Re: \fine and \section across staves

On 03/11/2022 17:41, Jean Abou Samra wrote: In general, it's always been a credo through repeat-related changes that the repeat structure in the user input is expected to match across staves, reflecting the actual music. If you do this, it will also be easier to extract parts. Like bar line

Re: explicitClefVisibility

Hello again, I need to use both : \set Staff.explicitKeySignatureVisibility = #begin-of-line-visible \set Staff.printKeyCancellation = ##f it's perfect ! thank you very much, this mailing list is always a miracle Anthony Le ven. 12 mars 2021 à 17:45, Brian Barker a écrit : > At 16:11 12

explicitClefVisibility

the problem measure 7, where the sharps begin... Anthony \version "2.18.2" symbols = { \once \hide Score.MetronomeMark \tempo 1=60 \time 7/1 \set Staff.explicitKeySignatureVisibility = #begin-of-line-visible \key c \major c1 d e f g a b \break \transpose c f {\key c \major c1 d e f g a

Re: LilyPond v2.20.0 on Raspberry Pi OS (Debian buster)

ts/lilypond https://tracker.debian.org/pkg/lilypond https://buildd.debian.org/status/package.php?p=lilypond=buster-backports Please let us know your experience of using lilypond from buster-backports on Debian 10 (buster) x86/amd64, Raspberry Pi OS, or any other architectures or platforms combination. Cheers, Anthony

Re: Clef "treble_8"

ant also the time signature "C" to disappear... I've read the doc <http://lilypond.org/doc/v2.18/Documentation/notation/typesetting-mensural-music#mensural-time-signatures>, but don't see how. Is there a "\omit" ? Thank you for your responses Anthony Le lun. 10 févr. 2020 à 14:4

Clef "treble_8"

Hello, I'm writing music for classical guitar, so I use the key " \clef "treble_8"" I would like to make the "8" symbol disappear (although I know it's the correct way to represent it) [image: image.png] I guess it can be done with a ClefModifier but I don't know how to use it. Anthony

Re: Lots of temporary files when generating png files

/doc/v2.19/Documentation/changes/index.html Now I use the development version, and I can crop... Thank you for sharing all the methods you use, I'll use them perhaps one day, probably using openCV instead. Regards, Anthony Le mar. 4 févr. 2020 à 22:54, David Wright a écrit : > On Tue 04 Feb

Re: Lots of temporary files when generating png files

lilypond scores. My first attempt was using "lilypond-book" but I need more control (I want to include midi file for example). I will delete the remaining EPS file from my program. Regards, Anthony Le mar. 4 févr. 2020 à 15:37, Aaron Hill a écrit : > On 2020-02-04 6:07 am, Anthony

Re: Lots of temporary files when generating png files

p a écrit : > At 10:25 on 04 Feb 2020, Anthony Rushforth wrote: > > Hello, > > > > I use this command line to generate png files : > > lilypond -dbackend=eps -dno-gs-load-fonts -dinclude-eps-fonts > > -dpixmap-format=pngalpha -dresolution=100 --png c1c1e1g1.ly >

Lots of temporary files when generating png files

Hello, I use this command line to generate png files : lilypond -dbackend=eps -dno-gs-load-fonts -dinclude-eps-fonts -dpixmap-format=pngalpha -dresolution=100 --png c1c1e1g1.ly I took the command line from

Re: Tablature positions

applied also to tablature. Thanks Tonio Le lun. 1 avr. 2019 à 15:35, Anthony Rushforth a écrit : > Hello Stig, > > I've posted this mail first by mistake, I have the answer now : > https://lists.gnu.org/archive/html/lilypond-user/2019-03/msg00417.html > It's what you recomm

Re: Force tablature position

Perfect ! Thank you to both of you ! [image: image.png] symbols={ 1} \score {<< \new Staff { \clef "treble_8" \symbols }\new TabStaff { \symbols }>>} \layout { \omit Staff.StringNumber } Le mer. 27 mars 2019 à 21:23, Federico Bruni a écrit : > Il giorno mer 27 mar 2019 alle 18:25, Malte

Force tablature position

Hello, I would like to force a finger position in a tablature for a particular note in a chord, but the "\set TabStaff.minimumFret = #3 " seems to apply to the whole chord. In this example I would like the b to be in string 3 (g), 4th position. [image: image.png] I've tried to separate the

Re: an "odd" accidental problem...

