Kenneth,
the three pieces on this very esthetic site make for some lovely listening
indeed!
Best regards
Göran
- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, August 20, 2004 5:46 PM
Subject: new Ronn McFarlane website
To all:
Please check out Ronn
Dear Rainer,
could you possibly plz. supply us with concordances of the above? (even
spurious?)
Best Regards
Göran
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To get on or off this list see
- Original Message -
From: G.R. Crona [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 15, 2005 3:16 AM
Subject: [Vds: Sv: lute siting]
Fra: G.R. Crona [EMAIL PROTECTED]
Dato: 2005/02/14 Mon PM 02:21:41 CET
Til: Ed Durbrow [EMAIL PROTECTED]
CC:
Hola Manolo,
I read those books, and they are a real eye opener. Maalouf is one of my
favourite writers along with Waltaari.
Best saludos
G.
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To
Hi Berndt, Stuart and All,
good to know there is a modern edition of Ars Subtilior - Chantilly codex.
I'll try to get hold of it, but it probably won't be easy.
Do you by any chance have the full particulars incl. ISDN?
If there is more text than the one Stuart sent, it would be interesting to
- Original Message -
From: Howard Posner [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Wednesday, August 31, 2005 7:55 AM
Subject: [LUTE] Re: Ophee - his views
G.R. Crona wrote:
I must say, that I'm very disillusioned by this move to make what has
previously been an open forum,
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: Howard Posner [EMAIL PROTECTED]; G. Crona [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Thursday, September 01, 2005 7:30 PM
Subject: [LUTE] Re: Ophee - his views
previously been an open forum, a censored one
Hi,
this 1st pavan has quite interesting fingering and is IMO very idiomatic.
Both the hinged barré, which occurs several times and the (hard) chord you
pionted out. IMO there is only one logical way to play it. Barré on first
fret, 5th = f1, 4th = d4. You have to keep 3rd for the following d5.
I second the motion that studying what is available is a very good idea. If
e.g. looking at the english repertory there is an excellent example of
highly sophisticated division writing in Daniel Batcheler's Mounsieur's
galliard. This piece explores the gamut of division writing in the english
Hi David,
it has been done before, with e.g. Ortiz, Venegas de Henestrosa, Bermudo,
Santa Maria etc. The result, as you can see is not very idiomatic for the
vihuela and would better suit the keyboard or optimally a string consort.
B.R.
G.
***
-t
-f
{Tiento I/Antonio de Cabezon}
b
c
0c
b
1 c
xb
A very serene and beautiful *artificial* MP3 David!
Try to play it that well in your 6 course though ;)
B.R.
G.
- Original Message -
From: David Cassetti [EMAIL PROTECTED]
To: Lute net lute@cs.dartmouth.edu
Sent: Friday, November 11, 2005 6:03 PM
Subject: [LUTE] Re: Cabezon tiento
- Original Message -
From: saw 192837 [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Thursday, November 10, 2005 7:22 AM
Subject: [LUTE] Now we are one, forever (New Boy Gets Lute, and a cherry
tree dies)
It was hard to tune until I got a hand of the friction pegs--you have to
push
Benjamin Britten
Nocturnal op. 70
RCA: LSC 2964 - B
Duration: 19:49
Sleevenote:
Britten's Nocturnal, written at Aldeburgh in 1963, is one of
a group of pieces reflecting the composer's preoccupation
with sleep and the world of dreams. The work is a set of
variations that instead of departing
For reasons unknown, this mail was tweaked.
I therefore repost it!
***
Benjamin Britten
Nocturnal op. 70
RCA: LSC 2964 - B
Duration: 19:49
Sleevenote:
Britten's Nocturnal, written at Aldeburgh in 1963, is one of
a group of pieces reflecting the composer's preoccupation
with sleep and the world
Wayne,
any idea why the mail robot does not like this ending of my mail?
I give up!
x
1. b b e
3 b b e
x b b e
2 b b e
x b b e
2. b b e
3 b b e
2 cc e
2. cd c
3 c
x e
x c
b
1. ccde
2 cc e
1 acc
3aac
x c
xc b
xa e
1 efec
3 efe
xc
x c a
x a e
b
2 cd c
x e
3ccd
x e
x cc
x aa
1 ghge
xaacc
xaacc
3aac
x c
xc b
xa e
b
1 efec
xaa c e
3c
x f e
x
Arto wrote:
BTW his real name is Joulupukki, in Finnish.
