\transpose x y { music notes c4 es etc. etc. }
Fairly easy but sometimes things are not necessarily obvious after staring at
it too long.
Good luck,
Shane
Sent from my T-Mobile 4G LTE Device
Original message From: Brian Durant <globetrotte...@gmail.com>
Date: 12/13/17
It could in some circumstances be poor spacing in the font itself. Is there a
tracking work around for such circumstances?
-Shane Brandes
Sent from my T-Mobile 4G LTE Device
Original message From: David Kastrup <d...@gnu.org> Date:
11/12/17 9:44 AM (GMT-05:00) To: W
There is a chinese tongue twister that is really long and consists entirely of
the sound "shi." The vice president of the shanghai conservatory told me that
one. It is worth looking up.
Regards,Shane Brandes
Sent from my T-Mobile 4G LTE Device
Original message Fro
I suppose wether or not ismlp has it depends on if you are Canadian or a slave
to Mickey Mouse. This piece could have been commercially unsuccessful or
supressed. Why is the ghost voraciously eating the table cloth? Or am I
misunderstanding the title?
Shane
Sent from my T-Mobile 4G LTE Device
Bernhard,
A longshot idea, did you try contacting the church you sang at? Some of the
churches I have worked with or for have had excellent music libraries that had
holdings going back 70 years or more. Then again a many of them have had some
"helpful" person tidy things up and disposed of vast
Bernhard,
A longshot idea, did you try contacting the church you sang at? Some of the
churches I have worked with or for have had excellent music libraries that had
holdings going back 70 years or more. Then again a many of them have had some
"helpful" person tidy things up and disposed of vast
been others that have been just
as adversely affected by the immense amount of heat the lighting systems put
out so by the end of the service the reeds were always a risky proposition.
-Shane
Sent from my T-Mobile 4G LTE Device
Original message From: David Kastrup <d...@gnu.
From: msk...@ansuz.sooke.bc.ca Date: 2/16/18
1:01 PM (GMT-05:00) To: Shane Brandes <sh...@grayskies.net> Cc: Henning Hraban
Ramm <lilypon...@fiee.net>, lilypond-user Mailinglist <lilypond-user@gnu.org>
Subject: Re: OT: typewriter LaTeX package
On Fri, 16 Feb 2018, S
I for some reason thought I was using 2.whatever frescobaldi on Ubuntu 17.10
but it is in fact 3.0. I remember it crashing iniitially but after throwing the
error into google there was some reasonably simple fix, but going through the
terminal history hasn't revealed what it was.
Shane
Sent
At this point shouldn't it be called a feature?
Shane
Sent from my T-Mobile 4G LTE Device
Original message From: Thomas Morley
<thomasmorle...@gmail.com> Date: 3/10/18 7:57 PM (GMT-05:00) To: Lucas
Werkmeister <m...@lucaswerkmeister.de> Cc: lilypond-user
&l
At this point shouldn't it be called a feature?
Shane
Sent from my T-Mobile 4G LTE Device
Original message From: Thomas Morley
<thomasmorle...@gmail.com> Date: 3/10/18 7:57 PM (GMT-05:00) To: Lucas
Werkmeister <m...@lucaswerkmeister.de> Cc: lilypond-user
&l
.
Regards, Shane
Sent from my T-Mobile 4G LTE Device
Original message From: Edward Neeman <edward.nee...@gmail.com>
Date: 4/14/18 6:55 PM (GMT-05:00) To: Lilypond-user <lilypond-user@gnu.org>
Subject: Pedal bracket alignment
Hello,
I would like to align the pedal bra
<< { d4 b8 } \\ {g b~ g}\\{s8 \hideNotes b~ \once \override
NoteColumn.force-hshift = #-.1 b} >>
A possible solution to your problem.
regards,
Shane
On Sat, Nov 28, 2020 at 4:37 PM Shuwei Hu wrote:
> Dear list,
>
> I'm trying to tie notes across voices. Example:
>
It never crossed my mind that figured bass was anything other than a non
countable noun. Just like fish or sheep. As a spoken term it sounds more
like a tax term.
Shane
On Tue, Jun 15, 2021 at 11:01 AM David Sumbler wrote:
> I think the real question is "what do you call a singl
affSymbol.color = #magenta
\startStaff { c'1-\markup "Magenta" }
}
}
>>
}
regards,
Shane Brandes
On Fri, Jun 4, 2021 at 10:38 AM Paul McKay wrote:
> Hi
> I am working on some Haydn piano music and want to distinguish between
> urtext and my version music.