On 27/07/18 13:30, Torsten Hämmerle wrote: Wols Lists wrote I'm more used to seeing what you describe in key signatures, […] Yes, that's pretty much standard for key signature changes and LilyPond uses cancellation naturals by default (this can be switched off). Well, lilypond is about the

Re: Moving a tempo mark to the right

On 01/09/17 23:19, David Kastrup wrote: Anthony Youngman <antli...@youngman.org.uk> writes: On 01/09/17 22:14, David Kastrup wrote: Change the memory for known good memory, and the kernel compiled fine. No idea what Gcc does that memory test programs fail to account for. Have yo

Re: Moving a tempo mark to the right

On 01/09/17 22:14, David Kastrup wrote: Change the memory for known good memory, and the kernel compiled fine. No idea what Gcc does that memory test programs fail to account for. Have you come across the memory smashing exploit? I can't remember much about it, but if you can hammer memory

Re: Moving a tempo mark to the right

On 01/09/17 21:11, Anthony Youngman wrote: The big problem I can see is if sometimes it occurs at the start of a line, in which case the rehearsal mark will naturally move left out of the way, and letting lily move stuff around may move it to the middle of the line where I get a collision

Re: Moving a tempo mark to the right

On 01/09/17 21:36, David Kastrup wrote: I find the same thing with databases. So many people have their minds stuck in the 2-D relational world, and just cannot grasp the concept of a multi-dimensional database like Pick. Given that Pick is very much list-based (unlike SQL which is set-based),

Re: Moving a tempo mark to the right

On 01/09/17 15:17, Kieren MacMillan wrote: Hi Wol, While it may sound weird. the reality is you probably didn't find it too hard to learn Scheme, because you're a composer not a programmer. Actually, I am a programmer: started with BASIC (and a little assembler language) in the early

Re: Moving a tempo mark to the right

On 19/08/17 15:11, Kieren MacMillan wrote: Hi Wol, My usual moan about colliding markups :-) Given how usual your moans are… ;) Mind you, don't they say moaning customers are the best sort? They *want* the product to succeed. Can I ask why you don't just write a custom function to

Moving a tempo mark to the right

My usual moan about colliding markups :-) Anyways, I've almost got this bit how I want it ... the following code has a rehearsal mark, tempo mark, and melody name all in "the same place". s2.*3 s1*8 \bar "||" \mark \default % 111 \tempo "Languidly" \once \override

Re: : Re: transpose range

On 26/06/17 22:56, Peter Gentry wrote: dak@lola:/usr/local/tmp/lilypond$ lilypond scheme-sandbox GNU LilyPond 2.19.59 Processing `/usr/local/share/lilypond/2.19.59/ly/scheme-sandbox.ly' Parsing... guile> (apply - (map ly:pitch-tones (list #{ eis #} #{ fes #}))) 1/2 guile> -- David Kastrup

Re: Key signatures repeated on every staff

On 15/04/17 15:55, Malte Meyn wrote: May I ask how much sheet music you have seen so far? All (!) classical sheet music repeats key signature at every line. And many editions of pop/jazz/… do that also. And most of the music I see from the turn of last century does NOT. However, imho, it

Re: Making the Dedication field align left

On 26/02/17 00:38, Simon Albrecht wrote: Am 26.02.2017 um 00:47 schrieb Wols Lists: I've stuck that definition in its own .ily file, and I just %include that file at the start of my \paper definition. I think it would be slightly cleaner to write an entire \paper{} block in the .ily file

Re: 13th chord?

On 26/02/17 13:55, Anthony Youngman wrote: On 26/02/17 13:38, msk...@ansuz.sooke.bc.ca wrote: On Sun, 26 Feb 2017, Anthony Youngman wrote: EXCEPT. This is *exactly* the scenario in which you will want my chord transposition code, and that doesn't make sense in a lyrics scenario

Re: 13th chord?

On 26/02/17 13:38, msk...@ansuz.sooke.bc.ca wrote: On Sun, 26 Feb 2017, Anthony Youngman wrote: EXCEPT. This is *exactly* the scenario in which you will want my chord transposition code, and that doesn't make sense in a lyrics scenario. Then they can use the existing code. In which case

Re: 13th chord?

On 26/02/17 11:32, Thomas Morley wrote: 2017-02-26 12:12 GMT+01:00 Anthony Youngman <antli...@youngman.org.uk>: On 26/02/17 10:52, Thomas Morley wrote: If the chordNameFunction (ignatzek-chord-names) does not do what we want, we should improve it, but not drop a plethora o

Re: 13th chord?

