Hello people,
I'm getting an error message when using Sidekick with LilyPondTool and
jEdit. When I try to set Sidekick to Parse on Keystroke, I get the
following error message:
Error in method invocation: Method putBooleanProperty( java.lang.String,
boolean ) not found in
Hi everyone,
I have a question about figured bass/continuo that's been bugging me for a
while now.
Lilypond always puts the continuo figures too far from the staff for my
taste. When I use an \override BassFigure #'extra-offset command, the
figures get closer but of course they start bumping
Hello everyone,
I'm trying to get some extra space between my header block and the first
system of my score, but I can't seem to get after-title-spacing to work. I
see that previous users have had this problem, and the problem usually
seemed to be the installed version. I am using the most recent
Hi everyone,
I'm sorry for spamming the list with my little problem, but it's driving me
bananas and I'm at the end of my rope.
I produced a score from which I am now removing various sections by
commenting them out. When I do this, the whole-bar rest in the final system
of the piece disappears,
Do you need to specify the duration? If the notes are all tied together,
won't the lyrics engraver align the syllable automatically?
Brent.
On 6 June 2011 17:14, Christopher Culver crcul...@christopherculver.comwrote:
I am typesetting a peace of music and trying to align the lyrics to the
Hi y'all,
I'm arranging some Haydn string quartets and found some Lilypond files of
them on Mutopia, but when I go to generate them I get an error saying that
the version is too old (2.6.0) and that only versions 2.7.38 and up are
supported. I'd hate to have to create the whole thing again, so
:58, Colin Campbell c...@shaw.ca wrote:
On 11-06-11 08:38 AM, Brent Annable wrote:
Hi y'all,
I'm arranging some Haydn string quartets and found some Lilypond files of
them on Mutopia, but when I go to generate them I get an error saying that
the version is too old (2.6.0) and that only
manual]. Everything will be OK -
trust me.
Don't know if this helps, but I don't think there's a bug. It's probably
just me being either inattentive or scared of technology.
Brent.
2011/6/12 Janek Warchoł lemniskata.bernoull...@gmail.com
Hi Brent,
2011/6/11 Brent Annable brentanna...@gmail.com
I prefer the second one.
In the first, the space outlined by the top loop of the clef and the top
line of the staff is too large, and the third just appears too 'grainy' to
me for some reason (although I find it hard to spot any differences between
it and the second).
Brent.
On 6 July 2011
Hi everyone,
Does anyone know how I can tell the AccidentalSuggestion engraver to push
the accidentals closer to the noteheads (i.e. downwards)? I don't mind if
they're in the middle of the staff. The purpose of this is to avoid the
combination of a suggested accidental above the staff and a
value of 1, the accidental is in the same place as it
would be if the \override command weren't there. Only when the number is
above 5 does the accidental start to move upwards.
Brent.
On 10 September 2011 03:28, Brent Annable brentanna...@gmail.com wrote:
Hi everyone,
Does anyone know how I
:
On 10 September 2011 10:18, Brent Annable brentanna...@gmail.com wrote:
Hello everyone,
Here's a little example of the situation I'm talking about:
\score {
\new Staff = Discantus
\new Voice = Discantus \relative c'' {
\set suggestAccidentals = ##t
\override AccidentalSuggestion #'Y
I'd like to add that I think that Lilypond's main strength is as a
typesetting/publishing programme. For composing and arranging, I find it's
better to have a page of blank manuscript in front of you that you can 'fill
in', something that Lilypond's text-input paradigm doesn't really allow for.
Hello,
I have never been able to get LilyPondTool to work. I only just now
reinstalled the latest versions of Java, jEdit and now this version of
Lilypondtool, and again it will not work. I unzipped the file to .jEdit as
instructed, but when I go to the Plugin Manager to install it, the Lilypond
manager. Meanwhile
install Console, Errorlist, ProjectViewer, SideKick and Jakarta
Commons. I think that's it. Though jEdit should display the missing
stuff on startup.
2011/11/18, Brent Annable brentanna...@gmail.com:
Hello,
I have never been able to get LilyPondTool to work. I only just
Hi all,
So I've just started using LilyPondTool and jEdit and I really love the
environment and layout, but in some ways it's driving me absolutely
bananas. After consulting with Bertalan (also on this list) and receiving
various explanations/tips, this describes my current situation:
To avoid
Hi y'all,
I'm trying to include a direction in the 'meter' section of the header
block that says this:
Heavy four-beat swing (quaver[ quaver] = quaver[ quaver])
I tried following the instructions given at
http://lsr.dsi.unimi.it/LSR/Item?u=1id=204, but nothing would appear in
the 'meter'
is for
the indication to appear once at the start of the score and once at the
start of each part. What would be the easiest way to do that?
