' entry midway down. I think this
would be what you wanted.
james
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document in earlier versions of 2.15. We did re-write much of
the examples and obviously missed this.
Before I create a tracker, I'll wait for a confirmation from
David/Mike that this is technically correct.
James
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James,
On 21 April 2012 07:51, James Harkins jamshar...@gmail.com wrote:
At Fri, 20 Apr 2012 06:31:20 -0500,
David Nalesnik wrote:
Hi James,
On Fri, Apr 20, 2012 at 3:32 AM, James Harkins jamshar...@gmail.com wrote:
Maybe a simple question: Is there a way to flatten the curve of a tie
a
confirmation that this is a documentation error or an
unexpected/inconsistent behaviour in the code.
I haven't seen a case for either yet.
james
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James
On 22 April 2012 04:50, James Harkins jamshar...@gmail.com wrote:
At Sat, 21 Apr 2012 11:24:50 +0100,
James wrote:
If you can come up with a simple example, we (or you even) could add
it to the LilyPond snippet repository
Like this, perhaps? I can add it if this looks OK.
I guess - I
I have a question, but every time I try to post it,
gmane complains that I'm top-posting.
How do I not top-post?
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Is is possible to have simultaneous multiple tags?
I'm trying:
\version 2.14.2
control = {
s1*2
\tag #'threes { \time 3/4 s2. }
\tag #'twos { \time 2/4 s2 } }
tset = \relative c' {
c4 d e f
\tag #'up {g4 a b c }
\tag #'down { g4 f e d }
\tag
/tullguitarpage/songs/serenadetoacucko.JPG
)..or something to put a horizontal line between each new line.
Did somebody play with this kind of staff..
Thank you guys..stef.
I *think* you want this thread
http://lists.gnu.org/archive/html/lilypond-user/2011-08/msg00100.html
James
PS I would
/index.html
James
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: cannot end slur
warning: unterminated slur
Preprocessing graphical objects...
Finding the ideal number of pages...
Fitting music on 1 page...
Drawing systems...
Layout output to `test.ps'...
Converting to `./test.pdf'...
success: Compilation successfully completed
--snip--
James
c c c |
c4 c c c |
c4 c c c |
c4 c c c |
c4 c c c |
c4 c c c |
c4 c c c |
}
Attached is its output. How can I avoid that the \tempo string sticks
out to the right?
I think this is
http://code.google.com/p/lilypond/issues/detail?id=1133
James
.
I'm not that technically savvy on this topic, but I seem to recall
that because of LP's use of Guile 1.8 and not Guile 2.0 that it caused
some headaches (they are not (very/at all) backward compatible) for
another distribution package maintainer.
James
Hello,
On 30 April 2012 10:16, Francisco Vila paconet@gmail.com wrote:
2012/4/30 James pkx1...@gmail.com:
Martin,
On 29 April 2012 17:28, Martin Tarenskeen m.tarensk...@zonnet.nl wrote:
Hi,
Any chance Lilypond 2.16 will be accepted in Fedora 17 ?
You need to talk to the/a Fedora
comment on that, Mike Solomon made the patch for this, maybe he can.
James
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Hello,
On 1 May 2012 08:31, Nick Payne nick.pa...@internode.on.net wrote:
On 01/05/12 17:06, James wrote:
Hello,
On 1 May 2012 06:12, Nick Paynenick.pa...@internode.on.net wrote:
On 01/05/12 14:32, Werner LEMBERG wrote:
In the following, even though I've turned off the tuplet bracket
in the base code?
James
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Hello,
On 1 May 2012 08:52, James pkx1...@gmail.com wrote:
Hello,
On 1 May 2012 08:31, Nick Payne nick.pa...@internode.on.net wrote:
On 01/05/12 17:06, James wrote:
Hello,
On 1 May 2012 06:12, Nick Paynenick.pa...@internode.on.net wrote:
On 01/05/12 14:32, Werner LEMBERG wrote
Hello
On 2 May 2012 01:25, James Harkins jamshar...@gmail.com wrote:
Bug or feature?
No idea.
\relative c' { e8.:32 e16 }
I'd expect the beam to be flat horizontal here. Instead, the tremolo pushes
the left endpoint upward.
2.15.36 here.
Same in 2.14.2.