So, that means Christmas Goat, doesn't it?
;)
G
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
.
- Original Message -
From: Arto Wikla [EMAIL PROTECTED]
To: G. Crona [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]
Sent: Thursday, December 29, 2005 8:46 AM
Subject: Re: Joulupukki - Santa C. Was: Arto...
Hi Göran,
on Friday 23 December 2005 00:16, you wrote:
BTW his real name is Joulupukki
Hi Denys,
I have a nylon Backpacker. It's form makes it quite difficult to play. I
suppose, if you had one of those http://www.slider-straps.com/ it would do
the trick. Or some own invention with support under the instrument's body.
My favourite though is the Aria Sinsonido AS-100C-SPL. Great
Hi Denys,
I have a nylon Backpacker. It's form makes it quite difficult to play. I
suppose, if you had one of those http://www.slider-straps.com/ it would do
the trick. Or some own invention with support under the instrument's body.
My favourite though is the Aria Sinsonido AS-100C-SPL. Great
Could this have anything to do with it?
From Alexander Batov's webpage:
According to the research carried out by Robert Lundberg on historical lute
construction, a typical six-course lute of the late 16th century would have
had its neck about one and a half Venetian inches wide at the nut
Hi Rainer,
Your ex. 1 makes much more musical sense.
For ex. 2, I do prefer the original (see echo in bar 23).
B.R.
G.
- Original Message -
From: adS [EMAIL PROTECTED]
To: Lute net lute@cs.dartmouth.edu
Sent: Monday, February 27, 2006 11:58 PM
Subject: [LUTE] Milan, Fanatrsia 8
Dear
Hi All,
I've been reading about this (for us) worthwile project:
http://www.omras.org/ECOLM/Tech_appendix.html
on the web for years and years, but it doesn't seem to have progressed
beyond good intentions.
Is anyone aware of any developments in the matter?
B.R.
G.
To get on or off this
Smith's book is less scientific and bit superficial in my opinion
But also covers a lot of ground within the limited space!
- Original Message -
From: Taco Walstra [EMAIL PROTECTED]
To: Luca Manassero [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Saturday, March 04, 2006 5:41 PM
Hi Sandy,
funny, how threads tend to pop up again. We discussed this in depth almost
exactly a year ago, and I provided a *.tab of the piece. IMV we resolved the
matter there. I'll send you an ft2.
B.R.
G.
- Original Message -
From: Sandy Hackney [EMAIL PROTECTED]
To:
The instrument in question was a kind of lira da braccio, built by Leonardo
in the shape of a horse's head. There is a drawing by Leonardo which
resembles such an instrument: a horned animal's skull with strings stretched
over a soundbox and fretted fingerboard.
Is this image to be found
While reading through the instructions of Valderrabano, I came upon the
following:
fol. A5 last paragraph, end of line 3
..tambien es de saber que toda cifra colorada se pone para cantar y que NO
se debe de tañer.
[...you should also know, that all the colored ciphers are put there to be
sung,
. It seems to me (uneducated opinion!) an
indication that the player was assumed to be doing the singing also, since
there are no accompanying vocal parts--just the underlay of text and dots
next to tablature notes.
Leonard Williams
On 7/15/06 6:53 PM, G. Crona [EMAIL PROTECTED] wrote:
While
Don't the secular start with BWV 201?