You are on your own on that one. I think it just leads to the unpleasant
chaos of having to look up what those mean in a table somewhere after you
have forgotten why you put that into your score.
-Shane
On Thu, Mar 25, 2021 at 10:20 PM Valentin Petzel wrote:
> Hello!
>
> Currently
, it is likely LilyPond is an excellent candidate for your needs,
unfortunately I can't give all the answers, and really am looking forward
to whatever discussion your missive generates. It is always interesting to
learn what this program is capable of.
kind regards,
Shane Brandes
On Fri, Apr 9, 2021
chorus
entrances in such a way that one only needs to maintain the parts
themselves without making duplicate editing if changes are made?
regards,
Shane
I think Wol has mentioned the exact tool, Tags, required for what I am
trying to accomplish. Those are not something I have ever used or even run
across. Hopefully I can manage them without further assistance. Thank you
all!
Shane
On Sun, Nov 28, 2021 at 2:32 PM Valentin Petzel wrote
of the others. Thanks for the progress.
-Shane
On Wed, Dec 1, 2021 at 9:54 AM Leonid Hrabovsky
wrote:
> Thanks for the comment - I remain with 2.22.1 so far.
>
>
> *Леонід - Leonid*
>
>
>
> <https://www.avast.com/sig-email?utm_medium=email_source=link_campaign=sig
it might have
worked well for something simpler than what I happened to be doing. Anyway,
I do not expect to have to make too many further edits to either the full
or vocal score so there shouldn't be too much double maintenance in any
event.
regards and thanks again for the help,
Shane
On Sun,
\version "2.22.1"
\relative c' {
\slashedGrace b'8 ^( 8
}
On Sun, Mar 6, 2022 at 10:41 PM Mark Stephen Mrotek
wrote:
> Hello All,
>
>
>
> How do I get the slur go from the acciaccatura to the “a”?
>
>
>
> Thank you for your kind attention..
>
>
>
> \version "2.22.1"
>
>
>
> \relative c'
Run the code as I set it down. you should see a slur from the b to the a as
I do. That is what the ^( ) syntax ought to be doing for you. I see it very
clearly as you wanted.
On Mon, Mar 7, 2022 at 9:44 AM Mark Stephen Mrotek
wrote:
> Shane,
>
>
>
> Thank you for the suggesti
perhaps you have a /slurdown declared earlier in your code?
On Mon, Mar 7, 2022 at 10:43 AM Mark Stephen Mrotek
wrote:
> Shane,
>
>
>
> Shall inspect context. Perhaps something prior is affecting.
>
> Thank you for your assistance.
>
>
>
> Mark
>
>
>
I think here you can use the instrument name to achieve your desired effect.
\new Staff \with {
instrumentName = "я не знаю"
}
On Mon, Mar 7, 2022 at 2:49 PM Michael Gerdau wrote:
> > Hello. I saw this design in the sheet music. And I really need to try to
> > do the same. But I don't know
In most cases this would mean use the pedal in an ad libitum fashion and
not play it dry without the use of the sustain pedal.
Shane
On Fri, Mar 25, 2022 at 8:52 PM Kenneth Wolcott
wrote:
> HI;
>
> When the previous typesetter states "with pedal", what exactly does
&
This an old solution to put the pedal in its own context so you can add
spacers as you see fit. Maybe there is a better way now, but this works
pedal ={s8 s2\sustainOn s2\sustainOff }
\score {
\new PianoStaff \with {
instrumentName = "Piano"
} <<
\new Staff = "right" \with {
values greater than 1 also yield odd results.
On Sun, Mar 20, 2022 at 6:41 PM Knute Snortum wrote:
> Hi all,
>
> I have run into another possible-bug-certainly-ugly issue that I found
> trying to create an ossia bar. When a musical figure has beams and the
> staff is reduced in size with
\once \override Beam.positions = #'(0.5 . 0.5)
regards,
Shane
On Mon, Jan 24, 2022 at 1:11 PM Francesco Napoleoni <
mlists-lilyp...@cosmic-odyssey.net> wrote:
> Hi everyone
>
> While engraving the music in screenshot-source.png I’ve stumbled on a
> problem:
> I cannot a
way making that also fairly useless as a nomenclature.
