People who like lute duets might interested in a project I put
together, see http://fandango.musickshandmade.com/projects/preview/26
I did not quite make it to 100 but there are still some pieces to be
added after this list goes silent.
Good night all,
Alain
To get on or off this list
I totally agree with the below:
On 9/5/20 9:16 AM, Martyn Hodgson wrote:
6) Should the list/forum be maintained as a separate effort, or should
it be rolled into the LSA, etc.?
- Being a truly international list has been a great
feature and strength of Wayne's system
.
Best wishes,
Martin
On 02/09/2020 07:18, Alain Veylit wrote:
Thank you Denys,
Yes, it is Robert Spencer (I could not remember, but now I do!)
-- Do
you happen to know if Robert was also responsible for part 2 of In a
merry mood, also in Sampson?
On 9/1/20 4:58 PM, Denys
missing. Best wishes, Denys
Sent from my iPhone
On 2 Sep 2020, at 00:25, Alain Veylit [1] wrote:
Does anybody happen to know who wrote the second lute part for John Danyel's fan
cy, Sampson [f11r] ? It has become standard but it is systematically not credite
d...
To get on or off this list
Does anybody happen to know who wrote the second lute part for John
Danyel's fancy, Sampson [f11r] ? It has become standard but it is
systematically not credited...
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
If you had asked the question about the future of the lute in the late
1590s, the answer would have been "More voices!", not the style brisé,
which is pretty much the exact opposite of thick polyphony ... Which is
why I always dreaded the typical well honed HR question: "Where do you
see
I beg to differ - see Tous les matins du monde
On 8/27/20 2:41 PM, tristanvonneum...@gmx.de wrote:
him.
A good Early Music movie has yet to be made...
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It is very interesting to compare the Vincenzo Galilei intabulations in
Il Fronimo to the music he published elsewhere particularly in his
manuscript collection. The music in Il Fronimo is didactic -- and often
awkward because of too many voices -- and in the MS collection it is
"these distracted times" referred to the Civil War.
On 3/30/20 5:29 PM, Tristan von Neumann wrote:
..for these distracted times.
(Thomas Tomkins)
https://www.youtube.com/watch?v=0z2BEKuWANA
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A somewhat more elaborate take on the same idea - also using a master
tape, but took about a year to record in "real time":
https://www.youtube.com/watch?v=ph1GU1qQ1zQ
Luthistes de tous les pays unissez-vous!
On 3/23/20 3:30 PM, howard posner wrote:
On Mar 23, 2020, at 8:12 AM, Diego
There is an interesting mistake on that Stanford library page - see item
57. Or perhaps, the year 1905 was particularly spectacular in some
parallel universe? I thought Albert played the violin, not the viola ...
https://library.stanford.edu/collections/ben-schmidt-collection-music-lute
audience eventually needs to go home and feed the little
humans.
On Fri, Dec 6, 2019 at 9:07 PM Alain Veylit
<[1]al...@musickshandmade.com> wrote:
Only takes her that long because she has funny hands. Most
(anatomically
correct) people can do it in a jiffy. It'
Only takes her that long because she has funny hands. Most (anatomically
correct) people can do it in a jiffy. It's true. (Besides, if you are
immortal, what's the rush?)
On 12/6/19 2:15 PM, Tristan von Neumann wrote:
I just found this on TwoSetViolin's subreddit:
Thank you Nancy and Roman,
I did not recognize him from the picture on one of his absolutely
excellent CDs - with music by De Visee.
Alain
That looks like Eduardo Eguez. He will be on the faculty of the next
LSA Cleveland Lute Fest this June.
Nancy
Who is the lucky lutenist in this
Who is the lucky lutenist in this video?
https://www.youtube.com/watch?v=K3U1KVXku_o
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Doesn't Besard's Novus Partus ask for a tiorbino for some of the
ensemble pieces?
On 11/20/19 9:12 AM, Richard Brook wrote:
I agree with Howard
If there is a free (or quite inexpensive) tiorbino around I would like to put
in a request.