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: LGS-Europe [EMAIL PROTECTED]; Lute Net lute@cs.dartmouth.edu
Sent: Saturday, July 29, 2006 1:41 AM
Subject: [LUTE] Re: Lutes in church
Indeed classified as such, but composed for the
Dear Arthur,
after reading your message below, I re-read your introductory text, and
found a few things that are still somewhat unclear to me:
1. The viola in Sultzbach's title is now definitely considered as being a
viola da mano no? What about the assertions that F. also played the viol
: Arthur Ness [EMAIL PROTECTED]
To: G. Crona [EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Saturday, August 19, 2006 11:28 PM
Subject: Re: [LUTE] F. da Milano [was: P H Lang: Music in Western
Civilization] (2 of 2)
Hi Goeran,
Let me see if I can straighten some of this out for you
There is a Lute Society (GBR) ed. of all the Matelart duets + the known
Francesco duets by Gordon Gregory 1997 ISBN 0 905655 08 7
- Original Message -
From: Stewart McCoy [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Monday, August 28, 2006 12:29 AM
Subject: [LUTE]
Hi,
after Stewart's recent mail on Matelart's fantasia terza, I had a thorough
look again, (after a very long time), at his fifteen solo fantasias, and
liked them very much. They contain mistakes, but are intermediate,
idiomatic and fun to play. What struck me at once, was the similarity in
style
Made it...
Enjoy!
G.
- Original Message -
From: Wolfgang Wiehe [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Monday, September 18, 2006 8:44 AM
Subject: [LUTE] valderrabano duo
hi all,
i am searching for a fronimo version of valderrabanos duo et in spiritum
sanctum from the
It'd have to be:
get your ass off?...knock your ax off?
- Original Message -
From: [EMAIL PROTECTED]
To: Stewart McCoy [EMAIL PROTECTED]; Lute Net
lute@cs.dartmouth.edu
Sent: Wednesday, October 11, 2006 2:12 AM
Subject: [LUTE] Re: Hip and Sting
--- Stewart McCoy [EMAIL PROTECTED]
- Original Message -
From: Michal Gondko [EMAIL PROTECTED]
To: [LUTE] lute@cs.dartmouth.edu
Sent: Wednesday, October 18, 2006 3:40 PM
Subject: [LUTE] Re: more than 6 courses
Erm...there is said to be 7 course tab. in the Pesaro ms. ca. 1490s.
Viele Grüsse
G.
Andreas asked about
Andreas:
Teutsch Lautenbuch 1574:
Measures where the 7th diapason is required:
Piece nr. 4 Creator final chord loose diapason
Piece nr. 11 Si bona m. 6 first and last chord loose diap.
m. 7 first chord loose d.
m. 11 third chord loose d.
m. 69 last chord loose d.
Piece nr. 12 Aspice m.76
Sinä missut pointtit Arto,
I was talking about 1550s!
Anteksiin
G,
- Original Message -
From: Arto Wikla [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Friday, October 20, 2006 10:22 PM
Subject: [LUTE] Re: more than 6 courses
Oops, sorry for my grammatical error:
Well, as you
Its the 6th and last Fantasy in Varietie of Lute Lessons (Musical Banquet is
also 1610 and Robert's publication. Father John promoting his son?)
Here you'll find the complete facsimile of Varietie:
http://www.shipbrook.com/jeff/bookshelf
And if you (perchance) would like to have a look at
Thanks Gernot,
it came to 12,71 Euros within Europe, still quite cheap for a double CD.
Hope it's good! :)
Best
G.
- Original Message -
From: Gernot Hilger [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Friday, May 11, 2007 3:45 PM
Subject: [LUTE] Re:
For spanish speakers, these guys are really funny. (And also very good! IMO)
http://www.lesluthiers.com/pag1.htm
Any english speaking equivalents?
G.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hi Steve!
And thanks a lot!
Would it be too much to ask for a list of available microform lute ouvre
copies?
Best
G.
- Original Message -
From: steve gottlieb [EMAIL PROTECTED]
To: Arthur Ness [EMAIL PROTECTED]
Cc: Lucas Harris [EMAIL PROTECTED]; Lute Net
lute@cs.dartmouth.edu
[EMAIL PROTECTED]
To: G. Crona [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Wednesday, May 23, 2007 12:00 AM
Subject: [LUTE] Re: complete Piccinini on cd
Amazon.de have lowered the price to ?4,95.
My copy arrived today. I have not heard too much, but it sounds
promising and is definitely worth
: Bernhard Hofstoetter [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; Bernd Haegemann [EMAIL PROTECTED]; Gernot
Hilger [EMAIL PROTECTED]; G. Crona [EMAIL PROTECTED]; Edward
Martin [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Wednesday, May 23, 2007 5:54 PM
Subject: [LUTE] Re: complete Piccinini on cd
]
To: lute@cs.dartmouth.edu
Sent: Monday, June 11, 2007 11:22 PM
Subject: [LUTE] Re: complete Piccinini on cd
Oeps, should have read: only _one_ duet by Piccinini.
