Re: calculation of the total duration of a score

Hi Marc, nice to hear, that you have a workflow. For the record I noted two things in the file. (And if there's some spare time, I might further work on it.) 1. The durations are tagged by score and stored in an a-list, so you can first collect durations in multiple scores and display them

Re: Beaming, partcombine and pickups

On 09/16/2016 06:24 AM, David Wright wrote: On Thu 15 Sep 2016 at 17:15:02 (-0600), David F. wrote: I have a song in 9/8 time with a pickup of three eighth notes. I expect Lilypond to beam those three eighth notes together, but it does not when I combine two voices with partcombine. Am I

\abs-(font)size for \epsfile

Hi list, is there a staff-size indepent version of \epsfile like \abs-fontsize instead of \fontsize? \markup \abs-fontsize #20 \epsfile #X #10 "foo.eps" seems to have no effect. Cheers Malte ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Auto Place text after last beat of a Text Spanner

On 16.09.2016 07:49, Pierre Perol-Schneider wrote: Hi Dimitris, I think it was a typo: Indeed, or rather I should have tested the code… Sorry! ot = #(define-music-function (mus) (ly:music?) #{ \ottava #1 $mus \ottava #0 <>^\markup \italic "loco" #}) Cheers, Pierre

Re: \abs-(font)size for \epsfile

Hi Malte, Here is an old thread regarding a similar demand: http://lilypond.1069038.n5.nabble.com/Absolute-size-for-epsfile-i-e-independent-of-global-staff-size-td161872.html HTH, Pierre 2016-09-16 9:41 GMT+02:00 Malte Meyn : > Hi list, > > is there a staff-size

Re: Using \startTextSpan and \stopTextSpan in separate music functions

On Fri, Sep 16, 2016 at 3:50 PM, Thomas Morley-2 [via Lilypond] < ml-node+s1069038n194649...@n5.nabble.com> wrote: > > Your function doesn't integrate \start/stopTextSpan into the > 'articulations of the music-arg, which is needed. > A most boiled down example would be: > > mus = c'1 > { \mus

Re: Lyric tie inside word?

2016-09-16 13:20 GMT+02:00 Knut Petersen : > Am 06.05.2015 um 01:08 schrieb Thomas Morley: > > I had a hard time to find that code, I needed some kind of tunable \undertie > for Hugo Distler: Mausfallensprüchlein > I think that "ratio" should probably be tunable. Any

Re: Using \startTextSpan and \stopTextSpan in separate music functions

2016-09-16 23:20 GMT+02:00 Abraham Lee : > All, > > Going off the of the thread here: > > http://lists.gnu.org/archive/html/lilypond-user/2016-09/msg00374.html > > and some personal email exchanges, I tried out a few things (found a working > solution, though not ideal)

Using \startTextSpan and \stopTextSpan in separate music functions

All, Going off the of the thread here: http://lists.gnu.org/archive/html/lilypond-user/2016-09/msg00374.html and some personal email exchanges, I tried out a few things (found a working solution, though not ideal) and ran into something curious. I'd like to do something like the following, but

Re: Why the part-combining in American hymnals? (WAS: Beaming, partcombine and pickups)

Hi Karlin, > what exactly causes the attraction to combined voices and > the disaffection for separated voices? I'm not sure, but I'll try to answer. I think that answer is pretty good, and probably partly true. Related would be the argument that combined voices allow each part to more quickly

Re: Lyric tie inside word?

2016-09-16 23:36 GMT+02:00 Knut Petersen : > Am 16.09.2016 um 21:59 schrieb Thomas Morley: >> >> 2016-09-16 13:20 GMT+02:00 Knut Petersen : >>> >>> Am 06.05.2015 um 01:08 schrieb Thomas Morley: >>> >>> I had a hard time to find that code, I

Why the part-combining in American hymnals? (WAS: Beaming, partcombine and pickups)

Forwarded Message Subject: Re: Beaming, partcombine and pickups Date: Thu, 15 Sep 2016 23:24:12 -0500 From: David Wright ...I'm not sure it's wise of me to ask what the attraction is of the American convention of part-combining...

Re: (Automatically) split partcombined voices to temporary staff

Urs Liska writes: > I have a question regarding complicated orchestral material. Note that I > don't need a solution right now, only a plausible estimate if that's > possible to implement at all. > > Consider the situation of a staff with two partcombined voices (say, >

Re: Using \startTextSpan and \stopTextSpan in separate music functions

tisimst writes: > On Fri, Sep 16, 2016 at 3:50 PM, Thomas Morley-2 [via Lilypond] < > ml-node+s1069038n194649...@n5.nabble.com> wrote: > >> >> Your function doesn't integrate \start/stopTextSpan into the >> 'articulations of the music-arg, which is needed. >> A most

Re: Why the part-combining in American hymnals? (WAS: Beaming, partcombine and pickups)

On 9/16/2016 5:26 PM, J Martin Rushton wrote: > 2) How does the "American" style indicate when the voices cross? In short, it follows the "English" style until the cross-condition ceases. Here's an example that came to hand:

Re: Why the part-combining in American hymnals? (WAS: Beaming, partcombine and pickups)

On 16/09/16 20:52, Kieren MacMillan wrote: > Hi Karlin, > >> what exactly causes the attraction to combined voices and >> the disaffection for separated voices? I'm not sure, but I'll try to answer. > > I think that answer is pretty good, and probably partly true. Related would > be the

Re: moving notes in cue-voice must not influence dot after notehead in main voice

Am 16.09.2016 um 13:48 schrieb Malte Meyn: Ok it was to M ;-) It's from bar 26/27 of this score. Attached: snippet from the original score. \version "2.19.49" mezmus = { \key c \major \autoBeamOff \relative b' { \time 2/4