Not a regression whatever
different in this regard.
To be perfectly honest I like the space, and when you cram the notes
in the space does seem to be even - try repeat unfold 32 for
instance. I cannot see any difference - if that matters.
james
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://lsr.dsi.unimi.it/LSR/Item?id=609
instead?
looks quite straightforward
james
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a second voice, have a triplet in both voices and merge notes?
I'm just thinking off the top of my head, I haven't tried it.
James
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/page-layout
I hope this helps.
James
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age[1]).
James
[1] http://en.wikipedia.org/wiki/Frankie_Howerd
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and warnings.
James
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Hello again..
On 17 May 2012 18:57, James pkx1...@gmail.com wrote:
Hello,
On 17 May 2012 11:50, Christopher Webster
christop...@claytonwebster.net wrote:
The intention of the input below was to produce a PDF with normal repeat
notation plus a MIDI file in which the repeat was expanded
On Jun 5, 2012, at 9:48 PM, Sami Amiris wrote:
I am sorry for any inconvenience to the group. I am a relative newbie, and I
need help.
When I type this:
\version 2.14.2
\score
{
\new PianoStaff
\new Staff = up{
\clef treble
On 12 Jun 2012, at 20:46, Philip Thomas philip.tho...@bluewin.ch wrote:
--
--
I remember finding some gaps in the Cheat Sheet as a new user. Might it be
worth reviewing to see whether it could be expanded and improved without
over-burdening it with detail?
*2
}
\relative c' {
\repeat volta 2 { \repeat unfold 5 { c2 } }
\alternative {
{ d2 | d2 }
{ d2 }
}
e2 | e2
}
}
Have I misunderstood something? How can I avoid this?
Thanks,
James
On Jun 15, 2012, at 11:43 PM, Janek Warchoł wrote:
On Fri, Jun 15, 2012 at 9:57 PM, james james.lilyp...@googlemail.com wrote:
The measures before the 1st repeat affect where the mark after the repeat is
placed:
\version 2.14.2
\score {
\new Staff
{
\time 2/4
On Jul 15, 2012, at 7:58 PM, macula wrote:
Dear collective wisdom,
For the life of me, I have been trying to make the LilyPond man pages
accessible on MacOS. I am a reasonably experienced user of the Mac terminal
(Bash shell) but this seemingly simple challenge has defeated me. I have
On Aug 3, 2012, at 4:40 PM, flup2 wrote:
Hello,
Sorry for not replying on the French list (I'm just back from holidays).
Version 2.14.2 doesn't work (didn't under previous OS X version either), but
last 2.15.42 works without problem on a iMac Core i3 with Mountain Lion.
But you have
On Aug 6, 2012, at 12:20 PM, David G wrote:
I would like to put a dot after the barline to show (something like) a
crotchet tied to a quaver - or according to
http://ranumspanat.com/jacquet_dots.htm subtly different(!)
It's more clear in this Beethoven string quartet:
In the following:
\version 2.14.2
\score {
\relative c' {
\time 2/4
\set Staff.keySignature = #`(((0 . 4) . ,SHARP) ((0 . 3) . ,SHARP))
\clef treble
c8 a c d
%%% Commenting out the following line solves the problem %%%
\clef bass
e fis d c
}
\layout {}
On Aug 14, 2012, at 5:00 PM, David Kastrup wrote:
james james.lilyp...@googlemail.com writes:
So I fail to make _any_ sense of your example. If I had to guess, I'd
say the octave specifications are there for overriding the default
octaves chosen by the key signature engraver, but without
On Aug 15, 2012, at 12:18 PM, james wrote:
On Aug 15, 2012, at 9:54 AM, David Kastrup wrote:
Keith OHara k-ohara5...@oco.net writes:
David Kastrup dak at gnu.org writes:
That image does not make sense to me at all. Notes appear in key
signature (though in a different octave
On Aug 19, 2012, at 11:38 AM, cgodefro free wrote:
Hello,
I'm experimenting some issues with the change staff command. It seems that
both staff are linked together.
the \stemUp is not taking into account and the \change Staff = up affect as
well the down staff.
Does anyone can help
On Aug 20, 2012, at 5:34 AM, Daniel E. Moctezuma wrote:
Hello,
I was wondering if it's possible to put slurs between different \score
sections (inside a \book).
