Hi Chris,
You should have a look at Andrea Damiani's Renaissance Lute Tutor; it
includes a number of scale studies. I translated it into English but
have no commercial interest in it -- I just think it's a wonderful book.
Doc
So any music not rooted in Christian semantics (like MacOSX rooted in
Unix)
is doomed to being not quite that memorable (see Pagan, Islamic, Judaic
etc., and don't hold you breath for a Ramadan oratorio).
I find this very strange, Roman - in fact I don't find it true at all.
Perhaps it is
I think questions concerning which octave, which instrument, are
anachronistic - in those days you played the music you wanted to play
on the instrument you had, and adapted the music to suit. This is
quite harshly put, but the gist is there. I've performed Vivaldi on
18th-century cittern in
Hi Stewart,
Thanks for your comments. If I am being unfair to musicologists (and i
don't believe I am), I am doing so from inside the group. We agree on
the historical and practical reasons you've mentioned, but I think that
losing sight of of the musical cultural of a period (as little as
I whistled some Dowland today
Are you a HIP whistler?
An Internet e-mail message was sent to you from an outside source that
contained an prohibited file type, but was removed for security
purposes.
...
Nice block, Wayne!
I would not underestimate the African influence on American music...
ditto, and I would not underestimate the European and American
influences on African musics, not to mention the influences from the
Asian subcontinent.
I am not sure that Romans could tell the difference either! At the
head of
our valley in Cumbria is the remains of a roman fort and when the
weather
closes in and the mist lies thick around you cant even distinguish the
Herdwicks from the rocks!
this doesn't scan...
JS Bach
Satie
Cage
Cowell
F Couperin
Hi,
I'm looking for a Renaissance cittern if anyone has one for sale. I
suppose I would prefer a 4-course but would consider others. I live in
Italy but do have friends coming from the USA in June and from the UK
in May.
Thanks,
Doc Rossi
Strada della Repubblica 45
43100 Parma (PR)
Italy
You may want to have a look at Benjamin Bagby's site. He performs
Beowulf with a 6-string lyre built by Rainer Thurau.
Chris Morrongiello is on Long Island - a very good teacher and player.
Can anyone out there help me find the notes to the 14th c. English
estampie from the Robertsbridge codex? It's the one that's often used
to illustrate 'hocket'.
Thanks,
Doc
Strada della Repubblica 45
43100 Parma (PR)
Italy
http://www.magnatune.com/artists/docrossi
tel: (+39) 0521 23 48 68
hey stuart, your email bounced back to me. i haven't got my hands on
anything yet, but someone else is looking, so i'll get back to you.
thanks.
does anyone have paulo galvao's email or postal address? i have an old
hotmail address for him that doesn't seem to be working.
Well, Roman and Arthur each sent me different addresses, and they
bounced too! I wonder where Paulo is...
I used to use Fronimo on my Mac with VPC, but I have to say that I'm so
pleased with the new version of Finale that I don't bother with
anything else now. Thanks to Daniel, though. I'm a little curious
about Harmony Assistant so I'll have to check it out. Finale is
expensive if you can't use
Hi Ed,
Yup, baroque cittern is my deal, but I play a 7-course, so a line below
is useful sometimes. If you've only used 3.7, things have changed, a
lot. It's quite easy to use now.
Doc
The most current Mac version for OS9.2 has no files listed in the XML
doc.
RT
Wouldn't the most current Mac be OS10.3.4?
I sent an email to LACG asking them what the current story is; I'll
let
the List know what I find out.
I just heard from LACG: they have no news concerning a Mac version of
the vihuela CD. (I fail to understand why anybody would put out a CD
that
requires proprietary software for easy
completely off base?
Thanks,
Doc Rossi
Strada della Repubblica 45
43100 Parma (PR)
Italy
http://www.magnatune.com/artists/docrossi
tel: (+39) 0521 23 48 68
cell: (+39) 348 8000 572
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I have a copy of a Suzanne Bloch EP in the US. Maybe I should auction
it off to the highest bidder...
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There have been plans to digitize some wax cylinders from the archives
of
the Ukrainian Academy of Sciences by the facilities of the Library of
Congress, and a few have been indeed done, but the venture didn't find
financing to do the entire colection.