On 26/02/17 12:24, msk...@ansuz.sooke.bc.ca wrote: On Sun, 26 Feb 2017, Thomas Morley wrote: If the chordNameFunction (ignatzek-chord-names) does not do what we want, we should improve it, but not drop a plethora of lily-functionality. I'm not proposing to "drop a plethora of

Re: 13th chord?

On 26/02/17 10:52, Thomas Morley wrote: 2017-02-26 2:16 GMT+01:00 : On Sun, 26 Feb 2017, David Kastrup wrote: To me it would seem that the default mode of operation should be for them to have matched rules where feasible, in order to have least element of surprise.

Re: LilyPond logo?

The problem is the black lilyleaf looks like pacman. I notice that the more the split in the leaf is rotated to point down, the less it looks like a mouth (so the less it looks like pacman). The alternative - two leaves - feels unnatural. Cheers, Wol On 05/08/16 10:05, Malte Meyn wrote:

Re: LilyPond logo?

I like the first and last ones. The first is closer to the web graphic, but I think I prefer the last one. I still can't get pacman out of my mind ... you don't get that effect with the colour graphic because the colours are wrong, but as soon as it goes b ... Cheers, Wol On 05/08/16

Re: PDF author metadata

On 07/07/16 19:02, David Wright wrote: BTW one of the odd "assumptions" made in LP is in that variable called poet. What about compositions whose lyrics are prose? Of which I guess there are very few :-) "Jerusalem" is a pretty classic example - about the only one I can think of. Anything

Re: PDF author metadata

On 07/07/16 08:38, Christopher R. Maden wrote: On 07/07/2016 02:23 AM, David Kastrup wrote: Federico Bruni writes: Who should be in your opinion the author of a LilyPond score PDF? The composer or the typesetter? Usefulness does not come into play here as long as there

Re: ANN: Frescobaldi 2.17.1

://packages.debian.org/sid/frescobaldi * http://packages.ubuntu.com/vivid/frescobaldi Merry Christmas Season and Happy New Year to all! Anthony ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Is there a place to have my score analyzed?

That was it! I did have \language english. Once I removed that, the code worked just fine. Thank you! :) God Bless! Anthony http://www.linkedin.com/in/anthonysmitha http://gleefullyfrolics.blogspot.com http://gettinginmymind.blogspot.com http://crazyabouttruth.blogspot.com/ On Wed, May 14

Re: minor chords (and a possible transition to a new topic)

On 22/03/2014 07:50, Simon Albrecht wrote: Am 22.03.2014 02:45, schrieb Anthony Youngman: And I don't tend to dig deep into all the esoteric settings - there are so many of them that I don't understand, that I tend to shy away from them. I shouldn't, but I'd rather just use standard bells

Re: minor chords (and a possible transition to a new topic)

On 19/03/14 18:13, Kieren MacMillan wrote: there is no setting that says force everything onto one page, beauty be damned Does \override Score.NonMusicalPaperColumn.line-break-permission = ##f not work for you? Cheers, Kieren. m not met that. My first reaction though, is

Re: minor chords (and a possible transition to a new topic)

On 17/03/2014 10:40, Robert Schmaus wrote: But there's another thing that surprises me in this discussion: I always thought that Lilypond is mainly being used and intended for classical (exact) music. I think it's always been intended to produce beautiful music for any usage requirement. The

Embeddable MIDI

Invoking lilypond-book allows me to generate HTML with lilypond tags into HTML with PNG images. I've got that bit down. But is there a way to embed the MIDI into the document? Using \midi with generate the midi file but it doesn't embed it into the HTML document. Also, on a less important matter,

Ossia Staves

I've been working on replicating an edition of the Fourth Concert by Georg Golterman (see attachment fourth_concert.ly). This particular edition requires, at the end of the first part, two smaller ossia staves that are aligned directly above their respective main staves. I've managed to

Re: Marking a chord line as capo 3

Thomas Morley thomasmorley65 at googlemail.com writes: 2012/12/27 Romel Anthony S. Bismonte math_wizard44 at hotmail.com: I have two chord lines above my music line, and I was wondering how I can mark the upper chord line as being Capo 3 for the guitar. In lyrics, you can set the stanza

Re: Marking a chord line as capo 3

David Kastrup dak at gnu.org writes: Johan Vromans jvromans at squirrel.nl writes: Romel Anthony S. Bismonte math_wizard44 at hotmail.com writes: I have two chord lines above my music line, and I was wondering how I can mark the upper chord line as being Capo 3 for the guitar

Marking a chord line as capo 3

Hello, I have two chord lines above my music line, and I was wondering how I can mark the upper chord line as being Capo 3 for the guitar. In lyrics, you can set the stanza of a line--is there something similar to that? Something like: Capo 3: DBm ... FDm ...