I have 2 movements of a work that are played one after another (attaca) with
a slur between them.
Thanks.
Given the
Section 1.1.4 of the Learning Manual has version 2.14.2 instead of 2.16.0. It's
not a big problem, and it's probably not difficult to fix, but it's there.
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On Sep 1, 2012, at 1:48 PM, Andreas Pavlogiannis wrote:
Hi,
I 'm a new lilypond user, pretty excited so far. I 'm having the following
difficulties, on the following code.
[1] In order to align scores on a line, I use the \markup environment, which
seems to suppress the midi output.
I'm looking at the new options for custom key signatures, and before I begin
playing around with this, I don't understand this text at all.
Accidentals in the key signature may be printed in octaves other than their
traditional positions, or in multiple octaves, by using the flat-positionsand
On Sep 2, 2012, at 11:46 PM, Keith OHara wrote:
james james.lilypond at googlemail.com writes:
I'm looking at the new options for custom key signatures,
Accidentals in the key signature may be printed in octaves other than
their traditional positions, or in multiple octaves, by using
On Sep 2, 2012, at 11:51 PM, james wrote:
On Sep 2, 2012, at 11:46 PM, Keith OHara wrote:
james james.lilypond at googlemail.com writes:
I'm looking at the new options for custom key signatures,
Accidentals in the key signature may be printed in octaves other than
their traditional
On Sep 3, 2012, at 7:10 AM, Keith OHara wrote:
james james.lilypond at googlemail.com writes:
If you define an unusual key signature with G-flat and A-flat
\new Staff { \clef bass
\override Staff.KeySignature #'flat-positions = #'(5)
\set Staff.keySignature = #`(( 4 . ,FLAT) ( 5 . ,FLAT
to get both of these in one command?
TIA,
James
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On Sep 7, 2012, at 1:48 AM, David Nalesnik wrote:
Hi James,
On Thu, Sep 6, 2012 at 5:00 PM, james james.lilyp...@googlemail.com wrote:
I don't really understand it, but I can modify the examples of how to create
custom dynamics to get what I want.
I have a document with several examples
On Sep 9, 2012, at 9:49 AM, David Kastrup wrote:
Note that you can write this as
rinforzamf =
#(make-dynamic-script
#{ \markup \line { \left-align \normal-text \whiteout
\italic rinforza
\hspace #0
\whiteout
On Sep 9, 2012, at 12:24 PM, David Kastrup wrote:
james james.lilyp...@googlemail.com writes:
Ok, here is the deal: this is an override, which is something
happening at a single timestep to _everything_ in the current
context. If you want to combine them, you rather want a tweak
Perhaps I don't understand the purpose of the dynamics context. I've been using
them to align all dynamic marks on a single line, however, I don't see how to
control whether the dynamics are place above or below the staff. For example:
\version 2.17.2
\score {
\new Staff = tset
On Sep 9, 2012, at 5:20 PM, Phil Holmes wrote:
- Original Message - From: james james.lilyp...@googlemail.com
To: lilypond-user Mailinglist lilypond-user@gnu.org
Sent: Sunday, September 09, 2012 3:57 PM
Subject: dynamics contexts
Perhaps I don't understand the purpose
I have been looking at this documentation for so long, that I just don't
understand it anymore. Is it possible to get a line on the text pedal
notation? There are so many contexts and engravers for the piano pedals, that I
just don't see how to add a line to it.
On Sep 10, 2012, at 11:42 PM, David Rogers wrote:
james james.lilyp...@googlemail.com writes:
I have been looking at this documentation for so long, that I just
don't understand it anymore. Is it possible to get a line on the
text pedal notation? There are so many contexts and engravers
On Sep 10, 2012, at 11:52 PM, luis jure wrote:
this looks like a bug to me, but i'd like to hear comments from people with
a better understanding of lilypond than me.
when writing two consecutive \repeat volta, the thin bar lines are
omitted, which i think is wrong. in any case, it's
I still haven't figured this out, so I'm putting out another request. Is
possible to get piano pedals that have the word Ped. and broken-line spanner,
and the asterisk at the end?