Re: conditional when-property function not working as intended

Hi David, > It's necessary for functions taking "layout props" arguments? Where > would that cause reason for doubt? I thought I recalled a recent update (say, in the past 2 years) in which those arguments were rendered unnecessary when writing certain music functions — but apparently, I’m

moving notes in cue-voice must not influence dot after notehead in main voice

Hi everybody! I used << \new Voice {\voiceTwo e'4. 8 4} \new CueVoice { \voiceOne \override NoteColumn.force-hshift = 0.4a,4. \override NoteColumn.force-hshift = 1.2 8 \override NoteColumn.force-hshift = 0.4 h4} >> to

Re: conditional when-property function not working as intended

Kieren MacMillan writes: > Hi David, > >> It's necessary for functions taking "layout props" arguments? Where >> would that cause reason for doubt? > > I thought I recalled a recent update (say, in the past 2 years) in > which those arguments were rendered

Re: conditional when-property function not working as intended

Hi David, > But we are not talking about music functions (where the quite different > "parser location" arguments are now usually passed implicitly) but > markup commands here. Ah! That would be the source of my confusion. Thank you, Kieren. Kieren MacMillan,

Re: moving notes in cue-voice must not influence dot after notehead in main voice

Am 16.09.2016 um 13:37 schrieb Knut Petersen: Hi everybody! I used << \new Voice {\voiceTwo e'4. 8 4} \new CueVoice { \voiceOne \override NoteColumn.force-hshift = 0.4a,4. \override NoteColumn.force-hshift = 1.2 8

Re: conditional when-property function not working as intended

Hi David, > By not specifying a default value? I have absolutely no idea why you > put `markp' as the default-value of your call to ly:chain-assoc-get. Because this is somebody else’s code that I’m using, without (obviously) fully understanding what it does. With your hint, I believe I can now

Re: conditional when-property function not working as intended

Kieren MacMillan writes: > Hi David, > > Thank you for the helpful reply and documentation/explanation. > >> -- Function: ly:chain-assoc-get key achain default-value >> strict-checking >> Return value for KEY from a list of alists ACHAIN. If no entry

Re: Lyric tie inside word?

Am 06.05.2015 um 01:08 schrieb Thomas Morley: I had a hard time to find that code, I needed some kind of tunable \undertie for Hugo Distler: Mausfallensprüchlein I think that "ratio" should probably be tunable.

Re: calculation of the total duration of a score

Hi Jan-Peter, Am 16.09.2016 um 08:40 schrieb Jan-Peter Voigt: Hi Marc, nice to hear, that you have a workflow. For the record I noted two things in the file. (And if there's some spare time, I might further work on it.) Thanks for the continuing work on that issue! 1. The durations are

Re: conditional when-property function not working as intended

Hi David, Thank you for the helpful reply and documentation/explanation. > -- Function: ly:chain-assoc-get key achain default-value > strict-checking > Return value for KEY from a list of alists ACHAIN. If no entry is > found, return DEFAULT-VALUE or ‘#f’ if DEFAULT-VALUE is

Re: (Automatically) split partcombined voices to temporary staff

Hi Urs, This is very closely related to the oft-discussed topic of “smart divisi” (for lack of a better rubric) — see, for example, the threads at , the more recent

Re: BendSpanner-engraver

Il giorno dom 11 set 2016 alle 11:53, Thomas Morley ha scritto: as result of my private None-Google-Summer-of-Code, I'd like to announce a BendSpanner-engraver. It's based on our scheme-text-spanner.ly from the reg-test and the fabulous work of Marc Hohl and his

Re: (Automatically) split partcombined voices to temporary staff

On Fri, Sep 16, 2016 at 9:41 AM, Abraham Lee wrote: > Urs, > > On Fri, Sep 16, 2016 at 9:29 AM, Urs Liska wrote: > >> Hi all, >> >> I have a question regarding complicated orchestral material. Note that I >> don't need a solution right now, only

(Automatically) split partcombined voices to temporary staff

Hi all, I have a question regarding complicated orchestral material. Note that I don't need a solution right now, only a plausible estimate if that's possible to implement at all. Consider the situation of a staff with two partcombined voices (say, flutes). If there are spots (measures or ranges

Re: (Automatically) split partcombined voices to temporary staff

Urs, On Fri, Sep 16, 2016 at 9:29 AM, Urs Liska wrote: > Hi all, > > I have a question regarding complicated orchestral material. Note that I > don't need a solution right now, only a plausible estimate if that's > possible to implement at all. > > Consider the situation

Re: (Automatically) split partcombined voices to temporary staff

Hi all, thanks so far for the links. When that recent thread went by I didn't realize that it might be relevant to me so soon ... I'll have a closer look at everything ASAP. Urs Am 16.09.2016 um 17:29 schrieb Urs Liska: > > Hi all, > > I have a question regarding complicated orchestral

Re: Lyric tie inside word?

Am 16.09.2016 um 21:59 schrieb Thomas Morley: 2016-09-16 13:20 GMT+02:00 Knut Petersen : Am 06.05.2015 um 01:08 schrieb Thomas Morley: I had a hard time to find that code, I needed some kind of tunable \undertie Well, commit

Re: (Automatically) split partcombined voices to temporary staff

At 18:24 on 16 Sep 2016, Urs Liska wrote: >Hi all, > >thanks so far for the links. When that recent thread went by I didn't >realize that it might be relevant to me so soon ... As mentioned, this mostly works at the moment. The additional part I'm currently working on (well, trying to find time