Shane
On Wed, Jan 18, 2023 at 9:38 AM David Wright
wrote:
> On Wed 18 Jan 2023 at 08:22:19 (+), Mark Knoop wrote:
> > At 16:46 on 17 Jan 2023, "H. S. Teoh" via LilyPond user discussion wrote:
> > > On Tue, Jan
somewhere unknown to me. Any ideas what I am not doing correctly? Googling
hasn't provided an answer but maybe I was asking the wrong question.
regards,
Shane
On Sun, Jan 22, 2023 at 8:26 AM Martin Tarenskeen
wrote:
> Hi,
>
> Recently I discovered that LilyPond is available for Termux, a L
Add an empty measure after the double bar. /bar "||" s1
Shane
On Fri, Feb 17, 2023, 4:36 AM Aberforth D - Instrumentals <
aberfor...@gmail.com> wrote:
> Hello,
>
> I am working on a complete piano vocal score for an opera. To keep things
> manageable I work on ind
I used to use that a lot, especially when the conversions did weird things
due to the amount of workarounds i used to use before the program really
became stellar. In any case, it has been very useful, and may yet still be.
-Shane Brandes
On Sat, Mar 4, 2023, 12:13 PM Mats Bengtsson
wrote
That is great, but where can one find a list of changes between versions?
Shane
On Sat, Feb 18, 2023 at 2:39 PM Jonas Hahnfeld via LilyPond user discussion
wrote:
> We are happy to announce the release of LilyPond 2.25.2. This is termed
> a development release, but these are usually re
\clef bass <<{\once \override NoteColumn.force-hshift = 1 af,4 \stemDown
q }\\{\hideNotes f f f }>> |
that will get you the rest of the way. adjust as necessary.
regards,
Shane Brandes
On Thu, Aug 3, 2023 at 10:56 AM Knute Snortum wrote:
> This doesn't seem to have an effect:
My solution works. Try it.
On Thu, Aug 3, 2023, 1:05 PM Knute Snortum wrote:
> On Thu, Aug 3, 2023 at 9:47 AM Knute Snortum wrote:
>
>> On Thu, Aug 3, 2023 at 8:31 AM Kieren MacMillan <
>> kie...@kierenmacmillan.info> wrote:
>>
>>> Hi Knute,
>>>
>>> > Now the only thing that remains is that
just fine.
It is odd and was a time waster finding a workaround. Any explanations?
regards,
Shane
Indeed I did. And somehow that never occured to me.
Thanks,
Shane
On Fri, Jul 21, 2023, 5:23 PM Hans Aikema wrote:
>
> On 21 Jul 2023, at 23:08, Shane Brandes wrote:
>
> Hi all,
>
> Today I was working on a project and I tried setting the top and bottom
> marg
Could also be a batterie, or an arpeggio that one runs over all the pitches
in between but only maintains the notated ones. Decidedly weird notion
though.
Shane Brandes
On Mon, Feb 19, 2024 at 1:33 PM Francesco Intrieri <
francesco.intrieri...@gmail.com> wrote:
> Dear Auke,
> Could
Whose faircopy and why the indecision?
-Shane
On Wed, Jan 17, 2024, 4:23 PM mog...@kayju.com wrote:
> Hi,
>
> The handwritten manuscript I am typesetting wants the performer to play
>4 OR
>4 OR
>4OR
>4
> at the performer's discretion. Doe
_\startTrillSpan
answers for that.
On Fri, Nov 24, 2023 at 5:16 PM David Kastrup wrote:
> Mario Bolognani writes:
>
> >\override TrillSpanner.bound-details.left.text = #'()
> > \startTrillSpan
> > works for 2.24
> >
> > This is an acceptable result :
>
> What piece of standalone code
\override TrillSpanner.bound-details.left.text = #'()
\startTrillSpan
works for 2.24
regards,
Shane
On Fri, Nov 24, 2023 at 12:24 PM Mario Bolognani
wrote:
> Hello,
>
> any suggestion for this kind of slur? Many thanks for any good idea...
