We have posted our Saturday morning quotes, this week on Dowland and
Essex.
[1]https://wp.me/p15OyV-4xS
Ron & Donna
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References
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I am working on an edition of Spinacino v.1 (1507) and have run across
these 2 extremely dissonant duets.
I am not personally a big fan of gratuitous dissonance (diabolus in
musica). Dissonance that serves a purpose, as in Dowland, yes.
Dissonance as a passing note, yes. Dissonance
I hear ya, Sarge.
Most pieces connected to Ghiselin in Spinacino aren't for the
faint-heared. (ditto Kyrie de les armes) I don't know why. Isn't there
a concordance in the Buxheim Organ book? Maybe make two edits: the
first faithful and the second with ficta suggestions from the
For your perusal and delectation:
http://torban.org/lodomericae/audio/549.mp3
http://torban.org/lodomericae/images/549.pdf
Enjoy!
Amities,
RT
http://turovsky.org
Feci quod potui. Faciant meliora potentes.
To get on or off this list see list information at
Although it is difficult to find tease out the melodic line, the Je ne
fay duet in Spinacino is indeed based upon the chanson, which has been
securely attributed to Giles Mureau by Peter Woetmann Christophersen,
who has edited the complete works of Mureau.
The Spinacino duets can
Hi Frank,
I haven't tried reconstructing the Spinacino duets, but I have reconstructed
intabulations from the Thibault manuscript and studied the Dalza print in
detail. The first thing to remember about both Spinacino and Dalza is the
presence of a considerable number of printing errors. Both
Thanks, Denys. Very helpful and thoughtful comments. There are a
handful of instances I have encountered in v.1 of Spinacino where
corrections were written in, possibly by Petrucci himself. In any case,
these appear to be "correct" corrections. To me, it is odd that there
are relatively few