Why are the chords printed below the staff in this example?

Hi All, When I render the following music on Lilypond, I get the staff on top, the chords below the staff, and the lyrics below the chords. This is unexpected behavior, as I wanted the chords above the staff (as indicated by the order of the staff elements in \score). What am I missing in this

Re: Why are the chords printed below the staff in this example?

From: Alexander Kobel n...@a-kobel.de Thus, take them out to the same nesting level as Staff: chd = \chordmode { c1 a:m } mus = \relative c'' { c4 d4 e2 | a4 b4 c2 } lyr = \lyricmode { See the E, A bu -- sy } \score { \new ChordNames \chd \new Staff \new Voice = one

Re: wrong relative positions in snippet 632 when calling it nrepeatedly

the resetOctave function handy. It might have made its way into the docs, or you might have to search the list archive (it'll be in an ancient post by me or Han-Wen). Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond

Re: simple editor for windows

installable. Only thing is, if you want fancy features I don't know if it can do them - I don't use them. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org

Re: simple editor for windows

In message gg0vj5huatb821fles7lijktsbl8adv...@4ax.com, Tim Slattery slatter...@bls.gov writes Anthony W. Youngman lilyp...@thewolery.demon.co.uk wrote: My favourite editor is PFE (programmers file editor). Unfortunately, last I know, it was abandonware, but it's still a simple nice editor

Re: \set vs \override

to check, but the documentation should say that ANY and ALL combinations of mark and mark-formatting should work, and if they don't it's a bug. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond

Re: Codas / Trios

and push the clef out the way? Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Codas / Trios

In message 87k4ylfdzl@lola.goethe.zz, David Kastrup d...@gnu.org writes Anthony W. Youngman lilyp...@thewolery.demon.co.uk writes: I'm sure I've seen it somewhere, but I can't find it in the manuals, snippets, or searching the lists :-( I'm trying to do what is very typical for my sort

Re: Codas / Trios

In message hfqrfwaoys4kf...@thewolery.demon.co.uk, Anthony W. Youngman lilyp...@thewolery.demon.co.uk writes In message 87k4ylfdzl@lola.goethe.zz, David Kastrup d...@gnu.org writes Anthony W. Youngman lilyp...@thewolery.demon.co.uk writes: I'm sure I've seen it somewhere, but I can't find

\fatText - 2.13.6

I've just tried to use this, and it's failed with unrecognised escaped string (or whatever the error is). Is this defined in some file I've got to include, or what's wrong? Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk

Re: \fatText - 2.13.6

to checkout http://lilypond.org/doc/v2.12/Documentation/topdocs/NEWS.html for other commands that were changed at the same time. Thanks. I thought I was using the 2.12 documentation, so I checked ... 2.10. Oops. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk

Re: Codas / Trios

In message ygulqbbsrz4kf...@thewolery.demon.co.uk, Anthony W. Youngman lilyp...@thewolery.demon.co.uk writes I'm surprised ... after a bit of work it got me where I needed to be! Thanks very much. I'm still not totally happy, in that because I separate layout and notes, I now need to insert

Codas / Trios

CODA or TRIO before the music starts again. Has anybody got an example I can crib? I've found one of my examples using stop/start staff and cadenza, but it's a mess :-( Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond

Re: slurs and bars in vocal music

. Is that a Novello thing? I still meet it quite a lot in old parts, especially marches. It's probably a BH thing as well. It's not THAT hard, once the shock of hitting the things has worn off :-) Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk

Re: mugshots for web page? [WAS: The LilyPond Report, again!]

haven't done anything to get me a place on that list. I can't think of anything for you, though, unless you can find a picture of your place on the Round Table? That might be a good one. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk

Re: volta repeats with alternatives

to be able to accurately identify a bar during a rehearsal. How is an ambiguous bar number going to help? What use are bar numbers if they are ambiguous? Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list

Re: new website: draft 3

engraving, as we see it. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Transpose Command

gets to relative it's already been converted to a pitch by transpose, so relative doesn't have a name to work with. So relative just feeds the pitch straight through - unaltered. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk

