[LUTE] Re: Melchior Newsidler's portrait, again

2019-11-11 Thread Arthur Ness
   Reportedly he and his companion traveled over the Alps to Innsbruck
   during a blizzard.  He was with Philippe Camerarius, an associate of
   Martin Luther who had recently been freed from being imprisoned by the
   Roman Inquisition.  They traveled through Siena where they stayed at
   the Inn of the Mermaid (or Siren, a symbol associated with Siena;  the
   Siena Lute Book has a watermark representing a siren).
   Here's another engraving of MN aged 43:
   https://digitalcollections.nypl.org/items/510d47e1-d59b-a3d9-e040-e00a1
   8064a99
   Arthur
   -Original Message-
   From: Joachim Lüdtke 
   To: David Van Edwards 
   Cc: Tristan von Neumann ;
   lute@cs.dartmouth.edu 
   Sent: Mon, Nov 11, 2019 8:59 am
   Subject: [LUTE] Re: Melchior Newsidler's portrait, again
 At 12:48 +0100 11/11/19, Joachim Lüdtke wrote:
   Well, in winter 1565, while his lute books were set and printed in
   Venice, Melchior together with some fellow Germans went over the
   Alps, in deep snow and at freezing temperature. Some piece of
   hard-frozen snow or ice may have hit him during the passage Å  ;)
   Joachim
   dler's portrait, again
   Datum: 2019-11-11T12:02:50+0100

   --


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[LUTE] Re: Melchior Newsidler's portrait, again

2019-11-11 Thread Tristan von Neumann

That is a lazy excuse :)

Please go on about the brushwork.


On 11.11.19 15:28, r.turov...@gmail.com wrote:

It would be too complicated for a layman.
You have to simmer in paint for years to understand how style works. In a 
nutshell - brushwork tells all.
RT


http://turovsky.org
Feci quod potui. Faciant meliora potentes.


On Nov 11, 2019, at 9:24 AM, Tristan von Neumann  
wrote:

Roman,


claiming some uncorroborated prowess does not make me understand what is
going on in the painting.

Can you at least *try* to describe to me how you came to your conclusion?

As I said. I want to learn, and just having to trust you does not make
me feel comfortable.


:)
T*



On 11.11.19 14:53, Roman Turovsky wrote:
I have a 50 year experience in visual arts, so...
Stylistically is absolutely post-1600.
It is also worth looking at such material culture elements as clothing,
same anachronism.
RT


On 11/10/2019 11:50 PM, Tristan von Neumann wrote:
You just repeated yourself...

You cannot say "is from the 1600s" for what you perceive as a style,
without any explanation...


:)

T*




On 11.11.19 04:41, Roman Turovsky wrote:

Neusiedler was Cranach the Younger's contemporary.
The portrait in question stylistically is from the 1600's.
It also doesn't look look German.
RT

On 11/10/2019 3:20 PM, Tristan von Neumann wrote:

Roman, what is your rationale for your stylistic argument?




On 10.11.19 20:04, Roman Turovsky wrote:

What is the rationale for ascribing the sitter to be Neusiedler?
The painting stylistically at least a generation later than the
Neusiedler's life dates.
RT



On 11/10/2019 11:03 AM, Wayne Cripps wrote:

I posted Arthur’s picture of Melchior Newsidler at

https://home.cs.dartmouth.edu/~wbc/lute-old/MN_OsloJ3.jpg

 Wayne



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html















[LUTE] Re: Melchior Newsidler's portrait, again

2019-11-11 Thread Joachim Lüdtke
   It's also well possible that he met with highway men!


   :)








   -Original-Nachricht-

   Betreff: [LUTE] Re: Melchior Newsidler's portrait, again

   Datum: 2019-11-11T13:03:31+0100

   Von: "David Van Edwards" 

   An: "Joachim Lüdtke" 




   But it would have to have been on the way back! Was that in Winter too?
   ;)

   David



   At 12:48 +0100 11/11/19, Joachim Lüdtke wrote:

 Well, in winter 1565, while his lute books were set and printed in
 Venice, Melchior together with some fellow Germans went over the
 Alps, in deep snow and at freezing temperature. Some piece of
 hard-frozen snow or ice may have hit him during the passage Å  ;)
 Joachim
 dler's portrait, again
 Datum: 2019-11-11T12:02:50+0100

 Von: "David Van Edwards" 

 An: "Tristan von Neumann" 