>
> [image: Screenshot 2023-11-2
\override Staff.BarLine.transparent = ##t
On Fri, Nov 17, 2023 at 1:50 PM Johannes Roeßler wrote:
> Hi guys,
>
> there is a nice example for "Mensurstriche"
>
> \layout { \context {\StaffmeasureBarType = "-span|" }}
> music = \fixed c'' { c1 d2 \section e2 f1 \fine}
> \new
Also you may want to check under the program options to make sure the
pdf reader is properly pointing to the correct pdf reader version.
Under settings program configure or something like that.
Shane
On Sat, Mar 10, 2012 at 11:12 AM, Francisco Vila paconet@gmail.com wrote:
2012/3/10 Father
Wouldn't it be simpler to simply use a font that has old style figures?
Shane
On Wed, Mar 14, 2012 at 4:32 AM, Jan-Peter Voigt jp.vo...@gmx.de wrote:
Hi Ben,
the problem is, that these markup-command allow a markup as argument, but
they are expecting strings to process.
So if you redefine
-tuning
\symbols
}
Shane
-
Shane Frasier
sfras...@mac.com
On Aug 6, 2012, at 7:03 PM, Ben Eichler wrote:
Hi there,
I'm a brand new user of Lilypond, just downloaded this morning! I'm using it
to create more beautiful scores for my guitar
Looks to me that the cross tie stuff lies easily under the left hand alone.
Shane
On Wed, Aug 29, 2012 at 3:09 PM, Curt accou...@museworld.com wrote:
Thank you for the perspectives! It's nice to know that it comes across
clearly. I was afraid it might look too cluttered but I can always
, but rarely fiddle with lead sheets.
Try the Lilypond snippet repository.
http://lsr.dsi.unimi.it/LSR/Search which has a large amount of useful
things that can be looked at for all manner of useful things.
Maybe someone else will have a more useful programming insight/
Best of luck
Shane
On Sun
that it required any offseting. Without it the down stems
move the opposite way a touch and collide, but maybe there is a better
order to the voices.
Shane
On Sun, Dec 2, 2012 at 5:02 PM, Eluze elu...@gmail.com wrote:
Rustik wrote
Hello!
I have an example score.
Align_notes_in_accord.ly
http
Eduardo,
Nice job, perhaps hymnals are now obsolete. That would throw my synod
into a tizzy. It makes me almost want a tablet. Hopefully you will
raise a few pennies in your endeavor.
Shane Brandes
On Wed, Dec 12, 2012 at 11:25 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
David
Richard,
Try \override Staff.BassFigure #'Y-extent = #'(z.z . w.w.) where z
and w variables are numbers and that should have some sort of effect
on the position.
regards,
Shane
On Sat, Dec 15, 2012 at 1:21 PM, Richard Shann richard.sh...@virgin.net wrote:
Sometimes the position of figured
\override NoteHead #'transparent = ##t ,
\set subdivideBeams = ##t ,
\set Score.beatStructure = #'(3 2 2)
These bits of code might help. Getting the first double stop(? not a
violinist ) note might be a headache. At the moment nothing is leaping
to mind.
Shane Brandes
On Sun, Dec 16
thinking about how to get the necessary
information to the performer.
regards,
Shane Brandes
On Sun, Dec 16, 2012 at 5:47 PM, Xavier Noria f...@hashref.com wrote:
Is there any style guide for scores online? For example, I don't know
if I should break the groups of four eight notes in the sample
be a mistake on the
engravers part or less likely some obscure indication for a non
standard pedal do-dad we no longer have? Anyway it is a bit strange.
Shane
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond
government for kicking out the professor that showed me those bits of
the obscure art of piano playing.
Shane
On Fri, Dec 28, 2012 at 1:35 AM, David Kastrup d...@gnu.org wrote:
David Kastrup d...@gnu.org writes:
Shane Brandes sh...@grayskies.net writes:
The other question is purely musical. I
Try \override Beam #'concaveness = #x where is some negative value.
It is in the LSR (lilypond snippet repository)
Shane
On Fri, Dec 28, 2012 at 5:24 PM, Mark Witmer m...@markwitmer.com wrote:
Hi,
I'm trying to typeset something like the following example:
\version 2.17.10
\new
,
Shane
On Thu, Jan 3, 2013 at 3:54 PM, james james.lilyp...@googlemail.com wrote:
On Jan 3, 2013, at 2:46 AM, Antonio Gervasoni wrote:
John Link johnlink at nyc.rr.com writes:
A few years ago I was encouraged to try LilyPond
as an alternative to Sibelius because LilyPond
produced more
given case due to changes in the skyline
(am I using that term right) or other factors. Therefore it is a guess
to get them to mate and it will usually take a few attempts with
different values to get it right.
