == Patrick or Cynthia Karl pck...@me.com writes:
Interesting.
The problem is in the Prall rendition:
It comes out as:
{ d'' 32 c'' d'' c'' 1*-1/32 }
This is generated from a ly:music-compress function applied to
{ d''32 c'' d'' c'' }
to squash it to the same length as the
Dan == Dan van Ginhoven danfa...@hotmail.com writes:
Dan Hi! I'm writing lilypond score for six brass instruments from
Dan old handwritten sheets. The tune I'm working with has the form:
Dan {Intro 4 bars} {A repeat twice 32 bars} {B repeat twice 16 bars}
Dan {A 32 bars} {Trio repeat twice 32
Michael == Michael Ellis michael.f.el...@gmail.com writes:
Michael On Sun, Nov 23, 2014 at 4:46 PM, pe...@chubb.wattle.id.au
Michael wrote:
What's more, is there a reason to have the structure in a different
voice?
Michael Good question. For me, it's mostly about the DRY principle
Michael
FireTight == FireTight fireti...@gmail.com writes:
FireTight Hello, my name is Jiri FireTight Szabo and I would like
FireTight to introduce program ly2video to you. This program can
FireTight generate videos from your LilyPond projects that contains
FireTight moving music staff, which is
/examples/test.ly:8:59: warning: already have
Nick a beam \times 4/6 { a32[( g) fis( g) \appoggiatura { fis16 [ g]
Nick } a32 g] } warning: cannot end slur warning: unterminated slur
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Malte == Malte Meyn malte.m...@studium.uni-erlangen.de writes:
Malte On 13.03.2012 03:52, Peter Chubb wrote:
Thomas == Thomas Morley thomasmorle...@googlemail.com
writes:
Malte Hm. I see two problems: 1. Did I understand right, that -rall
Malte changes the tempo in a single step? That’s more
-.
g-.-rall f-. e-. d-.
c-. d-. e-. f-.
g-. f-. e-. d-.
c1-.
}
\midi { }
}
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http://www.ssrg.nicta.com.au Software Systems Research Group/NICTA
.
I'll have a go at changing articulate to fix this.
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=%ai -- Print the author's commit date in ISO format.
Peter C
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lilypond
\new Staff \mezzoSopranoVoice
\lyricsto tune \new Lyrics \lyricmode{ words }
Peter \new Staff \cello
Peter
Peter\layout { \context { }
Peter }
Peter }
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http
was
expecting either a syntax error or for them to be interprete
as dynamics).
Peter C
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Peter == Peter Chubb lily.u...@chubb.wattle.id.au writes:
Peter Hi, I've been trying to work out how to add dynamics to lyrics,
Peter to give singers guidance.
For the benefit of search-engine-land, the way to do this is to use a
separate dynamics context. Like this:
dynA={ s4\p s4\ s2 s4\mf
Christ == Christ van Willegen cvwille...@gmail.com writes:
Christ On Wed, Aug 31, 2011 at 05:48, Peter Chubb
Christ lily.u...@chubb.wattle.id.au wrote:
For the benefit of search-engine-land, the way to do this is to use
a separate dynamics context. Like this:
Christ The problem
reruns lilypond, hit R in the Xpdf window and it
refreshes. Done!
Peter C
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All things shall perish from under the sky/Music alone shall
James == James Harkins jamshar...@gmail.com writes:
James At Tue, 21 Jun 2011 13:33:48 +1000, Peter Chubb wrote:
I just do C-c C-c and then View --- xpdf then runs in the
background. C-c C-c again reruns lilypond, hit R in the Xpdf
window and it refreshes. Done!
James Hm... no, that's
christophe == christophe 1710 chris1...@free.fr writes:
christophe \version 2.14.0 \header {tagline =}
christophe One = \relative d'' {
christophe \time 3/4 | % 1 \partial 8*2 \acciaccatura d8 c8\p
christophe ( b8 ) c4-. c, e g4 -. c e g4 -. }
christophe Two = \relative c {
~ a} \\ {c8.. r16 c4}
and unfortunately that's beyond my scheme ability.
If you split it before articulate sees it, like so:
{a ~ a} {c c}
the MIDI will be correct. You need to fiddle stem directions usually,
to make the PDF look OK when you do this.
--
Dr Peter Chubb http://www.gelato.unsw.edu.au
into an issue I
hadn't thought of in the design of Articulate --- none of the instruments
I play can do chords!
I shan't have time to look at the problem until next week. In the
meantime if there are any Scheme coders out there, please have a go
(my scheme is awful!)
Peter C
--
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\relative c' { f1 ~
{ f c' ~ ais' c'4 } \\
{s8\ s4. \!\ s4. s8\!}
c2\pp
c b' g' \\
{s8\ s4 s8\!}
}
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this kind of thing if my current locale is set to a non-UTF-8
locale, and I try to process files containing UTF-8 characters.
Dunno how to set locale on Windows though.