- Original Message -
From: LGS-Europe [EMAIL PROTECTED]
To: G. Crona [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent
I often play the Cutting version of this piece, which is excellent.
Your two samples were diametrically different, are you happy with any of
them?
Best
G.
- Original Message -
From: LGS-Europe [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Wednesday, June 13, 2007 11:38 AM
Subject:
This is from the suite I play! Nice music. Sounded much better although a
tad metallic. Double courses?
Best
G.
- Original Message -
From: LGS-Europe [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Saturday, June 16, 2007 1:34 PM
Subject: [LUTE] Zamboni added
Just recorded and
Dear Susanne,
this is what I found:
Calata - the name may be derived from the Italian calle (path or small
street) c.f. German Gassenhauer passacalle. In a poem of c. 1420
Prudenzani cited the playing of Calata de maritima et compagnia,
interpreted
by Debendetti as referring to dance songs
This list is a sucker for quickly broadening the subject. *Very*
non-academic! ;)
Whatever happened to the [olim] or [was] before the subject when broadening?
Netiquette, people, netiquette!!
G.
- Original Message -
From: David Rastall [EMAIL PROTECTED]
To: Howard Posner [EMAIL
Hi Werner,
I'm afraid _that_ i is just a bleeding from the previous page. (You'll
find a lot of strange signs in Capirola under the magnifying glass that are
just due to bleeding!
Incidentally, two dots over a cypher in Capirola does not mean a right hand
fingering, but is a mordent ornament.
Here is another fast and easy dish that you can cook on a day when you are
in a Spinachino mood.
Spinacino à la Fiorentina
Marinate thin filets of fish (preferably of the flounder category) in lemon
juice, salt and pepper for around 20 minutes, until fish goes whitish.
Stir fry 1 medium big
If this is what two books, one tablature, one score is going to look like,
then Italian tablature readers certainly have something to look forward to!
G.
- Original Message -
From: [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Monday, August 13, 2007 4:49 PM
Subject: [LUTE] Very
Great pics David! But why aren't they clickable?
- Original Message -
From: LGS-Europe [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Friday, September 21, 2007 7:23 PM
Subject: [LUTE] pictures
Way off topic, but some people know what I've been up to last weekend and
have been
BTW, I assume that you can reopen the file in its original location. Can
you
successfully copy the file to another location on the hard drive? another
medium like a CD-ROM, or perhaps even another flash drive? That might tell
you something about where the file is getting corrupted.
Guy
Omer, you should look at Spinacino 1507 for several Agricola pieces.
In the seminal History of the lute by D.A. Smith we read the following about
those Newsidler pieces:
Newsidler says he left some pieces unadorned so that the inexperienced
could play them. He lavishly embellished other pieces,
You might also take a look at:
http://en.wikipedia.org/wiki/Alexander_Agricola
http://www.icking-music-archive.org/ByComposer/Agricola.php
http://home.planet.nl/~teuli049/petrucciblad.html#agric
Best
G.
- Original Message -
From: Omer katzir [EMAIL PROTECTED]
To:
WOW!
You guys remind me of Presti-Lagoya on lute in the Gigue. Superb playing and
most pleasant sound spectrum. (Must be all gut to make such a sweet
sound?) Also very well recorded MP3 audio and great choice of repertory.
High Kudos for your excellent demos! Thanks a lot :)
Best Wishes
G.
Good idea Susanne!
It would be most convenient to have a site where as much as possible of the
iconography could be found. Well catalogisized and in both tumbnails and
bigger versions. A sort of mini Wikipedia like, where we could go in and add
information if available. I believe Alfonso
I recently watched a YouTube clip with PO´D, from some instructional TV
program, where he played the Poulton #73 (Molinaro-dubious-very-fine)
Fantasia with dedillo in the final show-off. I thought that was cool, as I
play it differently. (cf. also Cat Stevens - thumb - index - raking. You
really
O.K., sorry if I'm mistaken. I think I used Spinacino as key word. In the
beginning he's talking to a guy on elementaries like courses, and finishes
with the #73. The piece is tentatively attributed to Dowland by Poulton
according to style. I think its a very fine piece, and its one of my favs.
