In message
8c1eed9b0912160008v6b676a9fida41a99a8f72f...@mail.gmail.com, Stefan
Thomas kontrapunktste...@googlemail.com writes
Responding very late ...
Dear community,
I'm searching for a simple text-editor for windows. It is for the computer in
my music-school.
It is an old machine and
I need to put the \header block inside the \score block.
Could you please tell me what's wrong in this example (it prints
nothing in the header)?
Thanks!
Federico
\version 2.13
\include english.ly
firstpiece = \relative c' {
c d e fs
}
\score {
\new Staff {
\firstpiece
}
Put the \header block in front of /new Staff:
\score {
\header {
title= First Piece
composer = John Doe
}
\new Staff {
\firstpiece
}
}
Hope this helps!
patrick
Original-Nachricht
Datum: Sat, 02 Jan 2010 12:40:50 +0100
Von: Federico Bruni
There's nothing wrong with your example, it's just not doing as you intended:
see the Notation Reference, 3.2.1, Creating titles.
Lilypond documentation wrote:
If you define the \header inside the \score block, then normally only the
piece and opus headers will be printed. Note that the music
sorry, I was wrong. The error message escaped my notice. (And I didn't consult
the Notation Reference.)
thanks Mike
Original-Nachricht
Datum: Sat, 02 Jan 2010 13:28:37 +0100
Von: Patrick Schmidt p.l.schm...@gmx.de
An: Federico Bruni brunol...@gmx.com, lilypond-user@gnu.org
Il 02/01/2010 13:28, mike99 ha scritto:
There's nothing wrong with your example, it's just not doing as you intended:
see the Notation Reference, 3.2.1, Creating titles.
Lilypond documentation wrote:
If you define the \header inside the \score block, then normally only the
piece and opus
Le Sat, 2 Jan 2010 00:32:08 -0500,
Kieren MacMillan kieren_macmil...@sympatico.ca a écrit :
Hi Michael,
I am experimenting with methods to enter notes from a manuscript
and produce several typeset scores, including at least • one that
looks very much like the manuscript, for proof
Le Fri, 1 Jan 2010 17:30:19 -0800 (PST),
mike99 mike.br...@gmail.com a écrit :
Fair enough, but there are the lyrics, set here to the soprano voice,
which, unintended by myself, skips the fourth beat in the second
measure. In the documentation's first example on divisi lyrics
(Notation
On 02.01.2010, at 16:20, Xavier Scheuer wrote:
If such a technique is required for all exceptions to the chord
structure, it seems as if the chord method could become patchwork
if many exceptions are needed in a piece. Ten exceptions might be
common on a one-page hymn, requiring the creation of
Thanks for pointing out \tag. I've already read up, and experimented
with it. It doesn't solve the problem, because it requires that I
anticipate every possible correction when entering the data from the MS.
The only way to get useful coverage is to tag every note with a
different tag, which is
Am 29.12.2009 20:04, schrieb James Bailey:
I thought I could help, but apparently my scheme-fu isn't good enough
for this. I first thought I could beat \Balloon_engraver into doing what
you need, but there's scant information on it, and I don't know how to
change the size of the box it creates.
On 1/1/10 6:30 PM, mike99 mike.br...@gmail.com wrote:
Enter my question: What is your opinion to the two methods, given the
direction of the project and in terms of readability and complications that
it would cause in the score? It would not be a simple thing to switch
between the two
Hi Michael,
Thanks for pointing out \tag. I've already read up, and experimented
with it. It doesn't solve the problem, because it requires that I
anticipate every possible correction when entering the data from the MS.
The only way to get useful coverage is to tag every note with a
You are proposing very good solutions for the short term production of
scores. I am more concerned with the very long term management of the
information.
The object is to
1. have a file containing data entry from the MS which represents the
uncorrected manuscript, and which (almost) never needs
Kieren MacMillan wrote:
Clearly, this doesn't require tagging every note with a different tag — you
simply tag the notes for different editions as you need them.
Perhaps I should have just answered this point directly. The problem is
that I don't know what the different editions will be. They
Hi Michael,
Clearly, this doesn't require tagging every note with a different tag —
you simply tag the notes for different editions as you need them.
Perhaps I should have just answered this point directly. The problem is
that I don't know what the different editions will be. They are to be
Anthony W. Youngman lilyp...@thewolery.demon.co.uk wrote:
My favourite editor is PFE (programmers file editor).
Unfortunately, last I know, it was abandonware, but it's still a simple
nice editor. Written by somebody at Lancaster Uni iirc.
Yes, good stuff, and I used it for a long time.
I'll take a slight issue with this.
Tim Slattery wrote:
Anthony W. Youngman lilyp...@thewolery.demon.co.uk wrote:
My favourite editor is PFE (programmers file editor).