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On Sep 20, 2012, at 8:16 PM, Marc Hohl wrote:
Am 20.09.2012 20:01, schrieb Graham Percival:
On Thu, Sep 20, 2012 at 07:45:41PM +0200, Nicolas Sceaux wrote:
Le 20 sept. 2012 à 19:21, Graham Percival a écrit :
A single note name is not that much longer to type than q. If it is
really
4th
word is an acronym or abbreviation).
I haven't though this through completely as of course I don't use q, I
just create a variable at the beginning of my accordion peices and use
\repeat unfold x { variable } - my accordion music is quite
simplistically rhythmic.
James
Hello,
On 23 September 2012 12:34, Marc Hohl m...@hohlart.de wrote:
Am 23.09.2012 13:01, schrieb James:
Hello,
On 23 September 2012 09:34, Janek Warchoł janek.lilyp...@gmail.com
wrote:
On Fri, Sep 21, 2012 at 3:37 PM, David Kastrup d...@gnu.org wrote:
Janek Warchoł janek.lilyp
the default size.
Perhaps the syntax is incorrect?
Thanks for any help.
James
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On Oct 1, 2012, at 4:29 AM, Michael Rivers wrote:
Most beginning children's piano music uses a format with a single-line melody
broken between the treble and bass clefs and lyrics written in between. I'm
assuming LilyPond doesn't have a way to automatically attach some lyrics to
the treble
Gilles
On 30 September 2012 22:17, Gilles gilles.thiba...@free.fr wrote:
My command I am trying to run is
lilypond -e '#(set-global-staff-size 32)' --pdf myfile.ly
Hello James
I had a similar problem in the past
http://lists.gnu.org/archive/html/lilypond-user/2011-08/msg7.html
/windows.html accordingly
Regards
James
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and Feta
fonts,
in several sizes. Do I have to edit each file?
http://lilypond.org/doc/v2.17/Documentation/contributor/modifying-the-feta-font
also if you are interested in someone who has also done this see:
http://www.chiark.greenend.org.uk/~sgtatham/gonville/
James
% or so lost to the middle men, but it could
suffice. I'd be happy to pay straight into developers account, if
there is a consensus amongst say 100 people to fund a feature.
Zenaan
Kickstarter has been discussed before
http://lists.gnu.org/archive/html/lilypond-user/2012-02/msg00358.html
James
On Oct 16, 2012, at 5:21 PM, Keehun Nam wrote:
Dear LilyPond Users,
How should I go about producing a paper which includes musical examples? In
the past I've exported to a high quality PNG and scaled the image down to the
appropriate size but that inevitably ended up with musical
On Oct 25, 2012, at 11:15 PM, David Kastrup wrote:
…
What you are witnessing on the user list is the
emergence of power users, a class of users narrowing the gap between
users and core developers. Yes, they juggle with complex material. But
that does not mean that things have actually
On Oct 26, 2012, at 7:11 PM, David Kastrup wrote:
james james.lilyp...@googlemail.com writes:
On Oct 25, 2012, at 11:15 PM, David Kastrup wrote:
…
What you are witnessing on the user list is the
emergence of power users, a class of users narrowing the gap between
users and core
above my level of understanding.
Granted, the question was a bit above my level of understanding…
On Sep 7, 2012, at 1:48 AM, David Nalesnik wrote:
Hi James,
On Thu, Sep 6, 2012 at 5:00 PM, james james.lilyp...@googlemail.com wrote:
I don't really understand it, but I can modify
Werner LEMBERG w...@gnu.org writes:
So I ask again: What exactly are the difficulties you have
encountered? What concepts are badly explained, what examples are
`greek' to you, and why? Simply skipping the Scheme code and asking
for a non-Scheme solution isn't helpful either.
Perhaps
.
Regards
James
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On Nov 4, 2012, at 5:50 PM, TaoCG wrote:
Is there something similar to lyric hyphens as is \laissezVibrer and
\repeatTie to ties?
In this sample
http://lilypond.1069038.n5.nabble.com/file/n135806/sample.png I'd like
to have lyric hyphens for Renovemos and Llenemos but I don't know if
On Nov 12, 2012, at 7:58 PM, Keehun Nam wrote:
Dear LilyPond community,
I've been trying unsuccessfully for about an hour try to force grace notes to
have down-ward stems when the pitch placement would dictate upward stems.