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http://www.ertos.nicta.com.au ERTOS within
/
Peter C
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Graham == Graham Percival gra...@percival-music.ca writes:
Graham On Fri, Apr 15, 2011 at 12:54:53PM +1000, Peter Chubb wrote:
David A fixed ratio seems a mistake to me: like optical scaling of
David fonts, the ratio should depend on the length of the note as
David well as the speed of the piece
the script?
I tried
legato=#(set! ac:normalFactor '(1 . 1))
in a normal lily file, but it didn't seem to work. The value in the
#(define...) statement in the included file was the one used.
--
Dr Peter Chubb peter DOT chubb AT nicta.com.au
http
. Performance practice varies widely.
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All things shall perish from under the sky/Music alone shall live, never to die
at the
end of a phrase marked with a phrasing slur or are explicitly marked
tenuto so it isn't an issue. I can see there could be problems in
some music though.
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http://www.ertos.nicta.com.au ERTOS
i can't give a link to the direct download file, as the CMS
generates such links in ways I can't fathom.
--
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http://www.ertos.nicta.com.au ERTOS within National ICT Australia
Father == Father Gordon Gilbert fatherg...@gmail.com writes:
Father Can someone help me here? On this Anglican chant , in the
Father tenth measure (end of the first section of verse two) the
Father melody notes are 1/2 notes and the harmony notes are whole
Father notes, yet in my pdf viewer,
heuristics, and should probably be redesigned anyway.
Peter C
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lilypond
\lyricsto verse \context Lyrics=three \verseThree
\lyricsto interverse \context Lyrics=one \preambleTwo
\lyricsto interverse \context Lyrics=Two \preambleThree
\lyricsto interverse \context Lyrics=Three { \preambleThree
\lastWordFour}
}
--
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on the to-do list.
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On 20/03/2011, at 7:55 PM, Francisco Vila paconet@gmail.com wrote:
2011/3/18 Francisco Vila paconet@gmail.com:
2011/3/18 Graham Percival gra...@percival-music.ca:
On Fri, Mar 18, 2011 at 09:17:47AM +0100, Marc Hohl wrote:
Just adding articulate.ly in ly/ and giving one example in
. And that is why GPL v2.0
was chosen as the licence when I went through the rigmarole I had to
to get clearance to release it.
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, we can work out how
to teach them not to.
Peter C
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|
}
\layout{}
\midi{}
}
but that renders really badly.
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All things shall perish from under the sky
://marcs.uws.edu.au/links/ICoMusic/Full_Paper_PDF/deGraaff_Schubert.pdf
And I'm sure you've also seen the automatic music performance work
from KTH? http://www.speech.kth.se/music/performance/download/
It's all open source.
--
Dr Peter Chubb peter DOT chubb
in early music just mean, `ornament this note'
with the form of the ornament left to the taste and skill of the
performer.
Peter C
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All
, and the flute part from a different edition,
and the piano and vocals from yet another edition, all in different
keys, and was trying to get something playable...)
\score {
\transpose c bes \context GrandStaff
...
\layout{
...
}
}
--
Dr Peter
in the likely places, and can't find it.
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http
Marek == Marek Klein ma...@gregoriana.sk writes:
Marek (quoted-printable)] Hi Peter,
Marek I have found it:
Marek http://lilypond.org/doc/v2.13/Documentation/notation-big-page#
Marek separating-systems
Thankyou, that's just what I was looking for.
Peter C
\context Staff {\key c \major \time 4/4 \tune}
\layout{}
}
\score {
\unfoldRepeats
\context Staff {\key c \major \time 4/4 \tune}
\midi {}
}
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http://www.ertos.nicta.com.au
other.
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All things shall perish from under the sky/Music alone shall live, never to die
of the hymns I've typeset at mutopiaproject.org.
For example:
http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=195
But basically, a \bar || just causes a double barline to be typeset
without changing Lilypond's idea of the current moment in the bar.
Peter C
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://lilypond.org/manuals.html
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All things shall perish from under the sky/Music alone shall live, never to die
northofscotland == northofscotland strath100-...@yahoo.co.uk writes:
northofscotland I am typesetting a mediaeval trouvere song and want
northofscotland to add a drone to the midi but hide the somewhat
northofscotland redundant music in the printout. Is there a simple
northofscotland way to do
default #f 1) ) )
There are some non-printing characters in there -- a control-B and a
control-A --- they may be perturbing your results.
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\time 2/2
\key a \minor
a2 a4 a |
R1 |
}
}
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All things shall perish from under
|
\repeat volta 2 {
e2.
} \alternative {
{
c8 dis |
}{
r4 |
}
}
}
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Dr Peter Chubb peter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
All things shall perish
in the documentation.
Thecurrent version of the articulte script understands \markup a
tempo and rall etc., to change the MIDI tempo.
See http://www.nicta.com.au/people/chubbp/articulate for the script.
I haven't updated it to understand the \tempo rall etc., commands, yet.
--
Dr Peter Chubb
Hi,
Please try the attached fixed script -- I think it'll work now.
articulate.ly
Description: Binary data
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the first
note that's tied.