 Even the museum don't say it is German, the artists suggested are
 Italian
 http://samling.nasjonalmuseet.no/en/object/NG.M.01341#
 But Melchior did visit Italy in 1565, 9 years
 before his undoubted portrait by Stimmer. And the
 resemblance is possible but slight. The main
 difference is the top half of his left ear which
 Stimmer shows as flattened rather than curled
 forwards. Maybe he was attacked in the
 intervening 9 years!?
 Is there any real evidence though?
 Best wishes,
 David
 At 11:32 +0100 11/11/19, Tristan von Neumann wrote:
 >Please Joachim :)
 >
 >There is nothing to be learned if just those broad statements are
 uttered.
 >
 >What makes you think that it is not a contemporary portrait?
 >
 >
 >
 >
 >On 11.11.19 11:23, Joachim Lüdtke wrote:
 >>Well, he can. You can say; the traffic light is
 >>green, not red. And: it is not a contemporary
 >>portrait by a German painter, Roman is right.
 >>
 >>All best
 >>
 >>Joachim
 >>
 >>-Original-Nachricht-
 >>Betreff: [LUTE] Re: Melchior Newsidler's portrait, again
 >>Datum: 2019-11-11T05:59:46+0100
 >>Von: "Tristan von Neumann" 
 >>An: "lute@cs.dartmouth.edu" 
 >>
 >>You just repeated yourself...
 >>
 >>You cannot say "is from the 1600s" for what you perceive as a
 style,
 >>without any explanation...
 >>
 >>
 >>:)
 >>
 >>T*
 >>
 >>
 >>
 >>
 >>On 11.11.19 04:41, Roman Turovsky wrote:
 >>>Neusiedler was Cranach the Younger's contemporary.
 >>>The portrait in question stylistically is from the 1600's.
 >>>It also doesn't look look German.
 >>>RT
 >>>
 >>>On 11/10/2019 3:20 PM, Tristan von Neumann wrote:
 Roman, what is your rationale for your stylistic argument?
 
 
 
 
 On 10.11.19 20:04, Roman Turovsky wrote:
 >What is the rationale for ascribing the sitter to be
 Neusiedler?
 >The painting stylistically at least a generation later than the
 >Neusiedler's life dates.
 >RT
 >
 >
 >
 >On 11/10/2019 11:03 AM, Wayne Cripps wrote:
 >>I posted Arthurâ°Ë?s picture of Melchior Newsidler at
 >>
 >>https://home.cs.dartmouth.edu/~wbc/lute-old/MN_OsloJ3.jpg
 >>
 >>  Wayne
 >>
 >>
 >>
 >>To get on or off this list see list information at
 >>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 --
 The Smokehouse,
 6 Whitwell Road,
 Norwich,  NR1 4HB
 England.
 Telephone: + 44 (0)1603 629899
 Website: http://www.vanedwards.co.uk



--

   The Smokehouse,
   6 Whitwell Road,
   Norwich,  NR1 4HB
   England.

   Telephone: + 44 (0)1603 629899
   Website: http://www.vanedwards.co.uk

    --



[LUTE] Re: Melchior Newsidler's portrait, again

2019-11-11 Thread Roman Turovsky

I have a 50 year experience in visual arts, so...
Stylistically is absolutely post-1600.
It is also worth looking at such material culture elements as clothing,
same anachronism.
RT

On 11/10/2019 11:50 PM, Tristan von Neumann wrote:

You just repeated yourself...

You cannot say "is from the 1600s" for what you perceive as a style,
without any explanation...


:)

T*




On 11.11.19 04:41, Roman Turovsky wrote:

Neusiedler was Cranach the Younger's contemporary.
The portrait in question stylistically is from the 1600's.
It also doesn't look look German.
RT

On 11/10/2019 3:20 PM, Tristan von Neumann wrote:

Roman, what is your rationale for your stylistic argument?