Unfortunately, last I know, it was abandonware, but it's still a simple
nice editor. Written by somebody at Lancaster Uni
In message gg0vj5huatb821fles7lijktsbl8adv...@4ax.com, Tim Slattery
slatter...@bls.gov writes
Anthony W. Youngman lilyp...@thewolery.demon.co.uk wrote:
My favourite editor is PFE (programmers file editor).
Unfortunately, last I know, it was abandonware, but it's still a simple
nice editor.
On 02.01.2010, at 17:16, Helge Kruse wrote:
Am 29.12.2009 20:04, schrieb James Bailey:
I thought I could help, but apparently my scheme-fu isn't good enough
for this. I first thought I could beat \Balloon_engraver into
doing what
you need, but there's scant information on it, and I don't
One bug I have come across is that with \pointAndClickOn, point and
click from PDF preview into the source doesn't work if the source
filename contains an accented character. For example, if I'm working on
a score in file named Bésard_preludio.ly, then point and click doesn't
work, but if I
On 03/01/10 06:13, Nick Payne wrote:
One bug I have come across is that with \pointAndClickOn, point and
click from PDF preview into the source doesn't work if the source
filename contains an accented character. For example, if I'm working
on a score in file named Bésard_preludio.ly, then
On 03/01/10 04:43, James Lowe wrote:
I'll take a slight issue with this.
Tim Slattery wrote:
Anthony W. Youngman lilyp...@thewolery.demon.co.uk wrote:
My favourite editor is PFE (programmers file editor).
Unfortunately, last I know, it was abandonware, but it's still a
simple nice editor.
On 1/2/10 10:06 AM, Michael J. O'Donnell michael_odonn...@acm.org wrote:
You are proposing very good solutions for the short term production of
scores. I am more concerned with the very long term management of the
information.
The object is to
1. have a file containing data entry from
Greetings and Happy New Year!
I'm running LilyPond 2.12.2 under Ubuntu 9.10. I'm transposing a bunch of
violin etudes to make them viola etudes, and I've hit a snag. I'm making
each etude a separate score. I've been using
\score {
{
--
Ralph Palmer
Montague City, MA
USA
Sorry about that - hit a wrong combination of keys.
Greetings and Happy New Year!
I'm running LilyPond 2.12.2 under Ubuntu 9.10. I'm transposing a bunch of
violin etudes to make them viola etudes, and I've hit a snag. I'm making
each etude a separate score. I've been using
\score {
{
\music
user28 wrote:
i need to place rests from voice three between notes from first and second
voices,
you can position the rests of a voice using
\once \override Voice.Rest #'staff-position = #-2
changing the number to what you need!
--
View this message in context:
Hi Ralph
This is working as designed. It's explained towards the bottom of
section 3.2.1 in the Notation Reference. By default only the piece
and opus are printed when \header is included in the \score block.
Setting print-all-headers true in a paper block is what you're
looking for.
Trevor
On 03.01.2010, at 00:28, -Eluze wrote:
user28 wrote:
i need to place rests from voice three between notes from first
and second
voices,
you can position the rests of a voice using
\once \override Voice.Rest #'staff-position = #-2
changing the number to what you need!
You can
On 03.01.2010, at 00:28, -Eluze wrote:
user28 wrote:
i need to place rests from voice three between notes from first
and second
voices,
you can position the rests of a voice using
\once \override Voice.Rest #'staff-position = #-2
changing the number to what you need!
You can
On Sat, Jan 02, 2010 at 12:22:27PM -0500, Kieren MacMillan wrote:
If someone with real Scheme-fu could build a function that took a series of
moments and tweaks, you might be able to do something like
ms = \relative e'' {
e4 e c d |
}
correctionsEditionA = {
\coolSchemeFunction
Xavier Scheuer x.sche...@gmail.com wrote:
Look into \tag.
Which is documented there:
Notation Reference (NR) 3.2.2 Different editions from
one source
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Different-editions-from-one-source
;-)
That's 3.3.2, not 3.2.2
I might attack this myself some day, if it can really
be accomplished at the Scheme interface. I doubt that I will ever
penetrate the C++ substrate. At present, I don't understand the data
structures quite well enough, and I think a few more iterations of the
documentation are probably
I'm working on converting a collection of single scores into a
song-book, by \including the .ly files, and seem to have run across a
problem with scoping of variables: in some of my scores, I use no
variables, neither for notes nor lyrics. Other scores, using variables
defined outside a \score
Hi Michael,
Unfortunately, editorial changes to note durations are particularly
problematic, since they change all of the time values downstream.
Agreed.
adjustments that went above the level of a single tweak-voice would hit the
full staff context.
If the Scheme function took a context
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