Absent time travel, it is hard to say what they actually did with the
left hand. Just because no one had written this up doesn't mean they
didn't do it!
--Sarge
On 4/29/2020 08:10, Ralf Mattes wrote:
Am Mittwoch, 29. April 2020 16:48 CEST, Guilherme Barroso schrieb:
Thanks a lot
If it works, it's allowed.
Sometimes when I am in a good mood and don't think much about the fingering,
seemingly impossible things happen. (Hard to recreate though).
When I'm just listening and not trying to finger everything consciously,
holding the most important lines often makes other
Am Mittwoch, 29. April 2020 16:48 CEST, Guilherme Barroso
schrieb:
>Thanks a lot Martin.
>Incredible these left hand fingerings that he proposes.
Those wouldn't all to unusual to modern jazz guitar players. It's probably more
strange
that lute players often insist on using a
Thanks a lot Martin.
Incredible these left hand fingerings that he proposes.
Em qua., 29 de abr. de 2020 Ã s 14:29, Martin Shepherd
<[1]mar...@luteshop.co.uk> escreveu:
Yes, there are several chords which require using a finger (any
finger)
to cover two or more
oh, that's great!!! Thank you very much for the work you did!
Am 29.04.2020 14:24 schrieb Martin Shepherd:
Yes, there are several chords which require using a finger (any
finger) to cover two or more courses, and Waissel even gives us
fingerings which involve using the second finger to hold to
Yes, there are several chords which require using a finger (any finger)
to cover two or more courses, and Waissel even gives us fingerings which
involve using the second finger to hold to top two courses, in a context
where we would use a barré. See my blog:
; To: [5]yuval.dvo...@posteo.de <[6]yuval.dvo...@posteo.de>
> Cc: LuteList <[7]lute@cs.dartmouth.edu>;
> [8]lute-...@new-old-mail.cs.dartmouth.edu
> <[9]lute-...@new-old-mail.cs.dartmouth.edu>
> Subject: [LUTE] Re: About
: Tuesday, April 28, 2020 9:15 PM
To: yuval.dvo...@posteo.de
Cc: LuteList ;
lute-...@new-old-mail.cs.dartmouth.edu
Subject: [LUTE] Re: About vocal intabulations
Yes, indeed.
For me, it makes more and more sense to view these intabulations as
a
way to show
-mail.cs.dartmouth.edu
Subject: [LUTE] Re: About vocal intabulations
Yes, indeed.
For me, it makes more and more sense to view these intabulations as
a
way to show the whole vocal piece and not something to be performed
exactly as written.
About the Barrés with any other
-mail.cs.dartmouth.edu
Subject: [LUTE] Re: About vocal intabulations
Yes, indeed.
For me, it makes more and more sense to view these intabulations as
a
way to show the whole vocal piece and not something to be performed
exactly as written.
About the Barrés with any other
It is very interesting to compare the Vincenzo Galilei intabulations in
Il Fronimo to the music he published elsewhere particularly in his
manuscript collection. The music in Il Fronimo is didactic -- and often
awkward because of too many voices -- and in the MS collection it is
Yes, indeed.
For me, it makes more and more sense to view these intabulations as a
way to show the whole vocal piece and not something to be performed
exactly as written.
About the Barrés with any other finger then the first. Has anyone
seen a historical source discuss this?
Sure.
Here it is: [1]https://we.tl/t-cKblbeN4wz
Em ter., 28 de abr. de 2020 Ã s 22:40, Jurgen Frenz
<[2]eye-and-ear-cont...@protonmail.com> escreveu:
most unfortunately this forum's service provided doesn't allow photo
attachments. Can you upload the example elsewhere and
This is really quite an extreme example! But maybe with a different
technique it would be possible e.g. to play the first chord? Sometimes,
I have the impression that they used also Barrés with the second or
third finger, which would (theoretically) make it possible to play the
first chord.
most unfortunately this forum's service provided doesn't allow photo
attachments. Can you upload the example elsewhere and post the link to it here?
That would be great.
Thanks
Jurgen
‐‐‐ Original Message ‐‐‐
On Tuesday, April 28, 2020 9:25 PM, Guilherme Barroso
wrote:
>
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Dear Yuval,
Thanks a lot for your answer.
I have a 7c course 60cm lute and it does not get much easier at some
places. Of course with your lute, even worse.
But there are some
Dear Guilherme,
it's interesting what Philippe writes about Il Fronimo, it would be nice
to talk with him about all this stuff. I met him some weeks ago, and
he's the only guy I know who isn't lutenist at all and can read all kind
of tablature fluently - quite crazy!
To respond to your
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