RT
The Berlin Archive produced a
The art
of wire-drawing does not appear to have been known until the 14th
century,
and it was not introduced into England before the second half of the
17th
This may be true, but that doesn't say anything about Ireland, and even
if there is documentation about how and when it all happened
If the Irish had wire technology they would have been supplying English
textile industry, but Elisabethan customs authorities had massive
problems
with Continental wire contraband, so obviously there was no wire in
Ireland.
I'm getting a little confused, Roman. First you say the 14th
It doesn't matter if the music you want to play is by John Dowland
or Earl Scruggs. You first need to learn what the experts did,
before you try doing it yourself. Much may be learned, of course, by
listening to recordings, but if music is readily available in
written form, it would be
In case anyone needs to reach me by traditional post, here's my new
address.
Wishing you all a happy and creative new year,
Doc Rossi
Via Secchi 40
42100 Reggio Emilia (RE)
Italy
http://www.magnatune.com/artists/docrossi
tel: (+39) 0522 43 43 95
cell: (+39) 348 8000 572
To get on or off
much mail just yet.
Thanks to Wayne for setting up the list,
Doc Rossi
Via Secchi 40
42100 Reggio Emilia (RE)
Italy
http://www.magnatune.com/artists/docrossi
tel: (+39) 0522 43 43 95
cell: (+39) 348 8000 572
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc
you
must put every rhythm mark in place, even on the rests, before saving
as a
midi file or Finale will interpret things very differently. It will
still
playback with the correct rhythm, but the notes will be laid out very
differently than you'd expect. This is especially true if a piece
Does anyone know a good shop in Paris for buying iron and brass string
wire? I'll be there next Friday.
Doc Rossi
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Begin forwarded message:
From: Rob MacKillop [EMAIL PROTECTED]
Date: 10 November, 2005 21:09:17 GMT+01:00
To: cittern@cs.dartmouth.edu
Subject: [CITTERN] Doc Rossi website
Reply-To: [EMAIL PROTECTED]
Dear cittern friends,
Doc Rossi's webpage can now be found
So, lute gang, go to see Benjamin's calculator! And again Benjamin,
fine
work!
I seem to have lost the link - could someone post it again, please?
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Talking about technique, who would venture to surpass this guy:
http://www.youtube.com/watch?v=Arn99rAAgX4search=gerardo%20nunez
try this...
http://www.youtube.com/watch?v=AbndgwfG22kmode=relatedsearch=
To get on or off this list see list information at
Talking about technique, who would venture to surpass this guy:
http://www.youtube.com/watch?v=Arn99rAAgX4search=gerardo%20nunez
This one for example: http://www.youtube.com/watch?v=F7m3aIuGlUg
Regards,
Bruno Correia.
Yikes - He sure can shred. Pity about the tone, though. I'll have
Could you explain a bit about that technique of sweep picking?
That guy's right hand looked like it was moving really effortlessly.
Think the dude sold his soul to the devil.
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/
Have a look at the Chops From Hell
Try
http://www.guitarnoise.com/article.php?id=76
Paolo Declich
A little history - Paul Simon took Martin Carthy's arrangement of
S.F. (which Martin had kindly (and rather naively, I guess) written
out for him one evening at dinner) and copyrighted it out from under
him. Fortunately
Somewhere in all this, John Renbourn's arrangement is surely worth a
mention. That said, was it ever a lute tune?
John's arrangement is indeed nice, but I think it's also post-Carthy.
S.F. was Carthy's hit of that period. JR did several nice
arrangements of old tunes like S.F.
To get on
the violin as it was so similar
to what he thought was the correct baroque position.
Doc Rossi
Element Music
Le Grand Domaine
Boulevard des Dames 26
13002 Marseille
France
www.cetrapublishing.com
www.magnatune.com/artists/docrossi.html
[EMAIL PROTECTED]
[EMAIL PROTECTED]
tel: (+33) (0)4 91 52 90 45
this one leaves me speechless, but check out the right hand towards
the end.
http://www.youtube.com/watch?v=b56WO5ctL8E
Actually, I've been trying to find the videos of Hopkinson Smith
playing Bach. Does anyone know where they are?