PS. #73 has an identical beginning as 2 of Molinaro's fantasias.
- Original Message -
From: Gernot Hilger [EMAIL PROTECTED]
To: Lute List lute@cs.dartmouth.edu
Sent: Thursday, November 01, 2007 10:49 PM
Subject: [LUTE] Re: dedillo
The video looks very much like dedillo, but the sound
Nice version Ron!
your's is a little bumpier than my version for 6 course, as you use a few more
dotted notes than I, but otherwise they're very similar. Looking good for
performance!
Best wishes
G.
- Original Message -
From: Ron Andrico
To: [EMAIL PROTECTED] ;
- Original Message -
From: Ron Andrico [EMAIL PROTECTED]
and the fact that the piece really needs reconstruction does not help the
matter.
Needs reconstruction It lacks a rhythmic sign in ms. 4 and a chord at
the end of ms. 20 in the facsimile, I would hardly call that needs
O.K. Ron,
I took the time to compare your version with the original, because this is a
piece close to my heart.
The original is for 7 courses. You rearrange it for 8 course lute. You
introduce dotted notes in places before where the facsimile seems to have a
dot over some ciphers. I don't quite
, and in bar 46 the
5th to 8th notes, and the last four chords, should be omitted, giving us
the bass G (currently last bar, second beat) as the first note of the last
bar.
Comments, anyone?
Martin
G. Crona wrote:
- Original Message -
From: Ron Andrico [EMAIL PROTECTED]
and the fact
The soloist is Luca Pianca, of Il Giardino Armonico fame. He usually plays
single strung, like many of his peers.
- Original Message -
From: howard posner [EMAIL PROTECTED]
To: Bruno Correia [EMAIL PROTECTED]
Cc: Lute List lute@cs.dartmouth.edu
Sent: Tuesday, November 13, 2007 2:37 AM
It says: Hans Neusidler Lutenhift zu Nürnberg 1547
In Brown: 1547/4 = Das erste Buch
- Original Message -
From: Andrew Gibbs [EMAIL PROTECTED]
To: Anthony Hind [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Thursday, November 15, 2007 3:03 PM
Subject: [LUTE] Re: Rauwolf/Munro
I
Could this mean that the lute at one time belonged to Father Neusidler?
- Original Message -
From: Mathias Rösel [EMAIL PROTECTED]
To: G. Crona [EMAIL PROTECTED]
Cc: Anthony Hind [EMAIL PROTECTED]; Andrew Gibbs
[EMAIL PROTECTED]; lute@cs.dartmouth.edu
Sent: Thursday, November 15
Here's a content index.
http://www.xs4all.nl/~stremen/fomrhi.html#1975-11
- Original Message -
From: Martyn Hodgson [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Tuesday, November 20, 2007 10:26 AM
Subject: [LUTE] FoMRHI - copyright and a rebirth?
Following recent
There are 75 articles on the lute.
- Original Message -
From: Martyn Hodgson [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Tuesday, November 20, 2007 10:26 AM
Subject: [LUTE] FoMRHI - copyright and a rebirth?
Following recent communications which mentioned FoMRHI, I
Yes, no problem. Go to full view and save each jpg in a catalogue of your
choice. This version is much easier to read than the 1608 version mentioned
a week ago. After downloading you can make a pdf for easier navigating.
Thanks for the link Bruno!
Best
G.
- Original Message -
From:
Stats:
298 jpg:s
PDF size = a whooping 33 Mb!