On 10.11.19 20:04, Roman Turovsky wrote:

What is the rationale for ascribing the sitter to be Neusiedler?
The painting stylistically at least a generation later than the
Neusiedler's life dates.
RT



On 11/10/2019 11:03 AM, Wayne Cripps wrote:


I posted Arthur’s picture of Melchior Newsidler at

https://home.cs.dartmouth.edu/~wbc/lute-old/MN_OsloJ3.jpg

    Wayne



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

















[LUTE] Re: Melchior Newsidler's portrait, again

2019-11-11 Thread David Van Edwards
   But it would have to have been on the way back! Was that in Winter too?
   ;)

   David

   At 12:48 +0100 11/11/19, Joachim Lüdtke wrote:

 Well, in winter 1565, while his lute books were set and printed in
 Venice, Melchior together with some fellow Germans went over the
 Alps, in deep snow and at freezing temperature. Some piece of
 hard-frozen snow or ice may have hit him during the passage ;)
 Joachim
 dler's portrait, again
 Datum: 2019-11-11T12:02:50+0100

 Von: "David Van Edwards" 

 An: "Tristan von Neumann" 

 Even the museum don't say it is German, the artists suggested are
 Italian
 http://samling.nasjonalmuseet.no/en/object/NG.M.01341#
 But Melchior did visit Italy in 1565, 9 years
 before his undoubted portrait by Stimmer. And the
 resemblance is possible but slight. The main
 difference is the top half of his left ear which
 Stimmer shows as flattened rather than curled
 forwards. Maybe he was attacked in the
 intervening 9 years!?
 Is there any real evidence though?
 Best wishes,
 David
 At 11:32 +0100 11/11/19, Tristan von Neumann wrote:
 >Please Joachim :)
 >
 >There is nothing to be learned if just those broad statements are
 uttered.
 >
 >What makes you think that it is not a contemporary portrait?
 >
 >
 >
 >
 >On 11.11.19 11:23, Joachim Lüdtke wrote:
 >>Well, he can. You can say; the traffic light is
 >>green, not red. And: it is not a contemporary
 >>portrait by a German painter, Roman is right.
 >>
 >>All best
 >>
 >>Joachim
 >>
 >>-Original-Nachricht-
 >>Betreff: [LUTE] Re: Melchior Newsidler's portrait, again
 >>Datum: 2019-11-11T05:59:46+0100
 >>Von: "Tristan von Neumann" 
 >>An: "lute@cs.dartmouth.edu" 
 >>
 >>You just repeated yourself...
 >>
 >>You cannot say "is from the 1600s" for what you perceive as a
 style,
 >>without any explanation...
 >>
 >>
 >>:)
 >>
 >>T*
 >>
 >>
 >>
 >>
 >>On 11.11.19 04:41, Roman Turovsky wrote:
 >>>Neusiedler was Cranach the Younger's contemporary.
 >>>The portrait in question stylistically is from the 1600's.
 >>>It also doesn't look look German.
 >>>RT
 >>>
 >>>On 11/10/2019 3:20 PM, Tristan von Neumann wrote:
 Roman, what is your rationale for your stylistic argument?
 
 
 
 
 On 10.11.19 20:04, Roman Turovsky wrote:
 >What is the rationale for ascribing the sitter to be
 Neusiedler?
 >The painting stylistically at least a generation later than the
 >Neusiedler's life dates.
 >RT
 >
 >
 >
 >On 11/10/2019 11:03 AM, Wayne Cripps wrote:
 >>I posted Arthurâ°Ë?s picture of Melchior Newsidler at
 >>
 >>https://home.cs.dartmouth.edu/~wbc/lute-old/MN_OsloJ3.jpg
 >>
 >>  Wayne
 >>
 >>
 >>
 >>To get on or off this list see list information at
 >>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 --
 The Smokehouse,
 6 Whitwell Road,
 Norwich,  NR1 4HB
 England.
 Telephone: + 44 (0)1603 629899
 Website: http://www.vanedwards.co.uk

--

   The Smokehouse,
   6 Whitwell Road,
   Norwich,  NR1 4HB
   England.

   Telephone: + 44 (0)1603 629899
   Website: http://www.vanedwards.co.uk

   --



[LUTE] Re: Melchior Newsidler's portrait, again

2019-11-11 Thread Joachim Lüdtke
Well, in winter 1565, while his lute books were set and printed in Venice, 
Melchior together with some fellow Germans went over the Alps, in deep snow and 
at freezing temperature. Some piece of hard-frozen snow or ice may have hit him 
during the passage … ;)

Joachim





dler's portrait, again
Datum: 2019-11-11T12:02:50+0100
Von: "David Van Edwards" 
An: "Tristan von Neumann" 

Even the museum don't say it is German, the artists suggested are Italian

http://samling.nasjonalmuseet.no/en/object/NG.M.01341#

But Melchior did visit Italy in 1565, 9 years 
before his undoubted portrait by Stimmer. And the 
resemblance is possible but slight. The main 
difference is the top half of his left ear which 
Stimmer shows as flattened rather than curled 
forwards. Maybe he was attacked in the 
intervening 9 years!?