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On Dec 1, 2006, at 9:22 PM, Stewart McCoy wrote:
There is only one way to finger it, assuming you want to sustain the
part-writing. It doesn't involve the left-hand thumb
I wonder if that is really the point; that is, one could find many
possible fingerings, but that does not necessarily
I'm trying to reach Chris but his optonline.net address is bouncing.
Does anyone have a different address?
Thank you,
Doc Rossi
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the many links among Mediterranean peoples in music,
poetry and dance. A lofty perhaps even naive proposal for some, but
it is something we can do.
Doc Rossi
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I think it's just that her dress is too tight.
On Feb 10, 2007, at 4:26 PM, Roman Turovsky wrote:
No, it is more like Billions of Blue Blistering Barnacles (Armatae
Furiae),
faster! harder1 carbon fiber is it
RT
- Original Message -
From: Daniel Shoskes [EMAIL PROTECTED]
To:
On Feb 16, 2007, at 10:43 AM, Anthony Hind wrote:
Craig
Of course walnut oil comes form walnuts. The local village where my
wife comes from presses, walnuts for the oil. Olive oil comes from
olives, doesn't prevent the olive wood from being oily. It is not the
sound of the gun that
mac os 10.4 - safari no, firefox yes.
On Apr 17, 2007, at 9:30 PM, [EMAIL PROTECTED] wrote:
Perhaps someone is interested?
If my earlier applets did not work in your system, this will
neither...
;-(
--
To get on or off this list see list information at
of my hobby, lute
playing (and the occasional hifi tweaking to better reproduce the
sound of the lute). Therefore, I will also admit that I do hope that
such tables did exist.
More second hand confirmation about this research comes to me from
Doc Rossi, on the French list. He also tells me
I suppose people know about this resource - I came across it while
looking for something totally unrelated.
http://www.diamm.ac.uk/
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I thought parallel octaves and fifths were okay as long as they
happen in the inner voices rather than the outer. And what about
octave stringing, especially on the harpsichord?
On Aug 2, 2007, at 11:20 AM, Rob wrote:
Here is another interesting continuo link. I've uploaded for a few
of Catgut.
---
I don't want anyone thinking that I keep all these references in my
head - this is something I was going to use for my Lute Society talk
next month.
Doc Rossi
On Aug 16, 2007, at 2:10 AM, Andrew Rutherford wrote:
Hi cittern bunch,
Has anybody out there looked into the various
Isn't that Paul Brier?
On Aug 24, 2007, at 4:09 AM, Daniel Shoskes wrote:
http://www.youtube.com/watch?v=iTV6F3lTU7o
I think it's Linda Sayce on turbo lute during the recitative but I
don't recognize her continuo partner.
To get on or off this list see list information at
such instruments in North Africa and the Middle
East with names like the bulgaria.
Doc Rossi
On Oct 31, 2007, at 2:13 AM, John Griffiths wrote:
Hi Jocelyn,
No the guitarra portuguesa is closer to a cittern in its modern form
-- they still use the term viol=E3o (=vihuela in Port
Hi Ed,
I think I misunderstood your question earlier. They use the flesh
side of the nail for the strong beat - the stroke towards the body.
Doc
On Oct 31, 2007, at 2:10 PM, Ed Durbrow wrote:
On Oct 31, 2007, at 1:49 PM, Doc Rossi wrote:
I've seen people play dedilho before, but never
Hi Ed,
I think I misunderstood your question earlier. They use the flesh
side of the nail for the strong beat - the stroke towards the body.
Doc
On Oct 31, 2007, at 2:10 PM, Ed Durbrow wrote:
On Oct 31, 2007, at 1:49 PM, Doc Rossi wrote:
I've seen people play dedilho before, but never
point would be where they change to and
from it, how they negotiate going from a down stroke as a strong
beat to an up stroke being the strong beat.