Brent.
On 29 January 2012 16:01, Thomas Morley thomasmorle...@googlemail.comwrote:
Hi Brent,
2012/1/29 Brent Annable brentanna...@gmail.com:
Thomas
Hello all,
I'm typesetting a piece with repeats, for which I'm using the volta 2
construction with a first-time and second-time ending. My problem is that I
have a note that is tied from the *end* of the *first* ending back to the
start of the volta section. This doesn't seem to work with a
the problem quickly and easily without any excessive tweaking.
Brent.
On 2 February 2012 00:04, Xavier Scheuer x.sche...@gmail.com wrote:
On 1 February 2012 22:54, Brent Annable brentanna...@gmail.com wrote:
Hello all,
I'm typesetting a piece with repeats, for which I'm using the volta 2
Perhaps this is impertinent of me, but I would suggest the following
phrasing:
A LaissezVibrer tie can be used to tie a note from the end of the first
repeat back to the start of the repeated section. The length of the tie can
be tweaked using LSR-snippet 715 as shown.
Brent.
On 2 February 2012
Hello everyone,
I have a question, and perhaps a suggestion. I just typeset the following
tremolo between two whole notes:
\score {
\relative c'' {
\repeat tremolo 16 { gis32 b }
}
}
and was quite disappointed by the fact that Lilypond places the tremolo
beams horizontally and above the
on.
I suppose, since the issue is already known and I'm not a programmer, I
just need to wait then?
Brent.
On 4 February 2012 00:44, Xavier Scheuer x.sche...@gmail.com wrote:
On 3 February 2012 17:00, Brent Annable brentanna...@gmail.com wrote:
Hello everyone,
I have a question
#'gap, Beam #'positions, Beam #'extra-offset, and NoteHead
#'stem-attachment. I've gotten very nice results with those
overrides. It's a pain, but it's worth avoiding the horrible default.
Hope that helps,
Neil
On Fri, Feb 3, 2012 at 9:00 AM, Brent Annable brentanna...@gmail.com
wrote:
Hello
Thanks guys for this! I'm ultra-busy right now so don't have time to play
around with it just yet, but I'm very grateful.
Brent.
On 8 February 2012 01:03, Thomas Morley thomasmorle...@googlemail.comwrote:
I should have written:
based on Neil's suggestion I worked out the function _below_ (not
Hi everyone,
Quick question for the group: I'm producing part books for all the fugues
in the well-tempered clavier, and I don't like the fact that the
instrument name is printed every time there's a new heading:
\book {
\header {
title = Das Wohltemperierte Clavier
composer =
Just an idea: how about a Kickstarter http://www.kickstarter.com/project?
Or has this already been considered?
Brent.
On 9 February 2012 12:08, Han-Wen Nienhuys hanw...@gmail.com wrote:
On Wed, Feb 8, 2012 at 12:29 PM, Carl Sorensen c_soren...@byu.edu wrote:
I've been thinking about the
:
Brent Annable wrote:
Hi everyone,
Quick question for the group: I'm producing part books for all the fugues
in the well-tempered clavier, and I don't like the fact that the
instrument name is printed every time there's a new heading:
\book {
\header {
title = Das
15:07, -Eluze elu...@gmail.com wrote:
Brent Annable wrote:
Hi everyone,
Quick question for the group: I'm producing part books for all the
fugues
in the well-tempered clavier, and I don't like the fact that the
instrument name is printed every time there's a new heading:
\book
e beam slope manually
> (click on the image to see the coding):
> http://lsr.di.unimi.it/LSR/Item?id=97
>
> HTH,
> Pierre
>
>
> 2016-09-12 10:24 GMT+02:00 Brent Annable <brentanna...@gmail.com>:
>
>> Hello everyone,
>>
>> I am not a frequent Lilypond us
Ugh sorry, here's the right PDF.
Brent.
On 10 October 2017 at 03:04, Brent Annable <brentanna...@gmail.com> wrote:
> Hi all,
>
> I'm notating some four-part harmony for organ manuals that sometimes has
> optional small bass notes for the pedals. In one spot, I'm having
Hi all,
I'm notating some four-part harmony for organ manuals that sometimes has
optional small bass notes for the pedals. In one spot, I'm having trouble
stopping Lilypond from merging the heads of a half-note G in the upper
voice with a quarter-note G in the lower voice when there are small
Hello everybody. My recent message didn't get any replies so I'm posting it
again just in case.