Is there any real evidence though?

Best wishes,

David



At 11:32 +0100 11/11/19, Tristan von Neumann wrote:
>Please Joachim :)
>
>There is nothing to be learned if just those broad statements are uttered.
>
>What makes you think that it is not a contemporary portrait?
>
>
>
>
>On 11.11.19 11:23, Joachim Lüdtke wrote:
>>Well, he can. You can say; the traffic light is 
>>green, not red. And: it is not a contemporary 
>>portrait by a German painter, Roman is right.
>>
>>All best
>>
>>Joachim
>>
>>-Original-Nachricht-
>>Betreff: [LUTE] Re: Melchior Newsidler's portrait, again
>>Datum: 2019-11-11T05:59:46+0100
>>Von: "Tristan von Neumann" 
>>An: "lute@cs.dartmouth.edu" 
>>
>>You just repeated yourself...
>>
>>You cannot say "is from the 1600s" for what you perceive as a style,
>>without any explanation...
>>
>>
>>:)
>>
>>T*
>>
>>
>>
>>
>>On 11.11.19 04:41, Roman Turovsky wrote:
>>>Neusiedler was Cranach the Younger's contemporary.
>>>The portrait in question stylistically is from the 1600's.
>>>It also doesn't look look German.
>>>RT
>>>
>>>On 11/10/2019 3:20 PM, Tristan von Neumann wrote:
Roman, what is your rationale for your stylistic argument?




On 10.11.19 20:04, Roman Turovsky wrote:
>What is the rationale for ascribing the sitter to be Neusiedler?
>The painting stylistically at least a generation later than the
>Neusiedler's life dates.
>RT
>
>
>
>On 11/10/2019 11:03 AM, Wayne Cripps wrote:
>>I posted Arthur⤁s picture of Melchior Newsidler at
>>
>>https://home.cs.dartmouth.edu/~wbc/lute-old/MN_OsloJ3.jpg
>>
>>  Wayne
>>
>>
>>
>>To get on or off this list see list information at
>>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


-- 
The Smokehouse,
6 Whitwell Road,
Norwich,  NR1 4HB  
England.

Telephone: + 44 (0)1603 629899
Website: http://www.vanedwards.co.uk








[LUTE] Re: Melchior Newsidler's portrait, again

2019-11-11 Thread Tristan von Neumann

So it is on Arthur, who brought this up, to deliver some insight about
his sources or reasoning.


Arthur? :)


The painting seems to show a composer though. Who could it be?

The scroll doesn't reveal much...

:)
T*


On 11.11.19 12:01, David Van Edwards wrote:

Even the museum don't say it is German, the artists suggested are Italian

http://samling.nasjonalmuseet.no/en/object/NG.M.01341#

But Melchior did visit Italy in 1565, 9 years before his undoubted
portrait by Stimmer. And the resemblance is possible but slight. The
main difference is the top half of his left ear which Stimmer shows as
flattened rather than curled forwards. Maybe he was attacked in the
intervening 9 years!?

Is there any real evidence though?

Best wishes,

David



At 11:32 +0100 11/11/19, Tristan von Neumann wrote:

Please Joachim :)

There is nothing to be learned if just those broad statements are
uttered.

What makes you think that it is not a contemporary portrait?




On 11.11.19 11:23, Joachim Lüdtke wrote:

Well, he can. You can say; the traffic light is green, not red. And:
it is not a contemporary portrait by a German painter, Roman is right.

All best

Joachim

-Original-Nachricht-
Betreff: [LUTE] Re: Melchior Newsidler's portrait, again
Datum: 2019-11-11T05:59:46+0100
Von: "Tristan von Neumann" 
An: "lute@cs.dartmouth.edu" 

You just repeated yourself...

You cannot say "is from the 1600s" for what you perceive as a style,
without any explanation...


:)

T*




On 11.11.19 04:41, Roman Turovsky wrote:

Neusiedler was Cranach the Younger's contemporary.
The portrait in question stylistically is from the 1600's.
It also doesn't look look German.
RT

On 11/10/2019 3:20 PM, Tristan von Neumann wrote:

Roman, what is your rationale for your stylistic argument?




