I hear ya, Sarge.
   Most pieces connected to Ghiselin in Spinacino aren't for the
   faint-heared. (ditto Kyrie de les armes) I don't know why. Isn't there
   a concordance in the Buxheim Organ book? Maybe make two edits: the
   first faithful and the second with ficta suggestions from the chanson
   settings or Buxheim? There are so many decisions possible and then you
   are left wondering if you're editing for our ears and risk getting
   further from their reality.
   Sean

   On Sat, Jun 20, 2020 at 12:30 PM Frank A. Gerbode, M.D.
   <[1][email protected]> wrote:

        I am working on an edition of Spinacino v.1 (1507) and have run
     across
        these 2 extremely dissonant duets.
        I am not personally a big fan of gratuitous dissonance (diabolus
     in
        musica).   Dissonance that serves a purpose, as in Dowland, yes.
        Dissonance as a passing note, yes. Dissonance as a cadential
        suspension, yes.   But minor second intervals on downbeats, not
     so much.
         I would like to "correct" these duet parts so they harmonize
     instead
        of "cacophonizing" with each other, but have no idea where to
     begin.
        Has anyone tried to do this? If I can't find a harmonious
     solution, I
        will just leave the duets as is, though I hate to punt like that,
        because who will want to play them as written (except maybe
     Schräder,
        and he is no longer with us)?
        --Sarge
        On 10/14/2019 23:48, Alain Veylit wrote:
        I cannot read this thread without thinking about Spinacino's
     duets,
        particularly the setting of Ghiselin's Jolis amours: are the
     notes
        wrong or is it our ears? Yet, I had found a very convincing
     rendition
        of that duet a while ago on the Net, played as printed 500 years
     ago
        (already!) -- I believe   Karl-Ernst Schrà ¶der was on one of the
     2 lutes
        -- Helas, I can no longer find that particular recording on the
        Internet any longer. One trick they used to make the half-tone
     clashes
        sound better was to play the piece very fast. It works.
        Spinacino's "J'ay pris amours" is still there on YouTube but it
     is less
        striking as an example of utter dissonance to modern ears - see
        [1][1][2]https://www.youtube.com/watch?v=ljcq1ETbXkI
     --
     Frank A. Gerbode, M.D. ([2][3][email protected])
     11132 Dell Ave
     Forestville, CA 95436-9491
     Home phone:   707-820-1759
     Website:   [3][4]http://www.gerbode.net
     "The map may not be the territory, but it's all we've got."
        --
     References
        1. [5]https://www.youtube.com/watch?v=ljcq1ETbXkI
        2. mailto:[6][email protected]
        3. [7]http://www.gerbode.net/
     To get on or off this list see list information at
     [8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:[email protected]
   2. https://www.youtube.com/watch?v=ljcq1ETbXkI
   3. mailto:[email protected]
   4. http://www.gerbode.net/
   5. https://www.youtube.com/watch?v=ljcq1ETbXkI
   6. mailto:[email protected]
   7. http://www.gerbode.net/
   8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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