I'm notating some four-part harmony for organ manuals that sometimes has
optional small bass notes for the pedals. In one spot, I'm having trouble
stopping Lilypond from merging the heads of a
Kastrup <d...@gnu.org> wrote:
> Ben <soundsfromso...@gmail.com> writes:
>
> > On 5/9/2018 8:35 AM, Brent Annable wrote:
> >> Hi everyone,
> >>
> >> I'm trying to compile a very large project, it keeps crashing and
> >> I'm at a loss as to
Being a layman, most of this is all going over my head. But I gather that
compiling this particular project will not be possible for the time being
on my current machine, so I’ll either try to get my decrepit laptop up and
running, or ask a friend to help out :-)
Thanks for the replies,
Brent.
FWIW, I just tried this out on my decrepit Windows 7 machine (64-bit, 8GB,
i7 core). After about 8 minutes of whizzing and whirring at 12% CPU
capacity and utilising just under 5 GB of RAM, it returned the same error.
Brent.
On Thu, 10 May 2018 at 1:14 pm, Brent Annable <brentanna...@gmail.
Hello everyone,
I've been trying out some new notation fonts (gonville and haydn), but am
running into problems when resizing the staves. Basically if I use
#(set-global-staff-size), the staff size changes but the grobs don't, and
if I use #(layout-set-staff-size), everything resizes
Hi all,
I've just started using \partcombine, and have noticed that, by default, it
doesn't print a rest in one part that coincides with a note of the same
duration in the other part. I want it to print both the note and the rest.
I know that I can use \partcombineApart to get around individual
Hi all,
So I'm working on a score at the moment and have run into two challenges:
1. Does anybody have an idea how to insert large, cross-staff square braces
(effectively parenthesizing the entire staff) as in the link below? I have
no idea how to even start.
https://imgur.com/a/gTnREC6
2. I
ist (quote lineto) 2.3 (* heitgh -1))
> (list (quote lineto) 1.3 (* heitgh -1
>
>
> %%%
>
> upper = {
> c''4 4^\markup\openBracket #14 4^\markup\closeBracket #14 4
> }
>
> lower = {
> \clef bass
> c4 4 4 4
> }
>
>
Ok thanks Aaron :-)
Brent.
On 24 May 2018 at 15:16, Aaron Hill <lilyp...@hillvisions.com> wrote:
> On 2018-05-23 21:40, Brent Annable wrote:
>
>> Hey all,
>>
>> Is the Lilypond website down right now? I can't access lilypond.org, the
>> manual or the inter
Hey all,
Is the Lilypond website down right now? I can't access lilypond.org, the
manual or the internals reference from either my laptop or my phone, I get
the following message:
Internal Server Error
The server encountered an internal error or misconfiguration and was unable
to complete your
Just bumping this up, since nobody has replied yet.
Brent.
On 17 May 2018 at 19:50, Brent Annable <brentanna...@gmail.com> wrote:
> Hi all,
>
> I've just started using \partcombine, and have noticed that, by default,
> it doesn't print a rest in one part that coincides with
ond-user-bounces+carsonmark=
> ca.rr@gnu.org] *On Behalf Of *Brent Annable
> *Sent:* Sunday, May 20, 2018 7:31 AM
> *To:* lilypond-user <lilypond-user@gnu.org>
> *Subject:* Parenthesis/bracket/brace questions
>
>
>
>
>
> Hi all,
>
>
>
> So I'm working o
ds,
Brent.
On 21 May 2018 at 06:14, Robin Bannister <r...@dabble.ch> wrote:
> Brent Annable wrote:
>
> 2. I would like to parenthesize a couple of two-note chords in the tenor
>> part. Has anybody come up with a decent way to put parentheses around
>> entire chords yet?