On 10.11.19 20:04, Roman Turovsky wrote:

What is the rationale for ascribing the sitter to be Neusiedler?
The painting stylistically at least a generation later than the
Neusiedler's life dates.
RT



On 11/10/2019 11:03 AM, Wayne Cripps wrote:

I posted Arthur⤁s picture of Melchior Newsidler at

https://home.cs.dartmouth.edu/~wbc/lute-old/MN_OsloJ3.jpg

 Wayne



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html








[LUTE] Re: Melchior Newsidler's portrait, again

2019-11-11 Thread David Van Edwards

Even the museum don't say it is German, the artists suggested are Italian

http://samling.nasjonalmuseet.no/en/object/NG.M.01341#

But Melchior did visit Italy in 1565, 9 years 
before his undoubted portrait by Stimmer. And the 
resemblance is possible but slight. The main 
difference is the top half of his left ear which 
Stimmer shows as flattened rather than curled 
forwards. Maybe he was attacked in the 
intervening 9 years!?


Is there any real evidence though?

Best wishes,

David



At 11:32 +0100 11/11/19, Tristan von Neumann wrote:

Please Joachim :)

There is nothing to be learned if just those broad statements are uttered.

What makes you think that it is not a contemporary portrait?




On 11.11.19 11:23, Joachim Lüdtke wrote:
Well, he can. You can say; the traffic light is 
green, not red. And: it is not a contemporary 
portrait by a German painter, Roman is right.


All best

Joachim

-Original-Nachricht-
Betreff: [LUTE] Re: Melchior Newsidler's portrait, again
Datum: 2019-11-11T05:59:46+0100
Von: "Tristan von Neumann" 
An: "lute@cs.dartmouth.edu" 

You just repeated yourself...

You cannot say "is from the 1600s" for what you perceive as a style,
without any explanation...


:)

T*




On 11.11.19 04:41, Roman Turovsky wrote:

Neusiedler was Cranach the Younger's contemporary.
The portrait in question stylistically is from the 1600's.
It also doesn't look look German.
RT

On 11/10/2019 3:20 PM, Tristan von Neumann wrote:

Roman, what is your rationale for your stylistic argument?




On 10.11.19 20:04, Roman Turovsky wrote:

What is the rationale for ascribing the sitter to be Neusiedler?
The painting stylistically at least a generation later than the
Neusiedler's life dates.
RT



On 11/10/2019 11:03 AM, Wayne Cripps wrote:

I posted Arthur⤁s picture of Melchior Newsidler at

https://home.cs.dartmouth.edu/~wbc/lute-old/MN_OsloJ3.jpg

 Wayne



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



--
The Smokehouse,
6 Whitwell Road,
Norwich,  NR1 4HB  
England.


Telephone: + 44 (0)1603 629899
Website: http://www.vanedwards.co.uk





[LUTE] Re: Melchior Newsidler's portrait, again

2019-11-11 Thread Tristan von Neumann

Please Joachim :)

There is nothing to be learned if just those broad statements are uttered.

What makes you think that it is not a contemporary portrait?




On 11.11.19 11:23, Joachim Lüdtke wrote:

Well, he can. You can say; the traffic light is green, not red. And: it is not 
a contemporary portrait by a German painter, Roman is right.

All best

Joachim

-Original-Nachricht-
Betreff: [LUTE] Re: Melchior Newsidler's portrait, again
Datum: 2019-11-11T05:59:46+0100
Von: "Tristan von Neumann" 
An: "lute@cs.dartmouth.edu" 

You just repeated yourself...

You cannot say "is from the 1600s" for what you perceive as a style,
without any explanation...


:)

T*




On 11.11.19 04:41, Roman Turovsky wrote:

Neusiedler was Cranach the Younger's contemporary.
The portrait in question stylistically is from the 1600's.
It also doesn't look look German.
RT

On 11/10/2019 3:20 PM, Tristan von Neumann wrote:

Roman, what is your rationale for your stylistic argument?




On 10.11.19 20:04, Roman Turovsky wrote:

What is the rationale for ascribing the sitter to be Neusiedler?
The painting stylistically at least a generation later than the
Neusiedler's life dates.
RT



On 11/10/2019 11:03 AM, Wayne Cripps wrote:

I posted Arthur’s picture of Melchior Newsidler at

https://home.cs.dartmouth.edu/~wbc/lute-old/MN_OsloJ3.jpg

     Wayne



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html