Dick Brook
On Nov 19, 2019, at 3:26 AM, howard
In case this may be of interest to you, Stuart:
I just chanced yesterday on a piece by Tobias Hume for a treble viol
tuned as a bandora - it's in the First part of Ayres, item 108: Deep
throughts revived, "A lesson for the lyra viol with two treble viols,
or two basses with one
I cannot read this thread without thinking about Spinacino's duets,
particularly the setting of Ghiselin's Jolis amours: are the notes
wrong or is it our ears? Yet, I had found a very convincing rendition
of that duet a while ago on the Net, played as printed 500 years ago
I am literally crushed. (But I will nevertheless keep on putting the
heaviest volumes on the lower shelves in my house, just in case God
sends the Big One to California).
On 8/1/19 2:30 PM, howard posner wrote:
On Aug 1, 2019, at 2:10 PM, Alain Veylit wrote:
This 19th century pianist
for the shelf.
On 01.08.19 23:10, Alain Veylit wrote:
Since Howard mentions the Torah and jeopardy, here is our summer
quiz/jeopardy question:
This 19th century pianist and composer died crushed by the fall of his
private library's (heavy) bookshelf as he was trying to reach the
Torah
Thanks. The Talmud gets two points. :)
On 8/1/19 2:21 PM, [1]terli...@aol.com wrote:
Alkan of course... but I heard it was the Talmud that did him in.
Sent from AOL Mobile Mail
Get the new AOL app: [2]mail.mobile.aol.com
On Thursday, August 1, 2019, Alain
Veylit [3] wrote
Since Howard mentions the Torah and jeopardy, here is our summer
quiz/jeopardy question:
This 19th century pianist and composer died crushed by the fall of his
private library's (heavy) bookshelf as he was trying to reach the Torah
on the top shelf?
(High aspirations sometimes get you
I have a practical question : is it common practice for Baroque lute
players to also adjust their frets when they change their diapason tuning?
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Some inspiring quotes:
"I once had a lute whose frets were loose,
and I could play nothing, nothing but the blues ... " (Robert Johnson)
"Temperaments are affairs of taste, not affairs of state." (Talleyrand,
quoting Rameau quoting Aristotle's lost treatise on music).
"Playing a lute with
Hello,
There may be some lute curious people on this list who have not made the
jump yet into playing (or buying...) a Baroque lute, and are not
familiar with reading facsimiles or lute technique elements. I thought
they might be interested in a detailed explanation of a facsimile copy
of
Don't anyone dare calling a 500 bar passomezzo "filler" music ... It was
more properly called "staircase" music (passomezzo in Italian means:
"mind your step"). It took a long time to go down from upstairs to the
ballroom with all the heavy dresses and hats and swords and so forth,
hence the
Is the typo intentional? (Just wondering how much irreparable damage
shawms and tubas can really cause...)
On 6/30/19 7:43 PM, howard posner wrote:
At an LSA seminar ears ago we had an ad hoc band in which Bob Clair played
shawm and Gus Denhard played tuba with a group of lutes ...
To get
I have read somewhere (Facebook...) Gilmour is giving the proceeds to
the cause of immigrants. What's a guitar when you can save a life.
Alain
On 6/29/19 3:02 PM, Roman Turovsky wrote:
Are there any lutes there?
If not - I wouldn't bother looking.))
RT
On 6/29/2019 3:12 PM, Peter Martin
For those of you interested in Baroque lute duets, I put together a page
on Corigniani, with a transcription of his duet + bass and an original
recording by Edward Martin and Paul Berget, as well as some links to
background information on the manuscript and digital facsimile copies.
I hope
Isn't that what keeps it interesting though?
On 6/22/19 1:50 PM, Martin Shepherd wrote:
This reminds me that even after 40 years I'm still hardly beginning to
understand how to do this.
To get on or off this list see list information at
ttempt to track down
this "Italian composer". I have a hunch... BTW, there once have been two duets
by Corigniani kept by Breitkopf.