Hi all,
Some of you may remember my memory allocation error from a while ago:
trying to compile a 200-page PDF using a 32-bit version of Lilypond on a
64-bit Windows 10 system caused it to run out of memory. I eventually
solved the problem by running Lilypond under the Windows Subsystem for
Linux
Hey Andrew,
Yeah I tried that solution first, but got an error message when I tried to
install Ubuntu the first time. I was at the height of my frustration at
that point, so I rage quit and never went back to that solution. I think
you’re right, I should probably reconsider it as this bash shell
Hi all,
I'm creating an organ part where the right-hand staff is supposed to be
slightly narrower than the left-hand staff. When I use \magnifyStaff to
achieve this effect, it also alters the thickness of the final barlines so
they don't match up:
\version "2.19.65"
\score {
\new PianoStaff <<
Hi all,
I am currently reproducing a continuo part, and am having trouble achieving
a particular effect: printing a continuo figure in the *lower *position
only. So in the first example in the attached image, I want the '3' to
appear on the lower line, at the same height as the '4' to the left of
Hi all,
Is the Merge_rests_engraver broken? I just copied and pasted the example
from the Lilypond manual into Frescobaldi (Lilypond version 2.19.65), and
the rests did not merge like they do on the relevant page of the manual
Thank you both. Silly me, didn't read the fine print.
Sorry to bother you!
Brent.
On Tue, 7 Apr 2020, 8:20 pm Noeck, wrote:
> This is a longstanding issue. You need to add invisible grace notes in
> the other staves:
>
>
>
Hi all,
I'm typesetting a multi-staff score, and whenever one part begins with
grace notes immediately following a repeat barline, an extra barline is
placed after the grace notes, between them and the note to which they are
attached. It doesn't matter whether I use volta repeats or just insert
d, 29 Apr 2020 at 02:18, Richard Shann wrote:
> On Tue, 2020-04-28 at 23:37 +1000, Brent Annable wrote:
> > Hi all,
> >
> > I'm looking for some general advice on how to combine about 70 files
> > into one, to turn multiple files into a single PDF.
>
> I guess you
Hi all,
I'm currently putting a whole bunch of separate pieces together into one
document, and occasionally I want to manually adjust the distance between
systems in one piece without affecting the spacing in the others. Because
of the file structure I've chosen, I can't include any top-level
ntsize #5 \fill-line { "20" } }
> \paper { system-system-spacing.basic-distance = 20 }
> }
> \bookpart {
> \score { \music }
> \header { piece = \markup\bold\fontsize #5 \fill-line { "30" } }
> \paper { system-system-spacing.basic-distance
wrote:
> Il giorno mer 29 apr 2020 alle 02:36, Brent Annable
> ha scritto:
> > Does that do page numbers as well? I'd really like to eliminate any
> > extra steps if possible; my goal is to have a master file that I can
> > adjust as necessary, and then just press a
wrote:
> Il giorno lun 4 mag 2020 alle 14:39, Brent Annable
> ha scritto:
> > Your strategy seems like good advice, and I've changed the files
> > around so I can do it. But the master file is getting very long and
> > complicated with all the \score blocks, so I have a q
> What about:
>
>
> JM
>
> Le 15 juin 2021 à 08:43, Brent Annable a écrit :
>
> Here are my efforts so far. I don't think this solution is very elegant,
> but if I could find a way to extend the measure length to accommodate the
> text, this might work. But I'm sure th
Just resending this to the whole list.
Thanks for that Lukas. And yeah, I did notice a slight misalignment, but I
think it's so minor that it won't matter. Unless there are any code wizards
out there who can tweak it one last time...?
Brent.
On Wed, 9 Jun 2021 at 03:06, Lukas-Fabian Moser
Hi all,
I'm trying to create a markup indication that includes two beamed
eighth-notes, but I can't seem to figure out how using \note or
\note-by-number. Can anyone help? My efforts are attached.
\version 2.19.65
\relative c' { c4
f^\markup {\center-align \italic \small { "(v. 6" }
Brilliant Harm, thank you! And thanks again to everybody who contributed to
the thread, this is such a great community :-)
Brent.
On Thu, 10 Jun 2021 at 08:25, Thomas Morley
wrote:
> Am Di., 8. Juni 2021 um 19:07 Uhr schrieb Lukas-Fabian Moser :
> >
> > Hi Brent,
> >
> > > This is marvellous,
;
> --
> Knute Snortum
>
>
> --
> Knute Snortum
>
>
>
> On Thu, Jun 17, 2021 at 5:15 AM Phil Holmes wrote:
> >
> > On 17/06/2021 12:51, Brent Annable wrote:
> >
> > Hi Phil,
> >
> > I was here:
> >
> >
> https://lilypond.org
Hi all,
I'm trying to use \partCombine to merge two parts with beamed eighth notes
in cadenza mode (see attached). What I want is for the three eighth notes
in the lower part to merge into chords with the upper part, but Lilypond
doesn't seem to want to do it. When I take out the [ ] beaming
ways check to see where I end up, or was this a cached
page, or will it perhaps be taken down at some point?