- Original Message -
From: G. Crona [EMAIL PROTECTED]
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu; Bruno Correia
[EMAIL PROTECTED]
Sent: Thursday, November 22, 2007 11:02 AM
Subject: [LUTE] Re: Renaissance consonance and dissonance
Hi Chris,
I actually believe this is quite cool. I've thought
for a while that it would be great to have a
solid-body electric theorbo or baroque lute with
detachable sides like the SoloEtte travel classical
guitar (http://www.soloette.com/nylonspecs.htm). With
headphones, this would be great
Hi Michael,
when I got my first lute in the early 80's, after playing lute music on
guitar since the early 60's, my teacher recommended an 8-course, arguing in
favour of a versatile instrument which could be used for a time span of
roughly the whole 16th century. As you know, course development
Dear Mathias,
the liner notes say: Einige der hier eingespielten contreparties sind
Manuskripten entnommen _die sich in Privatbesitz befinden._!
B.R.
G.
- Original Message -
From: Mathias Rösel [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Monday, November 26, 2007
http://www.youtube.com/watch?v=ncPfYJH7cYofeature=related
- Original Message -
From: Omer katzir [EMAIL PROTECTED]
To: G. Crona [EMAIL PROTECTED]
Sent: Monday, November 26, 2007 3:23 PM
Subject: Re: [LUTE] No comment
Please kill me now...
arch guitar...? my cat...
On Nov 26, 2007
TANSTAAFL!!!
- Original Message -
From: A.J. Padilla, M.D. [EMAIL PROTECTED]
To: David Tayler [EMAIL PROTECTED]; lute-cs.dartmouth.edu
lute@cs.dartmouth.edu
Sent: Tuesday, November 27, 2007 1:24 PM
Subject: [LUTE] Re: Free Lute Classes
Where???
- Original Message -
From:
Very good news!
Now we can check the facsimile against Kenneth Be on YouTube, and D. Towne
on the Fronimo page (and perhaps someone may even take on to put also book
two there?). Kudos to all involved in putting this landmark facsimile freely
on the net!
Best wishes
G.
PS. The first duet
There is some Caccini here apparently:
HOVE, Joachim van den, 1567-1620
Lautenbuch, Leiden 1615, Gesamtfaksimile / Complete Facsimile. Faksimile
nach der Lautenhandschrift in der Staatsbibliothek Berlin Signatur: Mus. ms.
autogr. Hove 1. Kommentar: Ralf Jarchow.
Glinde, 2006.
(Contents:
Or again, highly audible
http://www.youtube.com/watch?v=60iWlyQhlbgfeature=related
--
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Look at what lute musicians have to put up with, not only inaudibility, but
also invisibility!
http://www.youtube.com/watch?v=JApax3L1mbofeature=related
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Whatchamacallit?
Harp-psaltery-bass?
Harp-bass?
Multistring-guitar?
Stringochordion?
Ego-booster?
21st century lute?
Metheny's folly?
I don't know!
http://www.youtube.com/watch?v=euFmx_wtsoo
MC
G
- Original Message -
From: Gernot Hilger [EMAIL PROTECTED]
To: Lute@cs.dartmouth.edu
That u is probably 11th fret.
MC
G
- Original Message -
From: [EMAIL PROTECTED]
To: \'lute-cs.dartmouth.edu\' lute@cs.dartmouth.edu
Sent: Sunday, December 23, 2007 3:40 PM
Subject: [LUTE] Italian lute tab
Dear All,
I'm working on a transcription/realisation for keyboard of
It has to be OLD right?
Well, here's old for you;
12th century:
http://tinyurl.com/yvkknu
You want even older? Right,
6th century:
http://tinyurl.com/258uc4
http://tinyurl.com/2h4zxk
http://tinyurl.com/ynrgbf
Not satisfied?
OK. really really OLD!
http://tinyurl.com/28kn9v
Are,
I had a quick look through the libro primo di lauto, but could not find any
indication of more than 10 courses. You must be mixing up the primo di
chitarone.
G.
- Original Message -
From: Are Vidar Boye Hansen [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Thursday,
]
To: G. Crona [EMAIL PROTECTED]
Cc: Lute@cs.dartmouth.edu
Sent: Thursday, January 17, 2008 2:02 PM
Subject: [LUTE] [OT] Making PDF's
This is normally not a setting within the acrobat software. I think the
header comes from the application you are printing from...
C.
G. Crona wrote:
Does
What do you call a tablature polyglot? A tablyglot?
G.