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Alain Veylit
Gesendet: Freitag
There is a very nice concerto for 2 Baroque lutes and basso at the
Brussels Royal library by a mister (or mrs) Corigniani. Google turns up
very little on that composer, except that it may be a pseudonym for a
German composer. What is the rationale/research to doubt that Corigniani
was
Arnold Dolmetsch was French. I am sure sure some Italians had a hand in the
revival of interest in the lute (Chilesotti). Fun fact: Ponce (Mexico) got
yelled at for faking early music compositions while Ravel's Tombeau de
Couperin (France) got praise. Mendelsshon helped revive Bach's works.
I was puzzled that the printers of Dowland's First booke of songes
consistently spelled "sun" as "son" - in spite of rhymes that would
indicate a -un sound to a modern reader. Spelling varies in that same
book from one part - altus, tenor etc. - fairly frequently. But this
seems to
For those interested in ensemble music for Baroque lute, I posted a
transcription of the German composer Johann Ludwig Krebs' Concerto in C
for Baroque lute, 2 violins, viola and cello, from the manuscript kept
at the Staatsbibliothek zu Berlin. It is hefty work in 3 parts: Allegro,
Largo and
mouth.edu [4]<[3]lute-...@cs.dartmouth.edu>
on behalf
of Alain Veylit [5]<[4]al...@musickshandmade.com>
Sent: Saturday, May 25, 2019 6:00 PM
To: 'Lute List'
Subject: [LUTE] Re: Dowland's first book of songes
What is the current consensus on
I made a mistake in a recent post (yesterday, the poem I quoted from the
Musical Banquet is not by Dowland, but by Henry Lee (or Lea)... The
Goddess therefore seems to actually be Queen Liz (well deceased by the
time the Musical banquet was published). Another poem by Lee is found in
Dowland's
The negociations for Elizabeth to marry Francis finally failed in 1582,
15 years before the First book of songes was published. There is no
mention in "Now o Now" of how ugly Francis was (dwarfish, with severe
scars from the small pox). I don't see how English poets of the time
could have
as accused of treason and executed.
Guy
-Original Message-
From: [2]lute-...@cs.dartmouth.edu [[3]mailto:lute-...@cs.dartmouth.edu] On Beha
lf Of Alain Veylit
Sent: Saturday, May 25, 2019 12:03 PM
To: Tristan von Neumann; [4]lute@cs.dartmouth.edu
Subject: [LUTE] Re: Dowland's first book of son
indirectly connected to the aging queen. Which is interesting
in itself, though not totally surprising.
On 5/25/19 11:36 AM, Tristan von Neumann wrote:
On 25.05.19 20:00, Alain Veylit wrote:
Dude, you lived in a completely patriarchal society and you still
manage to blame her for torturing you
the talent of the printers as to that of the musicians ... At
the very least, it is very interesting to see Dowland's name associated
with a small technological revolution.
On 5/25/19 11:00 AM, Alain Veylit wrote:
What is the current consensus on the authorship of the verses in
What is the current consensus on the authorship of the verses in
Dowland's 1st book of songes (1597)? Any attributions to some one other
than Dowland himself?
Also, I'll take any information about the actual printing job: is it the
first example of the layout with lute + cantus on one page
As a follow up to Martyn's comments: Dalla Casa is a piece of cake to
transcribe compared to Rust... I gave up - for the time being - on his
H-Dur sonata because I could not figure out what octave the notes on the
F staff are at... It seems that the diapasons' octaved string are
sometimes
at Robert Spencer's introductory remarks to the
Boethius facsimile? On page xx, he describes your symbol as a
backfall.
RA
__
From: [1]lute-...@cs.dartmouth.edu [2] on
behalf of Alain Veylit [3]
Sent: Wednesday, May
/19 12:36 AM, Martin Shepherd wrote:
I think it's a backfall, possibly measured rather than quick. It's
discussed in my article in The Lute (1996).
a
Martin
On 15/05/2019 01:17, Alain Veylit wrote:
I just noticed a new (to me) ornament sign in one of Robert
Johnson's pieces in the ML lute book
I just noticed a new (to me) ornament sign in one of Robert Johnson's
pieces in the ML lute book: it looks like a 7 or a soupir and it seems
to tie two notes on the same string, from one upper fret to a lower one
or empty string.