Shane
\relative c'' {
\set crescendoSpanner = #'text
\override DynamicTextSpanner
things, once a standard notation,
that lilypond still has not gotten into its arsenal.
Shane
On Fri, Jan 4, 2013 at 3:13 AM, Ed Gordijn ed.klari...@gmail.com wrote:
Hi Shane,
I am not sure if this is what you are looking for. To me it looks like a
normal triller. You can suppress the text
[image: Inline image 1]
So, being very pleased with the result can someone turn this into a snippet
for the LSR.
thank you all,
Shane
On Sun, Jan 6, 2013 at 6:03 AM, Ed Gordijn ed.klari...@gmail.com wrote:
I see! Smart.
___
lilypond-user
Agreed, a trifle to the left yet. I still need to fiddle with that but, I
still have a small number of other tiddly things to do before that gets
hammered out.
Shane
On Sun, Jan 6, 2013 at 9:42 PM, David Kastrup d...@gnu.org wrote:
Shane Brandes sh...@grayskies.net writes:
Inline image 1
All right.
\override TrillSpanner #'extra-offset = #'(-1.3 . 0.0) causes the whole
apparatus to move, but it also leaves the tail end shorter.
Shane
On Sun, Jan 6, 2013 at 11:13 PM, Shane Brandes sh...@grayskies.net wrote:
Agreed, a trifle to the left yet. I still need to fiddle
\override Script #'extra-offset = #'(-2.6 . -2.0)
just a wild guess on the values.
Shane
On Mon, Jan 7, 2013 at 5:48 PM, Javier Ruiz jav...@ruiz-alma.com wrote:
I believe the attached glyph is a prall-up.
What is the override(s) needed to allow the script to print inside the
staff
That bug if it still happening has been around since at least 2009. I saw
one of my scores the other day with the faulty barlines with that date. I
recommend using Okular it is in some ways preferable to even Acrobat
reader.
Shane
On Tue, Jan 8, 2013 at 5:08 AM, Carlo Stemberger carlo.stember
apt get xfce or gnome, that will solve that issue.
Shane
On Thu, Jan 10, 2013 at 1:23 PM, Noeck noeck.marb...@gmx.de wrote:
I've been using Ubuntu for a few years now, so I know what you mean -
there
/used /to be a pull down/GNOME menu, but I haven't seen it since 12.10.
Ah, I still use
included file. Is it possible to get this to work or is
there some sort of other mummery to go through.
Shane
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Upon examination of that unknown snippet I found. So it cannot apply.
% Will not work in 2.13 or later since define-public-toplevel has been removed
On Fri, Jan 11, 2013 at 1:38 AM, Nick Payne nick.pa...@internode.on.netwrote:
On 11/01/13 14:37, Shane Brandes wrote:
\version 2.17.9
it is time to add a front matter block or something like that sothat
one can add the title page and ToC stuff and not get it all confounded with
headers for individual pieces.
Shane
On Fri, Jan 11, 2013 at 1:27 PM, Shane Brandes sh...@grayskies.net wrote:
Upon examination of that unknown snippet I
\override BreathingSign #'text
= #(make-musicglyph-markup x) where x is the glyph you want to use.
\override BreathingSign #'extra-offset = #'(0.0 . 2.0) adjust x y values as
necessary
Shane
On Fri, Jan 11, 2013 at 10:49 PM, Evan Driscoll edrisc...@wisc.edu wrote:
Hi, I'm a newbie
-variable = #'(expressed value of variable desired)
Sometimes the parenthesis are required, e.g. x and y values, but for
single values they are not. There is likely a way to tweak this into
existece but I am too tired to work that out just now.
Shane
On Sat, Jan 12, 2013 at 11:20 PM, i...@soundand.com
it is best to ask if you are being idiosyncratic in doing
so. Of course it is not yet a perfect program, but it is constantly being
improved.
Shane
On Sat, Jan 12, 2013 at 11:20 PM, i...@soundand.com wrote:
**
Hello-
i just tried to do the
\override BreathingSign#text = \markup
can throw in the further fudge factor of a pad-markup in order to
force it into the next page. If you can't make a feature useful sidestep
it.
