Since there were Ceteroni in that time period, and because of the fact
that Monteverdi made clear his continuo colors (though this is a
documentation, not a recommendation), I would opt for real Ceteroni.
Since the colors of the Underworld are very different, I would rule out
the "et cetera".
> On Feb 1, 2018, at 11:09 AM, Nancy Carlin
> wrote:
>
> Several years back there was an interview with Peter Forrester in the LSA
> Quarterly that included a picture of that type of cittern, which I believe is
> also called for in some Monteverdi. When I was
Martin,
I've always ornamented all Renaissance lute music. (No reason in the
world not to. It's what live musicians do.) Pretty much the way you do,
too. And I would have played Capirola's music with ornaments even if he
hadn't been so considerate and thorough as to supply them- of course
Thank you Martin, I have often wondered what exactly is this ornament,
and when to use it.
However I still do not quite understand the part:
"It means that you have to embellish the note with just one finger"
and
"while the second ornament (usually but not always on the first fret) is
a lower
They Montmorency family
JM
> Le 3 févr. 2018 à 20:19, G. C. a écrit :
>
> I forgot, there is a lengthy passage in Mathew Spring's book about this
> matter. And also interesting is, that there is a connection with lord
> Herbert and Ennemond with the Mont...(?) family.
Hi All,
Just to let you know that (after a longish gap, sorry) the latest blog
can be found in the usual place: http://luteshop.co.uk/blog/
I hope you find it interesting.
Martin
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To
Thank you Matteo for spotting those omissions. I added the missing
prelude ( f.37v/2. ) and Volt by Jacob (f86v/2.) as an erratum on the
project page. I was unable to read the title of #242 from the facsimile
I had.
It seems to me that the other piece you mention "Pavan of the
Composition/
I forgot, there is a lengthy passage in Mathew Spring's book about this
matter. And also interesting is, that there is a connection with lord
Herbert and Ennemond with the Mont...(?) family.
G.
[1]https://www.antiquestradegazette.com/news/2016/jacobean-miniature-
A short after-thought. Isn't the paper in the Cherbury ms. from
France? But he often fought as a merceary.
Arthur Ness
arthurjn...@verizon.net
-Original Message-
From: JarosÃ
aw Lipski
To: lute
Sent: Sat, Feb 3, 2018
> You are quoting what Thurston Dart wrote in 1957. But Jean-Marie has
> convincingly mentioned the letter which proved that lord Herbert was
> involved in trying to get Jacques extradited back to France and
> therefore "would not likely collect music by him". Of course, this is a
> bit
Just found that the thesis of Julia Craig-McFeely also has the 3
additional pieces as in the "Catalogue" below - see
[1]http://www.ramesescats.co.uk/thesis/App1c.pdf
Matteo
-- Forwarded message --
From: Matteo Turri <[2]matteo.o.tu...@gmail.com>
Date: 3
Interestingly, this references at [1]https://w1.bnu.fr/smt/sommaire.htm
lists 245 pieces:
CATALOGUE DES SOURCES MANUSCRITES EN TABLATURE
Luth et théorbe
c.1500-c.1800
Catalogue descriptif / A
Dear Jaroslaw,
You are quoting what Thurston Dart wrote in 1957. But Jean-Marie has
convincingly mentioned the letter which proved that lord Herbert was
involved in trying to get Jacques extradited back to France and
therefore "would not likely collect music by him". Of course, this
Most probably Gauthier refers to Jacques Gaultier d’Angleterre. After killing
his opponent in a duel Gaultier came to England in 1617. He was a member of
King’s Musick beginning with 1619 until 1648. Although Lord Herbert traveled
both to France and Rome he returned to London in 1617, so he had
Track list from O'Dette's CD / Piece number Veylit's edition)
1. 112
2. 119
3. 127
4. 130
5. 121
6. 105
7. 199
8. 146
9. 143
10. 144
11. 196
12. 217
13. 209
14. 225
15. 227
16. 35
17. 39
18. 70
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