Here is an example where the sign occurs in almost every bar:
mprovement by Phalese on his earlier
lute prints where he used the landscape format commonly found in Italian lute
prints - this does result in longer pieces requiring page turns.
Thanks again & best wishes,
Denys
-Original Message-----
From: Alain Veylit
Sent: 04 May 2019 01:19
To:
Great explanation, Denys :)
Paper was the most expensive part of publishing for a long time, and I
saw somewhere that German tab was appreciated for saving vertical space
on the page.
I am transcribing pieces from Dowland's First booke of Ayres, and I find
it amazing what those printers
Hi everyone,
I posted a new beta version of the Fandango software - it is fully
enabled for everyone until June 1st.
See: http://fandango.musickshandmade.com/pages/fandango
Alain
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I think personally Leonardo played a lira da bracchio, - an instrument
that perhaps could have been not very different from a vihuela - if we
consider its opposite the lira d'arco, i.e. a bowed instrument. If I
recall correctly - 30 years after reading Vasari - Vasari praised
Leonardo on his
Best,
Jean-Marie
> Message du 20/04/19 05:24
> De : "Alain Veylit" [2]
> A : [3]lute@cs.dartmouth.edu
> Copie à :
> Objet : [LUTE] Re: GB Lbl ms 16889
>
> Talking about moutarde, Peter Steur's site has under no. 11 in
Talking about moutarde, Peter Steur's site has under no. 11 in that
collection: Almande (ton Arume) (J.Mercure, CLFMer II N°1) a-moll
- GB-LbmBotnia / 92v.
I think it should be ton enrhumé (not arume). Enrhumé in French is to
have a cold and consequently speaking with a
I think someone confused a theorbo with a lute in G... Em and Bm are not
friendly keys on a Ren. lute in G.
On 4/19/19 6:30 PM, John Trout wrote:
Roman, Saizenay has an E minor and B minor suite by de Visee.
John
On 4/19/19, 4:14 PM, "Roman Turovsky" wrote:
A question to the
You can also run Wayne's program from your browser at
http://musickshandmade.com/wctab/tabs.html . That interface allows you
to load or create a tab format file, edit it, and generate a PDF output.
No installation needed, but I cannot guarantee it works in Explorer ...
Alain
On 4/14/19 6:02
+ 3 (viola).
** https://digital.staatsbibliothek-berlin.de/werkansicht?PPN=PPN882226
452=PHYS_0002=DMDLOG_0001=overview-toc
-Original Message-
From: Alain Veylit
Cc: Lute List
Sent: Sun, Mar 17, 2019 1:05 pm
Subject: [LUTE] Re: Rust - transcriptions of 21 and 53
of the 13 course Dm lute...
MH
On Saturday, 16 March 2019, 21:16:39 GMT, Alain Veylit
[3] wrote:
Those of you interested in late 18th century Baroque lute +
violin/viola
may be interested in transcriptions of Rust sonatas I made that are now
available for viewing:
I. Sonata in C
Those of you interested in late 18th century Baroque lute + violin/viola
may be interested in transcriptions of Rust sonatas I made that are now
available for viewing:
I. Sonata in C Major for lute and viola (Rust 21). I worked with
Jean-Daniel Forget to see if we could get a playable
,
There is something to that effect in all 'oroginal' versions of
Besard's instructions, that is: 1603 and 1617. I do not remember if ye
text englished contains the passage...
Best
Joachim
Originalnachricht
Von: Alain Veylit
Gesendet: Mittwoch, 6. März 2019 04:32
Antwort an: lute
be totally excellent if you'd find out where Besard made that
suggestion.
Thanks,
jurgen
--
“There is a voice that doesn’t use words. Listen.”