The code is:
a8[ \grace { a16[ a]} a8 ]
I've tried
On Nov 19, 2012, at 4:41 AM, Nick Payne wrote:
On 19/11/12 12:47, Paul wrote:
I would like to set my prall on the right-hand side of my note, rather
than above it. (Per Baroque organ scores.) Any ideas how to achieve
this?
Adaptation of http://lsr.dsi.unimi.it/LSR/Item?id=690
On Nov 20, 2012, at 10:22 PM, Eluze wrote:
Phil Burfitt wrote
Hi,
I have just upgraded from version 2.13.17 to 2.17.7.
Has the behaviour of \hspace changed in any way? It does not seem to act
upon negative values anymore.
example:
\markup {
\override #'(circle-padding . 0.55)
On Nov 26, 2012, at 1:42 AM, Thomas Morley wrote:
2012/11/26 ivan.k.kuznet...@gmail.com:
I am still relatively new to lilypond.
I have a simple four voice choral attached.
(1)
This example produces numerous warnings about
clashing notes which look like:
On Nov 26, 2012, at 3:33 PM, Eluze wrote:
Werner-37 wrote
to have dynamics for the whole score I would use a Dynamic voice between
the 2 staves (as you proposed)
„between the 2 staves“ ‒ do you meen as a invisible 1-line-stave ?
not exactly - see the attached example where I also
On Dec 2, 2012, at 9:16 PM, Christopher Brooks wrote:
I just pasted this from the documentation, but it won’t allow me to do this,
what do I do?
a) If you haven't already, I highly recommend you read the Learning Manual, it
explains how lilypond works, how to find out what you want to do,
On Dec 2, 2012, at 9:54 PM, Christopher Brooks wrote:
I am having trouble understand which items can be places one after another,
and which can’t;
This works:
\new ChordNames {
\chordmode {
c1:aug
}
}
{
c e gis1
}
c d e
\new
On Dec 2, 2012, at 10:06 PM, Christopher Brooks wrote:
James, I have read the Learning Manual. It is not clear what can be placed
where. What I am trying to do is write:
1. A chord
Learning Manual 2.2.4
with the chord name
Notation Reference 2.7
2. A short text (a plus
On Dec 16, 2012, at 8:40 PM, m...@mikesolomon.org wrote:
Hey all,
Say, for example, I have:
mA = { some music }
lA = { lyrics to some music }
mB = { some more music }
lB = { lyrics to some more music }
mC = { even more music }
lC = { lyrics ot even more music }
and all of these
On Jan 3, 2013, at 2:46 AM, Antonio Gervasoni wrote:
John Link johnlink at nyc.rr.com writes:
A few years ago I was encouraged to try LilyPond
as an alternative to Sibelius because LilyPond
produced more beautiful scores. I was also told that it
would allow me to do things like
On Jan 14, 2013, at 2:22 AM, Tim Rowe wrote:
I'm trying to notate a song with piano accompaniment, but I don't want
a separate voice line printed -- the singer will be able to work it
out from the piano part, and space is at a premium. I do need to align
the lyrics to the voice line,
On Jan 14, 2013, at 2:22 AM, Tim Rowe wrote:
I'm trying to notate a song with piano accompaniment, but I don't want
a separate voice line printed -- the singer will be able to work it
out from the piano part, and space is at a premium. I do need to align
the lyrics to the voice line, though.
On Jan 14, 2013, at 4:51 PM, Tim Rowe wrote:
On 14 January 2013 06:12, james james.lilyp...@googlemail.com wrote:
You could theoretically use \hideNotes and simply enclose both the right
hand piano and the voice line in a construct, but lilypond will
complain of collision errors (which
In the interest of not getting too far away from the original topic, what do
the mac lion+ users use for midi playback? On my snow leopard machine (my main
machine), I use Mighty MIDI, which has been wonderful. It really has only the
features for listening to my note entry to make sure I
On Jan 15, 2013, at 9:47 PM, Christopher R. Maden wrote:
On 01/15/2013 03:40 PM, Kieren MacMillan wrote:
tl;dr: How does one remove a time signature completely (not just
transparent) without removing the time signature engraver?
I believe this will work:
\once \override TimeSignature
On Jan 15, 2013, at 10:18 PM, Christopher R. Maden wrote:
On 01/15/2013 04:05 PM, Kieren MacMillan wrote:
You need to specify the context:
OK... a more complete example is attached.