On Nov 1, 2007, at 7:57 PM, Doc Rossi wrote:
Hi Ed,
I think I misunderstood your question earlier. They use the flesh
side of the nail
a site devoted to Carlos Paredes with other views of his technique:
http://www.cidadevirtual.pt/cdl/carlosparedes.html
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It's still quite simple, but I have a page on My Space which includes
a sneak preview of the new CD:
http://www.myspace.com/docrossi
Doc
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I'm on Mac and I got to hear them using a link someone sent yesterday
or the day before - not very helpful, I know, but the message said
something like this link should work. It went straight to an MP3
file played with the QuickTime plugin in Safari. I'm sorry I can't
give you a better
Beautiful sound, Valéry! What exactly are you using?
On Feb 29, 2008, at 9:26 AM, Valéry Sauvage wrote:
Hello,
Back on this list...
I'd like to present some recordings I made with my brand new zoom
h2...
(nice machine !)
http://pagesperso-orange.fr/luthval/musiques/packington.mp3
http://www.samsontech.com/products/productpage.cfm?prodID=1916
On Feb 29, 2008, at 9:59 AM, Martin Shepherd wrote:
Dear Valéry,
Excellent! Good to see you on this list again - there are now so
many of us with the Zoom H2 we should share our experiences with
this machine. Which settings
sorry - i thought it was bach's birthday, not april first...
On Mar 21, 2008, at 10:46 AM, David Tayler wrote:
People have been asking if I also play these larger Theorbos,
So I have a picture of the largest one.
http://www.voicesofmusic.org/klaus%20theorbo.html
At a length of 1400
I'm working on a project involving mid-18th-century dance music mostly
from France, Belgium and Austria. I'd like to have a non-keyboard
plucked instrument in the bass. What are my options besides theorbo,
archlute, harp? Mandora and Colascione come to mind - is there
anything else?
I thought of viol - that was actually my first choice after bassoon -
but I'm wondering about bass instruments that I don't know about. The
little cittern is too small for bass, but I've been lusting after a
Tielke myself for a very long time. Baroque guitar and chitarra
battente also
I've thought of French arch-citterns and double-neck citterns, too.
What I'd really like is bandora... Perhaps there was a bass cittern,
like the one in the painting by Saftleven.
On Mar 24, 2008, at 12:47 PM, David Tayler wrote:
Also, good look finding one, but it seems a nice place to try
Thanks, Eugene - I'd thought of these, too. Maybe I'm looking for
something that doesn't exist.
On Mar 24, 2008, at 1:58 PM, Eugene C. Braig IV wrote:
At 06:06 AM 3/24/2008, Doc Rossi wrote:
I'm working on a project involving mid-18th-century dance music
mostly
from France, Belgium
On Mar 25, 2008, at 3:03 PM, Paavo R. Zakin, M.D. wrote:
the late Julian Bream,
His house is for sale, but I hadn't heard that he'd died.
http://www.telegraph.co.uk/property/main.jhtml?xml=/property/2007/09/22/pbream122.xml
--
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I agree with you completely, Rob - Malcolm is really a n excellent
luthier. The diatonic cittern he made for me is going from strength to
strength - really coming alive after a year of playing.
Doc Rossi
On Mar 27, 2008, at 11:10 AM, Rob MacKillop wrote:
I brought this home on Tuesday from
Sorry to intrude like this - if anyone has time to answer a Mac OS 9
question for me, please contact me ASAP off list.
Thanks
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thanks to all who replied - problem solved
On Apr 1, 2008, at 5:27 PM, Bruno Fournier wrote:
What's the question ? I may be able to answer you, although I have
not used OS 9 in a while.
Bruno
On Tue, Apr 1, 2008 at 9:48 AM, Doc Rossi
[EMAIL PROTECTED] wrote:
Sorry to intrude like
On Apr 3, 2008, at 11:58 AM, Anthony Hind wrote:
Rob
Sorry, I can't quite leave-off, you got me thinking too much. Of
course, like everyone else, I can't help thinking about what lute I
would like next, but also, how I wish I was a little more focussed
and less dilettante (imore in the
On Apr 4, 2008, at 4:24 PM, Stewart McCoy wrote:
If you really had to memorise a piece, for example, because
you were going to perform it on stage in a play, you'd find a way to
memorise it.
Boy, if that were only true! It's exactly the pieces that I perform
that I'm concerned about.
I
Completely bizarre.