Jalāl ad-Dīn Muhammad Rumi
‐‐‐ Original Message ‐‐‐.
On Tuesday, March 5, 2019 10:40 AM, Alain Veylit
wrote:
That's
history...
On 3/4/19 7:12 PM, Richard Brook wrote:
Heard via the late great Pat OBrien Paul O’Dette couldn’t bend that finger down
by itself. Though I think Pat said in my case the fault was in my head, not in
the stars.
D ick Brook
On Mar 4, 2019, at 6:58 PM, Alain Veylit wrote:
Good
teeth - frustrated leftie, you think?
On 3/4/19 12:19 PM, Rainer wrote:
On 04.03.2019 17:11, Alain Veylit wrote:
And then, there is Django Reinhardt... one big exception to the rules
of guitar playing. Experimenting with various techniques has probably
always been a popular habit among
And then, there is Django Reinhardt... one big exception to the rules of
guitar playing. Experimenting with various techniques has probably
always been a popular habit among musicians, whether by choice or force.
On 3/4/19 5:39 AM, Rainer wrote:
Ooops, I mixed up 2nd and 3rd finger.
Sorry :)
laces
which are not playable. But I worked on this sonata 30 years ago…
All the best
Andreas
Am 13.02.2019 um 19:52 schrieb Thomas Schall :
There is already a very well done adaption for the lute available (by Andi
Schlegel)
https://lutecorner.ch/
Bst wishes
Thomas
Am 13.02.2019 um 18:43 schrieb Alain V
well done adaption for the lute available (by Andi Schle
gel)
[6]https://lutecorner.ch/
Bst wishes
Thomas
Am 13.02.2019 um 18:43 schrieb Alain Veylit:
eing one octave down from what one might expect. Without that transposition, non
e of the lute's diapasons would be used... Transposing means some
A belated thanks to Arthur for his information on F.W. Rust. I foolishly
attempted a transcription of the C Major sonata for lute and viola in
notation (see
https://digital.staatsbibliothek-berlin.de/werkansicht?PPN=PPN882226452=PHYS_0001=).
It is quite challenging for a number of reasons:
on songs have a long
introduction with extensive information on the songs.
Am 05.02.2019 20:11 schrieb howard posner:
On Feb 5, 2019, at 12:38 AM, Alain Veylit
wrote:
I suspected I was a bit overly paranoid.
Not really, given the number of works falsely attributed to Haydn.
It seems to
the results include both a violin part and a figured bass.
How much work would that be for Haydn or Beethoven?
Sorry for thinking/musing out loud...
On 2/4/19 4:39 PM, howard posner wrote:
On Feb 4, 2019, at 3:51 PM, Alain Veylit wrote:
I am looking at an 18th century setting of the Scottish
Hi all,
I am looking at an 18th century setting of the Scottish ballad "Barbara
Allen". How credible is the "Harmonized by Joseph Haydn" credit? It's on
IMLSP at:
https://imslp.org/wiki/Barbara_Allen%2C_Hob.XXXIa:11_(Haydn%2C_Joseph)
Th melody and lyrics are quite different from the 20th
Thanks Arthur,
I am very curious about Mr Scurius / Squirrel: how does he fit in the
story? The idea behind the Wilhem Rust "deception" was to make
Friedrich Rust appear to be the missing link between Mozart and
Beethoven, which lute music would not necessarily or obviously support
rieb Alain Veylit mailto:al...@musickshandmade.com>>:
Anyone knows anything about a Sonata per liuto et viola d'amore (C Major) by Friedrich Wilhelm
Rust? There is a facsimile of the score in Berlin with both parts in notation - I am just
wondering about the quality of the music. I am not th
Anyone knows anything about a Sonata per liuto et viola d'amore (C
Major) by Friedrich Wilhelm Rust? There is a facsimile of the score in
Berlin with both parts in notation - I am just wondering about the
quality of the music. I am not the only one, and there is a nice
controversy about his
‘Alman R. Johnson to the stump by F.P.’: odd to mention the instrument maker's name...