Brent.
On Thu, 17 Jun 2021, 9:29 pm Phil Holmes, wrote:
> On 17/06/2021 12:19, Brent Annable wrote:
> > Hi all,
> >
> > I'm trying to use \partCombine to merge two p
Timothy, gang,
OMG you can just hide the beam? 臘♂️
Thank you very much!
Brent.
On Fri, 18 Jun 2021 at 08:14, Timothy Lanfear wrote:
> On 17/06/2021 15:28, Brent Annable wrote:
> > Ok cool thanks everyone, I'll definitely be mindful of that in future.
> >
> > Any ideas
Hi all,
Just a quick question: is there any way to display a 4/2 time signature as
cut common? I've tried 4/2, 8/4 and 2/1, but none of them seem to default
to cut common.
I've had a look around, but there doesn't seem to be a way for me to
'force' this behaviour... is there a way? Or do I need
Hi all,
I'm looking for a way to create a multi-line paragraph of text on the
bottom-right-hand side of the heading section, the last line of which
aligns with the lowest line of text on the left. I have attached a sample
of what I want.
The problems with my current solution are: 1. it is
Lukas,
This is marvellous, thank you! Just one question: if I wanted to remove the
preceding zeros from the number, how would I do that?
Regards,
Brent.
On Tue, 8 Jun 2021 at 23:00, Lukas-Fabian Moser wrote:
>
> > I'm sure our scheme wizards will be able to provide a much better
> > solution
Thanks Lukas and everyone! Much obliged.
Brent.
On Thu, 24 Jun 2021 at 17:28, Vaughan McAlley
wrote:
> On Thu, 24 Jun 2021 at 14:52, Lukas-Fabian Moser wrote:
>
>> Hi Brent,
>>
>> Am 24.06.21 um 03:53 schrieb Brent Annable:
>> > Just a quick question: is th
Hi everybody,
I'm preparing some choral motets, and so far I have used slurs to tell the
lyric engine where to put the melismata. I am finding the page a little too
cluttered, so bow I want to see what the score would look like without the
slurs in it.
When I use \hide Slur, they disappear but
Lukas,
Perfect, thanks so much again! Gee I'm learning a lot right now.
Brent.
On Sat, 3 Jul 2021 at 17:53, Lukas-Fabian Moser wrote:
> Hi Brent,
>
> Am 03.07.21 um 09:40 schrieb Brent Annable:
> > Hi everybody,
> >
> > I'm preparing some choral motets, and so fa
Hi all,
I'm currently adding chords to some music, and I can't seem to find
anywhere how to create a "Gmsus2" chord name. When I type "g:msus2"
lilypond freaks out, and as far as I can tell, this particular combination
of a minor chord with an added suspension never appears in the
documentation
Lukas,
Aaaah, that makes sense. As a classical stiff I just assumed that
suspensions resolve downwards by default, so the 2 was in fact a suspended
tonic, not a suspended third. And since the minor third is already present
in the chord I'm dealing with, I think I'll just change it to Gm add9.
Hi all,
Just a quick question: I'm currently re-using some vocal music files I've
set to create instrumental parts. I have all the notes stored as variables
in separate files, and am working in a parent file to create the
instrumental parts. I want to introduce a \compressEmptyMeasures command
Damn, I was sure I tried all of them.
Oh well, thanks for the reply, and sorry for the bother :-S
Brent.
On Sun, 8 Aug 2021 at 15:22, Jean Abou Samra wrote:
> Le 08/08/2021 à 07:15, Brent Annable a écrit :
> > Hi all,
> >
> > Just a quick question: I'm currently re-u
Aah, thank you for clarifying that Aaron. And thank you for the hack, I'll
give that a go!
Regards,
Brent.
On Sat, 31 Jul 2021, 5:42 pm Aaron Hill, wrote:
> On 2021-07-30 11:05 pm, Brent Annable wrote:
> > I've come across a little problem that I don't know how to fix. I've
&g
Hi all,
I've come across a little problem that I don't know how to fix. I've
changed the text font in a vocal score by using the scheme #define font
procedure, and have noticed that if I subsequently use
#(set-global-staff-size) *after* the \paper block, the font reverts back to
the default. It
{ c' c'} \addlyrics {lov -- \markup\undertie"liest"}
>
> to get this even in lyrics.
>
> Cheers,
> Valentin
>
>
> Am Mittwoch, 11. August 2021, 19:05:20 CEST schrieb Brent Annable:
> > Hi everyone,
> >
> > Is there any way to place an elision slur b
Hi everyone,
Is there any way to place an elision slur below an entire syllable (not
between syllables), as shown in the example? And does anybody know the
proper name for this thing?