Interesting that Scottish lute is making a comeback according to the
article. I was in London last weekend and friends in the record
business told me that sales of traditional Irish and Scottish CDs are
falling and have been for some time.
On Apr 16, 2008, at 11:28
second
On Apr 18, 2008, at 11:35 AM, Rob MacKillop wrote:
Dear all, I think my original Subject line of 'Aarrrgg!!!' still
holds!
Rob
On 18/04/2008, gary digman [EMAIL PROTECTED] wrote:
former Vice Presidents who claim to have invented the Internet
and be
the Fount of All
Nice one, Andy!
On May 4, 2008, at 10:45 PM, Andrew Rutherford wrote:
Hi citterners,
If you type English Guittar on Youtube you can see me playing Up
We't Eli
Eli from the Bremner book on my Eng. Guit. (Thanks Rob McK for the
music).
andy rutherford
PS Does anybody know what Up We't
On May 5, 2008, at 9:05 AM, Rob MacKillop wrote:
I'm the only one allowed to play this instrument!
How dare you!
Merde! I don't remember you ever giving me permission to play this
instrument. What can I do now???
To get on or off this list see list information at
cittern was a particularly vindictive and spiteful thing
for the thief to do. Please convey our sympathy to Roberto. I hope he
can soon get his life back to normal.
Best wishes,
Stewart McCoy.
-Original Message-
From: Doc Rossi [mailto:[EMAIL PROTECTED]
Sent: 05 May 2008 11:27
To: Cittern List
prego
On May 17, 2008, at 7:41 AM, Rob MacKillop wrote:
Wonderful. Great research. Great images. A great use of the internet.
Thanks for directing us to it.
Rob
2008/5/17 Doc Rossi [EMAIL PROTECTED]:
It isn't ready yet, but this looks like it's going to be very nice:
http://www.tielke
That's excellent, Rob. What a pleasure to hear you play again. The
last time was in Evora! (Nice house, too, by the way.)
On May 25, 2008, at 6:36 PM, Rob MacKillop wrote:
I've added four videos - one lute, three baroque guitar - to the
vimeo site.
This is my first attempt at making a
Thanks very much for the lesson, Rob. Great stuff.
On May 29, 2008, at 4:13 PM, Rob MacKillop wrote:
Somone asked me about my strumming techniques so I've added a video on
strumming the baroque guitar here:
http://www.vimeo.com/robmackillop/videos
It's more MacKillop than Corbetta, but you
Do you put anything between the quill and the iron? What temperature
do you use
On Jun 6, 2008, at 7:45 AM, David Tayler wrote:
I take the quill and iron it with a heavy iron, then shape it.
I prefer a slightly rounded tip.
It's the only thing I iron, really.
You can also cut a piece of
From the Wikipedia article on Delrin:
Delrin has also recently found use in the manufacturing of Irish
flutes (traditionally made of wood), tin whistles (traditionally made
of metal), and bagpipes (traditionally made of wood). Delrin flutes
sound similar or identical to wooden flutes, but
http://www.pickworld.com/delrin.htm
perhaps one could cut these to the shape desired
On Jun 7, 2008, at 8:53 PM, Guy Smith wrote:
You can find Delrin at most plastics supply companies. I used to use
it
occasionally to machine parts for lab apparatus. It's one of the
easiest
plastics to
I thought it might have been Rob McBloch at first - who later had a
sex change - but I think you're right.
On Jun 20, 2008, at 7:04 PM, Jean-Marie Poirier wrote:
Incredible ! He looks exactly like Rob MacDolmetsch... :-)
Jean-Marie
=== 20-06-2008 18:21:37 ===
Very rare footage:
David, would you care to give us a reading list of what you consider
to be the most important works for learning about the interpretation
of this music?
Doc
On Jun 20, 2008, at 7:56 PM, David Tayler wrote:
I think the good Jazz transcriptions are pretty good, and there are
lots of them,
Perhaps this might be of interest to someone:
http://www.palmguitars.nl/page.php?cat_id=24
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I think it's spam from a spa
On Jul 2, 2008, at 2:42 PM, Jean-Marie Poirier wrote:
.Still blank, heluth. What can the problem be ?