- Original Message -
From: Are Vidar Boye Hansen [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Thursday, January 17, 2008 6:45 PM
Subject: [LUTE] Re: Theorbo in G?
As you imply: I guess it's because they can't be bothered
Yeah, and he was probably right! On second check, page 29 ms. 27 shows an
11th course?
G.
- Original Message -
From: Are Vidar Boye Hansen [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Thursday, January 17, 2008 6:33 PM
Subject: [LUTE] Re: Kapsberger's lute (was: banchieri and
Corrente 7
- Original Message -
From: Are Vidar Boye Hansen [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Thursday, January 17, 2008 8:02 PM
Subject: [LUTE] Re: Kapsberger's lute (was: banchieri and the Theorbo in G)
Yeah, and he was probably right! On second check, page 29 ms.
No, (just answer yourself). Its a 9 with a dotted note, hence not an 11th at
all! This music is purely 10 c
- Original Message -
From: G. Crona [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu; Are Vidar Boye Hansen
[EMAIL PROTECTED]
Sent: Thursday, January 17, 2008 8:08 PM
Subject: Re
The 8 strings seem to lie rather close and could be single? The neck looks
unnaturally long, as do the fretwidth. Could this instrument work, or does it
scream a figment of the artist's imagination?
G.
- Original Message -
From: Martyn Hodgson
To: G. Crona ; Lute
Great perfirmance indeed! Very evocative and affektiert. Don't know if the
archlute (thankfully double coursed) is something Dowland would have played
on, but it sounded great. Short nails on RH. Combination of TI - TO. Lots of
changes of RH position and holding of the lute, which makes the
the
last chord is of course questionable in spite of the drama.
G.
- Original Message -
From: Lute [EMAIL PROTECTED]
To: 'G. Crona' [EMAIL PROTECTED]; 'Lutelist' lute@cs.dartmouth.edu;
'Roman Turovsky' [EMAIL PROTECTED]
Sent: Thursday, January 24, 2008 8:00 PM
Subject: AW: [LUTE] Re
This user has uploaded a whole bunch of interesting Sting / Karamazov
videos:
http://www.youtube.com/user/kondorn
Tip: I often go to the user page when I see an interesting video and have a
look at his / her other postings.
G.
- Original Message -
From: Roman Turovsky [EMAIL
On the lute? A single strung, metal fretted Liuto forte? Does this qualify
as an anachronism?
I don't think there is anything here that couldn't be done just as well (or
better) on a guitar. But sure, it looks cool, and perhaps there is a timbre
or tone quality that could not be replicated on
- Original Message -
From: Thomas Schall [EMAIL PROTECTED]
To: G. Crona [EMAIL PROTECTED]; Lutelist lute@cs.dartmouth.edu
Sent: Saturday, January 26, 2008 4:09 PM
Subject: Re: jazz on lute
That's true
My point wasn't to show a extra quality - just that a lute (or in that
case
at the 8th or 10th course. That means there will be no
harm
to the music if your left-hand finger snags up an adjacent string.
Best wishes,
Stewart McCoy.
- Original Message -
From: Ed Durbrow [EMAIL PROTECTED]
To: G. Crona [EMAIL PROTECTED]; LuteNet list
lute@cs.dartmouth.edu
Sent
But also look at the second picture from the bottom here:
http://louispernot.com/Fr/PerrineE.html
Anyone could get confused!
G.
- Original Message -
From: Ronny Andersson [EMAIL PROTECTED]
To: lute Net lute@cs.dartmouth.edu; Stewart McCoy
[EMAIL PROTECTED]
Sent: Sunday, January 27,
Olet Hyvää Arto!
G.
http://en.wikipedia.org/wiki/Tarantella
http://www.virtualitalia.com/articles/tarantella.shtml
http://www.artship.org/TarantellaNew1106/TaraPostPrefSubIndex1106.htm
http://www.sicilianculture.com/folklore/tarantella.htm
Taranta.
A flamenco-type song of Andalusian
HA-HA-HA!
That's not what it means. Free lutescores abound, thanks Apollon! How good
they are is another question...
G.
- Original Message -
From: Sean Smith [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Sunday, March 02, 2008 5:24 PM
Subject: [LUTE] Re: Nigel North's
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