Re: theory question

e d c b a Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: new website: draft 3

nasty little changes ...), and then leaves me to sort out the resulting mess. :-( My screen is that 1024x768, then I lose stuff for menu bars, then I size my screens to use maybe 2/3rds of the available screen estate. If the page is optimised for 1024... I'm stuffed! Cheers, Wol -- Anthony W

Re: new website: draft 3

In message blu0-smtp68d1bbf1e31839ae96b29994...@phx.gbl, Kieren MacMillan kieren_macmil...@sympatico.ca writes Hi Anthony (et al.), DON'T assume web browsers are full screen! +1 I curse blue murder when someone else borrows my pc, immediately full screens all my windows (amongst other

Re: Lilypond and Jazz chords

to be displayed. And the lyricChordNames functionality is a way to get transposable chord names for people who are in that camp. Let's take the notes C, Eb, F, Ab. Which chord is that? What's the root? You can easily go from the name to the notes, but not the other way round. Cheers, Wol -- Anthony W

Re: OFF TOPIC: on porting Platform Builder 6.0 [WAS: Re: Notation Editor with MIDI]

, but with 3/4Gb ram and an Athlon 1050 - no I don't think they made one but it's a 1400 running at a 100MHz FSB instead of 133 - I think it'll make pretty heavy weather of running it. And at the moment a PC upgrade isn't on the cards :-( Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk

Re: emacs lilypond-mode

it. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Secondary beaming with a tuplet

and is a pain to have to repeat many times. That also will only work the once, but at least it's a lot easier to type Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http

Re: Users versus developers (was: Tempo mark alignment)

In message 894cbbba-43cf-47cf-9e73-a3a7a2504...@bitstream.net, Tim McNamara tim...@bitstream.net writes On May 23, 2009, at 5:05 PM, Anthony W. Youngman wrote: In message 1243107160.13852.64.ca...@mung-papu, Ari Torhamo ari.torh...@gmail.com writes The first option is achieved by handling

Re: Users versus developers (was: Tempo mark alignment)

you can do for lilypond. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: \partial at start, but want whole bar at end

{ { c2. } { c1 \bar |. } } I think it's the short first alternative that's throwing it off. Another trick to try is to pad it out - { c2. s4 }. That might be a lot simpler than various tweaks to get it to behave (although it might introduce other problems instead ...). Cheers, Wol -- Anthony W

Re: relative mode occasionally gets forgotten?

In message c6334c1b.93d6%c_soren...@byu.edu, Carl D. Sorensen c_soren...@byu.edu writes On 5/15/09 3:06 PM, Anthony W. Youngman lilyp...@thewolery.demon.co.uk wrote: In message 200905151909580...@1654122929, David Pounder pound...@lineone.net writes I don't know if it's worth mentioning

Re: relative mode occasionally gets forgotten?

) that forces absolute pitches, then the \relative will do nothing because it doesn't know what to do with a pitch. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org

Re: relative mode occasionally gets forgotten?

In message 200905151909580...@1654122929, David Pounder pound...@lineone.net writes --- Original Message --- From: Anthony W. Youngman lilyp...@thewolery.demon.co.uk To: lilypond-user@gnu.org Sent: 15.5.09, 18:03:43 Subject: Re: relative mode occasionally gets forgotten? In message

Re: Absolute premiere of a LilyPond typesetted work

-- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Newbie Question -- verse and chorus

fall apart a bit :-( Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Optimal page breaking

In message 1241914773.13703.7.ca...@mercury, Joe Neeman joenee...@gmail.com writes On Sun, 2009-05-10 at 00:18 +0100, Anthony W. Youngman wrote: Isn't working quite right and I can't see how to fix it (12.2). From the content of your email, I suppose you mean page-turn-breaking rather than

Optimal page breaking

to break after odd or even pages but this isn't mentioned along with everything else. Does this option exist, and what is it? Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http

Re: default beat groupings

signature to fix it in 2.12. If you search the mailing list you'll probably find all this last month (search for me - I was in the thread). James E. Bailey Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user

Re: Margins

-numbered pages, and the right margin of even numbered pages... Could we say inner margin? Please no. AIUI, the proper technical term IS binding margin. Let's not change it just to be different. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk

Re: Margins

In message op.usf0kdm8cej...@schuplu, Henning Plumeyer h.plume...@web.de writes Am 15.04.2009, 19:56 Uhr, schrieb Anthony W. Youngman lilyp...@thewolery.demon.co.uk: In message op.usea9bs0cej...@schuplu, Henning Plumeyer h.plume...@web.de writes Am 14.04.2009, 18:32 Uhr, schrieb Mark Polesky