Shane
\markup { \fill-line {\fontsize #5 {\bold a}}}
\include a.ly
\markup { \fill-line {\fontsize #5 \pad-markup #1.3 {\bold b}}}
\include b.ly
be a really tedious way of
going about it and will of course make your midi file not play the rhythms
correctly. Some will like as not have a much better idea.
Shane
On Tue, Jan 15, 2013 at 4:52 PM, Andrew Bernard andrew.bern...@gmail.comwrote:
Greetings List,
I would like to be able to add
to the rest of the programs capabilities.
Anyway best of luck.
Shane
On Fri, Jan 18, 2013 at 12:57 PM, Mark Stephen Mrotek
carsonm...@ca.rr.comwrote:
Hello:
** **
The attached file is for a Prelude and Fugue. The header for the Prelude
does not appear and is replaced by the header
failed (0): gs: failed to fork (Cannot allocate memory)Did I break
something or is it wanting a more robust machine? I was trying to run a
file that runs to about a hundred pages using 2.17.9 over Ubuntu 12.10.
Anyway that particular error does not seem obvious to me.
Shane
than the 272 pages achieved by simply concatenating all the indvidual pdfs.
Maybe down the road I will take another crack at combining files en mass
and arriving at a finer control of header data and the various other things
that tend to escape from one file to the next.
Thanks,
Shane
On Wed, Jan
There is a Dover edition. But I don't remember how nice the print in that
volume is.
Shane
On Sat, Jan 26, 2013 at 9:52 PM, Evan Driscoll edrisc...@wisc.edu wrote:
I was surprised to look on IMSLP not find a download of The Planets score
that is better than a somewhat mediocre scan. I also
\markup \abs-fontsize #16 { blah blah}
regards,
Shane
On Sun, Feb 3, 2013 at 1:53 PM, Rustik r.ala...@mail.ru wrote:
Tell me please how can I set lyrics font an absolute value
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Title-font-and-font-size-change
It looks like lilypond is trying to indicate you attached something to an
item that does not exit as a drawn entity and is reporting as a slightly
bizarre but not enough to force it to stop. Seems to be a completely
reasonable thing to do.
Shane
On Fri, Feb 8, 2013 at 10:18 PM, Jim Long lilyp
The hand engraving was amazing. It makes you wonder what sort of metal
exactly the plates are. I liked the I don't make mistakes quote.
Is it possible that program was an in house adaptation of Music Tex or
one of the others?
Shane
On Sun, Feb 10, 2013 at 4:43 PM, Henning Hraban Ramm hra
of the
oxidization.
Shane
On Mon, Feb 11, 2013 at 5:08 AM, bobr...@centrum.is bobr...@centrum.iswrote:
- Original Message -
From: Phil Holmes m...@philholmes.net
To: Vaughan McAlley vaug...@mcalley.net.au, lilypond-user
lilypond-user@gnu.org
Sent: Monday, February 11, 2013 9:37:14 AM
\score {
\new StaffGroup
\new Staff = right \right
\new Staff = left { \clef bass \left }
and you will have to
\layout { indent = 0
\context {
\Score
\remove Bar_number_engraver
}
}
regards
Shane
On Mon, Feb 11, 2013 at 11:11 PM, ryanmichaelmcclure
ryanmichaelmccl
Found the example
Let us learn.
[image: Inline image 1]
On Thu, Feb 14, 2013 at 4:09 PM, Werner LEMBERG w...@gnu.org wrote:
Folks,
I can't believe that the number of dots is correct in this chord :-)
\relative c' {
d e f g a b c d e f g2.
}
Does Gould or someone else have a
Can you make the measures less long so you can easier see the whole cantus
firmus? There is a vast amount of space for one note at a time.
Shane
On Fri, Feb 15, 2013 at 11:24 AM, Gerard McConnell gerine...@gmail.comwrote:
Hello,
I've written a set of Java applets to help students practise
as
opposed to closed format file format crap. i still have a ton of files left
over from other projects that I will never likely open again due to not
having those programs anymore.
Shane
On Thu, Feb 21, 2013 at 6:10 PM, David Kastrup d...@gnu.org wrote:
Hilary Snaden h...@newearth.demon.co.uk
It looks like you you have a typo. Fix the first voice to {[d4( |
d1)\fermata }\\
regards,
Shane
On Fri, Feb 22, 2013 at 3:36 PM, Garrett Fitzgerald sarekofvul...@gmail.com
wrote:
I'm re-setting my wife's part of Grainger's Irish Tune from County
Derry, because it doesn't have the authentic
of the edge of the page. So I am left with the option of using
length multipliers to cheat the length. e.g. c\longa*1/8 etc. Does
anyone know an easier way?