Jean-Marie
=== 02-07-2008 14:36:23 ===
= = = = = = = = = = = = = = = = = = =
[EMAIL PROTECTED]
http://poirierjm.free.fr
02-07-2008
To get on
i'm not sure it's up yet...
On Jul 21, 2008, at 12:41 PM, Rob MacKillop wrote:
Excellent. I'm off to the Magnatune site to download it. Maybe a
direct link would help others, Doc?
Rob
2008/7/21 Doc Rossi [EMAIL PROTECTED]:
I've recorded a CD of solos and duets for 18h-century cittern
too many for an early one, but not for a later one.
On Jul 27, 2008, at 3:16 PM, Roman Turovsky wrote:
Too many courses.
RT
Hello !! it looks like a colascione xx H.V
--- On Sun, 7/27/08, Roman Turovsky [EMAIL PROTECTED] wrote:
From: Roman Turovsky [EMAIL PROTECTED]
Subject: [LUTE]
On Oct 5, 2008, at 10:08 AM, Martyn Hodgson wrote:
More recently the gittern tuning (with highest string on the first
course at g') seems to have found favour
Which tuning is this?
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No wire strings??? What IS this world coming to...
(very nice just the same)
On Oct 6, 2008, at 12:17 PM, Jean-Marie Poirier wrote:
I have had the same experience as Nancy, and playing consorts with a
recorder was not a problem at all. You can just check that by
listening to The Sacred End
Has anyone got any suggestions for nice-looking French tablature fonts
for Mac OS X?
Thanks,
Doc
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This is a wonderful performance. I agree with you about the organ
creating a kind of base that supports violin or flute - with the lute
- which could be louder - adding a slightly percussive element.
The figures are used as a guide to create a simple countersubject
shared between the
Where do I get my copy?!?!?
On Nov 11, 2008, at 7:02 PM, Arthur Ness wrote:
This will surely excite some readers of this list. 3 vols., nearly
1600 tunes!
- Original Message -
New items are available in the UR Research collections you have
subscribed to:
New items in collection
Wonderful - Thank you. I used to have this book but lost it somehow,
so it's great to have it again.
On Nov 11, 2008, at 7:02 PM, Arthur Ness wrote:
This will surely excite some readers of this list. 3 vols., nearly
1600 tunes!
- Original Message -
New items are available in the
I agree with this assessment as well - from about the same amount of
experience.
On Nov 18, 2008, at 5:17 PM, Guy Smith wrote:
I agree in principal, but in practice, I don't. I've been hanging
out on
groups like this for around 20 years (starting with USENET in the mid
eighties), and I've
What gets me about the new technology is that we can record in such
high fidelity yet so many people prefer downloads of MP3s which are
quite lo-fi. It's rather curious to see these paths going in different
directions.
On Nov 19, 2008, at 2:25 PM, Anthony Hind wrote:
Rob
I heartily
The scan function is very nice now. It was pretty unwieldy a few
years ago.
I've been so overwhelmed with work these last months (plus moving
house yet again...) that I've been neglecting publications. I'm hoping
for a quiet new year break where I can catch up. I haven't even got my
own
Sorry to disagree, but I don't have any problems doing good work with
Finale. Fronimo was okay at first, but I've had issues with the
quality of the print out when exporting to DTP programs. Finale is
also very, very flexible - I find it much more so than Fronimo. There
is a big learning
For PDFs, Mac OSX has a built-in Print to PDF feature that works
well. For Windows there are free virtual printers around that also
work pretty well. I remember using one that had Pony in the name
(sorry to be so vague).
On Dec 8, 2008, at 9:15 PM, [EMAIL PROTECTED] wrote:
Hi,
New to
. Does John Johnson's version for two lutes predate Ballet?
Thanks,
Doc Rossi
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Anone with further information could reply to Brad directly. Thanks in
advance.
Begin forwarded message:
From: Brad McEwen [1]mill_r...@yahoo.com
Date: January 22, 2009 9:07:28 PM CEST
To: Doc Rossi [2]ro...@cetrapublishing.com
Subject: Re: Fwd: [LUTE] Re: Green Sleeves
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