The time signature is invoked in songGlobalsVerse.
That’s used in a Staff:
songVocals = \new Staff
On Jan 18, 2013, at 11:26 AM, Maarten de Keijzer wrote:
Am 16.01.2013 08:51, schrieb Maarten de Keijzer:
Hi,
Is it possible to create some general setup for the total number of
bars within the score, including time changes?
In the example I have a score with two voices on the
On Jan 26, 2013, at 2:12 PM, Noeck wrote:
Is there a difference between:
\new Staff \with { \override Clef.color = #red } { a }
and
\new Staff { \override Staff.Clef.color = #red a }
Although David has provided an illustration of the difference (mostly due to
the faulty grace note
On Feb 20, 2013, at 9:22 AM, David Kastrup wrote:
James Harkins jamshar...@gmail.com writes:
What I did to get to this point:
1. Cloned the repository. Checked out the tag release/2.16.2-1, and
then git checkout -b hjh2.16.2 (because I don't like staying
somewhere earlier than the head
On Feb 23, 2013, at 5:29 PM, Noeck wrote:
Hi Alex,
In general, you won't find much help with that attitude:
because I don't have the time to learn this by myself using the manual
The LilyPond manuals are helpful and you don't have to read everything
to get started. For guitar music, this
#command_002dline-usage
James
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On Feb 25, 2013, at 10:37 AM, Derek wrote:
Thanks for all the suggestions, I'll give this a go tomorrow. I guess I
didn't really understand what the \\ thing did so I will have to do a bit
more reading and perhaps clean up the code I have it is rife with \\. It is
starting to make sense
On Feb 26, 2013, at 10:03 AM, Jan Nieuwenhuizen wrote:
Francois Planiol writes:
No idea... I just begun to use the last realease of frescobaldi under
[a freedom-limiting operating system] and this is just fantastic.
Thanks for your encouraging words about Frescobaldi.
Could you please
On Mar 8, 2013, at 6:33 PM, Tim Slattery wrote:
Mike Blackstock blackstock.m...@gmail.com wrote:
This paper might be of interest to anyone typesetting public domain
music from so-called copyrighted scores:
http://papers.ssrn.com/sol3/papers.cfm?abstract_id=787244
Excellent article, even
On Mar 15, 2013, at 5:24 PM, Jérôme Plût wrote:
I don't understand how to define custom footers. Is there a hook in
odd/evenpagefooter where I can plug a Scheme function, or are they
limited to the very poor language of \fromproperty and \on-the-fly?
What I want to do in my case: I have a
On Mar 18, 2013, at 8:40 PM, Jérôme Plût wrote:
Postridie Idus Martias MMXIII scripsit Thomas Morley :
Where do you store the values you want have printed?
How is the structure of your file(s).
Which is your version?
etc
Please post a compilable example.
I have access to lilypond
http://code.google.com/p/lilypond/issues/detail?id=3269thanks=3269
James
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Nice. But where are the images of the score?
;)
On 12 Jun 2013, at 19:09, Jan Nieuwenhuizen jann...@gnu.org wrote:
Hi,
I put some images up at the public url
https://plus.google.com/b/109917054452640897824/109917054452640897824/posts/jPRaUgF34ma
and I hope to get more publicity
Hello
On 12 Jun 2013, at 20:50, Julien Rioux jri...@lyx.org wrote:
On 12/06/2013 2:27 PM, James wrote:
Nice. But where are the images of the score?
;)
http://www.liedboek.nl/voorbeelden/proefbundel
It looks really nice :)
--
Julien
Correct me if I am wrong
at it too:
http://lilypondblog.org/2013/09/using-musical-symbols-in-text-documents/
Maybe this could be a trigger to consider switching to LaTeX?
Best
Urs
I'll give my support to this! I installed an earlier version and have been
using it in a text project and it's great. Thanks, Urs!
James
the use of markups, etc
Or, perhaps a compromise is available?
Thanks for your thoughts!
Sincerely,
Josh
I've heavily adapted this snippet for my own use. It should be a starting place
at least to develop your own.
http://lsr.dsi.unimi.it/LSR/Item?id=368
James Worlton
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