Not that they don't deserve it, but it was not common practice. Could "F.P." be
Francis Pilkington and the stump a type of music piece, maybe a ground?
On 12/21/18 4:32 AM, Ed Durbrow wrote:
I’d like to see
Many thanks Goran for your kind words. Tablature is insufficiently
recognized as the first form of computer code: converting music to
numbers was done long before DVDs came about, after all. I am really
glad though that tablature never made it to the compression stage...
Although you could
If I recall correctly, Neapolitan tablature is similar to Spanish but
fret numbers start with 1 instead of zero - i.e. an empty string is
notated 1. I think French tablature won out for the lute because it is
much easier to notate diapasons in that system - as opposed to Italian
tab. Modern
Je crois que pour le MS Barbe la couleur est importante - comme pour le
Capirola
On 10/13/2018 09:13 AM, Luca Manassero wrote:
Dear collective wisdom,
I already have a digital copy of the Manuscrit Barbe, but the printed
facsimile of Minkoff Editions is simply beautiful (with all
It's always good practice, when you practice a piece, to practice it
slower and slower, instead of faster and faster.
On 10/01/2018 06:21 PM, Tobiah wrote:
I was just playing a favored piece, and a familiar thought came to
mind. Slow down, and savor, and be faithful to every note. These
Zut alors... A good reminder one should always cite one's sources, just
in case they are really silly
On 09/18/2018 03:04 AM, Rainer wrote:
On 17.09.2018 23:23, Ido Shdaimah wrote:
I hereby propose the following theory: Giovanni Pierluigi da
Palestrina
is a fiction; much like Santa
for a coup
d'etat.
It is not just what you say, but also how you say it that matters. And
now, back to the Shakespeare thread...
On 09/17/2018 09:05 PM, howard posner wrote:
On Sep 17, 2018, at 1:37 AM, Alain Veylit [1] wrote:
look for something called "law French", a lan
If you really want to have a blast at the awful English language, look
for something called "law French", a language understood only by English
lawyers and very much alive until at least the 18th century. It makes
modern legaleeze sound simple, although still difficult to read because
in very
Great story.
On 08/16/2018 10:32 AM, Caroline Usher wrote:
Leonard,
If you rotate the lute along the axis of the strings so that the top edge of
the soundboard is somewhat closer to your body, the effect is to bring the
fingerboard a little closer to horizontal. That will help.
I remember
A scholar yet not a gentleman
On 08/12/2018 02:50 PM, G. C. wrote:
I just found out, that SP was the Harvey Weinstein of the 1660s! They
obviously had no #metoo campaigns in those days. And completely
different men-women relationships. It's quite strange to read his coded
A member of the group wishes to know where to find good sources about
ornamentation in singing in the Elizabethan era.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
This may be of interest to the aficionados of Wayne's tab program.
Wayne's tab program produces very legible and elegant output and it is
reasonably easy to input tablature quickly, without a heavy learning
curve. On the downside, users have to install it the old way on their
system, - which
n published."
Talking about Beethoven, my favorite musical joke still remains Peter
Schickele's "And they're off!":
[7]https://www.youtube.com/watch?v=MzXoVo16pTg
Good day.
On 08/10/2018 09:27 AM, howard posner wrote:
On Aug 10, 2018, at 2:37 AM, Alain Veylit [8]
...in I go Jones!”
Sent from my iPhone
On Aug 10, 2018, at 5:37 AM, Alain Veylit wrote:
I seem to remember reading about Purcell being particularly targeted by this
kind of mirthy-ful mis-attribution. My memory can well be wrong. Most of
Purcell's music was published posthumously and i
sides Lasso??
On 08/09/2018 10:06 PM, howard posner wrote:
On Aug 9, 2018, at 9:15 PM, Alain Veylit wrote:
Like Henry Purcell, who seems to have found his name attached to a very large
number of bawdy songs in 17th century England, if I recall correctly.