Re: (de)cresendi syntax

thing. You mean rising, which is intransitive, and so can be applied to an object. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond

Re: I don't remember how to do this ...

clef. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Real-world usage of Lilypond

country for email, but in the UK we have the ABRSM Theory Of Music booklets. Basically a series of questions about music, from grade 1 (simple) to grade 8 (university entrance). If you want to learn and can get hold of these, they'd be a very good primer. Cheers, Wol -- Anthony W. Youngman - anth

Re: Concert Pitch (a second try)

! And I seem to remember some American parts that appeared to have the trombone part transposed in bass clef too - that piece rapidly got ditched so I know precious little about it. That might be an American convention ... I'll try again later :-) Cheers, Wol -- Anthony W. Youngman - anth

Re: Concert Pitch (a second try)

, add three flats to the key signature and read it as if it were bass clef. Cheers, Wol (who reads four clefs, treble in Bb, bass, tenor and treble in concert :-) -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list

Re: significance of whitespace [WAS: LilyPond, Finale and Sibelius]

that is to lex/parse... because it IS legal syntax ! :-( Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Music Glossary - 1.64 Concert Pitch (2.12.2)

In message f37cce1d-f6c6-4225-a602-8738e787e...@ultrasw.com, Paul Scott psl...@ultrasw.com writes On Apr 3, 2009, at 3:49 PM, Anthony W. Youngman wrote: In message 7ca3d5a30904031519ya3b89hb87cf8f81a544...@mail.gmail.com, Neil Puttock n.putt...@gmail.com writes 2009/4/3 Anthony W. Youngman

Re: Music Glossary - 1.64 Concert Pitch (2.12.2)

will have a fundamental frequency of 2L. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Multiple scores with common layout setup

file contains \header { instrument = ... \include header.ly } Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Using midi2ly

, and then because everybody had a copy everybody started using it as their main word processor instead of the competition. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http

cannot find property type-check for `no-spacing-rods'

-rods' (backend-type?). perhaps a typing error? warning: doing assignment anyway [24][32][40][48][56][64][72][80][88][96][104][112][120][128][136][144][15 2][152] Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user

Re: Looking for proper beam grouping

'(end * * 3 4) 3 4) \set beatGrouping = #'(1 1 1) s2.*8 % mark 1 s2.*6 % mark 2 \time 2/4 s2 \time 4/4 s1 Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user

Re: cannot find property type-check for `no-spacing-rods'

In message 9nk9hhd$hkzjf...@thewolery.demon.co.uk, Anthony W. Youngman lilyp...@thewolery.demon.co.uk writes Not sure if this belongs here or on -devel ... Oops - just found my code that's doing it - but I copied it from somewhere and don't understand what it's doing or why ... tempoMark

Re: Looking for proper beam grouping

In message 3cbf99092d5f4e77a0cae01edf7be...@trevorlaptop, Trevor Daniels t.dani...@treda.co.uk writes Anthony W. Youngman Saturday, March 28, 2009 3:50 PM In message 73a00026c6f3454c9cf5c090b12d0...@trevorlaptop, Trevor Daniels t.dani...@treda.co.uk writes Just tried to do this (2.12.2

Re: cannot find property type-check for `no-spacing-rods'

a couple that I will be submitting to LSR soon. Actually, it's fairly new code :-) How metronome are your metronome functions? I'm just using it for text like moderately fast. Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk

Re: mixing notehead styles in chords

case for pretty much every European language except English? Being English it feels weird to me, but presumably it's second nature to the continentals :-) Regards, Tao Cheers, Wol -- Anthony W. Youngman - anth...@thewolery.demon.co.uk

Re: auto-beaming

the rules are buggy :-) I think it's been fixed (so I need to upgrade) but I've got a piece of music I'm working on at the moment where I've got a simple time signature and the quavers are grouped as in a complex signature (or the other way round, can't remember). Cheers, Wol -- Anthony W

Re: default margins

-- Anthony W. Youngman - anth...@thewolery.demon.co.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: default margins

will alter the right margin but leave the left untouched :-( Maybe we should keep line-width and add line-width-tolerance - + which will grab HALF the adjustment from the left margin. Otherwise will we need to rewrite all the margin code? Cheers, Wol -- Anthony W. Youngman - anth

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