I agree with David - Stefan's book is very good. I assume, Thomas, that you
mean 11c. If you have a 13c, try Satoh's tutor (Tree Editions).
Rob MacKillop
www.rmguitar.info
-Original Message-
From: David Van Edwards [mailto:[EMAIL PROTECTED]
Sent: 12 August 2007 23:39
To: Thomas
Try this. Any bigger and it would be too pixilated.
http://www.rmguitar.info/images/French/HenrietteFanClose.jpg
Rob
www.rmguitar.info
-Original Message-
From: David Van Edwards [mailto:[EMAIL PROTECTED]
Sent: 12 August 2007 21:29
To: [EMAIL PROTECTED]
Cc:
Dear Marc,
There is an excellent article by Stephen Barber in
one of the Lute Society journals from the 1980's
about how to make solid moulds -(sorry I don't have
the reference to hand, but I will look it up for you later).
Stephen Barber and Sandi Harris use solid moulds exclusively
for their
Marc,
I made mine with a set of templates taken from the plan. I made one template for
the cross section length wise and 5 or 6 across. After carving the mould to
shape in the proper places, I just planed by eye. The result was quite
satisfactory.
I do however believe that toast rack moulds and
The Other wrote:
As I said before, I could hear very little difference between the dry and
wet.
I thought the dry was getting enough of the room plate reverb as it was
that
adding artificial reverb was not necessary.
You guys told me to add so little reverb that it's not noticable. I
David
I think at present, we all listen to your MP3 recordings on the
computer, but should you think of producing these as CDs, then the
fact that many people have very different systems, some very dry,
others very warm, makes it an almost impossible task to please every
one.
Dear lutenists,
I read the Italian lute list, and there they gave a very good link!
In Arthur's pages there is one containing some very good pieces by Marco
dall'Aquila! As far as I remember (which is not much... ;) thse pieces
have not been mentioned in this list? The address is
If this is what two books, one tablature, one score is going to look like,
then Italian tablature readers certainly have something to look forward to!
G.
- Original Message -
From: [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Monday, August 13, 2007 4:49 PM
Subject: [LUTE] Very
In addition to the two works including lute in the official catalog,
the Attaingnant and Orfeo arrangements,
there may be anecdotal evidence for a more elaborate concerto as
Joseph Iadone several times described playing
a lute concerto to me back in the late 60s, early 70s. Iadone was of
course
On the issue of parallels in continuo playing, I think it is a good
thing that there is a lot of diversity in continuo realization, and a
lot of choices.
As far as practical matters, because at a certain point one has to
play the stuff, the big issue for me is timing--in a mixed continuo
I was reading an online POD interview in which he said that historical
gut strings were definitely better than modern gut strings.
But he also said something like I won't go into how we know this.
Does anyone know any details?
Sorry if this is an already-discussed question.
To get on or off
The title of the Poem is Her Triumph
It was published in, though composed much earlier,
A Celebration of Charis, in Ten Lyrick Peeces by Ben Johnson, 1640
I believe the song should consist of the one verse, though there is
evidence otherwise.
This is one of the few cases where we can see a clear
Sounds fine to me.
Regarding timing, lute and harpsichord players often adjust the immediacy of
their plucking action by delaying the beat slightly. I've had to do this
deliberately on many occasions. For instance, with strings - they start
bowing, THEN the note appears. When we pluck, it jumps
But he also said something like I won't go into how we know this.
That sounds like code for I don't know what I'm talking about. lol
--
http://DoctorOakroot.com - Rough-edged songs on homemade GIT-tars.
To get on or off this list see list information at
Possibly so, either that or it's too gruesome to mention, I think the word
cat springs to mind. Can't really think of anything else that could have
been up to the job at that period in history. I'm sure a much fuller
response will be forth coming from one of our resident outdoor coat wearers
I'm
The title of the Poem is Her Triumph
It was published in, though composed much earlier,
A Celebration of Charis, in Ten Lyrick Peeces by Ben Jonson, 1640
I believe the song should consist of the one verse, though there is
evidence otherwise.
This is one of the few cases where we can see a clear
It is the taste; the earlier ones are saltier.
Check out the cookbook Tastar de code:
The taste of the strings.
dt
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Must have the recipe. Do you think they may have used 'cloves' or other
sweet smelling spices to clean their instruments? Let's face it, some of the
great houses must have stunk a bit.
Which type of Cat do you think provided the best gut. Ginger Tom? Tortoise
Shell? or a bog standard feral
There are very detailed instructions on how to build a bowl mould but no
mention on how to facet them
You will need to know what the design of the lute is both for section
(circular, 'shallow' circle, 'deep' circle, eliptical, parabolic ...) and
in length.
Imagine this is a boat, draw three
Dana wrote:
Go library and look for books on lofting, an aspectof Naval Architecture.
Years ago I learned how to read a table of offsets from the book
Sensible Cruising Designs by L. Francis Herreschoff. From such a
table one can scale a boat hull (or lute bowl) to any size. It's a
useful
Yes marc
Accuracy is nice. I wonder if you have gotten any answers to your questions,
suitable that is. The method I have used requires a tool machinists use
called a surface gauge, which can be made or bought. Starrett makes them.
And you also need a flat surface that runs the length plus some
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