Is there any reason to think he didn
Indeed. There is a famous alexandrin in one of Corneille's tragedies:
"Et le desir s'accroit quand l'effet se recule". A line that is very,
very ambiguous phonetically...
On 08/09/2018 05:00 PM, howard posner wrote:
obody’s serious all the time.
To get on or off this list see list
There is a piece in Dd.2.11 entitled: "Catin" (by Orlando di Lasso!).
Yesterday I saw one entitled "la pute". What are the odds that neither
title would not refer to their modern meaning of "prostitute"?
This also reminds me of the not so secret behind "green sleeves". Dutch
paintings show many
tes it down.
If pronounced German style, it would sound like "Dou vèn tselà " :)
Am 04.08.2018 um 00:10 schrieb Alain Veylit:
> Among the various spellings of the famous "Dont vient cela" tune I
found
> : "Du Wentzela Ein Welscher Tanz" in N
competent players. I enjoyed it. And the
oud player really resembles Tom Hanks. :) But what with the background
soundtrack? Does it improve the listening experience?
G.
On Sat, Aug 4, 2018 at 12:05 AM, Alain Veylit
<[1]al...@musickshandmade.com> wrote:
Some comment
Among the various spellings of the famous "Dont vient cela" tune I found
: "Du Wentzela Ein Welscher Tanz" in Neusiedler. Certainly one of the
most exotic spellings so far. I guess he used a very early version of
Google translate.
To get on or off this list see list information at
is that
subliminal track in the back, with birds and electronic sounds?
G.
[1]https://www.youtube.com/watch?v=j1Sb-8kiAJA=1441s
On Fri, Aug 3, 2018 at 6:49 AM, Alain Veylit
<[2]al...@musickshandmade.com> wrote:
It's all one big Muslim conspiracy:
[3
Christopher,
Try this link: https://www.youtube.com/watch?v=j1Sb-8kiAJA=1441s
Alain
On 08/03/2018 03:42 AM, Christopher Stetson wrote:
Hi, Alain.
The link doesn't work for me, what was the original title?
Best,
Chris.
On Fri, Aug 3, 2018 at 12:49 AM, Alain Veylit
<
It's all one big Muslim conspiracy:
https://www.youtube.com/watch?v=j1Sb-8kiAJ - yes, but which instrument
are they playing exactly??
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Well done Ed - Who says you can't play a 16-course archlute piece on
7-course lute? - Also I like the fact that you memorized the piece
before recording it. Check out the Kapsberger settings if you have no
done so - it could make a nice medley.
On 08/01/2018 09:07 PM, Ed Durbrow wrote:
I
be rewritten as a special character
which is half of a pair of balanced quotes. Mac TextEdit does this, and you
have to turn off smart editing. I use a programmers editor like vim or emacs
that doesn’t make the switch.
Wayne
Begin forwarded message:
From: Alain Veylit
Subject: [LUTE] Re: tab
A quick question about Wayne's tab program: how do I get the French
accents (e acute, e grave) to display correctly in the titles? I am
getting slashed Os instead of 'é' (e acute) for example, and a slashed L
for 'è'. The c cedilla however is fine, and u umlaut ...
Example: { Bourrée }
Also:
it's all there, thanks a lot!
Jurgen
--
“There is a voice that doesn’t use words. Listen.”
Jalāl ad-Dīn Muhammad Rumi
‐‐‐ Original Message ‐‐‐
On 26 July 2018 12:32 AM, Alain Veylit wrote:
I think this is the one - famously used by Respighi in his
I think this is the one - famously used by Respighi in his Ancient Airs
and Dances
[1]http://fandango.musickshandmade.com/images/facsimiles/Italian/Gianon
celli/G_P8.jpg
[2]http://fandango.musickshandmade.com/images/facsimiles/Italian/Gianon
celli/G_P9.jpg
On 07/25/2018
Any lute recording of this: "Johann Ludwig Krebs - Concerto for Guitar
and String Orchestra"? It was written for D-minor lute and strings, NOT
guitar...
see: https://www.youtube.com/watch?v=YwyO_oDRX3U
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