Thank you Andreas, Bernd and Peter for your answers.
I will be looking forward to F.-P. Goy's book on Gaultier's works...
So far it seems to confirm my impression that there is no extant prelude by
Vieux Gaultier, which seems incredible but... Probably some of his preludes are
hidden among
Sorry, it is in A MAJOR
On 15/11/12 20:04, Arto Wikla wrote:
Dear Jean-Marie,
in GB-Ob ms. G.617 there seems to be one Prelude de Gautier de P, p.
120-121, in A minor. Peter S's pages say it is V. Gaultier. Isn't the
P for Paris?
All the best,
Arto
On 15/11/12 12:44, Jean-Marie
Thank you Arto for this indication. I was aware of the existence of this
prelude in A major (very nice by the way) used by Hopkinson Smith in one of his
recordings, but Gaultier de P[aris] is supposed to be Ennemond's cousin, Denis,
the younger Gaultier... Anyway, it is fine music and it seems
From what I remember about surviving museum specimens, ultra-thin necks
didn't arrive until quite late. There's a Hoffmann 13c lute with a
neck only 3/8 thick where it meets the pegbox, though, of course,
there's quite a camber on the fingerboard that makes up for it, to some
No - width of the neck will be determined by the string spacing. By thickness,
I mean the distance from the surface of the fingerboard to the back of the neck.
Ned
On Nov 14, 2012, at 6:26 PM, Gregory Brown wrote:
By thickness, do you mean the width of the neck?
-Original Message-
Well, isn't anyone other than Dan going to reply to this? I was
expecting a huge response!
Stuart
On 13 November 2012 20:33, David Tayler [1]vidan...@sbcglobal.net
wrote:
Most of Dowland's lute solos come down to use a sketch--two
outside
lines, a few chords,
Nah. We wrapped it up; nothing else to see here.
Haven't heard much from Martin Shepherd lately, no doubt living the good
life bon vivant in his new Burgundian digs. I was waiting for him to
jump in.
But I am interested if any other Baroque lute players fill in some of
the chords and
Is someone issuing a collection of Bach's works properly improved and
corrected?
(In fact, is David's email a mischievous allusion to something going on
in the world of musicology?)
Stuart
On 15 November 2012 21:27, Arto Wikla [1]wi...@cs.helsinki.fi wrote:
Well, you know
Well, isn't anyone other than Dan going to reply to this? I was
expecting a huge response!
Stuart
David Tayler locuto, causa est.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Latin (?) epigrams are wasted on me.
Stuart
On 15 November 2012 21:53, stephen arndt [1]stephenwar...@verizon.net
wrote:
Well, isn't anyone other than Dan going to reply to this? I was
expecting a huge response!
Stuart
David Tayler locuto, causa est.
--
Hello David
I loved your Resurrection and certainly do not mean this question as a
critique - but - Do you have a philosophy for when to roll a chord? I hear
a great many wonderful players and each seems to have a different idea about
this.
Thanks,
Joseph Mayes
On 11/13/12 3:33 PM,
Beautiful playing. I wouldn't have known this was a modern
reconstruction. But I don't know the music well and I haven't listened
to Dowland in a long time and I don't try and play the music.
But I'm very, very surprised (and intrigued and amused) that it needs
reconstruction, DIY
I don't know why we have never seen a lute with a bandora/orpharion
style neck - flat except for the thicker part on the treble side. I
really like that kid of neck.
Nancy
From what I remember about surviving museum specimens, ultra-thin
necks
didn't arrive until
In English lute music the 2 common places where I think many players
would have added their own contributions are ornaments - there are lots
of examples of the same music with, and without ornaments. There are
also many, many pieces that have the usual 3 sections and no divisions
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