Peter C
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bachelet == bachelet w...@theps.net writes:
bachelet any luck finding this script, I'd like to use it, too
It was in this mailing list, at
http://www.mail-archive.com/bug-lilyp...@gnu.org/msg03960.html
Peter C
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instantiation with vocals'
section. Or some other solution?
If you tell me which you'd prefer I'll try to whip yup a patch this week.
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Graham == Graham Percival gra...@percival-music.ca writes:
Graham On Mon, Feb 15, 2010 at 12:37 AM, Peter Chubb
Graham lily.u...@chubb.wattle.id.au wrote:
Trevor == Trevor Daniels t.dani...@treda.co.uk writes:
Trevor Peter's original announcement, with articulate.ly and some
Trevor
/documentation-suggestions
Graham (in particular, the small additions section)
I'm more used to generating patches. :-)
Peter C
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All things
on the organ, etc.
So I'm leaving it in the `too hard' basket for now.
Peter C
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All things shall perish from under the sky/Music alone shall live
`ConvertToVeolcity.perl'
that can convert the midi output and add velocity info to each note.
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All things shall perish from under the sky
... | :|
Lilypnd 2.12.2 doesn't like \alternative in the middle of a repeated
section.
Is there a sane way to do this?
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Tim == Tim McNamara tim...@bitstream.net writes:
Tim On Feb 14, 2010, at 2:54 AM, Peter Chubb wrote:
Is there a sane way to do this?
Tim Thinking as a player, I'd rather see this as a coda
It's only one bar in the middle. I'd like to
get it onto one page --- the only obvious to me
LilyPond codebase anywhere that's obvious. Any chance of
adding a `contrib' directory so things like this could be distributed
with LilyPond? Or if not that, then a `loosely related work' section
to the webpage?
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http
that
makes exactly these additions to a lilypond file and invokes lilypond
for you).
Peter C
The direct download link is
http://www.nicta.com.au/__data/assets/file/0009/21888/articulate-1.3.tar.gz
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http
|
}
tuba = \relative c, {
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Akira == Akira i.love.the.pika...@gmail.com writes:
Akira What I want to say is just on this picture. Please see this
Akira picture:
Akira
http://lh6.ggpht.com/_Rub71FvXx30/Sv1NLn_iKgI/ADc/I-Amwi5RrK8/differentmusicpdfmidi.JPG
Akira I'm typesetting a piece that includes trills, but a
urls.
Graham Cheers, - Graham
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{ ... }
lower = \relative { ... }
\score {
\context ChordNames \guitarChords
\context GrandStaff
\context Staff = upper \upper
\context Staff = lower \lower
}
--
Dr Peter Chubb www.nicta.com.aupeter DOT chubb
to. But is there a neater way to get what I want?
--
Dr Peter Chubb peter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
All things shall perish from under the sky/Music alone shall live, never to die
the license clauses after taking legal advice; as an
add-on to LilyPond, it has to have the same licence, viz. GPL 2.
I'm happy to relicense when LilyPond does.
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Dr Peter Chubb peter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within
it is for. Then
add a line
\version x.y.z
(where x.y.z is the version it is for) and run convert-ly on the
result. Then try again with LilyPond.
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Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within National ICT
be a
Anthony good one.
Unfortunately, E.H. Shepherd is still in copyright.
--
Dr Peter Chubbwww.nicta.com.au peter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
From Imagination to Impact Imagining the (ICT) Future
if there is
anything between the \score{ and the first bit of real music.
lilywrap
Description: Binary data
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Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
Grammostola == Grammostola Rosea rosea.grammost...@gmail.com writes:
Grammostola Peter Chubb wrote:
Grammostola When using lilywrap I get:
Grammostola lilywrap dynamics.ly /usr/local/bin/lilywrap: 23: Syntax
Grammostola error: ( unexpected
Hmmm. Are you using a non-standard /bin/sh
Peter == Peter Chubb lily.u...@chubb.wattle.id.au writes:
Peter You probably have dash installed as the system shell. Here's
Peter an updated verion of the script that will work with Dash, and
Peter will *still* work on POSIX compliant shells, but will no longer
Peter work with the traditional
and
written explicitly in expanded form into the midge source.
While midge could be used as an intermediate format for MIDI output, I
can't see at present what it would gain for us --- the level of
abstraction over a standard binary MIDI file is very small.
--
Dr Peter Chubb
: understanding the textual annotations
that composers put into their scores, and interpreting them.
--
Dr Peter Chubbwww.nicta.com.au peter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
From Imagination to Impact
midi is broken. I'll try
to fix it today or tomorrow, and get a new version up.
Peter C
--
Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
will not be
printed --- it's the same chord.
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Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
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http
even worse.
Xeon 5560: 256k L2, 8M L3 cache (which is almost as fast as the Pentium D's L2
cache)
Pentium D: 1M L2 cache, no L3 cache.
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Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT nicta.com.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
is single-threaded, so the number
Han-Wen of cores is irrelevant.
That doesn't explain why going from the Core Duo to the Xeon
dropped the time from 11 minutes to 4 minutes. The reason, as I said,
is the increased cache size.
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Dr Peter Chubb www.nicta.com.aupeter DOT chubb
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