Shane
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman
Thanks all,
I managed to finish it. You can see the results with the original and
Lilypond version at http://www.proportionallime.com/nonlime/lilypond/
Very pleased with the results.
Shane
On Tue, Mar 5, 2013 at 12:44 AM, Marek Klein ma...@gregoriana.sk wrote:
Hello,
2013/3/5 Shane Brandes sh
there was a jazz font patch somewhile ago.
http://lists.gnu.org/archive/html/lilypond-user/2010-12/msg00290.html
Shane
On Wed, Mar 6, 2013 at 1:33 PM, Tim Roberts t...@probo.com wrote:
I had it in my brain that Lilypond had a simple switch to enable the
pseudo-handwritten font and engraving
Ought that not to be the midi players responsibility? I would use
something like Scala and Timidity++ to do that.
Shane
On Wed, Mar 6, 2013 at 2:12 PM, Robert Schmaus robert.schm...@web.de wrote:
Hi everyone,
I'm looking for a command to calibrate the Midi output to (e.g.) a' = 442
Hz. Does
I would prefer not to use the new concept of relative. It seems
awkward when a piece does not begin on a tonic it shifts the gamut in
a less useful way.
Shane
On Thu, Mar 7, 2013 at 6:37 PM, Martin Tarenskeen
m.tarensk...@zonnet.nl wrote:
The idea is that \relative { ... } (namely \relative
It's funny. I think i have used \absolute maybe three times. It is too
much extra typing.
Shane
On Fri, Mar 8, 2013 at 11:45 PM, Keith OHara k-ohara5...@oco.net wrote:
Colin Hall colinghall at gmail.com writes:
In my early days with Lilypond I learned this to my cost. I've never
used
the pitches and fullness of sonority go for it
and it is not really necessary to mark such things unless the chord is
clearly smaller than a tenth and you need to indicate a roll of a
chord where it would not otherwise be physically required.
Shane
On Fri, Mar 15, 2013 at 8:06 PM, Mark Stephen Mrotek
Kieren,
What happens when we need an awkward length R like R1*12/8*14?
Shane
On Tue, Mar 19, 2013 at 3:05 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hello all,
While answering Helge's post about multi-measure rests, I had a couple of
R-elated observations/thoughts:
1. We
on to that extra undeclared information. Of course
maybe i am wrong on that. But I do believe making sure the user is
forced to think out the value of R duration is probably more useful
than any minimal convenience, especially as Joram points out that
would make r and R functionality divergent.
Shane
What exactly are they after? Are these small quotations or entire
scores, what is the scope. Is there a desiderata list? Or are they
after whatever jumble gets thrown at them?
Shane
On Fri, Mar 22, 2013 at 4:23 PM, Jonathan Marmor jmar...@gmail.com wrote:
Hi! Would you like to help get
first-page-number = #x , where x is the desired number works under 2.17.
Shane
On Sun, Mar 24, 2013 at 4:36 PM, Nick Payne nick.pa...@internode.on.net wrote:
On 25/03/13 05:03, i...@soundand.com wrote:
Hi-
I'm using version 2.14 to complete a large project.
Looks like from manual
they are destined
to go next. If you cannot remember what a chord is from one staff to
the next you are simply not concentrating.
Shane
On Tue, Mar 26, 2013 at 8:28 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi,
I don't see the ambiguity.
So, upon seeing the screenshot I sent
such an opinion if ever put to an legal actual contestation no matter how
well worded a licence's permissiveness is worded or then misconstrued.
Especially since the licence is contrary to the nature of normal copyright
laws which in fact vary from nation state to nation state.
Shane
On Wed, Apr 3, 2013
I have used Okular for quite some time, at least 2 years now, as the
necessary point click plugin for Frescobaldi with Lilypond. It works fine
on Ubuntu 12.10 and has since the last long term version.
regards,
Shane
On Sun, Apr 7, 2013 at 4:49 AM, David Kastrup d...@gnu.org wrote:
Orm
1 - 100 of 310 matches
Mail list logo