Since I'm not interlining the lyrics for this hymn, I actually want to do
this in a \markup block, not in
Alleluia!"
"From the branch of Jesse grows,"
" Alleluia!"
}
But that produces "love" and "liest" as two separate words.
Brent.
On Thu, 12 Aug 2021 at 03:37, Brent Annable wrote:
> Valentin,
>
> Marvellous, thank you!
Hi all,
I'm trying to set the default Lilypond behaviour *not* to print natural
signs before restored accidentals, but I can't figure out the proper
syntax. Can someone tell me why the \override line in the following example
doesn't work but the \tweak does, and what I need to do to apply this
David,
Many thanks!
Brent.
On Wed, 13 Oct 2021 at 00:24, David Kastrup wrote:
> Brent Annable writes:
>
> > Hi all,
> >
> > I'm trying to set the default Lilypond behaviour *not* to print natural
> > signs before restored accidentals, but I can't figure out the
Hi Everyone,
Can anybody tell me how to actually use the new Leland font in lilypond? I
went to the GitHub link and downloaded all the files, but as far as I can
tell there are no Leland-11, Leland-13, Leland-14, etc. files. I downloaded
the available .otf anyway, and when I tried to compile a
Thanks Jean!
Brent.
On Sun, 24 Oct 2021 at 18:52, Jean Abou Samra wrote:
> Le 24/10/2021 à 08:02, Brent Annable a écrit :
> > Hi Everyone,
> >
> > Can anybody tell me how to actually use the new Leland font in lilypond?
> I
> > went to the GitHub link and downlo
freaks
out, and when I separate the scores with \bookpart, they are placed on
separate pages. Is there a way to get the extra padding only on one score,
with both being on the same page?
Brent.
On Fri, 16 Jul 2021 at 16:52, Xavier Scheuer wrote:
> On Fri, 16 Jul 2021 at 06:19, Brent Anna
d message --
>> From: Xavier Scheuer
>> To: Brent Annable
>> Cc: lilypond-user
>> Bcc:
>> Date: Fri, 16 Jul 2021 08:52:07 +0200
>> Subject: Re: Extra padding between ChordNames and custom headers
>> On Fri, 16 Jul 2021 at 06:19, Brent Annable
>> wrote:
.padding = 3
> \myChords
> }
> \new Staff { c''1 d''1 e''1 f'' }
> >>
> }
> \score {
> <<
> \new ChordNames {
> \myChords
> }
> \new Staff { c''1 d''1 e''1 f'' }
> >>
> }
>
>
> Le 17 juil. 2021 à 05:58,
Hi everyone,
I'm producing some music that uses some custom headers as well as chord
names above the staff. Sometimes the chord names are a little too close to
the headers for my liking, and I'd like a way to add more padding above
the chord names when necessary.
Because of the custom headers,
ng).
>
> Cheers,
> Valentin
>
> 24.09.2022 18:52:12 Brent Annable :
>
> Hey Valentin,
>
> Thanks so much for the reply, but I have to say I don't understand your
> suggestion at all. Isn't there a way for me to put in the tocItems so that
> when I move the score
Hi all,
I'm just wondering if it's possible in Lilypond to create a table of
contents that is alphabetical by item, rather than by page number order?
I'm trying to create an alphabetical index by hymn tune or first line that
will go in the back of a book.
Many thanks for any help,
Brent.
Thanks for all the tips everyone! I will look into these snippets.
I do actually need to create multiple indices (alphabetical by first line
and by tune name0, so maybe my dream won't be possible for the time being,
but it's good to know this functionality exists.
Brent.
On Thu, 22 Sept 2022 at
Hi all,
I've been typesetting a bunch of hymns for inclusion in a larger
publication, and I now have about 100 separate Lilypond files that I need
to collate into a single master file. It seems easiest to me to turn each
individual file into a \bookpart, set the bookpart as a variable, then
Hi all,
I'm creating a book of music using a master file where I call on \bookpart
variables from lots of different files, which are included in the master
file using the \include function. I have a list of included files in a
separate file, and the master just includes that one file.
I want to
Hi all,
I'm just wondering if there's a way to get each subheading in a table of
contents to automatically appear on a new page? My table of contents is
divided into three sections, and I would like each section to start on a
new page:
\version "2.22.1"
\paper {
tocSubMarkup = \markup \large
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